Label:I'm A Cliché
Cat-No:CLICHE071
Release-Date:13.12.2024
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1
Truus De Groot & Cosmo Vitelli - Don't Bite
2
Truus De Groot & Cosmo Vitelli - Not On The Prairie
3
Truus De Groot & Cosmo Vitelli - Bombastic Girl
4
Truus De Groot & Cosmo Vitelli - Lesson 16
5
Truus De Groot & Cosmo Vitelli - Peas In A Pod
6
Truus De Groot & Cosmo Vitelli - Meditative Milkshake
7
Truus De Groot & Cosmo Vitelli - Dopamine Dreams
Dopamine Dreams is the latest album by Berlin-based French producer Cosmo Vitelli and California-based Dutch experimental electronic musician Truus de Groot, the driving force behind Plus Instruments. Cosmo Vitelli’s third album, the acclaimed Medhead LP, released in 2022, featured de Groot’s lyrics and voice on several tracks. This collaboration went so well that both artists decided to work together again, and Dopamine Dreams is the result.
It’s out on I’m a Cliche
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It’s out on I’m a Cliche
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More records from I'm A Cliché
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Label:I'm a Cliché
Cat-No:cliche067
Release-Date:11.03.2020
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1
Orestt - Luddisme
2
Awkward Corners - In Slow Motion (Sunju Hargun Edit)
3
Volga Select - Spione
4
June - Perspective 4000
5
Coy - La Cantine du Vatican
6
Rouge Mécanique - Skate & Distort
7
Benoit B - Cosmic Music Style
8
Fantastic Twins - Read My Palmer, Laura
9
Oliver Decrow - Opus Pistorum (Dunkeltier Mix)
10
Cosmo Vitelli feat. Andrew Claristidge - The Horse Incident
11
Odopt - Annpala
12
Krikor - We As One In The S.D.T.
13
Linja - Xanadu
Independent labels have always been risky ventures, marred by uncertainty; you never know how long they'll last for. Yet, for more than 15 years, Cosmo Vitelli has kept I'm a Cliché going. During this time, his label, its releases, and the artists behind them have found their place in the musical landscape, standing proudly and defiantly in the margins, a place where music is always more interesting and fluid than right in the middle of the spotlight. After countless EPs, several albums and a compilation, a new chapter in I’m a Cliché’s story begins, one with a greatly reduced release schedule. To mark this turning point, the label releases Bongo Beats & Bankruptcy, its second compilation ever. Aesthetically coherent and simultaneously diverse in its expressions, Bongo Beats & Bankruptcy is a celebration of the label (and the label manager’s) quirks and eccentricities and a tongue-in-cheek snapshot that brilliantly captures the label’s DNA, featuring friends and allies along with newer faces on 13 exclusive tracks scattered over 3 LPs. Whether they are downtempo, uptempo or ambient like Orestt's contribution, each tune on this compilation distills in its own idiosyncratic way I’m a Cliché’s essence: electronic music influenced by club culture but in no way constrained to the dancefloor. Ivan Smagghe & Marc Collin’s analog synth track by their acclaimed Volga Select project, June’s dreamy tune at the crossroads between wave and kraut influences, Coy’s mutant synth arpeggios, and an old-school wave cut by Oliver Decrow mixed by Dunkeltier are all tracks boldly standing on the dancefloor's margins. For those looking for club-ready tracks that with I’m a Cliché’s one-of-a-kind atmosphere will surely find what they are after in an downtempo edit of Awkward Corners, a bouncy and melodic IDM not IDM number by Rouge Mécanique, a bleeps & pan-pipes affair by Benoît B, an esoteric dance-rock number with stated Lynch influences by Fantastic Twins, a freaky electro cut by Linja, a melancholic 707 driven banger by Krikor and finally an anxious and forward-thinking half-stepper by label head Cosmo Vitelli.
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Label:i'm a cliché
Cat-No:cliche066
Release-Date:23.02.2017
Configuration:12"
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1
cosmo vitelli - When Suddenly : Acid
2
cosmo vitelli - El Si Sen~or
3
cosmo vitelli - The Cemetery Of Unsigned House Tracks
4
cosmo vitelli - El Si Sen~or (Soundtrack Version)
A1: When Suddenly : Acid, With Cosmo Vitelli’s trademark style being eclectism, it’s pointless to pin down this track to a specific genre. Borrowing from the kind of disco not disco and acid-without-303 vibes that I’m a Cliché is famous for, this is an instantly gratifying tune where synthesizers are engaged in call and response melodies in an elegant take on the idea of machine funk. The result is catchy, refreshing and primed for the dancefloor. A2: El Si Señor (Skinny version) If you think this track is just a tool, then you’re only getting half of the picture. Skinny but chock-full of melodic and percussive content with a plodding rhythmic section moving at around 105 BPM. This is a downtempo track where heartfelt melodies, sound effects, and pristine seamless arrangements are used with great results by Cosmo Vitelli. B1:The Cemetery of Unsigned House Tracks
Clocking at 9 minutes, don’t get fooled by the track’s tongue-in-cheek title, we’re dealing here with a seriously epic tune. Set in an endlessly rising motion, the track begins with a refined but twisted vibe, sparse but ominous guitars and plenty of FX. Gradually, an infectious synth arpeggio rises and carries with it the whole track, some sort of hypnotic and sensual monster, utterly irresistible on the dancefloor. B2: El Si Señor (Soundtrack Version) With melodies that are more expansive and at the fore, leaving the rhythmic section discernible but clearly in the background, this version of El Si Senor is a reference to 70s film music, and this bittersweet tune closes the EP in style.
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Clocking at 9 minutes, don’t get fooled by the track’s tongue-in-cheek title, we’re dealing here with a seriously epic tune. Set in an endlessly rising motion, the track begins with a refined but twisted vibe, sparse but ominous guitars and plenty of FX. Gradually, an infectious synth arpeggio rises and carries with it the whole track, some sort of hypnotic and sensual monster, utterly irresistible on the dancefloor. B2: El Si Señor (Soundtrack Version) With melodies that are more expansive and at the fore, leaving the rhythmic section discernible but clearly in the background, this version of El Si Senor is a reference to 70s film music, and this bittersweet tune closes the EP in style.
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Label:i'm a cliche
Cat-No:cliche065
Release-Date:09.09.2016
Configuration:12"
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Cat-No:cliche065
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1
jonathan kusuma - Automatone
2
jonathan kusuma - Mordor Disko
3
jonathan kusuma - Police And Snitch
4
jonathan kusuma - Drum Shot
two years after the release of his acclaimed debut EP on I'm a Cliché, Jakarta's best kept secret is back on Cosmo Vitelli's imprint with four terrific original tracks. Jonathan Kusuma is a producer who has managed in the space of a few releases and remixes to develop a signature sound which mostly relies on taking disco and EBM elements and putting them in new and unexpected contexts, offering us a glimpse of what modern dance music would sound like if house and techno had never existed. Narcotic, hedonistic, abstract and particularly efficient on the dancefloor, Kusuma's music is always about quality and never about quantity and so we are particularly thrilled to share with the world the four new tracks that constitute this EP.
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Label:i'm a cliche
Cat-No:cliche064
Release-Date:08.04.2016
Configuration:12"
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Cat-No:cliche064
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1
cosmo vitelli - A Cruel Story
2
cosmo vitelli - Ketamine Karaoke
3
cosmo vitelli - Chiens de l'enfer
4
cosmo vitelli - A Cruel Story
I’m a Cliché’s first release of 2016 comes from label boss Cosmo Vitelli. After a five year hiatus during which he was kept busy by his band Bot’Ox and relocating from Paris to Berlin, this is the very first release to come out of his new studio located in Berlin’s Marzahn district.
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Label:i'm a cliché
Cat-No:cliche062
Release-Date:28.08.2015
Genre:Electro
Configuration:12"
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Cat-No:cliche062
Release-Date:28.08.2015
Genre:Electro
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1
stiletti-ana - Universe Carrier
2
stiletti-ana - Trough The Skyline I Heard Ur Voice
3
stiletti-ana - Silver
4
stiletti-ana - Motors
5
stiletti-ana - They Knew Their Time Was Cumming
6
stiletti-ana - Time We Left This World Today (part 2.)
I'm a Cliché is proud to present a self-titled mini-LP by Stiletti-Ana aka Ilari Larjosto, the legend of Helsinki's underground. What are the man's credentials, you ask? Well, Larjosto is a drummer, producer, session musician for multiple bands and a mixing, mastering and recording engineer for countless projects. He's dedicated his whole life to music making and sound engineering in its all forms. Truly an omnipresent figure in the Helsinki underground, he's got his finger on pretty much every button in the world of Scandinavian electronic music while he sits in the control room of his dungeon studio on a fortified island off the Finnish capital's coast. The man's involved in many popular projects such as K-X-P, Tähtiportti, DJ Candle in The Wind, Jimi Tenor, Randy Barracuda, and acclaimed band JESSE.
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Label:i'm a cliche
Cat-No:cliche057
Release-Date:10.10.2014
Configuration:12"
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Label:i'm a cliche
Cat-No:cliche057
Release-Date:10.10.2014
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1
moscoman - Dark Horse
2
moscoman - Rerotica
3
moscoman - Ego Trippin'
4
moscoman - Ego Trippin' (The Twins' Too Much Ego Version)
After an LP by Red Axes and an EP by Bot'Ox earlier this year, I'm A Cliché is back in the saddle with a new look and a new feel while keeping the same great sound. Two EPs including this one are going to be released on both digital and vinyl formats this Fall, leading up to very special 10th anniversary celebrations in Paris towards the end of the year.
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Label:Outis Music
Cat-No:outis014
Release-Date:14.02.2025
Genre:Techno
Configuration:12" Excl
Barcode:4251804170918
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Label:Outis Music
Cat-No:outis014
Release-Date:14.02.2025
Genre:Techno
Configuration:12" Excl
Barcode:4251804170918
1
Dino Sabatini - Peuceus
2
Dino Sabatini - Dryalus
3
Dino Sabatini - Perimedes
4
Dino Sabatini - Antimache
Genre/s: Techno
Tracklist:
A1-Peuceus
A2-Dryalus
B1-Perimedes
B2-Antimache
Text:
It’s a wide presentation of what Sabatini is capable of, from the airy atmospheres of ‘Peuceus’ to the hypnotic bleeps of ‘Dryalus’. On ‘Perimedes’ the fierce kick drums create a banging highlight with ‘Antimache’ bringing us back down to the iconic and well loved Sabatini swamp grooves.
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Tracklist:
A1-Peuceus
A2-Dryalus
B1-Perimedes
B2-Antimache
Text:
It’s a wide presentation of what Sabatini is capable of, from the airy atmospheres of ‘Peuceus’ to the hypnotic bleeps of ‘Dryalus’. On ‘Perimedes’ the fierce kick drums create a banging highlight with ‘Antimache’ bringing us back down to the iconic and well loved Sabatini swamp grooves.
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Label:012
Cat-No:01209
Release-Date:10.01.2025
Genre:Techno
Configuration:12"
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1
Claudio PRC & Andrea Cossu - Praya Dubia
2
Claudio PRC & Andrea Cossu - Hydrozoa
3
Claudio PRC & Andrea Cossu - Biofluorescence
The number nine of 012’s catalogue titled “Praya Dubia” marks the very first collaboration between Berlin-based DJs and producers Claudio PRC and Andrea Cossu. Both natives of Sardinia, they have crafted a delightful deep and dub techno journey, hypnotic yet, full of colors and shades available both on vinyl and digital format.
W&P by Claudio PRC and Andrea Cossu in Berlin.
Artwork by Liam Costar.
Design by Basstation.
Mastered at Artefacts Mastering.
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W&P by Claudio PRC and Andrea Cossu in Berlin.
Artwork by Liam Costar.
Design by Basstation.
Mastered at Artefacts Mastering.
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Last in:10.07.2024
Label:Mitsubasa
Cat-No:MTB014
Release-Date:09.08.2024
Genre:Techno
Configuration:12" Excl
Barcode:0640813321420
1
Utroit & K.O.S - A1 Utroit & K.O.S - Oubaitori
2
Utroit & K.O.S - A2 Utroit & K.O.S - Motegi
3
Utroit & K.O.S - B1 Utroit & K.O.S - Jaga?
4
Utroit & K.O.S - B2 Utroit & K.O.S - Kamiki
Genre: Techno
Tracklist 12":
A1 Utroit & K.O.S - Oubaitori
A2 Utroit & K.O.S - Motegi
B1 Utroit & K.O.S - Jaga
B2 Utroit & K.O.S - Kamiki
Short Info:
Detroit flavored, raw and fast paced dub machines.
Mastering & lacquer cut by Kassian Troyer at Dubplates & Mastering Berlin
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Tracklist 12":
A1 Utroit & K.O.S - Oubaitori
A2 Utroit & K.O.S - Motegi
B1 Utroit & K.O.S - Jaga
B2 Utroit & K.O.S - Kamiki
Short Info:
Detroit flavored, raw and fast paced dub machines.
Mastering & lacquer cut by Kassian Troyer at Dubplates & Mastering Berlin
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Label:NOTON
Cat-No:N-062-2
Release-Date:29.11.2024
Configuration:2LP Excl
Barcode:4251804155137
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Cat-No:N-062-2
Release-Date:29.11.2024
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Barcode:4251804155137
1
Alva Noto - Xerrox Topia
2
Alva Noto - Xerrox Sans Nom I
3
Alva Noto - Xerrox Sans Nom II
4
Alva Noto - Xerrox Ascent I
5
Alva Noto - Xerrox Ascent II
6
Alva Noto - Xerrox Sans Repit
7
Alva Noto - Xerrox Nausicaa
8
Alva Noto - Xerrox Xenonym
9
Alva Noto - Xerrox Ada
10
Alva Noto - Xerrox Arc
11
Alva Noto - Xerrox Kryogen
12
Alva Noto - Xerrox Isotope
2LP
A1. Xerrox Topia
A2. Xerrox Sans Nom I
A3. Xerrox Sans Nom II
B1. Xerrox Ascent I
B2. Xerrox Ascent II
B3. Xerrox Sans Repit
C1. Xerrox Nausicaa
C2. Xerrox Xenonym
C3. Xerrox Ada
D1. Xerrox Arc
D2. Xerrox Kryogen
D3. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
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A1. Xerrox Topia
A2. Xerrox Sans Nom I
A3. Xerrox Sans Nom II
B1. Xerrox Ascent I
B2. Xerrox Ascent II
B3. Xerrox Sans Repit
C1. Xerrox Nausicaa
C2. Xerrox Xenonym
C3. Xerrox Ada
D1. Xerrox Arc
D2. Xerrox Kryogen
D3. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
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Germany
Contact: [email protected]More
Label:Faut Section
Cat-No:faut064
Release-Date:20.12.2024
Genre:Techno
Configuration:12"
Barcode:
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Label:Faut Section
Cat-No:faut064
Release-Date:20.12.2024
Genre:Techno
Configuration:12"
Barcode:
1
Lewis Fautzi - Uncharted Realms
2
Lewis Fautzi - Enlightenment
3
Lewis Fautzi - Time And Space
4
Lewis Fautzi - Forging New Paths
Tracklisting
A1 Lewis Fautzi - Uncharted Realms
A2 Lewis Fautzi - Enlightenment
B1 Lewis Fautzi - Time And Space
B2 Lewis Fautzi - Forging New Paths
Sales Note
Is it really into the unknown? Lewis Fautzi is once again with us, in his own imprint, and everytime he is around we feel deeply appreciated. It means that, although there's a guide line that immediately identifies his work as his, he also opens a little bit more to us. Every EP is like a step further into his own mind, a breach to the deepness of his intrusive thoughts and ideas. All the words would be useless if we tried to describe this one. The tracks are self explainable and were meticulously created as that is part of his trademark. And regarding the first question we can only answer yes, it is really into the unknown. Or at least into something of his we have never experienced before. And perhaps after listening to it we'll be able to know him and understand his work a little bit better than before.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Lewis Fautzi - Uncharted Realms
A2 Lewis Fautzi - Enlightenment
B1 Lewis Fautzi - Time And Space
B2 Lewis Fautzi - Forging New Paths
Sales Note
Is it really into the unknown? Lewis Fautzi is once again with us, in his own imprint, and everytime he is around we feel deeply appreciated. It means that, although there's a guide line that immediately identifies his work as his, he also opens a little bit more to us. Every EP is like a step further into his own mind, a breach to the deepness of his intrusive thoughts and ideas. All the words would be useless if we tried to describe this one. The tracks are self explainable and were meticulously created as that is part of his trademark. And regarding the first question we can only answer yes, it is really into the unknown. Or at least into something of his we have never experienced before. And perhaps after listening to it we'll be able to know him and understand his work a little bit better than before.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Last in:21.01.2025
Label:Blueprint
Cat-No:BP080
Release-Date:29.11.2024
Genre:Techno
Configuration:12"
Barcode:
1
Amorphic & Tensal - AT1
2
Amorphic & Tensal - AT2
3
Amorphic & Tensal - AT7
4
Amorphic & Tensal - AT8
Tracklist
A1. Amorphic & Tensal - AT1
A2. Amorphic & Tensal - AT2
B1. Amorphic & Tensal - AT7
B2. Amorphic & Tensal - AT8
Amorphic & Tensal join James Ruskin's Blueprint Records family with their "Distant Landscapes EP" this November, which closes out the label's 2024 catalogue.
Amorphic is the pseudonym of Scottish artist Vince Watson, aimed at exploring more raw and hypnotic signatures. Launched in 2022, Amorphic has featured on labels like Token, Symbolism and Modularz as well as Vince's self-formed labels Amorphic and Morph. With almost 30 years in the industry, Vince has released over 1000 tracks, which has allowed him to work and gig with some of the very best. He now teams up with Spanish artist Tensal for this new EP.
Tensal is the alias of Héctor Sandoval (who is also one half of Exium, Komatssu and Selección Natural), created togive space to his more cyclical and modern vision of Techno in which he combines different rhythms and textures. After a handful of works released on his own label, he has recorded for the likes of Mord, Modularz, Arcing Seas, Warm Up, Perc Trax, Cabrera, Polegroup (of which he is a founding member) and Soma, where he released his first LP in 2018.
Together they've drawn on their individual skills to deliver 4 deep and driving Techno cuts that perfectly fit James Ruskin's influential label.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1. Amorphic & Tensal - AT1
A2. Amorphic & Tensal - AT2
B1. Amorphic & Tensal - AT7
B2. Amorphic & Tensal - AT8
Amorphic & Tensal join James Ruskin's Blueprint Records family with their "Distant Landscapes EP" this November, which closes out the label's 2024 catalogue.
Amorphic is the pseudonym of Scottish artist Vince Watson, aimed at exploring more raw and hypnotic signatures. Launched in 2022, Amorphic has featured on labels like Token, Symbolism and Modularz as well as Vince's self-formed labels Amorphic and Morph. With almost 30 years in the industry, Vince has released over 1000 tracks, which has allowed him to work and gig with some of the very best. He now teams up with Spanish artist Tensal for this new EP.
Tensal is the alias of Héctor Sandoval (who is also one half of Exium, Komatssu and Selección Natural), created togive space to his more cyclical and modern vision of Techno in which he combines different rhythms and textures. After a handful of works released on his own label, he has recorded for the likes of Mord, Modularz, Arcing Seas, Warm Up, Perc Trax, Cabrera, Polegroup (of which he is a founding member) and Soma, where he released his first LP in 2018.
Together they've drawn on their individual skills to deliver 4 deep and driving Techno cuts that perfectly fit James Ruskin's influential label.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Last in:20.01.2025
Label:Token
Cat-No:TOKEN130
Release-Date:29.11.2024
Genre:Techno
Configuration:12"
Barcode:
1
Border One - Echoes From The Abyss
2
Border One - Solar Flare
3
Border One - Celestial Observer
4
Border One - Escaping The Void
Tracklist
A1. Border One - Strange Attractor
A2. Border One - Astral Plane
B1. Border One - Time Dilation
B2. Border One - Fractal
Border One's fourth contribution to Token Records is an ode to the cosmic, an ever-present theme in the Belgian's acclaimed career. 'Strange Attractor' takes techno and applies Border One's bubbly modular sound glossing over thick drums, weaving through sound design destined for sophisticated sets on worthy sound systems. Calm and collected, he offers yet again his attention to detail and devotion to effect.
As an introduction, 'Strange Attractor' presents a gripping story. Displaying sustained tension, he takes his time to reveal his channels. Forcing the listener to settle in and anticipate, the elements diverge and converge over the space of six minutes, shifting groove throughout. A return to calm, slightly uneasy control helps us arrive at an influx in energy for the rest of the project. Moving along to 'Astral Plane', we are introduced to more extroverted sequences. Boomy through fluctuating synth lines and stomping claps, the seasoned producer uses the size of his design in the low end to justify a more erratic arrangement. Spread noise in the background interweaves with confronting synth work, making 'Astral Plane' impressive in weight without losing the intricate quality that its producer is known for. Opening the dimension of the project through far spread elements, 'Time Dilation' creates linear focus with a cloudy entourage. An always club efficient throbbing main synth persists through an exciting structure, highly resonant transitions whip through drum machine patterns, making the third track on the record nothing if not a nail biter. The shuffle of the hi hats does nothing to slow down the energetic peak of the EP; we find Border One confidently in control of layered machinery. Drawing the project to a close, 'Fractal' blinks through persistent tension. Linear rides and drones open and close with each transition, making for a bent atmosphere of intrigue. With a sturdy rhythm dotting along from start to finish, the tonality of Fractal makes it the perfect final bow to grasp Border One's intentions and the universe he puts his work in.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1. Border One - Strange Attractor
A2. Border One - Astral Plane
B1. Border One - Time Dilation
B2. Border One - Fractal
Border One's fourth contribution to Token Records is an ode to the cosmic, an ever-present theme in the Belgian's acclaimed career. 'Strange Attractor' takes techno and applies Border One's bubbly modular sound glossing over thick drums, weaving through sound design destined for sophisticated sets on worthy sound systems. Calm and collected, he offers yet again his attention to detail and devotion to effect.
As an introduction, 'Strange Attractor' presents a gripping story. Displaying sustained tension, he takes his time to reveal his channels. Forcing the listener to settle in and anticipate, the elements diverge and converge over the space of six minutes, shifting groove throughout. A return to calm, slightly uneasy control helps us arrive at an influx in energy for the rest of the project. Moving along to 'Astral Plane', we are introduced to more extroverted sequences. Boomy through fluctuating synth lines and stomping claps, the seasoned producer uses the size of his design in the low end to justify a more erratic arrangement. Spread noise in the background interweaves with confronting synth work, making 'Astral Plane' impressive in weight without losing the intricate quality that its producer is known for. Opening the dimension of the project through far spread elements, 'Time Dilation' creates linear focus with a cloudy entourage. An always club efficient throbbing main synth persists through an exciting structure, highly resonant transitions whip through drum machine patterns, making the third track on the record nothing if not a nail biter. The shuffle of the hi hats does nothing to slow down the energetic peak of the EP; we find Border One confidently in control of layered machinery. Drawing the project to a close, 'Fractal' blinks through persistent tension. Linear rides and drones open and close with each transition, making for a bent atmosphere of intrigue. With a sturdy rhythm dotting along from start to finish, the tonality of Fractal makes it the perfect final bow to grasp Border One's intentions and the universe he puts his work in.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Forest Jams
Cat-No:FJ12-06
Release-Date:04.04.2025
Genre:House
Configuration:12"
Barcode:
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Last in:02.04.2025
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Last in:02.04.2025
Label:Forest Jams
Cat-No:FJ12-06
Release-Date:04.04.2025
Genre:House
Configuration:12"
Barcode:
1
Mori Ra - Catharsis Edit
2
Mori Ra - Seinn O! Edit
3
Mori Ra - The Grandson Traveler
4
Mori Ra - That Star
Repress!
Forest Jams continues the journey into the great beyond with Mori Ra’s Mantra–an EP composed of four edits created for any inquisitive earthling and forest wanderer. Mori Ra is a DJ based in Osaka, Japan his sets are a witches brew composed of balearic, cosmic, and electronic disco ingredients. He has released on other labels such as Rotating Souls, Macadam Mambo, Berceuse Heroique, MM Discos and more. In Mantra, Mori Ra acts as a mysterious wanderer who has stumbled upon the doors of our minds in the middle of the night. When we answer the door he is bearing gifts of creative glory and all we need to do is provide shelter in return. We invite him in so that he can rest, recharge, and continue his journey. During his visit in our minds Mori Ra shares “Mantra” the secrets of the universe disguised as parables packaged neatly into four tracks. Catharsis begins the journey and immediately throws us into a sound that feels like we are driving a spaceship in Gran Turismo 37, the spaceship simulator. Now that we have successfully crossed the plane and have entered the digital unknown, Seinn O! becomes the story of communication. Seinn O! gave the smoke leaving my mouth color and the shamanistic chants placed me in an atmospheric state with the ability to cross over and communicate in the digital space. Then comes ??? the Grandson Traveler, which embodies the story of the simulation. Imagine the sound of a bustling dystopian city in the matrix–neon signs, dancing billboards, talking vending machines, radioactive wildlife, and overgrown foliage leaking in from the jungle the city is carved into. Mori Ra seems to have melded all of those sounds together to create the soundtrack of the big city where everyone is lost. Finally, before leaving our minds Mori Ra offers the final parable, ??? That Star. Which becomes the story of realization, the journey back home from the exploration of the mind. That Star brought me into a cave and I could see the opening at the end of it, all I had to do was walk towards it. However, I couldn’t walk. I could only galumph forward, while bouncing up and down to the beat. My arms slivered and guided my body forward as the vocals came in. As I moved forward the opening, the clearing, the destination remained the same distance away. The endless tunnel of the mind gave me a feeling of comfort because I did not want this journey to end. The EP ends and we will never know who visited our minds that night, but we know we loved the journey. Mori Ra is the steward of our journey through consciousness, and the vessel is “Mantra”.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Forest Jams continues the journey into the great beyond with Mori Ra’s Mantra–an EP composed of four edits created for any inquisitive earthling and forest wanderer. Mori Ra is a DJ based in Osaka, Japan his sets are a witches brew composed of balearic, cosmic, and electronic disco ingredients. He has released on other labels such as Rotating Souls, Macadam Mambo, Berceuse Heroique, MM Discos and more. In Mantra, Mori Ra acts as a mysterious wanderer who has stumbled upon the doors of our minds in the middle of the night. When we answer the door he is bearing gifts of creative glory and all we need to do is provide shelter in return. We invite him in so that he can rest, recharge, and continue his journey. During his visit in our minds Mori Ra shares “Mantra” the secrets of the universe disguised as parables packaged neatly into four tracks. Catharsis begins the journey and immediately throws us into a sound that feels like we are driving a spaceship in Gran Turismo 37, the spaceship simulator. Now that we have successfully crossed the plane and have entered the digital unknown, Seinn O! becomes the story of communication. Seinn O! gave the smoke leaving my mouth color and the shamanistic chants placed me in an atmospheric state with the ability to cross over and communicate in the digital space. Then comes ??? the Grandson Traveler, which embodies the story of the simulation. Imagine the sound of a bustling dystopian city in the matrix–neon signs, dancing billboards, talking vending machines, radioactive wildlife, and overgrown foliage leaking in from the jungle the city is carved into. Mori Ra seems to have melded all of those sounds together to create the soundtrack of the big city where everyone is lost. Finally, before leaving our minds Mori Ra offers the final parable, ??? That Star. Which becomes the story of realization, the journey back home from the exploration of the mind. That Star brought me into a cave and I could see the opening at the end of it, all I had to do was walk towards it. However, I couldn’t walk. I could only galumph forward, while bouncing up and down to the beat. My arms slivered and guided my body forward as the vocals came in. As I moved forward the opening, the clearing, the destination remained the same distance away. The endless tunnel of the mind gave me a feeling of comfort because I did not want this journey to end. The EP ends and we will never know who visited our minds that night, but we know we loved the journey. Mori Ra is the steward of our journey through consciousness, and the vessel is “Mantra”.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP Excl
in stock
Label:A Colourful Storm
Cat-No:ACOLOUR050
Release-Date:28.02.2025
Configuration:LP Excl
Barcode:4251804182058
in stock
Last in:25.02.2025
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in stock
Last in:25.02.2025
Label:A Colourful Storm
Cat-No:ACOLOUR050
Release-Date:28.02.2025
Configuration:LP Excl
Barcode:4251804182058
1
Simon Fisher Turner - A1. Bluenow1, Out-of-Tune Piano, St Mary's Hospital Basement, Electriksnippets
2
Simon Fisher Turner - A2. Bluenow2, Virus, Hurricane Bomber
3
Simon Fisher Turner - A3. Derek Jarman Reads White Lies
4
Simon Fisher Turner - B1. Brother James Plays J.S. Bach's 'Erbarm dich mein, o Herre Gott' on the Grea
5
Simon Fisher Turner - B2. Brother James Plays J.S. Bach's 'Erbarm dich mein, o Herre Gott' on the Grea
6
Simon Fisher Turner - B3. Electriksnippets
7
Simon Fisher Turner - B4. Terre Thaemlitz's Remix of Shishapangma, Remixed by Simon Fisher Turner
LP / Special remarks : Full-colour sleeve, postcard, liner notes by Simon Fisher Turner. Terre Thaemlitz Remix appears on vinyl only
Tracklist
A1. Bluenow1, Out-of-Tune Piano, St Mary's Hospital Basement, Electriksnippets
A2. Bluenow2, Virus, Hurricane Bomber
A3. Derek Jarman Reads White Lies
B1. Brother James Plays J.S. Bach's 'Erbarm dich mein, o Herre Gott' on the Great Rissington Organ, Bertrand Russell Gives Sound Advice
B2. Brother James Plays J.S. Bach's 'Erbarm dich mein, o Herre Gott' on the Great Rissington Organ
B3. Electriksnippets
B4. Terre Thaemlitz's Remix of Shishapangma, Remixed by Simon Fisher Turner
Shortinfo:
Where to begin with a figure like Simon Fisher Turner? From teenage stage and screen star to illustrious recording artist for Creation and Mute and score composer of Caravaggio, Blue and The Epic of Everest - via a stint with The The and collaborations with Derek Jarman, David Lynch and Tilda Swinton - Turner embodies a distinctly British sensibility and boundless curiosity for sound. For A Colourful Storm, discovering Deux Filles, his mysterious project with Colin Lloyd-Tucker that has since been reissued by Dark Entries, was a significant moment in shaping their identity.
In August 2023, A Colourful Storm presented Simon Fisher Turner and Time is Away at Spanners, London. Performed at the tail end of Blue Now, a series of events celebrating Derek Jarman's last feature film, Blue, the recording reveals a lifetime of significant events and influences. Terre Thaemlitz's remix of Turner's Shishapangma (Comatonse Recordings, 2015) is reworked and appears on vinyl only, Jarman is privately recorded reading White Lies, Bertrand Russell is sampled, and Turner records his brother practising the Great Rissington organ for their father's funeral.
"My wife and I lived in Brixton, near the venue, on Coldharbour Lane, 20 years ago. We were above a takeaway shop. The air extractor was a nightmare and the flat smelled of grease. The market was a great place to buy fish. We adopted a giant snail, who we called Ayrton. I used to take him all over town and he loved lettuce and tomatoes. There was a wonderful small pizza shop too, which was so delicious. But back to the music. Brixton is music and I'm a lucky man."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
A1. Bluenow1, Out-of-Tune Piano, St Mary's Hospital Basement, Electriksnippets
A2. Bluenow2, Virus, Hurricane Bomber
A3. Derek Jarman Reads White Lies
B1. Brother James Plays J.S. Bach's 'Erbarm dich mein, o Herre Gott' on the Great Rissington Organ, Bertrand Russell Gives Sound Advice
B2. Brother James Plays J.S. Bach's 'Erbarm dich mein, o Herre Gott' on the Great Rissington Organ
B3. Electriksnippets
B4. Terre Thaemlitz's Remix of Shishapangma, Remixed by Simon Fisher Turner
Shortinfo:
Where to begin with a figure like Simon Fisher Turner? From teenage stage and screen star to illustrious recording artist for Creation and Mute and score composer of Caravaggio, Blue and The Epic of Everest - via a stint with The The and collaborations with Derek Jarman, David Lynch and Tilda Swinton - Turner embodies a distinctly British sensibility and boundless curiosity for sound. For A Colourful Storm, discovering Deux Filles, his mysterious project with Colin Lloyd-Tucker that has since been reissued by Dark Entries, was a significant moment in shaping their identity.
In August 2023, A Colourful Storm presented Simon Fisher Turner and Time is Away at Spanners, London. Performed at the tail end of Blue Now, a series of events celebrating Derek Jarman's last feature film, Blue, the recording reveals a lifetime of significant events and influences. Terre Thaemlitz's remix of Turner's Shishapangma (Comatonse Recordings, 2015) is reworked and appears on vinyl only, Jarman is privately recorded reading White Lies, Bertrand Russell is sampled, and Turner records his brother practising the Great Rissington organ for their father's funeral.
"My wife and I lived in Brixton, near the venue, on Coldharbour Lane, 20 years ago. We were above a takeaway shop. The air extractor was a nightmare and the flat smelled of grease. The market was a great place to buy fish. We adopted a giant snail, who we called Ayrton. I used to take him all over town and he loved lettuce and tomatoes. There was a wonderful small pizza shop too, which was so delicious. But back to the music. Brixton is music and I'm a lucky man."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Last in:27.01.2026
Label:SK_Eleven
Cat-No:SK11X029
Release-Date:16.01.2026
Genre:Techno
Configuration:12"
Barcode:
1
Eman - Kapara
2
Eman - Midnight Bath
3
Eman - Pink Marble
4
Eman - Shepha
2025 repress
Tracklisting
A1 Eman - Kapara
A2 Eman - Midnight Bath
B1 Eman - Pink Marble
B2 Eman - Shepha
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklisting
A1 Eman - Kapara
A2 Eman - Midnight Bath
B1 Eman - Pink Marble
B2 Eman - Shepha
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Vault Records
Cat-No:VAULTREC005
Release-Date:10.01.2025
Genre:Techno
Configuration:12"
Barcode:
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Last in:11.11.2025
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Last in:11.11.2025
Label:Vault Records
Cat-No:VAULTREC005
Release-Date:10.01.2025
Genre:Techno
Configuration:12"
Barcode:
1
Quelza - Funny, Not Really
2
Quelza - Melting Cards
3
Quelza - Kraken Maldive
4
Quelza - Origami
Tracklisting
A1 Quelza - Funny, Not Really
A2 Quelza - Melting Cards
B1 Quelza - Kraken Maldive
B2 Quelza - Origami
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Quelza - Funny, Not Really
A2 Quelza - Melting Cards
B1 Quelza - Kraken Maldive
B2 Quelza - Origami
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Last in:22.11.2024
Label:Mitsubasa
Cat-No:MTB016
Release-Date:22.11.2024
Genre:Techno
Configuration:12" Excl
Barcode:0640813321444
1
Ecilo - Phylyps Frequencies
2
Ecilo - Eternal Source
3
Ecilo - Forgotten City
4
Ecilo - Frost Will Never Come
Genre: Techno
Tracklist 12":
A1 Ecilo – Phylyps Frequencies
A2 Ecilo – Eternal Source
B1 Ecilo – Forgotten City
B2 Ecilo – Frost Will Never Come
Short Info: Fast paced and detroit infused driving dub techno machines
Mastering & lacquer cut by Kassian Troyer at Dubplates & Mastering Berlin
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist 12":
A1 Ecilo – Phylyps Frequencies
A2 Ecilo – Eternal Source
B1 Ecilo – Forgotten City
B2 Ecilo – Frost Will Never Come
Short Info: Fast paced and detroit infused driving dub techno machines
Mastering & lacquer cut by Kassian Troyer at Dubplates & Mastering Berlin
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
