Peggy Gou has ascended from underground sensation to global icon by sticking to her own unwavering vision, becoming one of the most in-demand electronic musicians and DJs in the world. Having performed to over a million people worldwide in 2023, the self-managed South Korean-born, Berlin-based producer and artist has blazed her own trail as the first Korean DJ to play Berghain, the first female DJ to headline Ushuaïa Ibiza, and the first woman in over 20 years to appear within the Top 10 of DJ Mag’s annual Top 100 list.

Since 2016, she’s forged a singular blend of club music that’s as forward-thinking as it is nostalgic, finding her global breakthrough with 2018’s Once EP, which birthed hits like “It Makes You Forget (Itgehane),” and “Han Jan.” An essential tastemaker, she runs her music and design label Gudu, through which she issued her 2019 critically acclaimed Moment EP, designs her Kirin and Peggy Goods fashion lines, and sold out her own London Pleasure Gardens festival for four consecutive years. 2024 will see her biggest ever headline London show when she performs to 25,000 people in August

She’s collaborated with everyone from house legend Maurice Fulton (2020’s “Jigoo”) to South Korean counterculture hero OHHYUK (2021’s “Nabi”), and was enlisted for a 2022 remix of Kylie Minogue’s iconic “Can’t Get You Out of My Head.” Referred to as “the world’s hippest DJ” by The Guardian, Gou has graced the cover of Vogue Germany, Vanity Fair Italia, GQ Middle East and Korea, Harper’s Bazaar Malaysia, and others, while boasting collaborations with Louis Vuitton, Hyundai, Ray Ban, Samsung, and Authentic Beauty Concept.

She made 2023’s international song of the summer with “(It Goes Like) Nanana,” which topped singles charts in the Netherlands, Belgium, and Greece, as well as the Billboard Dance Airplay chart. The balmy club hit appears on her highly anticipated debut album I Hear You, which arrives in June on XL Recordings. Also featuring her Lenny Kravitz collaboration “I Believe in Love Again,” the LP sees Gou boldly claiming her voice through the kaleidoscopic lens of ‘90s house music. More

Blue Vinyl!

Peggy Gou has ascended from underground sensation to global icon by sticking to her own unwavering vision, becoming one of the most in-demand electronic musicians and DJs in the world. Having performed to over a million people worldwide in 2023, the self-managed South Korean-born, Berlin-based producer and artist has blazed her own trail as the first Korean DJ to play Berghain, the first female DJ to headline Ushuaïa Ibiza, and the first woman in over 20 years to appear within the Top 10 of DJ Mag’s annual Top 100 list.

Since 2016, she’s forged a singular blend of club music that’s as forward-thinking as it is nostalgic, finding her global breakthrough with 2018’s Once EP, which birthed hits like “It Makes You Forget (Itgehane),” and “Han Jan.” An essential tastemaker, she runs her music and design label Gudu, through which she issued her 2019 critically acclaimed Moment EP, designs her Kirin and Peggy Goods fashion lines, and sold out her own London Pleasure Gardens festival for four consecutive years. 2024 will see her biggest ever headline London show when she performs to 25,000 people in August

She’s collaborated with everyone from house legend Maurice Fulton (2020’s “Jigoo”) to South Korean counterculture hero OHHYUK (2021’s “Nabi”), and was enlisted for a 2022 remix of Kylie Minogue’s iconic “Can’t Get You Out of My Head.” Referred to as “the world’s hippest DJ” by The Guardian, Gou has graced the cover of Vogue Germany, Vanity Fair Italia, GQ Middle East and Korea, Harper’s Bazaar Malaysia, and others, while boasting collaborations with Louis Vuitton, Hyundai, Ray Ban, Samsung, and Authentic Beauty Concept.

She made 2023’s international song of the summer with “(It Goes Like) Nanana,” which topped singles charts in the Netherlands, Belgium, and Greece, as well as the Billboard Dance Airplay chart. The balmy club hit appears on her highly anticipated debut album I Hear You, which arrives in June on XL Recordings. Also featuring her Lenny Kravitz collaboration “I Believe in Love Again,” the LP sees Gou boldly claiming her voice through the kaleidoscopic lens of ‘90s house music. More

CD!

Peggy Gou has ascended from underground sensation to global icon by sticking to her own unwavering vision, becoming one of the most in-demand electronic musicians and DJs in the world. Having performed to over a million people worldwide in 2023, the self-managed South Korean-born, Berlin-based producer and artist has blazed her own trail as the first Korean DJ to play Berghain, the first female DJ to headline Ushuaïa Ibiza, and the first woman in over 20 years to appear within the Top 10 of DJ Mag’s annual Top 100 list.

Since 2016, she’s forged a singular blend of club music that’s as forward-thinking as it is nostalgic, finding her global breakthrough with 2018’s Once EP, which birthed hits like “It Makes You Forget (Itgehane),” and “Han Jan.” An essential tastemaker, she runs her music and design label Gudu, through which she issued her 2019 critically acclaimed Moment EP, designs her Kirin and Peggy Goods fashion lines, and sold out her own London Pleasure Gardens festival for four consecutive years. 2024 will see her biggest ever headline London show when she performs to 25,000 people in August

She’s collaborated with everyone from house legend Maurice Fulton (2020’s “Jigoo”) to South Korean counterculture hero OHHYUK (2021’s “Nabi”), and was enlisted for a 2022 remix of Kylie Minogue’s iconic “Can’t Get You Out of My Head.” Referred to as “the world’s hippest DJ” by The Guardian, Gou has graced the cover of Vogue Germany, Vanity Fair Italia, GQ Middle East and Korea, Harper’s Bazaar Malaysia, and others, while boasting collaborations with Louis Vuitton, Hyundai, Ray Ban, Samsung, and Authentic Beauty Concept.

She made 2023’s international song of the summer with “(It Goes Like) Nanana,” which topped singles charts in the Netherlands, Belgium, and Greece, as well as the Billboard Dance Airplay chart. The balmy club hit appears on her highly anticipated debut album I Hear You, which arrives in June on XL Recordings. Also featuring her Lenny Kravitz collaboration “I Believe in Love Again,” the LP sees Gou boldly claiming her voice through the kaleidoscopic lens of ‘90s house music. More

“I Go” is an incredible piece of club-focused electronic music and showcases a very different sound to previous single “Nabi”. Described by The FADER as “the kind of dazzlement you get from light dancing off of ocean water on a hot day: pure dopamine activating bliss” and Resident Advisor as “a refreshingly low-key jam”, “Nabi” was an evocative piece of slow-burning, 98bpm electronic pop, inspired by 80s synth classics, the piano pieces of renowned composer Erik Satie and the 80s and 90s Korean songs Gou's mother used to play at home during her childhood. “I Go” takes inspiration from a similar era but this time the energy comes from Gou’s love of 90’s dance anthems, many of which she revisited during lockdown and an enforced break from touring. Both retain the hallmarks of Peggy Gou’s unique take on electronic music; at once both nostalgic and totally modern. But on “I Go”, the tempo, 808s and 909s are dialled right up for a self-motivating anthem that is set, to soundtrack a summer when we can all hopefully dance together in our thousands again. TRACKLIST: A1. I Go, B1. I Go (Instrumental) ,B2. I Go (Acapella) More

Peggy Gou releases a remix package of her acclaimed 2021 'I Go' single, it’s a stellar release featuring some of the most respected names in electronic music - Soulwax, DJ Koze and Maurice Fulton. Named by Pitchfork as one of 2021’s best electronic releases among a host of other accolades (“Her vocals are gentle, but her promise of persistence (“I go I go, I go I go”) feels powerful. Throbbing drum machines further bolster her energizing message, turning a personal pep talk into a lull-crushing banger. A six-minute ’90s dance megamix that feels 10 minutes too short, it definitely goes”) Peggy’s original was an incredible piece of club-focused electronic music that showcased her love of 90s dance anthems. The remix collection has been personally curated by Gou herself, choosing some of her favourite heroes to put their own unique stamp on “I Go” Peggy Gou: “I love 90s house music - which was a big inspiration for I Go - and I love remix culture. For these remixes I reached out to some of my favourite artists and they really delivered! Soulwax, Koze and Maurice are dance music legends and the results are sick” More

Peggy Gou releases a remix package of her acclaimed 2021 'I Go' single, it’s a stellar release featuring some of the most respected names in electronic music - Soulwax, DJ Koze and Maurice Fulton. Named by Pitchfork as one of 2021’s best electronic releases among a host of other accolades (“Her vocals are gentle, but her promise of persistence (“I go I go, I go I go”) feels powerful. Throbbing drum machines further bolster her energizing message, turning a personal pep talk into a lull-crushing banger. A six-minute ’90s dance megamix that feels 10 minutes too short, it definitely goes”) Peggy’s original was an incredible piece of club-focused electronic music that showcased her love of 90s dance anthems. The remix collection has been personally curated by Gou herself, choosing some of her favourite heroes to put their own unique stamp on “I Go” Peggy Gou: “I love 90s house music - which was a big inspiration for I Go - and I love remix culture. For these remixes I reached out to some of my favourite artists and they really delivered! Soulwax, Koze and Maurice are dance music legends and the results are sick” More

Peggy Gou is proud to announce the launch of her own independent record label, Gudu Records. The label’s first release will be the Moment EP - a two-track 12” featuring the tracks ‘Starry Night’ and ‘Han Pan’.
Moment’ sees Gou continue to explore the charismatic facets of her musical and personal identity, drawing on her Korean heritage and language and her love for house & disco’s Eighties heritage, with particular nods to the output of labels such as Prelude and West End Records in the decade’s nascent years.
Gou’s own singing voice, known to so many from last year’s ‘Once’ EP, returns here to confidently guide the rhythm on ‘Starry Night’. Mixing both Korean and English vocals over a tumbling cascade of percussion and piano house keys, the track builds to incorporate layers of instrumental samples and subtle acid lines. Romantic, anthemic and timeless in its feel, it reaffirms Gou’s skill as a songwriter with appeal that resonates beyond crowded dancefloors, not to mention language barriers.
'Han Pan' follows as an instantly rhythmic affair that draws energy from a memorable and delicately tuned pan-drum. Alongside some expert and understated arrangement, as well as another, contrasting vocal performance, ‘Han Pan’ transmits a different but equally powerful energy.
More

When Peggy Gou released her debut EP 'Art of War' in 2016, she made a list of career goals. One of them was to become the first South Korean DJ to play Berlin's techno institution Berghain, an objective she achieved only a few months later. Another item on that list was to record an instalment of !K7's DJ-Kicks series. "It's the premier class of DJ mixes," she says. "Some of my favourite selectors have contributed to it." Now Peggy Gou can tick that off her list too as she proudly presents the 69th edition of the mix series. The Berliner-by-choice started working on the mix last year. It was a busy time for the 28-year-old: she'd just scored her first Mixmag cover and her single 'It Makes You Forget (Itgehane)' was receiving awards and critical acclaim. Each month she would DJ in 20 nightclubs all over the world. And yet, the goal for her mix was ambitious: instead of trying to capture the energy of her DJ sets, she aimed to create a portrayal of her own musical journey. An 18-track listening session that takes you straight into Peggy Gou's living room where she plays you the formative tunes from her collection. No genre boundaries - she moves across disco, house, techno and electro. No tempo limits - the mix ranges from 90 to 150 BPM. And no age restriction - the earliest tunes on the mix are from 1983 More

The 68th edition of the DJ-Kicks mix series is another landmark one, with experimental producer Laurel Halo taking the reins. The American's adventurous 28 track trip features seven exclusives, including two of her own plus those from Rrose, Machinewoman, FIT Siegel, Nick León and Ikonika. An electronic outlier, Halo hails from Ann Arbor, Michigan, but has been based in Berlin for a number of years. Landing on labels like Hyperdub, Honest Jon's and Latency, Halo has released a body of work ranging in style, yet cohered by production and compositional tendencies that sound distinctly her own. Her studio work tends to be a multi-layered mix of the electronic and the acoustic, the organic and the synthetic. As a DJ, meanwhile, she lays down more floor focussed mixes of techno, bass and worldly drum rhythms, and her live sets are similarly visceral and direct. Halo's DJ-kicks packs a lot in to just 60 minutes. It kicks off with the first of two of her own exclusives, 'Public Art', a tactile piano loop that sets the melodic tone of the mix in focus. Crunchy drums soon take over and begin what is a blistering ride through electro, trippy minimalism and textures that range from icy and dubby to steel plated and sharp from the likes of Red Axes, Parris and an exclusive from Rrose. Another exclusive, rough and ready cut from Machinewoman follows, before the mid section twists and turns on surging drum patterns, frantic industrial textures and spaced out gqom sounds from the likes of Griffit Vigo, Dario Zenker and Final Cut. This is a mix forever on the move: one minute its tightly coiled and kinetic, the next it's loose and joyful before switching into more cerebral and insular passages that keep you intrigued. Fusing together so many disparate sounds and textures is no mean feat, but like everything Halo does, here they all add up to something as thrilling and edgy as it is unpredictable and compelling.
CD Tracklisting
01 Laurel Halo - Public Art ** 02 Stallone the Reducer - Always Hate 03 Red Axes - 5 min (feat. CAR) 04 Parris - Puro Rosaceae 05 Rrose - Cricoid Pressure ** 06 Machinewoman - Just Made Some Jazz Music ** 07 WCC - Ana 08 FIT Siegel - Pennyrut ** 09 Yamaoka - Plastic PQ 10 Siete Catorce - Canto 11 Facta - Poliwhirl 12 Laurel Halo & Hodge - The Light Within You 13 Ikonika - Bodied ** 14 Griffit Vigo - A.C.I.D (Electronic Gqom Mix) 15 Panda Lassow - Lachowa 16 Dario Zenker - Koraimer Bro 17 Final Cut - Temptation 18 Aos - Violent Light 19 Geoffrey Landers - Brian's Having a Party 20 Via Maris - Side Effects 21 Laurel Halo - Oneiroi 22 Nick León - Pelican Dub ** 23 Stefan Ringer - Lust 24 Kirk The Flirt - Loser 25 Laurel Halo - Sweetie (DJ-Kicks) ** 26 Blake Baxter - Funky World (Blake Baxter Remix) 27 Kiki Kudo - Freakey Keke 28 Group A - Ketabali 29 Whitefield Brothers - Ntu More

“I Go” is an incredible piece of club-focused electronic music and showcases a very different sound to previous single “Nabi”. Described by The FADER as “the kind of dazzlement you get from light dancing off of ocean water on a hot day: pure dopamine activating bliss” and Resident Advisor as “a refreshingly low-key jam”, “Nabi” was an evocative piece of slow-burning, 98bpm electronic pop, inspired by 80s synth classics, the piano pieces of renowned composer Erik Satie and the 80s and 90s Korean songs Gou's mother used to play at home during her childhood. “I Go” takes inspiration from a similar era but this time the energy comes from Gou’s love of 90’s dance anthems, many of which she revisited during lockdown and an enforced break from touring. Both retain the hallmarks of Peggy Gou’s unique take on electronic music; at once both nostalgic and totally modern. But on “I Go”, the tempo, 808s and 909s are dialled right up for a self-motivating anthem that is set, to soundtrack a summer when we can all hopefully dance together in our thousands again. TRACKLIST: A1. I Go, B1. I Go (Instrumental) ,B2. I Go (Acapella) More

Following her contribution to this Spring’s Gudu & Friends Vol. 1 compilation, Lady Blacktronika steps out with a full EP for Peggy Gou’s Gudu label. Whether operating as Lady Blacktronika or her Femanyst alias, Akua Grant has built a deserved reputation as one of house and techno’s most daring and unique artists - one that dates back 25 years now, when she first debuted as a vocalist. “House and techno” can be a cliched catch-all term, but in Grant’s case, she really has explored the extremes of both sides. Her early Lady Blacktronika work, when she earned the nickname The First Lady of Beatdown, saw her produce and narrate a style of deep house that was both sensitive and transgressive, while as Femanyst, she explores some of techno’s darkest corners, all distorted kicks and serrated edges. Her EP for Gudu kicks off with some serious intent: ‘Baby I Got It’ chops its vocals rough and raw, pairing them with marching drums and the sort of idiosyncratic synth-work that feels like a Blacktronika signature at this point. ‘Sing the Blues’ and ‘Hold My Hand’ take things smoother, but without ever deferring to type — as ever with Grant’s music, she works with such sleight of hand that it’s easy to skip back three minutes previous and wonder how the hell we got here. Her tracks are just that hypnotic and hallucinatory. Closing the EP, Octo Octa provides a remix of ‘Hold My Hand’ that extends things to a full 12 minutes (note: slightly shorter on the vinyl due to time constraints), taking us out with crushed percs and held pads over some undeniable drum work. This EP marks the final release of Gudu’s busiest year to date, with music on the label in 2023 coming from Special Request, Matisa, Mogwaa, Hiver, Matrefakt, DMX Krew, Dukwa, Brain de Palma, Lady Blacktronika, Salamanda and Closet Yi. More

Gudu Records label continues a 2023 for the books with Dream Universe, a new four-track EP by Italian duo Hiver. Based in Milan, Giuseppe Albrizio and Sergio Caio have spent the last decade honing a very special take on electro and machine funk, driven by the duo’s trademark basslines, glossy strings that drip with emotion and an overall utopian nature. On Dream Universe, a “tribute to early ‘90s house and trance”, built around trance elements, acid bass and Detroit-inspired rhythms made on iconic synthesizers like the Alpha Juno, Juno 106 and the Roland 303, 909 and D-550, they pack more energy and emotion into their music than ever before, from the high-emotional vocal that defines the EP’s title track, to the raw bass hits that drive ‘Lodash’. At this point, Hiver’s sound is so distinctive that you know one of their tracks the minute you hear it, but Dream Universe feels like the high water mark of their work to date; a duo in complete control of their craft More

Gudu Records is proud to present remixes of Special Request and Novelist’s grime-meets-techno Summer anthem ‘Sliver’ - by two of club music’s modern-day heavyweights in KETTAMA and Tim Reaper. In Special Request’s words: “I chose Tim Reaper and KETTAMA because they are both 100% top-table practitioners of machine funk. They both delivered the goods in completely different ways and illuminate new paths with this song. Both mixes have been causing havoc in our sets and I can’t wait for people to hear them.” Both remixes are out now on all platforms, with a limited 12” release available to pre-order now. It continues a stand-out 2023 for Peggy Gou’s record label, which has already seen releases from Special Request & Novelist, Mogwaa, Matisa, Hiver, Matrefakt and DMX Krew, as well as the inaugural entry in Gudu & Friends - a new annual compilation series which introduced Salamanda, Closet Yi, Lady Blacktronika and more to the roster. More

Gudu Records is proud to welcome Special Request - aka Paul Woolford - for his first release for the label, a collaboration with constantly innovating London MC Novelist. Pairing Novelist’s unmistakable cadence and flow with classic grime square-waves and booty house-esque drums, ‘Sliver’ has been a highlight of both Special Request and label boss Peggy Gou’s recent sets, climaxing in a tempo change designed to turn the dancefloor inside out. As potent in intimate dark rooms as it is festival main stages, you’ll be hearing this one all Summer and beyond. More

Two of dance music’s most innovative minds, Special Request (aka Paul Woolford) and Mumdance join forces on a new EP for Peggy Gou’s Gudu Records. Between them, Special Request and Mumdance have been responsible for some of dance music’s most exciting, game-changing and downright thrilling releases of the last 15 years, both driven by a restless desire for creativity and collaboration and an innate knowledge of what came before them. Running through their individual back catalogues would take all day, but ‘Vortex’, ’Offworld’, ‘Soul Music’, ‘Bedroom Tapes’? ‘Take Time’, ‘1 Sec’, ‘Twists & Turns’, ‘Proto’? At this point, these are dance music heritage. Started initially as a Mumdance remix of Woolford’s classic ‘Erotic Discourse’ that morphed into something else entirely, the pair’s collaboration ‘Exotic Golfcourse’ opens the EP. A six and a half minute epic that’s been stunning crowds for the best part of a year in both artists’ sets (not to mention Peggy’s), it’s precision-tooled for peak-time moments — forget twists and turns, this is handbrakes, donuts and loop-the-loops. Speaking of twists, Special Request then teams up with South London MC Novelist (who previously collaborated with Mumdance on game-changing grime collaborations in 2014 and 2015) on ‘Sliver’, finding the sweet spot between classic grime synths and booty-house-esque drums, and climaxing in a tempo change designed to turn the dancefloor inside out. Finally, Mumdance closes things solo on ‘Four Years’, working a Bangalter-esque loop for all it’s worth on the EP’s most outright emotional moment. By the time those chopped vocals, drum rushes and guitar solo (!) have played their part, and the track comes back in for that almighty second drop, it’s an outpouring of capital F Feelings that few can match. Exotic Golfcourse is two of dance music’s brightest minds and most impassioned souls on their absolute A-game — expect to hear these tracks all Summer and beyond. More

Mogwaa returns to Peggy Gou’s Gudu label with Drifted, his second EP for the imprint and a perfect summary of what makes him one of Korea’s most exciting contemporary artists - complete with a remix by Klasse Werks founder Mr. Ho. A staple of Seoul’s electronic scene, Mogwaa’s catalogue takes in everything from ambient to jungle - but at the centre of his music, there’s always a distinct sense of melody and pure compositional chops that defines his music regardless of style or tempo. Put simply, you know a Mogwaa track when you hear one. Quicker in tempo than his last EP for Gudu, Drifted opens with ‘Driven’ - a combo of chopped-up breaks and a relentless riff that does just what the title implies - before Mogwaa really flexes those melodic chops on ‘Chances for Bounces’, getting heady with synthesized voices and an almost Detroit-leaning bassline over an 808 groove. ‘Rushing’ takes things further into peaktime with an acid bassline and some nifty automation to keep things ascending, before Mr. Ho’s remix of ‘Driven’ closes the EP on a dreamy techno tip. Following several European runs last year that saw Mogwaa perform at Warehouse Project, Pleasure Gardens and more, plus a Boiler Room in Seoul alongside Anz, Sharda, Finn, Closet Yi and Seesea, Drifted is another snapshot into the sound world of this remarkable talent. More

Today [21st March 2023] DMX Krew announces his return to Peggy Gou's Gudu Records with a new four-track EP, sharing the dreamy, Detroit-inspired title track, ‘Return to Jupiter’. The full EP - out 14th April 2023 - will be his second release for the label and Gudu’s first release of 2023, set to be the label’s busiest year yet. Ed DMX made his debut for Gudu with 2019’s Don’t You Wanna Play? EP, becoming the first artist to release on the label outside Peggy herself. Ed and Gudu have retained a regular working relationship ever since: he mastered Indonesian crate-digger Dea’s ‘Glazer Drum’ release for Gudu, contributed a pair of remixes to the reissue of Riff’s South African electro curio ‘Jacks Jive’, and now returns to the label with Return to Jupiter, a new original four-track EP. Ed has been one of electronic music’s most respected faces for over 25 years. Debuting in the mid-1990s, he released his first decade of music almost exclusively through Grant Wilson-Claridge and Aphex Twin’s Rephlex label and his own Breakin’ imprint, but recent years have seen him ply his trade across a who’s who of dance music’s most respected underground labels: including Hypercolour, Balkan Vinyl, Central Processing Unit and, of course, Gudu. Inspired by the futurist funk and vivid synthesiser epics of classic Detroit, ‘Return to Jupiter’ is dripping with richness and colour, driven by the sort of thick analogue basslines and distinctive melodies that have come to define Ed’s catalogue. The EP’s title track sets the tone for what’s to follow, introducing a language of sorts for the record - before ‘Altered Chords’ turns the funk up to 11, ‘U Ain’t Down’ aims its distorted kicks and wiggy, manipulated lead straight at peak time dancefloors, and ‘I Love Juan’ closes the EP on a star-gazing tip. More

Peggy Gou’s Gudu Records steps into 2022 with Brain De Palma’s second EP for the label, Purple Brain. Although this is only his second release under the Brain De Palma name, Alexei Versino has been honing his sound for the best part of a decade, both solo (as Panama Keys) and as one half of the duo Stump Valley, previously releasing on labels like Dekmantel, Soul Clap and Off Minor. Born in Ukraine but settling as a child in Turin, he’s currently based in Berlin and makes up a key part of the Gudu stable. Coming straight out the gate with an instantly impactful bassline, opening track ‘IQarus’ sets the tone for the rest of Purple Brain: bold melodies and basslines shot in high-definition, full of detail and idiosyncrasies. As with his last EP for Gudu, cinema is a key reference for Brain de Palma: ‘IQarus’ is a reference to his directorial namesake’s first film, while later in the EP, ‘(O.W.D.) Once Were Dancers’ nods to the 1994 drama Once Were Warriors, “dedicated to all the ravers, DJs, aficionados who had to go through the lockdowns … a shout out to people who keep on fighting for the underground culture!” Elsewhere on the EP, ‘Purple Brain’ pairs an unforgettable arpeggio with stargazing stabs and a marching cowbell beat, while the Netherlands’ Deniro takes ‘IQarus’ into the depths of the night with a cosmic remix that grabs hold of a groove and refuses to let go. More

A staple of South Korea's electronic scene, Mogwaa debuts on Peggy Gou's Gudu label, following well-received singles on labels like Klasse Tracks and Star Creature. Follows the release of Peggy Gou's 'I Go' remixes (Soulwax, DJ Koze & Maurice Fulton) and new EPs on the label from Hiver and Brain de Palma. More

Peggy Gou releases a remix package of her acclaimed 2021 'I Go' single, it’s a stellar release featuring some of the most respected names in electronic music - Soulwax, DJ Koze and Maurice Fulton. Named by Pitchfork as one of 2021’s best electronic releases among a host of other accolades (“Her vocals are gentle, but her promise of persistence (“I go I go, I go I go”) feels powerful. Throbbing drum machines further bolster her energizing message, turning a personal pep talk into a lull-crushing banger. A six-minute ’90s dance megamix that feels 10 minutes too short, it definitely goes”) Peggy’s original was an incredible piece of club-focused electronic music that showcased her love of 90s dance anthems. The remix collection has been personally curated by Gou herself, choosing some of her favourite heroes to put their own unique stamp on “I Go” Peggy Gou: “I love 90s house music - which was a big inspiration for I Go - and I love remix culture. For these remixes I reached out to some of my favourite artists and they really delivered! Soulwax, Koze and Maurice are dance music legends and the results are sick” More

Peggy Gou releases a remix package of her acclaimed 2021 'I Go' single, it’s a stellar release featuring some of the most respected names in electronic music - Soulwax, DJ Koze and Maurice Fulton. Named by Pitchfork as one of 2021’s best electronic releases among a host of other accolades (“Her vocals are gentle, but her promise of persistence (“I go I go, I go I go”) feels powerful. Throbbing drum machines further bolster her energizing message, turning a personal pep talk into a lull-crushing banger. A six-minute ’90s dance megamix that feels 10 minutes too short, it definitely goes”) Peggy’s original was an incredible piece of club-focused electronic music that showcased her love of 90s dance anthems. The remix collection has been personally curated by Gou herself, choosing some of her favourite heroes to put their own unique stamp on “I Go” Peggy Gou: “I love 90s house music - which was a big inspiration for I Go - and I love remix culture. For these remixes I reached out to some of my favourite artists and they really delivered! Soulwax, Koze and Maurice are dance music legends and the results are sick” More

Peggy Gou is proud to announce the launch of her own independent record label, Gudu Records. The label’s first release will be the Moment EP - a two-track 12” featuring the tracks ‘Starry Night’ and ‘Han Pan’.
Moment’ sees Gou continue to explore the charismatic facets of her musical and personal identity, drawing on her Korean heritage and language and her love for house & disco’s Eighties heritage, with particular nods to the output of labels such as Prelude and West End Records in the decade’s nascent years.
Gou’s own singing voice, known to so many from last year’s ‘Once’ EP, returns here to confidently guide the rhythm on ‘Starry Night’. Mixing both Korean and English vocals over a tumbling cascade of percussion and piano house keys, the track builds to incorporate layers of instrumental samples and subtle acid lines. Romantic, anthemic and timeless in its feel, it reaffirms Gou’s skill as a songwriter with appeal that resonates beyond crowded dancefloors, not to mention language barriers.
'Han Pan' follows as an instantly rhythmic affair that draws energy from a memorable and delicately tuned pan-drum. Alongside some expert and understated arrangement, as well as another, contrasting vocal performance, ‘Han Pan’ transmits a different but equally powerful energy.
More

Gudu Records continues a busy start to 2022 with Italian due Hiver’s debut for the label - a high-definition EP that draws on classic electro and techno, following the group’s acclaimed past releases for Curle Recordings, Bokhari and Deeplabs. A record that both marks and celebrates Hiver’s 10 years of operation, ‘Wave Sliding’ wears its influences on its sleeve: lead track ‘The Initiative’ is a “tribute to Detroit’s Hi-Tech Funk of the early 2000s”, lead by the sort of ostinato bassline and legato strings that have become Hiver’s trademark. ‘Vapour’ and ‘Entangle’ continue the EP’s retro-futurist outlook, drawing on sci-fi imagery and themes of travel, while ‘Stateless’ looks to the “easy-trance” sounds of 90s dancefloors for inspiration. Together, the tracks mark a perfect summary of Hiver’s vision of the dancefloor - bound together by vibrant colours and a starry-eyed, utopian nature. More

Peggy Gou’s Gudu Records presents a landmark EP of original music by Dea - a legendary Indonesian DJ and artist who counts DJ Harvey, Mr. Scruff and Gilles Peterson (who famously claimed that Dea was the best DJ he’d seen in a decade after watching him spin in 2017) among his admirers. Making his name in Indonesia’s Sun Down Circle collective, Dea has gone from one of his country’s best-kept secrets to one of the world’s most respected diggers and DJs. His EP for Gudu is his most extensive collection of solo music yet, backed with a transcendent remix by I:Cube - the few-more-acclaimed French artist famed for trading remixes with Daft Punk in the 90s and decades of brilliant solo music since. More

Peggy Gou returns with 'Nabi' - her first single in over two years and the follow up to 2019's global crossover, 'Starry Night'.

'Nabi' is an incredible piece of slow-burning, 98bpm electronic pop, inspired by 80s synth classics, the piano pieces of renowned composer Erik Satie and the 80s and 90s Korean songs Gou’s mother used to play at home during her childhood. Showcasing a less familiar side of Gou’s diverse sound and influences, it retains the hallmarks of her unique take on electronic music; at once both nostalgic and totally modern.

‘Nabi’ - which translates as ‘Butterfly’ - is also Gou’s first ever vocal collaboration, as she teams up with fellow Korean sensation OHHYUK, the lead singer and guitarist in Hyukoh. It’s set to build on the widespread acclaim for her 2020 production collaboration with Baltimore techno legend Maurice Fulton (on his ‘Jigoo’ release for Gudu), ‘Nabi’ is the first of two songs Peggy Gou will release over the coming months.

While the forthcoming follow up is set to dial up the tempo, kicks, 808’s and 909s to soundtrack a summer where we can all (hopefully) dance together in our thousands again, ‘Nabi’ is very much the sound of now – a lowkey anthem fuelled by feelings of hope, freedom and positivity for what’s to come.

Tracklist

A : Nabi

Produced by Peggy Gou
Written by Peggy Gou & OHHYUK
Lyrics by OHHYUK & Maktoop
Mastered by Frank Merritt at The Carvery
Artwork by Inji Seo
Typography by Colin Doerffler More

Following releases and collaborations from Maurice Fulton, DMX Krew and London’s JRMS, the fifth installment on Peggy Gou’s Gudu imprint introduces another new artist. Brain De Palma is the fresh alias of compulsive crate digger Alexei Versino, who - as one half of cult duo Stump Valley and solo as Panama Keys - has released on labels including Rush Hour, Dekmantel and Off Minor. Born in Ukraine, Brain De Palma’s parents chose to leave the area following the fallout from the Chernobyl nuclear disaster. Settling as a child in Turin, the Italian ‘motor city’, Versino was immersed in the local techno scene in his teens and many more since, navigating Europe for decades, immersed in disparate musical corners, from the squat raves of early-noughties Bristol to the laid back charm of the Balaerics and the cultural contrasts of Egypt. Much as his life has changed, a heart-on-sleeve love of both music and cinema have informed Versino’s often spontaneous journey, just as they inform ‘Call Me By Your Nail’, his assured and sophisticated four-track debut EP for Gudu Recorded with imagination and much-needed optimism during the initial stages of 2020, ‘Particle Fever’ begins in earnest as a detailed introduction to the liquid smooth sonic aesthetic of Brain De Palma, with a warm, slow-trance atmosphere evolving to generate the sort of melodies that would sit front-and-centre on less refined productions. Instead, the intent is quietly anthemic, an understated approach that equally informs the blissful electronics found on ‘Farout’, an almost psychedelic exercise that finds ethereal tones and rhythmic peace in the analogue extremes of De Palma’s studio. These impulses switch from fluttering to fantastical on the title track, ‘Call Me By Your Nail’. Undoubtedly taking inspiration from Middle-Eastern styled arrangements and naturalistic sounds, De Palma’s adaptation, influenced by his time on the Sinai Peninsula, creates a refreshingly innovative sound palette in this offbeat machine translation. Finally, riding on only the slightest percussion, Versino creates a compelling, acid-tinged trip across ‘Clockroom’, rolling out suspense, tension and subtle euphoria often with only the subtlest of oscillations. More

CHICAGO JACK IS BACK" GETTOBLASTER is back... and he brought his friends to make you jack. 4 tracks feat. collabs with Chicago house legends STEVE SILK HURLEY, DJ SKIP, JOE SMOOTH, and CHIP E. If raw Chicago warehouse sounds are what you're after look no further, this is it.

Cover will follow soon. More

Solomun & CASSIM remix two of the track rake from Radio Slave’s Venti album released earlier this year. Diynamic boss and Ibiza titan Solomun remixes Radio Slave ‘The Lunatics’ on Rekids, following the original’s inclusion in Matt Edwards’ acclaimed ‘Venti’ album in May. The original, a rework itself, reimagined the 1981 Fun Boy Three track ‘The Lunatics Have Taken Over The Asylum’, with Edwards’ ode to the band’s late lead vocalist and The Specials frontman Terry Hall winning support from Saoirse, Erol Alkan, Jennifer Cardini, Laurent Garnier, Paul Woolford, and Honey Dijon. Solomun’s remix of ‘The Lunatics’ is sparkling aural nostalgia executed with total joy. Crisp 80s drums, Stranger Things-esque Jupiter 8 synth swells, the vocoded titular vocal, and a gloriously rich sliding bassline combine to drag the listener back to 1983 in the best possible way. As the track builds, rousing guitars join the ensemble, completing what is a hypnotic, melodic trip to the 80s via what’s set to be a 2024 anthem. CASSIMM’s remix of Radio Slave vs Audion’s ‘Mouth To Mouth’ continues the story of Matthew Dear’s classic, which Radio Slave revived and reinvented as part of his 2024 LP, ‘Venti’. Radio Slave’s hi-NRG disco cover of Audion’s minimal/maximal 2006 and era-defining anthem has dominated dancefloors since it emerged as a single in late 2023, with the likes of Erol Alkan, Job Jobse, Sean Johnston, Jennifer Cardini and Eats Everything continuing to play it today and the latter awarding it an Essential New Tune whilst sitting in for Pete Tong on BBC Radio 1. Now, recent Rekids alum CASSIMM continues his huge run of form with a chunky, main-room house interpretation that shows just why his recent release, ‘House of Moves,’ won DJ support from the likes of Tong, Arielle Free, Paul Woolford, Honey Dijon, and Jennifer Loveless. CASSIMS’s remix of Radio Slave vs Audion quickly follows Lindstrom and Solomun’s remixes of the ‘Venti’ LP’s tracks, which have seen support from the likes of Ivan Smagghe, Chloé Caillet, Nightmares On Wax, and more More

Tracklisting
A1 Kid Simius - The Cure
A2 Kid Simius - Karaoke
B1 Kid Simius feat. Bonaparte - Ask For My Number
B2 Kid Simius - Calvinklein
B3 Kid Simius - Party People In da house (Fiesta en casa)
C1 Kid Simius - Jose
C2 Kid Simius feat. Chico Blanco - Hasta Tarde (Till Late)
D1 Kid Simius feat. Acidheaven & Philipp Gropper - Relaja Tu Cuerpo (Relax your body)
D2 Kid Simius - Mucho Fun (Lerele Mix)
D3 Kid Simius - Virtua Tennis 2



Kid Simius is back with his third full length album, this time via Bristol label Shall Not Fade.

JOSE LP is 10 tracks of high-quality dance music, delving deep on all things jazz, house & disco, showing with Kid Simius is one of the most innovating producers in the current dance music scene.

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Z Records proudly presents Vol.3 in its 90’s House & Garage compilation series, this time presented by Jeremy Underground, a man who should need no introduction when it comes to all things House & Garage. Jeremy is a passionate record collector, DJ, music lover whose collection and knowledge surpasses his years of collecting and he’s made it his personal mission to bring the warm vibes of this sound back and showcase the spirit of this golden era in House. His third ever House music compilation and much like the previous two in this series, the compiler digs deep into his collection to select tracks that haven’t been re-released digitally and, in one case, never released at all! Meaning a lot of the tracks included here are being digitised for the very first time. Sourcing material from the original DAT tapes of the artists or in some cases painstakingly transferred from Vinyl, cleaned and treated to the highest professional standards of today. Split over two parts on Gatefold Double 12” Vinyl, Double CD or Digital/Streaming for the first time, this is a very carefully curated album, showcasing a deep love & understanding for the sound represented here, from what is a definitive decade for House & Garage. Featuring tracks and remixes from the likes of Kerri Chandler, Murk & 95 North…
Tracklist Under Embargo More