Artwork and Typography by Stefan Marx

We are very happy to welcome Lb Honne from Switzerland to the Smallville circle, bringing a superb 4-tracker for the special dancefloors. Including a full Cover Artwork by Stefan Marx.


Tracklist:

A1 Brücke
A2 Not Tonight
B1 Deeper
B2 Rue Du Belfort

All tracks written & produced by Lb Honne
Vinyl cut by Helmut Erler at Lathesville


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Artwork and Typography by Stefan Marx

Tracklist:

A1 Body Music
A2 Lite Of My Life
B1 Intro To Ashtar
B2 Touchy Feely
B3 Taeya Vs. Gia Marie

Here's to a special one..

Ashtar Afterhours is Kenneth Graham - originally from Los Angeles, he has been a defining presence in electronic music ever since the 90s. Buying his first classic synthesizer, a Yamaha CS01, in 1984, he delved into music production at an early stage. Kenneth put out over 40 releases over the years- under his own name as well as stepping up under various aliases- Estelle Montenegro, KG Beat, Exit Strategy and many others. Kenneth also formed some super-groups together with friends, his Sun Children / Sunkiss project- together with David Alvarado- put out highly influential music on legendary Peacefrog Records.

Body Music was originally released on Plastic City in 2001 and it has been a Smallville favourite since a long time, so we are super happy to present this beauty as a repress, as always with a full cover artwork by Stefan Marx.

All tracks written & produced by Kenneth Graham, B3 w&p by Kenneth Graham & Gabriel Ortega
Vinyl cut by Helmut Erler at Lathesville

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Artwork and Typography by Stefan Marx

Tracklist:
A1 Ways Of Mine
B1 After All
B1 Dimension

We feel like Frank & Tony and Smallville have been on the same musical wave-length since forever. Our musical paths have crossed back and forth over the years and we have always shared a lot of the same values- steadily putting out quality music, that stands the test of time - growing consistently - never stop following our very own way - always not-following trends forever..
Frank & Tony is the collaborative guise of Scissor & Thread co-founders Francis Harris and Anthony Collins aka Grant. Both have long been staples of the underground with material under their own names and numerous other guises shaping the musical landscape of House Techno and beyond since the turn of the millennium. Both lived together in New York and as Frank & Tony the pair have delivered multiple albums and many EP’s on their own label, Tokyo’s Mule Musiq and Pacific Rhythm- now they are warmly welcomed onto the Smallville Records roster with their latest collection of works.
‘Ways Of Mine’ leads on the A-Side and showcases the pairs signature deep hypnotic house style via soft billowing pads cascading metallic chimes psychedelic spoken word and dreamy dubbed out keys floating atop a robust bouncy rhythm
section.To open the flip-side title-track ‘After All’ lays down a subtly blooming chord sequence shuffled drums and bumpy bass stabs at its core all subtly nuanced while the latter half introduces more dynamic rhythmic elements and intertwined melodic touches. ‘Dimension’ then concludes the release diving deeper with saturated ethereal pads and bubbling resonant arpeggio lines alongside heavily swung crisp drums jazzy keys and delayed vocal chants.
After All comes with a full cover artwork by Stefan Marx.

All tracks written & produced by Francis Harris & Anthony Collins
Mastering and Vinyl cut by Helmut Erler at Lathesville

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2LP Vinyl Tracklist:
A1 A Line
A2 Ping To You
B1 Do Little
B2 The Cool World
C1 Always The Same
C2 The Needs
D1 Capri
D2 Talk


No trend to be followed, no invention to be intended, it is the reduced gorgeousness that let's us float on Asper Clouds. This is still valid in 2025, timeless grooves that still move your heart and soul and warm the dancefloor.
Smallville is turning 20 Years, so we are starting a little musical celebration with a special re-release of this ultimate beauty, that stood the test of time - a milestone LP for Smallville by Christopher Rau.
Comes with Full Cover Artwork by Stefan Marx

All tracks w&p by Christopher Rau, except Track 5 & 9 written by Christopher Rau & Jacques Bon and Track 1 written by
Christopher Rau & Tilman Tausendfreund
Distribution: Wordandsound
Mastering: Helmut Erler at Dubplates & Mastering
Cover Artwork: Stefan Marx

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Tracklist 2LP:

Tracklist
A1 Agata - 8'19
A2 Morning Ride - 9'24
B1 This Is Always - 10'41
B2 Madake - 7'56
C1 Su Phu - 9'20
C2 Someday - 7'31
D1 Blurred Memories - 15'13

Info:
Margaux Gazur presents her debut album „Blurred Memories“ on Smallville- almost 70 minutes into a very special search for her musical origins.
Margaux Gazur is a French-Vietnamese composer, musician, producer and DJ, now based in Berlin. Having lived in Vietnam for 5 years from 2012, she found herself searching for the sounds of her roots, played-back in form of field-recordings combined with traditional instruments and the sounds of her blurred childhood memories.
The tracks of her debut-album unfold the magic in a very subtle way, filled with vivid rhythms of Hanoian street sounds, evolving layers of mesmerizing tones and organic textures to create an intimate and unique atmosphere. Each track offers yet another something to discover while listening- mysterious voices and fragile elements next to beautiful melodies and trippy glitches, organic grooves and hypnotic wonkiness- and a lot of magic moments implemented. Woozy pads meandering and moving along – there is so many things to discover within „Blurred Memories“.
Margaux released her first track on vinyl on Smallville 55 back in 2019 and she has played endless live-sets and DJ performances at amazing spaces like Panorama Bar/Berghain, Heideglühen, Club der Visionäre, Berlin, La Station, Paris, Giegling events, Smallville and Kann Parties as well as beautiful festivals such as Waking Life in Portugal, Fusion, Berlin Atonal, Meakusma Festival or Equation in Vietnam amongst others.
Smallville is extremely happy to present „Blurred Memories“, music to stay with you.

LP number 18 on Smallville comes with a special gatefold cover artwork by Stefan Marx.
All tracks written & produced by Margaux Gazur
Mastering and Vinyl cut by Helmut Erler at Lathesville
Artwork & Typography by Stefan Marx
Distributed by Wordandsound

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Artwork and Typography by Stefan Marx

Four new and ultra deep italo-deephouse cuts from Jacy aka Giacy Bozzi from Bari in Southern Italy.

Jacy is running his own label Home Of House Records and is well-known in his comfort-zone, the very Underground. May it be for his contributions to the amazing „Welcome To Paradise“ Compilation Series on Safe Trip, being featured on Volume I, II and III or his records on Kalahari Oyster or Hot Haus Records.

All of these come with Jacy signature sound– timeless and deep tunes to stay, intense balearic feels that guide you through the night and revive the golden-era of House music.

Smallville 68 as always comes with a Full Cover Artwork by Stefan Marx.


Tracklist:

Tracklist:

A1 Move Your Body
A2 Feel The G
B1 One Kiss One ...
B2 Isola 89





All tracks written & produced by Giacy Bozzi
Mastering and Vinyl cut by Helmut Erler at Lathesville

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Artwork and Typography by Stefan Marx

Snad is back on Smallville.

Shyam Anand is a long-term friend of Smallville and an MPC wizard with a wide-open heart. We are super happy to finally present a 12“ that is fully his own.

After an amazing contribution to Smallville 49 (check out Excerptz!), Snad aka Spandrel aka Shyam Anand presents a full 3-tracker on Smallville, packed with his irrisistible grooves, the usual unexpected twists and an overall magical atmosphere. Growing up near Philadelphia, then moving to Chicago and later exploring the global underground scenes of Berlin and Mexico City, among others, Snad is a busy man. He runs his own imprint Spandrel, co-runs We R The Aliens and has an impressive back-catalogue of contributions for several favourites like Running Back, Courtesy of Balance, Kimochi, Long Vehicle, 20:20 Vision, Phonica and many more.

On this 12" the A side belongs solely to Bubblescope - 14 and a half minutes of mesmerizing Ensoniq DP/4 Vocoder driven modular spheres, an endlessly deep bubbling piece of art that builds an intense feeling that could last for hours.

The B side sees Snad staying deep – Lukewarm Lava explores the broken beat world before taking you on a ride. The beloved B2-spot goes to Tanni - an integral part of Julius' warmup-sets since forever and thus a special one to finally put on wax.

Bubblescope comes with a Full Cover Artwork by Stefan Marx.

Tracklist:
A1 Bubblescope
B1 Lukewarm Lava
B2 Tanni


All tracks written & produced by Shyam Anand
Mastering and Vinyl cut by Helmut Erler at Lathesville

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Tracklist 2LP:

A1 Better Times
A2 On The Dancefloor
B1 Ne Travaillez Jamais (Still Working Mix)
B2 Shibboleth
C1 Burning Snake
C2 Thank You feat. Taiko Saito
D1 IGFT
D2 Evin


Smallville purveyor of the deep Christopher Rau with his third longplayer for the label, „Better Times“. Timeless crispy house music to stay forever.

All tracks written, produced and mixed by Christopher Rau
Vibraphone on C2 by Taiko Saito
Mastering by Helmut Erler, Vinyl Cut by Lathesville
Artwork and Typography by Stefan Marx
Distributed by Wordandsound

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Artwork and Typography by Stefan Marx

Joe Davies aka DJ Assam makes a welcome return to Smallville following his ‘Shields In Full Sunlight’ LP with the ‘Pardon My Late Response’ EP.

The past decade has seen DJ Assam releasing material for the likes of (his own imprint) Lehult, that he runs with a few friends, KANN Records, Super Tuff and Smallville Records sub-label Down by the Lake, as well as Djing regularly at hotspots across Europe and beyond.

Last year he made his debut on Smallville appearing under his own name- Joe Davies with a long player project. Here he returns with more of his distinctive deep and hypnotic style on a new EP for Smallville.

Up first on the package is ‘Errol Dub’, a six minute journey traversing through bouncy bass tones, airy chords, crisp shuffled percussion and modulating synth lines before ‘Unknown’ dives deeper via a reduced rhythm section, acid synth bleeps, soft bell tones and subtly naunced atmospherics. Opening the flip-side ‘1234 Love’ captures a more raw aesthetic with saturated drums at its core while an amalgamation of modulating synth licks and ethereal pads ebb and flow throughout. The Frankfurt Mix of ‘Hi Life’, known from Joe's mesmerizing Smallville album, rounds out the release, journeying into dub territory courtesy of spiralling echoes and slowly unfurling chords underpinned by a bumpy off-kilter drum groove.

Tracklist:

A1 Errol Dub
A2 Unknown
B1 1234 Love
B2 Hi Life (Frankfurt Mix)


All tracks written, produced and mixed by Joe Davies, additional production on B2 by Ossia, Vocals on B2 by Ocker
Mastering by Helmut Erler, Vinyl Cut by Lathesville

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12" - Cover Artwork by Stefan Marx

Edward delivers his latest collection of works, the ‘Eddie Green’ EP via Smallville Records this July,
comprised of four originals.

For the past decade and a half, Frankfurt-original Gilles Aiken, better known to most as simply, Edward, has been
unveiling his productions regularly via the likes of his most regular home Giegling, but also Baby Ford & Eon’s
Trelik, White, Die Orakel or DFA, plus teaming up with Ricardo Villalobos in 2020 for their Disordered Rhythm
Metronomy project on Perlon. Here though, we see Edward mark his debut for Smallville Records, a fitting home
for his deep, dynamic and hypnotic style which regularly blurs the lines of House, Techno and beyond.
Up first is ‘Primal Dream’, a raw and reduced journey through modulating synth flutters, squeaky percussive
twitches and a bumpy, robust rhythm section. ‘Blue Glue’ follows and diverges into a more mystical sonic world
with haunting chants, resonant synth licks, meditative chimes and ethereal textures intertwined with crisp, crunchy
drums.

Title-track ‘Eddie Green’ opens the B-side, embracing a more dubbed out, deep techno aesthetic via murky chord
swells, clattering organic percussion, throbbing low end pulsations and vocoded spoken word vocal lines. The
aptly title ‘So Slow’ then rounds out the release, dropping the tempo and shifting focus Edward’s more jazz-tinged
influences with wandering piano melodies and soulful vocal chants uttering the track’s title, underpinned by
shuffled drums and waves of sporadic oscillating synth.

Tracklist:
A1 Primal Dream
A2 Blue Glue
B1 Eddie Green
B2 So Slow
All tracks written & produced by Gilles Aiken
Mastering and Vinyl cut by Helmut Erler @ Lathesville
Cover Artwork by Stefan Marx
Distributed by Wordandsound

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Gatefold Cover, Double-12”

Tracklist:

A Original Mix (08:55 min)
B Broken Mix (08:39 min)
C Kuniyuki Version (09:26 min)
D Session Victim Version (06:51 min)

Following well-regarded outings on Phonica Records and Wolf Music, and a superb "Many Shades Of House" compilation released this year, Lausanne-based Lea Lisa joins Smallville Records this June with ‘Poem For The Lost Souls’, accompanied by remixes from Kuniyuki and Session Victim as a special Double-12“ package with Gatefold Cover.

For these tracks, Lea Lisa has worked with several musicians in the studio to transform the warmth and organic feel of real instruments into her musical universe. The original mix of ‘Poem For The Lost Souls’ leads, a jazzy house journey that ebbs and flows through fluttering flute melodies, ethereal chords, wandering piano and funk-infused bass grooves running atop organic percussion and disco tinged drums. On the B Side, the ‘Broken Mix’ follows, as the name would suggest, rhythmically shifting focus towards off-kilter drum breaks alongside the other melodies and again - all the ingredients that make a classic house track.

Opening the C-side on record 2, acclaimed Japanese artist and Mule Musiq regular Kuniyuki steps up to rework ‘Poem For The Lost Souls’, in typical fashion the Sapporo born producer extracts the core grooves from the original and shapes it into something uniquely his own, laden with warmth, soul and dynamics. The duo Session Victim then round out the release on Side D with their interpretation, fusing together the original synth melodies with their own amalgamation of intricately intertwined keys and atmospherics, underpinned by a shuffled rhythm section and bouncy low-end drive.

It’s coming with a gatefold cover-artwork by Stefan Marx for a cherry-blossom glimpse of Yoyogi Park in Tokyo.

Tracks written & produced by Lea Lisa
Flute by Thibaut Martinez - recorded at Magneto Studio / Lausanne, Additional Synth By Bayron, Piano by Joseph Miller
Additional production and remix on Side C by Kuniyuki Takahashi
Additional production and remix on Side D by Hauke Freer & Matthias Reiling

Mastering by Kuniyuki Takahashi, side A Mixed & mastered by Benoit @ Perception Mastering
Vinyl cut by Helmut Erler @ Lathesville
Cover Artwork by Stefan Marx
Distributed by Wordandsound


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2024 repress, full cover, same set up as before

Tracklist:
A1 Gravity Hill
A2 Beaver
B1 The Swamp
B2 Stargazer


Dial Records boss makes a welcome return to Smallville in March of 2024 with a fresh four-tracker EP ‘Gravity Hill’. Peter Kersten, better known to most as Lawrence, has been at the forefront of underground house and techno for decades now. His Dial imprint, co-founded alongside Carsten Jost, has grown to become a north star for many seeking out raw, emotive and understated electronic music and Lawrence’s own productions follow a similar path, finding a home on many beloved labels beyond Dial such as Kompakt, Mule Musiq, Ghostly
International, Giegling, Pampa and of course Smallville, that he co-founded together with Stella Plazonja and Julius Steinhoff in 2005.
Title-track ‘Gravity Hill’ opens the project and perfectly sets the tone with Lawrence’s distinct atmospheric haze of keys, chords and pads billowing atop swaying bass tones and crisp drums. ‘Beaver’ follows next and edges into dubbed out realms with expansive stab delays, rounded subs, modulating percussive flutters and a robust rhythmic drive.
‘The Swamp’ then leads the B-side, diving into a deeper territory via airy Rhodes melodies and subtly unfurling pads, intertwined with organic percussion and a jazz tinged bass line. ‘Stargazer’ then concludes the package and shifts back to a more straight, dance floor- oriented feel via a twitchy acid bass, circling resonant synth licks, hypnotic textures and a swinging drum groove.
Smallville 62 artwork by Stefan Marx as always and it's the first 12“ Smallville cover in full colour ever after 61 black/white releases.

All tracks written, produced and mixed by Peter M. Kersten
Mastering by Helmut Erler, vinyl Cut by Lathesville
Artwork and Typography by Stefan Marx
Distributed by Wordandsound

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2024 repress in white standard sleeve


Tracklist:
A1 Abspace
A2 Set It Off
B1 Do It
B2 One More Time

Get down with 4 magic House-cuts by Christopher Rau. These irresistible grooves
will make the sun shine brighter for forever. Including full cover Artwork by Stefan Marx.

All tracks written, produced and mixed by Christopher Rau

Mastering by Helmut Erler
Vinyl Cut by Lathesville
Artwork and Typography by Stefan Marx
Distributed by Wordandsound
Smallville, 2023

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Tracklist 2LP:

01/ A1 Hi Life (feat. Ossia)
02/ A2 Echo Form
03/ B1 Two Hours Earth Room
04/ B2 Smile And Wave
05/ C1 Cygnus (feat. Space Drum Meditation)
06/ C2 AMY (feat. Johan Kaseta)
07/ D1 Movement In The Breach
08/ D2 Nefyn

DJ Assam delivers his inaugural project under his own name Joe Davies this November. Entitled ‘Shields In Full Sunlight’ and comprising eight original cuts, his debut album is full of beautiful shades, unexpected twists and twirling melodies.

The past decade has seen DJ Assam releasing material for the likes of (his own imprint) Lehult, that he runs with a few friends, KANN Records, Super Tuff and Smallville Record sub-label Down by the Lake, as well as Djing regularly at hotspots across Europe and beyond. We are very happy to have him appearing under his own name- Joe Davies- to our main Smallville imprint with some serious longplayer material.

Through the project, Davies offers up textural ethereal numbers like opener ‘Hi Life’ (featuring his brother Daniel aka Ossia, ‘Smile and Wave’ and closing track ‘Nefyn’. Also on offer is the more signature deep and dubby Smallville house sound with tracks like ‘Two Hours Earth Room’, ‘Cygnus’ (featuring Space Drum Meditation) and ‘AMY' (featuring Johan Kaseta), while the likes of ‘’Echo Form’ sees Davies deviate into Bruk with broken rhythms and jazzy melodies or ‘Movement Into The Breach’, which embraces a more mystical, Balearic-tinged aesthetic.

Once again Smallville delivers raw deep and understated music for the heads with Joe Davies ‘Shields In Full Sunlight’ LP out this November.

Full cover artwork by Stefan Marx.


All tracks written & produced by Joe Davies, 2017 - 2023
Plus additional production on A1 by Daniel Davies, on B1 by Lucas Gloe, on C1 by Eddie Ness & Lars Krug, on C2 by Hannes Hehemann
Additional mixing by Gentle Soul, Ossia

Cover Artwork by Stefan Marx
Mastering by Helmut Erler
Vinyl Cut by Lathesville
Distributed by Wordandsound

Smallville 2023


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Tracklist:
A1 In My Face
A2 Love Me Tonite
B1 Deepside (Nu Cleo Mix)
B2 Solaris

Release Info:
Second coup by Bari-based Rhythm Of Paradise on Smallville.
Michele Lamacchia is a Master of strictly timeless Italo-Vibes and he has learnt from the Best. All the glory of no-nonsense Italo-House is dripping, warm and fuzzy, deep and rich House-cuts for your listening and dancing pleasure. Like a butterfly!
Cover by Stefan Marx.


All tracks written, produced and mixed by Michele Lamacchia at Acustic Sound Studio Bari/ Italy
Mastering by Helmut Erler
Vinyl Cut by Lathesville
Artwork and Typography by Stefan Marx


Smallville, 2023

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Tracklist:
A1 The Spirit
A2 TJ Mornings
B1 LA Nights
B2 Reach Out For Me

Release Info:
Welcome to Smallville, Dana!
With being a DJ and producer, running a label and a record-store, Dana and Smallville
have been soulmates for long and following the same paths. We are very happy to
present her 12“ with crispy dancefloor-feels, heavy basses and irresistible grooves.

Full cover artwork as always by Stefan Marx.

All Tracks are written, produced and mixed by Dana Ruh
Mastering by Gabriele Carasco
Vinyl Cut by Dubplates+Mastering
Artwork and Typography by Stefan Marx
Distributed by Wordandsound
Smallville, 2023

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Tracklist 2LP:

01/ A1 Hokusai
02/ A2 All You Can Beat
03/ B1 Colon.ize
04/ C1 Wired To The Mothership 2021
05/ C2 All You Can Sweep
06/ D1 Doomscrolling
07/ D2 Luvbyrds

Release Info:
The lost tracks- unreleased material from Move D & Dman

Around the year 1990, a group of producers gathered regaularly at a space called „Blaues Zimmer“ (Blue Room), located at Bergheimer Strasse, Heidelberg. The Blue Room was the studio of Dirk Mantei aka Dman and David Moufang (Move D) calls it the one of the 'Keimzellen' (seeds) for what would happen in regards to the electronic music movement within the Rhein-Main-Area during the following 10 years. The 90s were roaring, with a lot of mid-sized cities located relatively close to each other- Heidelberg, Mannheim, Ludwigshafen, Darmstadt- and Frankfurt was easily reached. Various highly influential clubs and parties happened around that time and Dirk and David had their parts.

Dirk Mantei & David Moufang, Eric D Clark, Robert Gordon, Nils „Puppetmaster“ Hess, DJ Cle- to name a few- all happen to live in Heidelberg and gather around at Dirks place during this time. Discogs calls Dirk Mantei 'a katalyst figure in the 1990s techno scene of Southern Germany' and this is for a reason. He was running a record store (Dubtools) and threw legendary parties - Planet Bass (Sunday party at Normal, Heidelberg around 1988), Hot Lemonade (Sunday party in Mannheim around 1990). When he moved to Mannheim, Dirk opened the legendary club Milk! (from 1990) out of nothing and later ran another club called HD800 (located in MS Connexion). Both were suited with the same famous - and massive - soundsystem, acquired and tuned by himself. David calls Milk! the birth place of his name Move D as well as Source Records as a label.

Both Davids and Dirks first vinyl release ever was a 12“ they released on Davids Source– called Homeworks 1 – four tracks that were released as one of the first CDs on Source Records a year before. Also "Wired To The Mothership" can be found on this CD compilation, a 32-seconds-long track - and although far too short, it's special. Timeless components weaven together in the most wonderful way - Sheffield-inspired bleeps, timeless pads and detroitish strings, a JXP-3 organ solo, analog drums and a driving analogue bassline- and then it's gone.. When asked, why there wasn't a longer version of the track, David and Dirk said they were not happy with the mixdown back then- so it took them almost 30 years to finally finish a 2021 full version together.
Between 2011 and 2021, they both found themselves in Davids Studio from time to time, Dirk was living in Mannheim and some sessions resulted in a bunch of yet unreleased tracks that slept on harddrives ever since then. We are amazingly happy to share these with the world, to let them tell some more yet hidden stories.

Cover artwork by Stefan Marx.

All Tracks are written, produced and mixed by David Moufang and Dirk Mantei between 1992 and 2021.

Mastering by Helmut Erler
Vinyl Cut by Lathesville
Artwork and Typography by Stefan Marx
Distributed by Wordandsound

Smallville 2022

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Tracklist:

A1 Love Notes To Brooklyn
A2 The Deepness
B That Feeling!

Amir Alexander's unique production style and his musical output has been an inspiration for a long time. His record were always special ones and we were loving the fresh vibes outta Chicago a lot. In 2012, we were happy to host Amir to play his first-ever DJ-gig in Germany at our Smallville night at Golden Pudel Club in Hamburg, as part of his first EU tour ever. The night remains a memorable one and so we are very happy to close the circles now and to release this special 12“ by Amir. Full cover artwork by Stefan Marx.
The tracks were made in loving memory of Nathaniel Jay. Rest in peace and all the love to you.


All Tracks are written, produced and mixed by Amir Alexander
Mastering by Helmut Erler
Vinyl Cut by Dubplates+Mastering
Artwork and Typography by Stefan Marx
Distributed by Wordandsound

Smallville, 2022


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Format Notes:

2025 first time vinyl release, 140g vinyl


Track List:


A1 It Couldn't Be You
A2 You Can't Hide Always
A3 We'll Make It Again

B1 Walk Straight Ahead
B2 Painting My Life Blue
B3 Just Two Lovers

Release Notes:


Wally Badarou is a synth pioneer and musical polymath. But rarely does he sing over his sumptuous tracks. The 6 songs that comprise new record Simple Things finally realise Wally's vision for select backing tracks from his beloved Colors Of Silence.

The tracks were originally developed back in 2001 for the release of the original CD; here, Wally has “simply" added overdubs and vocals to their mastered mixes with some discerning edits. Simply put, Simple Things is another slice of simply stunning Wally Badarou genius.

Simple Things has been decades in the making. Indeed, Wally struggled not only with the idea of singing these wonderful songs himself but singing them in English and writing his own lyrics, while wrestling with the sensational backing tracks, which themselves seemed to have taken on a life of their own.

As Wally explained to us: "In addition to the instrumental artist I have been known as, so far, there has always been a singer who simply was not sure he was, up until now. Even though “Back To Scales Tonight”, my very first album, was, indeed, a song album."

Opener "It Couldn't Be You" embellishes the uptempo groove of soca-funk gem "The Lights Of Kinshasa". As Wally explained to us, it's about “a simple love story somewhere, one rainy night, under the lights of Kinshasa. A woman, a man, online dating, quite usual in our times. Then they meet, almost missing each other." The guide vocal Wally had laid for Colors Of Silence - with an organ sound - seemed striving for words in Linguala, a Congolese language he could not speak. Therefore the decision to do it himself was not an easy one, for it had to be in English to fit his singing. We think it turned out pretty good!

"You Can't Hide Always" vocalises Wally's deep concerns set to the propulsive "Smiles By The Millions": "Populism, ostracism, radicalism, ethics and values all turned upside down worldwide, are they all inevitably exacerbated by our social networks? It could all melt down one day, like a house of cards in the ocean of fake news and false prophecies”. Wally wanted to keep the track as bare as possible but, inevitably, the backing vocals and the synth-brass arrive ultimately to present a welcome 70s flavour, with no snare-drum added.

The bright and breezy "We'll Make It Again" adds vocals to "Where Were We", a tropical, reggae-tinged bounce through the islands. Here's Waly: "Where were we when we last said: "I love you"? Simple words to express something quite common, but never quite simple to deal with. A simple song about the resilience of the broken hearts.” The reggae came from it being conceived when Wally was scoring for “Third World Cop”, a 1999 Jamaican action movie.

"Walk Straight Ahead" provides Wally's gorgeous, contemplative and idiosyncratic vocals to the deep serenity of Colors Of Silence highlight, "Amber Whispers". It's a gliding, divine, mini melodic masterpiece. It'll make you swoon in its extreme beauty. As Wally describes, "it started as just whispers, sweet amber whispers. Then the colour turned darker, as darker skies seemed to fall upon us while the whole world keeps on walking ahead, straight ahead, regardless of the blatant warnings, feeling much too comfortable in conformity. Initially, the verses were to be spoken only. I realised they could be sung all the while, without overshadowing the ethereal atmosphere." Amen.

The serene, celestial "Painting My Life Blue" presents the vocal version of "Days To Wonder". Says Wally, "how does it feel when your second half is gone after decades of riding life together? Past the temporary loss of your bearings, you come to realise you've been blind to the essential, and suddenly you can see...For this most intimate song of mine, I had tried to come up with a melody on top of the existing backing track, long before realising the melody was in the keyboard part already. It just needed to be properly mixed with it."

The profoundly emotional "Just Two Lovers" works up the formerly-too-brief and glorious "Crystal Falls" into a much fuller masterpiece and features acoustic guitar sparkle before fully glistening with some gentle head-nod percussion. Waly explains further: "Dear little green men, please tell me, what is it about us that makes you want to come and visit us so often (contrary to Fermi's assertion)? And here is the reply I believe I heard them sing: "You've got the key you've been searching for: Love”. I reverted to the initial backing track I had made around 1985, which already bore the melody, and which I added acoustic guitars to, before singing it." An astounding closer.

A synth specialist, there can be few artists more under-appreciated given their vast influence than Wally Badarou. His solo work practically defined the sound of the Balearic DJs of the 1980s, and thus the more sophisticated sound of dance culture thereafter. He was one of the Compass Point All Stars (with Sly and Robbie, Barry Reynolds, Mikey Chung and Uziah "Sticky" Thompson), the in-house recording team of Compass Point Studios responsible for a series of albums in the 1980s recorded by Grace Jones, Tom Tom Club, Mick Jagger, Black Uhuru, Gwen Guthrie, Jimmy Cliff and Gregory Isaacs. Badarou's keyboard playing could also be heard on albums by Robert Palmer, Marianne Faithfull, Herbie Hancock, M (Pop Muzik), Talking Heads, Manu Dibango and Miriam Makeba. He also produced Fela Kuti. Phew!

When we asked Wally about the significance of this collection's title, he explained: "These are "Simple things” that everyday’s life seems to build upon. The simplest are the harder to describe, but when satisfactorily described i.e. with simple words, they are the more genuine and authentic to express and share. I’ve immersed myself in other classic song lyrics, something I hardly did before, just to appreciate the genius behind the simple words they were made of, and had a great time studying how powerful they were in expressing complex ideas such as love."

Recording was twofold: first, most of the backing tracks were recorded in 2001, in Wally's studio in Normandy, mostly using hardware synths and Yamaha digital consoles. Then, he fine-tuned the melodies and wrote the lyrics in late 2023, then added some overdubs and sang them all during summer 2024. States Wally, "Digital Performer was and remains the DAW I’ve been using throughout, ever since the 80s."

Wally's sophisticated synth textures and expressive keyboard runs are so full of character, so full of life, that this work of art transcends any easy genre categorisation. Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland. Sometimes, the simple things are the most extraordinary.

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LP, 2022 REPRESS EDITION, ORIGINAL ART

played by:
Gregor Schwellenbach /Hauschka/ Daniel Brauer/ Paul Frick (both of Brandt Brauer Frick) Erol Sarp / Lukas Vogel (both of Grandbrothers) / John Kameel Farah

Tracklist:
1. Steve Reich "Six Pianos" 22:09 mins
2. Terry Riley "Study #1" 19:50 mins

Info:
After the widely noticed performance at the "Acht Brücken Festival 2016" at Cologne's Philharmonic Hall, Gregor Schwellenbach, Hauschka, Erol Sarp (of "Grandbrothers"), Daniel Brandt, Paul Frick (both of "Brandt Brauer Frick") and John Kameel Farah will be releasing their interpretation of Steve Reich's "Six Pianos" as a studio recording via FILM. The re-recording of this piece is an interpretation of Reich's composition but still far more than just that - it is a modern approach to his idea behind it.
The basic idea came up at the beginning of the 70s at "The Baldwin Piano & Organ Company" in New York. During a rehearsal phase Steve Reich spent in this very piano store, the idea emerged of writing a composition for all the grand pianos available to him at the company. By the time of the finished piece, the actual number of pianos had settled down to six, whereof "Six Pianos" developed in 1973.
On the occasion of his 80th birthday, the six pianists declare their love to Steve Reich and his composition with this release. Shaped by electronic club music as well as their classical education, they form "Six Pianos" in dignified modernity and top it off with today's sound esthetics and technical recording possibilities.
What you will be hearing is not the recording from the "Kölner Philharmonie" (Cologne Philharmonics) but the ensemble play of six different grand pianos in six different locations, throughout Germany. Each pianist performed his part on his piano using his typical studio equipment and passed the recording over to the next one. Thus the six characteristic and individual timbres of the performers overlay to create the overall picture - "Six Pianos" the way it should be looked at in 2016.
"Pianists are soloists and lone warriors by nature", as Gregor Schwellenbach once said. But the initiator not only won over solo artists to the greatest possible extent such as Hauschka or John Kameel Farah but also musicians from "Brandt Brauer Frick" and "Grandbrothers" as well as their ensemble partners: Jan Brauer mixed "Six Pianos" in the studio while Lukas Vogel provided delays for the b-side.
"Keyboard Study #1" by Terry Riley is a worthy b-side opposed to Reich's composition. The piece is kind of a building set of ever lengthening, repetitive patterns played against each other with the right and left hand displaced. The composition proposes various possible combinations for the performer to choose from and repeat at will. And what the performers have chosen proves Gregor Schwellenbach's assumption: "Especially Terry Riley's and Steve Reich's music are open doors for pianists socialized by pop music and their audience."





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Long time sought after french post-punk/coldwave 7" finally get an official reissue with remastered sound and artwork. Available on 7" on May 17th. Released by Camisole Records.

Tracklist :

A Eyes
B Morning Rain

Short Info:

Long time sought after french post-punk/coldwave 7" finally get an official reissue with remastered sound and artwork. Available on 7" on May 17th. Released by Camisole Records.

We all have lost memories and dreams, shattered hopes we hide to people and try to live with. Like the feeling of missing someone you've cherished in the past but who doesn't need you anymore.
This obsessive melancholia infuses the two tracks of this now highly sought after record, while haunting lyrics and subtle production definitely set them apart from their contemporaries.

Coldreams was a french female fronted post-punk band hailing from Clermont-Ferrand. Instead of coldwave we prefer to named their music melancholic pop.

Reissue limited to 500 copies.



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Tracklist 12":
A1) Orlando Magic, A2) Cabrio Mango
B1) 1981, B2) She Keeps It Good

The Toy Tonics crew is known for being addicted to two things: vintage music machines and old vinyl. 100% music aficionados. On the Tonic Edit series the crew shares some of their favorite old tracks - in a reworked version.

This time COEO get back in time. They destroyed a couple of 1970ies disco jams. Recut & repasted them. And gave them their special COEO touch. Of course it's irresistible!
This release comes on vinyl only first. Later maybe could be out on selected Digital sellers.. not sure yet.


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Tracklist:
(A1) Jonathan Kaspar – Invert Drift (DE-Q20-21-00003)
(A2) Jonathan Kaspar – Last Romance (DE-Q20-21-00004)
(B1) Jonathan Kaspar – Off The Shore (DE-Q20-21-00005)

Release Date:
Jonathan Kaspar has that rare, instinctive ability to germinate the seed of an idea and nurture it to its logical conclusion, both melodically and sonically. It’s why his stock has been rising so sharply in recent years with future classics already released on Kompakt and Objektivity to name but two, and he’s at it again on his debut EP for Cocoon Recordings with three distinctive tracks of sublime quality.

The first cut, Invert Drift, is also a phenomenal mixing tool. What starts off as an expectant minimal groove suddenly explodes with wild, cascading effects that hit you out of nowhere. Any DJ worth their salt will get tons of twisted pleasure orchestrating the crowd‘s synaptic meltdown with this one, but there‘s so much more going on behind the calculated mayhem. In true signature style Kaspar teases the listener, cranking up the pressure with a dark, brooding synth progression that lurks under the surface but never quite breaks free, leaving the morphing bass line, crunchy top loop and laser guided FX front and center. As it reaches its climax it’s like being caught in the crossfire of a Battlestar Galactia shoot out.

Last Romance is another master class in how to hypnotize the dance floor, this time by showering it in ecstasy. The patient, Latin-inflected build up accompanies a discordant metallic synth line that from hesitant beginnings slowly grows to dominate the track. It resonates beautifully almost creating its own language before deep, lush chords and a crystalline arp line flesh out the breakdown, making the hairs on your neck stand to attention.

Coming in at just over ten minutes, Off The Shore introduces a different aspect of Kaspar’s repertoire. With ambient, cinematic overtones and an otherworldly central motif that starts folding space in the extended breakdown, it’s a perfect early morning tonic that leads you off the beaten track, but still carries enough weight to keep the dance floor ticking over nicely.






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Format 12” (Vinyl Only)

Tracklist:

A1) Yo Yo Disco
B1) Yo Yo Disco (Extended)

Short info:

Text

ALARM. Wolfi & Josh take you to the Disco. ALARM




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12“ (+download, + sticker)

Tracklist:
01. Devil In a Skirt
02. Affaire de Coeur
03. Hide & Sick
04. We Are the Party
05. In Your Bed
06. AI Lover

Release Info:
Prolific duo Years of Denial return to Veyl with another genre bending, dance floor ready EP titled Love Cuts.
Acting as a transit between 2023’s Suicide Disco 2 and the forthcoming Suicide Disco 3, Love Cuts explores the various angles of love - ranging from the digital to the forbidden, toxic to erotic and beyond. A blend of death rock, future goth, EBM and rave, we once again find the project’s poetic, powerful lyrics fusing with motorized beats and 4x4 rhythms.
Kicking things off is the shadowy, death rock inspired, "Devil In a Skirt", an infectious ballad about a temptress that may not be what she seems. Next up, "Affaire de Coeur" delivers body fuelled stabs which elegantly bleeds into "Hide & Sick", a more high energy cut, set to scorch the floor. "We Are The Party" keeps the pulse pounding with your next EBM anthem while "In Your Bed" shatters sonic boundaries and leaves things drenched in acid rave. "AI Lover" closes things out with more future goth rave energy which acts as both a warning and a desire for more.
Love Cuts builds on Years of Denial’s previous work while setting the stage for what’s to come. Commanding vocals and dominating beats transmit a powerful message of both the dystopian and euphoric. Remaining uncategorizable, the project continues to evolve their unique sound while burning a path toward the future.


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Territories: Worldwide no restrictions

Format Notes:
2024 first time double vinyl reissue with exclusive bonus track, 140g double vinyl, remastered audio with restored artwork


Track List:

A1 Intro 0:50
A2 WordPlay 3:17
A3 Spontaneity 4:08
A4 Rugged Ruff 3:08
A5 Interlude 0:29

B1 I Confess 4:06
B2 UKNOWHOWWEDU 3:35
B3 Interlude 1:09
B4 Total Wreck 3:26
B5 Innovation 3:23

C1 Da Jawn 5:19
C2 Interlude 1:05
C3 True Honey Buns (Dat Freak Sh*t) 3:41

D1 3 Tha Hard Way 4:12
D2 Biggest Part Of Me 4:51
D3 Path To Rhythm 3:24

Release Notes:

Bahamadia’s 1996 debut album Kollage is rightly regarded as one of the greatest rap albums of the 1990s. For the first time ever, Be With present the definitive double LP version of this eternal hip-hop classic, including the legendary "Path To Rhythm" which never appeared on the original LP or on vinyl, anywhere. An indelible VIBE from start-to-finish, Kollage presents Bahamadia's swirling rhymes delivered with an irresistibly butter flow and razor-sharp assuredness over a steady slew of smoothed-out, jazzed-up, blunted beats. Achingly cool and effortlessly funky throughout, it's an absolute must for true 90s hip-hop fanatics.

The entire Kollage project was recorded at D&D Studios and the ties to Gang Starr are keenly felt, with DJ Premier producing five tracks in addition to the killer songs Guru had already produced with her. Working with the cream of the mid-90s East Coast sound, Kollage is, accordingly, a record that demonstrates a varied musical taste with disparate influences, as Bahamadia has previously stated: “The title Kollage was a reflection of my state of mind. I first got interested in music from playing my parents’ and grandparents’ records, as well what I heard on the radio. I wanted Kollage to reflect that diversity both lyrically and sonically."

With intelligent, poetic lyricism and a laconic verbal style bursting with both warm texture and deceptive energy, Bahamadia’s flow was as inspired by Aretha and Nancy Wilson as it was Q-Tip, Schoolly D and Lady B. Swaggering out the gate, "WordPlay" finds Bahamadia confidently showcasing her considerable old-school battle-rhyme skills over a Guru beat that utilises an infectiously bouncy bassline with splashes of sultry jazz horns and a Jeru vocal snatch for the hook. Up next, the quietly shimmering and ruggedly beautiful "Spontaneity" is one of the most alluring on the record, Da Beatminerz crafting a brilliantly soulful and jazzy soundscape for Bahamadia's effortless vocals to float across. It's followed by "Rugged Ruff", where the rapper carefully constructs a swift off-beat flow over Premier's raw jazzy fire.

With smooth spacey synth vibes overseen by former Geto Boys producer N.O. Joe, "I Confess" is, without question, a fly love song and soothing (p)-funk groove. "UKNOWHOWWEDU" is an airy, chilled tribute to her hometown. Produced by Ski Beatz & DJ Redhanded, it rides a gloriously mellow break. It's a true Philly anthem, shouting out a who’s who of the entire city’s scene. Early banger "Total Wreck" follows, presenting a murky Guru instrumental elevated by jazzy horns. Bahamadia invokes the title's suggestion, firing her brilliant bars more aggressively than we’re accustomed to. More Beatminerz-brilliance comes in the way of "Innovation", an opportunity for the MC to invoke Freestyle Fellowship in her forward-thinking and literary verses. "Da Jawn" features hometown buddies The Roots, with Black Thought gliding into a back-and-forth with Bahamadia over ?uestlove’s warm, snapping percussion. With the strut club banger "True Honey Buns (Dat Freak Sh*t)", DJ Premier provides some laidback vibrant boom bap for Bahamadia to share a wild, cautionary tale about a night out with her girl, Kia.

Fan favourite "3 Tha Hard Way" is a hypnotically sinister cut, with Bahamadia, K-Swift and Mecca Star taking star turns to coast over DJ Premier’s raw beat whilst the tender "Biggest Part Of Me" is a heartfelt stunner dedicated to her son. Incredibly, only the European and Japanese CD versions of Kollage was released with the brilliantly breezy “Path To Rhythm”, featuring Ursula Rucker. Whilst ostensibly a "bonus track", it's anything but, to our ears. Very much in sonic conversation with KRS-One's stretched-out sleeper classic "Higher Level", it's absolutely essential so we had to include it, appearing on wax for the first time here, exclusively. Quite a coup.

Somewhat predictably, whilst Kollage was released to significant critical acclaim, it suffered from disappointing sales. In the intervening years - and for far too long - it was a criminally underrated record, an increasingly hidden gem. We hope this double LP reissue - which looks and sounds amazing - will go some way to correct this. This 2024 Be With double LP re-issue has been mastered for vinyl by Simon Francis, cut by Cicely Balston and pressed at Record Industry. It's too bold and beautiful to remain overlooked and underserved.


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Format : Vinyl 12” (180 gr., Limited Full Cover)

Track list:

A1 Yes I am
A2 Move over Feat. ELY
A3 Time selection
B1 One thing
B2 Everything from the Organ

Release Info:

D Stone debuts on Heist Recordings with a record that shows us why he's one of the hottest talents in house music right now

Chloe Caillet is in on it. Cinthie is in on it. SG lewis and Demi Riquísimo are in on it too. So are Folamour, Barry Can't Swim and, of course, Dam Swindle. In on what exactly?

In on the fact that D Stone might be the most exciting young producer and DJ you will find in the house scene right now. Oh, and he's also a great guy who says Heist was his dream label to release on. When we found out we were fans of on each other, it was only logical that we signed his 'Time Selection' EP; A 5-track record that shows us how cool and catchy underground house music can be if it's done well.

D Stone, born Daan Steenhuizen has had a meteoric rise in the scene in the past years and has only just finished his study at the Conservatory, where Lars was one of his mentors. His vinyl debut was on Cecille in 2023 with that absolute anthem 'Total unison'. He then released on Cinthie's 803 Crystal Grooves in 2024 and has a busy 2025 with releases on Chloe Caillet's label Smiile, Semi Delicious, a release planned for Barry Can't Swim's fresh label 'Earth's only paradise' and now, Heist. He's been touring relentlessly in between, already playing legendary places like Ibiza's Pikes, Amsterdam's Shelter and with big shows planned at Warehouse project and in Australia, you can just feel all the right things happening for him.

The 'Time Selection' EP kicks off with 'Yes I Am', an upbeat house track with plenty of hints of the old school, playful vocal chops and above all, some lovely piano work. It's stripped back, but full of energy, with driving 909 percussion, retro flutes and a rolling bass line. It's as much a pallet cleanser in a set as it is a teasing mid-set highlight.

'Move Over' features the vocals of ELY and sees D Stone dive deeper into vintage house territory, with a classic bassline and percussion that stays true to the core of the classic drum machines, hinting as much towards the electro-pop sound of New Order and the futurism of early Mr. Fingers releases. The vocal is daring and cute at the same time, and does a great job tapping into the nostalgia of the pop-house cross-over songs of the early 90s.

'Time Selection' is arguably the heaviest cut of the record, much in style of his breakthrough track 'Total Unison'. This track is built around a strong piano theme, supported by driving 909 drums, strings and cleverly placed disco bleeps to keep the track accessible and uplifting. Add to that a big breakdown, and you'll understand why we've been reaching for this track peak set for the past months.

On the flip, we've got 'One Thing', a subtle and introverted track built around a bumpy disco bassline with a hook that's silly on first listen but will end up being the one thing you'll keep humming for the rest of the day. In short, it's a banger in disguise.

The last track of the EP is 'Everything from the Organ', a track where D Stone is not afraid to show his love for throwback ravey elements. There's organ licks, horns and chopped vocals that propel you straight to the front-left of whichever dancefloor D Stone is reigning at that moment.

Don't sleep on the Heist debut of one of Amsterdam's biggest talents, cause this one will go like hot cakes! As always, enjoy the music and play it loud!

Yours, Maarten & Lars


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Release Info:
Released for the first time in 2009, ‘utp_’ is the third installment of Alva Noto and Ryuichi Sakamoto’s V.I.R.U.S.'s series. It was commissioned for the 400th anniversary of Mannheim, Germany. The flowing 10-section multimedia work derives its shape from a rasterized structure of the southwestern city, founded in 1608. The recording documents the work’s debut performed by Ensemble Modern at the National Theatre in Mannheim. The music embraces the electronic, piano-based palettes, an expanded array of avant-garde chamber instrumentation and natural timbres. It combined the digital visual score created by Carsten Nicolai and Simon Mayer, and lighting design by Nigel Edwards.

Album art designed by Carsten Nicolai
Mastering by Bo @ Calyx


Tracklisting
---------------------------------------------------------
Medium: 1 // Side: A // Track: 1

Artist: Alva Noto; Ryuichi Sakamoto
Title: Attack/Transition
Playtime: 00:07:24
Explicit Lyrics: No
ISRC: UK6821719505
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 1

Artist: Alva Noto; Ryuichi Sakamoto
Title: Particle 1
Playtime: 00:06:40
Explicit Lyrics: No
ISRC: UK6821719507
(P): 2022 NOTON
Country: Germany

---------------------------------------------------------
Composer: Carsten Nicolai, Ryuichi Sakamoto
Medium: 1 // Side: A // Track: 2

Artist: Alva Noto; Ryuichi Sakamoto
Title: Grains
Playtime: 00:06:24
Explicit Lyrics: No
ISRC: UK6821719506
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto

---------------------------------------------------------
Medium: 1 // Side: B // Track: 2

Artist: Alva Noto; Ryuichi Sakamoto
Title: Transition
Playtime: 00:03:31
Explicit Lyrics: No
ISRC: UK6821719508
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------

Medium: 1 // Side: B // Track: 3

Artist: Alva Noto; Ryuichi Sakamoto
Title: Broken Line 1
Playtime: 00:06:32
Explicit Lyrics: No
ISRC: UK6821719509
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto

---------------------------------------------------------
Medium: 2 // Side: C // Track: 1

Artist: Alva Noto; Ryuichi Sakamoto
Title: Plateaux 1
Playtime: 00:08:07
Explicit Lyrics: No
ISRC: UK6821719510
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------

Medium: 2 // Side: D // Track: 1

Artist: Alva Noto; Ryuichi Sakamoto
Title: Broken Line 2
Playtime: 00:06:25
Explicit Lyrics: No
ISRC: UK6821719513
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto

---------------------------------------------------------
Medium: 2 // Side: C // Track: 2

Artist: Alva Noto; Ryuichi Sakamoto
Title: Silence
Playtime: 00:06:50
Explicit Lyrics: No
ISRC: UK6821719511
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: D // Track: 2

Artist: Alva Noto; Ryuichi Sakamoto
Title: Plateaux 2/End
Playtime: 00:13:10
Explicit Lyrics: No
ISRC: UK6821719514
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: C // Track: 3

Artist: Alva Noto; Ryuichi Sakamoto
Title: Particle 2
Playtime: 00:07:00
Explicit Lyrics: No
ISRC: UK6821719512
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------

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Territories: World excl. UK

FORMAT 2025 repress, 12" vinyl, generic sleeve, dl card

TRACKLIST
1. / A1 Dark Light 05:09
2. / A2 Fire Chant 04:30
3. / A3 Grátt Silfur 04:41
4. / B1 Green Light 05:11
5. / B2 Ráðabrugg 05:31
6. / DX1 Ruff Cut (Digi Bonus) 05:41
7. / DX2 Only One Way (Digi Bonus) 05:02
8. / DX3 Everyday (Digi Bonus) 04:59

Growing up on the north Atlantic island of Iceland bestows one with an unusual and often intense relationship with light and colour: Summers come with endless days, Winters with scant sunlight yet increased sightings of the Aurora Borealis; the mysterious and awe-inspiring glow across the sky. Channelling these energies, Exos
comes to Tresor with his Green Light EP, a five-track collection of the sort of spectrally rich techno synonymous with the Northman’s 27-year career.
Across the EP, the five tracks fizz and pulsate driving ever forward, making the release’s title a three-way play on words referencing the continuous travelling of photons, the verdant warping of the Northern Lights, and the universal colour for Go, for forward propulsion. Smart wordplay can also be found in titles like Grátt Silfur, a term in Íslenska (literally “grey sliver”) which signifies a tension between two parties, further extending the colour metaphor and dark/light dichotomy found elsewhere.
The digital release comes with three extra tracks that continue the dynamic energy, pushed along by the same shifting, mutating force where the music often feels like voices calling out from the darkness or the shimmer of light as the sun rises across the horizon.
Green Light EP continues this year’s blazing return from an artist who, similar to his output, is never stagnant: ever changing form yet ever moving forward.


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Format: 2LP, incl inlay - 2025 Re Edition

Tracklist

A1. A Sea Of Love
A2. Lifeblood (Naïve Melody)
B1. Hear Me Out
B2. Kraanvogel
C1. On The Embankment
C2. Marked For Life
C3. Cubist Camouflage
D1. Promises Of Fertility
D2. The Sacred Dance

Monolithic and stark but extremely warm, intensely personal, and for every one in every which way. We are very happy to present to you "For Those Of You Who Have Never (And Also Those Who Have), an album by Huerco S.”















Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More