1
Blawan - NPCs Making Hot Dinner
2
Blawan - Fires
3
Blawan - Done Eclipse
4
Blawan - BuoQ
Blawan returns with ‘BouQ’, the follow-up to his acclaimed 2023 “Dismantled Into Juice” EP; one that was heralded by Pitchfork as “dazzling… part of a long, proud tradition of UK club tracks that turn the dancefloor on its ear” and Resident Advisor as “mind-melting… truly unchartered territory.” “Fires”, the first single revealed from his freshly-announced new EP, has received global support from the likes of Four Tet and Skrillex over the summer, and sees Blawan push his distorted, syncopated productions into a new broken-pop lane, his own vocal creating an intense, visceral hook that rips through the track's multi-layered, pulsing beats.
A1 NPCs Making Hot Dinner [2m 35s]
A2 Fires [3m 39s]
B1 Done Eclipse [3m 30s]
B2 BouQ [3m 23s]
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A1 NPCs Making Hot Dinner [2m 35s]
A2 Fires [3m 39s]
B1 Done Eclipse [3m 30s]
B2 BouQ [3m 23s]
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More records from Blawan
1
Blawan - Klade
2
Blawan - Careless
3
Blawan - Tasser
4
Blawan - Vented
5
Blawan - North
6
Blawan - Stell
7
Blawan - Kalosi
8
Blawan - Nims
Repress!
Physically and mentally draining in the best way possible, Wet Will Always Dry is maybe the most complete statement from Blawan to date, and as such should be ignored at your peril. This becomes evident from the album-opening “Klade,” a dizzying, tumbling flight of pure energy over overlapping fields of electrified menace. This sets the stage for “Careless,” which retains the hazardous, crackling atmosphere but dials back the intensity just enough to make room for a new feature, Blawan’s eerie and disembodied vocals.
“Tasser” ratchets up the tempo and the frenetic energy yet more, slinging chunks of audio shrapnel and grinding factory noise over the kick-heavy beat, only letting up the tension every now and then for a convulsive breakdown. By the arrival of “Vented,” a more steady, cycling groove has set in along with the accompaniment of suspenseful melodic swells, but the element of surprise is far from gone: there still seem to be spectral entities lurking around every corner, and there’s no shortage of intriguing tumbril weirdness blowing around the imaginary streets that this track conjures up.
The slamming “North” keeps alive the record’s persistent, darkly humorous feeling that things are about to go off the rails at any moment, using wildly contorted sequences and granular debris to shift between total abandon and regimented strictness. A moment of relative calmness, along with the return of the atmospheric vocals, comes about with “Stell,” a faintly dubby track that leaves an impression like watching streams of traffic progress underneath rolling, deep grey clouds.
“Kalosi” brings back the percussive motif of “Tasser” and “North,” this time partnering it with loops that bring to mind radioactive bass strings. “Nims” then shuts things down with infectious harp-like sequences, fuzz-shrouded percussion and an ‘everything but the kitchen sink’ mentality towards filtering and processes which will get the attention of all but the most jaded soundhead.
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Physically and mentally draining in the best way possible, Wet Will Always Dry is maybe the most complete statement from Blawan to date, and as such should be ignored at your peril. This becomes evident from the album-opening “Klade,” a dizzying, tumbling flight of pure energy over overlapping fields of electrified menace. This sets the stage for “Careless,” which retains the hazardous, crackling atmosphere but dials back the intensity just enough to make room for a new feature, Blawan’s eerie and disembodied vocals.
“Tasser” ratchets up the tempo and the frenetic energy yet more, slinging chunks of audio shrapnel and grinding factory noise over the kick-heavy beat, only letting up the tension every now and then for a convulsive breakdown. By the arrival of “Vented,” a more steady, cycling groove has set in along with the accompaniment of suspenseful melodic swells, but the element of surprise is far from gone: there still seem to be spectral entities lurking around every corner, and there’s no shortage of intriguing tumbril weirdness blowing around the imaginary streets that this track conjures up.
The slamming “North” keeps alive the record’s persistent, darkly humorous feeling that things are about to go off the rails at any moment, using wildly contorted sequences and granular debris to shift between total abandon and regimented strictness. A moment of relative calmness, along with the return of the atmospheric vocals, comes about with “Stell,” a faintly dubby track that leaves an impression like watching streams of traffic progress underneath rolling, deep grey clouds.
“Kalosi” brings back the percussive motif of “Tasser” and “North,” this time partnering it with loops that bring to mind radioactive bass strings. “Nims” then shuts things down with infectious harp-like sequences, fuzz-shrouded percussion and an ‘everything but the kitchen sink’ mentality towards filtering and processes which will get the attention of all but the most jaded soundhead.
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Pitch language - Modular synth wizard Blawan brings his brand of distorted, syncopated electronic productions. Toast introduces the EP with a playful head bopper with ethereal sounds and menacing overtones. One of the biggest acts in dance music playing international festivals such as Pitchfork 2022, ADE, Nuit Sonores. Plays from Mary Anne Hobbs on BBC 6 music and coverage from Resident Advisor, Pitchfork, Dekmantel, CRACK, The Face “losing himself in modular synthesis without ever sacrificing soul for science”
1. Toast
2. Panic
3. Monstera Black - You Can Build Me
4. Body Ramen
5. Monstera Black - Dismantled Into Juice
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1. Toast
2. Panic
3. Monstera Black - You Can Build Me
4. Body Ramen
5. Monstera Black - Dismantled Into Juice
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1
Blawan - Justa
2
Blawan - The Sithe
3
Blawan - Silver
4
Blawan - Fizz City
5
Blawan - Fourth Dimensional
6
Blawan - Micro 8's
New 2x12" from Blawan on Ternesc
No words to describe how good this record is.
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No words to describe how good this record is.
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1
Blawan - My Guide To Dancing On Carpet
2
Blawan - Spooky Fingers
3
Blawan - Make A Goose
4
Blawan - The Conjurer
Repress!
A1. My Guide To Dancing On Carpet
A2. Spooky Fingers
B1. Make A Goose
B4. The Conjurer
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A1. My Guide To Dancing On Carpet
A2. Spooky Fingers
B1. Make A Goose
B4. The Conjurer
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1
Blawan - Many Many Pings
2
Blawan - lox
3
Blawan - Gadget
4
Blawan - Hapexil Rotator
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1
Blawan, - Peaches
2
Blawan, - Peaches (Melting Flesh)
3
Blawan, - Peaches (Freestone)
4
Blawan, - Peaches (Coronation)
Debut for Blawan on Clone records! This is his first 4 track Ep containing cuts that are more straight forward compared to his early releases. 4 relentless tracks. Big one!!!
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1
Blawan, - Bohla
2
Blawan, - Lavender
3
Blawan, - Bohla
4
Blawan, - Kaz
5
Blawan, - Kaz
6
Blawan, - Lavender
RE-RELEASE: R&S welcome another newcomer to the family. With only one release behind him on Hessle Audio and a wicked remix for Warp (The Hundred In The Hands) Blawan finds his new tracks in demand from the likes of James Blake, Jackmaster, Untold, Ben UFO, Ramadanman and Pariah.
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More records from XL Recordings
1
Gyrofield - Vega
2
Gyrofield - Occams Razor
3
Gyrofield - Lagrange
4
Gyrofield - Cold Cases
gyrofield debuts on XL Recordings as part of the iconic house bag series with ‘These Heavens’. The EP is an exploration into the universe and the beauty of nature via a series of shapeshifting sonics that are just as well-suited for personal introspection as they are for sweaty underground dancefloors. On the release, gyrofield says “I see a lot of value in creating danceable music that also touches base on atmospheric and spaced-out sounds. I’m a big fan of a lot of Drum and Bass that has come out but the influences for this record stem just as much from electro and techno like I Hate Models, Djrum to synth ambient, post-rock, and experimental pop a la Bjork.”
gyrofield is fast becoming electronic music’s most exciting new Drum & Bass talent. Their arrival on the scene was an anomaly. Aged 9, they discovered electronic music via the internet, stumbling across the sounds of Skrillex (Scary Monsters and Nice Sprites) and Noisia (Split The Atom) on YouTube. The otherworldly sounds intrigued gyrofield and so began their self-made journey in music. It was only after visiting Bristol at 17 that gyrofield stepped foot into a club for the first time at Unchained Recordings’ takeover of The Love Inn. This experience was transformative and ignited a new ambition in her. In four short years since then, gyrofield has gone from DIY DJ/producer to a NTS resident with releases ranging from Drum & Bass to Jungle to Ambient Techno to Dubstep via Metalheadz, Critical, Deadbeats, and Noisia’s VISION, to name a few. They have amassed a growing committed fanbase that includes Tim Reaper, DJ Flight, Doc Scott, IMANU and Joy Orbison.
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gyrofield is fast becoming electronic music’s most exciting new Drum & Bass talent. Their arrival on the scene was an anomaly. Aged 9, they discovered electronic music via the internet, stumbling across the sounds of Skrillex (Scary Monsters and Nice Sprites) and Noisia (Split The Atom) on YouTube. The otherworldly sounds intrigued gyrofield and so began their self-made journey in music. It was only after visiting Bristol at 17 that gyrofield stepped foot into a club for the first time at Unchained Recordings’ takeover of The Love Inn. This experience was transformative and ignited a new ambition in her. In four short years since then, gyrofield has gone from DIY DJ/producer to a NTS resident with releases ranging from Drum & Bass to Jungle to Ambient Techno to Dubstep via Metalheadz, Critical, Deadbeats, and Noisia’s VISION, to name a few. They have amassed a growing committed fanbase that includes Tim Reaper, DJ Flight, Doc Scott, IMANU and Joy Orbison.
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1
Burial - Dreamfear
2
Burial - Boy Sent From Above
New Burial 12" on XL.
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1
Jai Paul - One Of The Bredrins
2
Jai Paul - Str8 Outta Mumbai
3
Jai Paul - Zion Wolf Theme - Unfinished
4
Jai Paul - Garden Of Paradise - Instrumental Unfinished
5
Jai Paul - Genevieve - Unfinished
6
Jai Paul - Raw Beat - Unfinished
7
Jai Paul - Crush - Unfinished
8
Jai Paul - Good Time
9
Jai Paul - Jasmine - Demo
10
Jai Paul - Vibin' - Unfinished
11
Jai Paul - Baby Beat - Unfinished
12
Jai Paul - Desert River - Unfinished
13
Jai Paul - Chix - Unfinished
14
Jai Paul - All Night - Unfinished
15
Jai Paul - BTSTU - Demo
Written, Produced, and Mixed by Jai Paul. RECORDED AT HOME IN RAYNERS LANE, LONDON, ENGLAND. Str8 Outta Mumbai contains a sample of Bala Main Bairagan - Vani Jairam.
Banner: Suchitra International Productions "Meera".
Music: Ravi Shankar.
Lyrics: Meerabi. Licensing courtesy of UNIVERSAL MUSIC INDIA PVT. LTD. Crush
Written by Berny Cosgrove, Kevin Clark, Clifford Mueller and Andy Goldmark.
Published by Warner/Chappell North America Ltd., Universal Music Publishing Ltd. and Shapiro Bertstein & Co. Ltd.
Baby Beat contains a sample of "All My Life" performed by K-Ci & JoJo. Courtesy of Geffen Records, A Division of UMG Recordings Inc., under license from Universal Music Enterprises.
Chix contains a sample from "Adagio For Strings, Op11." as recorded by Leonard Bernstein and The New York Philharmonic, used courtesy of Sony Masterworks, a division of Sony Music Entertainment.
The initial pressing was limited to 3,000 copies available exclusively via artist and label webstore, selling out in minutes
Strictly Limited Vinyl Edition
Black vinyl with amended Art/Metallic Sticker
This second edition features a new XL house bag sleeve design and will be available via retailers globally.
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Banner: Suchitra International Productions "Meera".
Music: Ravi Shankar.
Lyrics: Meerabi. Licensing courtesy of UNIVERSAL MUSIC INDIA PVT. LTD. Crush
Written by Berny Cosgrove, Kevin Clark, Clifford Mueller and Andy Goldmark.
Published by Warner/Chappell North America Ltd., Universal Music Publishing Ltd. and Shapiro Bertstein & Co. Ltd.
Baby Beat contains a sample of "All My Life" performed by K-Ci & JoJo. Courtesy of Geffen Records, A Division of UMG Recordings Inc., under license from Universal Music Enterprises.
Chix contains a sample from "Adagio For Strings, Op11." as recorded by Leonard Bernstein and The New York Philharmonic, used courtesy of Sony Masterworks, a division of Sony Music Entertainment.
The initial pressing was limited to 3,000 copies available exclusively via artist and label webstore, selling out in minutes
Strictly Limited Vinyl Edition
Black vinyl with amended Art/Metallic Sticker
This second edition features a new XL house bag sleeve design and will be available via retailers globally.
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1
Florentino - Constrictor Feat. Bambii Kd One
2
Florentino - Sicaria Feat. DJ Python
3
Florentino - Hysterika
4
Florentino - Pressure Feat. Shygirl
5
Florentino - Con Luz
Florentino announces Kilometro Quinze, a brand-new EP out 20 October. The five-song project will be Florentino’s debut EP on XL Recordings as part of the iconic house bag series. It includes the celebrated single “Constrictor (feat. BAMBII and KD One)” and a newly released single “Pressure” featuring the Mercury Prize-shortlisted multi-hyphenate, Shygirl.
Created over a three-year period between Manchester, London, Bogotá, New York, and LA, Kilometro Quinze features bold solo productions from Florentino (aka Yeshe Bahamon Beesley) alongside additional collaborations with Venezuelan-native Baby Cocada and fellow Sangre Nueva bandmate, DJ Python.
A direct reference to his grandfather’s farm near Villavicencio - a city in central Colombia where the Andes meet the plains of Los Llanos - Kilometro Quinze is a total realisation of the riveting, cross-culture club sound that Florentino has carefully constructed over the last few years. By drawing on the vast musical influences of his British-Colombian heritage, Florentino presents a unique sonic world where the darker acid tones central to Manchester’s underground club scene meet the irresistible swing of Latin American dance sounds. Kilometro Quinze is Florentino at the height of his powers as he releases some of his most captivating, innovative music to date.
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Created over a three-year period between Manchester, London, Bogotá, New York, and LA, Kilometro Quinze features bold solo productions from Florentino (aka Yeshe Bahamon Beesley) alongside additional collaborations with Venezuelan-native Baby Cocada and fellow Sangre Nueva bandmate, DJ Python.
A direct reference to his grandfather’s farm near Villavicencio - a city in central Colombia where the Andes meet the plains of Los Llanos - Kilometro Quinze is a total realisation of the riveting, cross-culture club sound that Florentino has carefully constructed over the last few years. By drawing on the vast musical influences of his British-Colombian heritage, Florentino presents a unique sonic world where the darker acid tones central to Manchester’s underground club scene meet the irresistible swing of Latin American dance sounds. Kilometro Quinze is Florentino at the height of his powers as he releases some of his most captivating, innovative music to date.
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WAS - Word and Sound Medien GmbH
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Pitch language - Modular synth wizard Blawan brings his brand of distorted, syncopated electronic productions. Toast introduces the EP with a playful head bopper with ethereal sounds and menacing overtones. One of the biggest acts in dance music playing international festivals such as Pitchfork 2022, ADE, Nuit Sonores. Plays from Mary Anne Hobbs on BBC 6 music and coverage from Resident Advisor, Pitchfork, Dekmantel, CRACK, The Face “losing himself in modular synthesis without ever sacrificing soul for science”
1. Toast
2. Panic
3. Monstera Black - You Can Build Me
4. Body Ramen
5. Monstera Black - Dismantled Into Juice
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Germany
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1. Toast
2. Panic
3. Monstera Black - You Can Build Me
4. Body Ramen
5. Monstera Black - Dismantled Into Juice
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Today Chicago-based percussionist, composer and producer Makaya McCraven announces the details of his new album In These Times, which is set for release on September 23rd via International Anthem / Nonesuch / XL Recordings. The first offering from the new album is a song tiled "Seventh String," which encapsulates the various musical dimensions present on McCraven's new album, a career-defining body of work that is a remarkable new peak for the already-soaring McCraven. In These Times is a collection of polytemporal compositions inspired as much by broader cultural struggles as McCraven's personal experience as a product of a multinational, working class musician community. It's the recording that he's been trying to create for 7+ years, as it's been consistently in process in the background while he's put forth a prolific run of releases including: In The Moment (2015), Highly Rare (2017), Where We Come From (2018), Universal Beings (2018), We're New Again (2020), Universal Beings E&F Sides (2020), and Deciphering the Message (2021). With contributions from over a dozen musicians and creative partners from his tight-knit circle of collaborators - including Jeff Parker, Junius Paul, Brandee Younger, Joel Ross, and Marquis Hill - the music was recorded in five different studios and four live performance spaces while McCraven engaged in extensive post-production work at home. Featuring orchestral, large ensemble arrangements interwoven with the signature "organic beat music" sound that's become his signature, the album is an evolution and a milestone for McCraven, the producer. But moreover, it's the strongest and clearest statement we've yet to hear from McCraven, the composer. Profiled in the New York Times, Vice, Pitchfork, Rolling Stone, the Guardian, and NPR, among other publications, Makaya and the music he makes today is what Passion of Weiss explains, "is part of a necessary conversation about the next evolution of the Black improvised music known colloquially as 'jazz.' He's found the threads connecting the past with the present, and is either wrapping them with new colors and textures, or he's plucking them gleefully like the strings of a grand instrument." McCraven, who has been aptly called a "cultural synthesizer" and "beat scientist," has a unique gift for collapsing space, destroying borders and blending past, present, and future into poly-textural arrangements of post-genre, jazz-rooted 21st century folk music. In These Times encompasses his artistic ethos, his experiences, identity and lineage, while pushing his music to new heights.
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Limited White Vinyl!
Today Chicago-based percussionist, composer and producer Makaya McCraven announces the details of his new album In These Times, which is set for release on September 23rd via International Anthem / Nonesuch / XL Recordings. The first offering from the new album is a song tiled "Seventh String," which encapsulates the various musical dimensions present on McCraven's new album, a career-defining body of work that is a remarkable new peak for the already-soaring McCraven. In These Times is a collection of polytemporal compositions inspired as much by broader cultural struggles as McCraven's personal experience as a product of a multinational, working class musician community. It's the recording that he's been trying to create for 7+ years, as it's been consistently in process in the background while he's put forth a prolific run of releases including: In The Moment (2015), Highly Rare (2017), Where We Come From (2018), Universal Beings (2018), We're New Again (2020), Universal Beings E&F Sides (2020), and Deciphering the Message (2021). With contributions from over a dozen musicians and creative partners from his tight-knit circle of collaborators - including Jeff Parker, Junius Paul, Brandee Younger, Joel Ross, and Marquis Hill - the music was recorded in five different studios and four live performance spaces while McCraven engaged in extensive post-production work at home. Featuring orchestral, large ensemble arrangements interwoven with the signature "organic beat music" sound that's become his signature, the album is an evolution and a milestone for McCraven, the producer. But moreover, it's the strongest and clearest statement we've yet to hear from McCraven, the composer. Profiled in the New York Times, Vice, Pitchfork, Rolling Stone, the Guardian, and NPR, among other publications, Makaya and the music he makes today is what Passion of Weiss explains, "is part of a necessary conversation about the next evolution of the Black improvised music known colloquially as 'jazz.' He's found the threads connecting the past with the present, and is either wrapping them with new colors and textures, or he's plucking them gleefully like the strings of a grand instrument." McCraven, who has been aptly called a "cultural synthesizer" and "beat scientist," has a unique gift for collapsing space, destroying borders and blending past, present, and future into poly-textural arrangements of post-genre, jazz-rooted 21st century folk music. In These Times encompasses his artistic ethos, his experiences, identity and lineage, while pushing his music to new heights.
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Today Chicago-based percussionist, composer and producer Makaya McCraven announces the details of his new album In These Times, which is set for release on September 23rd via International Anthem / Nonesuch / XL Recordings. The first offering from the new album is a song tiled "Seventh String," which encapsulates the various musical dimensions present on McCraven's new album, a career-defining body of work that is a remarkable new peak for the already-soaring McCraven. In These Times is a collection of polytemporal compositions inspired as much by broader cultural struggles as McCraven's personal experience as a product of a multinational, working class musician community. It's the recording that he's been trying to create for 7+ years, as it's been consistently in process in the background while he's put forth a prolific run of releases including: In The Moment (2015), Highly Rare (2017), Where We Come From (2018), Universal Beings (2018), We're New Again (2020), Universal Beings E&F Sides (2020), and Deciphering the Message (2021). With contributions from over a dozen musicians and creative partners from his tight-knit circle of collaborators - including Jeff Parker, Junius Paul, Brandee Younger, Joel Ross, and Marquis Hill - the music was recorded in five different studios and four live performance spaces while McCraven engaged in extensive post-production work at home. Featuring orchestral, large ensemble arrangements interwoven with the signature "organic beat music" sound that's become his signature, the album is an evolution and a milestone for McCraven, the producer. But moreover, it's the strongest and clearest statement we've yet to hear from McCraven, the composer. Profiled in the New York Times, Vice, Pitchfork, Rolling Stone, the Guardian, and NPR, among other publications, Makaya and the music he makes today is what Passion of Weiss explains, "is part of a necessary conversation about the next evolution of the Black improvised music known colloquially as 'jazz.' He's found the threads connecting the past with the present, and is either wrapping them with new colors and textures, or he's plucking them gleefully like the strings of a grand instrument." McCraven, who has been aptly called a "cultural synthesizer" and "beat scientist," has a unique gift for collapsing space, destroying borders and blending past, present, and future into poly-textural arrangements of post-genre, jazz-rooted 21st century folk music. In These Times encompasses his artistic ethos, his experiences, identity and lineage, while pushing his music to new heights.
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CD!
Tracklist:
1. In These Times
2. The Fours
3. High Fives
4. Dream Another
5. Lullaby
6. This Place That Place
7. The Calling
8. Seventh String
Today Chicago-based percussionist, composer and producer Makaya McCraven announces the details of his new album In These Times, which is set for release on September 23rd via International Anthem / Nonesuch / XL Recordings. The first offering from the new album is a song tiled "Seventh String," which encapsulates the various musical dimensions present on McCraven's new album, a career-defining body of work that is a remarkable new peak for the already-soaring McCraven. In These Times is a collection of polytemporal compositions inspired as much by broader cultural struggles as McCraven's personal experience as a product of a multinational, working class musician community. It's the recording that he's been trying to create for 7+ years, as it's been consistently in process in the background while he's put forth a prolific run of releases including: In The Moment (2015), Highly Rare (2017), Where We Come From (2018), Universal Beings (2018), We're New Again (2020), Universal Beings E&F Sides (2020), and Deciphering the Message (2021). With contributions from over a dozen musicians and creative partners from his tight-knit circle of collaborators - including Jeff Parker, Junius Paul, Brandee Younger, Joel Ross, and Marquis Hill - the music was recorded in five different studios and four live performance spaces while McCraven engaged in extensive post-production work at home. Featuring orchestral, large ensemble arrangements interwoven with the signature "organic beat music" sound that's become his signature, the album is an evolution and a milestone for McCraven, the producer. But moreover, it's the strongest and clearest statement we've yet to hear from McCraven, the composer. Profiled in the New York Times, Vice, Pitchfork, Rolling Stone, the Guardian, and NPR, among other publications, Makaya and the music he makes today is what Passion of Weiss explains, "is part of a necessary conversation about the next evolution of the Black improvised music known colloquially as 'jazz.' He's found the threads connecting the past with the present, and is either wrapping them with new colors and textures, or he's plucking them gleefully like the strings of a grand instrument." McCraven, who has been aptly called a "cultural synthesizer" and "beat scientist," has a unique gift for collapsing space, destroying borders and blending past, present, and future into poly-textural arrangements of post-genre, jazz-rooted 21st century folk music. In These Times encompasses his artistic ethos, his experiences, identity and lineage, while pushing his music to new heights.
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Tracklist:
1. In These Times
2. The Fours
3. High Fives
4. Dream Another
5. Lullaby
6. This Place That Place
7. The Calling
8. Seventh String
Today Chicago-based percussionist, composer and producer Makaya McCraven announces the details of his new album In These Times, which is set for release on September 23rd via International Anthem / Nonesuch / XL Recordings. The first offering from the new album is a song tiled "Seventh String," which encapsulates the various musical dimensions present on McCraven's new album, a career-defining body of work that is a remarkable new peak for the already-soaring McCraven. In These Times is a collection of polytemporal compositions inspired as much by broader cultural struggles as McCraven's personal experience as a product of a multinational, working class musician community. It's the recording that he's been trying to create for 7+ years, as it's been consistently in process in the background while he's put forth a prolific run of releases including: In The Moment (2015), Highly Rare (2017), Where We Come From (2018), Universal Beings (2018), We're New Again (2020), Universal Beings E&F Sides (2020), and Deciphering the Message (2021). With contributions from over a dozen musicians and creative partners from his tight-knit circle of collaborators - including Jeff Parker, Junius Paul, Brandee Younger, Joel Ross, and Marquis Hill - the music was recorded in five different studios and four live performance spaces while McCraven engaged in extensive post-production work at home. Featuring orchestral, large ensemble arrangements interwoven with the signature "organic beat music" sound that's become his signature, the album is an evolution and a milestone for McCraven, the producer. But moreover, it's the strongest and clearest statement we've yet to hear from McCraven, the composer. Profiled in the New York Times, Vice, Pitchfork, Rolling Stone, the Guardian, and NPR, among other publications, Makaya and the music he makes today is what Passion of Weiss explains, "is part of a necessary conversation about the next evolution of the Black improvised music known colloquially as 'jazz.' He's found the threads connecting the past with the present, and is either wrapping them with new colors and textures, or he's plucking them gleefully like the strings of a grand instrument." McCraven, who has been aptly called a "cultural synthesizer" and "beat scientist," has a unique gift for collapsing space, destroying borders and blending past, present, and future into poly-textural arrangements of post-genre, jazz-rooted 21st century folk music. In These Times encompasses his artistic ethos, his experiences, identity and lineage, while pushing his music to new heights.
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Germany
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Label:XL Recordings
Cat-No:XLLP1196
Release-Date:17.06.2022
Genre:Alternative/Electronic
Configuration:2LP
Label:XL Recordings
Cat-No:XLLP1196
Release-Date:17.06.2022
Genre:Alternative/Electronic
Configuration:2LP
The Smile will release their highly anticipated debut album A Light For Attracting Attention on 13 May, 2022 on XL Recordings.
The 13- track album was produced and mixed by Nigel Godrich and mastered by Bob Ludwig. Tracks feature strings by the London Contemporary Orchestra and a full brass section of contempoarary UK jazz players including Byron Wallen, Theon and Nathaniel Cross, Chelsea Carmichael, Robert Stillman and Jason Yarde.
The band, comprising Radiohead’s Thom Yorke and Jonny Greenwood and Sons of Kemet’s Tom Skinner, have previously released the singles You Will Never Work in Television Again, The Smoke, and Skrting On The Surface to critical acclaim.
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Germany
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The 13- track album was produced and mixed by Nigel Godrich and mastered by Bob Ludwig. Tracks feature strings by the London Contemporary Orchestra and a full brass section of contempoarary UK jazz players including Byron Wallen, Theon and Nathaniel Cross, Chelsea Carmichael, Robert Stillman and Jason Yarde.
The band, comprising Radiohead’s Thom Yorke and Jonny Greenwood and Sons of Kemet’s Tom Skinner, have previously released the singles You Will Never Work in Television Again, The Smoke, and Skrting On The Surface to critical acclaim.
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1
Joy Orbison - Dad & Frankie
2
Joy Orbison - Sparko (Feat Herron)
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Joy Orbison - Swag (Feat Kav, James Massiah & Bathe)
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Joy Orbison - Better (Feat Lea Sen)
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Joy Orbison - Bernard?
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Joy Orbison - Runnersz
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Joy Orbison - 'Rraine (Feat Edna)
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Joy Orbison - Glorious Amateurs
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Joy Orbison - S Gets Jaded
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Joy Orbison - Froth Sipping
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Joy Orbison - Layer 6
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Joy Orbison - In Drink
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Joy Orbison - Playground (Feat Goya Gumbani)
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Joy Orbison - Born Slipping (Feat Tyson)
Repress!
‘still slipping vol.1’ is the debut full-length project from Joy Orbison. Fans of Joy O’s DJ sets and radio shows will already be aware of his diverse tastes and inspirations, represented here through a roll call of delicately curated, mainly UK, collaborators that include Herron, James Massiah, Bathe, Léa Sen, Goya Gumbani and TYSON. Just as important are the voices of Joy Orbison's family - mum, dad, sister Sarah, uncle Frankie, uncle Keith (recently departed), auntie Helen and cousins Lola, Mia and Leighann, who was the first person to introduce him to drum and bass and garage as a kid and stars on the mixtape’s cover art. They appear throughout the record via a series of voice notes, his only contact with his family during this year of worldwide lockdown and an intimate, vicarious glimpse into the personal world of an artist who has generally side-stepped the public gaze.
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‘still slipping vol.1’ is the debut full-length project from Joy Orbison. Fans of Joy O’s DJ sets and radio shows will already be aware of his diverse tastes and inspirations, represented here through a roll call of delicately curated, mainly UK, collaborators that include Herron, James Massiah, Bathe, Léa Sen, Goya Gumbani and TYSON. Just as important are the voices of Joy Orbison's family - mum, dad, sister Sarah, uncle Frankie, uncle Keith (recently departed), auntie Helen and cousins Lola, Mia and Leighann, who was the first person to introduce him to drum and bass and garage as a kid and stars on the mixtape’s cover art. They appear throughout the record via a series of voice notes, his only contact with his family during this year of worldwide lockdown and an intimate, vicarious glimpse into the personal world of an artist who has generally side-stepped the public gaze.
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1
John FM - February
2
John FM - Holster
3
John FM - Interim
4
John FM - Lockjaw 7 Deadly Winnin Ft. L
5
John FM - Forever
6
John FM - Forever Acemo Live (Forever Mix)
John FM's American Spirit EP. Active in Detroit's underground music scene for the best part of a decade, John FM is respected by dance music heads for his collaborations with house music pioneer Omar S and NYC producer AceMo. American Spirit puts John's "staggering talent" (Resident Advisor) at the forefront: dance music that feels genre-less and accessible with elements of lo-fi House, RnB and Blues, inspired by the broad sounds of Detroit and the mid-west.
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1
Rozzma - No Title
2
Rozzma - No Title
Today Rozzma announces the ‘Khatar Sayeb’ EP, the artist’s first release for XL Recordings. He kicks off the EP release with ‘Hout’, a track that displays Rozzma’s knack for combining tribal sounds and contemporary urban/street music with a sharp, idiosyncratic flair.
Rozzma is an Egyptian sound artist inspired by the era where sound preceded music – he finds inspiration in the similarities between the wilderness of prehistoric times and modern-day chaos. Having already performed his particular strain of music across the world and at festivals like Sonar and Unsound, Rozzma releases ‘Hout’ into the digital world with an animated video created by the artist’s close friend Mahmoud Shiha.
“Hout is a celebration of beating the odds,” says Rozzma. “It’s about a specific state of mind where one finds comfort in the most extreme and unfortunate circumstances to beat the odds that one could instead fear.”
The EP’s title ‘Khatar Sayeb’ means 'loose danger’. “The release challenges the idea that danger and fear are uncontrollable circumstances,” explains Rozzma. “We cannot fully diminish fear or danger. We can only condition ourselves to believe that safety exists during the absence of fear. It is however more dangerous to deny the uncertainty of danger itself. Danger is a very broad state with infinite circumstances. But it is also infinitely uncertain and mainly linked to luck. We do not control our luck; good or bad. And it is solely luck that dictates danger and safety. It is for that reason that one’s best chances may be to condition themselves to find comfort in danger. Loose danger to be specific.”
Rozzma’s world is one of status quos being challenged, whether that be the real world, the historical world or specifically in the world of music. Rozzma won’t let you settle with what you believe. Everything deserves to be challenged.
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Rozzma is an Egyptian sound artist inspired by the era where sound preceded music – he finds inspiration in the similarities between the wilderness of prehistoric times and modern-day chaos. Having already performed his particular strain of music across the world and at festivals like Sonar and Unsound, Rozzma releases ‘Hout’ into the digital world with an animated video created by the artist’s close friend Mahmoud Shiha.
“Hout is a celebration of beating the odds,” says Rozzma. “It’s about a specific state of mind where one finds comfort in the most extreme and unfortunate circumstances to beat the odds that one could instead fear.”
The EP’s title ‘Khatar Sayeb’ means 'loose danger’. “The release challenges the idea that danger and fear are uncontrollable circumstances,” explains Rozzma. “We cannot fully diminish fear or danger. We can only condition ourselves to believe that safety exists during the absence of fear. It is however more dangerous to deny the uncertainty of danger itself. Danger is a very broad state with infinite circumstances. But it is also infinitely uncertain and mainly linked to luck. We do not control our luck; good or bad. And it is solely luck that dictates danger and safety. It is for that reason that one’s best chances may be to condition themselves to find comfort in danger. Loose danger to be specific.”
Rozzma’s world is one of status quos being challenged, whether that be the real world, the historical world or specifically in the world of music. Rozzma won’t let you settle with what you believe. Everything deserves to be challenged.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
the higher - No Title
2
the higher - No Title
3
the higher - No Title
4
the higher - No Title
Breakbeat science of highest quality..
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Omar McCutcheon, operating under his Batu alias, has been on the frontline of Bristol’s innovative electronic music scene since 2013. In 2015 he founded his record label Timedance, a platform for showcasing his tastes utilising a close knit group of young producers and DJs.
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1
darko - Forever
Dark0 steps up on XL...! Big UK sound on this one
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Label:xl recordings
Cat-No:xlcd790
Release-Date:12.05.2016
Genre:Alternative/Electronic
Configuration:CD
Label:xl recordings
Cat-No:xlcd790
Release-Date:12.05.2016
Genre:Alternative/Electronic
Configuration:CD
Radiohead worked on A Moon Shaped Pool intermittently after finishing the 2012 tour for their previous album, The King of Limbs (2011). Their ninth studio album was recorded in southern France with long-time producer Nigel Godrich. It includes several songs written and performed some years earlier; "True Love Waits" dates to at least 1995, "Burn the Witch" to 2000, and "Present Tense" to 2008. The album features strings and choral vocals arranged by multi-instrumentalist Jonny Greenwood and performed by the London Contemporary Orchestra.
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Label:xl recordings
Cat-No:xllp790
Release-Date:12.05.2016
Genre:Alternative/Electronic
Configuration:LP
Label:xl recordings
Cat-No:xllp790
Release-Date:12.05.2016
Genre:Alternative/Electronic
Configuration:LP
Radiohead worked on A Moon Shaped Pool intermittently after finishing the 2012 tour for their previous album, The King of Limbs (2011). Their ninth studio album was recorded in southern France with long-time producer Nigel Godrich. It includes several songs written and performed some years earlier; "True Love Waits" dates to at least 1995, "Burn the Witch" to 2000, and "Present Tense" to 2008. The album features strings and choral vocals arranged by multi-instrumentalist Jonny Greenwood and performed by the London Contemporary Orchestra.
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Label:xl recordings
Cat-No:1643xl
Release-Date:19.04.2016
Genre:Alternative/Electronic
Configuration:12"
Label:xl recordings
Cat-No:1643xl
Release-Date:19.04.2016
Genre:Alternative/Electronic
Configuration:12"
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Filtered samples bounce off each other as they rain atop muted synth pads. Familiar sounds of nature become redefined through bit reduction, where grain illuminates new beauty in the re-examination of the sources. Angel R uses delay as a method of recall and deterioration, at once creating the new and delineating the end of the passages provided. At times reserved, at other moments bold and declarative, the LP takes on the gamut of emotive signals to take the listeners through a narrative of complexity…”
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Recycled vinyl (random color mixes)
Recycled paper jackets offset printed full CMYK with silver matte finish
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Recycled hemp paper inserts, silkscreened
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Recorded by Florian T M Ziesig
Audio finalized by Glyn Maier
Artwork by Sam Lubicz
Obi design by Joe Bastardo
Insert photo by Florian T M Zeisig
Insert silkscreening by Mark Rice
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Michael Diamond - A Way Of Listening Ft. Alex Wilson & G-Lo
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Indian born, UK artist Michael Diamond, co-founder of Vasuki Sound label and club night, announces new EP Placid Wakefulness, featuring single ‘Reverse Entropy’. available on all platforms 5th December via Vasuki Sound.
A uniquely multifaceted talent, Michael Diamond’s unforgettable ‘jazzed electronic’ sound is informed by a spectrum of influences, not least by intersection of the scientific and practical worlds of electronic music. From the music scholarship he won to read Medicine at Oxford where he quickly discovered new ways in which the two worlds can co-exist, his days were spent immersed in academic studies of music perception and cognition, while his nights were spent alongside the likes of Ben UFO, Batu & Ross From Friends, playing at one of UK’s most long-established nights ‘Simple’. A chance encounter there also led him to connect with musical collaborator Alex Wilson – the BBC Young Jazz Musician of the Year semi-finalist and then musical director of Oxford’s Jazz Orchestra – who appears frequently across Diamond’s compositions and on Placid Wakefulness.
No stranger to a concept piece, Diamond’s previous project, the highly personal and critically acclaimed exploration of culture and identity, Third Culture (album of the month/year acknowledgments from Stamp The Wax, Juno and Phonica Records, also earning him a DJ Mag ‘One To Watch’, a Youth Music Awards ‘Rising Star’ nomination and a Gilles Peterson’s ‘Future Bubbler’ accolade) explored the experience of being a ‘third culture kid’ born in Kerala, India and growing up in the UK with a sense of fractured identity.
On Placid Wakefulness, Diamond honours his academic research working alongside world-renowned musicologist Professor Eric Clarke. Specifically how music may affect our sleepfulness and wakefulness, how instinctively we are soothed by some sounds and energised by others - ‘what it is about dance music that makes people go hard all night long?’ and ‘what is it about ambient music that makes people feel the opposite way - to lull them into this sense of calmness or rest?’, mindful of the unconscious ways his findings were already manifesting in his work as an artist. And while his research provides a framework for some of the ideas within the piece, Placid Wakefulness can be viewed as more of an unintentional byproduct, or case-in-point of his findings, rather than a piece consciously constructed in their image.
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On ‘Turning and Turning’ the bpm shifts down a gear, a sonic dreamstate where tough textural rhythms create a kind of liminal state tension. Closing out the EP we return to a sense of restfulness with the EP’s title track, where a gorgeous picked guitar loop interplays with vibrating ambient pads and a slow and steady beat. The Placid Wakefulness EP is a captivating testament to Diamond’s singular artistic talent and the fascinating interplay of neuroscience and how we experience and enjoy music.
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Germany
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A uniquely multifaceted talent, Michael Diamond’s unforgettable ‘jazzed electronic’ sound is informed by a spectrum of influences, not least by intersection of the scientific and practical worlds of electronic music. From the music scholarship he won to read Medicine at Oxford where he quickly discovered new ways in which the two worlds can co-exist, his days were spent immersed in academic studies of music perception and cognition, while his nights were spent alongside the likes of Ben UFO, Batu & Ross From Friends, playing at one of UK’s most long-established nights ‘Simple’. A chance encounter there also led him to connect with musical collaborator Alex Wilson – the BBC Young Jazz Musician of the Year semi-finalist and then musical director of Oxford’s Jazz Orchestra – who appears frequently across Diamond’s compositions and on Placid Wakefulness.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
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A timeless piece that defined an era and continues to inspire new generations.
Whether you're hearing it for the first time or rediscovering its brilliance, this music on vinyl is how it was meant to be experienced.
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Liebigstrasse 2-20
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Widely recognized as a defining moment in the evolution of dubstep, "Changes" stands as a testament to Mala's artistry and influence.
This 'white label' vinyl repress reintroduces that unmistakable haunting melody and it's sound system crushing bassline.
A timeless piece that defined an era and continues to inspire new generations.
Whether you're hearing it for the first time or rediscovering its brilliance, this music on vinyl is how it was meant to be experienced.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
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WORLD EXCLUDING GERMANY, SWITZERLAND, AUSTRIA (GSA)
Special remarks : Gatefold 2LP ( 2x 180g black) + Downloadcode + 4 Bonustracks/Special Versions
Genre: Electronic/Indie Dance
TRACKLISTS:
LP:
A1 Hollow
A2 Generation
A3 Seagull Nun
B1 Choices & Robot Koch
B2 Hansaplast
B3 Stranger
C1 Kilda
C2 Endless Youth
C3 Hey Little Precious
C4 Don´t Turn Me Out feat. Other Lives
D1 Hollow (Live In-Studio)
D2 Don't Turn Me Out (Live In-Studio)
D3 Hansaplast (Piano Version)
D4 Seagull Nun (Piano Version)
SHORT INFO:
Kaleida are the transatlantic duo whose darkly mystic soundworld finds glimmers of hope in the disquiet. Span- ning an ocean, the pair have nurtured a long-distance partnership that withstands the shifting patterns of life. They first formed in 2013 when a friend introduced them over email. Christina Wood was working in the Indone- sian forest while recording demos in her bedroom each night, and Cicely Goulder had been composing for film productions in London. Despite the miles between them, they found an instant musical chemistry.
Kaleida first came to international renown in 2014, when their single “Think” went viral overnight and was featured in the soundtrack for the cult Keanu Reeves film, John Wick. Their debut album Tear The Roots arrived in 2017 and crystallised the pair’s moody pop aesthetic, which merges Wood’s sylph-like, operatic vocals with Goulder’s neo-Noir electronica. The record earned the duo their sec- ond spot in a film soundtrack, this time for Atomic Blonde with a tender take on Nena’s 1980s anti-war classic “99 Luftballons”. It was followed in 2020 by the pair’s second album Odyssey dubbed “a consummate work of electronic artistry.” Their new album In Arms is a record that leans into a near transcendent spiritualism, where their minimalist production conceals a raw, celestial power. With a departure from their previously insular way of working, they invited other musicians into the production process, most notably producer Johan Hugo (Self Esteem, M.I.A, Skepta).
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Special remarks : Gatefold 2LP ( 2x 180g black) + Downloadcode + 4 Bonustracks/Special Versions
Genre: Electronic/Indie Dance
TRACKLISTS:
LP:
A1 Hollow
A2 Generation
A3 Seagull Nun
B1 Choices & Robot Koch
B2 Hansaplast
B3 Stranger
C1 Kilda
C2 Endless Youth
C3 Hey Little Precious
C4 Don´t Turn Me Out feat. Other Lives
D1 Hollow (Live In-Studio)
D2 Don't Turn Me Out (Live In-Studio)
D3 Hansaplast (Piano Version)
D4 Seagull Nun (Piano Version)
SHORT INFO:
Kaleida are the transatlantic duo whose darkly mystic soundworld finds glimmers of hope in the disquiet. Span- ning an ocean, the pair have nurtured a long-distance partnership that withstands the shifting patterns of life. They first formed in 2013 when a friend introduced them over email. Christina Wood was working in the Indone- sian forest while recording demos in her bedroom each night, and Cicely Goulder had been composing for film productions in London. Despite the miles between them, they found an instant musical chemistry.
Kaleida first came to international renown in 2014, when their single “Think” went viral overnight and was featured in the soundtrack for the cult Keanu Reeves film, John Wick. Their debut album Tear The Roots arrived in 2017 and crystallised the pair’s moody pop aesthetic, which merges Wood’s sylph-like, operatic vocals with Goulder’s neo-Noir electronica. The record earned the duo their sec- ond spot in a film soundtrack, this time for Atomic Blonde with a tender take on Nena’s 1980s anti-war classic “99 Luftballons”. It was followed in 2020 by the pair’s second album Odyssey dubbed “a consummate work of electronic artistry.” Their new album In Arms is a record that leans into a near transcendent spiritualism, where their minimalist production conceals a raw, celestial power. With a departure from their previously insular way of working, they invited other musicians into the production process, most notably producer Johan Hugo (Self Esteem, M.I.A, Skepta).
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1
Dialog - Better Way (feat. Benji)
2
Dialog - Better Version (feat. Benji)
3
Dialog - Child Was I (feat. Benji)
4
Dialog - Child Version (feat. Benji)
Fusing dub techno futurism with roots-minded spirituality, Dialog returns for a third release in their ongoing 12" series. The collaborative project finds Samuel van Dijk (VC-118A, Multicast Dynamics) and Rasmus Hedlund channelling their studio skills into a warm, expressive strain of soundsystem-spirited production voiced by Jamaica-born, Finland-based vocalist Benji. On this latest record, 'Better Way' leads on Side A with an upfront steppas pulse carrying Benji's meditations on the need for new solutions to society's enduring problems. On Side B, 'Child Was I' takes a deeper, more introspective route as Benji reflects on the impact lived experience has in shaping our decisions as we grow. Both sides follow the time-honoured dubwise tradition of featuring vocal and instrumental dub versions for maximum immersion in Dialog's intoxicating, immaculately rendered sound.
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Germany
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1
Alva Noto - Xerrox Topia
2
Alva Noto - Xerrox Sans Nom I
3
Alva Noto - Xerrox Sans Nom II
4
Alva Noto - Xerrox Ascent I
5
Alva Noto - Xerrox Ascent II
6
Alva Noto - Xerrox Sans Repit
7
Alva Noto - Xerrox Nausicaa
8
Alva Noto - Xerrox Xenonym
9
Alva Noto - Xerrox Ada
10
Alva Noto - Xerrox Arc
11
Alva Noto - Xerrox Kryogen
12
Alva Noto - Xerrox Isotope
2LP
A1. Xerrox Topia
A2. Xerrox Sans Nom I
A3. Xerrox Sans Nom II
B1. Xerrox Ascent I
B2. Xerrox Ascent II
B3. Xerrox Sans Repit
C1. Xerrox Nausicaa
C2. Xerrox Xenonym
C3. Xerrox Ada
D1. Xerrox Arc
D2. Xerrox Kryogen
D3. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
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A1. Xerrox Topia
A2. Xerrox Sans Nom I
A3. Xerrox Sans Nom II
B1. Xerrox Ascent I
B2. Xerrox Ascent II
B3. Xerrox Sans Repit
C1. Xerrox Nausicaa
C2. Xerrox Xenonym
C3. Xerrox Ada
D1. Xerrox Arc
D2. Xerrox Kryogen
D3. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
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DE - 22113 Hamburg
Germany
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1
Voodoos And Taboos - Estetica Cibernetica Feat. Lourene
2
Voodoos And Taboos - La Musica Del Futuro
3
Voodoos And Taboos - This Is A Request
4
Voodoos And Taboos - Stop Waving
Voodoos and Taboos are back with a bold new release on their own label, pushing boundaries with a fusion of Mediterranean influences, tribal grooves, and sexy vocals. This time, the duo ventures into new territory, blending house-inspired beats with Balearic vibes and electro textures, creating a dynamic and fresh sound which confirms their personal touch. The A1 track features a captivating collaboration with Brazilian vocalist Lourene, adding a unique vocal dimension to their signature style. Limited edition, no repress — grab your copy before it’s gone!
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Germany
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1
Claudio PRC & Andrea Cossu - Praya Dubia
2
Claudio PRC & Andrea Cossu - Hydrozoa
3
Claudio PRC & Andrea Cossu - Biofluorescence
The number nine of 012’s catalogue titled “Praya Dubia” marks the very first collaboration between Berlin-based DJs and producers Claudio PRC and Andrea Cossu. Both natives of Sardinia, they have crafted a delightful deep and dub techno journey, hypnotic yet, full of colors and shades available both on vinyl and digital format.
W&P by Claudio PRC and Andrea Cossu in Berlin.
Artwork by Liam Costar.
Design by Basstation.
Mastered at Artefacts Mastering.
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W&P by Claudio PRC and Andrea Cossu in Berlin.
Artwork by Liam Costar.
Design by Basstation.
Mastered at Artefacts Mastering.
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1
Utroit & K.O.S - A1 Utroit & K.O.S - Oubaitori
2
Utroit & K.O.S - A2 Utroit & K.O.S - Motegi
3
Utroit & K.O.S - B1 Utroit & K.O.S - Jaga?
4
Utroit & K.O.S - B2 Utroit & K.O.S - Kamiki
Genre: Techno
Tracklist 12":
A1 Utroit & K.O.S - Oubaitori
A2 Utroit & K.O.S - Motegi
B1 Utroit & K.O.S - Jaga
B2 Utroit & K.O.S - Kamiki
Short Info:
Detroit flavored, raw and fast paced dub machines.
Mastering & lacquer cut by Kassian Troyer at Dubplates & Mastering Berlin
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Tracklist 12":
A1 Utroit & K.O.S - Oubaitori
A2 Utroit & K.O.S - Motegi
B1 Utroit & K.O.S - Jaga
B2 Utroit & K.O.S - Kamiki
Short Info:
Detroit flavored, raw and fast paced dub machines.
Mastering & lacquer cut by Kassian Troyer at Dubplates & Mastering Berlin
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1
Dino Sabatini - Peuceus
2
Dino Sabatini - Dryalus
3
Dino Sabatini - Perimedes
4
Dino Sabatini - Antimache
Genre/s: Techno
Tracklist:
A1-Peuceus
A2-Dryalus
B1-Perimedes
B2-Antimache
Text:
It’s a wide presentation of what Sabatini is capable of, from the airy atmospheres of ‘Peuceus’ to the hypnotic bleeps of ‘Dryalus’. On ‘Perimedes’ the fierce kick drums create a banging highlight with ‘Antimache’ bringing us back down to the iconic and well loved Sabatini swamp grooves.
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Tracklist:
A1-Peuceus
A2-Dryalus
B1-Perimedes
B2-Antimache
Text:
It’s a wide presentation of what Sabatini is capable of, from the airy atmospheres of ‘Peuceus’ to the hypnotic bleeps of ‘Dryalus’. On ‘Perimedes’ the fierce kick drums create a banging highlight with ‘Antimache’ bringing us back down to the iconic and well loved Sabatini swamp grooves.
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
SERA J - Your Soul Is Art
2
SERA J - Illusions
3
SERA J - Glacial Pace
4
ANNE - Floating Waves
5
ANNE - Planetary Dust
6
ANNE - Sweet Seventeen
Tracklisting
A1 SERA J - Your Soul Is Art
A2 SERA J - Illusions
A3 SERA J - Glacial Pace
B1 ANNE - Floating Waves
B2 ANNE - Planetary Dust
B3 ANNE - Sweet Seventeen
Sales Note
ANNE & SERA J return for the second edition of their Symbiosis series on Mutual Rytm.
ANNE, known for potent techno on the likes of Soma and Hardgroove, and Nechto and Life In Patterns associate Sera J, have had standout years that have seen them put out a stream of essential club tracks. They are partners in both life and music, and the first volume of 'Symbiosis' on SHDW's Mutual Rytm imprint was their first release together. Delivering an honest representation of their innermost feelings, having also contributed to the label's 'Federation Of Rytm III' VA in February, this new six-track EP (plus bonus cuts) presents a 'mature and refined connection between their souls'.
The second instalment of 'Symbiosis' reflects not only their deep personal connection, but also their collaborative synergy as musical peers with the same goals. The EP captures the essence of their mutual artistic journey and showcases the strength of their bond both in life and through their shared creative vision - to create a storyline through sounds coming from their souls and convey a narrative that many listeners may find relatable.
SERA J kicks off with the lithe and melodically elegant techno of 'Your Soul Is Art' which will have both heart and heels dancing. 'Illusions' is a more heavy and dubby cut with paired back grooves and pulsing synths, while 'Glacial Pace' is an urgent deep techno roller with turbocharged stabs and huge icy hi hats locking you into a trance.
ANNE steps up on the B-side with 'Floating Waves' exploring physical, chunky drum funk and raw synth textures. 'Planetary Dust' is a dark and moody astral techno journey to the stars, before 'Sweet Seventeen' brings a more melodic cut with a sense of hope and joy in the bright pads that shimmer above the glitchy grooves.
Both artists also offer two digital bonus cuts with SERA J's 'Syncrosonix' and 'Space Velocity' delivering perfectly reduced minimal techno monsters, while ANNE's 'Gentle Loop' and 'Starburst' are interplanetary trips with widescreen cosmic synths.
ANNE & SERA J 'Symbiosis II' drops via Mutual Rytm on 13th December 2024 in both vinyl & digital formats.
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A1 SERA J - Your Soul Is Art
A2 SERA J - Illusions
A3 SERA J - Glacial Pace
B1 ANNE - Floating Waves
B2 ANNE - Planetary Dust
B3 ANNE - Sweet Seventeen
Sales Note
ANNE & SERA J return for the second edition of their Symbiosis series on Mutual Rytm.
ANNE, known for potent techno on the likes of Soma and Hardgroove, and Nechto and Life In Patterns associate Sera J, have had standout years that have seen them put out a stream of essential club tracks. They are partners in both life and music, and the first volume of 'Symbiosis' on SHDW's Mutual Rytm imprint was their first release together. Delivering an honest representation of their innermost feelings, having also contributed to the label's 'Federation Of Rytm III' VA in February, this new six-track EP (plus bonus cuts) presents a 'mature and refined connection between their souls'.
The second instalment of 'Symbiosis' reflects not only their deep personal connection, but also their collaborative synergy as musical peers with the same goals. The EP captures the essence of their mutual artistic journey and showcases the strength of their bond both in life and through their shared creative vision - to create a storyline through sounds coming from their souls and convey a narrative that many listeners may find relatable.
SERA J kicks off with the lithe and melodically elegant techno of 'Your Soul Is Art' which will have both heart and heels dancing. 'Illusions' is a more heavy and dubby cut with paired back grooves and pulsing synths, while 'Glacial Pace' is an urgent deep techno roller with turbocharged stabs and huge icy hi hats locking you into a trance.
ANNE steps up on the B-side with 'Floating Waves' exploring physical, chunky drum funk and raw synth textures. 'Planetary Dust' is a dark and moody astral techno journey to the stars, before 'Sweet Seventeen' brings a more melodic cut with a sense of hope and joy in the bright pads that shimmer above the glitchy grooves.
Both artists also offer two digital bonus cuts with SERA J's 'Syncrosonix' and 'Space Velocity' delivering perfectly reduced minimal techno monsters, while ANNE's 'Gentle Loop' and 'Starburst' are interplanetary trips with widescreen cosmic synths.
ANNE & SERA J 'Symbiosis II' drops via Mutual Rytm on 13th December 2024 in both vinyl & digital formats.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
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DE - 22113 Hamburg
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1
Simon Fisher Turner - A1. Bluenow1, Out-of-Tune Piano, St Mary's Hospital Basement, Electriksnippets
2
Simon Fisher Turner - A2. Bluenow2, Virus, Hurricane Bomber
3
Simon Fisher Turner - A3. Derek Jarman Reads White Lies
4
Simon Fisher Turner - B1. Brother James Plays J.S. Bach's 'Erbarm dich mein, o Herre Gott' on the Grea
5
Simon Fisher Turner - B2. Brother James Plays J.S. Bach's 'Erbarm dich mein, o Herre Gott' on the Grea
6
Simon Fisher Turner - B3. Electriksnippets
7
Simon Fisher Turner - B4. Terre Thaemlitz's Remix of Shishapangma, Remixed by Simon Fisher Turner
LP / Special remarks : Full-colour sleeve, postcard, liner notes by Simon Fisher Turner. Terre Thaemlitz Remix appears on vinyl only
Tracklist
A1. Bluenow1, Out-of-Tune Piano, St Mary's Hospital Basement, Electriksnippets
A2. Bluenow2, Virus, Hurricane Bomber
A3. Derek Jarman Reads White Lies
B1. Brother James Plays J.S. Bach's 'Erbarm dich mein, o Herre Gott' on the Great Rissington Organ, Bertrand Russell Gives Sound Advice
B2. Brother James Plays J.S. Bach's 'Erbarm dich mein, o Herre Gott' on the Great Rissington Organ
B3. Electriksnippets
B4. Terre Thaemlitz's Remix of Shishapangma, Remixed by Simon Fisher Turner
Shortinfo:
Where to begin with a figure like Simon Fisher Turner? From teenage stage and screen star to illustrious recording artist for Creation and Mute and score composer of Caravaggio, Blue and The Epic of Everest - via a stint with The The and collaborations with Derek Jarman, David Lynch and Tilda Swinton - Turner embodies a distinctly British sensibility and boundless curiosity for sound. For A Colourful Storm, discovering Deux Filles, his mysterious project with Colin Lloyd-Tucker that has since been reissued by Dark Entries, was a significant moment in shaping their identity.
In August 2023, A Colourful Storm presented Simon Fisher Turner and Time is Away at Spanners, London. Performed at the tail end of Blue Now, a series of events celebrating Derek Jarman's last feature film, Blue, the recording reveals a lifetime of significant events and influences. Terre Thaemlitz's remix of Turner's Shishapangma (Comatonse Recordings, 2015) is reworked and appears on vinyl only, Jarman is privately recorded reading White Lies, Bertrand Russell is sampled, and Turner records his brother practising the Great Rissington organ for their father's funeral.
"My wife and I lived in Brixton, near the venue, on Coldharbour Lane, 20 years ago. We were above a takeaway shop. The air extractor was a nightmare and the flat smelled of grease. The market was a great place to buy fish. We adopted a giant snail, who we called Ayrton. I used to take him all over town and he loved lettuce and tomatoes. There was a wonderful small pizza shop too, which was so delicious. But back to the music. Brixton is music and I'm a lucky man."
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Tracklist
A1. Bluenow1, Out-of-Tune Piano, St Mary's Hospital Basement, Electriksnippets
A2. Bluenow2, Virus, Hurricane Bomber
A3. Derek Jarman Reads White Lies
B1. Brother James Plays J.S. Bach's 'Erbarm dich mein, o Herre Gott' on the Great Rissington Organ, Bertrand Russell Gives Sound Advice
B2. Brother James Plays J.S. Bach's 'Erbarm dich mein, o Herre Gott' on the Great Rissington Organ
B3. Electriksnippets
B4. Terre Thaemlitz's Remix of Shishapangma, Remixed by Simon Fisher Turner
Shortinfo:
Where to begin with a figure like Simon Fisher Turner? From teenage stage and screen star to illustrious recording artist for Creation and Mute and score composer of Caravaggio, Blue and The Epic of Everest - via a stint with The The and collaborations with Derek Jarman, David Lynch and Tilda Swinton - Turner embodies a distinctly British sensibility and boundless curiosity for sound. For A Colourful Storm, discovering Deux Filles, his mysterious project with Colin Lloyd-Tucker that has since been reissued by Dark Entries, was a significant moment in shaping their identity.
In August 2023, A Colourful Storm presented Simon Fisher Turner and Time is Away at Spanners, London. Performed at the tail end of Blue Now, a series of events celebrating Derek Jarman's last feature film, Blue, the recording reveals a lifetime of significant events and influences. Terre Thaemlitz's remix of Turner's Shishapangma (Comatonse Recordings, 2015) is reworked and appears on vinyl only, Jarman is privately recorded reading White Lies, Bertrand Russell is sampled, and Turner records his brother practising the Great Rissington organ for their father's funeral.
"My wife and I lived in Brixton, near the venue, on Coldharbour Lane, 20 years ago. We were above a takeaway shop. The air extractor was a nightmare and the flat smelled of grease. The market was a great place to buy fish. We adopted a giant snail, who we called Ayrton. I used to take him all over town and he loved lettuce and tomatoes. There was a wonderful small pizza shop too, which was so delicious. But back to the music. Brixton is music and I'm a lucky man."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More