Genre: Soundtrack, 80s, Cult, Horror, Score, Synth

LP: Limited Edition of 500 with exclusive artwork by Pierre Thyss, obi strip, and liner notes

Tracklisting
A1. Main Title
A2. Ghoulies Flambé
A3. Sneaking
A4. Ghoulieboppin’
A5. An Old Tomato
A6. Patty Gets It
A7. For The Benefit of Mr. Satie
A8. Ghouliepalooza
A9. Help Him
A10. Montage
A11. Organus Maximus
A12. Sex Critters
A13. Slice ‘Em, Dice ‘Em
A14. Merle’s Mummy
A15. Yuppie Agenda
A16. Ned Discovers
A17. Larry Sees
B1. They’re Real
B2. Interlude
B3. Ned’s Showdown
B4. Ned Is Gone
B5. Nigel
B6. Studio Chatter
B7. Nicole’s Story
B8. Prepping The Carnival
B9. Larry In Satan’s Den
B10. Fighting
B11. Gang’s All Here
B12. Clown’s Jaws
B13. Froggy
B14. Cuteness
B15. Hell Breaks Loose
B16. Ghoulies Jazz
B17. Danger Zone (Studio Chatter)
B18. Slate 9M2 (Studio Chatter)
B19. Gastroburgers From Hell
B20. Mazel Tov, Molotov
B21. Baroque Indigestion
B22. Ghoulies II Finale


Info

WRWTFWW Records is proud to announce the first ever release of the long-lost original motion picture soundtrack from the 1988 cult horror comedy sensation Ghoulies II by the incomparable Fuzzbee Morse. Digging deep to uncover a true gem of the VHS era, this limited-edition vinyl release (500 copies worldwide) marks history in the making as a piece of film score lore is resurrected from the depths of oblivion. The LP is packed with 39 tracks and features an exclusive artwork by French illustrator Pierre Thyss, as well an obi and composer notes.

The captivating melodies that once played hauntingly in the background of Ghoulies II were long believed to be lost forever. It took over 30 years and Fuzzbee Morse's unwavering determination to dig out the legendary recordings – and restore them for full audio pleasure!
The superb soundscape of Ghoulies II perfectly captures the chilling and wacky essence of the cult movie, as well as its creepy carnival setting. Morse, citing influences such as Bernard Hermann, Frank Zappa, and Igor Stravinsky, flexes his multi-instrumentalist skills, flowing with ease between magical fairground elements (with brilliant use of calliope, tuba, flutes and sparkly sounding synthesizers), dark atmospheres and frightening attacks (tribal percussion, strings, along with dissonant, atonal gongs, bowed cymbals), and goofy moods (bassoon, bass clarinet, glockenspiel, trumpet, clarinet). It’s big cinematic horror movie music with a lighter comedic touch – the 80s live again!

To complete this collector's edition, French illustrator Pierre Thyss (the man behind the WRWTFWW Records logo) lends his (immense) talent to provide awe-inspiring visuals that flawlessly encapsulate the juxtaposition of horror and comedy.

Ghoulies II follows the release of the full uncut soundtrack of Ghoulies (1985) which was released on vinyl for the first time ever by WRWTFWW Records in 2020 alongside soundtracks for other Richard Band-composed, Empire Pictures-produced classics: TerrorVision and Troll. All these 80s horror favorites are still available – complete the collection now!

Points of interests

- For fans of soundtracks, horror, cult, synth, ambient, classical, 80s, VHS, Charles Band, Full Moon Productions, John Carpenter, b-movies, sci-fi, Gremlins, Critters, Munchies, and the best of them all: the Ghoulies!

- First ever release for the soundtrack of Ghoulies II (1988), with obi strip, composer notes, and exclusive artwork by Pierre Thyss.





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Genre: Environmental, Ambient, Minimalism, Percussive, Tribal, Experimental

Tracklisting LP
A1. Dawning 5:20
A2. Balasong 4:32
A3. Woods From The Sea 3:43
A4. Madal Sonic 3:44
A5. Anywhere 5:06
B1. Beatsonic 4:48
B2. Madal Sonic # 2 3:20
B3. Ear Dreamin’ 4:41
B4. Urban Kogili 6:47
B5. Beat The Water 2:28

Info
WRWTFWW Records is thrilled to unveil the limited edition vinyl reissue of Natural Sonic, the groundbreaking 1990 environmental percussion album by Japanese composer and performer Yoshiaki Ochi. Long a hidden gem of the kanky? ongaku movement, Natural Sonic finally returns in its full analog glory, housed in a heavyweight sleeve with obi and carefully remastered from the original archives of Wacoal Art Center / Spiral's visionary NEWSIC label.
Originally released only in Japan at the dawn of the 1990s, Natural Sonic is a mesmerizing exploration of earthly sound and rhythm - a sonic tapestry woven from wood, water, and stone, and skin. Ochi, who at the time was the in-house composer and performer for world-renowned designer Issey Miyake, created a series of elemental pieces that blur the line between avant-garde percussion, ritual music, and environmental sound art. The result is both deeply physical and profoundly meditative - an album that breathes with nature itself.
Echoing the organic minimalism of Midori Takada's Through the Looking Glass and the ecological grandeur of Geinoh Yamashirogumi's Ecophony Gaia, Ochi's compositions open portals into primal landscapes, evoking forests, rivers, and stones in flux. Part of NEWSIC's celebrated experimental catalog - alongside Yoshio Ojima's Une Collection des Chaînons, Motohiko Hamase's #Notes of Forestry, and Satsuki Shibano's Rendez-Vous - Natural Sonic now finds new life for contemporary listeners seeking sound that feels both timeless and vital.
A singular album of resonance and restraint, Natural Sonic is a treasure from the golden age of Japanese environmental music, finally available again over three decades later.

Points of Interest
- Limited edition vinyl reissue of Yoshiaki Ochi's Natural Sonic (1990), a cult Japanese environmental music and percussion masterpiece, housed in heavyweight sleeve with obi.
- Originally released on NEWSIC, the forward-thinking label operated by Wacoal Art Center / Spiral (home to Yoshio Ojima, Motohiko Hamase, Satsuki Shibano, and more).
- A unique blend of earthly percussion (wood, water, stone) and environmental soundscapes, created during Ochi's tenure as in-house composer for Issey Miyake.
- Essential listening for fans of ambient, percussion, kanky? ongaku, experimental sound art, nature recordings, and artists such as Midori Takada, Geinoh Yamashirogumi, Ryuichi Sakamoto, and Yoshio Ojima.


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Territories: WORLD

Genre: Techno, Electronic, Ambient, IDM, Soulful, Acid

DLP: Limited Edition, 45rpm Cut, Heavyweight Sleeve, Inside Out Pantone Printing, Sticker

Tracklisting DLP
A1. Arcadia
A2. System For Zodiac
A3. Remains
B1. Stroma
B2. Monochrome Sky
B3. Proxima Scope
C1. Diadem
C2. Ancient Architects
C3. Stroma Trite
D1. The Creation Of Typology
D2. Nostalgia
D3. Last Moment

Info
WRWTFWW Records is thrilled to announce the first-ever vinyl release of Japanese electronic music producer Virgo’s debut album, Landform Code, a forgotten underground classic from 1998, now finally available as a limited edition 45rpm cut double LP housed in a heavyweight sleeve.
Originally only released on CD by Tokyo-based cult label FORM@ RECORDS, Landform Code is an absolute gem of smooth, melodic Detroit techno infused with brilliant hints of acid, ambient, and IDM. It’s a dreamy, organic, and timeless record that captures the essence of late ‘90s electronic innovation with a deeply soulful touch.
The 12-track album, radiating with lush melodies, hypnotic rhythms, and textural detail, is an essential (hidden) treasure of electronic music history, transporting the listeners back to the pioneering days of Carl Craig, B12, The Black Dog, Ian O'Brien, or Warp’s Artificial Intelligence series, beautifully honoring its influences, while solidly standing on its own as a distinct and emotionally resonant piece from Japan’s underground scene.
Landform Code is released simultaneously with Virgo’s 1999 follow-up album Remnants, both excavated from the vaults of FORM@ RECORDS which has officially supervised the reissue efforts. This marks the first phase of a collaboration between the Swiss and Japanese labels – a project that will continue with forthcoming vinyl releases of FORM@ compilations Art Form I (1997), Art Form 2 (1998), and Re-Form Ver-1.0 (1999).

Points of interests

- For fans of techno, house, ambient, IDM, acid, synth, Detroit, soulful electronic music, Carl Craig, Warp Records, B12, the late 90s, feelings, machines with emotions.

- First ever vinyl release of Japanese soulful techno underground classic Landform Code by Virgo in collaboration with super cult Tokyo label FORM@ RECORDS.



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Territories: WORLD

Genre: Techno, Electronic, Ambient, IDM, Soulful, Electronica, House

DLP: Limited Edition, 45rpm Cut, Heavyweight Sleeve, Inside Out Pantone Printing, Sticker

Tracklisting DLP
A1. Falling Seed
A2. Round On Cirque
B1. Utia
B2. Prelude
B3. Mesa
C1. Tower Of the Dual World
C2. Lost In Blue
C3. Ivied Scupltuer
D1. Remnants
D2. Starlight


Info
WRWTFWW Records is very happy to announce the first-ever vinyl release of Japanese electronic music producer Virgo's unheralded sophomore album, Remnants, a sleeper underground hit from 1999, now finally available as a limited edition 45rpm cut double LP housed in a heavyweight sleeve.
Released only on CD in 1999 by Tokyo-based cult label FORM@ RECORDS, Remnants is a quietly visionary record: mellow ambient techno, fluid electronica, and soul-laced atmospherics with the spirit of Detroit close to the heart. As the follow-up to his essential debut Landform Code, Virgo expands his palette here - working in widescreen textures, warm synth tones, and patient, emotive arrangements that feel both intimate and cinematic. The result is lush, heartfelt, and simply brilliant - a late '90s statement that rewards deep, repeated listening.
Remnants sits comfortably alongside the era's best explorations in soulful techno, ambient, and IDM, recalling the sensibilities of B12, The Black Dog, Ian O'Brien, and the lineage of labels Warp, Likemind and Clear, while remaining distinctly Virgo - subtle, sophisticated, and unexpectedly moving.
The album is released alongside Virgo's Landform Code, also available on vinyl for the first time ever, as part of a collaborative reissue series between WRWTFWW and FORM@. It aslo signals more archival treasures to come : vinyl pressings of FORM@ compilations Art Form I (1997), Art Form 2 (1998), and Re-Form Ver-1.0 (1999).

Points of interests

- For fans of techno, house, ambient, IDM, acid, synth, Detroit, soulful electronic music, emotive electronica, Carl Craig, B12, the Black Dog, labels such as Warp, Likemind, and Clear, the late 90s, feelings, machines with emotions, good sophomore albums, unknown classics, essential Japanese music from the underground.

- First ever vinyl release of Japanese soulful techno underground classic Remnants by Virgo in collaboration with super cult Tokyo label FORM@ RECORDS.



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Genre: Ambient, Electronica, IDM, Electronic, Experimental

LP: Limited Edition of 100, Heavyweight Sleeve, Sticker

Tracklisting LP
A1. They, Spoke
A2. The Soldier
A3. The Poet
A4. P3Alpha Exotoxin
A5. From The Sky
A6. Signs
A7. Spectral Alignment
B1. Meditation
B2. What Does It Want
B3. Journey To The Sphere
B4. Area X
B5. The Gift
B6. Heavy Metal Offerings
B7. As It Is Written

Info
WRWTFWW Records presents an ultra limited (100 copies !) vinyl edition of Meemo Comma’s Decimation Of I album, originally released digitally in 2024 on Mike Paradinas' Planet Mu label. The collector’s pressing is housed in a heavyweight sleeve.
Decimation Of I is the fifth album by Brighton-based electronic musician Meemo Comma. It's a work based on the Strugatsky brothers‘ 1971 novel Roadside Picnic, a book that was also turned into the Russian cult classic Stalker by Andrei Tarkovsky. The inspiration came from reading the book alongside the backdrop of global climate disasters where an environment is rapidly becoming less habitable, all while powerful nations occupy and commit genocide.

The rough story of both film and novel is about a select group of characters exploring a land that has been transformed by alien visitors. We never meet the extraterrestrials, nor is it important to, we only have the artefacts left behind. The environment itself becomes the character, neither wholly Earth-like nor alien, but a surreal blend of both, inviting introspection on our insignificance amidst profound change. Within this land’s rebirth, our characters confront ego death, a necessary step towards the profound revelation, the discovery of one's true desire in the absence of ego.

The album opens with the innocent flutes of ’They, spoke,‘ and the disorienting electronica of ‘The Soldier‘ building towards the Terry Riley like undulating clarinets of ‘The Poet’, whose intertwining synth organ drones set the scene. Nods to the seventies electronica of Wendy Carlos and Eduard Artemyev can be heard with the use of Bach melodies in ‘P3Alpha Exotoxin‘ and ‘Area X,‘ however each of these songs draw the listener to primal noise undercurrents, their disintegrating melodies hinting at humanity's gradual dissolution, unveiling profound revelations beyond our comprehension.

As the album reaches its midpoint, ‘Spectral Alignment‘ paints a hazy morning prairie scene with Aaron Copland style French horn, restful woodwinds, spatial arpeggios and a warm drone culminating in an emotional pitstop as the soldiers wake in the dewy morning of this alien landscape, unaware the last of their humanity remains.

The last sentence in Roadside Picnic “HAPPINESS FOR EVERYBODY, FREE, AND MAY NO ONE BE LEFT BEHIND!” is the inspiration for ‘As It Is Written.’ We can either take from this the total annihilation of self has been filled with propaganda from their homeland, or the epiphany of their own autonomy in the war against a land and its inhabitants.


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LP: Transparent Vinyl, Heavyweight 350gsm Sleeve, Obi

Tracklisting LP
A1 Safari 6:17
A2 The Morning After 5:02
A3 Lonely One In City 5:33
A4 Brass Monkey 5:32
B1 Mr. Gregg 5:27
B2 Day Dream At The Bob's Beach 4:43
B3 All Right In The Night 4:42
B4 Twin Of The Cafe Au Lait 6:45

Info

WRWTFWW Records is extremely happy to present the official reissue of Safari's self-titled album from 1984. The Japanese jazz-fusion super gem is available now as a limited-edition transparent vinyl LP housed in a heavyweight sleeve with obi.

Originally released on fabled label VAP, Safari is a one-of-a-kind city pop-adjacent summer blend of AOR, smooth jazz, and sun-drenched boogie. The sole album from the all-star outfit was the brainchild of keyboardist Toshiyuki Daitoku and Japan-based Californian jazz-funk-latin-fusion bassist Gregg Lee. Together with a large team of experienced musicians, they created a lush, immaculately-arranged 8-track cruise filled with poolside grooves, breezy rhythms, and feel-good vocal harmonies.

Safari features the well-known title track which acted as the theme song for an 80s sports program on Fuji Television, the night-swim chill music tune "All Right in The Night", and the fan-favorite buoyant vacation hit "The Morning After".

The official reissue is fully licensed and sourced from the original masters, with an audiophile cut by Sidney Meyer at Emil Berliner Studios, ensuring the warm, pristine sound this lost treasure deserves.

Safari is the second release from WRWTFWW's City Pop Series, following Momoko Kikuchi's beach classic Ocean Side, also available on transparent vinyl LP. The series, complete with a visual identity designed by Lopetz/Büro Destruct, also comes with a limited merch capsule, and more sun-soaked gems lined up for the future.


Points of interest

- For fans of Jazz-fusion, AOR, mellow funk, yacht rock, city pop, smooth jazz, chillwave, vaporwave, very endless summers, private press treasures, skinny dipping at night, living life with no worries.
- Super limited edition transparent vinyl LP reissue of Japanese jazz-fusion classic Safari by…Safari!


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Territories: WORLD

LP: Limited Edition, Heavyweight Sleeve, Poster, Sticker

Tracklisting LP
A1. Calyx
A2. Meant to Say
A3. Sonnoh
B1. Chosen Talk
B2. So and So
B3. Clearly Faded
B4. Leave it Out
B5. Lo and Behold


Info

WRWTFWW Records is happy to announce the self-titled debut from Throwing Shapes, a new collaborative project featuring harpist Méabh McKenna, percussionist Ross Chaney, and label mainstay composer/producer Gareth Quinn Redmond. The immersive electronic meets traditional album is available on limited-edition LP housed in a heavyweight sleeve and including a beautiful mini-poster designed by artwork creator Stina Sandström. It is also available digitally.

A hypnotic, texturally rich exploration in sound led by the striking timbre of the Irish wire strung harp, Throwing Shapes weaves intricate instrumental tapestries with ambitious electronic synthesis and arrangements. The result is an immersive soundscape that feels rooted yet experiential and through which a unique vocabulary emerges - cinematic harp driven avant electronic conjuring lush sonic worlds that evoke both heritage and futurism.

Gareth Quinn Redmond's previous albums, Laistigh Den Ghleo, a ode to the work of Satoshi Ashikawa, Umcheol, mixing ambient with traditional Irish music instruments, his tape loops wonder Ar Ais Arís, and his collaborative effort with Albert Karch, Warszawa, are still available on WRWTFWW Records - complete the collection…again and again!


Points of interests

- For fans of ambient, minimalism, environmental, experimental, electro-acoustic, traditional Irish instruments, synth, cinematic harptronica, Satoshi Ashikawa, Erik Satie, Midori Takada, Albrt Karch, ambient supergroups, mini posters inside record sleeves, heritage, futurism, and meditative journeys.

- Super limited edition vinyl of Méabh McKenna, Ross Chaney, and Gareth Quinn Redmond collaborative effort Throwing Shapes with an artwork by Stina Sandström.


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Genre: City Pop, Funk, Pop, Synth, Soul
LP: Transparent Vinyl, Heavyweight 350gsm Sleeve, Obi

Tracklisting LP
A1 Ocean Side 4:39
A2 Shadow Surfer 3:30
A3 Blind Curve 4:04
A4 Summer Eyes 3:42
A5 Futari No Night Dive 4:20
B1 Seishun No Ijiwaru 4:34
B2 Evening Break 3:49
B3 So Many Dreams 5:29
B4 I Will 6:57


Info

WRWTFWW Records is very excited to announce the first release from its new City Pop Series with Japanese singer, actress, entertainer, scholar and all-around legend Momoko Kikuchi’s sun-drenched classic Ocean Side album, available now as a limited-edition transparent vinyl LP in a heavyweight sleeve with obi.

A cult classic among Japanese music collectors, Ocean Side was originally released in 1984 by mythical label VAP and features lush compositions and arrangements by J-Pop icon Tetsuji Hayashi (Mariya Takeuchi, Miki Matsubara, Omega Tribe, Junichi Inagaki, Urusei Yatsura anime, soundtrack…). Momoko Kikuchi’s city pop gem is a flawless mix of heartwarming beachside funk, breezy grooves, and silky-smooth vocals - the feel-good music we all need in our life right now.

The 9-track summer-is-forever adventure notably includes the ultra-funky megahit “Blind Curve”, the fan-favorite title song, and the insanely romantic ballad “Futari No Night Drive”. A vibrant reflection of summer in 1980s Japan, Ocean Side masterfully balances nostalgia and elegance, and provides part of the origin story for revered modern music genres such as chillwave, and future funk, and vaporwave.

The official reissue licensed from VAP, Inc. is sourced from the original masters with an audiophile-cut by Sidney Meyer at Emil Berliner Studios.

WRWTFWW’s City Pop Series and its Lopetz/Büro Destruct-designed logo also includes jazz-fusion-AOR-mellow-funk treasure Safari (1984), a limited capsule collection of merch, and much more to come in the near future.


Points of interests

- For fans of city pop, J-pop, funk, soul, chillwave, future funk, vaporwave, the 80s, the summer, 80s summer movies, surfing, swimming, the beach, Mattfoley’s Beach Club™.

- Super limited edition transparent vinyl LP reissue of city pop mega classic Ocean Side by Momoko Kikuchi.


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Genre: Liquid Drum n’ Bass, Electronic, Jungle, Video Game Music

DLP: Limited Edition Double LP with 45RPM Cut, Heavy 350gsm Gatefold Sleeve, Sticker

Tracklisting DLP
A1. Polygon Island
A2. Region Free
B1. Z-buffer
B2. BIOS
C1. Memory Cycles
C2. Collision Detection
D1. Stage Select
D2. Y2K Dreamscape



Info

WRWTFWW Records is boiling with excitement: Pizza Hotline is back! The UK producer and DJ is following up the already classic Level Select with another liquid drum & bass with a video game music twist beauty: the Polygon Island album, available in a limited edition double LP with a majestic 45rpm cut (for louder, bigger, bolder, deeper earth-shaking bass), packaged in a heavyweight 350gsm gatefold sleeve.

Home of eight all new slices of delicious atmospheric drum & bass, Polygon Island is the perfect artificial paradise beach for Pizza Hotline to deepen his exploration of modern jungle music liquified through the lens of 90s /Y2K video game motifs and seasoned with the soundtrack essence of PS1, PS2, N64, Sega Saturn & Dreamcast adventures.

Bewitching and larger than life, Pizza Hotline’s perfect follow-up to Level Select takes listeners (players?) on an endless summer escapade filled with immaculate vibes, crispy beats, and refashioned homages to, once again, LTJ Bukem, Peshay, the Wipeout OST, and Soichi Terada's Ape Escape. It’s bouncy, it flows, it’s dreamy – something to dance to, something to reminisce to, something to chill to. Pizza Hotline is back and it feels so good.

Press start. Again.


Points of interests

For fans of liquid DNB, video games, ambient, late night vibes, computers and clubs, Soichi Terada's Ape Escape, LTJ Bukem, Peshay, Wipeout OST, Pizza Hotline’s Level Select, good music, good music on video games, playing video games all night and possibly all week. Do that again and again and again.

Super limited edition vinyl of Pizza Hotline’s Polygon Island album redefining liquid drum & bass with a Y2K video game twist again and again and again.



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Territory: WORLD

DCD: Digipack, Stickers, Liner Notes

Tracklisting DCD
CD1
01. Library
02. The other side part 1
03. Deserts
04. Uprising
05. The other side part 2
06. Contrast
CD2
01. Mixture
02. The other side part 3
03. Weed
04. Color
05. The other side part 4
06. Notation

Info

WRWTFWW Records is very excited to announce its third release from visionary Japanese ambient/experimental/environmental composer/producer Yutaka Hirose, this time with brand new album Voices, available on limited edition heavyweight-sleeved double LP as well as double CD, both with liner notes from the artist.

Voices finds Yutaka Hirose expanding his signature spatial layering into a three-dimensional videography of sound, blending field recordings, electronic manipulations, and abstract narratives. The 12-track album is a journey through a crumbling library where books whisper, history collides, and sonic textures weave new realities. Chaos, memory, and transformation – Hirose’s voices echo throughout the space, creating a fully immersive sonic experience.

The pioneering experimental and abstract electronic piece with deep hints of ambient and IDM is beautifully represented by the original artwork by Koji Shiroshita and Mifuku gracing the double LP and double digipack CD sleeves.

Voices marks Yutaka Hirose’s third full-length release on WRWTFWW Records, following his kankyõ ongaku classics Nova + 4 (an expanded version of his genre defining Soundscape 2: Nova album) and archival compilation TRACE: Sound Design Works 1986-1989, both available in vinyl, CD, and digital formats.


Points of interests

- For fans of abstract, electronic, environmental, ambient, IDM, darkwave, kankyõ ongaku, experimental, three-dimensional sonic landscapes, field recordings, exploring new worlds, the unknown.
- 12 new tracks from master Yutaka Hirose (Soundscape 2: Nova) exploring abstract electronics, available on Double LP and Double CD.









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Territories: WORLD

Genre: Experimental, Electronic, Abstract, Ambient, IDM

DLP: Heavyweight 350gsm Sleeve, Stickers, Liner Notes

Tracklisting DLP
A1. Library
A2. The other side part 1
A3. Deserts
B1. Uprising
B2. The other side part 2
B3. Contrast
C1. Mixture
C2. The other side part 3
C3. Weed
D1. Color
D2. The other side part 4
D3. Notation

Info

WRWTFWW Records is very excited to announce its third release from visionary Japanese ambient/experimental/environmental composer/producer Yutaka Hirose, this time with brand new album Voices, available on limited edition heavyweight-sleeved double LP as well as double CD, both with liner notes from the artist.

Voices finds Yutaka Hirose expanding his signature spatial layering into a three-dimensional videography of sound, blending field recordings, electronic manipulations, and abstract narratives. The 12-track album is a journey through a crumbling library where books whisper, history collides, and sonic textures weave new realities. Chaos, memory, and transformation – Hirose’s voices echo throughout the space, creating a fully immersive sonic experience.

The pioneering experimental and abstract electronic piece with deep hints of ambient and IDM is beautifully represented by the original artwork by Koji Shiroshita and Mifuku gracing the double LP and double digipack CD sleeves.

Voices marks Yutaka Hirose’s third full-length release on WRWTFWW Records, following his kankyõ ongaku classics Nova + 4 (an expanded version of his genre defining Soundscape 2: Nova album) and archival compilation TRACE: Sound Design Works 1986-1989, both available in vinyl, CD, and digital formats.


Points of interests

- For fans of abstract, electronic, environmental, ambient, IDM, darkwave, kankyõ ongaku, experimental, three-dimensional sonic landscapes, field recordings, exploring new worlds, the unknown.
- 12 new tracks from master Yutaka Hirose (Soundscape 2: Nova) exploring abstract electronics, available on Double LP and Double CD.







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Limited Cassette Version

Tracklisting (Included are the Same Songs as on the LP/CD Version)

A1. Film 2
A2. Schlachtet!
A3. Hinter Den Bergen
A4. Maikäfer Flieg
A5. Marmelade Und Himbeereis
A6. Wütendes Glas
A7. Kälte Kriecht
A8. Kunstgewerbe
A9. Der Weg Zu Zweit
A10. In Der Nacht
B1. Eisbär
B2. Ich Lieb Sie
B3. Moskau
B4. Ein Tanz Mit Dem Tod
B5. Traüme Mit Mir
B6. Ich Und Du
B7. Wütendes Glas (Maxi Version)
B8. Raum
B9. Film 1

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Territories: WORLD EXCL JP

Genre: Soundtrack, Modern Classical, Ambient

Tracklisting CD
01. Sonatine ?act of violence?
02. Light And Darkness
03. Play On The Sands
04. Rain After That
05. A On The Fullmoon Mystery
06. Into A Trance
07. Sonatine ?in the beginning?
08. Magic Mushroom
09. Eye Witness
10. Runaway Trip
11. Mobius Band
12. Die Out Of Memories
13. See You...
14. Sonatine ?be over?

Info

WRWTFWW Records is honored to announce the first ever vinyl release of Joe Hisaishi's original soundtrack for the critically acclaimed and all around classic 1993 Japanese yakuza/crime/thriller movie Sonatine. The legendary album comes in a limited edition digipack CD with selective varnish printing.

The celebrated Sonatine was directed, written and edited by Takeshi Kitano, who also takes center stage as the main protagonist of the thrilling yakuza film. Director, screenwriter, comedian, actor, tv personality and icon, 'Beat' Takeshi is also known for Boiling Point, Hana-Bi, Battle Royale, Johnny Mnemonic, Ghost in the Shell and many many more.

Considered one of the greatest ever, Joe Hisaishi is a composer, musical director, conductor and pianist behind over 100 film scores including Kitano's A Scene at the Sea, Kikujiro, and Brother, as well as his famed work for director and animator Hayao Miyazaki's Studio Ghibli masterpieces Castle in the Sky, My Neighbor Totoro, Princess Mononoke and the list goes on. Little known fact: his first ever produced-album is a collaboration with percussionist Midori Takada (Through the Looking Glass): MKWAJU Ensemble's MKAWJU also released on WRWTFWW Records.

The Sonatine movie score showcases the composer's more contemplative, minimalistic, and intimate side in a superb and deeply evocative neo-classical and ambient musical journey. The depth and emotional resonance of the compositions make for an exceptional and timeless soundtrack. It is known to be one of Hisaishi's own favorites.

Sonatine (Original Soundtrack) by Joe Hisaishi follows the release of the soundtrack of Takeshi Kitano's Violent Cop (1989), as well as music from another groundbreaking Japanese movie, Shin'ya Tsukamoto's Tokyo Fist (1995). Collect them all on WRWTFWW Records!



Points of interests

- For fans of yakuza movies, legendary soundtracks, Takeshi Kitano, Joe Hisaishi, piano, ambient, minimalism, classical, crime thrillers of the 90s, obi belts, Ghibli, good stuff.

- Official CD reissue of the soundtrack for classic Japanese crime/yakuza movie Sonatine (1993) directed by and starring the legend (Beat) Takeshi Kitano.



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Territories: WORLD

LP: Limited Edition White Vinyl, Heavy 350gsm Sleeve, Sticker

Tracklisting LP

A1. Plastikherz
A2. My Eyes
A3. Animals Dance
A4. Alone In The Jungle
A5. Sommer 80
B1. Funky Punk
B2. Moskau
B3. Waiting For A Light
B4. Grauzone


WRWTFWW Records is very happy to release Swiss cult band Grauzone’s recording of their April 12th 1980 live show at Gaskessel in their hometown of Bern. The 9-track album, documenting the very beginnings of the group, is available as a limited edition white vinyl LP in heavy 350gsm sleeve with special artwork by band member Stephan Eicher.

Experience the early Grauzone days, live from Bern, Switzerland, with a concert recorded at legendary local venue Gaskessel, with Martin Eicher on guitar and vocals, Christian G.T. Trüssel on bass, Marco Repetto on drums, Stephan Eicher on synth, and Claudine Chirac on saxophone. The performance is a true time capsule of the early 80s underground, showcasing the punk side of Grauzone with renditions of songs that were never officially released, as well as future fan-favorite “Moskau”. A piece of Swiss music history, This limited release is a must have for all Grauzone fans and DIY archivists.

About Grauzone:

The pioneering band from Bern (Switzerland) had a short-lived but highly-regarded career which birthed a cult discography that still fascinates and resonates today. Consisting of core members Martin Eicher, Stephan Eicher, and Marco Repetto, and on-and-off participants Christian GT Trüssel, Claudine Chirac, and Ingrid Berney, the elusive group broke new grounds in the early 80s, experimenting with punk and industrial music, early techno sounds, minimalism, new wave, pop, and various electronics. With an innovative and polished approach to design, visuals, performance, and all around style and philosophy on top of their superb music, the constantly transforming unit developed a whole experience - the Grauzone experience: wild and unpredictable, yet sophisticated and cohesive, or as Swiss music historian Lurker Grand would call it, "an Art band with a Punk attitude".

Completely rejecting the music industry rules and refusing to play the game of promotion, touring, release schedules, and TV appearances even though they had a multi-platinum international hit with the song "Eisbär", the band quickly disintegrated in full convention-defying glory, leaving behind an inspiring music legacy for the world to discover and discover again, one generation after the other.

Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and Sylvie Fleury, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.


Points of interests

- For fans of punk, DIY, underground, post-punk, cold wave, Swiss wave, Neue Deutsche Welle, 80s, Stephan Eicher, Marco Repetto, Switzerland, mountains, polar bears, xerox machines, guitars and drums, Bern, important artifacts, archives.

- Official release of Grauzone Live at Gaskessel, Bern, Switzerland, recorded on April 12th 1980! Limited edition white vinyl, artwork by Stephan Eicher.



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ULTRA LIMITED EDITION - Cassette/Tape - Consits of 4 DIFFERENT ARTWORKS (BUY, OBEY, WATCH TV, SLEEP) - NO REPRESS!

- Please mind that you wwill receive a random selection of the artworks - Either BUY, OBEY, WATCH TV or SLEEP. A specific selection cannot be guaranteed -

FULL soundtrack of John Carpenter's cult sci-fi/action/horror cult film They Live (1988) in never released on vinyl before expanded edition from legendary composer Alan Howarth.

Blues riffs surf on ambient synth, saxophone and harmonica mingle with sparse alien electronics and abstract soundscapes - Alan Howarth's score perfectly matches the eerie paranoid urban Western meets corporate sci fi vibe of John Carpenter's iconic movie.

This version, officially licensed from Alan Howarth, includes all 29 tracks from the soundtrack - the true complete music scores of They Live!


Tracklisting DLP
A1. TV Broadcast - 1:49
A2. Coming To L.A. - 4:02
A3. A Message - 2:39
A4. The Siege Of Justiceville - 5:40
A5. Return To Church - 1:26
A6. All Out Of Bubble Gum - 2:40
B1. Back To The Street - 2:24
B2. Kidnapped - 3:31
B3. Transient Hotel - 2:17
B4. Underground - 3:22
B5. Wake Up - 3:26
C1. Chew Bubble Gum And Kick Ass - 0:19
C2. Sunglasses On - 2:49
C3. Back Alley - 2:38
C4. Transport Station - 2:18
C5. Tunnel - 2:06
C6. Holly's Hill - 2:41
C7. Roll Away - 1:18
C8. Get Me Out - 1:52
C9. Portal - 1:39
C10. Out The Window / L.A. Blues - 2:49
D1. All Out Of Bubblegum (Film Version) - 3:45
D2. TV Signal - 3:20
D3. Underground (Film Version) - 7:06
D4. Commercial Break - 0:45
D5. Car Commercial - 0:22
D6. Press On Nails - 0:49
D7. The Cheese Dip - 0:35
D8. They Live Main Theme - 3:33

Info


FULL soundtrack of John Carpenter's cult sci-fi/action/horror cult film They Live (1988) in never released on vinyl before expanded edition from legendary composer Alan Howarth.

Blues riffs surf on ambient synth, saxophone and harmonica mingle with sparse alien electronics and abstract soundscapes - Alan Howarth's score perfectly matches the eerie paranoid urban Western meets corporate sci fi vibe of John Carpenter's iconic movie.

This version, officially licensed from Alan Howarth, includes all 29 tracks from the soundtrack - the true complete music scores of They Live!

Points of interests

- For fans of soundtracks, horror, cult, sci fi, synth, Western, VHS, John Carpenter, bubble gum, conspiracies, cowboy boots, sunglasses, very rare editions of vinyl records.

- Full EXPANDED version of the They Live soundtrack on vinyl for the first time!



Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Territories: World

ULTRA LIMITED EDITION - WHITE VINYL - Consits of 4 DIFFERENT ARTWORKS (BUY, OBEY, WATCH TV, SLEEP) - NO REPRESS!

- Please mind that you wwill receive a random selection of the artworks - Either B UY, OBEY, WATCH TV or SLEEP. A specific selection cannot be guaranteed -

FULL soundtrack of John Carpenter's cult sci-fi/action/horror cult film They Live (1988) in never released on vinyl before expanded edition from legendary composer Alan Howarth.

Blues riffs surf on ambient synth, saxophone and harmonica mingle with sparse alien electronics and abstract soundscapes - Alan Howarth's score perfectly matches the eerie paranoid urban Western meets corporate sci fi vibe of John Carpenter's iconic movie.

This version, officially licensed from Alan Howarth, includes all 29 tracks from the soundtrack - the true complete music scores of They Live!


Tracklisting DLP
A1. TV Broadcast - 1:49
A2. Coming To L.A. - 4:02
A3. A Message - 2:39
A4. The Siege Of Justiceville - 5:40
A5. Return To Church - 1:26
A6. All Out Of Bubble Gum - 2:40
B1. Back To The Street - 2:24
B2. Kidnapped - 3:31
B3. Transient Hotel - 2:17
B4. Underground - 3:22
B5. Wake Up - 3:26
C1. Chew Bubble Gum And Kick Ass - 0:19
C2. Sunglasses On - 2:49
C3. Back Alley - 2:38
C4. Transport Station - 2:18
C5. Tunnel - 2:06
C6. Holly's Hill - 2:41
C7. Roll Away - 1:18
C8. Get Me Out - 1:52
C9. Portal - 1:39
C10. Out The Window / L.A. Blues - 2:49
D1. All Out Of Bubblegum (Film Version) - 3:45
D2. TV Signal - 3:20
D3. Underground (Film Version) - 7:06
D4. Commercial Break - 0:45
D5. Car Commercial - 0:22
D6. Press On Nails - 0:49
D7. The Cheese Dip - 0:35
D8. They Live Main Theme - 3:33

Info

ULTRA LIMITED EDITION - WHITE VINYL - 4 DIFFERENT ARTWORKS (BUY, OBEY, WATCH TV, SLEEP) - NO REPRESS!

FULL soundtrack of John Carpenter's cult sci-fi/action/horror cult film They Live (1988) in never released on vinyl before expanded edition from legendary composer Alan Howarth.

Blues riffs surf on ambient synth, saxophone and harmonica mingle with sparse alien electronics and abstract soundscapes - Alan Howarth's score perfectly matches the eerie paranoid urban Western meets corporate sci fi vibe of John Carpenter's iconic movie.

This version, officially licensed from Alan Howarth, includes all 29 tracks from the soundtrack - the true complete music scores of They Live!

Points of interests

- For fans of soundtracks, horror, cult, sci fi, synth, Western, VHS, John Carpenter, bubble gum, conspiracies, cowboy boots, sunglasses, very rare editions of vinyl records.

- Full EXPANDED version of the They Live soundtrack on vinyl for the first time!



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Germany
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No Return!

Genre: Jazz, Rock, Funk, Psychedelic, Beat, Cinematic

This album is probably one of the most outstanding jazz discoveries of this year and highlights the significance of earlyJjazz-Rock recordings from East Germany in the late 60s to the early 1970s.
The highly talented organist Ulrich Gumpert, along with top musicians like drummer Günter "Baby" Sommer, bassist Gert Lübke, and guitarist Günter Dobrowolsky, formed a powerful independent quartet as well the rhythm section within the Klaus Lenz Orchestra and later of the group SOK. Their modern, soulful, and funky Jazz-Rock compositions gained popularity and were even promoted by the
East Berlin youth radio. Guest artists like the famous Günther Fischer contributed to their first recordings. This retrospective LP celebrates a groundbreaking yet underappreciated era in East German Jazz and Rock history.

TRACKLISTS:

A1 Der Läufer Auf Dem Dach
A2 Karo Einfach
A3 Drittens
A4 Rot Und Grün
A5 So Einfach Ist Das

B1 Hallo Ulli
B2 High Heel Sneakers
B3 Gedanken


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12” with picture sleeve

Tracklist:

1. Sisters Underground - In The Neighbourhood (Sisters On The Boulevarde Dub)
2. Boxcar - Lelore (World Dub Mix)
3. Sexing the Cherry - This Is A Dream
4. Single Gun Theory - Fall (Voyage To The Bottom Of The Dub Remix)


Short info:

Efficient Space honours trailblazing Australian imprint Volition Records with Volition Cuts Vol. 1. Evolving from Andrew Penhallow’s time at GAP Records, which smuggled Cabaret Voltaire, The Fall and the Factory catalogue into the region, Volition shifted focus to homegrown talent over imported sounds. Echoing its precursor’s blend of indie friction and electronic curiosity, the label wired itself into the pulse of club and rave culture, linking city scenes and amplifying them for the mainstream. With retina-scorching design, uncompromising packaging and top-tier remixes, Volition consistently bent the major label machine to its will.

No Volition retrospective would be complete without Sisters Underground’s intergenerational anthem ‘In the Neighbourhood’. Otara teenagers Brenda Makamoeafi and Hassanah Iroegbu brought their Pasifika perspective to Proud (An Urban-Pacific Streetsoul Compilation), a commercial success that platformed NZ rap and R&B with a clarity that outshone its overseas counterparts. The quiet architect of Volition’s sound, producer prodigy Robert Racic flipped the classic as a hip-house dub before his untimely passing in 1996.

Its A-side companion comes from Brisbane synth-pop unit Boxcar, who signed to Volition after frontman Dave Smith handed a cassette to Tom Ellard of Severed Heads during a school newspaper interview. That unlikely handoff led to their 1990 debut Vertigo. Here, their ritual-laced, body-jacking industrial is retooled by Miami freestyle maverick Tony Garcia.

Further cherry-picking from the VOLT vaults, Sexing The Cherry unleash a bleep-addled meltdown from Brisbane’s Edwin Morrow and Cherryn Lomas. ‘This Is A Dream’ was recorded exclusively for High (A Dance Compilation), the first all-Australian V/A to top the ARIA charts, propelling the local movement into national consciousness.

Closing the sampler, Sydney’s Single Gun Theory joined Volition as they moved from post-punk abstraction and electronic collage toward downtempo, sample-based mysticism. Their 1994 ambient-pop reverie ‘Fall’ is reimagined by Stuart Crichton and Apollo 440’s Norman Fisher-Jones as full-throttle Goa trance, a final surge that channels the label’s relentless push into new terrain.

Volition Cuts Vol. 1 is dedicated to the loving memory of Volition’s visionary founder Andrew Penhallow, and key contributors Robert Racic and Edwin Morrow.






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Special remarks : 2LP, 2022 Repress Edition

Vital Sales Points:
- Released by popular NTS show Noise In My Head
- Liner notes from Ivan Smagghe and artwork from Misha Hollenbach (Perks and Mini)
- Features many rarities reissued for the first time ever (Karen Marks' most wanted Australian cold wave single last sold for 290€ while Once traded for 170€)
- All tracks officially licensed, sourcing original masters when available
- Includes digital download

Tracklist
A1. Linda Smith - I So Liked Spring , A2. Karen Marks - Cold Café , A3. Bruce Langhorne - Leaving Del Norte , A4. The Seraphims - Conciousness of Happening
B1. Garry Davenport - Sarra , B2. Some of My Best Friends Are Canadians - Feeling Sheepish , B3. The Rising Storm - Frozen Laughter
C1. Warfield Spillers - Daddy's Little Girl , C2. Joyce Heath - I Wouldn't Dream Of It , C3. Joe Tossini and Friends - Wild Dream , C4. Scott Seskind - I Remember
D1. Angel - Driving (Down) , D2. Nini Raviolette and Hugo Weris - Slow , D3. Nora Guthrie - Home Before Dark , D4. Once - Joanna

Short info:
Sky Girl is a mysteriously unshakeable companion, a deeply melancholic and sentimental journey through folk-pop, new wave and art music micro presses that span 1961-1991. A seemingly disparate suite of selections of forgotten fables by more or less neverknowns, Sky Girl forms a beautifully coherent and utterly sublime whole deftly compiled by French collectors DJ Sundae and Julien Dechery.

From Scott Seskind's adolescent musical road movie to Karen Marks' icy Oz-wave, the charming DIY storytelling of Italian-American go-getter Joe Tossini and the ethereal slow dance themes of Parisian artists Nini Raviolette and Hugo Weris, Sky Girl resonates on a wide spectrum historically, geographically and stylistically. It unites in a singular, longing, almost intangible ambience.

If the names sound wholly unfamiliar that doesn't matter, the nature of the compositions swiftly nurtures an intimacy with these lonely, poignant, openhearted wanderers. Most were available in a very limited capacity at the time of their release, some were never really released at all - Gary Davenport declined to release Sarra after he split with the girl for whom the track is named - years later a friend convinced Davenport to allow him to put 100 copies online to sell and DJ Sundae was quick enough to snare one. Beyond their scarcity, these tracks are bound together by a certain raw beauty that's achievable when music is made and no one is listening.

Sky Girl comprises of fifteen officially licensed songs, a two year international scavenger hunt through long-folded home label operations, the depths of internet forums and traceless acetates. Both compilers are well trained record sleuths - DJ Sundae's labels Hollie and Idle Press have reissued Arthur Russell affiliate Nirosta Steel and DIY relic Pitch, while Julien Dechery previously compiled 'Fire Star', a retrospective on Tamil film composer Ilaiyaraaja, for Bombay Connection.

Released by Noise In My Head offshoot Efficient Space, Sky Girl is enriched with artwork from Perks and Mini mutant Misha Hollenbach and appropriately elegant sleeve notes courtesy of Ivan Smagghe.






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Post lockdown does not mean we need to fall back into the same patterns like we did before. This EP contains a
smooth transition to a new reality. ULTRATERRENO is TAGLIABUE`s (@josephtagliabue) newest EP on the Berlin
and Zurich based micro Label Lustpoderosa.

Genre: Cosmic, Ambient, Leftfield, Trance, Electro

TRACKLIST
A1 Tagluabue - Induzione
A2 Tagliabue - Estasi
B1 Tagliabue - Mistica (Anatolian Weapons Remix)
B2 Tagliabue – Ipnotica
B3 Tagliabue – Msitica (Original Mix)

RELEASE INFO
Post lockdown does not mean we need to fall back into the same patterns like we did before. This EP contains a
smooth transition to a new reality. ULTRATERRENO is TAGLIABUE`s (@josephtagliabue) newest EP on the Berlin
and Zurich based micro Label Lustpoderosa.
The celestial sounds from the italian producer Tagliabue is a healing process of well tempered analog
synthesizers. The cure is in the mix of pre dancefoor and ambient tracks inlcuding a slow trancy chug from
well known and apreciated selector @AnatolianWeapons.
Tagliabue is not just inspired by the afro cosmic heritage of Beppe Loda and Daniele Baldelli, but also from
post-folk, rock, prog and kraut infuences of 70’s and early 80’s, passing through New Wave and Synth Pop of
Gaznevada or The Stupid Set and not to forget italians rave culture of the 90s with Franceso Farfa and Marco
Dionigi just to mention a few.
This very intimate EP is a meditative and transcendental journey to another world. Literally

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Worldwide except Russian
Federation

Genre: Instrumental, Ambient, Indie, Kraut

Tracklisting

01 Murmur (01:25)
02 Dog Years (03:37)
03 Almost Everywhere (02:08)
04 Loot (03:57)
05 Fawn (feat. KMRU) (02:36)
06 As ate As Possible (01:52)
07 Orb (02:47)
08 Dot (03:24)
09 Missing The Point (03:03)
10 Bliss Of Disconnect (feat. Liz Kosack) (02:05)
11 Ore (04:06)

Looking behind the obvious, forming an orchestra out of everyday surroundings.
Finding the essence in the trivial, clarity in the complex, poetry in simplicity. All of this is part of the goal, meaning and character of Oh No Noh, the project of Leipzig-based guitarist, robot programmer, magnetic tape crumpler and composer Markus Rom. All of this floats and shines through "As Late As Possible", the third Oh No Noh album, which will be released on April 4th, 2025.
The focus of this album, as the title "As Late As Possible" suggests, was patience. A creative lingering, the selfimposed principle of letting ideas mature, consciously leaving them lying and looking at them again in order to discover
and refine new things. Always looking for new ways of producing musical sounds, Markus Rom has been blurring the boundaries between LoFi, Indietronica, Postrock, Kraut and Pop with his solo project for several years. His main
instruments for this are electric guitar, MIDI robots, tapes and samples. For “As Late As Possible”, Rom expands his setup with a new sound sources (acoustic guitar, banjo, organ) and musical guests: Damian Dalla Torre (Squama) on bass clarinet and Andi Haberl (the Notwist, Sun) on drums.
“As Late As Possible” continues the signature of past releases and adds new facets. Rom's distinctive looping in and over each other is particularly evident in the tracks “Missing the Point”, “Orb” and “Almost Everywhere”. With "Loot", a straightforward and folk-pop piece finds its way onto the album and coexists with math-trained tracks like "Dog Years" or "Dot", which conjure up associations with Weilheim bands like COUCH. The tracks "Bliss of Disconnect" and "Fawn" were created in collaboration with the featured guests Liz Kosack and KMRU. The confidently unplanned is one of the principles around which Oh No Noh itself is also continuously evolving. Part of this development: the radio series "Oh No Noh Radioh", which has so far consisted of over 40 parts, for which Rom invites a guest in each episode to research music together along roughly defined concepts, ideas and inspirations. Together with technology composer Hainbach, free jazz artist Limpe Fuchs and sound artist Elsa M’Bala, for example, encounters were created whose patient search and find and whose controlled coincidences also characterize “As Late As Possible” – but here concentrated, concise, and with all the love of sound and experimentation always committed to the song. With this will to create a song-like narrative, to move, to develop, “As Late As Possible” remains suspended
and searching. Its concentration seems light-footed, its happy accidents well-placed, the melancholic beauty of outdated technologies, forgotten musical toys and broken noise sources always forward-looking. Music like the one
that comes about when someone programs an entire robot band, which then becomes just a friendly part of the whole.
The artwork for “As Late As Possible” was created by Leipzig comic artist Anna Haifisch. The album was mixed by Adam Lenox and mastered by Frida Claeson Johannsson. It will be released on April 4, 2025 by TELESKOP on vinyl
and digital.








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LP+ Insert

Hello, we´re proud to present a 2024 Repress Edition of the Original V/A - Future/ Primitive Aotearoa 89-91 "Kiwi Animals" ! Same Artwork, Design, Content and Pricing.

Special remarks:

Follow up to the labels previous release - Frank Harris & Maria Marquez 'Echoes' First local NZ dig for Strangelove. For fans of Flying Nun more quirky/ electronic output., contains songs reissued on vinyl for the first time from cult Kiwi bands Blam Blam Blam, Headless Chickens and Chris 'Roger' Knox.

Track list:

A1- Kim Blackburn- Lizards in Love

A2- The Kiwi Animal- Woman & Man Have Balance

A3- Rupert- Soul Brothers

A4- Stiff Herbert- I Could Hit the Ceiling

A5- Drone- Nothing Dominant

A6- Norma O’Malley- Some Tame Gazelle

B1- The Headless Chickens- Throwback

B2- Blam Blam Blam- Respect

B3- Roger Knox- Whole Weird World

B4- Tom Ludvigson & Graeme Gash- Ulläng Jnr

B5- Ballare- Dancing




Short info:

Strangelove's personal Inventory of NZ 1980's odd pop; 'Kiwi Animals' recasts the local charts in a parallel universe of misfit melodics, gonzo-tronics & strange waves. Channelling South Pacific voodoo and edge of world melancholia, the album highlights electronic tangents from iconic NZ groups Blam Blam Blam & Headless Chickens. It dredges the cassette revelations of art avante-gardists' Drone & Kim Blackburn, alongside bittersweet moments from Rupert & Norma O'Malley. There's the infectious minimal wave of Ballare and a reprised electro-boogie dance suite (?!) from Tom Ludvigson & Graeme Gash. The furthest depths of Flying Nun's catalog are also plundered- a brilliant earworm from Stiff Herbert and a mysterious "Roger" Knox birthday promo. Mining disparate seams of a local indie label awakening, the various tangents of 'Kiwi Animals' congeal with a future/primitive sensibility and an underlying Antipodean mischievousness…


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Tracklist

A1. Casita Más Alta
B1. Cala Vedella
B2. Las Cicadas
B3. Niu Blau

Ruffy's back with a new four track EP Casita Más Alta and it's a love letter to Ibiza -
as he takes us on an alternative tour of his favourite parts of the pine-covered
island.

The title track opens slowly, spaced out with motifs and pads washing in like an
incoming tide, before charging headlong to the beach with a thumping kick and
distorted keyboard solo. In contrast, we get a more sundown feel with Cala Vedella,
soaking up the forest breeze and sounding like The Art of Noise but fed through a
modulator and left to float in the iciest pitcher of 7Up.

Meanwhile, the rolling congas and percussive synths of Las Cicadas take us deep
into tribal territory, Lost Woods style. The EP closes out with Niu Blau, built on
beautifully optimistic choir pads and steel pan sounds, and the evening could just
go on forever, especially if you've taken any of those power ups. It might be an
homage to Ibiza and the Balearics, but seen through the Ruf Dug prism, there's
always something new to discover.







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Tracklist:
A1) Baba Stiltz – Day Tripping (12“ Version) (5:12 min)
B1) Stiltz, Larjosto &Skagstedt - Journals (12:48 Min)

2020 was a good year to listen to Baba. So is 2025. good music is never dated. This music is good for a date. Chugging rock disco.
What else? This is the future. Let’s!



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