Two incredible 70’s soul cuts from The O’Jays get the reissue treatment for 2018. The A side contains the mighty ‘For The Love Of Money’ a near 7 minute cautionary tale to the dangers of greed and exploitation. "For the love of money. People will lie, Lord, they will cheat. For the love of money. People don't care who they hurt or beat." As pertinent now as it was in the 70’s if not more so considering current affairs. A much sampled record, loved by many! On the flip, ‘Darlin' Darlin' Baby (Sweet, Tender, Love)’, the second hit single off the O’Jay’s album ‘Message In The Music’, is a romantic soul serenade with that killer Gamble and Huff production – Philly’s finest!
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Repress!

The legendary partnership of NYC's Disco godfather Tom Moulton and Philadelphia International Records has long been documented. A truly explosive collaboration that yielded endless classic tracks for dancers and deep listeners alike, Moulton seemed to be totally in tune with the labels output and the direction it should go in. Luckily we've been enjoying the fruits of this labour for the last 30+ years with a lot of these PIR classics becoming ingrained in the psyche of the modern day music fan as the building blocks of House music.

The names alone fill one with awe, The O'Jays, Harold Melvin & The Bluenotes, Archie Bell & The Drells and Lou Rawls. All of these artists were, and still are, huge stars. Turning in classic after classic, and with Moulton's supreme ear assisting, this special PIR reissue 12" see's some all-time classics from the aforementioned artists in their full, unabridged, unedited Disco glory. The selections on this EP are absolutely top-shelf, flawless in fact. One could argue that these are the 'definitive' versions of these anthems. Pure Disco gold essentials. Anyone with even a passing interest in Disco will most certainly need this record in their possession, the 2012 pressing of this EP changes hands for £100+ second hand, so a repress was desperately needed.

These tracks are fully licensed and reissued in conjunction with Tom Moulton and PIR and all relevant rights holders. Remastered from original source materials to the highest spec and pressed onto top quality vinyl, courtesy of Above Board distribution for 2019. More

Repress!

The legendary partnership of NYC's Disco godfather Tom Moulton and Philadelphia International Records has long been documented.
A truly explosive collaboration that yielded endless classic tracks for dancers and deep listeners alike, Moulton seemed to be totally in tune with the labels output and the direction it should go in. Luckily we've been enjoying the fruits of this labour for the last 30+ years with a lot of these PIR classics becoming ingrained in the psyche of the modern day music fan as the building blocks of House music.

The names alone hark to the legendary voices of the era, major stars including The O'Jays, The Futures, Jean Carne & The Jones Girls all feature with classic after classic getting the TJM treatment. Moulton's supreme ear on this special PIR reissue 2 x 12" see's some all-time classics from the aforementioned artists in their full, unabridged, unedited Disco glory. The selections on this EP are absolutely top-shelf, flawless in fact. One could argue that these are the 'definitive' versions of these anthems. Pure Disco gold essentials. Anyone with even a passing interest in Disco will most certainly need this record in their possession, the 2012 pressing of this EP is super in demand among those in the know and it can change hands for £100+ second hand, so a repress was desperately needed.

These tracks are fully licensed and reissued in conjunction with Tom Moulton and PIR and all relevant rights holders. Remastered from original source materials to the highest spec and pressed onto top quality vinyl, courtesy of Above Board distribution for 2019. More

Two of Jean Carn's seminal hits combined. “Was That All It Was” is a big hitting disco exploration with hints of Jean’s gospel choir background coming to the fore. The flip houses the classic “Don’t Let It Go To Your Head” – covered on many an occasion since it’s release back in '78.
Pressed on 180g vinyl. More

Collecting Orders For Repress!

It's always great to have access to quality masters from some of the world's greatest-ever artists and Gladys Knight hits that spot, especially via the original 12 inch version of Love Is Always On Your Mind is another one of those impossibly rare Buddah 12 inch from the mid-70s.

This is really a 10 minute plus tour-de-force of relentless Disco with Gladys's impassioned vocals doing their usual superlative job. Mint 12 inch copies are reputedly worth £200 but the fact is that there's no mint original ones left anymore.

Until now. Additionally we've cheated slightly by including one of Gladys Knight & The Pips in-demand Columbia recordings on the flip - the Ashford & Simpson penned classic Bourgie Bourgie on which Gladys laid down the definitive vocal to this club classic on the full 4.37 original 12 inch mix.

Two definitive dancefloor gems on one 12 inch pressing mastered from the original tapes. What more could you want ? More

Back To Life transports you to a new stunning acid-tinged deep house journey
Officially licensed from F-Communications / Pias.
A truly gem from 1995 that also includes a remix by Shazz. More

Two sublime deep house cuts from the sorely missed Mike Huckaby - one of the true greats of electronic music. More

The Don is back to round off the series with maybe his most sought after release, Remember EP.

Reaching crazy prices online, the two tracks have been lost for some time. Now being remastered, ready for any dark club or after party.

300 copies. More

Massive mix alert! "It's party time tonight!" - NYC Mix maestro Mike Maurro has turned in a storming, 14+ minute version of Patrick Adams' classic "Weekend" by Phreek, a true blue club classic from 1978 (Later covered by Class Action, sampled by Todd Terry etc) "Weekend" was an absolutely huge Paradise Garage staple getting unlimited spins from Larry Levan during the club's lifespan, the definition of a "Garage" record indeed. Maurro's new mix rearranges and deconstructs the original version with so much style, respect and feeling, using unheard synth vamps, string sections, percussions and breakdowns pushing it into a whole new direction while retaining the feel of the original mix. The track is already electric in it's original form but here Mike Maurro pushes the energy levels right through the roof, birthing a fresh new mix of a stone cold classic!
On the B-side we have the low slung funk of The New Birth's killer "Deeper", released in '77 as a single on promo 12" this cut gets the MM mix treatment, with the intro extended and the drums brought fully upfront in the mix Mike has teased out all the best parts of the original arrangement while managing to stamp his always unique style on this new version. This midtempo groover is pure Soul all the way, one for the serious dancers that keeps rolling itself along into one of the most solid, funkiest grooves ever! Simply put, another set of essential mixes from a modern day master! More

Repress!
Serious holy grail business on this rare 12-inch extended disco version of Lorraine Johnson - The More I Get, The More I Want on Prelude Records. Original copies of this promo-only cut will set you back £400+ and it doesn’t take a genius to work out why. Produced by Jesse Boyce and Moses Dillard and mixed by Rafael Charres the man behind the mixing desk for classics such as Rare Pleasure - Superfine Feeling and Keith Barrow - Turn Me Up, it’s a dream team cohort that created this Paradise Garage classic.

Backed with equally enthralling, Boyce and Dillard produced, Francois K mixed ‘Feed The Flame’, also loved by the Garage dance floor. More

1970’s Cloud One disco brilliance and one of P&P’s most well-known cuts gets a much-needed official reissue. A studio project masterminded by the legendary Patrick Adams and P&P Records’ Peter Brown, Cloud One’s ‘Disco Juice’ showcases the genius of Adams’ songwriting and production prowess. A bundle of joy from start to finish, every element is given space and arranged exquisitely from the soaring strings and Venus Dodson’s celestial vocals, to the vibraphone twinkles and power piano keys. Deliriously good grooves.

On the B side, ‘Charleston Hopscotch’ a cosmic funk-fuelled jam bouncing guitar riffs, sweltering synths and piano stabs out to the stratosphere and back again, returning with another Patrick Adam’s masterclass. More

Two years on from their widely acclaimed third album, This Bit of Earth, Greg Dowling and Shane Johnson are back on the Go Deep label with their latest long player. What I Mean By Beautiful touches on the previous collection’s themes of upheaval and dislocation, digging through the lost and found of modern life and always looking for light in dark places.

The album marks something of a return to the duo’s house music roots, with a four-to-the-floor foundation underpinning many of the eleven tracks. It exudes a warm, natural sound, where samples sit with modular synths, programmed drums with live loops, and quirky plugins with obscure outboard gear.

Opening track, ‘I Float in the Clouds’, sets a dramatic tone with intricately interwoven guitar and keyboard lines, fragmented, spectral vocals and deep, melodic bass. Tempos range widely throughout the record, from the loose, low-slung grooves of ‘So They Were Changed’ and ‘High Wire’, to the infectious, mid-paced title track, to the intense house workouts of ‘You Came Into My Life’ and ‘All In Everything’. Greg and Shane’s long established dub leanings are also in evidence, especially on the slow motion churn of ‘Low Tide Dub’ and spacious atmospherics of ‘South Gate Step’. The album closes on an open and optimistic note with the soothing pads and deep electronic pulse of ‘Be Brave’, the result of a collaborative project with author Lisa McInerney and actor, Hillary Rose.

DJ Feedback:

CHARLES WEBSTER / MISO RECORDS
‘Beautiful album....so much depth and emotion in the music with impeccable sonics and attention to the all-important details.’

HOT TODDY / CRAZY P
‘Lush and immersive with an emotional, melancholic tug.’

LAURENT GARNIER
‘Pure beauty.’

COFLO / OCHA
‘Awesome, love Fish Go Deep and this is a lovely new sonic excursion for them!’

MASSIMILIANO PAGLIARA
‘This is indeed very beautiful.’

BILL BREWSTER / DJ HISTORY
‘Love these guys and loved the last album. Standouts on first listen: Love The Other, What I Mean By Beautiful, High Wire.’

MR V / SOLE CHANNEL
‘Love this album and where Fish went musically.’

SUBATOMIC / AFTERLIFE
‘This is a truly beautiful album, a breath of fresh air in a world that looks to the past so often rather than forward for inspiration. I loved This Bit of Earth but love this album even more. Full radio support all year.’

BILLY SCURRY
‘Bleedin sensational… like Basic Channel meets The Tom Tom Club!’

CLIVE FROM ACCOUNTS
‘Deep, rich with ideas and beautifully produced.’

FEEL FLY / INTERNATIONAL FEEL
‘Wow! An exciting and magnificent record, masterful work!’

KEN FAN / CAFE DEL MAR
‘Wow wasn’t expecting that, amazing.’

JERRY BOUTHIER / CONTINENTAL RECORDS
‘Very well put together and inspired all the way, bravo!!’

TREVOR FUNG / THE PROJECT
‘Fabulous LP…All tracks…Love it!!’

KEVIN REYNOLDS / TRANSMAT
‘Fish Go Deep produced a stunning complete album. The drift of Larry Heard, dubbed notes grazing Burger / Ink ethos and one can feel clouds of The Orb. 10 out of 10 for me.’

SEAN JOHNSTON / A LOVE FROM OUTER SPACE
‘Great stuff! Lovely production.’ More