Tracklisting
A1 Eusebeia - Snakes & Ladders
A2 Eusebeia - Morality Lessons
B1 Eusebeia - Ladder To Salvation
B2 Eusebeia - Vice & Virtue

Sales Note
We open up the Samurai Music 2024 collection with an all-newEP from Eusebeia, following on from his LP X, and two sold-out EPS - Omen and Fall Then Rise.

Snakes and Ladders takes it deep and meditative, with anenlightened, progressive take on Jungle. Informed, but uniquely Eusebeia. More

Tracklisting
A1 Eusebeia - Snakes & Ladders
A2 Eusebeia - Morality Lessons
B1 Eusebeia - Ladder To Salvation
B2 Eusebeia - Vice & Virtue

Sales Note
We open up the Samurai Music 2024 collection with an all-newEP from Eusebeia, following on from his LP X, and two sold-out EPS - Omen and Fall Then Rise.

Snakes and Ladders takes it deep and meditative, with anenlightened, progressive take on Jungle. Informed, but uniquely Eusebeia. More

Tracklisting
A1 Eusebeia - Healing Properties
A2 Eusebeia - The Space Between
B1 Eusebeia - Scope Of Understanding
B2 Eusebeia - Self Reflection

Sales Note
A1 - Healing Properties
Opening his Spatial account with Healing Properties, Eusabia immediately throws down the gauntlet showcasing an inimitable versatility with breakbeats, permeated with a jungle flex so rarely captured in the atmospheric D&B landscape. Pivoting effortlessly as the track progresses from drumloop to thunderous drumloop with a simmering haunted atmosphere and deep, weighty basslines to yearning filtered vocal samples, this track has it all.

A2 - The Space Between
Smooth jungly synthwork seizes the foreground before crisp breaks begin to reveal our direction through The Space Between, jittery key stabs and familiar old school FX create a unique sci-fi style backdrop as the breaks drive the vibe forward, switching and weaving in style, constantly mixing it up to ram the point home that you cannot fully appreciate a Eusabia track until every second has been consumed - many times over, as The Space Between demands.

AA1 - Scope of Understanding
A more contemplative piece, Scope of Understanding strips things back with a synthwave-esque vibe tinged with intrigue and allure. Soon the breakbeats leap into gear and develop with an incredible level of refined detail, expertly edited, chopped and cut to a darkly undertone of sub bass and subtle micro melodies. Scope of Understanding will leave you in awe of the quickfire ideas Eusabia can conjure in the space of 6 minutes.

AA2 - Self Reflection
A smooth atmospheric introduction ushers in a thumping drum tools workout, somehow perfectly in sync with the calm harmonies dancing around in the composition. Certainly a track to enjoy both on the discerning dancefloor and while driving home with rain lashing at the windscreen at 2am, Self Reflection's synths and breaks conclude the EP in style leaving a long lasting memory of a Spatial debut you will not forget.

Words by Chris Hayes. More

Eusebeia makes a welcome return to Rupture with his next release, the 'Restoration EP'.

The Wiltshire based producer has been super prolific since his Rupture debut ('You Reap What You Sow EP') in 2021, with quality releases coming on labels like Samurai, Western Lore, Livity Sound and Future Retro.

'Restoration EP' has a spiritual feel throughout, drawing you in as it progresses upwards, with Eusebeia setting dreamy pads and keys against deep subs and stripped back breaks. More

Tracklisting:
A1 Eusebeia - Committed To The Ground
A2 Eusebeia - Incline
B1 Eusebeia - Trust The Process
B2 Eusebeia - X
C1 Eusebeia - Internal Combustion of Fear
C2 Eusebeia - Seeing The Unseen
D1 Eusebeia - The Crossing
D2 Eusebeia - Into The Unknown
E1 Eusebeia - Deliverance
E2 Eusebeia - Hindsight
F1 Eusebeia - Wisdom of Tomorrow
F2 Eusebeia - Self-fulfilling Prophecy

Sales Note
After acclaimed releases on leading UK Jungle labels Rupture and Western Lore, Eusebeia continues a steady procession of creative vehicles for Samurai Music with the LP X . Tweaking the textural layers to lean towards the Samurai Music shade has been a winning formula with his previous EPs for the label 'Fall The Rise' and 'Omen' lighting a musical spark that has turned into a burning flame of creativity that shows no sign of stopping.

X is based on a concept Eusebeia used to tie the LP together as explained by him:

"X is about what is known, particularly with things relating to the past and present, but even more so the unknown, and the future. While these things are intrinsically linked and the past informs the future, there is a perpetual sense of the unknown when looking toward the future, which is why it's best to stay in the present. X is an acceptance of the uncertainty and unknown nature of things to come, but also an acknowledgment of what has come before and got us to the point we are at now, and the inevitability we can/will continue to progress accordingly."

X is an accomplished manifesto of re-imagined Jungle, a mastery of the form that has its sights set firmly on longevity. More

Tracklisting:
A1 Eusebeia - Auspice
A2 Eusebeia - Omen
B1 Eusebeia - Indicia
B2 Eusebeia - Signs & Signals

Sales Note
Following on from the success of his debut EP (Fall Then Rise) for the label, we asked Eusebeia to contribute a second EP. Carving out his own place inside the Samurai Music soundscape has come effortlessly for Seb and the tracks for the Omen EP flowed quickly. EP opener Auspice is the odd one out on the EP, with sinister sonics weaving around a steady kick drum bounce absent of Seb's trademark break-work. Sparse and haunting - it sets the scene for title track Omen where Seb lays out a time capsule summation of his sonic identity - contemplative ambiance, rumbling bottom end, and breakbeat craftsmanship. Indicia burrows deeper into emotive territory and cuts breaks so they wrap around the plaintive melodic content. Signs and Signals is perhaps the most direct tune on the EP, but still the undeniable power of the breaks and bass is welded to the expressive atmosphere. More

Tracklisting:
A1 Eusebeia - Nothing Left To Lose
A2 Eusebeia - Call Out
B1 Eusebeia - Fall Then Rise
B2 Eusebeia - Burgeoning

Release Note:
We welcome Eusebeia to the Samurai family with the Fall Then Rise EP.

A plan hatched at Membrain Festival 2021 led to the collation of the first Eusebeia tracks for Samurai. Hitting the target with his very first demos for the EP, Eusebeia perfectly constructed 4 tracks that take his signature timeless break-heavy, musically spiced sound and give it a Samurai flavour.

The EP opens with 'Nothing Left To Lose' which marries his soaring Junglist aesthetics to a 126 BPM lurch step, setting an ominous mood before the EP's two centre-piece tunes 'Call Out' and 'Fall The Rise' deal out the heavy hitting break-edits. Always keeping the musical elements to the fore, Eusebeia's engine room of deep sub and breakbeat crunch create an irresistible package that any lover of classic era Jungle/Drum and Bass will feel deep in their bones. Burgeoning closes the EP with a volley of amen edits punctuated by expertly melded fills of the most effective breaks in the business. As always the spice of the track is the reaching pads and deep pulsing sub.

Fall Then Rise is an auspicious debut EP that cements Eusebeia as a perfect addition to the Samurai Music sound palette. More

Western Lore proudly presents ‘The Sun, The Moon + The Truth’, an exquisitely crafted long player of transcendent dreamscapes & splintered breakbeats from the label’s resident mystic, Eusebeia. More

Tracklisting
A1 Chronicle - Geosynchronous
A2 Chronicle - Life On Earth
B1 Chronicle - Future Fragments
B2 Chronicle - Nostradamus

Sales Note
Making a return to his Chronicle alias for the first time since 2001, Tim Cant brings his unique blend of laid back atmospherics to the Spatial family for the first time with Time and Space on Curvature. Sit back, relax, or dance Chronicle has you covered for either with this welcome return to the scene.

A1 Geosynchronous
Getting straight to business with an intro of thick Hot Pants breaks, Geosynchronous sees Chronicle bring his unique take on atmospherics to Curvature in welcome style. An early breakdown with synths and subtle melodies is followed by a dreamy layer of two step amens and 808 basslines, completing a collage of beats as the increasingly memorable melodies slowly weave their story throughout the track.

A2 Life On Earth
A dream like, reflective affair is up next with Life On Earth Chronicle returning to the late 90s vibe of the moniker with a plethora of classic FX, vocal samples and long constant synthwork cascading above. Utilising a simple but effective core melody, danceable two step breaks and layers of detail that would fit in any retrospective set from the Progression Sessions era to the modern renaissance, this is one to savour.

B1 Future Fragments
A real treat for fans of synthy, sci fi tinged atmospheric goodness from eras gone by as Chronicle transports you to 99 Shepherds Bush Empire you had to be there now you can be with a track that encapsulates the era perfectly. Drizzling the mix with frequent echoing effects and washes of spacey synths and pads over an earworm melody not to mention the crisp rolling breaks this is a versatile and enduring track youll keep going
back to.

B2 Nostradamus
Closing out the EP, we have Nostradamus which opens lightly with hi hats and airy padwork before finely edited old school breakwork injects energy to the mix.
The breaks build with additional elements creating a very danceable and rhythmic loop, punctuated by a catchy melody. One sample proclaims The Future Is Power - if its in the hands of producers like Chronicle, effortlessly channeling the past with a modern twist, we know
we are in good hands.

Words by Chris Hayes Spatial Red Mist More

Tracklisting
A1 Law - The Abyss
A2 Law - False Awakening
B1 Law - Six Below
B2 Law - Ascent

Sales Note
A1 - The Abyss
Opening his debut EP for Curvature, Law jump straight in with an intense, suspenseful aura which immediately surrounds The Abyss, with crunchy Hot Pants breaks rolling us forward for the first act before a timely and unexpected switch to heavy, punchy amens. With whooshing vocal hits colouring the vibe as echoing piano keys provide delightful melodies throughout, The Abyss is an impressively varied heavy hitter and a strong indicator of Law's talents.
A2 - False Awakening
Yearning atmospheric padwork introduces False Awakening, a deep and compelling piece which utilises the Apache break to great effect, with a myriad of filtered samples ducking and weaving around the break. Female vocals set a sorrowful tone, delicately punctuating the stirring atmosphere as the breakbeats shudder and dart with a suitably wrought 808 bassline complementing the intensity of the track.
AA1 - Six Below
Law continues the strikingly atmospheric tones with Six Below, a track with a distinctive organ melody sitting atop a backdrop of darkly FX and deep, expansive pads which blanket the soundscape. For the breaks, we are treated to a very danceable two-step pattern of old school drums, guaranteed to move you and your audience while a subtle, deep bassline rumbles along below.
AA2 - Ascent
Closing the EP with a viscerally brooding and orchestral vibe, Law utilises a wide array of production techniques with Ascent, drizzled with menacing, echoed vocal hits, understated filtered melodies and inspired female vocal samples. An exquisite collage of deceptively varied and weighty breaks zip back and forth making this closing track something truly special for the listener and the dancefloor.
Words by Chris Hayes (Spatial / Red Mist) More

Tracklisting
A1 Senses - String Theory
A2 Senses - Cosmic Telemetry
B1 Senses - Papillon
B2 Senses - Past Lives

Sales Note
A1 - String Theory
Senses arrives on Curvature in epic form, String Theory opening with a memorable pad melody before the track bursts into life with a stunning amen workout - edited and chopped impeccably with finely honed skills from a storied history in drum & bass. A subtly pleasant female vocal graces the track in the breakdown as a cacophony of melodies dance around in the mix, before the amens rip back to the forefront in style.
A2 - Cosmic Telemetry
Continuing a fine exploration of sounds of yesteryear, Cosmic Telemetry showcases a delicately jazzy vibe with breaks that hark back to classics such as Planetary Funk Alert, modernised with an atmospheric twist. Rolling out with a plethora of familiar samples and keys as synths elevate and rise in the backdrop, Cosmic Telemetry is an elegant pastiche for the ears and the dancefloor alike.
AA1 - Papillon
Clean old school breaks introduce Papillon, an earthy track with deep room-filling bass underpinning tight analogue drums, playfully decorated with an assortment of wavy synths, horns and flutes, plinky melodies and delicious female vocal samples in the breakdown before Senses subtly edits the breaks as a voice declares "I'm all yours" to synths pitching up and down at will to great effect.
AA2 - Past Lives
Closing the EP on an intensely atmospheric tip, Past Lives is full of heavily reminiscent rhythms from the classic 90s atmospheric era with sharp drum samples and ethereal synthwork that transport you to a nostalgic dreamscape, seamlessly blending the past and the present with classic 808 basslines and fluid, harmonious strings that perfectly complement the dramatic, all-encompassing padwork.
Words by Chris Hayes (Spatial / Red Mist) More

Tracklisting
A1 ASC - The Construct
A2 ASC - Tidal Lock
B1 ASC - Centurion
B2 ASC - Nexus

Sales Note
A1 - The Construct
Opening the EP in style with a slew of darkly FX, The Construct sets a suspenseful tone before a thorough atmospheric amen on slaught takes center stage - solid, weighted breaks are chopped and edited to the standards fans have come to expect from ASC with a morose, anxious energy to the vocal samples and synthy backdrops punctuating the track in style. A banger for the club as well as the phones.
A2 - Tidal Lock
Distinctive thumping quadruple kicks thunder like a furious heartbeat as Tidal Lock mixes up the vibe and experiments with off-key tones and delivers a neurotic energy to the breaks. Rapid hats and snares accelerate the mix with deep undertone sub bass, as ASC crafts a cacophony of detail and delirium to a track that somehow fuses both calm and a tenacious ferocity in one. Unique, stylish and a joy to listen to.
AA1 - Centurion
A DJ-friendly intro opens Centurion with initially simple breaks which are soon joined with detail and a forceful finesse. Curious, inquisitive FX and melodies bristle melancholically as a stunning deep bassline seizes the attention and the atmosphere elevates. Familiar classic atmospheric signatures add to the complexity later in the track, with all layers continuing to breathe throughout.
AA2 - Nexus
ASC concludes the EP with a deep, rapid fire workout in Nexus -a track which quickly exudes a moody, tense vibe driven by a nervous vigor - inviting you to explore its immersive tapestry of quality modern atmospheric breaks. Persistent hi-hats and snares dominate the mix with vocal samples and otherworldly
effects, and parallel high horn notes complement the composition perfectly. More

Tracklisting
A1 Aural Imbalance - Better Day
A2 Aural Imbalance - Scratch The Surface
B1 Aural Imbalance - Different Times
B2 Aural Imbalance - Spiral

Sales Note
ASC & Dan Azimuth AKA DJ Levi (Okbron, Repertoire, Spotlight) are proud to present their new collaborative project, Curvature.

Curvature will showcase a similar style to ASC's own pioneering label Spatial, which focuses on music inspired by the golden era of atmospheric drum & bass / jungle from the mid 90's. Curvature will shine a light on emerging talent in this space, as well as featuring established artists such as Spatial's own Aural Imbalance - who kicks the label off with Galactic Transmission.

Galactic Transmission features four diverse tracks from the genre stalwart, previously showcased on Dan Azimuth's own Atmoteka mix and the Atmospheals podcast, as well as ASC's 'Spatial Show' on Blast Radio, and will be instantly recognisable to listeners of those shows - finally released for fans to enjoy on Curvature's maiden voyage. More

Repress!


Convextion steps up under his “Event Related Potential” alias and delivers 4 special cuts for om:nia that push his sound into new realms. Vinyl Only 180 gram. More

Born in Australia and moving to the UK in her early 30s, Peggy O’Keefe became the resident pianist at the Chevalier Casino in Glasgow in 1962. Initially the residency was for six months, which then turned into six years. It was at this point she recorded her 'Mood Chevalier' LP in 1966, a collection of the band’s favourites but the gold is found in her version of 'Cubano Chant', made famous by Art Blakey and then played across jazz dances ever since.

Peggy’s playing was admired by Cleo Laine and Oscar Peterson, and once had a brief, impromptu duet with Frank Sinatra, Peggy and her band showed their true talent with these two versions of jazz favourites.

Hiding in the shadows for nearly 60 years, Now PANORAMA unearth this gem in their trademark 7 inch format, from a Glaswegian restaurant to a dancefloor near you.

PANORAMA Records is an emerging new label based in London, dedicated to rediscovering and showcasing musical gems with a fresh approach. With early support from notable DJs such as Gilles Peterson, Patrick Forge, Rainer Trueby, Mr Bongo DJs and Zag Erlat from My Analog Journal. Their unique take on Jazz and Funk from the further afield has shown they will become trailblazers in the reissue game for a long time. More

collector 12'' re issue : new exclusive visual & packaging : Sleeve made in silver mirror cardboard printed in navy blue + gold stamping. A side : Originla version, recut from Original Vinyl Master. B Side : Exclsuive Etched Design.

TRACKLIST

A. Music Sounds Better With you (Long Version - Re Cut from the Oriignal Master )
B. Exclusive Etched Design More

Every now and again, a record carves itself an indelible place in the history of a place, a scene or a genre, all under its own steam – without a big budget, without a press campaign, without mainstream radio, just by hitting all the right notes at the right moment. Maybe you had to have been there to really feel it – locked into the pirate stations, a regular at the right clubs, or leaning on the counter in the right records shops on a Saturday afternoon – but if you were, there are some tunes that will always vibrate with the underground cultural energy of their time. Bô'vel's 1996 Manchester streetsoul anthem 'Check 4 U' is one of those tunes. The kind of song that makes the over-used phrase 'underground classic' mean something again, it effortlessly distills the sounds of its era into one of the most undeniable, genre-spanning cuts of the mid-1990s. The song resonates with the regional flavours of UK sound-system culture: the sweet club sound of Manchester's vibrant streetsoul scene, the dubwise hip-hop throb of the Bristol movement, and the bass-lore of the reggae sound systems whose wisdom stretched from Leeds to South London and beyond. Built around a humid kick drum and a bin-busting bass pulse arranged in head-nodding syncopation, the song is blessed with an instantly memorable harmonised hook, and perfectly set off by Bô'vel's crystalline vocals. Upful, stepping and tinged with melancholy, it remains one of the most well-loved and highly sought-after UK streetsoul sides. The three mixes of 'Check 4 U' appeared as the a-side of a blank-label five-track 12". It was Bô'vel's second release, after a soulful five-track EP issued in 1995 on her own Bô'vel Records had been a surprise success. Produced by Kev Waddington, that initial record had come about almost by accident after a chance encounter in Manchester's HQ Studios, as Bô'vel recalls today: 'We were making these five tracks because we were having bit of an argument with radio not being able to play what they wanted, really, only what the record labels wanted… they never had anybody coming through properly, because everything was pretty much underground. We were making records, like really pop stuff, to take the piss… So in the studio one day, this guy came in – all I know is that his was name was Nigel. And he came in and said, I want to put that five-track EP out with you. We just don't know who the hell he was to this day, really. And he said, you've got to do it 50/50, it's going to be £1000. So I said okay – I just trusted him. I gave him 500 quid. He gave me 1000 records. He just dropped them at the studio. I picked them up and then I went into Manchester city centre and gave it to a couple of DJs on underground radio.' Pirate radio loved it. With play on stalwart Manchester pirates like Buzz FM and Soul Nation, the EP immediately blew up. Bô'vel took the record into Fat City Records, Manchester's premier outlet and distributor for soul, hip-hop and dance, who took a batch, quickly sold out and took several hundred more copies; it eventually transpired that a large quantity were selling to Japan, where the combination of soul smarts and classy production had been caught by discerning ears. Elsewhere, friends distributed the record by hand in London and Birmingham, working them through UK's then burgeoning network of independent dance music shops. The warm reception the record received encouraged Bo'vel to return to the studio for sessions that would become 'Check 4 U'. The EP had been issued under a Bô'vel Records imprint, but she had sold it to Fat City without disclosing that she was the artist – 'I said, "There's this singer, she's great, she's done this cheesy stuff, try it, it's a bit Kylie Minogue". He said "oh, give us 300", and then he had some more.' For the next release, she decided to keep things completely minimal. 'The next one, I said, right, let's just put it out as a white label, and if people like it they like it, they don't have to see who we are or anything.' Though punitive legislation and overexposure had tamed rave culture, and the inflated status of superstar DJs had pushed once underground scenes fully into the mainstream, dance music culture in mid-1990s Britain still retained a certain feral energy. There was still a groundswell of vital local scenes and rapidly changing musical styles, and – combined with local record shops – clubs and pirate radio were still the chief arbiters of influence. 'In the 90s, pirate radio just played the best music. I mean, you couldn't really get music like that anywhere. The same as you couldn't get music like that [being played] in the Reno, which was very different,' remembers Bô'vel, referring to the legendary Moss Side soul club, an underground institution from 1962 until its closure in 1986. 'That's where music really started for me, going to clubs like the Reno at the age 15, 16, 17, and going to places like the Nile [upstairs from the Reno], which was all reggae, you know – that's really where the beats came for me.' The production on the new record would reflect these influences more than the EP had been able too. 'I liked a big bassline,' the singer reflects. 'There's a big bassline there on the five-track EP, 'I Can't Get By', which is a really, really good song, but they just could not get the bass – I was so gutted when that came back…if they'd have shown us the master we'd have said no.' These problems were to be avoided on 'Check 4 U' by the involvement of producer Uriah Gale. 'We already had the tune, and Uriah came on board, and I said, it's just not soulful enough. I was working with Kev Waddington, and he said "I just can't do it." So when Uriah came along, the bass was there, but he tidied it all up and made it really cool, and he was tremendous on the harmony,' she recalls. 'Out of all the mixes, his was the best. He was incredible to work with, and also incredibly talented. With alternate mixes of 'Life Changes You' from the 1995 EP as the b-side, 'Check 4 U' was issued with blank blue labels and sent out with a DJ one-sheet describing Bô'vel as 'Manchester's favourite soul Diva'. 2000 copies were pressed, and the record was distributed by Jetstar. It quickly became another pirate radio hit. 'Soul Nation and Buzz FM did support me from the very start [along with] every single DJ on Manchester radio,' she recalls, 'They're my biggest fans, the DJs here, I've got to big them up!' Manchester's support was mirrored by pirates around the UK. 'We had the support of radios across the country – I just could not believe it. So we went on a tour… We would go to the pirate stations, do an interview, then do a gig – that's how the gigging came about… gigging in Birmingham, Huddersfield, Liverpool, London – I've got so much respect for the pirate radios down there. They were brilliant… We used to take all my stuff straight to London,' she remembers. 'Each radio was doing pretty much the same thing, in their own style, with their own beats. Like, when I went down to Bristol, I showed them the EP and 'I Check 4 U' and they said, hey girl, you've got the Bristol beat!' But her core audience was at home in Manchester. 'London did support me a lot, but not like my home town – they loved me as I love them… Manchester supported me through and through, to this very day,' she remembers. Performing in mid-1990s Manchester was not always straightforward, though: 'In Manchester, it was kind of hard to do gigs, because there was a bit of gang warfare. So, you know, that was a problem. You'd be doing a gig and they'd all be there in their [bulletproof] vests, you know, Cheetham Hill and Moss Side, and it was a bit of a nightmare. And because I was more Manchester side, even though I went to school in Cheetham Hill, I was with a guy from Moss Side. So it was pretty hard gigging in Manchester, I had a bit of a hard time.' Nevertheless, 'my gigs were packed to the rafters…I wasn't scared because I knew I had protection. The gigs were fantastic, here in Manchester and everywhere, and I'm glad and very grateful to be able to say that.' A further single followed – the garage-flavoured 'Earthling', made with producer Ben Stansfield – but this would be her final release. 'My life changed,' she remembers. 'I had a split… I was just bringing my daughter up. I used to live in the countryside, and I was having a bit of a different life… I just spent a lot of time writing when I split up – I couldn't sing, it was like my voice wouldn't work. I was just thinking all the time, and not speaking. So I was just speaking through my music… I just became a writer, and I was more looking for other people to sing the [songs], you know? Because there's a lot of talent here in Manchester.' However, she retained access to a studio, and over time she began to record again, working with various producers and amassing a large amount of material. It is this unreleased material that we collect on Life Changes – nine unheard Bô'vel songs from the period 1997-2008(dates?), selected from her own archive. Until now, none of this unreleased work has been heard. Not an artist to be constrained by genre, the music showcases Bô'vel's exploration of a wide range of styles, from the dubbed-out downtempo of 'My Man' or 'I Wanna Be Free' to the updated streetsoul of 'Let Down And Liar', via the breakbeat hype of 'Do It Your Way' and the straight-ahead reggae vibe of 'Daydreamer'. This unreleased music is presented alongside the unfadeable 'I Check 4 U' and two classic streetsoul cuts from her 1995 EP, 'Life Changes You' and 'Coming Back'. The common denominator across the album is of course Bô'vel herself: a singer of rare timbral clarity whose musical vision has determined the sound of every record she has made, a prolific and personal song-writer in the UK soul tradition, and the artist behind one of the most celebrated underground soul tunes of the pirate radio era. Still most definitely someone to check for. More