2LP

Electronica-dub-techno-house

Special remarks: Printed Inner Sleeves

Tracklisting:
A1-Trombe
A2-Fordizm
A3-Esika Molimo Ezali
B1-Clair de Lune à Mykonos
C1-Allô?
C2-Mange
D1-Satanique Musette
D2-La Folie Studio
D3-Théâtre de Verdure

Release Info:
This album, a product of two years of studio sessions, saw us engaging in musical dialogues, hitting record when inspiration struck. In the studio, that moment always comes, when a fragile and magical balance happens.

Château Flight says :
• Playing electronic music, whether alone or not, must be joyous, fun, and make you feel good.
• The studio is not a sanctuary but a place of life. Technology must not be intimidating.
• Welcoming friends and new objects in the studio should be an infinite source of inspiration.
• If nothing happens in the studio, turn off the light and play a percussion record.
• With 25 years of experience, Château Flight can make you forget all your troubles, instantly and painlessly.
• The key to success: midi sync + din sync + external trigs.


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Tracklisting:
A1 Introlude
A2 Babel
A3 What We Need To Say
B1 Sick Of This World (Main mix)
B2 Sick Of This World (Gilb R Dub version)
B3 Outrolude


After it became known that the Red Light Complex in Amsterdam had to close Gilb'R invited his friends Satoshi Yamamura and Abel Nagengast down for a session up in the '… studio'.

The trio dived in head first and with eyes closed. The night was buzzing with impromptu music, singing and poetry and one evening lead to another. The gathered results are a raw homage to it's illustrious surroundings and can be listened to on an inspired 6 track 12". The Babel EP is out on Versatile Records.





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Tracklisting:
A1. Triangle Days (Davy Kehoe Vocal Mix)
A2. Triangle Days (Davy Kehoe Remix)
B1. L Inconscient Rebel
B2. Super Spreader (Ruutu Poiss Remix)

3 remixes and 1 new track here.

Davy Kehoe, from Dublin's Wah Wah Wino delivers 2 remixes of Triangle Days, a highlight from Gilb'R's LP On danse comme des fous. While the instrumental remix drives us into a melancholic vibe, where Davy uses harmonica in a subtle way as he did for his latest live show, the vocal mix is an unusual approach to remixing. Davy decided to add his own vocals on top of his mix, and arranged it in a different way. The result is that the track is brought into a total pop territory.
Ruutu Poiss, an Amsterdam based Estonian producer has deconstructed Super Spreader, to rebuild it into a complex yet driving form of club music.
And last but not least, Gilb'R offers an unreleased jam recorded live during the Triangle studio days in Amsterdam. Some latin electronics? Digital guaguancó? A weird groover at 120 bpm to drop in the mix for fearless DJ's.






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Tracklisting:
A1 Session 4
A2 Session 5
B1 Session 6
B2 Session 7

Improvising as a way to end a track, a moment in time lasting forever, a singularity as a constant: this is the illusion created by I:Cube for these Cubo Live Sessions: to jam and to edit, a free conversation with his machines.
This new found freedom is a natural evolution following years of hard work in the Versatile basement. We used to hear Cube sweating for days on a single sound or loop, we know through those Live Sessions that Cube has realised that perfection is not of this world. Or rather that perfection precisely is that ephemeral instant, that will to capture a dream and bring back a fragment from his multidimensional travels.
From this precarious equilibrium, this big bang, proceeds an entire universe, an almost living organism. I:Cube always touched by grace, smiling demiurge building track by track an ever growing intimacy with his listeners.

Gilbert Cohen




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A1. On M'a Dit (Full Length vocal mix) (5:52)
A2. On M'a Dit (Restez Con reprise) (2:31)
B1. On M'a Dit (Bufiman Prog Frog mix) (4:56)
B2. On M'a Dit (Bufiman Disco instrumental) (5:06)

"On m'a dit…" by Floco Floco is a lofi afro-disco stomper hailing straight from the new ghettos created by confinement. Something had to give and we are glad that Floco Floco, whoever he is, has chosen us to ease his lock down mind:

"I've been told to stay at home, on WhatsApp all day long, working in the studio, reading books I haven't read, I hope it won't be too long, I don't know if I can hold, smoking weed day & night, like never I have been before"

Not a message, just a statement.



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A1. De Luscious (Leo James Remix)
B1. Tu Ne Peux Pas Savoir (Priori Vocal Mix)
B2. Tribu Sauvage (Gilb R Late Night Remix)

Here are three remixes linked to the Head Voices of Ariel Kalma and Gilbert Cohen recent lp.
Australian producer Leo James turned De Luscious into an epic 12 minute monster dub version, in the vein of Rhythm and Sound. On the flip, Canadian producer Priori who recently released his great On A Nimbus, gave a deeper and minimal interpretation of Tu ne peux pas savoir.
An exclusive version of Tribu sauvage(track previously only digitally released), remixed by Gilb'R closes the chapter.


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A1. Prismatic
A2. Vantableu
A3. Gypsotheque
A4. La Grotte Aux Fees
B1. Kaszio
B2. 0_0_01_48
B3. Montsouris
B4. Infinite Melodies

I:Cube has made a new album. It is a very "hands on" album, as the eight tracks on show were created almost entirely by improvising with electronic hardware - synthesizers, sequencers, drum machines and effects units - and recorded in real time, with very little after-editing. It is also his first album in a decade, should you be keeping track.

During the time he spent recording it, which was in part inspired by the processes behind his 'Cubo Live Sessions' series, I:Cube had fun, experimented, unleashed the raw, primitive energy of his machines, and emptied his head of thought. The resultant tracks are instinctive, immersive and otherworldly, driven by the emotion of the moment rather than the formulaic structures of dance music. They are unpolished and immediate, but also immersive and sincere.

Think of it as a soundtrack to time spent alone in the studio, daydreaming in darkness and light, translating mental and physical messages in real time. It is not calculated, overblown or over-produced like much modern electronic music, but gently odd, engaging and pleasingly rough round the edges. In some ways, it is I:Cube's most personal and emotional album to date.


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A. Rex Ilusivii, Goran Vejvoda and Milan Mladeno - Untitled
B. CHBB - NBKE

UPROOTED, the sound of here and there.
Uprooted is a project curated by Vidal Benjamin. The concept behind the project comes from his
own personal experience of being uprooted. Under the wing of Versatile Records, he has
decided to launch a collection of double-sided limited edition, vinyl only, celebrating the duality
of people who take their roots from a place and embrace another culture.
The idea is to ask an appreciated music activist with a double cultural pedigree to choose two
tracks. One track that incarnates the place where he or she comes from (the sound of there,
side A) and another

No digital for this série.
Vinyl only.


#1-Vladimir Ivkovic


From Belgrade to Düsseldorf, uprooted or not, I compiled 2 tracks from my 2 cities.
Tracks that were always meant to be released on one 7".

On the Belgrade side there are Rex, Vejvoda, Milan. Rex Ilusivii, Goran Vejvoda and Milan Mladenovi?.
Summer of 1984, a short nighttime session on an improvised 4 track 1/4¨ tape studio setup in Goran's parents small living room in Belgrade, Yugoslavia.
Three young men getting away from their dry intellectual framework at the tail end of the influence of "My Life in the Bush of Ghosts". Maybe. Maybe not. A recording that should not exist, from the city that does not exist, from the country that could have shown the world how a melting pot can blend and stick together, no matter how countless obstacles lay ahead.

On the Düsseldorf side there is CHBB. Chrislo Haas and Beate Bartel. One track from the first of their four tapes, recorded and self-released in Düsseldorf in 1981. Rough powerful electronics with attitude, the future that happened more than 40 years ago and that is yet to come.

Untitled licensed courtesy of Ruža Suboti?, Goran Vejvoda and Zadužbina Milana Mladenovi?a.
NbkE licensed courtesy of Beate Bartel CHBB-Musik.

14.9.2022
Vladimir Ivkovic


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A1. Le Couple Coupable
A2. Caltecs Dance
A3. White Layers Over Black Papers
A4. Hephaistos Breeze
B1. Gelbe Schlange
B2. A Zombies Passeport
B3. Le Souffle D'hephaistos Attisant Le Fourneau Qui Crépite D'impatience
B4. L'Incantation Du Heros Aux Yeux Bandes

Imagine Prometheus, the thief of fire, the father of civilisation, had been spellbound by the sirens chanting and never felt pain, when the eagle bit his liver. Total enchantment, created by sound to overcome the pain of existence. A sound, styled by the ideal harmony of body and soul. And yet, the pain is still there, hidden between the notes, driving a romantic vision of salvation.

If Prometheus could have translated his fictitious epiphany into singing, it might sound like Ghédalia Tazartès's chanting in "White Layers Over Black Paper", one of the eight snake dance tracks-not-tracks by German producer Detlef Weinrich aka Tolouse Low Trax and French singer, hurdy-gurdy, spinet and harp player Emmanuelle Parrenin. During some days of intimate plays in Paris they created "Jours de Grève", a bouquet of music full of mirrors, eyes, statues, secret doors, rooms, and blood. With the offhanded help by friends and like-minded souls like Versatile aura mystic Gilbert Cohen, French avant-garde saxophone player Quentin Rollet and his fellow countryman, experimental voice artist Ghédalia Tazartès, they transformed in Cohen's studio impulsive emotions into a kind of medieval cult sound that dances with tribal dub layers in search for a higher ground.

The session took place during an intensive time of public strikes in the French capital, that tied up the public life of Paris and gave birth to the album's title "Jours de Grève". After the jam, Weinrich drove back to his old hometown Düsseldorf, sat down with his friend Jan Schulte aka Wolf Müller and mixed the captured notes, sounds, rhythms and singings into pristine tripping music, that avoids stylistic categorisations. As rather architecture, sculpture, painting, performing or film could express what Parrenin's hypnotic hurdy-gurdy performances, Tazartès's ancient deeply emotive ululations, Rollet's almost religious saxophone notes and Weinrich's toting grooves evoke in the psyche, it might be better to go back to Prometheus and the fire, that brought us light and warmth. "Jours de Grève" does too.

And it is a stolen one. A borrowed one. Affected by art and life outside of sound. Lent from a forgotten monument in a random city around the world. Swayed by an afternoon glass of wine in a Parisian street café. Affected by music of all ages. Unconsciously developed in the spirit of Philippe Doray and Les Asociaux Associés, Théâtre du Chêne Noir d'Avignon or Areski Belkacem's collaborations with Brigitte Fontaine. Above all Emmanuelle Parrenin extramundane voice swings, mutating between speech and chant, while Ghédalia Tazartès mourns like a wise illusionist. In tunes like "Caltec's Dance" you even feel the airiness of early Fun Boy Three recordings. All that is rooted on Weinrich's Tolouse Low Trax magnetic signature grooves, this time floating between dark tribal upbeat sexiness and dubbed-down bass sculpturalism.

If it is true that illuminating music stirs by its mysterious resemblance to the objects and feelings which motivated it, then "Jours de Grève" is an in impulse composed primitive state of rhizomatic paranormal psychic phenomenon, that incorporates all the worlds, that the naked eye cannot see.

Michael Leuffen



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Special remarks : 2LP, 2022 Repress Edition

Vital Sales Points:
- Released by popular NTS show Noise In My Head
- Liner notes from Ivan Smagghe and artwork from Misha Hollenbach (Perks and Mini)
- Features many rarities reissued for the first time ever (Karen Marks' most wanted Australian cold wave single last sold for 290€ while Once traded for 170€)
- All tracks officially licensed, sourcing original masters when available
- Includes digital download

Tracklist
A1. Linda Smith - I So Liked Spring , A2. Karen Marks - Cold Café , A3. Bruce Langhorne - Leaving Del Norte , A4. The Seraphims - Conciousness of Happening
B1. Garry Davenport - Sarra , B2. Some of My Best Friends Are Canadians - Feeling Sheepish , B3. The Rising Storm - Frozen Laughter
C1. Warfield Spillers - Daddy's Little Girl , C2. Joyce Heath - I Wouldn't Dream Of It , C3. Joe Tossini and Friends - Wild Dream , C4. Scott Seskind - I Remember
D1. Angel - Driving (Down) , D2. Nini Raviolette and Hugo Weris - Slow , D3. Nora Guthrie - Home Before Dark , D4. Once - Joanna

Short info:
Sky Girl is a mysteriously unshakeable companion, a deeply melancholic and sentimental journey through folk-pop, new wave and art music micro presses that span 1961-1991. A seemingly disparate suite of selections of forgotten fables by more or less neverknowns, Sky Girl forms a beautifully coherent and utterly sublime whole deftly compiled by French collectors DJ Sundae and Julien Dechery.

From Scott Seskind's adolescent musical road movie to Karen Marks' icy Oz-wave, the charming DIY storytelling of Italian-American go-getter Joe Tossini and the ethereal slow dance themes of Parisian artists Nini Raviolette and Hugo Weris, Sky Girl resonates on a wide spectrum historically, geographically and stylistically. It unites in a singular, longing, almost intangible ambience.

If the names sound wholly unfamiliar that doesn't matter, the nature of the compositions swiftly nurtures an intimacy with these lonely, poignant, openhearted wanderers. Most were available in a very limited capacity at the time of their release, some were never really released at all - Gary Davenport declined to release Sarra after he split with the girl for whom the track is named - years later a friend convinced Davenport to allow him to put 100 copies online to sell and DJ Sundae was quick enough to snare one. Beyond their scarcity, these tracks are bound together by a certain raw beauty that's achievable when music is made and no one is listening.

Sky Girl comprises of fifteen officially licensed songs, a two year international scavenger hunt through long-folded home label operations, the depths of internet forums and traceless acetates. Both compilers are well trained record sleuths - DJ Sundae's labels Hollie and Idle Press have reissued Arthur Russell affiliate Nirosta Steel and DIY relic Pitch, while Julien Dechery previously compiled 'Fire Star', a retrospective on Tamil film composer Ilaiyaraaja, for Bombay Connection.

Released by Noise In My Head offshoot Efficient Space, Sky Girl is enriched with artwork from Perks and Mini mutant Misha Hollenbach and appropriately elegant sleeve notes courtesy of Ivan Smagghe.






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Incl. Insert + Download

Long time in the vaults, soon out in pop heaven: Andrea & Alexander, a handsomely nostalgic pop project by Andrea Noce aka Eva Geist and Alexander Arpeggio. Originally launched in 2014, revitalized in 2023, the project originated as a live set-up consisting of synthesizers, ePects pedals, and analogue drum machines. From there it slowly metamorphosed into a crew of songs with raw minimal-wave grooves and romantically haunting English and German pop lyrics, loosely evoking the aura of Siouxsie Sioux, Gudrun Gut or Nadine Bal. After becoming a live mainstay in the Berlin based underground club Sameheads, they went on a tour through Lithuania and soon after several unfortunate troubles led to the break-up of the band, prompting both Andrea and Alexander to focus on their solo careers. Andrea became Eva Geist and released for various international labels, played live and formed the female duo As Longitude. Alexander founded his own label Eine Welt, took over the management of the renowned underground festival Camp Cosmic and created two musical projects with Cid Hohne, Otto and Aufgang B. Now, years later, almost becoming a Soundcloud corpse some Andrea & Alexander recordings caught the attention of the R.i.O. folks and just seconds later they offer six freshly recorded cuts of Andrea & Alexander tunes that stood the test of time as authentic, soulful pop music. “What are we going to wear for tonight’s party?” Andrea Noce asks in their song “Tiney Party”. The answer is “Loved Up” a musical celebration outfit of six sincere recorded, emotionally accorded songs, who make the dance, give verve a chance, to be there, in that moment of all moments. An album for the listener that likes to dance. In his head, on the local carpet. “Loved Up” humming Andrea & Alexander tunes.

A1) Andrea & Alexander - Amazing Grace
A2) Andrea & Alexander - Taifun
A3) Andrea & Alexander - Böhmonotonie
B1) Andrea & Alexander - Loved Up
B2) Andrea & Alexander - Tiney Party
B3) Andrea & Alexander - Gradient Sea

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Tracklist:

01. L'Último Sacrifacio (22:56)
02. Marcia, Baila, Suogna (09:30)
03. Suogna Piazzata (03:45)


Short info:

Pierre Bujeau is an expert at creating temporary escape zones—musical structures to evade the everyday. Sometimes he works collectively as part of the mysterious French groups Omertà and Tanz Mein Herz. But it’s when he’s on his own, performing as Megabasse, that he offers the most complete break from reality. His kit is simple: a few bottles of cheap lager, twin Fender amps, and his double-necked guitar. An instrument like this normally signals maximum rockist excess—think Jimmy Page, Geddy Lee, or that dude from the Eagles. In Pierre’s hands, it becomes more like a zither or a dulcimer, producing soft chiming patterns that build against themselves until the sound of the room, passed back and forth between his two amps, starts to blur everything, and we are away in another world. Wait, though—let down your yoga bun and don’t light the palo santo yet. The new space he creates has nothing to do with smug wellness. It’s a rough, do-it-yourself psychedelia, scuffed but hopeful. Not a perfect blank space to be your best self in, but instead a communal dreaming, an uncanny place where all are welcome.

Until now, without catching him live, the Megabasse experience has been difficult to find: CD-Rs, short-run tapes, and one blink-and-you-missed-it LP. Thankfully, this record on Efficient Space, a reissue of some pieces that were previously only available on a small cassette edition, will put that right. Here are two long, intricate pieces, and something new—a shorter track that hints at a move toward beautiful, burnt-out guitar soli.

Unless you are very lucky, wise, or rich, life imposes its structures on you. Maybe a record of shimmering, tranced guitar is all you need to get out from underneath?


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2LP, 2025 Repress

Tracklist
1. Bo Harwood & John Cassavetes - No One Around To Hear It
2. Chen Ming Chang - Rainwater
3. Bhairavi Raman & Nanthesh Sivarajah - Bittersweet Reflections
4. The King Of Luxembourg - Poptones
5. Slapp Happy - Is It You
6. O.G. Jigg - Jesus Is My Jam
7. Klang - As It Is
8. Scala - Fuser
9. Soft Location - Let The Moon Get Into It
10. Gyeongsu - YZOBEL (feat. CROCHE)
11. Omertà - Moments In Love
12. Kasumi Trio - Cabbage Butterfly
13. Un - Fast Money Blues
14. Delphine Dora - V
15. Harry Plunket-Greene - The Hurdy-Gurdy Man

Short info:

Searchlight Moonbeam is the new narrative compilation from Time Is Away (Jack Rollo and Elaine Tierney) whose eponymous monthly NTS Radio shows, tinctured fusions of fugitive sounds and reverie-inducing archival speech, have won them an ardent following. It follows from the London-based duo’s Ballads, a remarkable driftwerk released on A Colourful Storm in 2022.


Searchlight Moonbeam is an autumnal dreamscape, intimate and vespertine, pensive and irresolute. An imagined community where differences drop off and resonances emerge – between Maher Shalal Hash Baz affiliates Kasumi Trio, Taiwanese score composer Chen Ming Chang whose ‘Rainwater’ (written for Hou Hsiao-Hsien’s 1986 film Dust In The Wind) is exquisitely heartbroken, and the plangent improvisations of self-taught French pianist Delphine Dora.


Revelations are frequent: the bedsit isolationism of Bo Harwood and John Cassavetes’ ‘No One Around to Hear It’ (from The Killing of a Chinese Bookie); the narked minimalism of Klang (an early 2000s band formed by ex-Elastica guitarist and featuring prize-winning experimental novelist Isabel Waidner on bass); the etude-grooves and echoic wobble of below-the-radar French avant-gardists Omertà ; the beautiful, plaintively dubby ‘Is It You?’ by Slapp Happy; a psych-tinged reimagining of PiL’s ‘Poptones’ by Simon Fisher Turner (one half of Deux Filles, and here, recording for él as The King of Luxembourg) that's as perverse as the cover of Throbbing Gristle’s 20 Jazz Funk Greats.


Searchlight Moonbeam is the musical analog of an Italo Calvino novel or a medieval fable. Associative, intuitive, borderless. Emotional and mysterious. Endowed with the tactility of Braille. A private language that is both unknowable and understood. It is a record of the seasons, for the seasons.

2023 marks the tenth anniversary of Time Is Away’s first broadcast. Featuring an evocative essay by writer Jeremy Atherton Lin and disarming cover art by Penny Davenport, Searchlight Moonbeam showcases Rollo and Tierney’s still-unrivalled talent for gloaming melodies, disques du crépuscule, ensorcelled storytelling.







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2025 Repress!

All your favourite System Olympia songs in one vinyl record.

Pre-order now.

Every Version is slightly different / Limited Edition.

New slightly different cover ( different ring on the hand, name of the ring is Durante)


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LP 180g, beautiful embossed Chess Board Artwork Print, inner sleeve with artist picture and text by David Elliott, Sounds June 16, 1984

In anticipation of the 35th anniversary next year one of electronic music´s most influential recordings, the legendary E2-E4, from 12.12.1981 does get an official rerelease by Manuel Göttsching on his own Label MG.ART.
Carefully overseen by the Master himself

Total Time: 59:34
Tracks:
Ruhige Nervosität 13:00, Gemäßigter Aufbruch 10:00, ... und Mittelspiel 07:00, Ansatz 06:00, Damen-Eleganza 05:00, Ehrenvoller Kampf 03:00, Hoheit weicht (nicht ohne Schwung...) 09:00, ... und Souveränität 03:00, Remis 03:00



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2022 REPRESS Edition, 1LP+MP3
Carefully ReEdited, 100% Original

Lady of Mine is the 1989 debut LP by self-made Italian-American Joe Tossini. An astoundingly honest, passionate record of cosmopolitan lounge music, he willed this charming suburban oddity into existence without any formal musical training.
Special remarks : LP with digital download card

Tracklist
LP A1 If I Should Fall In Love, A2 I'm In Love With An Angel, A3 Sincerita, A4 Sulla Luna
B1 Tomorrow May Never Come, B2 Lady Of Mine, B3 Wild Dream


Short info:

Lady of Mine is the 1989 debut LP by self-made Italian-American Joe Tossini. An astoundingly honest, passionate record of cosmopolitan lounge music, he willed this charming suburban oddity into existence without any formal musical training.

Sicilian by birth, Tossini drifted around the world between Italy, Germany and Canada, before finally settling in New Jersey. After the passing of his mother and the breakdown of a second marriage, an anxious and depressed Tossini took to songwriting as a form of therapy, crafting disarmingly candid lyrics from his extraordinary life and loves. Whatever industry savvy or musical virtuosity he lacked was made up for by unflinching resourcefulness and infectious charisma. Befriending bandleader Peppino Lattanzi at local club The Rickshaw Inn, he was encouraged to animate his singular songs with an ambitious cast of 9 players and 5 backing vocalists, sincerely credited as his Friends.

The Atlantic City basement sessions are a low budget, high romance testament to Tossini's character and the power of positive thinking. From the defiant, Casiotone samba of If I Should Fall In Love, to Wild Dream's dizzying escapism and the native tongue croons of Sulla Luna and Sincerita, Lady Of Mine hums with the inimitable magic of a true original. Piercing the heart with an effectively sparse combination of humming keys, CompuRhythm drums, horn flourishes and backing divas, ample room was left for Tossini to frankly deliver his much-needed life lessons.

Underperforming commercially at the hands of short lived label IEA Records, Lady Of Mine has since earned a place in the outsider music canon. Recently peaking interest as a cornerstone of the Sky Girl compilation, the private press trades for inordinate sums, typically with no financial benefit to its creator. Lady Of Mine is now finally reissued on the artist's own terms via Joe Tossini Music, in partnership with Efficient Space, restored from original master tapes with unseen photos, extensive liner notes and Tossini's trademark wisdom.

Devoutly independent, Tossini has previously self-released the 2015 instrumental album When You Love Someone as well as two books - a new fiction novel The Devil In White and his autobiography The Account of My Life.


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Tracklist:
A ONE HUNDRED PYRENEES
B1 FLOOSS
B2 SAULAGRATZOS

Following up the 2022 „Tamarindo“ release by his band „Ottlix" (with Ottber / PERL132), Felix Hk presents his first solo 12“.

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- LP - LIMITED COLLECTORS EDITION - -2024 Recut, Authorised by Manuel Göttsching

- 50TH Anniversary Limited Collectors Edition

-180G "Pearl / Sunrise" Colour Vinyl

-Original 1973 Vinyl Sleeve Reproduction

-Iconic Studio Photography as 4 Fold Poster feat. Manuel Göttsching and Rosi Müller during Recording Sessions

-Original "The Fairy Dance" Music and "Schizo" Composition Sheets handwritten by Manuel


Overview:
We are thrilled to announce the highly anticipated re-issue of Ash Ra Tempel's legendary 5th Studio Album "Starring Rosi" in our "50th Anniversary Edition". Originally released in 1973, this seminal work remains a cornerstone of the Krautrock and "Kosmische" movement, blending psychedelic rock, ambient soundscapes, and early electronics into a transcendent auditory experience.
The Album has been recorded by Manuel Göttsching in it´s entity, with additional help to come from Producer Dieter Diercks playing bass, percussion, Drummer Harald Grosskopf and of course Rosemarie "Rosi" Müller.
"Starring Rosi" is an essential piece of their continuation of blending cosmic psychedelia, ambient textures, and avant-garde electronic experimentation. Originally released in 1973, this album marked a significant departure for the band, featuring Rosi Müller, who added a lyrical and vocal dimension to the band's typically instrumental soundscapes & Manuel Göttsching background singing.
To many technically Ash Ra Tempel last, yet most accessible, release, although there was the soundtrack to Philippe Garrel´s movie "Le Berceau de Cristal" and there might be some further previously unreleased, music to come out later.

Album Background:
*Starring Rosi* stands out in Ash Ra Tempel's discography for its lighter, more accessible sound, balancing the band's signature cosmic explorations with melodic structures and poetic lyrics.
It marks an unique chapter in Ash Ra Tempel's discography, featuring the ethereal vocals of Rosi Müller alongside Manuel Göttsching's visionary guitar work. The album is a sonic journey that takes listeners through seven distinct tracks, each showcasing Manuel Göttschings pioneering approach to music.
From the dreamy opening track "Laughter Loving" to the meditative "Day-Dream" and the atmospheric "Interplay of Forces," songs that illustrate the band's evolution from their earlier, more intense and improvisational albums, showcasing a more reflective and introspective side .
"The Fairy Dance" is delving into the mystical and meditative, transporting listeners to a dreamlike state.
While "Schizo" sounds like a continuation of the best moments of the previous Ash Ra Tempel records, is the last track "Bring Me Up" an Up-tempo Song that features Manuel as well on vocals.
"Starring Rosi" captivates with its blend of cosmic improvisation and melodic beauty.

Reissue Details:
This reissue of *Starring Rosi* has been introduced and overseen by Manuel Göttsching still, and finalised by his Family exactly to his standards, in which the meticulous approach to his work lives on.
An updated 2024 recut carefully commissioned by Schnittselle in Berlin (who also signs responsible for the previous ART Reissues, likewise, the 2016 E2 E4 Anniversary Edition ensure the warm depth sound while bringing out the rich textures and nuances, all of the original recordings. The reissue is available on 180-gram Black vinyl and a Limited Edition in transparent Pearl Sunrise Vinyl.
Both vinyl editions comes with a replica of the original Vinyl Artwork including it´s original Backside.
The Limited Edition also includes a Poster of the alternate Backside, used later on the CD Editions showing Rosi and Manuel improvising during studio sessions. Also included are prints of previously unreleased Original "The Fairy Dance" Music and "Schizo" Composition Sheets handwritten by Manuel

Tracklisting:
1. Laughter Loving
2. Day-Dream
3. Schizo
4. Cosmic Tango
5. Interplay of Forces
6. The Fairy Dance
7. Bring Me Up

Rediscover the magic of Ash Ra Tempel with this definitive reissue of *Starring Rosi*-a timeless journey through sound that continues to inspire and captivate listeners over five decades later.


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LP. 180G BioVinyl, 2 LP + Sticker , includes Download to 3/12 h Radio Play "Archivos De Radio Piedras"

2. GENRE/S: Electronic

3. TRACKLISTS:

> A1 / 1. Cangilón
> A2 / 2. Piedras
> A3 / 3. Aquí
> A4 / 4. Agua pa fantasmas
> B1 / 5. Rio de las tumbas
> B2 / 6. Viento
> B3 / 7. Mi viejita
> B4 / 8. No Hope> C1 / 1. Radio Chomio (con Eli Wewentxu)
> C2 / 2. Rio radio correspondencia anfibia
> C3 / 3. 3eee
> C4 / 4. F Collect
> C5 / 5. Even heaven is uneven
> C6 / 6. El azar
> D1 / 7. I, you
> D2 / 8. Heterodina
> D3 / 9. Sin Conexión
> D4 / 10. SSS1
> D5 / 11. SSS2
> D6 / 12. SSS3
4. SHORT INFO:

The initial seed for this project was planted in 2020 when Nicolás Jaar wrote the song “Piedras” for a
concert at the Museum of Memory & Human Rights in Santiago, Chile, which commemorates the
victims of human rights violations during the military dictatorship led by Augusto Pinochet between
1973 and 1990. Between 2022-2023 it took on a new form as a radio play entitled 'Archivos de Radio
Piedras', which was shared on a dedicated Telegram channel. In 2024, the play was converted into a
24 channel installation at the University Museum of Mexico City (MUAC), where it was exhibited for 5
months.

Piedras 1 and 2 is a collection of the tracks featured within the play, all new music by Jaar, but partly
presented within the play as the music of Salinas Hasbún (the name a composite homage to Jaar's
grandmothers, Graciela Salinas and Miriam Hasbún).

The play follows two friends mourning the disappearance of Salinas Hasbún, a musician and writer
who vanished in the early 2020s. Although they live in a future where technology is advanced, they
resort to DIY radio methods because the anonymous group “Las 0cho” has launched a worldwide
attack on undersea internet cables, causing a global internet blackout.

The play's central theme revolves around the idea that truths, memories and identities speak from the
cracks (“rasgaduras”), or the "in-between" spaces ("en el entre"). This concept is supported by the
way much of the narration unfolds - in the liminal spaces between radio frequencies. The instability
and transitory nature of a constantly shifting radio dial becomes not just a metaphor but the structure
of the play itself. It’s in these moments of noise, static and interference that the deeper revelations of
the story emerge. This disjointed, ever-changing medium mirrors the way memory and trauma
operate within the play - non-linear, slipping through the gaps, found in fragments or ordinary
moments, rather than direct transmissions of “official” historical accounts.

This notion reaches its climax at the end of the narrative, when a text is discovered in which Salinas
speaks of finding a new number in a small pond in a cave mentioned in the first episodes of the radio
play. This pond, inside the “cochlea of the world”, is seen as a way to introduce real-life randomness
to computation. Embodied in the salt lakes of northern Chile, home to the world’s oldest bacteria, this
randomness disrupts the rigid order of binary code, paving the way for a transformation of digital life.
5. VITAL SALES POINTS:
First solo release by Nicolás Jaar since 2020’s Telas and Cenizas.

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Genre/s: Jazz, Contemporary, Pop

Tracklist:
[Vinyl]
A1. Sinus Amoris / A2. Stockholm / A3. Who’s Gonna Blink /
A4. Domus
B1. Schrödingers Love / B2. Little Flutist / B3. Party People /
B4. Dactylic Theme

SHORT INFO:
Studio Barnhus proudly presents this debut full-length record from the Jimi Tenor & Freestyle Man project, the fruit of the joint labour of these two undisputed legends of electronic music. Building on their catalog of work for labels like Warp and Sähkö, these Finnish heroes have blessed
Stockholm imprint Studio Barnhus with regular releases since 2017, this LP being the finest example thus far of their classic yet always fresh sound.


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Territories: Worldwide no restrictions

Format Notes: 2025 first time ever, official vinyl reissue, 140g vinyl

Track List:

A1 Fracas 1:36
A2 Invocation 4:59
A3 Jubilé 5:54
A4 Vaudou 4:09

B1 Parlement 1:40
B2 Waka 3:10
B3 Caraïba (Intro) 1:06
B4 Caraïba 3:47
B5 Chunga Funk 4:23
B6 Bateau La Passé 2:11

Release Notes:


There's iconic. Then there's *iconic*.

A MASSIVE speaker-smashing release, decades overdue. It's been bootlegged - shamefully so, many times over the years - but finally we present the first ever officially licensed reissue of this truly special Afro-disco-not-disco LP from 1979. A favourite of Harvey, Antal, Young Marco and, er, every great DJ to ever play deep records ever, basically. It's not hard to see - or, indeed, *feel* why.

Gem after gem of relentless, irresistibly funky gold, it's an incredibly revelatory album with endlessly complex drum patterns and basslines to dive into, throughout. Truly, this is uniquely FIRE music, unlike anything else you've ever heard, based on Gwo ka music from the gorgeous islands of Guadeloupe and Martinique. A thrilling synthesis of primal, hypnotic drums - the most tribal of percussive elements high in the mix throughout - with the loping synth pyrotechnics of, amongst a whole host of other greats, Wally Badarou and bass power of disco funk don Sauveur Mallia (Arpadys, Spatial & Co.)

Originally released on the seminal French label Barclay, you'd be hard pressed to even find an original copy in nice condition anywhere, let alone for a reasonable price, so it's high time an officially licensed, remastered reissue came around. It's just the latest in a long line of Be With reissues where the music sounds like the - drop-dead dazzling - cover. This here is a true drum attack. BUY ON SIGHT!

Tumblack was a short-lived project, produced and arranged by electronic wizard Yves Hayat and it can certainly be regarded as one of the first examples of Zouk, mixing powerful disco-funk arrangements with Gwo ka, traditional music from Guadeloupe. Gwo ka is an Antillean Creole term for "big drum". You can say that again! It refers to both a family of hand drums and the music played with them, which is a major part of Guadeloupean folk music.Whilst the first side is credited to the exceptional Tumblack band, the flip is given over to "Tumblack & Friends". These weren't just any old friends. Oh no, they were the absolute cream of the French scene (think Arpadys, Voyage, Le Club, Giant, CCPP, Synthesis, Swing Family) such as Sauveur Mallia, Wally Badarou, Marc Chantereau on percussion, Slim Pezin on guitar and Jean-Paul Batailley and Pierre Alain-Dahan handling drum duties.

The urgent, frantic "Fracas" gets things moving straight away with a cavalcade of drums and percussive funk before giving way to the stratospheric "Invocation", one of the album's many, many highlights. It's effectively one long heavenly drum break, a really hard, raw, tribal drum workout without a whole lot else going on - and all the better for it! One to make you sweat, no question. Up next, "Jubilé" is announced with a bellowing accapella voice, chanting the titular name before the heaviest of kicks smashes out your system and lulls you into an absolute state of bliss for nearly 6 minutes. Whoooooosh! Rounding out the sensational A-Side, "Vaudou" is a scratchy, funky patterned drum workout which - yep, yet again - absolutely slays your neck muscles, making them snap and contract in extraordinary fashion. TURN IT UP!

Ushering in the B-Side, the brief, fidgety, African chant-funk of "Parlement" segues seamlessly, beautifully into "Waka", an overwhelmingly rich gem of percussive funk. You do not want this to end, once it hits its stride. For maximum heavenly drum pleasure, you'd need to go a long way than the moment "Waka" feels like it's fading out before it kick-drum-blend into the mighty "Caraïba (Intro)". It's just staggeringly good. It's a minute-long layered drum prelude to the gigantic track which follows. Indeed, "Caraïba" is arguably the best loved and most well-known cut off the LP. And with good reason...featuring that Mallia bass, warm Rhodes and clavs, synth magic, memorably alto sax lines and, of course, tribal chanting.

Another mighty super-ahead-of-its-time classic, the bouncing bass heavy synth funk of "Chunga Funk" deploys Mallia and Wally Badarou (on Mini Moog) exceptionally well. I mean, come on, that bassline is just ridiculous. Try not to move to this one. This extraordinary record closes out with the more traditional Gwo ka sounds of "Bateau La Passé", the tribal chorus making the hairs on the back of your neck stand up.

Tumblack really is a gorgeous late-70s disco-not-disco essential. It's an absolute MONSTER that will completely blow you away; and, yes, it's as compelling and trance-inducing as the cover. The audio for Tumblack has been carefully remastered by Be With regular Simon Francis, ensuring it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The cover of Tumblack is so iconic and we sought special permission from original artist Hélène Majera to recreate this at Be With HQ. It absolutely zings off the print and serves as the perfect finishing touch to this long overdue re-issue.


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore