Legendary House Music Producer Christopher Rau Unveils His Latest Four-Track Ep, "Blade," Out Now on Esteemed Parisian Label Phonogramme Records. Rau's Signature Deep, Soulful Sound Shines Through on the Ep, Infused With Elements of Jazz and Funk. Each Track Is a Captivating Journey, Transporting Listeners Into Rau's World of Emotive and Atmospheric Productions. Opening Track "Blade" Sets the Stage With Its Pulsating Bassline and Hypnotic Melodies, While "Alfred" Delivers a Soulful and Groovy Groove. "Comet" Takes Things Up a Notch With Its Energetic and Upbeat Tempo, While "Lee" Concludes the Ep on a Dreamy and Introspective Note. "Blade" Is a Must-Have for House Music Enthusiasts and Is Sure to Solidify Rau's Position as a Genre Pioneer....

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

The ridiculously talented Christopher Rau goes a little harder than his normal sonic spectrum for his debut release on Drone, delivering two fantastic techno excursions with this strong double hitter. The tile track is Beasts: harsh, dripping, and cold. Fans of Pan Sonic won’t be disappointed. Riggleysz exposes Rau’s Deep House sensibilities with a percussive, dj tool that breaks out into an infectious techno work out.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Next up is Berlin’s Christopher Rau with his “F.M.E. Hustle” long player. The long time firm favourite delivers 11 tracks full of hiss and soul.
From driven dub techno to cool house and ambient excursions Rau travels far without loosing the interrelation. Analogue club fire coming straight at you in form of a full cover double 12 inch, designed by Rahel Süßkind, including as special insert. United People. M$R.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Yes, we are really proud, that our friend Christopher Rau aka Rau C aka Rhythmus Günther is smoking some hot gems with us.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Thema’s latest 12” welcomes back an esteemed and prolific deep house artist, Christopher Rau, with another fellow member of the Thema extended family, Detroit’s Norm Talley, on remix duties. Choosing to go only by his surname, Rau crafts a sexy, undulating track entitled “Lost In Brooklyn” that marks his second release on the label from the same Big Apple borough. Thema is known for its quality take on dance music, marked by decades of experience and careful listening, this release is of the same elevated calibre that we’ve come to expect from the internationally renowned label. It’s layered, complex, and completely essential! A syncopated pattern of stabbed chords remains the benchmark of the track, anchoring a groove that initially builds using off-kilter, intentionally grating background noise. As resonators get turned up and tensions mount, the moment when the funky, hi-hat led percussion finally arrives around the 2:20 mark is met with the kind of exuberant release that dancefloor-heaven is rooted in. “Lost In Brooklyn” continues to ebb and flow throughout its remainder, with peaks and troughs that power through until the end and renders it more than a bit of DJ weapon. Besides Rau, Norm Talley is also back on Thema and with a kind of focused fury that only he can sustain. He infuses Rau’s upbeat production with his Motor City hypnotic soul and reworks it for a deeper, later hour. The motif that makes up the A-side is eschewed in favor of subdued pads, skittering cosmic washes drenched in delay, and driving drums that straddle the line between house and techno. The contrast between each side of this vinyl plays off the other nicely, but they both retain the sophisticated charisma that ties everything on Thema together.



Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Book (No Audio Included)

GENRE/S: Alternative / Electronic / Noise

TRACKLISTS (Chapters):

1-Pedro Paramo on his way to meet the dead
2-I was convinced that an atom of your love could keep me goinng
3-Sometimes a day can last a lifetime
4-The tune of Titan 3
5-John Coltrane and John Fahey crossing the Danube
6-So long lover




SHORT INFO:

Charbel Haber is Lebanese musician, performer, visual artist and composer from Beirut. His work has seen him collaborate with artists from a wide range of disciplines - film, video art, visual art, theatre, dance - both in Lebanon and abroad.

As a solo artist and as a member of post-punk band Scrambled Eggs, he has composed music for directors Khalil Joreige and Joana Hadjithomas, Ghassan Salhab, Mohamad Malas, video artists Lamia Joreige and Akram Zaatari, Maqamat dance company and playwrights Rabih Mroueh and Lina Saneh, to name but a few. His prolific and collaborative career includes free improv group Johnny Kafta Anti-Vegetarian Orchestra, psychedelic Arabic music ensembles Malayeen and Orchestra Omar, cold wave band The Bunny Tylers and minimal ambient duo Good Luck In Death. He is the founder of Those Kids Must Choke and co-founder of Johnny Kafta's Kids Menu - two experimental record labels - and he has recorded and collaborated with notable artists from the fields of free rock and improv such as Oiseaux-Tempête, Radwan Moumneh, Tarek Atoui, Jean Francois Pauvros, The Ex, Michael Zerang, Mats Gustafson, Eddie Prevost, Xavier Charles and Tony Buck.

VITAL SALES POINTS:


And once again, here I am telling you to go look for the truth and its beauty in the words of dead poets, in the little tales of ravaged cities, in aborted dreams, in the melancholy of the ruins of tomorrow, in meaningless plastic totems, in the enigmatic end of restless fools.

I'll be here long after you all disappear.

These are the first and last sentences from Charbel Haber's latest offering, A Common Misunderstanding of the Speed of Light: a multi-media musing on the chronic and the chronological, the subversive nature of time. This combination of a record and book observes the slow passing of life and the illusion of retrogradation in his every day. Simply by documenting - via image, text and tune - Haber assigns value to everything that is cast in amber by this project. There's an acceptance and appreciation of the destitution he witnesses, it is an homage given in overlapping forms.

ACMOTSOL has two parts. The book, hardcover in an embossed orange, features photographs and texts taken from Haber's personal digital diary spanning from 2020 to the start of 2022. Broken into six chapters - named for the six tracks on the record - the entries are an artist's log of sorts during a peculiar period of global hyper stagnation and navigating the aftermath of the Beirut explosions. The 96 pages highlight Haber's interest in decay, negative space and the temporality of the human condition. Instead of presenting the images and texts as they were originally paired online, they're reordered and recontextualized in the book. New connections are formed, as tenuous and fleeting as the content they surround. The images interrupt the texts in many instances, forcing pauses and inviting distraction.

At the center of the book is a sudden burst of orange pages, with stylized pluckings of the text framing a QR-code that grants access to the record. With the brilliant orange covers and matching innards, pregnant with the music at the core, it's almost as if these central pages act as a way to turn the book inside out. There, the book's purpose is altered, fixated on a mirror image of itself. It forms a self-completing arc for the project, a loop.

ACMOTSO's second half is that mirrored album. Six tracks totalling just under 52 minutes. The music could be a continuation of his solo albums Of Palm Trees and Decompositions (2016) and It Ended Up Being a Good Day Mr. Allende (2012), an exploration into the expansiveness of seemingly simple loops of a lilting guitar. Careful electronic effects add dimensions or reground the listener. There's a swelling of sound, the illusion of the push of space before it retracts back into itself or fades into the distance. Much like the images and texts the music complements, the songs challenge the purity of cycles. Endings are beginnings, beginnings are endings or is everything just the middle? Haber is quietly and elegantly grappling with the troublesome act of place-making. In music, in words and in visual storytelling.

ACMOTSOL is a work that can be calming or disorienting, depending on what is requested of it. Similar to the way loops and cycles can signify both meditation and mania. The tendrils of Haber's past - his home of Beirut, fictional and real characters encountered, authors read, films watched, composers listened, walks taken - knit themselves together for a presentation of our immediate present. An evidence of a happening. A considered project of time.

All photographs, texts and music by Charbel Haber. Album mixed by Radwan Ghazi Moumneh. Design by Maziyar Pahlevan. Printed by Albe De Coker in Belgium.

This dual-part project will be released on XX XXX 2022 on 'Other People.'

Description by Nereya Otieno.

86 images
6 songs*
52 minutes*
96 pages
86 texts

*there are no audio files coming with the book.


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More