1
Hotatsu-Nami - Luna
2
Hotatsu-Nami - Like A Snake
3
Hotatsu-Nami - Endless
4
Hotatsu-Nami - Utsuru
5
Hotatsu-Nami - Has He Gone
6
Hotatsu-Nami - Fossils Of Childhood
7
Hotatsu-Nami - Nariyama
8
Hotatsu-Nami - Ring Kerry
9
Hotatsu-Nami - To Lappland
“Originally released on the lauded Green Energy label from experimental maverick Henry Kawahara, Forest Jams is thrilled to present the official re-issue of Nami Hotatsu’s sophomore album – revised and re-christened “Ultra Hyper Cosmic Voice” by the artist herself. Equal parts beguiling and inviting, Nami’s mixture of vocals and driving propulsive beats still sound as fresh and as captivating as when they were originally released in 1994. Now, thirty years later, we invite you to discover Nami’s “perfect world of being” in its totality – awakening yourself to the unknown world inside through what lauded producer Haruomi Hosono hailed as a “shamanistic” vision!” – Hsu Jui-Ting
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Forest Jams
1
Mori Ra - Catharsis Edit
2
Mori Ra - Seinn O! Edit
3
Mori Ra - The Grandson Traveler
4
Mori Ra - That Star
Forest Jams continues the journey into the great beyond with Mori Ra’s Mantra–an EP composed of four edits created for any inquisitive earthling and forest wanderer. Mori Ra is a DJ based in Osaka, Japan his sets are a witches brew composed of balearic, cosmic, and electronic disco ingredients. He has released on other labels such as Rotating Souls, Macadam Mambo, Berceuse Heroique, MM Discos and more. In Mantra, Mori Ra acts as a mysterious wanderer who has stumbled upon the doors of our minds in the middle of the night. When we answer the door he is bearing gifts of creative glory and all we need to do is provide shelter in return. We invite him in so that he can rest, recharge, and continue his journey. During his visit in our minds Mori Ra shares “Mantra” the secrets of the universe disguised as parables packaged neatly into four tracks. Catharsis begins the journey and immediately throws us into a sound that feels like we are driving a spaceship in Gran Turismo 37, the spaceship simulator. Now that we have successfully crossed the plane and have entered the digital unknown, Seinn O! becomes the story of communication. Seinn O! gave the smoke leaving my mouth color and the shamanistic chants placed me in an atmospheric state with the ability to cross over and communicate in the digital space. Then comes ??? the Grandson Traveler, which embodies the story of the simulation. Imagine the sound of a bustling dystopian city in the matrix–neon signs, dancing billboards, talking vending machines, radioactive wildlife, and overgrown foliage leaking in from the jungle the city is carved into. Mori Ra seems to have melded all of those sounds together to create the soundtrack of the big city where everyone is lost. Finally, before leaving our minds Mori Ra offers the final parable, ??? That Star. Which becomes the story of realization, the journey back home from the exploration of the mind. That Star brought me into a cave and I could see the opening at the end of it, all I had to do was walk towards it. However, I couldn’t walk. I could only galumph forward, while bouncing up and down to the beat. My arms slivered and guided my body forward as the vocals came in. As I moved forward the opening, the clearing, the destination remained the same distance away. The endless tunnel of the mind gave me a feeling of comfort because I did not want this journey to end. The EP ends and we will never know who visited our minds that night, but we know we loved the journey. Mori Ra is the steward of our journey through consciousness, and the vessel is “Mantra”.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Kelly Lane - J'Voudrais Qu'Tu M'Dises
2
Kelly Lane - J'Voudrais Qu'Tu M'Dises (Version Radio)
3
Kelly Lane - J'Voudrais Qu'Tu M'Dises (Instrumental)
4
Kelly Lane - J'Voudrais Qu'Tu M'Dises (Version Dance Remix)
J’Voudrais Qu’Tu M’Dises marks another official 12? French re-issue from the Forest Jams label. Like the previous ‘Nathalie Letertre’ record we have a name on the front of the jacket but with little information behind it. What we do know is that Kelly Lane’s vocals sit atop this obscure synth-pop meets house meets slight boogie with a smooth aggression, equally cute as it is equally strong, funky indeed. For those that just want the music there’s an instrumental version on the B-side. Two extra versions taken from the CD are re-mastered and included on this release with a surprisingly dancey ‘radio’ version and a pumping/housier ‘version dance remix’. Let Kelly Lane’s “J’Voudrais Qu’Tu M’Dises” find its way to your heart.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Osamu Kitajima - Beyond The Circle
2
Osamu Kitajima - Mind Thieves
3
Osamu Kitajima - Darkness Desired
4
Osamu Kitajima - Blue Fire
5
Osamu Kitajima - Evening Privilege
6
Osamu Kitajima - The Bush Warbler
7
Osamu Kitajima - Fading Sky
8
Osamu Kitajima - Bonito Moxie
9
Osamu Kitajima - Goldfish Lingo
10
Osamu Kitajima - Distant Episode
An official re-issue of the 1996 album, Beyond the Circle, from Dr. Osamu Kitajima presented by Forest Jams on vinyl for the first time.
As the title suggests, Japanese music explorer Osamu Kitajima takes the listener beyond the known on a musical voyage into new territory where his compositions are a synthesis of Western electronics and ambient dance rhythms, tempered by the wisdom of ancient Japanese traditions. "Beyond the Circle" is music that is as energizing as it is spiritual and melodic.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
As the title suggests, Japanese music explorer Osamu Kitajima takes the listener beyond the known on a musical voyage into new territory where his compositions are a synthesis of Western electronics and ambient dance rhythms, tempered by the wisdom of ancient Japanese traditions. "Beyond the Circle" is music that is as energizing as it is spiritual and melodic.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Simon Peter - Every Cloud
2
Simon Peter - You Don't Send Slow Waves Anymore
3
Simon Peter - Every Cloud (Coastlines Remix)
4
Simon Peter - You Don't Send Slow Waves Anymore (Shu Suzuki Remix)
Forest Jams sticks close to recent original balearic/beach records like the Starving Daughters LP & Expositions EP with a 12" by Simon Peter. Simon Peter has previously had his work showcased on labels such as Claremont 56, Aficionado, and Archeo Recordings, and now has two intimate, original balearic productions on the Forest Jams label. The B-Side of the record utilizes two remixes both from Japan. One from the duo Coastlines (Flower Records, Be With Records) with their signature down-tempo lush sound filled with beautiful piano work throughout and the other from newcomer Shu Suzuki who takes things on a non-stop psychedelic journey that’s both beautiful & mind-bending. Artwork by Ty Williams.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Strange Valleys, the 2018 full-length from Starving Daughters, is a progression as well as a shift in sound from the LA band's already-stellar previous releases. Make no doubt about it that the sound of Progressive Rock and Psychedelia still play a big role here but there's certainly a greater influence from Library Music on the new LP. The Starving Daughters Vinyl Impressions blog, led by Chris Tillotson of the band, shared the music of Chris's collection of which many were Library LP's. These records seemed to have seeped into the mind, body, and souls of the whole band on this Strange Valleys LP.
Everything from the instrumentation, the attention to melody, to the track-length shows the large appreciation they have for Library music. That being said, this moog-heavy, psychedelic-prog-funk, California-themed record is certainly unique and adventurous.
Winding through the exotic roads of Strange Valleys is certainly a trip well worth taking over and over again.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Everything from the instrumentation, the attention to melody, to the track-length shows the large appreciation they have for Library music. That being said, this moog-heavy, psychedelic-prog-funk, California-themed record is certainly unique and adventurous.
Winding through the exotic roads of Strange Valleys is certainly a trip well worth taking over and over again.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Basil & Rogers is a sleazy, California Disco duo made up of Heru (DJ) Johnny Basil and Body Rogers. Basil, a multi-instrumentalist, long-time record collector, and energy healer is a man that's been making music for a long time under many different guises and in many different styles. Heru Avenger (Acid/Psych Rock), Non Stop (Electronic/Free Jazz), Baast (Kraut Rock/Jazz Funk), and Kandi Jones (Slut Rock) are just a few of his projects, past and present. Most of this music has been around for the entirety of the 90's and 2000's without being heard because despite Basil's outspoken appearance (described by many as looking like Iggy Pop's twin brother and would never be caught wearing a T-shirt no matter the location) he's very quiet about his musical output. Body Rogers is also part of the Non Stop group and is a master of electronics and engineering. On the Basil & Rogers project the two have made a disco 12" that is influenced by classic-era dance music while still being completely unique and far from conforming. It's crazy, it's sexy, and it's sleazy. 'Tune In'.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Customers who bought this also bought this
1
Interior / NILS-UDO - Part I
2
Interior / NILS-UDO - Part II
3
Interior / NILS-UDO - Part III
4
Interior / NILS-UDO - Part IV
Genre: Ambient, Experimental, Electronic, Environmental, Sound Design
LP: Limited Edition of 500, Heavy 350gsm Sleeve, Obi
Tracklisting LP
A1. Part I
A2. Part II
A3. Part III
B1. Part IV
Info
WRWTFWW Records is happy to further its collaboration with Japanese electronic/ambient group Interior by releasing their never-heard-before soundtrack for environmental artist NILS-UDO’s 1987 Laserdisc Sculpture of Time (Apocalypse). The intriguing sound design/kankyo ongaku/new age album is available as a limited edition LP housed in a heavyweight 350gsm sleeve and comes with a obi strip. It is also available in digital format.
In 1987, Intermission published a Japan-only Laserdisc showcasing one hour of works created by renowned German environmental artist NILS-UDO. To accompany the visuals, they commissioned electronic music group Interior, fresh off their Haroumi Hosono-produced self-titled debut (also available on WRWTFWW Records) and their Windham Hill Records-released sophomore album Design. For the first time ever, the soundtrack is now available in full HD glory, demonstrating Daisuke Hinata, Eiki Nonaka, Mitsuru Sawamura, and Tsukasa Betto’s precise, subtle, and spellbinding approach to ambient sound design.
Calming nature sounds, ritualistic synths, meditative atmospheres, and eruptive forays into darker territories mesh superbly in a 4-part soundscape that flirts with oeuvres such Midori Takada’s Through The Looking Glass and Hiroshi Yoshimura’s Green, making Sculpture of Time one of one of the best kept secrets of kankyo ongaku – a must have for mystery hunters and levitating music lovers.
Sculpture of Time (Apocalypse) follows WRWTWW’s reissue of Interior’s debut album and precedes the upcoming release of Tarzanland, band member Daisuke Hinata’s pitch perfect solo from 1989.
Points of interests
For fans of ambient, environmental, experimental, meditative, sound design, synthesizers, art, mysterious albums, never released music, Midori Takada, Hiroshi Yoshimura, rituals, burning wood, Laserdiscs, wondering where the world is going.
First ever release of the soundtrack created by Japanese kankyo ongaku unit Interior for environmental artist NILS-UDO on limited edition LP.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP: Limited Edition of 500, Heavy 350gsm Sleeve, Obi
Tracklisting LP
A1. Part I
A2. Part II
A3. Part III
B1. Part IV
Info
WRWTFWW Records is happy to further its collaboration with Japanese electronic/ambient group Interior by releasing their never-heard-before soundtrack for environmental artist NILS-UDO’s 1987 Laserdisc Sculpture of Time (Apocalypse). The intriguing sound design/kankyo ongaku/new age album is available as a limited edition LP housed in a heavyweight 350gsm sleeve and comes with a obi strip. It is also available in digital format.
In 1987, Intermission published a Japan-only Laserdisc showcasing one hour of works created by renowned German environmental artist NILS-UDO. To accompany the visuals, they commissioned electronic music group Interior, fresh off their Haroumi Hosono-produced self-titled debut (also available on WRWTFWW Records) and their Windham Hill Records-released sophomore album Design. For the first time ever, the soundtrack is now available in full HD glory, demonstrating Daisuke Hinata, Eiki Nonaka, Mitsuru Sawamura, and Tsukasa Betto’s precise, subtle, and spellbinding approach to ambient sound design.
Calming nature sounds, ritualistic synths, meditative atmospheres, and eruptive forays into darker territories mesh superbly in a 4-part soundscape that flirts with oeuvres such Midori Takada’s Through The Looking Glass and Hiroshi Yoshimura’s Green, making Sculpture of Time one of one of the best kept secrets of kankyo ongaku – a must have for mystery hunters and levitating music lovers.
Sculpture of Time (Apocalypse) follows WRWTWW’s reissue of Interior’s debut album and precedes the upcoming release of Tarzanland, band member Daisuke Hinata’s pitch perfect solo from 1989.
Points of interests
For fans of ambient, environmental, experimental, meditative, sound design, synthesizers, art, mysterious albums, never released music, Midori Takada, Hiroshi Yoshimura, rituals, burning wood, Laserdiscs, wondering where the world is going.
First ever release of the soundtrack created by Japanese kankyo ongaku unit Interior for environmental artist NILS-UDO on limited edition LP.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Duval Timothy - A1. WhatsApp
2
Duval Timothy - A2. Whale
3
Duval Timothy - A3. Introvert
4
Duval Timothy - A4. Ball
5
Duval Timothy - A5. Language feat. Nicholas Mandolas
6
Duval Timothy - B1. No
7
Duval Timothy - B2. Wahala
8
Duval Timothy - B3. Nijo
9
Duval Timothy - B4. Dust
10
Duval Timothy - B5. Ibs
11
Duval Timothy - B6. Emmerson
Where We're Calling From
The Liminal Zone: Reflections on Duval Timothy’s Sen Am
Lamin Fofana
Sen Am is an enduring and tender album, rich and beguiling and generous in a quiet way. Over the last few years, I find myself returning to it, listening and absorbing, reflecting on the voices and working through the multiple layers of feelings and themes it announces with confidence and equanimity. Notions of care and contradiction, expressions of joy and desire and the underlying feeling of unease and turmoil; there is an urgent appeal to the listener for generosity, to strengthen our capacity to hear multiple voices simultaneously, to exist in multiple places at once.
Duval Timothy’s music was dropped into our world from another realm sometime in the spring of 2017. We received the call and we answered it. The rhythm and spirit was transmitted via London’s NTS Radio on the Do!! You!!! Breakfast Show with Charlie Bones and a short while later we were listening to the first vinyl edition of Sen Am in our living room in Berlin. The record got a lot of plays (at home and at some shows, before and after performances). It was like sunlight filtering through a cracked window and remaining there for a moment, dancing. Blue music emanating from a liminal zone, an in-between space, somewhere on the outskirts of Freetown, or rural Sierra Leone, or the outer edges of South London, or Bath, UK, or some undisclosed orbit, unfixed location. The music is soaked in diasporic experiences. It refuses to settle but still invites us to enter and stay awhile in that zone, where multiple forms exist (all) together with jazz, hip-hop, various strands of expressive electronics and experimental music all breathing together and moving around. It is a portal to a place of possibilities, a space for building and repairing possible and lost connections. But life in that liminal zone is precarious; it is life under duress; under pressure – not merely the pressure to produce a presentable, categorizable, and salable body of work, but the pressure that compels us to experiment and create new concepts and things that will help us imagine a different existence, a way out of the turbulence.
Freetown is a marvellous and sometimes sad place. It is one of those unmistakable locations inscribed diasporic memory; a place that touches you, a place that holds you and demands you bear witness: witness to pain, poverty, joy and desire. You remember the voices and the eyes of people even in momentary encounters. In Sen Am, you hear not only Duval’s recollections and sounds of Freetown, you hear family and friendship, people coming together and forming bonds, creating surrogate families. Forging community wherever you go is a practice, and community is at the core of this music. It’s in all the voices, from Emmerson and 6pac to Aminata and Aruna. It opens up a space for Black voices, for Sierra Leonean voices, and those voices extend through the succeeding projects, the 2 Sim EP and the album Help, and all that radiates from Duval’s Carrying Colour imprint.
Thank you for the invitation to write about the album Sen Am, on the occasion of its re-release which also coincides with the release of the exquisite double 7” Sm?l Sm?l with cktrl — a wonderful piece which calls on the listener to play both records at the same time to hear the music or play them separately and hear different versions. Duval is strengthening us, encouraging us to feel comfortable with discomfort, with incompleteness, with the hard-to-understand. This is a beautiful thing.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The Liminal Zone: Reflections on Duval Timothy’s Sen Am
Lamin Fofana
Sen Am is an enduring and tender album, rich and beguiling and generous in a quiet way. Over the last few years, I find myself returning to it, listening and absorbing, reflecting on the voices and working through the multiple layers of feelings and themes it announces with confidence and equanimity. Notions of care and contradiction, expressions of joy and desire and the underlying feeling of unease and turmoil; there is an urgent appeal to the listener for generosity, to strengthen our capacity to hear multiple voices simultaneously, to exist in multiple places at once.
Duval Timothy’s music was dropped into our world from another realm sometime in the spring of 2017. We received the call and we answered it. The rhythm and spirit was transmitted via London’s NTS Radio on the Do!! You!!! Breakfast Show with Charlie Bones and a short while later we were listening to the first vinyl edition of Sen Am in our living room in Berlin. The record got a lot of plays (at home and at some shows, before and after performances). It was like sunlight filtering through a cracked window and remaining there for a moment, dancing. Blue music emanating from a liminal zone, an in-between space, somewhere on the outskirts of Freetown, or rural Sierra Leone, or the outer edges of South London, or Bath, UK, or some undisclosed orbit, unfixed location. The music is soaked in diasporic experiences. It refuses to settle but still invites us to enter and stay awhile in that zone, where multiple forms exist (all) together with jazz, hip-hop, various strands of expressive electronics and experimental music all breathing together and moving around. It is a portal to a place of possibilities, a space for building and repairing possible and lost connections. But life in that liminal zone is precarious; it is life under duress; under pressure – not merely the pressure to produce a presentable, categorizable, and salable body of work, but the pressure that compels us to experiment and create new concepts and things that will help us imagine a different existence, a way out of the turbulence.
Freetown is a marvellous and sometimes sad place. It is one of those unmistakable locations inscribed diasporic memory; a place that touches you, a place that holds you and demands you bear witness: witness to pain, poverty, joy and desire. You remember the voices and the eyes of people even in momentary encounters. In Sen Am, you hear not only Duval’s recollections and sounds of Freetown, you hear family and friendship, people coming together and forming bonds, creating surrogate families. Forging community wherever you go is a practice, and community is at the core of this music. It’s in all the voices, from Emmerson and 6pac to Aminata and Aruna. It opens up a space for Black voices, for Sierra Leonean voices, and those voices extend through the succeeding projects, the 2 Sim EP and the album Help, and all that radiates from Duval’s Carrying Colour imprint.
Thank you for the invitation to write about the album Sen Am, on the occasion of its re-release which also coincides with the release of the exquisite double 7” Sm?l Sm?l with cktrl — a wonderful piece which calls on the listener to play both records at the same time to hear the music or play them separately and hear different versions. Duval is strengthening us, encouraging us to feel comfortable with discomfort, with incompleteness, with the hard-to-understand. This is a beautiful thing.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Arthur Russell - A1 : Another Thought (02:16)
2
Arthur Russell - A2 : A Little Lost (03:18)
3
Arthur Russell - A3 : Home Away From Home (05:12)
4
Arthur Russell - A4 : Lucky Cloud (02:16)
5
Arthur Russell - B1 : This Is How We Walk On The Moon (04:42)
6
Arthur Russell - B2 : Hollow Tree (02:30)
7
Arthur Russell - B3 : See Through Love (04:46)
8
Arthur Russell - C1 : Keeping Up (06:20)
9
Arthur Russell - C2 : In The Light Of The Miracle (06:05)
10
Arthur Russell - C3 : Lucky Cloud (Return) (03:00)
11
Arthur Russell - C4 : Just A Blip (03:42)
12
Arthur Russell - D1 : Me For Real (04:55)
13
Arthur Russell - D2 : Losing My Taste For The Night Life (04:34)
14
Arthur Russell - D3 : My Tiger, My Timing (05:41)
15
Arthur Russell - D4 : A Sudden Chill (02:45)
2LP Format Notes: 2021 re-issue, 140g double vinyl, gatefold sleeve with insert and original liner notes
Tracklist 2LP:
A1 : Another Thought (02:16)
A2 : A Little Lost (03:18)
A3 : Home Away From Home (05:12)
A4 : Lucky Cloud (02:16)
B1 : This Is How We Walk On The Moon (04:42)
B2 : Hollow Tree (02:30)
B3 : See Through Love (04:46)
C1 : Keeping Up (06:20)
C2 : In The Light Of The Miracle (06:05)
C3 : Lucky Cloud (Return) (03:00)
C4 : Just A Blip (03:42)
D1 : Me For Real (04:55)
D2 : Losing My Taste For The Night Life (04:34)
D3 : My Tiger, My Timing (05:41)
D4 : A Sudden Chill (02:45)
Release Info:
Another Thought was the first collection of Arthur Russell’s music to be released after his death in 1992. Released on CD by Point Music in 1993 it marked the beginning of nearly 30 years of work to let the world hear the enormous archive of unreleased recordings Arthur left behind. Be With revisits this first compilation for a new gatefold double vinyl version and a triple-fold digipak CD re-issue.
This is the only place where you can hear some of Arthur’s most recognisable music, like the title track Another Thought, A Little Lost, This Is How We Walk On The Moon, Keeping Up and the woozy disco of In The Light Of The Miracle and My Tiger, My Timing. Though technically a compilation, the whole of Another Thought comes together as a consistent, coherent, wonderful album.
Thanks to Janette Beckman for helping reproduce her iconic photograph of Arthur in his newspaper boat hat for the new vinyl sleeve. And thanks also to Tom Lee for giving permission to include his liner notes from the original CD booklet, together with Arthur’s lyrics.
Another Thought is absolutely essential for even the most casual Arthur Russell collection. In fact it’s essential for any fan of non-obvious pop music.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist 2LP:
A1 : Another Thought (02:16)
A2 : A Little Lost (03:18)
A3 : Home Away From Home (05:12)
A4 : Lucky Cloud (02:16)
B1 : This Is How We Walk On The Moon (04:42)
B2 : Hollow Tree (02:30)
B3 : See Through Love (04:46)
C1 : Keeping Up (06:20)
C2 : In The Light Of The Miracle (06:05)
C3 : Lucky Cloud (Return) (03:00)
C4 : Just A Blip (03:42)
D1 : Me For Real (04:55)
D2 : Losing My Taste For The Night Life (04:34)
D3 : My Tiger, My Timing (05:41)
D4 : A Sudden Chill (02:45)
Release Info:
Another Thought was the first collection of Arthur Russell’s music to be released after his death in 1992. Released on CD by Point Music in 1993 it marked the beginning of nearly 30 years of work to let the world hear the enormous archive of unreleased recordings Arthur left behind. Be With revisits this first compilation for a new gatefold double vinyl version and a triple-fold digipak CD re-issue.
This is the only place where you can hear some of Arthur’s most recognisable music, like the title track Another Thought, A Little Lost, This Is How We Walk On The Moon, Keeping Up and the woozy disco of In The Light Of The Miracle and My Tiger, My Timing. Though technically a compilation, the whole of Another Thought comes together as a consistent, coherent, wonderful album.
Thanks to Janette Beckman for helping reproduce her iconic photograph of Arthur in his newspaper boat hat for the new vinyl sleeve. And thanks also to Tom Lee for giving permission to include his liner notes from the original CD booklet, together with Arthur’s lyrics.
Another Thought is absolutely essential for even the most casual Arthur Russell collection. In fact it’s essential for any fan of non-obvious pop music.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Osamu Kitajima - Beyond The Circle
2
Osamu Kitajima - Mind Thieves
3
Osamu Kitajima - Darkness Desired
4
Osamu Kitajima - Blue Fire
5
Osamu Kitajima - Evening Privilege
6
Osamu Kitajima - The Bush Warbler
7
Osamu Kitajima - Fading Sky
8
Osamu Kitajima - Bonito Moxie
9
Osamu Kitajima - Goldfish Lingo
10
Osamu Kitajima - Distant Episode
An official re-issue of the 1996 album, Beyond the Circle, from Dr. Osamu Kitajima presented by Forest Jams on vinyl for the first time.
As the title suggests, Japanese music explorer Osamu Kitajima takes the listener beyond the known on a musical voyage into new territory where his compositions are a synthesis of Western electronics and ambient dance rhythms, tempered by the wisdom of ancient Japanese traditions. "Beyond the Circle" is music that is as energizing as it is spiritual and melodic.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
As the title suggests, Japanese music explorer Osamu Kitajima takes the listener beyond the known on a musical voyage into new territory where his compositions are a synthesis of Western electronics and ambient dance rhythms, tempered by the wisdom of ancient Japanese traditions. "Beyond the Circle" is music that is as energizing as it is spiritual and melodic.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
The Mole - X-pert Profat
2
The Mole - Break for Ma
3
The Mole - Drums 2002
4
The Mole - Ducklings 2
5
The Mole - #ew_horseplay
6
The Mole - Jo Barker
7
The Mole - AR Day
8
The Mole - New Family
9
The Mole - Repepepater (feat. Joli B)
10
The Mole - Clean Father
11
The Mole - Ambient Jams 3
12
The Mole - July 11 Creepy (feat. Ted Pilsner)
13
The Mole - Brain Bed
14
The Mole - Roxy Dancer
15
The Mole - Summer Storm
16
The Mole - They Work for Mr. O
17
The Mole - Tricky Dees Dumm Dumm
18
The Mole - Ufos Over Egypt (feat. Cristobal)
19
The Mole - Weak Stranger
20
The Mole - XMods in the Living Room
21
The Mole - Being a Total Warm Up
Double LP (incl. download code)
Genre: Beats, Ambient, Electronica
Tracklist LP:
A1. X-pert Profat - A2. Break for Ma - A3. Drums 2002 - A4. Ducklings 2 - A5. #ew_horseplay -
A6. Jo Barker - A7. AR Day - B1. New Family - B2. Repepepater (feat. Joli B) - B3. Clean Father -
B4. Ambient Jams 3 - C1. July 11 Creepy (feat. Ted Pilsner) - C2. Brain Bed - C3. Roxy Dancer -
C4. Summer Storm - C5. They Work for Mr. O - C6. Tricky Dees Dumm Dumm -
C7. Ufos Over Egypt (feat. Cristobal) - D1. Weak Stranger - D2. XMods in the Living Room - D3. Being a Total Warm Up
Short Info:
One of our all-time favourite artists and extended Circus Company member The Mole returns to the
label for a proper presentation of his album The River Widens. Originally a limited, cassette-only
release via fellow Canadian Eddie C’s Red Motorbike, we are proud to offer this album in its full glory
for the first time on all formats.
Never one to shy away from synth deep dives, or raw sample flip collaging, this collection of 21 works
checks all the boxes. Ambient trippers to straight up neck-snapping instrumental beats. Not forgetting
tastes of the more uptempo, highly-assured and hypnotic dance floor feels the world has come to love
The Mole for. Moments of casual chillin are interspersed with effortless, emotive angles, some evoking
the charm of his Little Sunshine release for us in 2017.
X-pert Profat opens the set with sly statements that give way to relaxed and subtle keys over gentle,
midtempo rhythms. Things switch up nicely into easy, Northwest Coast boogie-meets-beatdown feels
inBreak For Ma, followed by a solid array of almost Jaylib-schooled boom bap twists, like the aptly-titled
Drums 2002 and Jo Barker. Ambient cuts like AR Dayand New Family offer a refreshing tap of the
brakes, setting the scene for the gorgeous, Jarre-esque Weak Stranger. We also get treated
to Repepepater’s nod to Detroit house, urban-mode Balearic feels on They Work For Mr. O, and sneak
attack lo-fi future funk in the form of UFOs Over Egypt, with Montreal co-pilot Cristobal on a wild
shisha-lit vox narrative, earlier versions of which have blessed many of our label comrades’ DJ sets,
from Dave Aju to Vincent Lemieux.
The River Widens expands beautifully on the breadth of unique musical directions The Mole is capable
of taking us in, now spread across fresh 2x12” vinyl and available digitally for the first time, along with
another limited edition cassette run - we hope you enjoy the ride as much as we do!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Genre: Beats, Ambient, Electronica
Tracklist LP:
A1. X-pert Profat - A2. Break for Ma - A3. Drums 2002 - A4. Ducklings 2 - A5. #ew_horseplay -
A6. Jo Barker - A7. AR Day - B1. New Family - B2. Repepepater (feat. Joli B) - B3. Clean Father -
B4. Ambient Jams 3 - C1. July 11 Creepy (feat. Ted Pilsner) - C2. Brain Bed - C3. Roxy Dancer -
C4. Summer Storm - C5. They Work for Mr. O - C6. Tricky Dees Dumm Dumm -
C7. Ufos Over Egypt (feat. Cristobal) - D1. Weak Stranger - D2. XMods in the Living Room - D3. Being a Total Warm Up
Short Info:
One of our all-time favourite artists and extended Circus Company member The Mole returns to the
label for a proper presentation of his album The River Widens. Originally a limited, cassette-only
release via fellow Canadian Eddie C’s Red Motorbike, we are proud to offer this album in its full glory
for the first time on all formats.
Never one to shy away from synth deep dives, or raw sample flip collaging, this collection of 21 works
checks all the boxes. Ambient trippers to straight up neck-snapping instrumental beats. Not forgetting
tastes of the more uptempo, highly-assured and hypnotic dance floor feels the world has come to love
The Mole for. Moments of casual chillin are interspersed with effortless, emotive angles, some evoking
the charm of his Little Sunshine release for us in 2017.
X-pert Profat opens the set with sly statements that give way to relaxed and subtle keys over gentle,
midtempo rhythms. Things switch up nicely into easy, Northwest Coast boogie-meets-beatdown feels
inBreak For Ma, followed by a solid array of almost Jaylib-schooled boom bap twists, like the aptly-titled
Drums 2002 and Jo Barker. Ambient cuts like AR Dayand New Family offer a refreshing tap of the
brakes, setting the scene for the gorgeous, Jarre-esque Weak Stranger. We also get treated
to Repepepater’s nod to Detroit house, urban-mode Balearic feels on They Work For Mr. O, and sneak
attack lo-fi future funk in the form of UFOs Over Egypt, with Montreal co-pilot Cristobal on a wild
shisha-lit vox narrative, earlier versions of which have blessed many of our label comrades’ DJ sets,
from Dave Aju to Vincent Lemieux.
The River Widens expands beautifully on the breadth of unique musical directions The Mole is capable
of taking us in, now spread across fresh 2x12” vinyl and available digitally for the first time, along with
another limited edition cassette run - we hope you enjoy the ride as much as we do!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Jay Richford and Gary Stevan - A1 : Flying High (3:35)
2
Jay Richford and Gary Stevan - A2 : Going Home (2:46)
3
Jay Richford and Gary Stevan - A3 : Walking In The Dark (4:42)
4
Jay Richford and Gary Stevan - A4 : Fighting For Life (3:37)
5
Jay Richford and Gary Stevan - A5 : Feeling Tense (4:05)
6
Jay Richford and Gary Stevan - B1 : Running Fast (4:42)
7
Jay Richford and Gary Stevan - B2 : Loving Tenderly (3:27)
8
Jay Richford and Gary Stevan - B3 : Fearing Much (3:35)
9
Jay Richford and Gary Stevan - B4 : Being Friendly (2:54)
10
Jay Richford and Gary Stevan - B5 : Having Fun (4:00)
2023 repress
Format Notes: 140g vinyl, remastered from the original tapes
Territories:
Worldwide no restrictions
Track List:
A1 : Flying High (3:35)
A2 : Going Home (2:46)
A3 : Walking In The Dark (4:42)
A4 : Fighting For Life (3:37)
A5 : Feeling Tense (4:05)
B1 : Running Fast (4:42)
B2 : Loving Tenderly (3:27)
B3 : Fearing Much (3:35)
B4 : Being Friendly (2:54)
B5 : Having Fun (4:00)
Release Notes:
More than once Jay Richford and Gary Stevan’s Feelings has been described as the greatest library record ever released. Of course Be With can’t be seen to be playing favourites, but we have to admit, it’s pretty good. Insanely rare and immensely sought-after, it’s a tough funk, street jazz masterpiece coveted for many years by collectors of all musical genres.
Since its original release on Italian label Carosello in 1974, Feelings has appeared on several labels with different sleeves and even under a different artist. Indeed cult library label Conroy put it out in one of their iconic red sleeves in 1976 and yes, Feelings has indeed had more than one modern re-issue since these “original” releases. But a record this special deserves to be kept in press and we think it deserves the Be With treatment.
No, Jay Richford and Gary Stevan aren’t two of the most Italian sounding names. As the story goes these were the pseudonyms adopted by Stefano Torossi and Giancarlo Gazzani who wrote the album but couldn’t use their real names on the original release for legal reasons. But Stefano Torossi himself later both clarified and confused the tale further by explaining that Feelings was the work of four people not just Gazzani and himself. Fellow composers and musicians Sandro Brugnolini and Puccio Roelens also worked on the album and as Torossi himself explained “we all worked together”, with all four gents “dividing the royalties in equal parts… that’s the story.” Right, so, with that all sorted out let’s get back to talking about the music. And what music it is.
Long hailed as a holy grail of library music, Feelings is the epitome of the sort of cinematic orchestral jazzy funk that is “that 70s library music sound”. Infectiously funky, deliciously melodic and with impeccible, elegant production, this record is the showcase for a stunning set of compositions and arrangements and with performances that are nothing short of virtuoso.
The record’s first side lifts off with “Flying High”, soaring brilliant and shimmering. Funk licks, menacing strings and swaggering horns combine for an ice-cold intro groove that Isaac Hayes would surely have envied, before the steady-paced drums deliver the slo-mo TKO. The string-drenched cop-funk of “Going Home” raises the tempo. All funky quick-fire bass lines and killer electric guitar soloing. A real thriller.
“Walking In The Dark” positively drips in blaxploitation-funk drama strings and horn struts, all laced with delicate drums, velvet piano and more filthy wah-wah. “Fighting For Life” is another funk-fuelled workout built around an effortlessly relentless drum track that refuses to give up until even the stiffest-necked head is nodding.
The loping, open drum break that guides the much-loved “Feeling Tense” through its early stages would be good enough on its own. The heavy bass gloss, swirling strings and ominous horns that follow take things to the next level.
The second side opens with another favourite “Running Fast”, and the track does precisely that. This is one fine rollicking chase theme underpinned by frenetic (yet funky) Fender Rhodes and skipping bass and drums. Those sweeping strings are a gorgeous extra. It’s a deliciously feel-good groove that sets the heart racing.
“Loving Tenderly” envelops us in warm, velvety night-time vibes with easy listening horns and slinky strings dialing up the seduction. Definitely one for the lithe lovers out there. The pace picks up on the electrifying “Fearing Much” where strings dart around deep bass, buzzing guitars and another funky drum break. The lush, melancholic “Being Friendly” is another easy beauty, all warm Rhodes and strings. Majestic stuff that puts an aural arm around you. The climactic “Having Fun” rides a pulsating, bass-heavy drum break with snatches of a funky guitar refrain, some luxurious keys, sweeping strings and triumphant horns. Sensational.
“Feelings” is a profoundly appropriate title for such an emotionally funky and genuinely affecting record. Groove-laden bass, irrepressible horns, sweet flute lines, warm Rhodes, lush string arrangements, blaxploitation-styled wah-wah guitars and so, so much more make this one of the finest instrumental soul LPs of the 70s, if not of all time.
The audio for this re-issue of Feelings comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis and cut by Pete Norman. The same care has been taken by the Be With team to restore that glorious original Carosello sleeve. Feelings is almost too good to be true. Feels good all over.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Format Notes: 140g vinyl, remastered from the original tapes
Territories:
Worldwide no restrictions
Track List:
A1 : Flying High (3:35)
A2 : Going Home (2:46)
A3 : Walking In The Dark (4:42)
A4 : Fighting For Life (3:37)
A5 : Feeling Tense (4:05)
B1 : Running Fast (4:42)
B2 : Loving Tenderly (3:27)
B3 : Fearing Much (3:35)
B4 : Being Friendly (2:54)
B5 : Having Fun (4:00)
Release Notes:
More than once Jay Richford and Gary Stevan’s Feelings has been described as the greatest library record ever released. Of course Be With can’t be seen to be playing favourites, but we have to admit, it’s pretty good. Insanely rare and immensely sought-after, it’s a tough funk, street jazz masterpiece coveted for many years by collectors of all musical genres.
Since its original release on Italian label Carosello in 1974, Feelings has appeared on several labels with different sleeves and even under a different artist. Indeed cult library label Conroy put it out in one of their iconic red sleeves in 1976 and yes, Feelings has indeed had more than one modern re-issue since these “original” releases. But a record this special deserves to be kept in press and we think it deserves the Be With treatment.
No, Jay Richford and Gary Stevan aren’t two of the most Italian sounding names. As the story goes these were the pseudonyms adopted by Stefano Torossi and Giancarlo Gazzani who wrote the album but couldn’t use their real names on the original release for legal reasons. But Stefano Torossi himself later both clarified and confused the tale further by explaining that Feelings was the work of four people not just Gazzani and himself. Fellow composers and musicians Sandro Brugnolini and Puccio Roelens also worked on the album and as Torossi himself explained “we all worked together”, with all four gents “dividing the royalties in equal parts… that’s the story.” Right, so, with that all sorted out let’s get back to talking about the music. And what music it is.
Long hailed as a holy grail of library music, Feelings is the epitome of the sort of cinematic orchestral jazzy funk that is “that 70s library music sound”. Infectiously funky, deliciously melodic and with impeccible, elegant production, this record is the showcase for a stunning set of compositions and arrangements and with performances that are nothing short of virtuoso.
The record’s first side lifts off with “Flying High”, soaring brilliant and shimmering. Funk licks, menacing strings and swaggering horns combine for an ice-cold intro groove that Isaac Hayes would surely have envied, before the steady-paced drums deliver the slo-mo TKO. The string-drenched cop-funk of “Going Home” raises the tempo. All funky quick-fire bass lines and killer electric guitar soloing. A real thriller.
“Walking In The Dark” positively drips in blaxploitation-funk drama strings and horn struts, all laced with delicate drums, velvet piano and more filthy wah-wah. “Fighting For Life” is another funk-fuelled workout built around an effortlessly relentless drum track that refuses to give up until even the stiffest-necked head is nodding.
The loping, open drum break that guides the much-loved “Feeling Tense” through its early stages would be good enough on its own. The heavy bass gloss, swirling strings and ominous horns that follow take things to the next level.
The second side opens with another favourite “Running Fast”, and the track does precisely that. This is one fine rollicking chase theme underpinned by frenetic (yet funky) Fender Rhodes and skipping bass and drums. Those sweeping strings are a gorgeous extra. It’s a deliciously feel-good groove that sets the heart racing.
“Loving Tenderly” envelops us in warm, velvety night-time vibes with easy listening horns and slinky strings dialing up the seduction. Definitely one for the lithe lovers out there. The pace picks up on the electrifying “Fearing Much” where strings dart around deep bass, buzzing guitars and another funky drum break. The lush, melancholic “Being Friendly” is another easy beauty, all warm Rhodes and strings. Majestic stuff that puts an aural arm around you. The climactic “Having Fun” rides a pulsating, bass-heavy drum break with snatches of a funky guitar refrain, some luxurious keys, sweeping strings and triumphant horns. Sensational.
“Feelings” is a profoundly appropriate title for such an emotionally funky and genuinely affecting record. Groove-laden bass, irrepressible horns, sweet flute lines, warm Rhodes, lush string arrangements, blaxploitation-styled wah-wah guitars and so, so much more make this one of the finest instrumental soul LPs of the 70s, if not of all time.
The audio for this re-issue of Feelings comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis and cut by Pete Norman. The same care has been taken by the Be With team to restore that glorious original Carosello sleeve. Feelings is almost too good to be true. Feels good all over.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Bo Harwood & John Cassavetes - No One Around To Hear It
2
Chen Ming Chang - Rainwater
3
Bhairavi Raman & Nanthesh Sivarajah - Bittersweet Reflections
4
The King Of Luxembourg - Poptones
5
Slapp Happy - Is It You
6
O.G. Jigg - Jesus Is My Jam
7
Klang - As It Is
8
Scala - Fuser
9
Soft Location - Let The Moon Get Into It
10
Gyeongsu - YZOBEL (feat. CROCHE)
11
Omertà - Moments In Love
12
Kasumi Trio - Cabbage Butterfly
13
Un - Fast Money Blues
14
Delphine Dora - V
15
Harry Plunket-Greene - The Hurdy-Gurdy Man
2LP
Tracklist
1. Bo Harwood & John Cassavetes - No One Around To Hear It
2. Chen Ming Chang - Rainwater
3. Bhairavi Raman & Nanthesh Sivarajah - Bittersweet Reflections
4. The King Of Luxembourg - Poptones
5. Slapp Happy - Is It You
6. O.G. Jigg - Jesus Is My Jam
7. Klang - As It Is
8. Scala - Fuser
9. Soft Location - Let The Moon Get Into It
10. Gyeongsu - YZOBEL (feat. CROCHE)
11. Omertà - Moments In Love
12. Kasumi Trio - Cabbage Butterfly
13. Un - Fast Money Blues
14. Delphine Dora - V
15. Harry Plunket-Greene - The Hurdy-Gurdy Man
Short info:
Searchlight Moonbeam is the new narrative compilation from Time Is Away (Jack Rollo and Elaine Tierney) whose eponymous monthly NTS Radio shows, tinctured fusions of fugitive sounds and reverie-inducing archival speech, have won them an ardent following. It follows from the London-based duo’s Ballads, a remarkable driftwerk released on A Colourful Storm in 2022.
Searchlight Moonbeam is an autumnal dreamscape, intimate and vespertine, pensive and irresolute. An imagined community where differences drop off and resonances emerge – between Maher Shalal Hash Baz affiliates Kasumi Trio, Taiwanese score composer Chen Ming Chang whose ‘Rainwater’ (written for Hou Hsiao-Hsien’s 1986 film Dust In The Wind) is exquisitely heartbroken, and the plangent improvisations of self-taught French pianist Delphine Dora.
Revelations are frequent: the bedsit isolationism of Bo Harwood and John Cassavetes’ ‘No One Around to Hear It’ (from The Killing of a Chinese Bookie); the narked minimalism of Klang (an early 2000s band formed by ex-Elastica guitarist and featuring prize-winning experimental novelist Isabel Waidner on bass); the etude-grooves and echoic wobble of below-the-radar French avant-gardists Omertà ; the beautiful, plaintively dubby ‘Is It You?’ by Slapp Happy; a psych-tinged reimagining of PiL’s ‘Poptones’ by Simon Fisher Turner (one half of Deux Filles, and here, recording for él as The King of Luxembourg) that's as perverse as the cover of Throbbing Gristle’s 20 Jazz Funk Greats.
Searchlight Moonbeam is the musical analog of an Italo Calvino novel or a medieval fable. Associative, intuitive, borderless. Emotional and mysterious. Endowed with the tactility of Braille. A private language that is both unknowable and understood. It is a record of the seasons, for the seasons.
2023 marks the tenth anniversary of Time Is Away’s first broadcast. Featuring an evocative essay by writer Jeremy Atherton Lin and disarming cover art by Penny Davenport, Searchlight Moonbeam showcases Rollo and Tierney’s still-unrivalled talent for gloaming melodies, disques du crépuscule, ensorcelled storytelling.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
1. Bo Harwood & John Cassavetes - No One Around To Hear It
2. Chen Ming Chang - Rainwater
3. Bhairavi Raman & Nanthesh Sivarajah - Bittersweet Reflections
4. The King Of Luxembourg - Poptones
5. Slapp Happy - Is It You
6. O.G. Jigg - Jesus Is My Jam
7. Klang - As It Is
8. Scala - Fuser
9. Soft Location - Let The Moon Get Into It
10. Gyeongsu - YZOBEL (feat. CROCHE)
11. Omertà - Moments In Love
12. Kasumi Trio - Cabbage Butterfly
13. Un - Fast Money Blues
14. Delphine Dora - V
15. Harry Plunket-Greene - The Hurdy-Gurdy Man
Short info:
Searchlight Moonbeam is the new narrative compilation from Time Is Away (Jack Rollo and Elaine Tierney) whose eponymous monthly NTS Radio shows, tinctured fusions of fugitive sounds and reverie-inducing archival speech, have won them an ardent following. It follows from the London-based duo’s Ballads, a remarkable driftwerk released on A Colourful Storm in 2022.
Searchlight Moonbeam is an autumnal dreamscape, intimate and vespertine, pensive and irresolute. An imagined community where differences drop off and resonances emerge – between Maher Shalal Hash Baz affiliates Kasumi Trio, Taiwanese score composer Chen Ming Chang whose ‘Rainwater’ (written for Hou Hsiao-Hsien’s 1986 film Dust In The Wind) is exquisitely heartbroken, and the plangent improvisations of self-taught French pianist Delphine Dora.
Revelations are frequent: the bedsit isolationism of Bo Harwood and John Cassavetes’ ‘No One Around to Hear It’ (from The Killing of a Chinese Bookie); the narked minimalism of Klang (an early 2000s band formed by ex-Elastica guitarist and featuring prize-winning experimental novelist Isabel Waidner on bass); the etude-grooves and echoic wobble of below-the-radar French avant-gardists Omertà ; the beautiful, plaintively dubby ‘Is It You?’ by Slapp Happy; a psych-tinged reimagining of PiL’s ‘Poptones’ by Simon Fisher Turner (one half of Deux Filles, and here, recording for él as The King of Luxembourg) that's as perverse as the cover of Throbbing Gristle’s 20 Jazz Funk Greats.
Searchlight Moonbeam is the musical analog of an Italo Calvino novel or a medieval fable. Associative, intuitive, borderless. Emotional and mysterious. Endowed with the tactility of Braille. A private language that is both unknowable and understood. It is a record of the seasons, for the seasons.
2023 marks the tenth anniversary of Time Is Away’s first broadcast. Featuring an evocative essay by writer Jeremy Atherton Lin and disarming cover art by Penny Davenport, Searchlight Moonbeam showcases Rollo and Tierney’s still-unrivalled talent for gloaming melodies, disques du crépuscule, ensorcelled storytelling.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Love Wonderland - Raspberry Sun (Demo)
2
Love Wonderland - Gnossiennes No.3
3
Love Wonderland - Sora Wo Matagu Hashi (Demo)
4
Love Wonderland - Happa San No Uta
5
Love Wonderland - Happy Days (Demo)
6
Love Wonderland - Love Is Flower (Demo)
7
Love Wonderland - The Love Silent Siren
8
Love Wonderland - Forever Young Boy
9
Love Wonderland - Maringe Blue
GENRE/S: Lovers Rock / Dub / Reggae
TRACKLISTS:
1 - Raspberry Sun (Demo)
2- Gnossiennes No.3
3 - Sora Wo Matagu Hashi (Demo)
4 - Happa San No Uta
5 - Happy Days (Demo)
6 - Love Is Flower (Demo)
7 - The Love Silent Siren
8- Forever Young Boy
9 -Maringe Blue
SHORT INFO:
Love Wonderland - The Best Twilights of Love Wonderland (CAM027)
Formed in 2018 by Takujuro Iwade, film director and drummer Kaya Koike and Mayumi Sakurai with the theme of " Lovers Rock from the other side," Love Wonderland performs reggae with a unique interpretation influenced by psychedelia and synth-pop.
The Best Twilights LP compiles tracks from three demos released between 2019 and 2024 and reflects their full spectrum from electronic dub to pop tinted reinterpretation of their peers.
Considered as the best kept secret of the Japanese dub scene, they continue to grow at each live performance with faith and passion.
Love Wonderland's main aspiration is to keep their motto alive.
Mastered by Krikor Kouchain and limited to 400 copies.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLISTS:
1 - Raspberry Sun (Demo)
2- Gnossiennes No.3
3 - Sora Wo Matagu Hashi (Demo)
4 - Happa San No Uta
5 - Happy Days (Demo)
6 - Love Is Flower (Demo)
7 - The Love Silent Siren
8- Forever Young Boy
9 -Maringe Blue
SHORT INFO:
Love Wonderland - The Best Twilights of Love Wonderland (CAM027)
Formed in 2018 by Takujuro Iwade, film director and drummer Kaya Koike and Mayumi Sakurai with the theme of " Lovers Rock from the other side," Love Wonderland performs reggae with a unique interpretation influenced by psychedelia and synth-pop.
The Best Twilights LP compiles tracks from three demos released between 2019 and 2024 and reflects their full spectrum from electronic dub to pop tinted reinterpretation of their peers.
Considered as the best kept secret of the Japanese dub scene, they continue to grow at each live performance with faith and passion.
Love Wonderland's main aspiration is to keep their motto alive.
Mastered by Krikor Kouchain and limited to 400 copies.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Enji - A1. Zavkhan
2
Enji - A2. Diary of June 9th
3
Enji - A3. Gandii Mod
4
Enji - A4. I'm Glad There Is You
5
Enji - A5. Khorom
6
Enji - B1. Sevkhet Bor
7
Enji - B2. Ursgal
8
Enji - B3. Aya
9
Enji - B4. An Untitled Hil
LP Vinyl
Tracklist:
A1) Zavkhan 03:28 min
A2) Diary of June 9th 02:30 min
A3) Gandii Mod 03:45 min
A4) I'm Glad There Is You 03:46 min
A5) Khorom 05:03 min
B1) Sevkhet Bor 04:40 min
B2) Ursgal 05:56 min
B3) Aya 03:13 min
B4) An Untitled Hil 04:54 min
Info:
On her second album Ursgal Mongolian singer Enji creates a unique blend of Jazz and Folk with the thousand-year-old traditions of Mongolian music. Currently based in Munich, her lyrics tell personal stories about unbearable distances, the oddness of being on earth and the simple truths in life.
She's accompanied by Paul Brändle on guitar and Munguntovch Tsolmonbayar on double bass.
Born in Ulaanbaatar, Enji grew up in a yurt to a working-class family. Having always been drawn to music, dance and literature, she initially wanted to become a music teacher with little ambitions to compose or be on stage. A program by the local Goethe Institute sparked her passion for Jazz and eventually led her to become a performing artist. Inspired by the music of Carmen McRae, Ella Fitzgerald and Nancy Wilson, Enji started writing songs of her own, cherishing this newfound means of expression. Ursgal is the first record featuring her original compositions.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1) Zavkhan 03:28 min
A2) Diary of June 9th 02:30 min
A3) Gandii Mod 03:45 min
A4) I'm Glad There Is You 03:46 min
A5) Khorom 05:03 min
B1) Sevkhet Bor 04:40 min
B2) Ursgal 05:56 min
B3) Aya 03:13 min
B4) An Untitled Hil 04:54 min
Info:
On her second album Ursgal Mongolian singer Enji creates a unique blend of Jazz and Folk with the thousand-year-old traditions of Mongolian music. Currently based in Munich, her lyrics tell personal stories about unbearable distances, the oddness of being on earth and the simple truths in life.
She's accompanied by Paul Brändle on guitar and Munguntovch Tsolmonbayar on double bass.
Born in Ulaanbaatar, Enji grew up in a yurt to a working-class family. Having always been drawn to music, dance and literature, she initially wanted to become a music teacher with little ambitions to compose or be on stage. A program by the local Goethe Institute sparked her passion for Jazz and eventually led her to become a performing artist. Inspired by the music of Carmen McRae, Ella Fitzgerald and Nancy Wilson, Enji started writing songs of her own, cherishing this newfound means of expression. Ursgal is the first record featuring her original compositions.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Convextion - A - Kuiper
2
Convextion - B - Miranda
3
Convextion - C - Ebulience
4
Convextion - D - Niche
NO RETURNS! -
Special remarks:
2x12" vinyl in full colour cover
Genre: Techno, Detroit Techno, Deep Techno, Dub Techno
- reissue of legendary Convextion classics
- collectable full color cover-art by David A. Hardy
Tracklist 2x12":
A - Kuiper
B - Miranda
C - Ebulience
D - Niche
Short Info:
Long awaited reissue of classic sought-after Convextion tracks originally released on Matrix (Detroit).
Cover illustration by David A. Hardy. Mastered by Redshape.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Special remarks:
2x12" vinyl in full colour cover
Genre: Techno, Detroit Techno, Deep Techno, Dub Techno
- reissue of legendary Convextion classics
- collectable full color cover-art by David A. Hardy
Tracklist 2x12":
A - Kuiper
B - Miranda
C - Ebulience
D - Niche
Short Info:
Long awaited reissue of classic sought-after Convextion tracks originally released on Matrix (Detroit).
Cover illustration by David A. Hardy. Mastered by Redshape.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Gidge - Fauna, Pt I
2
Gidge - You
3
Gidge - I Fell In Love
4
Gidge - Rest
5
Gidge - Dusk
6
Gidge - Fauna, Pt II
7
Gidge - Huldra
8
Gidge - Growth
9
Gidge - Norrland
Territory: EXCL US, 2LP.
Tracklist:
A1. Fauna, Pt I
A2. You
A3. I Fell In Love
B1. Rest
B2. Dusk
C1. Fauna, Pt II
C2. Huldra
D1. Growth
D2. Norrland
One of the most beautiful albums of this decade gets a re-issue on 2-vinyl – in 2014 the Swedish duo Gidge released their debut: Autumn Bells.
“The very beginning of I Fell in Love are the most passionate and emotional couple of notes i have heard.”
“An incredibly organic listen from start to finish, 'Autumn Bells' is the season's distilled feeling put in song. Gidge successfully captures microscopic moments of decay and beauty within the framework of pop and ambient-inflected techno.“
“An utterly captivating piece of work. Each new listen only enriches the songs.”
“One of the finest, most enjoyable electronic albums I have heard in recent times. Every sound is so well thought out and sculpted, some seriously head-tingling music.“
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1. Fauna, Pt I
A2. You
A3. I Fell In Love
B1. Rest
B2. Dusk
C1. Fauna, Pt II
C2. Huldra
D1. Growth
D2. Norrland
One of the most beautiful albums of this decade gets a re-issue on 2-vinyl – in 2014 the Swedish duo Gidge released their debut: Autumn Bells.
“The very beginning of I Fell in Love are the most passionate and emotional couple of notes i have heard.”
“An incredibly organic listen from start to finish, 'Autumn Bells' is the season's distilled feeling put in song. Gidge successfully captures microscopic moments of decay and beauty within the framework of pop and ambient-inflected techno.“
“An utterly captivating piece of work. Each new listen only enriches the songs.”
“One of the finest, most enjoyable electronic albums I have heard in recent times. Every sound is so well thought out and sculpted, some seriously head-tingling music.“
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More