1
Peggy Gou - I Go (Soulwax Remix)
2
Peggy Gou - I Go (DJ Koze Remix)
3
Peggy Gou - I Go (Maurice Fulton Remix)
Peggy Gou releases a remix package of her acclaimed 2021 'I Go' single, it’s a stellar release featuring some of the most respected names in electronic music - Soulwax, DJ Koze and Maurice Fulton. Named by Pitchfork as one of 2021’s best electronic releases among a host of other accolades (“Her vocals are gentle, but her promise of persistence (“I go I go, I go I go”) feels powerful. Throbbing drum machines further bolster her energizing message, turning a personal pep talk into a lull-crushing banger. A six-minute ’90s dance megamix that feels 10 minutes too short, it definitely goes”) Peggy’s original was an incredible piece of club-focused electronic music that showcased her love of 90s dance anthems. The remix collection has been personally curated by Gou herself, choosing some of her favourite heroes to put their own unique stamp on “I Go” Peggy Gou: “I love 90s house music - which was a big inspiration for I Go - and I love remix culture. For these remixes I reached out to some of my favourite artists and they really delivered! Soulwax, Koze and Maurice are dance music legends and the results are sick”
More
More records from Peggy Gou
1
Peggy Gou - Find The Wa
2
Peggy Gou - Find The Way (Instrumental)
Artist, producer, DJ and cultural trailblazer Peggy Gou returns with her latest single “Find The Way” on Gudu Records. The first new track since the release of her debut album I Hear You, this latest single builds on her recent sonic terrain. Making a midsummer bid for song of the season, on “Find The Way” Gou addictively blends her featherlight breezy vocals with a balmy, technicolour 90s house beat lush with mellow keys, acid tinged synths and hypnotic basslines. 2024 has been a huge year for Gou already with the release of her hotly-anticipated debut album I Hear You on XL Recordings in June. Alongside glowing reviews from The Observer, NME, The Line of Best Fit and more, she’s also graced the covers of Billboard (US), Vogue Germany and L’Officiel Italia. A huge year for her in the live arena too, having played to over a million people in 2023, 2024 has seen a string of high-profile appearances at the likes of the Coachella, Ultra, EDC and Primavera festivals alongside a headline slot on Glastonbury’s Park Stage.
More
1
Peggy Gou - Your Art
2
Peggy Gou - Back To One
3
Peggy Gou - I Believe In Love Again (With Lenny Kravitz)
4
Peggy Gou - All That (Feat. Villano Antillano)
5
Peggy Gou - (It Goes Like) Nanana
6
Peggy Gou - Lobster Telephone
7
Peggy Gou - Seoulsi Peggygou
8
Peggy Gou - I Go
9
Peggy Gou - Purple Horizon
10
Peggy Gou - 1+1=11
Peggy Gou has ascended from underground sensation to global icon by sticking to her own unwavering vision, becoming one of the most in-demand electronic musicians and DJs in the world. Having performed to over a million people worldwide in 2023, the self-managed South Korean-born, Berlin-based producer and artist has blazed her own trail as the first Korean DJ to play Berghain, the first female DJ to headline Ushuaïa Ibiza, and the first woman in over 20 years to appear within the Top 10 of DJ Mag’s annual Top 100 list.
Since 2016, she’s forged a singular blend of club music that’s as forward-thinking as it is nostalgic, finding her global breakthrough with 2018’s Once EP, which birthed hits like “It Makes You Forget (Itgehane),” and “Han Jan.” An essential tastemaker, she runs her music and design label Gudu, through which she issued her 2019 critically acclaimed Moment EP, designs her Kirin and Peggy Goods fashion lines, and sold out her own London Pleasure Gardens festival for four consecutive years. 2024 will see her biggest ever headline London show when she performs to 25,000 people in August
She’s collaborated with everyone from house legend Maurice Fulton (2020’s “Jigoo”) to South Korean counterculture hero OHHYUK (2021’s “Nabi”), and was enlisted for a 2022 remix of Kylie Minogue’s iconic “Can’t Get You Out of My Head.” Referred to as “the world’s hippest DJ” by The Guardian, Gou has graced the cover of Vogue Germany, Vanity Fair Italia, GQ Middle East and Korea, Harper’s Bazaar Malaysia, and others, while boasting collaborations with Louis Vuitton, Hyundai, Ray Ban, Samsung, and Authentic Beauty Concept.
She made 2023’s international song of the summer with “(It Goes Like) Nanana,” which topped singles charts in the Netherlands, Belgium, and Greece, as well as the Billboard Dance Airplay chart. The balmy club hit appears on her highly anticipated debut album I Hear You, which arrives in June on XL Recordings. Also featuring her Lenny Kravitz collaboration “I Believe in Love Again,” the LP sees Gou boldly claiming her voice through the kaleidoscopic lens of ‘90s house music. More
Since 2016, she’s forged a singular blend of club music that’s as forward-thinking as it is nostalgic, finding her global breakthrough with 2018’s Once EP, which birthed hits like “It Makes You Forget (Itgehane),” and “Han Jan.” An essential tastemaker, she runs her music and design label Gudu, through which she issued her 2019 critically acclaimed Moment EP, designs her Kirin and Peggy Goods fashion lines, and sold out her own London Pleasure Gardens festival for four consecutive years. 2024 will see her biggest ever headline London show when she performs to 25,000 people in August
She’s collaborated with everyone from house legend Maurice Fulton (2020’s “Jigoo”) to South Korean counterculture hero OHHYUK (2021’s “Nabi”), and was enlisted for a 2022 remix of Kylie Minogue’s iconic “Can’t Get You Out of My Head.” Referred to as “the world’s hippest DJ” by The Guardian, Gou has graced the cover of Vogue Germany, Vanity Fair Italia, GQ Middle East and Korea, Harper’s Bazaar Malaysia, and others, while boasting collaborations with Louis Vuitton, Hyundai, Ray Ban, Samsung, and Authentic Beauty Concept.
She made 2023’s international song of the summer with “(It Goes Like) Nanana,” which topped singles charts in the Netherlands, Belgium, and Greece, as well as the Billboard Dance Airplay chart. The balmy club hit appears on her highly anticipated debut album I Hear You, which arrives in June on XL Recordings. Also featuring her Lenny Kravitz collaboration “I Believe in Love Again,” the LP sees Gou boldly claiming her voice through the kaleidoscopic lens of ‘90s house music. More
1
Peggy Gou - You Art
2
Peggy Gou - Back To One
3
Peggy Gou - I Believe In Love Again (With Lenny Kravitz)
4
Peggy Gou - All That (Feat. Villano Antillano)
5
Peggy Gou - (It Goes Like) Nanana
6
Peggy Gou - Lobster Telephone
7
Peggy Gou - Seoulsi Peggygou
8
Peggy Gou - I Go
9
Peggy Gou - Purple Horizon
10
Peggy Gou - 1+1=11
CD!
Peggy Gou has ascended from underground sensation to global icon by sticking to her own unwavering vision, becoming one of the most in-demand electronic musicians and DJs in the world. Having performed to over a million people worldwide in 2023, the self-managed South Korean-born, Berlin-based producer and artist has blazed her own trail as the first Korean DJ to play Berghain, the first female DJ to headline Ushuaïa Ibiza, and the first woman in over 20 years to appear within the Top 10 of DJ Mag’s annual Top 100 list.
Since 2016, she’s forged a singular blend of club music that’s as forward-thinking as it is nostalgic, finding her global breakthrough with 2018’s Once EP, which birthed hits like “It Makes You Forget (Itgehane),” and “Han Jan.” An essential tastemaker, she runs her music and design label Gudu, through which she issued her 2019 critically acclaimed Moment EP, designs her Kirin and Peggy Goods fashion lines, and sold out her own London Pleasure Gardens festival for four consecutive years. 2024 will see her biggest ever headline London show when she performs to 25,000 people in August
She’s collaborated with everyone from house legend Maurice Fulton (2020’s “Jigoo”) to South Korean counterculture hero OHHYUK (2021’s “Nabi”), and was enlisted for a 2022 remix of Kylie Minogue’s iconic “Can’t Get You Out of My Head.” Referred to as “the world’s hippest DJ” by The Guardian, Gou has graced the cover of Vogue Germany, Vanity Fair Italia, GQ Middle East and Korea, Harper’s Bazaar Malaysia, and others, while boasting collaborations with Louis Vuitton, Hyundai, Ray Ban, Samsung, and Authentic Beauty Concept.
She made 2023’s international song of the summer with “(It Goes Like) Nanana,” which topped singles charts in the Netherlands, Belgium, and Greece, as well as the Billboard Dance Airplay chart. The balmy club hit appears on her highly anticipated debut album I Hear You, which arrives in June on XL Recordings. Also featuring her Lenny Kravitz collaboration “I Believe in Love Again,” the LP sees Gou boldly claiming her voice through the kaleidoscopic lens of ‘90s house music. More
Peggy Gou has ascended from underground sensation to global icon by sticking to her own unwavering vision, becoming one of the most in-demand electronic musicians and DJs in the world. Having performed to over a million people worldwide in 2023, the self-managed South Korean-born, Berlin-based producer and artist has blazed her own trail as the first Korean DJ to play Berghain, the first female DJ to headline Ushuaïa Ibiza, and the first woman in over 20 years to appear within the Top 10 of DJ Mag’s annual Top 100 list.
Since 2016, she’s forged a singular blend of club music that’s as forward-thinking as it is nostalgic, finding her global breakthrough with 2018’s Once EP, which birthed hits like “It Makes You Forget (Itgehane),” and “Han Jan.” An essential tastemaker, she runs her music and design label Gudu, through which she issued her 2019 critically acclaimed Moment EP, designs her Kirin and Peggy Goods fashion lines, and sold out her own London Pleasure Gardens festival for four consecutive years. 2024 will see her biggest ever headline London show when she performs to 25,000 people in August
She’s collaborated with everyone from house legend Maurice Fulton (2020’s “Jigoo”) to South Korean counterculture hero OHHYUK (2021’s “Nabi”), and was enlisted for a 2022 remix of Kylie Minogue’s iconic “Can’t Get You Out of My Head.” Referred to as “the world’s hippest DJ” by The Guardian, Gou has graced the cover of Vogue Germany, Vanity Fair Italia, GQ Middle East and Korea, Harper’s Bazaar Malaysia, and others, while boasting collaborations with Louis Vuitton, Hyundai, Ray Ban, Samsung, and Authentic Beauty Concept.
She made 2023’s international song of the summer with “(It Goes Like) Nanana,” which topped singles charts in the Netherlands, Belgium, and Greece, as well as the Billboard Dance Airplay chart. The balmy club hit appears on her highly anticipated debut album I Hear You, which arrives in June on XL Recordings. Also featuring her Lenny Kravitz collaboration “I Believe in Love Again,” the LP sees Gou boldly claiming her voice through the kaleidoscopic lens of ‘90s house music. More
1
Peggy Gou - Your Art
2
Peggy Gou - Back To One
3
Peggy Gou - I Believe In Love Again (With Lenny Kravitz)
4
Peggy Gou - All That (Feat. Villano Antillano)
5
Peggy Gou - (It Goes Like) Nanana
6
Peggy Gou - Lobster Telephone
7
Peggy Gou - Seoulsi Peggygou
8
Peggy Gou - I Go
9
Peggy Gou - Purple Horizon
10
Peggy Gou - 1+1=11
Blue Vinyl!
Peggy Gou has ascended from underground sensation to global icon by sticking to her own unwavering vision, becoming one of the most in-demand electronic musicians and DJs in the world. Having performed to over a million people worldwide in 2023, the self-managed South Korean-born, Berlin-based producer and artist has blazed her own trail as the first Korean DJ to play Berghain, the first female DJ to headline Ushuaïa Ibiza, and the first woman in over 20 years to appear within the Top 10 of DJ Mag’s annual Top 100 list.
Since 2016, she’s forged a singular blend of club music that’s as forward-thinking as it is nostalgic, finding her global breakthrough with 2018’s Once EP, which birthed hits like “It Makes You Forget (Itgehane),” and “Han Jan.” An essential tastemaker, she runs her music and design label Gudu, through which she issued her 2019 critically acclaimed Moment EP, designs her Kirin and Peggy Goods fashion lines, and sold out her own London Pleasure Gardens festival for four consecutive years. 2024 will see her biggest ever headline London show when she performs to 25,000 people in August
She’s collaborated with everyone from house legend Maurice Fulton (2020’s “Jigoo”) to South Korean counterculture hero OHHYUK (2021’s “Nabi”), and was enlisted for a 2022 remix of Kylie Minogue’s iconic “Can’t Get You Out of My Head.” Referred to as “the world’s hippest DJ” by The Guardian, Gou has graced the cover of Vogue Germany, Vanity Fair Italia, GQ Middle East and Korea, Harper’s Bazaar Malaysia, and others, while boasting collaborations with Louis Vuitton, Hyundai, Ray Ban, Samsung, and Authentic Beauty Concept.
She made 2023’s international song of the summer with “(It Goes Like) Nanana,” which topped singles charts in the Netherlands, Belgium, and Greece, as well as the Billboard Dance Airplay chart. The balmy club hit appears on her highly anticipated debut album I Hear You, which arrives in June on XL Recordings. Also featuring her Lenny Kravitz collaboration “I Believe in Love Again,” the LP sees Gou boldly claiming her voice through the kaleidoscopic lens of ‘90s house music. More
Peggy Gou has ascended from underground sensation to global icon by sticking to her own unwavering vision, becoming one of the most in-demand electronic musicians and DJs in the world. Having performed to over a million people worldwide in 2023, the self-managed South Korean-born, Berlin-based producer and artist has blazed her own trail as the first Korean DJ to play Berghain, the first female DJ to headline Ushuaïa Ibiza, and the first woman in over 20 years to appear within the Top 10 of DJ Mag’s annual Top 100 list.
Since 2016, she’s forged a singular blend of club music that’s as forward-thinking as it is nostalgic, finding her global breakthrough with 2018’s Once EP, which birthed hits like “It Makes You Forget (Itgehane),” and “Han Jan.” An essential tastemaker, she runs her music and design label Gudu, through which she issued her 2019 critically acclaimed Moment EP, designs her Kirin and Peggy Goods fashion lines, and sold out her own London Pleasure Gardens festival for four consecutive years. 2024 will see her biggest ever headline London show when she performs to 25,000 people in August
She’s collaborated with everyone from house legend Maurice Fulton (2020’s “Jigoo”) to South Korean counterculture hero OHHYUK (2021’s “Nabi”), and was enlisted for a 2022 remix of Kylie Minogue’s iconic “Can’t Get You Out of My Head.” Referred to as “the world’s hippest DJ” by The Guardian, Gou has graced the cover of Vogue Germany, Vanity Fair Italia, GQ Middle East and Korea, Harper’s Bazaar Malaysia, and others, while boasting collaborations with Louis Vuitton, Hyundai, Ray Ban, Samsung, and Authentic Beauty Concept.
She made 2023’s international song of the summer with “(It Goes Like) Nanana,” which topped singles charts in the Netherlands, Belgium, and Greece, as well as the Billboard Dance Airplay chart. The balmy club hit appears on her highly anticipated debut album I Hear You, which arrives in June on XL Recordings. Also featuring her Lenny Kravitz collaboration “I Believe in Love Again,” the LP sees Gou boldly claiming her voice through the kaleidoscopic lens of ‘90s house music. More
1
Peggy Gou - I Go
“I Go” is an incredible piece of club-focused electronic music and showcases a very different sound to previous single “Nabi”. Described by The FADER as “the kind of dazzlement you get from light dancing off of ocean water on a hot day: pure dopamine activating bliss” and Resident Advisor as “a refreshingly low-key jam”, “Nabi” was an evocative piece of slow-burning, 98bpm electronic pop, inspired by 80s synth classics, the piano pieces of renowned composer Erik Satie and the 80s and 90s Korean songs Gou's mother used to play at home during her childhood. “I Go” takes inspiration from a similar era but this time the energy comes from Gou’s love of 90’s dance anthems, many of which she revisited during lockdown and an enforced break from touring. Both retain the hallmarks of Peggy Gou’s unique take on electronic music; at once both nostalgic and totally modern. But on “I Go”, the tempo, 808s and 909s are dialled right up for a self-motivating anthem that is set, to soundtrack a summer when we can all hopefully dance together in our thousands again. TRACKLIST: A1. I Go, B1. I Go (Instrumental) ,B2. I Go (Acapella)
More
1
Peggy Gou - I Go (Soulwax Remix)
2
Peggy Gou - I Go (DJ Koze Remix)
3
Peggy Gou - I Go (Maurice Fulton Remix)
Peggy Gou releases a remix package of her acclaimed 2021 'I Go' single, it’s a stellar release featuring some of the most respected names in electronic music - Soulwax, DJ Koze and Maurice Fulton. Named by Pitchfork as one of 2021’s best electronic releases among a host of other accolades (“Her vocals are gentle, but her promise of persistence (“I go I go, I go I go”) feels powerful. Throbbing drum machines further bolster her energizing message, turning a personal pep talk into a lull-crushing banger. A six-minute ’90s dance megamix that feels 10 minutes too short, it definitely goes”) Peggy’s original was an incredible piece of club-focused electronic music that showcased her love of 90s dance anthems. The remix collection has been personally curated by Gou herself, choosing some of her favourite heroes to put their own unique stamp on “I Go” Peggy Gou: “I love 90s house music - which was a big inspiration for I Go - and I love remix culture. For these remixes I reached out to some of my favourite artists and they really delivered! Soulwax, Koze and Maurice are dance music legends and the results are sick”
More
1
Peggy Gou - No Title
2
Peggy Gou - No Title
Peggy Gou is proud to announce the launch of her own independent record label, Gudu Records. The label’s first release will be the Moment EP - a two-track 12” featuring the tracks ‘Starry Night’ and ‘Han Pan’.
Moment’ sees Gou continue to explore the charismatic facets of her musical and personal identity, drawing on her Korean heritage and language and her love for house & disco’s Eighties heritage, with particular nods to the output of labels such as Prelude and West End Records in the decade’s nascent years.
Gou’s own singing voice, known to so many from last year’s ‘Once’ EP, returns here to confidently guide the rhythm on ‘Starry Night’. Mixing both Korean and English vocals over a tumbling cascade of percussion and piano house keys, the track builds to incorporate layers of instrumental samples and subtle acid lines. Romantic, anthemic and timeless in its feel, it reaffirms Gou’s skill as a songwriter with appeal that resonates beyond crowded dancefloors, not to mention language barriers.
'Han Pan' follows as an instantly rhythmic affair that draws energy from a memorable and delicately tuned pan-drum. Alongside some expert and understated arrangement, as well as another, contrasting vocal performance, ‘Han Pan’ transmits a different but equally powerful energy.
More
Moment’ sees Gou continue to explore the charismatic facets of her musical and personal identity, drawing on her Korean heritage and language and her love for house & disco’s Eighties heritage, with particular nods to the output of labels such as Prelude and West End Records in the decade’s nascent years.
Gou’s own singing voice, known to so many from last year’s ‘Once’ EP, returns here to confidently guide the rhythm on ‘Starry Night’. Mixing both Korean and English vocals over a tumbling cascade of percussion and piano house keys, the track builds to incorporate layers of instrumental samples and subtle acid lines. Romantic, anthemic and timeless in its feel, it reaffirms Gou’s skill as a songwriter with appeal that resonates beyond crowded dancefloors, not to mention language barriers.
'Han Pan' follows as an instantly rhythmic affair that draws energy from a memorable and delicately tuned pan-drum. Alongside some expert and understated arrangement, as well as another, contrasting vocal performance, ‘Han Pan’ transmits a different but equally powerful energy.
More
The 68th edition of the DJ-Kicks mix series is another landmark one, with experimental producer Laurel Halo taking the reins. The American's adventurous 28 track trip features seven exclusives, including two of her own plus those from Rrose, Machinewoman, FIT Siegel, Nick León and Ikonika. An electronic outlier, Halo hails from Ann Arbor, Michigan, but has been based in Berlin for a number of years. Landing on labels like Hyperdub, Honest Jon's and Latency, Halo has released a body of work ranging in style, yet cohered by production and compositional tendencies that sound distinctly her own. Her studio work tends to be a multi-layered mix of the electronic and the acoustic, the organic and the synthetic. As a DJ, meanwhile, she lays down more floor focussed mixes of techno, bass and worldly drum rhythms, and her live sets are similarly visceral and direct. Halo's DJ-kicks packs a lot in to just 60 minutes. It kicks off with the first of two of her own exclusives, 'Public Art', a tactile piano loop that sets the melodic tone of the mix in focus. Crunchy drums soon take over and begin what is a blistering ride through electro, trippy minimalism and textures that range from icy and dubby to steel plated and sharp from the likes of Red Axes, Parris and an exclusive from Rrose. Another exclusive, rough and ready cut from Machinewoman follows, before the mid section twists and turns on surging drum patterns, frantic industrial textures and spaced out gqom sounds from the likes of Griffit Vigo, Dario Zenker and Final Cut. This is a mix forever on the move: one minute its tightly coiled and kinetic, the next it's loose and joyful before switching into more cerebral and insular passages that keep you intrigued. Fusing together so many disparate sounds and textures is no mean feat, but like everything Halo does, here they all add up to something as thrilling and edgy as it is unpredictable and compelling.
CD Tracklisting
01 Laurel Halo - Public Art ** 02 Stallone the Reducer - Always Hate 03 Red Axes - 5 min (feat. CAR) 04 Parris - Puro Rosaceae 05 Rrose - Cricoid Pressure ** 06 Machinewoman - Just Made Some Jazz Music ** 07 WCC - Ana 08 FIT Siegel - Pennyrut ** 09 Yamaoka - Plastic PQ 10 Siete Catorce - Canto 11 Facta - Poliwhirl 12 Laurel Halo & Hodge - The Light Within You 13 Ikonika - Bodied ** 14 Griffit Vigo - A.C.I.D (Electronic Gqom Mix) 15 Panda Lassow - Lachowa 16 Dario Zenker - Koraimer Bro 17 Final Cut - Temptation 18 Aos - Violent Light 19 Geoffrey Landers - Brian's Having a Party 20 Via Maris - Side Effects 21 Laurel Halo - Oneiroi 22 Nick León - Pelican Dub ** 23 Stefan Ringer - Lust 24 Kirk The Flirt - Loser 25 Laurel Halo - Sweetie (DJ-Kicks) ** 26 Blake Baxter - Funky World (Blake Baxter Remix) 27 Kiki Kudo - Freakey Keke 28 Group A - Ketabali 29 Whitefield Brothers - Ntu More
CD Tracklisting
01 Laurel Halo - Public Art ** 02 Stallone the Reducer - Always Hate 03 Red Axes - 5 min (feat. CAR) 04 Parris - Puro Rosaceae 05 Rrose - Cricoid Pressure ** 06 Machinewoman - Just Made Some Jazz Music ** 07 WCC - Ana 08 FIT Siegel - Pennyrut ** 09 Yamaoka - Plastic PQ 10 Siete Catorce - Canto 11 Facta - Poliwhirl 12 Laurel Halo & Hodge - The Light Within You 13 Ikonika - Bodied ** 14 Griffit Vigo - A.C.I.D (Electronic Gqom Mix) 15 Panda Lassow - Lachowa 16 Dario Zenker - Koraimer Bro 17 Final Cut - Temptation 18 Aos - Violent Light 19 Geoffrey Landers - Brian's Having a Party 20 Via Maris - Side Effects 21 Laurel Halo - Oneiroi 22 Nick León - Pelican Dub ** 23 Stefan Ringer - Lust 24 Kirk The Flirt - Loser 25 Laurel Halo - Sweetie (DJ-Kicks) ** 26 Blake Baxter - Funky World (Blake Baxter Remix) 27 Kiki Kudo - Freakey Keke 28 Group A - Ketabali 29 Whitefield Brothers - Ntu More
When Peggy Gou released her debut EP 'Art of War' in 2016, she made a list of career goals. One of them was to become the first South Korean DJ to play Berlin's techno institution Berghain, an objective she achieved only a few months later. Another item on that list was to record an instalment of !K7's DJ-Kicks series. "It's the premier class of DJ mixes," she says. "Some of my favourite selectors have contributed to it." Now Peggy Gou can tick that off her list too as she proudly presents the 69th edition of the mix series. The Berliner-by-choice started working on the mix last year. It was a busy time for the 28-year-old: she'd just scored her first Mixmag cover and her single 'It Makes You Forget (Itgehane)' was receiving awards and critical acclaim. Each month she would DJ in 20 nightclubs all over the world. And yet, the goal for her mix was ambitious: instead of trying to capture the energy of her DJ sets, she aimed to create a portrayal of her own musical journey. An 18-track listening session that takes you straight into Peggy Gou's living room where she plays you the formative tunes from her collection. No genre boundaries - she moves across disco, house, techno and electro. No tempo limits - the mix ranges from 90 to 150 BPM. And no age restriction - the earliest tunes on the mix are from 1983
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More records from Gudu Records
1
Brain de Palma - Rhythmption
2
Brain de Palma - Sirens
3
Brain de Palma - Cardiopalma
4
Brain de Palma - Brainbow
5
Brain de Palma - Mind The Gap
6
Brain de Palma - Ocean Whispers
7
Brain de Palma - U Ya Kwini ft. Victor Kwality
8
Brain de Palma - Dahab Express
Peggy Gou’s Gudu Records is proud to present the label’s first ever album, from someone who’s been part of the family since the start: Brain de Palma. Born in Ukraine, settling as a child in Turin and spending three years in Egypt before settling in his current home of Berlin, Alexei Versino has one hell of a story. Musically, he’s been around for a decade now, releasing his previous music (solo as Panama Keys, and also as one half of the duo Stump Valley) on labels like Dekmantel, Soul Clap and Off Minor, before settling on Gudu with his Brain de Palma alias. But personally, his relationship to music goes much deeper: as a young child growing up in the former Soviet Union, a lot of European music was banned, so he relied on his well-travelled uncle to bring him back smuggled cassettes of Italo Disco, Depeche Mode, Kraftwerk, Erasure and early DJ mixes – getting an illicit musical education behind closed doors as a child. He still carries that underground mindset to this day: the press release for his last Gudu EP, Purple Brain, reads: “dedicated to all the ravers, DJs, aficionados who had to go through the lockdowns … a shout out to people who keep on fighting for the underground culture!”. The perfect candidate for Gudu’s first album, then. Comprising eleven tracks made across the past year, Versino describes Rhythmption as “my redemption through rhythm”, and a tribute to “seeing people enjoying themselves on the dancefloor, that feeling of unity where people become one thing, regardless of their life path or social status.” Opening with the gorgeous ‘Thandolwami’ (featuring South African vocalist Sfiso Atomza), Rhythmption charts a path through sun-drenched Balearic house, stuttering drum work-outs, Italo-inspired synth romps, trancey house and even a touching tribute to his former home of Egypt, taking in every aspect of Versino’s journey to date. After all, it’s not all about the destination, it’s also the sights you see along the way.
More
1
Peggy Gou - Find The Wa
2
Peggy Gou - Find The Way (Instrumental)
Artist, producer, DJ and cultural trailblazer Peggy Gou returns with her latest single “Find The Way” on Gudu Records. The first new track since the release of her debut album I Hear You, this latest single builds on her recent sonic terrain. Making a midsummer bid for song of the season, on “Find The Way” Gou addictively blends her featherlight breezy vocals with a balmy, technicolour 90s house beat lush with mellow keys, acid tinged synths and hypnotic basslines. 2024 has been a huge year for Gou already with the release of her hotly-anticipated debut album I Hear You on XL Recordings in June. Alongside glowing reviews from The Observer, NME, The Line of Best Fit and more, she’s also graced the covers of Billboard (US), Vogue Germany and L’Officiel Italia. A huge year for her in the live arena too, having played to over a million people in 2023, 2024 has seen a string of high-profile appearances at the likes of the Coachella, Ultra, EDC and Primavera festivals alongside a headline slot on Glastonbury’s Park Stage.
More
1
Peggy Gou - I Go
“I Go” is an incredible piece of club-focused electronic music and showcases a very different sound to previous single “Nabi”. Described by The FADER as “the kind of dazzlement you get from light dancing off of ocean water on a hot day: pure dopamine activating bliss” and Resident Advisor as “a refreshingly low-key jam”, “Nabi” was an evocative piece of slow-burning, 98bpm electronic pop, inspired by 80s synth classics, the piano pieces of renowned composer Erik Satie and the 80s and 90s Korean songs Gou's mother used to play at home during her childhood. “I Go” takes inspiration from a similar era but this time the energy comes from Gou’s love of 90’s dance anthems, many of which she revisited during lockdown and an enforced break from touring. Both retain the hallmarks of Peggy Gou’s unique take on electronic music; at once both nostalgic and totally modern. But on “I Go”, the tempo, 808s and 909s are dialled right up for a self-motivating anthem that is set, to soundtrack a summer when we can all hopefully dance together in our thousands again. TRACKLIST: A1. I Go, B1. I Go (Instrumental) ,B2. I Go (Acapella)
More
1
Lady Blacktronika - Baby I Got It
2
Lady Blacktronika - Hold My Hand (Octo Octa's Sapphic Trails In Bloom Mix)
3
Lady Blacktronika - Sing the Blues
4
Lady Blacktronika - Hold My Hand
Following her contribution to this Spring’s Gudu & Friends Vol. 1 compilation, Lady Blacktronika steps out with a full EP for Peggy Gou’s Gudu label. Whether operating as Lady Blacktronika or her Femanyst alias, Akua Grant has built a deserved reputation as one of house and techno’s most daring and unique artists - one that dates back 25 years now, when she first debuted as a vocalist. “House and techno” can be a cliched catch-all term, but in Grant’s case, she really has explored the extremes of both sides. Her early Lady Blacktronika work, when she earned the nickname The First Lady of Beatdown, saw her produce and narrate a style of deep house that was both sensitive and transgressive, while as Femanyst, she explores some of techno’s darkest corners, all distorted kicks and serrated edges. Her EP for Gudu kicks off with some serious intent: ‘Baby I Got It’ chops its vocals rough and raw, pairing them with marching drums and the sort of idiosyncratic synth-work that feels like a Blacktronika signature at this point. ‘Sing the Blues’ and ‘Hold My Hand’ take things smoother, but without ever deferring to type — as ever with Grant’s music, she works with such sleight of hand that it’s easy to skip back three minutes previous and wonder how the hell we got here. Her tracks are just that hypnotic and hallucinatory. Closing the EP, Octo Octa provides a remix of ‘Hold My Hand’ that extends things to a full 12 minutes (note: slightly shorter on the vinyl due to time constraints), taking us out with crushed percs and held pads over some undeniable drum work. This EP marks the final release of Gudu’s busiest year to date, with music on the label in 2023 coming from Special Request, Matisa, Mogwaa, Hiver, Matrefakt, DMX Krew, Dukwa, Brain de Palma, Lady Blacktronika, Salamanda and Closet Yi.
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1
Hiver - Dream Universe (Vocal Mix)
2
Hiver - Purple Phaze
3
Hiver - Lodash
4
Hiver - Higher Space
Gudu Records label continues a 2023 for the books with Dream Universe, a new four-track EP by Italian duo Hiver. Based in Milan, Giuseppe Albrizio and Sergio Caio have spent the last decade honing a very special take on electro and machine funk, driven by the duo’s trademark basslines, glossy strings that drip with emotion and an overall utopian nature. On Dream Universe, a “tribute to early ‘90s house and trance”, built around trance elements, acid bass and Detroit-inspired rhythms made on iconic synthesizers like the Alpha Juno, Juno 106 and the Roland 303, 909 and D-550, they pack more energy and emotion into their music than ever before, from the high-emotional vocal that defines the EP’s title track, to the raw bass hits that drive ‘Lodash’. At this point, Hiver’s sound is so distinctive that you know one of their tracks the minute you hear it, but Dream Universe feels like the high water mark of their work to date; a duo in complete control of their craft
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1
Special Request x Novelist - Sliver (KETTAMA Remix)
2
Special Request x Novelist - Sliver (Tim Reaper Remix)
Gudu Records is proud to present remixes of Special Request and Novelist’s grime-meets-techno Summer anthem ‘Sliver’ - by two of club music’s modern-day heavyweights in KETTAMA and Tim Reaper. In Special Request’s words: “I chose Tim Reaper and KETTAMA because they are both 100% top-table practitioners of machine funk. They both delivered the goods in completely different ways and illuminate new paths with this song. Both mixes have been causing havoc in our sets and I can’t wait for people to hear them.” Both remixes are out now on all platforms, with a limited 12” release available to pre-order now. It continues a stand-out 2023 for Peggy Gou’s record label, which has already seen releases from Special Request & Novelist, Mogwaa, Matisa, Hiver, Matrefakt and DMX Krew, as well as the inaugural entry in Gudu & Friends - a new annual compilation series which introduced Salamanda, Closet Yi, Lady Blacktronika and more to the roster.
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1
Special Request, Novelist - Sliver ft. Novelist
2
Special Request, Novelist - Sliver (Instrumental)
Gudu Records is proud to welcome Special Request - aka Paul Woolford - for his first release for the label, a collaboration with constantly innovating London MC Novelist. Pairing Novelist’s unmistakable cadence and flow with classic grime square-waves and booty house-esque drums, ‘Sliver’ has been a highlight of both Special Request and label boss Peggy Gou’s recent sets, climaxing in a tempo change designed to turn the dancefloor inside out. As potent in intimate dark rooms as it is festival main stages, you’ll be hearing this one all Summer and beyond.
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1
Special Request x Mumdance - - Exotic Golfcourse
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Special Request - - Sliver (feat. Novelist)
3
Mumdance - - Four Years
Two of dance music’s most innovative minds, Special Request (aka Paul Woolford) and Mumdance join forces on a new EP for Peggy Gou’s Gudu Records. Between them, Special Request and Mumdance have been responsible for some of dance music’s most exciting, game-changing and downright thrilling releases of the last 15 years, both driven by a restless desire for creativity and collaboration and an innate knowledge of what came before them. Running through their individual back catalogues would take all day, but ‘Vortex’, ’Offworld’, ‘Soul Music’, ‘Bedroom Tapes’? ‘Take Time’, ‘1 Sec’, ‘Twists & Turns’, ‘Proto’? At this point, these are dance music heritage. Started initially as a Mumdance remix of Woolford’s classic ‘Erotic Discourse’ that morphed into something else entirely, the pair’s collaboration ‘Exotic Golfcourse’ opens the EP. A six and a half minute epic that’s been stunning crowds for the best part of a year in both artists’ sets (not to mention Peggy’s), it’s precision-tooled for peak-time moments — forget twists and turns, this is handbrakes, donuts and loop-the-loops. Speaking of twists, Special Request then teams up with South London MC Novelist (who previously collaborated with Mumdance on game-changing grime collaborations in 2014 and 2015) on ‘Sliver’, finding the sweet spot between classic grime synths and booty-house-esque drums, and climaxing in a tempo change designed to turn the dancefloor inside out. Finally, Mumdance closes things solo on ‘Four Years’, working a Bangalter-esque loop for all it’s worth on the EP’s most outright emotional moment. By the time those chopped vocals, drum rushes and guitar solo (!) have played their part, and the track comes back in for that almighty second drop, it’s an outpouring of capital F Feelings that few can match. Exotic Golfcourse is two of dance music’s brightest minds and most impassioned souls on their absolute A-game — expect to hear these tracks all Summer and beyond.
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Mogwaa - Driven
2
Mogwaa - Chances For Bounces
3
Mogwaa - Rushing
4
Mogwaa - Driven (Mr. Ho Remix)
Mogwaa returns to Peggy Gou’s Gudu label with Drifted, his second EP for the imprint and a perfect summary of what makes him one of Korea’s most exciting contemporary artists - complete with a remix by Klasse Werks founder Mr. Ho. A staple of Seoul’s electronic scene, Mogwaa’s catalogue takes in everything from ambient to jungle - but at the centre of his music, there’s always a distinct sense of melody and pure compositional chops that defines his music regardless of style or tempo. Put simply, you know a Mogwaa track when you hear one. Quicker in tempo than his last EP for Gudu, Drifted opens with ‘Driven’ - a combo of chopped-up breaks and a relentless riff that does just what the title implies - before Mogwaa really flexes those melodic chops on ‘Chances for Bounces’, getting heady with synthesized voices and an almost Detroit-leaning bassline over an 808 groove. ‘Rushing’ takes things further into peaktime with an acid bassline and some nifty automation to keep things ascending, before Mr. Ho’s remix of ‘Driven’ closes the EP on a dreamy techno tip. Following several European runs last year that saw Mogwaa perform at Warehouse Project, Pleasure Gardens and more, plus a Boiler Room in Seoul alongside Anz, Sharda, Finn, Closet Yi and Seesea, Drifted is another snapshot into the sound world of this remarkable talent.
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DMX Krew - Return To Jupiter
2
DMX Krew - Altered Chords
3
DMX Krew - U Ain’t Really Down
4
DMX Krew - I Love Juan
Today [21st March 2023] DMX Krew announces his return to Peggy Gou's Gudu Records with a new four-track EP, sharing the dreamy, Detroit-inspired title track, ‘Return to Jupiter’. The full EP - out 14th April 2023 - will be his second release for the label and Gudu’s first release of 2023, set to be the label’s busiest year yet. Ed DMX made his debut for Gudu with 2019’s Don’t You Wanna Play? EP, becoming the first artist to release on the label outside Peggy herself. Ed and Gudu have retained a regular working relationship ever since: he mastered Indonesian crate-digger Dea’s ‘Glazer Drum’ release for Gudu, contributed a pair of remixes to the reissue of Riff’s South African electro curio ‘Jacks Jive’, and now returns to the label with Return to Jupiter, a new original four-track EP. Ed has been one of electronic music’s most respected faces for over 25 years. Debuting in the mid-1990s, he released his first decade of music almost exclusively through Grant Wilson-Claridge and Aphex Twin’s Rephlex label and his own Breakin’ imprint, but recent years have seen him ply his trade across a who’s who of dance music’s most respected underground labels: including Hypercolour, Balkan Vinyl, Central Processing Unit and, of course, Gudu. Inspired by the futurist funk and vivid synthesiser epics of classic Detroit, ‘Return to Jupiter’ is dripping with richness and colour, driven by the sort of thick analogue basslines and distinctive melodies that have come to define Ed’s catalogue. The EP’s title track sets the tone for what’s to follow, introducing a language of sorts for the record - before ‘Altered Chords’ turns the funk up to 11, ‘U Ain’t Down’ aims its distorted kicks and wiggy, manipulated lead straight at peak time dancefloors, and ‘I Love Juan’ closes the EP on a star-gazing tip.
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1
Brain De Palma - IQarus
2
Brain De Palma - IQarus (Deniro Remix)
3
Brain De Palma - Purple Brain
4
Brain De Palma - O.W.D. (Once Were Dancers)
Peggy Gou’s Gudu Records steps into 2022 with Brain De Palma’s second EP for the label, Purple Brain. Although this is only his second release under the Brain De Palma name, Alexei Versino has been honing his sound for the best part of a decade, both solo (as Panama Keys) and as one half of the duo Stump Valley, previously releasing on labels like Dekmantel, Soul Clap and Off Minor. Born in Ukraine but settling as a child in Turin, he’s currently based in Berlin and makes up a key part of the Gudu stable. Coming straight out the gate with an instantly impactful bassline, opening track ‘IQarus’ sets the tone for the rest of Purple Brain: bold melodies and basslines shot in high-definition, full of detail and idiosyncrasies. As with his last EP for Gudu, cinema is a key reference for Brain de Palma: ‘IQarus’ is a reference to his directorial namesake’s first film, while later in the EP, ‘(O.W.D.) Once Were Dancers’ nods to the 1994 drama Once Were Warriors, “dedicated to all the ravers, DJs, aficionados who had to go through the lockdowns … a shout out to people who keep on fighting for the underground culture!” Elsewhere on the EP, ‘Purple Brain’ pairs an unforgettable arpeggio with stargazing stabs and a marching cowbell beat, while the Netherlands’ Deniro takes ‘IQarus’ into the depths of the night with a cosmic remix that grabs hold of a groove and refuses to let go.
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A staple of South Korea's electronic scene, Mogwaa debuts on Peggy Gou's Gudu label, following well-received singles on labels like Klasse Tracks and Star Creature. Follows the release of Peggy Gou's 'I Go' remixes (Soulwax, DJ Koze & Maurice Fulton) and new EPs on the label from Hiver and Brain de Palma.
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Peggy Gou - I Go (Soulwax Remix)
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Peggy Gou - I Go (DJ Koze Remix)
3
Peggy Gou - I Go (Maurice Fulton Remix)
Peggy Gou releases a remix package of her acclaimed 2021 'I Go' single, it’s a stellar release featuring some of the most respected names in electronic music - Soulwax, DJ Koze and Maurice Fulton. Named by Pitchfork as one of 2021’s best electronic releases among a host of other accolades (“Her vocals are gentle, but her promise of persistence (“I go I go, I go I go”) feels powerful. Throbbing drum machines further bolster her energizing message, turning a personal pep talk into a lull-crushing banger. A six-minute ’90s dance megamix that feels 10 minutes too short, it definitely goes”) Peggy’s original was an incredible piece of club-focused electronic music that showcased her love of 90s dance anthems. The remix collection has been personally curated by Gou herself, choosing some of her favourite heroes to put their own unique stamp on “I Go” Peggy Gou: “I love 90s house music - which was a big inspiration for I Go - and I love remix culture. For these remixes I reached out to some of my favourite artists and they really delivered! Soulwax, Koze and Maurice are dance music legends and the results are sick”
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Peggy Gou - No Title
2
Peggy Gou - No Title
Peggy Gou is proud to announce the launch of her own independent record label, Gudu Records. The label’s first release will be the Moment EP - a two-track 12” featuring the tracks ‘Starry Night’ and ‘Han Pan’.
Moment’ sees Gou continue to explore the charismatic facets of her musical and personal identity, drawing on her Korean heritage and language and her love for house & disco’s Eighties heritage, with particular nods to the output of labels such as Prelude and West End Records in the decade’s nascent years.
Gou’s own singing voice, known to so many from last year’s ‘Once’ EP, returns here to confidently guide the rhythm on ‘Starry Night’. Mixing both Korean and English vocals over a tumbling cascade of percussion and piano house keys, the track builds to incorporate layers of instrumental samples and subtle acid lines. Romantic, anthemic and timeless in its feel, it reaffirms Gou’s skill as a songwriter with appeal that resonates beyond crowded dancefloors, not to mention language barriers.
'Han Pan' follows as an instantly rhythmic affair that draws energy from a memorable and delicately tuned pan-drum. Alongside some expert and understated arrangement, as well as another, contrasting vocal performance, ‘Han Pan’ transmits a different but equally powerful energy.
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Moment’ sees Gou continue to explore the charismatic facets of her musical and personal identity, drawing on her Korean heritage and language and her love for house & disco’s Eighties heritage, with particular nods to the output of labels such as Prelude and West End Records in the decade’s nascent years.
Gou’s own singing voice, known to so many from last year’s ‘Once’ EP, returns here to confidently guide the rhythm on ‘Starry Night’. Mixing both Korean and English vocals over a tumbling cascade of percussion and piano house keys, the track builds to incorporate layers of instrumental samples and subtle acid lines. Romantic, anthemic and timeless in its feel, it reaffirms Gou’s skill as a songwriter with appeal that resonates beyond crowded dancefloors, not to mention language barriers.
'Han Pan' follows as an instantly rhythmic affair that draws energy from a memorable and delicately tuned pan-drum. Alongside some expert and understated arrangement, as well as another, contrasting vocal performance, ‘Han Pan’ transmits a different but equally powerful energy.
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Hiver - The Initiative
2
Hiver - Vapour
3
Hiver - Entangle
4
Hiver - Stateless
Gudu Records continues a busy start to 2022 with Italian due Hiver’s debut for the label - a high-definition EP that draws on classic electro and techno, following the group’s acclaimed past releases for Curle Recordings, Bokhari and Deeplabs. A record that both marks and celebrates Hiver’s 10 years of operation, ‘Wave Sliding’ wears its influences on its sleeve: lead track ‘The Initiative’ is a “tribute to Detroit’s Hi-Tech Funk of the early 2000s”, lead by the sort of ostinato bassline and legato strings that have become Hiver’s trademark. ‘Vapour’ and ‘Entangle’ continue the EP’s retro-futurist outlook, drawing on sci-fi imagery and themes of travel, while ‘Stateless’ looks to the “easy-trance” sounds of 90s dancefloors for inspiration. Together, the tracks mark a perfect summary of Hiver’s vision of the dancefloor - bound together by vibrant colours and a starry-eyed, utopian nature.
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1
Riff - Jack's Jive
2
Riff - Jack's Jive (DMX Krew Remix)
3
Riff - Jack's Jive (DMX Krew Extended Remix)
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Dea - Glazer Drum
2
Dea - Zaria Sto Chaos
3
Dea - Mahfudzot
4
Dea - Mahfudzot (I:Cube Remix)
Peggy Gou’s Gudu Records presents a landmark EP of original music by Dea - a legendary Indonesian DJ and artist who counts DJ Harvey, Mr. Scruff and Gilles Peterson (who famously claimed that Dea was the best DJ he’d seen in a decade after watching him spin in 2017) among his admirers. Making his name in Indonesia’s Sun Down Circle collective, Dea has gone from one of his country’s best-kept secrets to one of the world’s most respected diggers and DJs. His EP for Gudu is his most extensive collection of solo music yet, backed with a transcendent remix by I:Cube - the few-more-acclaimed French artist famed for trading remixes with Daft Punk in the 90s and decades of brilliant solo music since.
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Peggy Gou feat. OHHYUK - Nabi
Peggy Gou returns with 'Nabi' - her first single in over two years and the follow up to 2019's global crossover, 'Starry Night'.
'Nabi' is an incredible piece of slow-burning, 98bpm electronic pop, inspired by 80s synth classics, the piano pieces of renowned composer Erik Satie and the 80s and 90s Korean songs Gou’s mother used to play at home during her childhood. Showcasing a less familiar side of Gou’s diverse sound and influences, it retains the hallmarks of her unique take on electronic music; at once both nostalgic and totally modern.
‘Nabi’ - which translates as ‘Butterfly’ - is also Gou’s first ever vocal collaboration, as she teams up with fellow Korean sensation OHHYUK, the lead singer and guitarist in Hyukoh. It’s set to build on the widespread acclaim for her 2020 production collaboration with Baltimore techno legend Maurice Fulton (on his ‘Jigoo’ release for Gudu), ‘Nabi’ is the first of two songs Peggy Gou will release over the coming months.
While the forthcoming follow up is set to dial up the tempo, kicks, 808’s and 909s to soundtrack a summer where we can all (hopefully) dance together in our thousands again, ‘Nabi’ is very much the sound of now – a lowkey anthem fuelled by feelings of hope, freedom and positivity for what’s to come.
Tracklist
A : Nabi
Produced by Peggy Gou
Written by Peggy Gou & OHHYUK
Lyrics by OHHYUK & Maktoop
Mastered by Frank Merritt at The Carvery
Artwork by Inji Seo
Typography by Colin Doerffler More
'Nabi' is an incredible piece of slow-burning, 98bpm electronic pop, inspired by 80s synth classics, the piano pieces of renowned composer Erik Satie and the 80s and 90s Korean songs Gou’s mother used to play at home during her childhood. Showcasing a less familiar side of Gou’s diverse sound and influences, it retains the hallmarks of her unique take on electronic music; at once both nostalgic and totally modern.
‘Nabi’ - which translates as ‘Butterfly’ - is also Gou’s first ever vocal collaboration, as she teams up with fellow Korean sensation OHHYUK, the lead singer and guitarist in Hyukoh. It’s set to build on the widespread acclaim for her 2020 production collaboration with Baltimore techno legend Maurice Fulton (on his ‘Jigoo’ release for Gudu), ‘Nabi’ is the first of two songs Peggy Gou will release over the coming months.
While the forthcoming follow up is set to dial up the tempo, kicks, 808’s and 909s to soundtrack a summer where we can all (hopefully) dance together in our thousands again, ‘Nabi’ is very much the sound of now – a lowkey anthem fuelled by feelings of hope, freedom and positivity for what’s to come.
Tracklist
A : Nabi
Produced by Peggy Gou
Written by Peggy Gou & OHHYUK
Lyrics by OHHYUK & Maktoop
Mastered by Frank Merritt at The Carvery
Artwork by Inji Seo
Typography by Colin Doerffler More
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Jay Richford and Gary Stevan - A1 : Flying High (3:35)
2
Jay Richford and Gary Stevan - A2 : Going Home (2:46)
3
Jay Richford and Gary Stevan - A3 : Walking In The Dark (4:42)
4
Jay Richford and Gary Stevan - A4 : Fighting For Life (3:37)
5
Jay Richford and Gary Stevan - A5 : Feeling Tense (4:05)
6
Jay Richford and Gary Stevan - B1 : Running Fast (4:42)
7
Jay Richford and Gary Stevan - B2 : Loving Tenderly (3:27)
8
Jay Richford and Gary Stevan - B3 : Fearing Much (3:35)
9
Jay Richford and Gary Stevan - B4 : Being Friendly (2:54)
10
Jay Richford and Gary Stevan - B5 : Having Fun (4:00)
2023 repress
Format Notes: 140g vinyl, remastered from the original tapes
Territories:
Worldwide no restrictions
Track List:
A1 : Flying High (3:35)
A2 : Going Home (2:46)
A3 : Walking In The Dark (4:42)
A4 : Fighting For Life (3:37)
A5 : Feeling Tense (4:05)
B1 : Running Fast (4:42)
B2 : Loving Tenderly (3:27)
B3 : Fearing Much (3:35)
B4 : Being Friendly (2:54)
B5 : Having Fun (4:00)
Release Notes:
More than once Jay Richford and Gary Stevan’s Feelings has been described as the greatest library record ever released. Of course Be With can’t be seen to be playing favourites, but we have to admit, it’s pretty good. Insanely rare and immensely sought-after, it’s a tough funk, street jazz masterpiece coveted for many years by collectors of all musical genres.
Since its original release on Italian label Carosello in 1974, Feelings has appeared on several labels with different sleeves and even under a different artist. Indeed cult library label Conroy put it out in one of their iconic red sleeves in 1976 and yes, Feelings has indeed had more than one modern re-issue since these “original” releases. But a record this special deserves to be kept in press and we think it deserves the Be With treatment.
No, Jay Richford and Gary Stevan aren’t two of the most Italian sounding names. As the story goes these were the pseudonyms adopted by Stefano Torossi and Giancarlo Gazzani who wrote the album but couldn’t use their real names on the original release for legal reasons. But Stefano Torossi himself later both clarified and confused the tale further by explaining that Feelings was the work of four people not just Gazzani and himself. Fellow composers and musicians Sandro Brugnolini and Puccio Roelens also worked on the album and as Torossi himself explained “we all worked together”, with all four gents “dividing the royalties in equal parts… that’s the story.” Right, so, with that all sorted out let’s get back to talking about the music. And what music it is.
Long hailed as a holy grail of library music, Feelings is the epitome of the sort of cinematic orchestral jazzy funk that is “that 70s library music sound”. Infectiously funky, deliciously melodic and with impeccible, elegant production, this record is the showcase for a stunning set of compositions and arrangements and with performances that are nothing short of virtuoso.
The record’s first side lifts off with “Flying High”, soaring brilliant and shimmering. Funk licks, menacing strings and swaggering horns combine for an ice-cold intro groove that Isaac Hayes would surely have envied, before the steady-paced drums deliver the slo-mo TKO. The string-drenched cop-funk of “Going Home” raises the tempo. All funky quick-fire bass lines and killer electric guitar soloing. A real thriller.
“Walking In The Dark” positively drips in blaxploitation-funk drama strings and horn struts, all laced with delicate drums, velvet piano and more filthy wah-wah. “Fighting For Life” is another funk-fuelled workout built around an effortlessly relentless drum track that refuses to give up until even the stiffest-necked head is nodding.
The loping, open drum break that guides the much-loved “Feeling Tense” through its early stages would be good enough on its own. The heavy bass gloss, swirling strings and ominous horns that follow take things to the next level.
The second side opens with another favourite “Running Fast”, and the track does precisely that. This is one fine rollicking chase theme underpinned by frenetic (yet funky) Fender Rhodes and skipping bass and drums. Those sweeping strings are a gorgeous extra. It’s a deliciously feel-good groove that sets the heart racing.
“Loving Tenderly” envelops us in warm, velvety night-time vibes with easy listening horns and slinky strings dialing up the seduction. Definitely one for the lithe lovers out there. The pace picks up on the electrifying “Fearing Much” where strings dart around deep bass, buzzing guitars and another funky drum break. The lush, melancholic “Being Friendly” is another easy beauty, all warm Rhodes and strings. Majestic stuff that puts an aural arm around you. The climactic “Having Fun” rides a pulsating, bass-heavy drum break with snatches of a funky guitar refrain, some luxurious keys, sweeping strings and triumphant horns. Sensational.
“Feelings” is a profoundly appropriate title for such an emotionally funky and genuinely affecting record. Groove-laden bass, irrepressible horns, sweet flute lines, warm Rhodes, lush string arrangements, blaxploitation-styled wah-wah guitars and so, so much more make this one of the finest instrumental soul LPs of the 70s, if not of all time.
The audio for this re-issue of Feelings comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis and cut by Pete Norman. The same care has been taken by the Be With team to restore that glorious original Carosello sleeve. Feelings is almost too good to be true. Feels good all over.
More
Format Notes: 140g vinyl, remastered from the original tapes
Territories:
Worldwide no restrictions
Track List:
A1 : Flying High (3:35)
A2 : Going Home (2:46)
A3 : Walking In The Dark (4:42)
A4 : Fighting For Life (3:37)
A5 : Feeling Tense (4:05)
B1 : Running Fast (4:42)
B2 : Loving Tenderly (3:27)
B3 : Fearing Much (3:35)
B4 : Being Friendly (2:54)
B5 : Having Fun (4:00)
Release Notes:
More than once Jay Richford and Gary Stevan’s Feelings has been described as the greatest library record ever released. Of course Be With can’t be seen to be playing favourites, but we have to admit, it’s pretty good. Insanely rare and immensely sought-after, it’s a tough funk, street jazz masterpiece coveted for many years by collectors of all musical genres.
Since its original release on Italian label Carosello in 1974, Feelings has appeared on several labels with different sleeves and even under a different artist. Indeed cult library label Conroy put it out in one of their iconic red sleeves in 1976 and yes, Feelings has indeed had more than one modern re-issue since these “original” releases. But a record this special deserves to be kept in press and we think it deserves the Be With treatment.
No, Jay Richford and Gary Stevan aren’t two of the most Italian sounding names. As the story goes these were the pseudonyms adopted by Stefano Torossi and Giancarlo Gazzani who wrote the album but couldn’t use their real names on the original release for legal reasons. But Stefano Torossi himself later both clarified and confused the tale further by explaining that Feelings was the work of four people not just Gazzani and himself. Fellow composers and musicians Sandro Brugnolini and Puccio Roelens also worked on the album and as Torossi himself explained “we all worked together”, with all four gents “dividing the royalties in equal parts… that’s the story.” Right, so, with that all sorted out let’s get back to talking about the music. And what music it is.
Long hailed as a holy grail of library music, Feelings is the epitome of the sort of cinematic orchestral jazzy funk that is “that 70s library music sound”. Infectiously funky, deliciously melodic and with impeccible, elegant production, this record is the showcase for a stunning set of compositions and arrangements and with performances that are nothing short of virtuoso.
The record’s first side lifts off with “Flying High”, soaring brilliant and shimmering. Funk licks, menacing strings and swaggering horns combine for an ice-cold intro groove that Isaac Hayes would surely have envied, before the steady-paced drums deliver the slo-mo TKO. The string-drenched cop-funk of “Going Home” raises the tempo. All funky quick-fire bass lines and killer electric guitar soloing. A real thriller.
“Walking In The Dark” positively drips in blaxploitation-funk drama strings and horn struts, all laced with delicate drums, velvet piano and more filthy wah-wah. “Fighting For Life” is another funk-fuelled workout built around an effortlessly relentless drum track that refuses to give up until even the stiffest-necked head is nodding.
The loping, open drum break that guides the much-loved “Feeling Tense” through its early stages would be good enough on its own. The heavy bass gloss, swirling strings and ominous horns that follow take things to the next level.
The second side opens with another favourite “Running Fast”, and the track does precisely that. This is one fine rollicking chase theme underpinned by frenetic (yet funky) Fender Rhodes and skipping bass and drums. Those sweeping strings are a gorgeous extra. It’s a deliciously feel-good groove that sets the heart racing.
“Loving Tenderly” envelops us in warm, velvety night-time vibes with easy listening horns and slinky strings dialing up the seduction. Definitely one for the lithe lovers out there. The pace picks up on the electrifying “Fearing Much” where strings dart around deep bass, buzzing guitars and another funky drum break. The lush, melancholic “Being Friendly” is another easy beauty, all warm Rhodes and strings. Majestic stuff that puts an aural arm around you. The climactic “Having Fun” rides a pulsating, bass-heavy drum break with snatches of a funky guitar refrain, some luxurious keys, sweeping strings and triumphant horns. Sensational.
“Feelings” is a profoundly appropriate title for such an emotionally funky and genuinely affecting record. Groove-laden bass, irrepressible horns, sweet flute lines, warm Rhodes, lush string arrangements, blaxploitation-styled wah-wah guitars and so, so much more make this one of the finest instrumental soul LPs of the 70s, if not of all time.
The audio for this re-issue of Feelings comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis and cut by Pete Norman. The same care has been taken by the Be With team to restore that glorious original Carosello sleeve. Feelings is almost too good to be true. Feels good all over.
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1
Arthur Russell - IN THE LIGHT OF THE MIRACLE
2
Arthur Russell - IN THE LIGHT OF THE MIRACLE - PONYTAIL CLUB MIX (PARTS 1 & 2)
Format Notes: 2024 first-time 12" single release of previously white label only tracks, 140g vinyl, mastered by Simon Francis
Track List:
A1 IN THE LIGHT OF THE MIRACLE (13:26 min)
B1 IN THE LIGHT OF THE MIRACLE - PONYTAIL CLUB MIX (PARTS 1 & 2) (14:10 min)
Release Notes:
FINALLY! The very first commercial release of two legendary remixes of Arthur Russell's "In The Light Of The Miracle". Both are widely regarded as transcendent masterpieces and very much befitting of the title “holy grails”.
These long-beloved mixes are the types you'd wish would last for eternity. With almost 30 minutes of music here, we very nearly get our desires granted. At last, these jaw-dropping mixes are widely available to every Arthur fan in the world. This is musical perfection.
The deep Loft classic "In The Light Of The Miracle" remained unreleased during Arthur's lifetime, finally discovered when Phillip Glass included the original version on Another Thought on Point Music in 1993. As Steve Knutson told us, when Another Thought was being put together, the plan was to release a companion album of remixes that was overseen by Steve D'Aquisto but the project only got as far as these two remixes of "In The Light Of The Miracle".
Some dodgy scans of some centre label designs suggest that Point Music might’ve been planning to release these on a 12" but it didn’t happen. The story goes that Gilles Peterson heard the remixes on a visit to the Point Music offices and wanted to release them on Talkin’ Loud. We’re not sure how many white label copies made it out into the wild, but again, these remixes didn’t make it to a proper release.
These remixes both extend and undeniably enhance the original, elevating it to new heights. The 13 minute remix on the A-side is by Danny Krivit & Tony Smith with editing duties performed by Tony Morgan. As ever with Arthur, the music is almost impossible to describe: is it Disco? Garage House? Avant Garde? None of these tags do full justice to its sheer majesty. You best just listen. Stretching out the original with some unbelievably great percussive elements, until we're in a deeply spiritual, otherworldly realm, it's just too beautiful for words. As many have claimed, it's the prototype for EVERYTHING.
The "Ponytail Club Mix (Part 1 & 2)", produced by Tony Morgan in the mid-90s, is in a more up-tempo style, with vocals higher in the mix, the BPM upped to 120 and the addition of a housey 4/4 kick drum. A 14 minute epic, you could say this is a more straight ahead "club-friendly" mix (but can things ever be that straightforward with Arthur?!) It also has some really interesting vocal parts not used in the other versions, including some vocals from guest poet Allen Ginsberg.
These remixes are part of the same original project that also produced the Another Thought album so it seems only right that they have a sleeve that matches. Thanks again to Janette Beckman for letting us use another of her photos of Arthur and the rest of the design follows what Margery Greenspan, Tina Lauffer and Michael Klotz did for Another Thought back in 1994.
Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12" well and truly slaps. The immaculate Record Industry pressing will ensure this incredibly sought-after treasure finds a home in many more collections, this and every year.
More
Track List:
A1 IN THE LIGHT OF THE MIRACLE (13:26 min)
B1 IN THE LIGHT OF THE MIRACLE - PONYTAIL CLUB MIX (PARTS 1 & 2) (14:10 min)
Release Notes:
FINALLY! The very first commercial release of two legendary remixes of Arthur Russell's "In The Light Of The Miracle". Both are widely regarded as transcendent masterpieces and very much befitting of the title “holy grails”.
These long-beloved mixes are the types you'd wish would last for eternity. With almost 30 minutes of music here, we very nearly get our desires granted. At last, these jaw-dropping mixes are widely available to every Arthur fan in the world. This is musical perfection.
The deep Loft classic "In The Light Of The Miracle" remained unreleased during Arthur's lifetime, finally discovered when Phillip Glass included the original version on Another Thought on Point Music in 1993. As Steve Knutson told us, when Another Thought was being put together, the plan was to release a companion album of remixes that was overseen by Steve D'Aquisto but the project only got as far as these two remixes of "In The Light Of The Miracle".
Some dodgy scans of some centre label designs suggest that Point Music might’ve been planning to release these on a 12" but it didn’t happen. The story goes that Gilles Peterson heard the remixes on a visit to the Point Music offices and wanted to release them on Talkin’ Loud. We’re not sure how many white label copies made it out into the wild, but again, these remixes didn’t make it to a proper release.
These remixes both extend and undeniably enhance the original, elevating it to new heights. The 13 minute remix on the A-side is by Danny Krivit & Tony Smith with editing duties performed by Tony Morgan. As ever with Arthur, the music is almost impossible to describe: is it Disco? Garage House? Avant Garde? None of these tags do full justice to its sheer majesty. You best just listen. Stretching out the original with some unbelievably great percussive elements, until we're in a deeply spiritual, otherworldly realm, it's just too beautiful for words. As many have claimed, it's the prototype for EVERYTHING.
The "Ponytail Club Mix (Part 1 & 2)", produced by Tony Morgan in the mid-90s, is in a more up-tempo style, with vocals higher in the mix, the BPM upped to 120 and the addition of a housey 4/4 kick drum. A 14 minute epic, you could say this is a more straight ahead "club-friendly" mix (but can things ever be that straightforward with Arthur?!) It also has some really interesting vocal parts not used in the other versions, including some vocals from guest poet Allen Ginsberg.
These remixes are part of the same original project that also produced the Another Thought album so it seems only right that they have a sleeve that matches. Thanks again to Janette Beckman for letting us use another of her photos of Arthur and the rest of the design follows what Margery Greenspan, Tina Lauffer and Michael Klotz did for Another Thought back in 1994.
Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12" well and truly slaps. The immaculate Record Industry pressing will ensure this incredibly sought-after treasure finds a home in many more collections, this and every year.
More
1
Grauzone - Eisbär
2
Grauzone - FILM 2
3
Grauzone - Ich Lieb Sie
2024 repress
The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
More
The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
More
1
Peggy Gou - Your Art
2
Peggy Gou - Back To One
3
Peggy Gou - I Believe In Love Again (With Lenny Kravitz)
4
Peggy Gou - All That (Feat. Villano Antillano)
5
Peggy Gou - (It Goes Like) Nanana
6
Peggy Gou - Lobster Telephone
7
Peggy Gou - Seoulsi Peggygou
8
Peggy Gou - I Go
9
Peggy Gou - Purple Horizon
10
Peggy Gou - 1+1=11
Blue Vinyl!
Peggy Gou has ascended from underground sensation to global icon by sticking to her own unwavering vision, becoming one of the most in-demand electronic musicians and DJs in the world. Having performed to over a million people worldwide in 2023, the self-managed South Korean-born, Berlin-based producer and artist has blazed her own trail as the first Korean DJ to play Berghain, the first female DJ to headline Ushuaïa Ibiza, and the first woman in over 20 years to appear within the Top 10 of DJ Mag’s annual Top 100 list.
Since 2016, she’s forged a singular blend of club music that’s as forward-thinking as it is nostalgic, finding her global breakthrough with 2018’s Once EP, which birthed hits like “It Makes You Forget (Itgehane),” and “Han Jan.” An essential tastemaker, she runs her music and design label Gudu, through which she issued her 2019 critically acclaimed Moment EP, designs her Kirin and Peggy Goods fashion lines, and sold out her own London Pleasure Gardens festival for four consecutive years. 2024 will see her biggest ever headline London show when she performs to 25,000 people in August
She’s collaborated with everyone from house legend Maurice Fulton (2020’s “Jigoo”) to South Korean counterculture hero OHHYUK (2021’s “Nabi”), and was enlisted for a 2022 remix of Kylie Minogue’s iconic “Can’t Get You Out of My Head.” Referred to as “the world’s hippest DJ” by The Guardian, Gou has graced the cover of Vogue Germany, Vanity Fair Italia, GQ Middle East and Korea, Harper’s Bazaar Malaysia, and others, while boasting collaborations with Louis Vuitton, Hyundai, Ray Ban, Samsung, and Authentic Beauty Concept.
She made 2023’s international song of the summer with “(It Goes Like) Nanana,” which topped singles charts in the Netherlands, Belgium, and Greece, as well as the Billboard Dance Airplay chart. The balmy club hit appears on her highly anticipated debut album I Hear You, which arrives in June on XL Recordings. Also featuring her Lenny Kravitz collaboration “I Believe in Love Again,” the LP sees Gou boldly claiming her voice through the kaleidoscopic lens of ‘90s house music. More
Peggy Gou has ascended from underground sensation to global icon by sticking to her own unwavering vision, becoming one of the most in-demand electronic musicians and DJs in the world. Having performed to over a million people worldwide in 2023, the self-managed South Korean-born, Berlin-based producer and artist has blazed her own trail as the first Korean DJ to play Berghain, the first female DJ to headline Ushuaïa Ibiza, and the first woman in over 20 years to appear within the Top 10 of DJ Mag’s annual Top 100 list.
Since 2016, she’s forged a singular blend of club music that’s as forward-thinking as it is nostalgic, finding her global breakthrough with 2018’s Once EP, which birthed hits like “It Makes You Forget (Itgehane),” and “Han Jan.” An essential tastemaker, she runs her music and design label Gudu, through which she issued her 2019 critically acclaimed Moment EP, designs her Kirin and Peggy Goods fashion lines, and sold out her own London Pleasure Gardens festival for four consecutive years. 2024 will see her biggest ever headline London show when she performs to 25,000 people in August
She’s collaborated with everyone from house legend Maurice Fulton (2020’s “Jigoo”) to South Korean counterculture hero OHHYUK (2021’s “Nabi”), and was enlisted for a 2022 remix of Kylie Minogue’s iconic “Can’t Get You Out of My Head.” Referred to as “the world’s hippest DJ” by The Guardian, Gou has graced the cover of Vogue Germany, Vanity Fair Italia, GQ Middle East and Korea, Harper’s Bazaar Malaysia, and others, while boasting collaborations with Louis Vuitton, Hyundai, Ray Ban, Samsung, and Authentic Beauty Concept.
She made 2023’s international song of the summer with “(It Goes Like) Nanana,” which topped singles charts in the Netherlands, Belgium, and Greece, as well as the Billboard Dance Airplay chart. The balmy club hit appears on her highly anticipated debut album I Hear You, which arrives in June on XL Recordings. Also featuring her Lenny Kravitz collaboration “I Believe in Love Again,” the LP sees Gou boldly claiming her voice through the kaleidoscopic lens of ‘90s house music. More
1
Peggy Gou - I Go
“I Go” is an incredible piece of club-focused electronic music and showcases a very different sound to previous single “Nabi”. Described by The FADER as “the kind of dazzlement you get from light dancing off of ocean water on a hot day: pure dopamine activating bliss” and Resident Advisor as “a refreshingly low-key jam”, “Nabi” was an evocative piece of slow-burning, 98bpm electronic pop, inspired by 80s synth classics, the piano pieces of renowned composer Erik Satie and the 80s and 90s Korean songs Gou's mother used to play at home during her childhood. “I Go” takes inspiration from a similar era but this time the energy comes from Gou’s love of 90’s dance anthems, many of which she revisited during lockdown and an enforced break from touring. Both retain the hallmarks of Peggy Gou’s unique take on electronic music; at once both nostalgic and totally modern. But on “I Go”, the tempo, 808s and 909s are dialled right up for a self-motivating anthem that is set, to soundtrack a summer when we can all hopefully dance together in our thousands again. TRACKLIST: A1. I Go, B1. I Go (Instrumental) ,B2. I Go (Acapella)
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1
Vaughan Mason And Butch Dayo - A1 : Oh, Love
2
Vaughan Mason And Butch Dayo - A2 : Rollalong Songs
3
Vaughan Mason And Butch Dayo - A3 : Feel My Love
4
Vaughan Mason And Butch Dayo - B1 : Party On The Corner
5
Vaughan Mason And Butch Dayo - B2 : You Can Do It
Format: LP
Format Notes: 2024 repress, 180g vinyl
EAN: 4251648412519
Track List:
A1 : Oh, Love
A2 : Rollalong Songs
A3 : Feel My Love
B1 : Party On The Corner
B2 : You Can Do It
Release Notes:
If ever an album could transport you to the hazy sunshine and imagined halcyon paradise of Southern California in the mid-1980s, could capture the early evening warmth of hanging at an inclusive boogie jam as it approaches “magic hour” in Santa Ana or Anaheim, then it’s Vaughan Mason and Butch Dayo’s Feel My Love. A brilliantly produced deep slung, low rider funk classic originally released on Salsoul in 1983. It’s a masterpiece of “funk love music”.
Yes, this is indeed a perfectly formed five track “mini LP” of unparalleled heat, but there’s one song here that, above the rest, represents Orange County boogie-funk. A straight killer beloved by all that have had the pleasure of moving to it. A track that can fill up a dance floor within seconds of its starting. That song is the eternal title track, “Feel My Love”.
This is a work of art that made people fall in love with the funk. It transcends the limitations of genre. “Feel My Love”’s deceptive simplicity makes it perfect to drop during a house set, a classic funk party or at a west coast rap jam. It’s sexy, deeply emotional, melancholic, hopeful, passionate and just radiates so, so much raw energy. This is music.
The rest of the record is hardly filler though. Opener “Oh, Love” is a dizzying, emotional slow jam. With heaven-sent vocals riding gorgeous, sweeping keys that alternate between sweet twinkling lines and funk-fuelled stabbing. It’s sensational. A rollerskating jam named “Rollalong Songs” is an ultra-swish piece of dance floor dynamite. Its slick drums, staccato piano and neck snapping claps underscore Dayo’s buoyant vocals. It’s essentially “Bounce, Rock, Skate, Roll Part II”.
The flip begins with “Party On The Corner”. Smoother than silk vocals, day-glo synths, a bubbling bassline and guitar licks that surely received the Prince seal of approval. It’s another example of how Vaughan Mason and Butch Dayo flirt with perfection so routinely. The most majestic closer, the kaleidoscopic, cow-bell-assisted synth-funk heater “You Can Do It” is a proto-rap groover that truly smokes.
This prized LP is a stone cold jam and finding original copies on vinyl at affordable prices has been tough for years. Mastered brilliantly by Simon Francis, cut by Pete Norman and with lovingly reproduced artwork, this fresh Be With reissue ensures this legendary LP now sounds, looks and feels as sensational as it should.
More
Format Notes: 2024 repress, 180g vinyl
EAN: 4251648412519
Track List:
A1 : Oh, Love
A2 : Rollalong Songs
A3 : Feel My Love
B1 : Party On The Corner
B2 : You Can Do It
Release Notes:
If ever an album could transport you to the hazy sunshine and imagined halcyon paradise of Southern California in the mid-1980s, could capture the early evening warmth of hanging at an inclusive boogie jam as it approaches “magic hour” in Santa Ana or Anaheim, then it’s Vaughan Mason and Butch Dayo’s Feel My Love. A brilliantly produced deep slung, low rider funk classic originally released on Salsoul in 1983. It’s a masterpiece of “funk love music”.
Yes, this is indeed a perfectly formed five track “mini LP” of unparalleled heat, but there’s one song here that, above the rest, represents Orange County boogie-funk. A straight killer beloved by all that have had the pleasure of moving to it. A track that can fill up a dance floor within seconds of its starting. That song is the eternal title track, “Feel My Love”.
This is a work of art that made people fall in love with the funk. It transcends the limitations of genre. “Feel My Love”’s deceptive simplicity makes it perfect to drop during a house set, a classic funk party or at a west coast rap jam. It’s sexy, deeply emotional, melancholic, hopeful, passionate and just radiates so, so much raw energy. This is music.
The rest of the record is hardly filler though. Opener “Oh, Love” is a dizzying, emotional slow jam. With heaven-sent vocals riding gorgeous, sweeping keys that alternate between sweet twinkling lines and funk-fuelled stabbing. It’s sensational. A rollerskating jam named “Rollalong Songs” is an ultra-swish piece of dance floor dynamite. Its slick drums, staccato piano and neck snapping claps underscore Dayo’s buoyant vocals. It’s essentially “Bounce, Rock, Skate, Roll Part II”.
The flip begins with “Party On The Corner”. Smoother than silk vocals, day-glo synths, a bubbling bassline and guitar licks that surely received the Prince seal of approval. It’s another example of how Vaughan Mason and Butch Dayo flirt with perfection so routinely. The most majestic closer, the kaleidoscopic, cow-bell-assisted synth-funk heater “You Can Do It” is a proto-rap groover that truly smokes.
This prized LP is a stone cold jam and finding original copies on vinyl at affordable prices has been tough for years. Mastered brilliantly by Simon Francis, cut by Pete Norman and with lovingly reproduced artwork, this fresh Be With reissue ensures this legendary LP now sounds, looks and feels as sensational as it should.
More
1
Plastikman - A1 Drp
2
Plastikman - A2 Plasticity
3
Plastikman - A3 Gak
4
Plastikman - B1 Okx
5
Plastikman - B2 Helikopter
6
Plastikman - B3 Glob
7
Plastikman - C1 Plasticine
8
Plastikman - C2 Koma
9
Plastikman - D1 Vokx
10
Plastikman - D2 Smak
11
Plastikman - D3 Ovokx
Territory: WW-UK/EIRE & USA,Canada
2024 repress
Double Vinyl
Pressed on BioVinyl and packaged in environmental wrapping
To celebrate its 30th anniversary, Plastikman's redefining acid techno masterpiece, Sheet One, has been mastered from the original tapes and reissued on vinyl via Mute and NovaMute.
Released in 1993 on Mute's subsidiary label NovaMute, this record was the debut for Richie Hawtin's alias Plastikman. 30 years on Sheet One is a landmark album in the field of electronic music, it changed the shape of what the genre could be and became.
Introducing one of techno's most recognisable logos, the album achieved a degree of notoriety for its acid blotter-style perforated artwork. Musically it focuses on laser-precise minimalist rhythms to drive a series of echo-box acid lines that gradually acquire power over the course of lengthy album tracks, with frequent use of the Roland TB-303, which gained prominence in the electronic music world as a staple of Chicago's acid house scene. Hawtin once described Sheet One perfectly in an interview with MusicRadar, saying "...It's music for the end of the party as you're melting into the floor, which is exactly what the name Plastikman was made to represent."
This seminal album helped to establish the template for minimal techno, and is a must listen for lovers of electronic music.
Available on double bio vinyl.
TRACKLIST
A1 Drp
A2 Plasticity
A3 Gak
B1 Okx
B2 Helikopter
B3 Glob
C1 Plasticine
C2 Koma
D1 Vokx
D2 Smak
D3 Ovokx
More
2024 repress
Double Vinyl
Pressed on BioVinyl and packaged in environmental wrapping
To celebrate its 30th anniversary, Plastikman's redefining acid techno masterpiece, Sheet One, has been mastered from the original tapes and reissued on vinyl via Mute and NovaMute.
Released in 1993 on Mute's subsidiary label NovaMute, this record was the debut for Richie Hawtin's alias Plastikman. 30 years on Sheet One is a landmark album in the field of electronic music, it changed the shape of what the genre could be and became.
Introducing one of techno's most recognisable logos, the album achieved a degree of notoriety for its acid blotter-style perforated artwork. Musically it focuses on laser-precise minimalist rhythms to drive a series of echo-box acid lines that gradually acquire power over the course of lengthy album tracks, with frequent use of the Roland TB-303, which gained prominence in the electronic music world as a staple of Chicago's acid house scene. Hawtin once described Sheet One perfectly in an interview with MusicRadar, saying "...It's music for the end of the party as you're melting into the floor, which is exactly what the name Plastikman was made to represent."
This seminal album helped to establish the template for minimal techno, and is a must listen for lovers of electronic music.
Available on double bio vinyl.
TRACKLIST
A1 Drp
A2 Plasticity
A3 Gak
B1 Okx
B2 Helikopter
B3 Glob
C1 Plasticine
C2 Koma
D1 Vokx
D2 Smak
D3 Ovokx
More
1
Rhye - The Fall (Maurice Fulton Remix)
2
Rhye - The Fall
Format Notes: 2024 first-time vinyl reissue, 140g vinyl, mastered by Simon Francis
Track List:
A1 The Fall (Maurice Fulton Remix)
B1 The Fall
Release Notes:
Maurice Fulton's outrageous remix of "The Fall" by Rhye has been cherished as a stone-cold masterpiece for the past decade. Out of print almost immediately, its legend has only grown and for too long it's been impossible to find a copy without parting with considerable cash. We've wanted to remedy this situation for years so we're delighted to announce that we've finally given it the Be With treatment.
The word ‘genius’ is bandied about liberally but it's fair to anoint Maurice Fulton with such lofty praise. Sheffield’s king of oddball disco, Fulton is one of our favourite artists, an outerspace-minded producer with roots in Baltimore club music who has no problem injecting dank interplanetary funk into the smoothest of acts. And so it goes with his remix of "The Fall". Rich and typically off-kilter, this is spellbinding disco par excellance. Fulton arms the track with a juddering electro-funk synth-bassline before shifting to a twanging disco reverb and conga-led, crash-cymbal-elevated groove.
Essential doesn't even cover it; it's just astonishingly good.
The gorgeous original, situated here on the flip, is a sublime serenade, all twinkling strings and sweet, sumptuous vocals over smooth, jazzy piano styles. It earned comparisons to Sade, Air and the xx upon initial release and it's still easy to understand why; it's warm and buoyant yet deeply melancholy. Elegantly downlifting, you could say.
Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12" well and truly slaps. The immaculate Record Industry pressing will ensure this incredibly sought-after masterpiece finds a home in many more DJ boxes this and every year.
More
Track List:
A1 The Fall (Maurice Fulton Remix)
B1 The Fall
Release Notes:
Maurice Fulton's outrageous remix of "The Fall" by Rhye has been cherished as a stone-cold masterpiece for the past decade. Out of print almost immediately, its legend has only grown and for too long it's been impossible to find a copy without parting with considerable cash. We've wanted to remedy this situation for years so we're delighted to announce that we've finally given it the Be With treatment.
The word ‘genius’ is bandied about liberally but it's fair to anoint Maurice Fulton with such lofty praise. Sheffield’s king of oddball disco, Fulton is one of our favourite artists, an outerspace-minded producer with roots in Baltimore club music who has no problem injecting dank interplanetary funk into the smoothest of acts. And so it goes with his remix of "The Fall". Rich and typically off-kilter, this is spellbinding disco par excellance. Fulton arms the track with a juddering electro-funk synth-bassline before shifting to a twanging disco reverb and conga-led, crash-cymbal-elevated groove.
Essential doesn't even cover it; it's just astonishingly good.
The gorgeous original, situated here on the flip, is a sublime serenade, all twinkling strings and sweet, sumptuous vocals over smooth, jazzy piano styles. It earned comparisons to Sade, Air and the xx upon initial release and it's still easy to understand why; it's warm and buoyant yet deeply melancholy. Elegantly downlifting, you could say.
Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12" well and truly slaps. The immaculate Record Industry pressing will ensure this incredibly sought-after masterpiece finds a home in many more DJ boxes this and every year.
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Peggy Gou - No Title
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Peggy Gou - No Title
Peggy Gou is proud to announce the launch of her own independent record label, Gudu Records. The label’s first release will be the Moment EP - a two-track 12” featuring the tracks ‘Starry Night’ and ‘Han Pan’.
Moment’ sees Gou continue to explore the charismatic facets of her musical and personal identity, drawing on her Korean heritage and language and her love for house & disco’s Eighties heritage, with particular nods to the output of labels such as Prelude and West End Records in the decade’s nascent years.
Gou’s own singing voice, known to so many from last year’s ‘Once’ EP, returns here to confidently guide the rhythm on ‘Starry Night’. Mixing both Korean and English vocals over a tumbling cascade of percussion and piano house keys, the track builds to incorporate layers of instrumental samples and subtle acid lines. Romantic, anthemic and timeless in its feel, it reaffirms Gou’s skill as a songwriter with appeal that resonates beyond crowded dancefloors, not to mention language barriers.
'Han Pan' follows as an instantly rhythmic affair that draws energy from a memorable and delicately tuned pan-drum. Alongside some expert and understated arrangement, as well as another, contrasting vocal performance, ‘Han Pan’ transmits a different but equally powerful energy.
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Moment’ sees Gou continue to explore the charismatic facets of her musical and personal identity, drawing on her Korean heritage and language and her love for house & disco’s Eighties heritage, with particular nods to the output of labels such as Prelude and West End Records in the decade’s nascent years.
Gou’s own singing voice, known to so many from last year’s ‘Once’ EP, returns here to confidently guide the rhythm on ‘Starry Night’. Mixing both Korean and English vocals over a tumbling cascade of percussion and piano house keys, the track builds to incorporate layers of instrumental samples and subtle acid lines. Romantic, anthemic and timeless in its feel, it reaffirms Gou’s skill as a songwriter with appeal that resonates beyond crowded dancefloors, not to mention language barriers.
'Han Pan' follows as an instantly rhythmic affair that draws energy from a memorable and delicately tuned pan-drum. Alongside some expert and understated arrangement, as well as another, contrasting vocal performance, ‘Han Pan’ transmits a different but equally powerful energy.
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michael wycoff - Looking Up To You (05:18)
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michael wycoff - Diamond Real (Tee Scott Instrumental Mix) (07:05)
2024 Repress
Tracklist:
01. Looking Up To You (05:18)
02. Diamond Real (Tee Scott Instrumental Mix) (07:05)
Two seminal 12" mixes of a pair of Michael Wycoff heavy hitters from 1982. One a two-step favourite and one a Loft classic, these sought-after versions have never been paired on the same record. More
Tracklist:
01. Looking Up To You (05:18)
02. Diamond Real (Tee Scott Instrumental Mix) (07:05)
Two seminal 12" mixes of a pair of Michael Wycoff heavy hitters from 1982. One a two-step favourite and one a Loft classic, these sought-after versions have never been paired on the same record. More
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DJ Romain - Here We Go Again
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DJ Romain - Over
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Romatt feat. Mark Echols - - In This House (Main Vox Mix)
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DJ Romain - - Methany Deep
1996-97? Yeah, that’s when New York was still NEW YORK!
That was around the time we really started to get hold of exotic herbs. Copper Haze, hydroponic! The vibes in the studio were always lovely. I had hair at the time! Dread-Locs down to my shoulders... I was still rockin’ the Wallabees, or British Walkers as we called them - representing for Brooklyn and my West Indian roots!
There was no social media, no supervision, nobody all up in our business… It was classic "mind your own business" NYC Vibes! I was DJing at a lot of the hot clubs and THE hottest afterhours in the city. There were nights when I saw Micheal Douglas roll into the afters with Grace Jones - they were there to party and unwind and I was there dropping the dope tracks for the people.
When it was studio time, with my homie Matt Echols...I was probably setting things off with some quality herbage, a big ass bag of Funyuns and my trusty SP-1200, lol. I had picked up some tips and tricks from Todd Terry and by '96-'97 I was a Shaolin with it myself! This was around the time tracks like "Flowers" and "Only Love Can Break Your Heart (Dub)" were tearing up the clubs. I wanted to be able to get my ideas out with no problem, and by then I had a lot of confidence...
Being able to Dj in some of the hottest NY hot spots at the time, I was able to really see what worked and what didn't on the dancefloor. The best House Dancers from around the world and around the Tri-State area would be at my jams. I'm talking Ejoe, Voodoo Ray, maybe kids from the Mop-Top Crew... I was definitely taking note of the kind of rhythms and sounds that would make them go crazy on the dancefloor!
And that's how we went about it - I laid down the rhythms that made it happen in my sets and translated the vibes I was picking up from NYC itself. Matt threw down musically and we were just being as creative and inventive as possible! But we always kept in mind that our job was to make the people on the dancefloor jump!
A lot of the jams from those days got signed to various record labels, we dropped a lot of them on our own label...and some of them ended up in the archives - until now!"
- DJ Romain More
That was around the time we really started to get hold of exotic herbs. Copper Haze, hydroponic! The vibes in the studio were always lovely. I had hair at the time! Dread-Locs down to my shoulders... I was still rockin’ the Wallabees, or British Walkers as we called them - representing for Brooklyn and my West Indian roots!
There was no social media, no supervision, nobody all up in our business… It was classic "mind your own business" NYC Vibes! I was DJing at a lot of the hot clubs and THE hottest afterhours in the city. There were nights when I saw Micheal Douglas roll into the afters with Grace Jones - they were there to party and unwind and I was there dropping the dope tracks for the people.
When it was studio time, with my homie Matt Echols...I was probably setting things off with some quality herbage, a big ass bag of Funyuns and my trusty SP-1200, lol. I had picked up some tips and tricks from Todd Terry and by '96-'97 I was a Shaolin with it myself! This was around the time tracks like "Flowers" and "Only Love Can Break Your Heart (Dub)" were tearing up the clubs. I wanted to be able to get my ideas out with no problem, and by then I had a lot of confidence...
Being able to Dj in some of the hottest NY hot spots at the time, I was able to really see what worked and what didn't on the dancefloor. The best House Dancers from around the world and around the Tri-State area would be at my jams. I'm talking Ejoe, Voodoo Ray, maybe kids from the Mop-Top Crew... I was definitely taking note of the kind of rhythms and sounds that would make them go crazy on the dancefloor!
And that's how we went about it - I laid down the rhythms that made it happen in my sets and translated the vibes I was picking up from NYC itself. Matt threw down musically and we were just being as creative and inventive as possible! But we always kept in mind that our job was to make the people on the dancefloor jump!
A lot of the jams from those days got signed to various record labels, we dropped a lot of them on our own label...and some of them ended up in the archives - until now!"
- DJ Romain More