Label:Ebalunga!!!
Cat-No:EBL!!!-003LP
Release-Date:16.08.2024
Genre:Jazz
Configuration:LP
Barcode:8016670138877
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Cat-No:EBL!!!-003LP
Release-Date:16.08.2024
Genre:Jazz
Configuration:LP
Barcode:8016670138877
1
Gabor Szabo - Galatea’s Guitar (Gabor Szabo)
2
Gabor Szabo - Half the Day is Night (Gary McFarland)
3
Gabor Szabo - Song of Injured Love (Manuel de Falla)
4
Gabor Szabo - The Fortune Teller (Gabor Szabo/Louis)
5
Gabor Szabo - Fire Dance (Manuel de Falla)
6
Gabor Szabo - The Lady in the Moon (Gabor Szabo, from Zoltan Kodaly)
7
Gabor Szabo - Ferris Wheel (Donovan)
8
Gabor Szabo - Fire Dance (single edit) - from 7"
9
Gabor Szabo - Ferris Wheel (single edit) - from 7"
* Third edition, black vinyl
* The long-awaited reissue of the best ever album of rare Eastern and psychedelic Jazz music by this famous Hungarian guitarist.
* Exclusive bonus tracks from the 1969 7” single
* Remastered by Martin Bowes at Cage Studios (UK)
* For fans of Grant Green, John Abercrombie, Pat Martino, Joe Pass, Wes Montgomery, Tal Farlow
* Ultimate collector’s item if you are deeply into jazz and guitar music. gatefold with original artworks.
The long-awaited reissue of the best ever album of rare Eastern and psychedelic Jazz music by this famous Hungarian guitarist Gabor Szabo, originally released in 1968. For the first time as extended edition with 2 bonus tracks: radio versions of Fire Dance / Ferris Wheel from the 1969 7” single 7”. Deluxe 8-sided Digipak CD and Gatefold Vinyl come with long, exclusively written inner notes by the famous researcher and biographer Douglas Payne. Remastered by Martin Bowes at Cage Studios (UK).
Gabor Szabo was one of the most original guitarists to emerge in the 1960s, mixing his Hungarian folk music heritage with a deep love of jazz and crafting a distinctive, largely self-taught sound. Born in Budapest, on March 8, 1936, Szabo was inspired by a Roy Rogers cowboy movie to begin playing guitar when he was 14 and often played in dinner clubs and covert jam sessions while still living in his hometown. He escaped from his country at age 20 on the eve of the Communist uprising and eventually made his way to America, settling with his family in California.
He attended Berklee College (1958-1960) and in 1961 joined Chico Hamilton's innovative quintet featuring Charles Lloyd. Urged by Hamilton, Szabo crafted a most distinctive sound; as agile on intricate, nearly-free runs as he was able to sound inspired during melodic passages. Szabo left the Hamilton group in 1965 to leave his mark on the pop-jazz of the Gary McFarland quintet and the energy music of Charles Lloyd's fiery and underrated quartet featuring Ron Carter and Tony Williams.
Szabo initiated a solo career in 1966, recording the exceptional album, Spellbinder, which yielded many inspired moments and "Gypsy Queen," the song Santana turned into a huge hit in 1970. Szabo formed an innovative quintet (1967-1969) featuring the brilliant, classically trained guitarist Jimmy Stewart and recorded many notable albums during the late '60s. The emergence of rock music (especially George Harrison, Eric Clapton, and Jimi Hendrix) found Szabo experimenting with feedback and more commercially oriented forms of jazz.
During the '70s, Szabo regularly performed along the West Coast, hypnotizing audiences with his enchanting, spellbinding style. From 1970, he locked into a commercial groove, even though records like Mizrab occasionally revealed his seamless jazz, pop, Gypsy, Indian, and Asian fusions. Szabo had revisited his homeland several times during the '70s, finding opportunities to perform brilliantly with native talents. He was hospitalized during his final visit and died in 1982, just short of his 46th birthday.
More
* The long-awaited reissue of the best ever album of rare Eastern and psychedelic Jazz music by this famous Hungarian guitarist.
* Exclusive bonus tracks from the 1969 7” single
* Remastered by Martin Bowes at Cage Studios (UK)
* For fans of Grant Green, John Abercrombie, Pat Martino, Joe Pass, Wes Montgomery, Tal Farlow
* Ultimate collector’s item if you are deeply into jazz and guitar music. gatefold with original artworks.
The long-awaited reissue of the best ever album of rare Eastern and psychedelic Jazz music by this famous Hungarian guitarist Gabor Szabo, originally released in 1968. For the first time as extended edition with 2 bonus tracks: radio versions of Fire Dance / Ferris Wheel from the 1969 7” single 7”. Deluxe 8-sided Digipak CD and Gatefold Vinyl come with long, exclusively written inner notes by the famous researcher and biographer Douglas Payne. Remastered by Martin Bowes at Cage Studios (UK).
Gabor Szabo was one of the most original guitarists to emerge in the 1960s, mixing his Hungarian folk music heritage with a deep love of jazz and crafting a distinctive, largely self-taught sound. Born in Budapest, on March 8, 1936, Szabo was inspired by a Roy Rogers cowboy movie to begin playing guitar when he was 14 and often played in dinner clubs and covert jam sessions while still living in his hometown. He escaped from his country at age 20 on the eve of the Communist uprising and eventually made his way to America, settling with his family in California.
He attended Berklee College (1958-1960) and in 1961 joined Chico Hamilton's innovative quintet featuring Charles Lloyd. Urged by Hamilton, Szabo crafted a most distinctive sound; as agile on intricate, nearly-free runs as he was able to sound inspired during melodic passages. Szabo left the Hamilton group in 1965 to leave his mark on the pop-jazz of the Gary McFarland quintet and the energy music of Charles Lloyd's fiery and underrated quartet featuring Ron Carter and Tony Williams.
Szabo initiated a solo career in 1966, recording the exceptional album, Spellbinder, which yielded many inspired moments and "Gypsy Queen," the song Santana turned into a huge hit in 1970. Szabo formed an innovative quintet (1967-1969) featuring the brilliant, classically trained guitarist Jimmy Stewart and recorded many notable albums during the late '60s. The emergence of rock music (especially George Harrison, Eric Clapton, and Jimi Hendrix) found Szabo experimenting with feedback and more commercially oriented forms of jazz.
During the '70s, Szabo regularly performed along the West Coast, hypnotizing audiences with his enchanting, spellbinding style. From 1970, he locked into a commercial groove, even though records like Mizrab occasionally revealed his seamless jazz, pop, Gypsy, Indian, and Asian fusions. Szabo had revisited his homeland several times during the '70s, finding opportunities to perform brilliantly with native talents. He was hospitalized during his final visit and died in 1982, just short of his 46th birthday.
More
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Cat-No:r-m215-2
Release-Date:01.11.2024
Genre:Electronic
Configuration:LP
Barcode:4260115999156
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1
Gábor Lázár - Event
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Gábor Lázár - Pathway
3
Gábor Lázár - Signal
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Gábor Lázár - Response
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Gábor Lázár - Message
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Gábor Lázár - Receive
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Gábor Lázár - Execute
Unequal cycles searching for synchronous experiences: On his new album »Pounding«, Frank Bretschneider tells of distance, convergence and congruence in a continuous, ever-changing flow of events. What is often considered to be an unquestionable dogma in club music (for which Bretschneider has provided significant impetus since the 1990s) – the groove – appears precarious, unstable, and in motion. Pulse and accent are volatile encounters and have to be found again and again for short, delightful moments. Music becomes a constant process of negotiation.
In search of new sound spaces, Bretschneider has recently worked a lot with modular synthesizers, both solo (for example on »abtasten_halten«, 2020) and in collaborations, including the project Beispiel together with Jan Jelinek. »Pounding« was created using similar means – conceived in 2020 for the Pochen Biennale in Chemnitz, subsequently developed further and recorded in March and April 2023 on a sample-based modular system. And in fact, Bretschneider is once again exemplarily scanning his own sound material, for example Dub effects that listen to themselves crumbling. But also the human voice, or more precisely: the stuttering of fragments of speech, far in the distance but omnipresent, like a mysterious narration. Aesthetically, the eleven pieces form part of a series of works with a focus on percussion. Bretschneider has already perfected this approach with albums like »Rhythm« (2007) and has been shifting the perspective ever since, for ever new results.
Shifting is the basic principle of »Pounding«. Bretschneider combines elements that are in different aggregate states, changing their relationship to each other and thus ensuring the complex overall movement. He lets one to two-bar loops run against each other and through manipulations, develops a network of rhythms that creates a hypnotic state in the counterplay of repetition and mutation, between clearly recognizable meter and disorientation. There are comparable approaches in aleatoric music. Bretschneider combines them with sounds and patterns that are reminiscent of step sequencer logic and at the same time go far beyond it. The result is relational techno. Never clear, constantly restless and exciting. More
In search of new sound spaces, Bretschneider has recently worked a lot with modular synthesizers, both solo (for example on »abtasten_halten«, 2020) and in collaborations, including the project Beispiel together with Jan Jelinek. »Pounding« was created using similar means – conceived in 2020 for the Pochen Biennale in Chemnitz, subsequently developed further and recorded in March and April 2023 on a sample-based modular system. And in fact, Bretschneider is once again exemplarily scanning his own sound material, for example Dub effects that listen to themselves crumbling. But also the human voice, or more precisely: the stuttering of fragments of speech, far in the distance but omnipresent, like a mysterious narration. Aesthetically, the eleven pieces form part of a series of works with a focus on percussion. Bretschneider has already perfected this approach with albums like »Rhythm« (2007) and has been shifting the perspective ever since, for ever new results.
Shifting is the basic principle of »Pounding«. Bretschneider combines elements that are in different aggregate states, changing their relationship to each other and thus ensuring the complex overall movement. He lets one to two-bar loops run against each other and through manipulations, develops a network of rhythms that creates a hypnotic state in the counterplay of repetition and mutation, between clearly recognizable meter and disorientation. There are comparable approaches in aleatoric music. Bretschneider combines them with sounds and patterns that are reminiscent of step sequencer logic and at the same time go far beyond it. The result is relational techno. Never clear, constantly restless and exciting. More
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Cat-No:OKNR05R
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1
System Olympia - Lamb
2
System Olympia - Close To My Nebula
3
System Olympia - Call Girl
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System Olympia - Mystified
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System Olympia - Falling In Love
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System Olympia - My Lincoln
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System Olympia - Jade Stones
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System Olympia - Night Rise
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System Olympia - Scandalous
All your favourite System Olympia songs in one vinyl record.
Pre-order now.
Every Version is slightly different / Limited Edition.
New slightly different cover ( different ring on the hand, name of the ring is Durante)
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Pre-order now.
Every Version is slightly different / Limited Edition.
New slightly different cover ( different ring on the hand, name of the ring is Durante)
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1
System Olympia - CALL GIRL
2
System Olympia - LAMB
3
System Olympia - CLOSE TO MY NEBULA
4
System Olympia - GIRL ON GIRL
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System Olympia - NIGHT RISE
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7
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This is the highly demanded second edition of System Olympia's first release "Dusk & Dreamland" EP.
Originally pressed by a small italian label in an unknown number of copies,
this EP was the first appearance of System Olympia' very own blend of funk, melancholy and female sensuality
that defined a whole new department in the italo/nu disco scene.
Features two new original tracks never pressed on vinyl before, Girl On Girl and Signal Your Love,
and a new edition of the cover art illustrated by Pip Carter.
Essential record for your home collection, club nights, late night car rides and bedroom entertainment.
Tracklist:
A1 CALL GIRL
A2 LAMB
A3 CLOSE TO MY NEBULA
A4 GIRL ON GIRL
B1 NIGHT RISE
B2 8
B3 YOON
B4 SIGNAL YOUR LOVE
More
Originally pressed by a small italian label in an unknown number of copies,
this EP was the first appearance of System Olympia' very own blend of funk, melancholy and female sensuality
that defined a whole new department in the italo/nu disco scene.
Features two new original tracks never pressed on vinyl before, Girl On Girl and Signal Your Love,
and a new edition of the cover art illustrated by Pip Carter.
Essential record for your home collection, club nights, late night car rides and bedroom entertainment.
Tracklist:
A1 CALL GIRL
A2 LAMB
A3 CLOSE TO MY NEBULA
A4 GIRL ON GIRL
B1 NIGHT RISE
B2 8
B3 YOON
B4 SIGNAL YOUR LOVE
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Label:Because Music
Cat-No:BEC5613920
Release-Date:20.09.2024
Genre:World Music
Configuration:LP Excl
Barcode:5056556139201
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Label:Because Music
Cat-No:BEC5613920
Release-Date:20.09.2024
Genre:World Music
Configuration:LP Excl
Barcode:5056556139201
Rights : World excluding FR,UK,Spain, Argentina, Uruguay,Chili,Bolivia
Product Informations: Blue Crystal Clear Vinyl, gatefold sleeve, 4 page 12'' booklet. "Viva Tu", Manu Chao's new album. Includes " Viva Tu ", "Sao Paulo Motoboy " and collaborations such as "Heaven's Bad Day" with Willie Nelson & "Tu Te Vas" with Laeti.
SHORT BIOG
For years, Manu Chao has been travelling the world to meet his fans in unusual venues, villages and small festivals. Elusive, but always accessible to those who cross his path, Manu now presents his new studio album 'Viva Tu', a collection of songs written at the heart of daily lives and struggles, and a fresh take on the state of the world, singing sunny, universal songs in Spanish, French, English and Portuguese, painting an unforgiving picture of social imbalances.
The lead song 'Viva Tu', a heartfelt rumba dedicated to the daily life heroes, has already made its mark. The second single, 'São Paulo Motoboy', is a colorful, sunny ode to the two-wheeled delivery people venturing the Latin American metropoles every day.
The album, to be released September 20th, also features some memorable collaborations, including 'Heaven's Bad Day' with country legend Willie Nelson and 'Tu Te Vas' with rising French rapper Laeti.
Available now in preorder (CD/Vinyls/Digital).
Vinyls Tracklisting:
SIDE A
1.Vecinos En El Mar
2.La Couleur du Temps
3.River Why
4.Viva Tu
5.Heaven's Bad Day (feat. Willie Nelson)
6.Tu Te Vas (feat. Laeti)
7.Coraçao No Mar
SIDE B
1.Cuatro Calles
2.La Colilla
3.São Paulo Motoboy
4.Tom et Lola
5.Lonely Night
6.Tantas Tierras
More
Product Informations: Blue Crystal Clear Vinyl, gatefold sleeve, 4 page 12'' booklet. "Viva Tu", Manu Chao's new album. Includes " Viva Tu ", "Sao Paulo Motoboy " and collaborations such as "Heaven's Bad Day" with Willie Nelson & "Tu Te Vas" with Laeti.
SHORT BIOG
For years, Manu Chao has been travelling the world to meet his fans in unusual venues, villages and small festivals. Elusive, but always accessible to those who cross his path, Manu now presents his new studio album 'Viva Tu', a collection of songs written at the heart of daily lives and struggles, and a fresh take on the state of the world, singing sunny, universal songs in Spanish, French, English and Portuguese, painting an unforgiving picture of social imbalances.
The lead song 'Viva Tu', a heartfelt rumba dedicated to the daily life heroes, has already made its mark. The second single, 'São Paulo Motoboy', is a colorful, sunny ode to the two-wheeled delivery people venturing the Latin American metropoles every day.
The album, to be released September 20th, also features some memorable collaborations, including 'Heaven's Bad Day' with country legend Willie Nelson and 'Tu Te Vas' with rising French rapper Laeti.
Available now in preorder (CD/Vinyls/Digital).
Vinyls Tracklisting:
SIDE A
1.Vecinos En El Mar
2.La Couleur du Temps
3.River Why
4.Viva Tu
5.Heaven's Bad Day (feat. Willie Nelson)
6.Tu Te Vas (feat. Laeti)
7.Coraçao No Mar
SIDE B
1.Cuatro Calles
2.La Colilla
3.São Paulo Motoboy
4.Tom et Lola
5.Lonely Night
6.Tantas Tierras
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Tracklisting:
A1. Painted Paradise
A2. Funky Motion
A3. Breeze
A4. Scratch
B1. Funky Stuff
B2. One For Jiro
B3. Gentle Wave
B4. Four Up
Release Info:
(clear green color vinyl / LP with OBI, originally released in 1975) 2024 pressing Japanese Import of the Japanese Jazz-Funk classic. Features a cover of “Funky Stuff” by Kool & The Gang. All songs written and arranged by Hiromasa Suzuki
An enduring, pioneering fusion of jazz, funk, soul and rock - with influences from Herbie Hancock, James Brown and Santana - the album features some of the best and most acclaimed Japanese musicians of the time, enlisting the talent-wares of Hiromasa Suzuki on keyboards, Akira Ishikawa on drums and Takeru Muraoka on sax.
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A1. Painted Paradise
A2. Funky Motion
A3. Breeze
A4. Scratch
B1. Funky Stuff
B2. One For Jiro
B3. Gentle Wave
B4. Four Up
Release Info:
(clear green color vinyl / LP with OBI, originally released in 1975) 2024 pressing Japanese Import of the Japanese Jazz-Funk classic. Features a cover of “Funky Stuff” by Kool & The Gang. All songs written and arranged by Hiromasa Suzuki
An enduring, pioneering fusion of jazz, funk, soul and rock - with influences from Herbie Hancock, James Brown and Santana - the album features some of the best and most acclaimed Japanese musicians of the time, enlisting the talent-wares of Hiromasa Suzuki on keyboards, Akira Ishikawa on drums and Takeru Muraoka on sax.
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Cat-No:bewith023twelve
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Configuration:12" Excl
Barcode:4251804181266
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1
Arthur Russell - IN THE LIGHT OF THE MIRACLE
2
Arthur Russell - IN THE LIGHT OF THE MIRACLE - PONYTAIL CLUB MIX (PARTS 1 & 2)
Format Notes: 2024 first-time 12" single release of previously white label only tracks, 140g vinyl, mastered by Simon Francis
Track List:
A1 IN THE LIGHT OF THE MIRACLE (13:26 min)
B1 IN THE LIGHT OF THE MIRACLE - PONYTAIL CLUB MIX (PARTS 1 & 2) (14:10 min)
Release Notes:
FINALLY! The very first commercial release of two legendary remixes of Arthur Russell's "In The Light Of The Miracle". Both are widely regarded as transcendent masterpieces and very much befitting of the title “holy grails”.
These long-beloved mixes are the types you'd wish would last for eternity. With almost 30 minutes of music here, we very nearly get our desires granted. At last, these jaw-dropping mixes are widely available to every Arthur fan in the world. This is musical perfection.
The deep Loft classic "In The Light Of The Miracle" remained unreleased during Arthur's lifetime, finally discovered when Phillip Glass included the original version on Another Thought on Point Music in 1993. As Steve Knutson told us, when Another Thought was being put together, the plan was to release a companion album of remixes that was overseen by Steve D'Aquisto but the project only got as far as these two remixes of "In The Light Of The Miracle".
Some dodgy scans of some centre label designs suggest that Point Music might’ve been planning to release these on a 12" but it didn’t happen. The story goes that Gilles Peterson heard the remixes on a visit to the Point Music offices and wanted to release them on Talkin’ Loud. We’re not sure how many white label copies made it out into the wild, but again, these remixes didn’t make it to a proper release.
These remixes both extend and undeniably enhance the original, elevating it to new heights. The 13 minute remix on the A-side is by Danny Krivit & Tony Smith with editing duties performed by Tony Morgan. As ever with Arthur, the music is almost impossible to describe: is it Disco? Garage House? Avant Garde? None of these tags do full justice to its sheer majesty. You best just listen. Stretching out the original with some unbelievably great percussive elements, until we're in a deeply spiritual, otherworldly realm, it's just too beautiful for words. As many have claimed, it's the prototype for EVERYTHING.
The "Ponytail Club Mix (Part 1 & 2)", produced by Tony Morgan in the mid-90s, is in a more up-tempo style, with vocals higher in the mix, the BPM upped to 120 and the addition of a housey 4/4 kick drum. A 14 minute epic, you could say this is a more straight ahead "club-friendly" mix (but can things ever be that straightforward with Arthur?!) It also has some really interesting vocal parts not used in the other versions, including some vocals from guest poet Allen Ginsberg.
These remixes are part of the same original project that also produced the Another Thought album so it seems only right that they have a sleeve that matches. Thanks again to Janette Beckman for letting us use another of her photos of Arthur and the rest of the design follows what Margery Greenspan, Tina Lauffer and Michael Klotz did for Another Thought back in 1994.
Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12" well and truly slaps. The immaculate Record Industry pressing will ensure this incredibly sought-after treasure finds a home in many more collections, this and every year.
More
Track List:
A1 IN THE LIGHT OF THE MIRACLE (13:26 min)
B1 IN THE LIGHT OF THE MIRACLE - PONYTAIL CLUB MIX (PARTS 1 & 2) (14:10 min)
Release Notes:
FINALLY! The very first commercial release of two legendary remixes of Arthur Russell's "In The Light Of The Miracle". Both are widely regarded as transcendent masterpieces and very much befitting of the title “holy grails”.
These long-beloved mixes are the types you'd wish would last for eternity. With almost 30 minutes of music here, we very nearly get our desires granted. At last, these jaw-dropping mixes are widely available to every Arthur fan in the world. This is musical perfection.
The deep Loft classic "In The Light Of The Miracle" remained unreleased during Arthur's lifetime, finally discovered when Phillip Glass included the original version on Another Thought on Point Music in 1993. As Steve Knutson told us, when Another Thought was being put together, the plan was to release a companion album of remixes that was overseen by Steve D'Aquisto but the project only got as far as these two remixes of "In The Light Of The Miracle".
Some dodgy scans of some centre label designs suggest that Point Music might’ve been planning to release these on a 12" but it didn’t happen. The story goes that Gilles Peterson heard the remixes on a visit to the Point Music offices and wanted to release them on Talkin’ Loud. We’re not sure how many white label copies made it out into the wild, but again, these remixes didn’t make it to a proper release.
These remixes both extend and undeniably enhance the original, elevating it to new heights. The 13 minute remix on the A-side is by Danny Krivit & Tony Smith with editing duties performed by Tony Morgan. As ever with Arthur, the music is almost impossible to describe: is it Disco? Garage House? Avant Garde? None of these tags do full justice to its sheer majesty. You best just listen. Stretching out the original with some unbelievably great percussive elements, until we're in a deeply spiritual, otherworldly realm, it's just too beautiful for words. As many have claimed, it's the prototype for EVERYTHING.
The "Ponytail Club Mix (Part 1 & 2)", produced by Tony Morgan in the mid-90s, is in a more up-tempo style, with vocals higher in the mix, the BPM upped to 120 and the addition of a housey 4/4 kick drum. A 14 minute epic, you could say this is a more straight ahead "club-friendly" mix (but can things ever be that straightforward with Arthur?!) It also has some really interesting vocal parts not used in the other versions, including some vocals from guest poet Allen Ginsberg.
These remixes are part of the same original project that also produced the Another Thought album so it seems only right that they have a sleeve that matches. Thanks again to Janette Beckman for letting us use another of her photos of Arthur and the rest of the design follows what Margery Greenspan, Tina Lauffer and Michael Klotz did for Another Thought back in 1994.
Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12" well and truly slaps. The immaculate Record Industry pressing will ensure this incredibly sought-after treasure finds a home in many more collections, this and every year.
More
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1
Surface - Falling In Love
2
Surface - Happy (Love Mix)
Format Notes: 2024 first-time 12" reissue pairing of previously hyper-rare tracks, 140g vinyl, mastered by Simon Francis
Track List:
A1 Falling In Love
B1 Happy (Love Mix)
Release Notes:
Two seminal 12" mixes of a pair of enormous tracks from Surface. Housed in the super-rare and - until now - French-only picture sleeve of the eternal "Falling In Love", we've backed that classic with Be With's favourite deconstructed mix of the swirling electronic soul / synth-driven slow jam "Happy". These sought-after versions have never been paired on the same record before. This fresh Be With edition ensures these legendary tracks now sound, looks and feel as sensational as they deserve to. You know what to do...
American post-disco/R&B trio Surface were a New Jersey vocal group made up of Bernard Jackson, David Townsend and David Conley. The majesty of boogie ballad "Falling In Love" was their first single, released in 1983 on Salsoul Records. The mellow magic of this track is loved the world over; it's a feel-good smooth boogie jam that's forever coveted. The slick, crystal clear beat, the legendary minimoog bassline, the melody, Karen Copeland's superb vocal, the great flute solo (referenced on the cover) all of it is literally perfect and beautifully encapsulates that mid 80s international club vibe. This here is the original Shep Pettibone mix in its entirety - it's the only one you really need.
Flip for the legendary "Love Mix" of 1987 hit single “Happy". You all know the original. At least, you *should* all know it. But the "Love Mix" is a deconstructed, boldly produced mix which is the one the heads have turned to for so long. Yet, in our opinion, its hypnotic groove has flown under the radar for too many years. This killer remix begins with Jackson's spine-tingling isolated vocal, cleverly subverting expectations by actually delivering the first words of the original's second verse "You must be Heaven sent...Sent into my life...And I compliment you baby...Baby" before a heavy 808 drum kicks hard with echoey handclaps. It's super sparse and a dubbed out slow-mo boogie banger like no other. The synth bass, atmospheric synth pads and synthesized flute glide in and out with effortless style and the whole thing is a wonder to behold.
It's a slow jam, for sure, but crafted in the straight up funk tradition, using the digital tools of the day and this sparser than sparse version almost sounds like a precursor to UK Street Soul. A unique combination of undeniable funk, electro beats and an earnest, youthful tenor; it should be slamming out of every jeep forevermore.
Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12" well and truly slaps. The immaculate Record Industry pressing will ensure this incredibly sought-after treasure finds a home in many more collections, this and every year. Simply flawless.
More
Track List:
A1 Falling In Love
B1 Happy (Love Mix)
Release Notes:
Two seminal 12" mixes of a pair of enormous tracks from Surface. Housed in the super-rare and - until now - French-only picture sleeve of the eternal "Falling In Love", we've backed that classic with Be With's favourite deconstructed mix of the swirling electronic soul / synth-driven slow jam "Happy". These sought-after versions have never been paired on the same record before. This fresh Be With edition ensures these legendary tracks now sound, looks and feel as sensational as they deserve to. You know what to do...
American post-disco/R&B trio Surface were a New Jersey vocal group made up of Bernard Jackson, David Townsend and David Conley. The majesty of boogie ballad "Falling In Love" was their first single, released in 1983 on Salsoul Records. The mellow magic of this track is loved the world over; it's a feel-good smooth boogie jam that's forever coveted. The slick, crystal clear beat, the legendary minimoog bassline, the melody, Karen Copeland's superb vocal, the great flute solo (referenced on the cover) all of it is literally perfect and beautifully encapsulates that mid 80s international club vibe. This here is the original Shep Pettibone mix in its entirety - it's the only one you really need.
Flip for the legendary "Love Mix" of 1987 hit single “Happy". You all know the original. At least, you *should* all know it. But the "Love Mix" is a deconstructed, boldly produced mix which is the one the heads have turned to for so long. Yet, in our opinion, its hypnotic groove has flown under the radar for too many years. This killer remix begins with Jackson's spine-tingling isolated vocal, cleverly subverting expectations by actually delivering the first words of the original's second verse "You must be Heaven sent...Sent into my life...And I compliment you baby...Baby" before a heavy 808 drum kicks hard with echoey handclaps. It's super sparse and a dubbed out slow-mo boogie banger like no other. The synth bass, atmospheric synth pads and synthesized flute glide in and out with effortless style and the whole thing is a wonder to behold.
It's a slow jam, for sure, but crafted in the straight up funk tradition, using the digital tools of the day and this sparser than sparse version almost sounds like a precursor to UK Street Soul. A unique combination of undeniable funk, electro beats and an earnest, youthful tenor; it should be slamming out of every jeep forevermore.
Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12" well and truly slaps. The immaculate Record Industry pressing will ensure this incredibly sought-after treasure finds a home in many more collections, this and every year. Simply flawless.
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Label:Too Slow To Disco
Cat-No:TSTDREWORKS02
Release-Date:27.09.2024
Configuration:12" Excl
Barcode:4251804182225
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Label:Too Slow To Disco
Cat-No:TSTDREWORKS02
Release-Date:27.09.2024
Configuration:12" Excl
Barcode:4251804182225
1
Michael Franks - Chain Reaction (DoctorSoul’s “You Can't Fake It” Rework)
2
Michael Franks - When Sly Calls (DoctorSoul “Don't Touch That Phone” Rework)
3
Michael Franks - When Sly Calls (DoctorSoul "Don't Touch That Phone" - Radio Re-Therapy)
limited in Light Blue Vinyl!
Start of a new series of official reworks of The Warmer Music catalogue, a very special collaboration of Too Slow To Disco with the major label, that we worked on for a long time. We are more than thrilled to start our Warner Music collaboration with official DocotrSoul reworks for one of the most prolific musicians of the Californian Westcoast/Jazz/AOR/Yacht scene, the one and only Michael Franks, who approved personally the new version. Over the languorous course of 33 years and 16 albums, Michael Franks has mesmerized an international legion of fans with his one-of-a-kind artistry. Seamlessly weaving lyrics of stunning sensuality, wit, reflection and literary eloquence over music that tastefully utilizes top shelf shadings of jazz, soul, pop, chamber and music from around the globe. His music was covered by countless international stars, like The Carpenters, Shirley Bassey, Ringo Star, Natalie Cole, a.m.m. . His music lives on and is loved by so many modern Balearic/Soft Disco musicians/producers from today.
Parisian producer DoctorSoul is a longtime TSTD collaborateur. These reworks of his have been floating around the internet for some time, we are so proud to finally give them an official release! The D.J. / Remix & Music producer / Sound Designer has collaborated with many artists and bands from diverse genres even in Jazz, bringing production remixes for the likes of legendary Tania Maria, Jeff Cascaro, Mandoo &Interview to name just a few! His own musical releases are deeply rooted in disco and funk territory with a modern sonic production touch that can grab attention from the younger generation, as well as from the elder who like to be reminded of the 80’s dance floor culture.
Since 2018 he has been hosting a monthly show on RapTz Radio and on the late night dream.com while doing Dj sets for The House Theory Radio Show, The Midnight Riot Radio, and Disko Knights. DoctorSoul´s tracks are released on the London based MIDNIGHT RIOT record label, the Berlin based TOO SLOW TO DISCO record label and have reached many times the top places in worldwide Disco charts. They are played by numerous very famous known DJs around the world such as: DJ Supermarkt, Ashley Beedle, Lenny Fontana,Mannix Kling, The House Theory Team, DJ White, Tony Griffin, Disko Knight, Humberto Galvàn, Crème De Coco, Jack Tennis, Ursula 1000, Yam Who?, ChuggingEdits, Limpodisco, Ruff Diamond, Disco Daze, Lego Edit, or Rob Hardt from The Cool Million team…
TRACKLIST:
Side A: Chain Reaction (DoctorSoul's "You Can't Fake It" - Extended Intro Re-Therapy) 6:47
Side B1: When Sly Calls (DoctorSoul "Don't Touch That Phone" - Extended Re-Therapy) 5:31
Side B2: When Sly Calls (DoctorSoul "Don't Touch That Phone" - Radio Re-Therapy) 3:42
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Start of a new series of official reworks of The Warmer Music catalogue, a very special collaboration of Too Slow To Disco with the major label, that we worked on for a long time. We are more than thrilled to start our Warner Music collaboration with official DocotrSoul reworks for one of the most prolific musicians of the Californian Westcoast/Jazz/AOR/Yacht scene, the one and only Michael Franks, who approved personally the new version. Over the languorous course of 33 years and 16 albums, Michael Franks has mesmerized an international legion of fans with his one-of-a-kind artistry. Seamlessly weaving lyrics of stunning sensuality, wit, reflection and literary eloquence over music that tastefully utilizes top shelf shadings of jazz, soul, pop, chamber and music from around the globe. His music was covered by countless international stars, like The Carpenters, Shirley Bassey, Ringo Star, Natalie Cole, a.m.m. . His music lives on and is loved by so many modern Balearic/Soft Disco musicians/producers from today.
Parisian producer DoctorSoul is a longtime TSTD collaborateur. These reworks of his have been floating around the internet for some time, we are so proud to finally give them an official release! The D.J. / Remix & Music producer / Sound Designer has collaborated with many artists and bands from diverse genres even in Jazz, bringing production remixes for the likes of legendary Tania Maria, Jeff Cascaro, Mandoo &Interview to name just a few! His own musical releases are deeply rooted in disco and funk territory with a modern sonic production touch that can grab attention from the younger generation, as well as from the elder who like to be reminded of the 80’s dance floor culture.
Since 2018 he has been hosting a monthly show on RapTz Radio and on the late night dream.com while doing Dj sets for The House Theory Radio Show, The Midnight Riot Radio, and Disko Knights. DoctorSoul´s tracks are released on the London based MIDNIGHT RIOT record label, the Berlin based TOO SLOW TO DISCO record label and have reached many times the top places in worldwide Disco charts. They are played by numerous very famous known DJs around the world such as: DJ Supermarkt, Ashley Beedle, Lenny Fontana,Mannix Kling, The House Theory Team, DJ White, Tony Griffin, Disko Knight, Humberto Galvàn, Crème De Coco, Jack Tennis, Ursula 1000, Yam Who?, ChuggingEdits, Limpodisco, Ruff Diamond, Disco Daze, Lego Edit, or Rob Hardt from The Cool Million team…
TRACKLIST:
Side A: Chain Reaction (DoctorSoul's "You Can't Fake It" - Extended Intro Re-Therapy) 6:47
Side B1: When Sly Calls (DoctorSoul "Don't Touch That Phone" - Extended Re-Therapy) 5:31
Side B2: When Sly Calls (DoctorSoul "Don't Touch That Phone" - Radio Re-Therapy) 3:42
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LP Excl
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Label:Brother Music
Cat-No:BMVI010
Release-Date:18.10.2024
Configuration:LP Excl
Barcode:4251804182683
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Cat-No:BMVI010
Release-Date:18.10.2024
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Barcode:4251804182683
1
Laid Back - All You Need Is Love
2
Laid Back - Gloria
3
Laid Back - Cottage In Negril
4
Laid Back - Whiter Shade Of Pale
5
Laid Back - Third Stone From The Sun
6
Laid Back - Expecting To Fly
7
Laid Back - House Of The Rising Sun
8
Laid Back - Satie
9
Laid Back - My Generation
10
Laid Back - Theme From A Summer Place
11
Laid Back - Som Et Strejf Af En Dråbe
12
Laid Back - Vivaldi
NEW 2024 ALBUM, LP, 180G, HiGH QUALITY VINYL HAND MADE IN DENMARK IN AN ARTISANAL PROCESS (in a an Audiophile Quality approach where EVERY 75th COPY IS QUALITY CHECKED IN FULL).
For their 45th Band Anniversary the Iconic duo is still grooving and back with FOREVERGREEN
With Laid Back's 12 favourite songs of all time in a brand new recorded Laid Back cover version,
incl. "All You Need is Love", "House of The Rising Sun", "My Generation", "Gloria". "Whiter Shade Of Pale"
and so many more.
HQ Vinyl LP Handmade in Denmark in Artisanal Process
Formed in the 1979, the duo is still grooving at their studio in Vesterbro, Copenhagen.
Laid Back gained their first international major break through in the 80's with Sunshine Reggae and White Horse. The dualism and originality of the two songs has left a worldwide and everlasting reputation of their music. The 3rd evergreen from their hand was made in 1990 named Bakerman altogether with a music video by Lars Von Trier.
More recently, the two members have co-founded their own record company, Brother Music, which has released Laid Back Albums "Cosyland", the chill out album "Cosmic Vibes" and the recent two Studio Albums "Uptimistic Music" and "Road to Fame".
For their 45th Band Anniversary the Iconic duo is back with FOREVERGREEN! A stunning, simply Irresistable album meeting again the Band and (more than) 45 Year of music history. With Laid Back's favourite songs of all time in a Laid Back cover version!!
GENRE/S: Cover songs, reggae, Pop, chill out, classic, evergreens
TRACKLIST:
VINYL
A
1. All You Need Is Love
2. Gloria
3. Cottage In Negril
4. Whiter Shade Of Pale
5. Third Stone From The Sun
6. Expecting To Fly
B
1. House Of The Rising Sun
2. Satie
3. My Generation
4. Theme From A Summer Place
5. Som Et Strejf Af En Dråbe
6. Vivaldi
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For their 45th Band Anniversary the Iconic duo is still grooving and back with FOREVERGREEN
With Laid Back's 12 favourite songs of all time in a brand new recorded Laid Back cover version,
incl. "All You Need is Love", "House of The Rising Sun", "My Generation", "Gloria". "Whiter Shade Of Pale"
and so many more.
HQ Vinyl LP Handmade in Denmark in Artisanal Process
Formed in the 1979, the duo is still grooving at their studio in Vesterbro, Copenhagen.
Laid Back gained their first international major break through in the 80's with Sunshine Reggae and White Horse. The dualism and originality of the two songs has left a worldwide and everlasting reputation of their music. The 3rd evergreen from their hand was made in 1990 named Bakerman altogether with a music video by Lars Von Trier.
More recently, the two members have co-founded their own record company, Brother Music, which has released Laid Back Albums "Cosyland", the chill out album "Cosmic Vibes" and the recent two Studio Albums "Uptimistic Music" and "Road to Fame".
For their 45th Band Anniversary the Iconic duo is back with FOREVERGREEN! A stunning, simply Irresistable album meeting again the Band and (more than) 45 Year of music history. With Laid Back's favourite songs of all time in a Laid Back cover version!!
GENRE/S: Cover songs, reggae, Pop, chill out, classic, evergreens
TRACKLIST:
VINYL
A
1. All You Need Is Love
2. Gloria
3. Cottage In Negril
4. Whiter Shade Of Pale
5. Third Stone From The Sun
6. Expecting To Fly
B
1. House Of The Rising Sun
2. Satie
3. My Generation
4. Theme From A Summer Place
5. Som Et Strejf Af En Dråbe
6. Vivaldi
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Label:Full Time
Cat-No:FTM201913
Release-Date:28.06.2024
Configuration:LP
Barcode:
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Last in:17.07.2024
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Label:Full Time
Cat-No:FTM201913
Release-Date:28.06.2024
Configuration:LP
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1
Easy Going - Baby I Love You
2
Easy Going - Little Fairy
3
Easy Going - Suzie Q
4
Easy Going - Do It Again
If at the end of the Seventies you were at Piazza Barberini in Rome at night, you would have come across a small but crowded club half-hidden in the ascent of Via della Purificazione, a trendy gay club with elegant Fassbinderian furniture, but also a night crossroads for many prominent characters of the cultural and artistic life of the eternal city and a regular stop for the most popular national DJs at the time. Easy Going creature was founded by Claudio Simonetti (Goblin), as a homage to the place mentioned above. For the first time ever repressed on Full Time.
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Label:Best Record
Cat-No:HM1001/RBlack
Release-Date:18.08.2023
Configuration:12"
Barcode:
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Last in:07.06.2024
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Label:Best Record
Cat-No:HM1001/RBlack
Release-Date:18.08.2023
Configuration:12"
Barcode:
1
B.W.H. - Livin' Up (Original Version)
2
B.W.H. - Stop (Original Version)
An essential part of the European disco history... "Livin' Up" and "Stop" by B.W.H., these two tracks are true 'milestones' and Italo-Disco in the purest form. The sound that only the most virtuous and innovative young Italian DJs and arrangers were able to create in the early 80s. B.W.H is Stefano Zito (aka Black Way), Stefano Galante, and the late Carlo Favilli, "Stop" is dubbed "the best B-side ever!", but "Livin' Up" is also incredible, making this vinyl the hottest 12" ever assembled in the Italo Domain and for decades incredibly underrated. It was I-f's Mixed Up The Hague mix that brought this to the attention of a wider audience and have been considered one of the holy grails of Italo ever since. Here the 2 original versions from 1983 remastered with care and passion by Dom Scuteri and Claudio Casalini (Best Record) in two different editions: the classic one in black vinyl and the strictly limited one in gray vinyl. Two essential tracks available in a high quality edition.
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2LP
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Last in:16.08.2024
Label:Warp
Cat-No:WARPLP90R
Release-Date:10.01.2017
Genre:Electro
Configuration:2LP
Barcode:
- Spec: 2 x LP in paper inners, in 5mm outer sleeve with download card insert.
Tucked away in the great depths of the Warp catalogue is this elegant, liquid heartache of a record. An album credited to the late James Stinson, one half of cult-Detroit techno unit (alongside Gerald Donald) Drexciya, Lifestyles... stands as one of the remarkable records of the genre. Stinson died a year after release, lending this already beautiful work endless resonance.
Where the dystopian aqua-tronics of previous Drexciya were often jet-black, cold, brittle and abrasive this is a yearning soul music, played out down rain soaked streets, the buzzing lights of industry flickering in the darkness, the warm blue of a new day ready to break. This is a record where techno reached its raw, most emotive peak... Sustained pads paint minor-key melodies while electroid-vocals are buried deep in the hydrothermal mass of squelching bass-clusters and funky-filtered bleeps. At its skittering percussion core, a stripped back 808 tapestry, sequenced into myriad jazz-inflected shapes, a pulsing kick drum the snapping heartbeat, ticking hi-hats bursting from every angle.
All this tingles with the ghosts of records past, of Kraftwerkian humanoids, of first-wave Detroit, of refracted Hancock and Ayres, but as Stinson intones on the fifth track, ‘let me be what I wanna be’, Lifestyles is a creation all of its own special making, a sound that would inspire the latter day deep-house machinations of Omar S, Jus-Ed, Moodymann and influence –however indirectly- a wealth of current UK/US bass operators including Actress and Kyle Hall. More importantly it remains a beguiling epitaph to Stinson’s sadly distinguished life. More
Tucked away in the great depths of the Warp catalogue is this elegant, liquid heartache of a record. An album credited to the late James Stinson, one half of cult-Detroit techno unit (alongside Gerald Donald) Drexciya, Lifestyles... stands as one of the remarkable records of the genre. Stinson died a year after release, lending this already beautiful work endless resonance.
Where the dystopian aqua-tronics of previous Drexciya were often jet-black, cold, brittle and abrasive this is a yearning soul music, played out down rain soaked streets, the buzzing lights of industry flickering in the darkness, the warm blue of a new day ready to break. This is a record where techno reached its raw, most emotive peak... Sustained pads paint minor-key melodies while electroid-vocals are buried deep in the hydrothermal mass of squelching bass-clusters and funky-filtered bleeps. At its skittering percussion core, a stripped back 808 tapestry, sequenced into myriad jazz-inflected shapes, a pulsing kick drum the snapping heartbeat, ticking hi-hats bursting from every angle.
All this tingles with the ghosts of records past, of Kraftwerkian humanoids, of first-wave Detroit, of refracted Hancock and Ayres, but as Stinson intones on the fifth track, ‘let me be what I wanna be’, Lifestyles is a creation all of its own special making, a sound that would inspire the latter day deep-house machinations of Omar S, Jus-Ed, Moodymann and influence –however indirectly- a wealth of current UK/US bass operators including Actress and Kyle Hall. More importantly it remains a beguiling epitaph to Stinson’s sadly distinguished life. More