Mexican DJ and producer Hotmood is a Blur label regular who has already dropped his red-hot 'Disco Power' EP here. 'ReWax' is a new selection of his remixes of big, party-ready disco jams. Scruscru's 'Just House' is first up and comes on song with big rolling bass and dusty samples. 'Burnin' by Jack District has a filtered funk edge and jazzy synth work and Manuel Kane's 'Disco Visions' then brings silky and syrupy chords for a sundown boogie. The flip features three more smart tweaks, from the sliding drums of 'Blue Nights' to the classic house and soul swagger of 'Selva'. A great mix of vintage charm and new school cool.

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Hailing from Playa Del Carmen, Mexico our dude Hotmood keeps it funky with his 'Baby Come Down EP'! Hot off his multi pressing sellout release on Blur Records Hotmood gets straight to the funk with the title track 'Baby Come Down'. All heat for your feet for this jam! House music legend DJ Sneak comes correct with his bangin floor stomper B.B.B. (Big Boss Bizness) Remix of 'Baby Come Down'. Peak time biz right here, bang it out! Back to the Hotmood sure fire floor filler 'Disco Lady' with baseline for days, and a catchy spoken word over steamy funk filled disco heat. Natural Rhythm kicks in the cruise control as we hit high velocity with a deep and funky slice & dice of 'Disco Lady'. Heavy drum work and tight percussion is the call with this cleverly woven gem that’ll fill the floor and get em moving! Next up we have the House music icon Nail of Robsoul, Classic and Diy fame with his 'Fleng EP'.

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Hotmood’s style reflect their productions, combining slo-mo boogie, groove laden disco, quality house, 70’s funk, n deep sounds. Always adept at reading the crowd thanks to combined decades plus experience behind the decks. playing around Singapore (Asia) Colombia (Cali) San Diego, Las Vegas, Houston, Los Angeles, Tijuana, Mazatlan, Playa Del Carmen, CDMX, Guadalajara, Mexicali, etc.
Support in the past from the likes of... Mark Farina, Session Victim, Sleazy beats, Art Of Tones, Moullinex, Kraak & Smaak, Dave Allison, Jacques Renault, 80s child, Disco Tech, Deadly Sins, Black Loops, 78 edits, Homero Espinoza, Martin Hayes, Dj Moar, Coeo, Osmose etc.

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Our Mexican brother for the second time on Disco Fruit. Hotmood continues to give fantastic jazzy, funky, afro and disco groove blended with house elements on each release. We can say...his style is now recognizable. Tropical EP with 4 tracks for everyone's taste, similar to the first one EP, called 'Mr Funkyman'. Enjoy !

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After a brief hiatus, the HOTMOOD series re-connects with it's Chicago founders. HOTMOOD had said himself that he saves all his hottest material for this series & Volume 8 is proof in the pudding. The now legendary series takes a slight shift to a bit more original material.

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Whiskey Pickle Records heads south of the border and scoops up everyone's favorite, Yucatan disco fiend, Hotmood. After a slew of infectious 12"s for Chicago's Tugboat Edits/Star Creature, Hotmood offers up a fresh collection of dancfloor cuts and taps UK darling, Loz Goddard for an epic remix. The Discotheque Dependencies EP see's Hotmood in his prime with each tune channelling jazzy grooves, heavy beats and vibes galore.


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Once again bringing the heat HOTMOOD drops "VOL. 5" of his series on STAR CREATURE a year after the debut came out on TUGBOAT EDITS. Bouncin' between Playa De Carmen and Guadalajara, the tropical climate comes thru on these 4 tracks with his signature style of beatdown funk and jazz.

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A song that has transcended time, genres and trends since it was released in 2004, 'Lola's Theme' continues to light up dancefloors over two decades since release. Now this modern day house classic is repressed for the first time since 2004 by Glitterbox featuring the original mix and Norman Jay’s Good Times Vocal from the 2004 release backed by Purple Disco Machine’s 2017 remix and 2025’s massive Tripolism remix.

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Made For The Dancefloor’ is Glitterbox’s first vinyl compilation since 2021’s ‘Where Love Lives’ release. Spread over three 12” with four tracks per record, ‘Made For The Dancefloor’ compiles some of the biggest and most loved releases on the Glitterbox label this year. Including the huge Tripolism remix of The Shapeshiters classic ‘Lola’s Theme’, Crackazat’s upbeat take on Ben Westbeech, big main room cuts from Harry Romero, Kiddy Smile, Dave Lee and lots more.

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You might not have a fixed image of who or what Sault are, given their skill in maintaining a degree of anonymity, but as they notch up their sixth album it's hard to ignore the imposing presence they cut on the experimental fringe of modern UK soul. They started out in 2019 with raw funk and Afrobeat inspired excursions, reflecting on varying perspectives of the Black experience. On Air, the group shake off their previous groove orientation to offer something more orchestrally-inclined, and to their credit they pull it off in remarkable fashion. Lyrically they're focusing on self care and individuality within the Black community, injecting a sense of uplift into their message where they previously reflected on inherited pain and tribulations. Their rapid output doesn't come at the expense of the quality and depth of their expression, making this another essential step forward for one of the most intriguing crews out there right now.

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Cleo Sol - Mother is the second studio album by British singer-songwriter Cleo Sol, released on August 20, 2021. The album is deeply personal, with themes centered around motherhood, family, healing, and self-discovery. As part of the Sault collective, Cleo Sol had already established herself as a key figure in the neo-soul and R&B world, but Mother showcases her vulnerability and emotional depth in a more intimate, reflective setting.

The album blends elements of soul, jazz, R&B, and folk, creating a serene, acoustic soundscape that complements its introspective lyrics. Mother features lush, soulful arrangements, with gentle strings, piano, and acoustic guitar forming the backbone of many tracks. The overall sound is calming and meditative, allowing Sol's vocals to take center stage.

Lyrically, the album reflects on Cleo Sol's experience with motherhood and the emotional changes it brings. She addresses themes of unconditional love, personal growth, and the challenges of raising a child while also navigating her own self-healing. Songs like "Don’t Let It Go to Your Head" and "We Need You" express a sense of nurturing and tenderness, while "Promises" speaks to the weight of responsibility and the desire to protect loved ones.

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Since emerging in 2019, Inflo's socially conscious, politically charged Sault collective has delivered a string of inspired, impossible-to-pigeonhole albums that thoughtfully reflect on what it is to be black and British in the 21st century. Nine, the crew's latest set (and first of 2021) is every bit as incendiary, versatile and impactful as its predecessors, with the 10 collected tracks touching on everything from drowsy R&B, spoken word, classic soul and post-punk rock, to UK bass mutations, gospel, jazz-funk, Charles Stepney style excursions and hazy downtempo beats. Mixing live instrumentation and electronics with a wealth of spoken, sung and rapped vocals, Nine is a genuinely stunning, thought-provoking album full of razor-sharp lyrics and brilliantly executed musical movements.

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Yes folks, it's time to take it back to the roots...GAMM style !

Our very first release was a beautiful gem from Red Astaire titled 'Follow Me' - A track that defined GAMM's identity and helped pave the way for everything we've achieved since. Now, 23 years later, GAMM has reached its landmark 200th release.

To celebrate this anniversary and honour our dear friend Fredrik Lager (aka Red Astaire), who sadly and unexpectedly passed away three years ago, we are re-releasing 'Follow Me' alongside remixes from some of our favourite producers. The remixes will be released across three separate 7-inch EPs featuring Soul Supreme, DJ Spinna, Ukokos, and Kampinos.

On the first EP, Amsterdam-based keyboardist and producer Soul Supreme delivers a masterful cover version featuring live instrumentation, programmed beats, and fresh vocals. It is a beautiful tribute that honours the original while evolving the track from its sample-based roots into a full-scale production. The EP features two takes: a Jazz-Funk infused original and a Samba/Bossa-inspired version ('Follow My Samba').

Timeless music

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The Sault re-issuses keep on coming and among them comes 'Untitled (God)', intended as the dourest part of this quintuplet offering to God. This 11-track arm draws on gospel and film music more than anything else. In our view, this is the most suspenseful LP of the lot, with synthetic string sections standing in for parts that, were it not the 21st Century, we'd expect to be performed by full orchestras. No affect is lost, though: spiritual spoken-word prayers like 'Guide My Steps' recall the post-ironic vision of Dean Blunt, while everything from acapella meanderings to funk detours to improvisatory 6/4 choruses continue to pepper this long-form wonder of an album.

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Ohio's O'Jays were a hugely popular part of Philadelphia's PIR stable throughout the 1970's and 80's. They cut numerous sides for the label aided by the incredible production and arrangements of the infamous Gamble and Huff hit machine. This special 4 track EP includes some of the absolute evergreen, stellar and downright soulful tracks they are most known for. It's all here. Influential, uplifting, inspiring and soulful music that will touch everyone. From the string laden and lush extended proto Disco joy of 1975's 'I Love Music', to the deep and soulful Philly stylings of 'Back Stabbers', 'Message In Our Music' & 'My Favourite Person', all of the music contained within this amazing collection is utterly essential if you dig Soul, Funk, Disco, Gospel and even House music. This is it. The real deal. These are some of the roots of contemporary dance music, the building blocks. On top of that, it's simply great music, a solid and essential addition to any record collection from one of the greatest vocal groups of the era, not to mention the world calls production, arrangement & execution from the legendary Gamble & Huff. A real no brainer this one.

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Repress!

The legendary partnership of NYC's Disco godfather Tom Moulton and Philadelphia International Records has long been documented.
A truly explosive collaboration that yielded endless classic tracks for dancers and deep listeners alike, Moulton seemed to be totally in tune with the labels output and the direction it should go in. Luckily we've been enjoying the fruits of this labour for the last 30+ years with a lot of these PIR classics becoming ingrained in the psyche of the modern day music fan as the building blocks of House music.

The names alone hark to the legendary voices of the era, major stars including The O'Jays, The Futures, Jean Carne & The Jones Girls all feature with classic after classic getting the TJM treatment. Moulton's supreme ear on this special PIR reissue 2 x 12" see's some all-time classics from the aforementioned artists in their full, unabridged, unedited Disco glory. The selections on this EP are absolutely top-shelf, flawless in fact. One could argue that these are the 'definitive' versions of these anthems. Pure Disco gold essentials. Anyone with even a passing interest in Disco will most certainly need this record in their possession, the 2012 pressing of this EP is super in demand among those in the know and it can change hands for £100+ second hand, so a repress was desperately needed.

These tracks are fully licensed and reissued in conjunction with Tom Moulton and PIR and all relevant rights holders. Remastered from original source materials to the highest spec and pressed onto top quality vinyl, courtesy of Above Board distribution for 2019.

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