Label:Melody As Truth
Cat-No:MAT23
Release-Date:28.07.2023
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1
Jonny Nash - Eternal Life
2
Jonny Nash - Theories
3
Jonny Nash - October Song
4
Jonny Nash - All I Ever Needed
5
Jonny Nash - Light From Three Sides
6
Jonny Nash - Silver Sand
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Jonny Nash - Ditto
8
Jonny Nash - Face Of Another
9
Jonny Nash - Low Tide
10
Jonny Nash - Golden Hour
11
Jonny Nash - Future Friends
Melody As Truth founder Jonny Nash returns to action with his first solo album in four years.
Over the course of eleven mesmerising tracks, Nash points the compass gently inwards, casting aside any conceptual frameworks in favour of exploring an imaginative and idealised “personal folk music” that combines elements of traditional acoustic music with the producer’s richly immersive interpretation of ambient, a sound he has been developing for well over a decade.
From the smudged acid-folk bliss of ‘Theories’ and ‘Eternal Life’, to the layered acoustic guitars of ‘All I Ever Needed’ and the delay-soaked, Durutti Column-esque ‘Light From Three Sides’, a wide variety of musical textures weave their way throughout the album.
Point of Entry is much more than a mere ‘guitar album’ – it draws on a rich and diverse palette to achieve its purpose. The delicate saxophone work of ambient-jazz contemporary Joseph Shabason swells on ‘Ditto’ and ‘Light From Three Sides’. Cascading piano lines ripple through the crystal clear sonic waters of ‘Face of Another’, whilst echoes of Nash’s work with Gigi Masin and Young Marco as Gaussian Curve appear in the dancing synth sequences of ‘Ditto’ and ‘Golden Hour’. Nash’s reverb-laden voice also appears for the first time since 2016’s critically acclaimed Exit Strategies, used delicately throughout the album to conjure up a world of dusk and golden light.
Combining the delicate human touch and naivety of earlier Melody As Truth releases with widened scope and vision, Point Of Entry is arguably Nash’s most complete work to date – an album that’s as much a statement of his “personal folk” vision as a future ambient classic.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Over the course of eleven mesmerising tracks, Nash points the compass gently inwards, casting aside any conceptual frameworks in favour of exploring an imaginative and idealised “personal folk music” that combines elements of traditional acoustic music with the producer’s richly immersive interpretation of ambient, a sound he has been developing for well over a decade.
From the smudged acid-folk bliss of ‘Theories’ and ‘Eternal Life’, to the layered acoustic guitars of ‘All I Ever Needed’ and the delay-soaked, Durutti Column-esque ‘Light From Three Sides’, a wide variety of musical textures weave their way throughout the album.
Point of Entry is much more than a mere ‘guitar album’ – it draws on a rich and diverse palette to achieve its purpose. The delicate saxophone work of ambient-jazz contemporary Joseph Shabason swells on ‘Ditto’ and ‘Light From Three Sides’. Cascading piano lines ripple through the crystal clear sonic waters of ‘Face of Another’, whilst echoes of Nash’s work with Gigi Masin and Young Marco as Gaussian Curve appear in the dancing synth sequences of ‘Ditto’ and ‘Golden Hour’. Nash’s reverb-laden voice also appears for the first time since 2016’s critically acclaimed Exit Strategies, used delicately throughout the album to conjure up a world of dusk and golden light.
Combining the delicate human touch and naivety of earlier Melody As Truth releases with widened scope and vision, Point Of Entry is arguably Nash’s most complete work to date – an album that’s as much a statement of his “personal folk” vision as a future ambient classic.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from Jonny Nash
Label:Melody As Truth
Cat-No:MAT24
Release-Date:04.07.2025
Configuration:LP
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1
Jonny Nash - Blue Dragonfly
2
Jonny Nash - Dusk Can Dance
3
Jonny Nash - Bright Belief
4
Jonny Nash - Walk The Eighth Path
5
Jonny Nash - Moon Seed
6
Jonny Nash - Angel
7
Jonny Nash - Rain Song
8
Jonny Nash - The Way Things Looked
9
Jonny Nash - Close To The Source
10
Jonny Nash - Holy Moment
11
Jonny Nash - Green Lane
Netherlands-based artist Jonny Nash returns to Melody As Truth with his new solo album, ‘Once Was Ours Forever.’ Building on 2023’s ‘Point Of Entry,’ this collection of eleven compositions draws us further into Nash’s immersive, slowly expanding world, effortlessly connecting the dots somewhere between folk, ambient jazz and dreampop.
While ‘Point Of Entry’ was characterised by it’s laid-back, daytime ambience, ‘Once Was Ours Forever’ arrives wrapped in shades of dusk and hazy light, unfolding like a slow-moving sunset. Built from layers of gentle fingerpicked guitar, textural brush strokes, floating melodies and reverb-soaked vocals, moments come and go, fleeting and ephemeral.
From the cosmic Americana of ‘Bright Belief’ to the lush, layered shoegaze textures of ‘The Way Things Looked’, Nash’s versatile guitar playing lies at the heart of this album, gently supported by a cast of collaborators who each add their unique touches. Canadian ambient jazz saxophonist Joseph Shabason makes a return appearance, providing his delicate swells to ‘Angel.’ Saxophone is also provided by Shoei Ikeda (Maya Ongaku), cello by Tomo Katsurada (ex-Kikagaku Moyo) and Tokyo acid folk artist Satomimagae (RVNG) lends her haunting multilayered vocals to ‘Rain Song.’
As with much of Nash’s work, ‘Once Was Ours Forever’ deftly finds an equilibrium between softness and weight, offering the listener ample space to interpret and inhabit the music on their own terms. Through his uncanny ability to blend the pastoral and the profound, the idyllic and the insightful, ‘Once Was Ours Forever’ arrives as a tender and understated offering, infused with warmth and compassion.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
While ‘Point Of Entry’ was characterised by it’s laid-back, daytime ambience, ‘Once Was Ours Forever’ arrives wrapped in shades of dusk and hazy light, unfolding like a slow-moving sunset. Built from layers of gentle fingerpicked guitar, textural brush strokes, floating melodies and reverb-soaked vocals, moments come and go, fleeting and ephemeral.
From the cosmic Americana of ‘Bright Belief’ to the lush, layered shoegaze textures of ‘The Way Things Looked’, Nash’s versatile guitar playing lies at the heart of this album, gently supported by a cast of collaborators who each add their unique touches. Canadian ambient jazz saxophonist Joseph Shabason makes a return appearance, providing his delicate swells to ‘Angel.’ Saxophone is also provided by Shoei Ikeda (Maya Ongaku), cello by Tomo Katsurada (ex-Kikagaku Moyo) and Tokyo acid folk artist Satomimagae (RVNG) lends her haunting multilayered vocals to ‘Rain Song.’
As with much of Nash’s work, ‘Once Was Ours Forever’ deftly finds an equilibrium between softness and weight, offering the listener ample space to interpret and inhabit the music on their own terms. Through his uncanny ability to blend the pastoral and the profound, the idyllic and the insightful, ‘Once Was Ours Forever’ arrives as a tender and understated offering, infused with warmth and compassion.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Melody As Truth
Cat-No:MAT002
Release-Date:02.09.2022
Configuration:LP
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** finally repressed - a real beauty! Jonny Nash returns to Melody As truth following his " Phantom Actors" EP. "Exit Strategies" puts Nash's layered guitar textures at centre stage, further demonstrating his ability to draw emotion from the simplest of elements. A glimmering mini LP of lush and spacious compositions, surrounded by Nash's own unique air and atmospheric touch. Beautiful, TIP!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from Melody As Truth
Label:Melody As Truth
Cat-No:MAT24
Release-Date:04.07.2025
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1
Jonny Nash - Blue Dragonfly
2
Jonny Nash - Dusk Can Dance
3
Jonny Nash - Bright Belief
4
Jonny Nash - Walk The Eighth Path
5
Jonny Nash - Moon Seed
6
Jonny Nash - Angel
7
Jonny Nash - Rain Song
8
Jonny Nash - The Way Things Looked
9
Jonny Nash - Close To The Source
10
Jonny Nash - Holy Moment
11
Jonny Nash - Green Lane
Netherlands-based artist Jonny Nash returns to Melody As Truth with his new solo album, ‘Once Was Ours Forever.’ Building on 2023’s ‘Point Of Entry,’ this collection of eleven compositions draws us further into Nash’s immersive, slowly expanding world, effortlessly connecting the dots somewhere between folk, ambient jazz and dreampop.
While ‘Point Of Entry’ was characterised by it’s laid-back, daytime ambience, ‘Once Was Ours Forever’ arrives wrapped in shades of dusk and hazy light, unfolding like a slow-moving sunset. Built from layers of gentle fingerpicked guitar, textural brush strokes, floating melodies and reverb-soaked vocals, moments come and go, fleeting and ephemeral.
From the cosmic Americana of ‘Bright Belief’ to the lush, layered shoegaze textures of ‘The Way Things Looked’, Nash’s versatile guitar playing lies at the heart of this album, gently supported by a cast of collaborators who each add their unique touches. Canadian ambient jazz saxophonist Joseph Shabason makes a return appearance, providing his delicate swells to ‘Angel.’ Saxophone is also provided by Shoei Ikeda (Maya Ongaku), cello by Tomo Katsurada (ex-Kikagaku Moyo) and Tokyo acid folk artist Satomimagae (RVNG) lends her haunting multilayered vocals to ‘Rain Song.’
As with much of Nash’s work, ‘Once Was Ours Forever’ deftly finds an equilibrium between softness and weight, offering the listener ample space to interpret and inhabit the music on their own terms. Through his uncanny ability to blend the pastoral and the profound, the idyllic and the insightful, ‘Once Was Ours Forever’ arrives as a tender and understated offering, infused with warmth and compassion.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
While ‘Point Of Entry’ was characterised by it’s laid-back, daytime ambience, ‘Once Was Ours Forever’ arrives wrapped in shades of dusk and hazy light, unfolding like a slow-moving sunset. Built from layers of gentle fingerpicked guitar, textural brush strokes, floating melodies and reverb-soaked vocals, moments come and go, fleeting and ephemeral.
From the cosmic Americana of ‘Bright Belief’ to the lush, layered shoegaze textures of ‘The Way Things Looked’, Nash’s versatile guitar playing lies at the heart of this album, gently supported by a cast of collaborators who each add their unique touches. Canadian ambient jazz saxophonist Joseph Shabason makes a return appearance, providing his delicate swells to ‘Angel.’ Saxophone is also provided by Shoei Ikeda (Maya Ongaku), cello by Tomo Katsurada (ex-Kikagaku Moyo) and Tokyo acid folk artist Satomimagae (RVNG) lends her haunting multilayered vocals to ‘Rain Song.’
As with much of Nash’s work, ‘Once Was Ours Forever’ deftly finds an equilibrium between softness and weight, offering the listener ample space to interpret and inhabit the music on their own terms. Through his uncanny ability to blend the pastoral and the profound, the idyllic and the insightful, ‘Once Was Ours Forever’ arrives as a tender and understated offering, infused with warmth and compassion.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Melody As Truth
Cat-No:MAT22
Release-Date:08.09.2023
Genre:Alternative/Electronic
Configuration:7"
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Label:Melody As Truth
Cat-No:MAT22
Release-Date:08.09.2023
Genre:Alternative/Electronic
Configuration:7"
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1
Suzanne Kraft - Sometimes
2
Suzanne Kraft - If I Die
“Sometimes / If I Die” are two songs that have been key parts of the Suzanne Kraft live shows for the last year. The only songs in the set list not taken from the 2021 album “About You”, it felt natural to give them the full release that they deserve. Both tracks carry the hallmarks of SK’s recent work; hazy guitars, horizontally-inclined vocals and fuzzy 4-track pop sensibilities. coming soon on a 7"from Melody As Truth.
‘Sometimes’ was written in the wake of wrapping up ‘About You’ and served as a pole star for future exploration. A song of brotherly love, it simply describes a late evening at a friend’s house talking, drinking, laughing, sharing stories. ‘If I Die’ is a song originally written and recorded by close friend Alejandro Cohen and his band Languis. About the song, SK says, “Ale played a pivotal role in my musical upbringing since meeting him in my late teens. When the time came to play shows and tour I wanted to honour the influence Ale had on me by bringing one of his most beautiful songs along with me”.
Limited edition of 300 with colour printed insert designed by Steele Bonus
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
‘Sometimes’ was written in the wake of wrapping up ‘About You’ and served as a pole star for future exploration. A song of brotherly love, it simply describes a late evening at a friend’s house talking, drinking, laughing, sharing stories. ‘If I Die’ is a song originally written and recorded by close friend Alejandro Cohen and his band Languis. About the song, SK says, “Ale played a pivotal role in my musical upbringing since meeting him in my late teens. When the time came to play shows and tour I wanted to honour the influence Ale had on me by bringing one of his most beautiful songs along with me”.
Limited edition of 300 with colour printed insert designed by Steele Bonus
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Melody as truth
Cat-No:MAT009
Release-Date:21.07.2023
Configuration:LP
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Cat-No:MAT009
Release-Date:21.07.2023
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1
d.k./ s.k. - No Title
2
d.k./ s.k. - No Title
3
d.k./ s.k. - No Title
4
d.k./ s.k. - No Title
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d.k./ s.k. - No Title
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d.k./ s.k. - No Title
2023 Repress!
MAT's S.K. collaborates with D.K. (Antinote / Lies) on a 6 mini LP , recorded in Paris during early 2017.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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MAT's S.K. collaborates with D.K. (Antinote / Lies) on a 6 mini LP , recorded in Paris during early 2017.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Melody As Truth
Cat-No:MAT002
Release-Date:02.09.2022
Configuration:LP
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** finally repressed - a real beauty! Jonny Nash returns to Melody As truth following his " Phantom Actors" EP. "Exit Strategies" puts Nash's layered guitar textures at centre stage, further demonstrating his ability to draw emotion from the simplest of elements. A glimmering mini LP of lush and spacious compositions, surrounded by Nash's own unique air and atmospheric touch. Beautiful, TIP!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Melody As Truth
Cat-No:MAT21
Release-Date:28.03.2022
Genre:Alternative/Electronic
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1
Jonny Nash & Ana Stamp - Bright Girl
2
Jonny Nash & Ana Stamp - The Crown Whispers
3
Jonny Nash & Ana Stamp - On The Mountain Realm
4
Jonny Nash & Ana Stamp - There Down And Never Down
5
Jonny Nash & Ana Stamp - Upwards
6
Jonny Nash & Ana Stamp - Noble Tree
7
Jonny Nash & Ana Stamp - For You I Am Missing
8
Jonny Nash & Ana Stamp - Clouds Passing By
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Jonny Nash & Ana Stamp - There Up Behind The Moon
Melody As Truth is proud to announce ‘There Up, Behind the Moon’, a collaborative album from Romanian musician Ana Stamp and Jonny Nash. For this collaboration, the pair spent over two years researching, arranging and recording Romanian folklore songs, aiming to give new context to these traditional, forgotten melodies.Throughout the album Ana’s vocals sit in delicate balance with Nash’s signature minimalist arrangements, accompanied with cimbalom, piano, double bass and guitar.
‘Bright Girl’, ‘For You I Am Missing’, ‘On a Mountain Realm’, ‘Sacred Conversations’, ‘Noble Tree’ are arrangements from traditional Romanian “star songs” and carols, usually sung in connection to various rituals that take place throughout the year. ‘Clouds Passing By’ is a cover of a traditional song, covered by Os?oianu Sisters.
In addition the album contains two classical piano compositions by Romanian composer Sigismund Todut?a?’, ’Upwards’ and ‘There Up, Behind The Moon’ to complete the atmosphere. Ana’s contemplative, thoughtfully paced re-interpretation and performance of these pieces reflects feelings of waiting and longing over time.
In describing her first album ‘There Up, Behind The Moon, Ana says “it represents an important element of my connection with Romanian folklore and the country landscape that encompasses many feelings, ranging from longing to joy or melancholy at times. Rituals and traditions are part of our roots that we take with us wherever we go.”
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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‘Bright Girl’, ‘For You I Am Missing’, ‘On a Mountain Realm’, ‘Sacred Conversations’, ‘Noble Tree’ are arrangements from traditional Romanian “star songs” and carols, usually sung in connection to various rituals that take place throughout the year. ‘Clouds Passing By’ is a cover of a traditional song, covered by Os?oianu Sisters.
In addition the album contains two classical piano compositions by Romanian composer Sigismund Todut?a?’, ’Upwards’ and ‘There Up, Behind The Moon’ to complete the atmosphere. Ana’s contemplative, thoughtfully paced re-interpretation and performance of these pieces reflects feelings of waiting and longing over time.
In describing her first album ‘There Up, Behind The Moon, Ana says “it represents an important element of my connection with Romanian folklore and the country landscape that encompasses many feelings, ranging from longing to joy or melancholy at times. Rituals and traditions are part of our roots that we take with us wherever we go.”
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Melody As Truth
Cat-No:MAT20
Release-Date:14.02.2022
Genre:Alternative/Electronic
Configuration:LP
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Cat-No:MAT20
Release-Date:14.02.2022
Genre:Alternative/Electronic
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1
Suzanne Kraft - On Our Hands
2
Suzanne Kraft - Red Flag
3
Suzanne Kraft - Bell
4
Suzanne Kraft - Wildlife
5
Suzanne Kraft - Blush
6
Suzanne Kraft - Waiting
7
Suzanne Kraft - Screenwriter
8
Suzanne Kraft - Peace
9
Suzanne Kraft - Attenuate
10
Suzanne Kraft - Going Down
Repress!
About You is a set of hazy-haloed pop songs crackling with the flutters of fresh love amidst a mind full of memory flashes. Written in the whirlwind of a hopeful affair, instantly transformed into long distance romance, it’s a head rush of affection with the universe bending blurrily around it — an archive of yearning from a year that rifted warm bodies adrift; an outline of the in-betweens, the familiar and foreign, hopeful promise and heartbreak.
Suzanne Kraft has shaved silver linings from cloud formations and ignited them into crackling flames. It’s a full circle journey that floats on shimmering guitar tones, fluid vocals, and gently persuasive drum tracks chugging towards their destiny while revelling in the unknown. About You is a folding of time and space in album form and stands aloft as Suzanne Kraft’s next big step in fully becoming himself.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
About You is a set of hazy-haloed pop songs crackling with the flutters of fresh love amidst a mind full of memory flashes. Written in the whirlwind of a hopeful affair, instantly transformed into long distance romance, it’s a head rush of affection with the universe bending blurrily around it — an archive of yearning from a year that rifted warm bodies adrift; an outline of the in-betweens, the familiar and foreign, hopeful promise and heartbreak.
Suzanne Kraft has shaved silver linings from cloud formations and ignited them into crackling flames. It’s a full circle journey that floats on shimmering guitar tones, fluid vocals, and gently persuasive drum tracks chugging towards their destiny while revelling in the unknown. About You is a folding of time and space in album form and stands aloft as Suzanne Kraft’s next big step in fully becoming himself.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Label:Melody As Truth
Cat-No:MAT19
Release-Date:30.07.2021
Genre:Alternative/Electronic
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MAT is proud to announce the forthcoming release of ‘The Side I Never See’, by Hugh Small & Brian Allen Simon. Hugh forms half of Scottish post-punk duo Vazz, whose work was the subject of a recent retrospective by Belgian label Stroom. Brian is known best for his solo project Anenon, under which name he has released four full length albums and multiple remixes for artists including Ryuichi Sakamoto.
An improvised recording of Brian playing over the Vazz piece ‘Kazimierz’ catalysed this long-distance collaboration; 2000 feet up a mountain in Andalucia, Hugh heard the recording on a broadcast of Brian’s dublab LA radio show. Immediately taken in by Brian’s playing, the pair soon established contact and began discussing the possibility of working to create something new together.
The rest, as they say, is history: the results are fully realised in ‘The Side I Never See’, a shimmering suite of ten compositions for piano, soprano saxophone, synthesizer and guitar. In Hughs words… ‘so, what is it? It’s Ambient-Punk, Abstract-Jazz, Disaffected-Classical, it’s whatever the fuck you want it to be!’ :-)
‘The Side I Never See’ will be released on Melody As Truth in early August 2021, as always on vinyl and digital. Mastered by Stephan Mathieu, Artwork by Michael Willis.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
An improvised recording of Brian playing over the Vazz piece ‘Kazimierz’ catalysed this long-distance collaboration; 2000 feet up a mountain in Andalucia, Hugh heard the recording on a broadcast of Brian’s dublab LA radio show. Immediately taken in by Brian’s playing, the pair soon established contact and began discussing the possibility of working to create something new together.
The rest, as they say, is history: the results are fully realised in ‘The Side I Never See’, a shimmering suite of ten compositions for piano, soprano saxophone, synthesizer and guitar. In Hughs words… ‘so, what is it? It’s Ambient-Punk, Abstract-Jazz, Disaffected-Classical, it’s whatever the fuck you want it to be!’ :-)
‘The Side I Never See’ will be released on Melody As Truth in early August 2021, as always on vinyl and digital. Mastered by Stephan Mathieu, Artwork by Michael Willis.
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DE - 22113 Hamburg
Germany
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Label:Melody As Truth
Cat-No:MAT18
Release-Date:26.04.2021
Genre:Alternative/Electronic
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Release-Date:26.04.2021
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1
IRENA AND VOJTECH HAVLOVI - Into Silence
2
IRENA AND VOJTECH HAVLOVI - That Which Glitters
3
IRENA AND VOJTECH HAVLOVI - Velvet Wings Of Serenity
4
IRENA AND VOJTECH HAVLOVI - She Is Dissolving
5
IRENA AND VOJTECH HAVLOVI - Ruzenka
6
IRENA AND VOJTECH HAVLOVI - Vanity Of Wings
7
IRENA AND VOJTECH HAVLOVI - Light Circles
8
IRENA AND VOJTECH HAVLOVI - White Andalusia
9
IRENA AND VOJTECH HAVLOVI - In The Garden
10
IRENA AND VOJTECH HAVLOVI - Tenderly Blue
Repress!
Melody As Truth present “Melodies In The Sand”, a collection of works from Czech artists Irena and Vojtech Havlovi. The husband-and-wife duo began working together in the mid 80’s as part of experimental ensemble Capella Antiqua e Moderna, a unique association of musicians whose repertoire spanned various styles of European classical music. With an inventive and unorthodox approach to both historical and modern compositional techniques and interpretive procedures, the Havel’s have steadfastly developed a unique and musically autonomous language which continues to expand to this day. Spanning their early work in Capella Antique e Moderna to recent pieces recorded for Viola De Gamba, ‘Melodies In The Sand’ is presented to the listener with the simple aim of shining a light on these incredible musicians. Their work has within it the ability to penetrate and enrich the innermost corners of a perceptive human soul, a gift which they share with sincerity and humbleness.
https://pitchfork.com/reviews/albums/irena-and-vojtech-havlovi-melodies-in-the-sand/
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Melody As Truth present “Melodies In The Sand”, a collection of works from Czech artists Irena and Vojtech Havlovi. The husband-and-wife duo began working together in the mid 80’s as part of experimental ensemble Capella Antiqua e Moderna, a unique association of musicians whose repertoire spanned various styles of European classical music. With an inventive and unorthodox approach to both historical and modern compositional techniques and interpretive procedures, the Havel’s have steadfastly developed a unique and musically autonomous language which continues to expand to this day. Spanning their early work in Capella Antique e Moderna to recent pieces recorded for Viola De Gamba, ‘Melodies In The Sand’ is presented to the listener with the simple aim of shining a light on these incredible musicians. Their work has within it the ability to penetrate and enrich the innermost corners of a perceptive human soul, a gift which they share with sincerity and humbleness.
https://pitchfork.com/reviews/albums/irena-and-vojtech-havlovi-melodies-in-the-sand/
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1
Johnny Nash & Teguh Permana - No Title
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Johnny Nash & Teguh Permana - No Title
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Johnny Nash & Teguh Permana - No Title
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Johnny Nash & Teguh Permana - No Title
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Johnny Nash & Teguh Permana - No Title
Recorded over the course of March 2020 in Bandung and Amsterdam, ‘Poe’ is a collaboration between Jonny Nash and Teguh Permana. Permana is a renowned player of the Tarawangsa, a two-stringed instrument used in the sacred Tarawangsa music of Sunda, Indonesia. Poe’, meaning ‘Days’ in Sundanese, is a meditation on death and rebirth as reflected in the passing of time and the changing of the seasons. Permana is also active in the group Tarawangsawelas who released their debut album on Morphine records in 2017.
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Label:Melody As Truth
Cat-No:mat015
Release-Date:15.05.2020
Configuration:LP
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Johnny Nash/ Suzanne Kraft - No Title
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Johnny Nash/ Suzanne Kraft - No Title
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Johnny Nash/ Suzanne Kraft - No Title
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Johnny Nash/ Suzanne Kraft - No Title
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Johnny Nash/ Suzanne Kraft - No Title
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Johnny Nash/ Suzanne Kraft - No Title
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Johnny Nash/ Suzanne Kraft - No Title
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Johnny Nash/ Suzanne Kraft - No Title
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Johnny Nash/ Suzanne Kraft - No Title
Three years on from their debut collaborative album “Passive Aggressive“, Jonny Nash and Suzanne Kraft return with "Knife", the lead single from their forthcoming album, “A Heart So White”.
The single comes with an exclusive bonus digital track, "Processing The Negative", which will not appear on the full album.
“A Heart So White” represents a continuation of the working philosophy adopted during the recording of their debut; immersion in an unfamiliar recording environment with a limited set of tools and the goal of exploring the possibilities that lie within these limitations.
The album was written and recorded in the Willem Twee Concertzaal, a converted synagogue in Den Bosch, Holland. Whilst “Passive Agressive” explored virtual instruments and environments, “A Heart So White” shifts the focus to acoustic instrumentation, breath, air and physical space. Using the hall’s mechanical drawer organ and Steinway piano, the pair craft a delicately balanced suite of compositions, stripping things back to reveal the bare essence of their shared musical language.
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The single comes with an exclusive bonus digital track, "Processing The Negative", which will not appear on the full album.
“A Heart So White” represents a continuation of the working philosophy adopted during the recording of their debut; immersion in an unfamiliar recording environment with a limited set of tools and the goal of exploring the possibilities that lie within these limitations.
The album was written and recorded in the Willem Twee Concertzaal, a converted synagogue in Den Bosch, Holland. Whilst “Passive Agressive” explored virtual instruments and environments, “A Heart So White” shifts the focus to acoustic instrumentation, breath, air and physical space. Using the hall’s mechanical drawer organ and Steinway piano, the pair craft a delicately balanced suite of compositions, stripping things back to reveal the bare essence of their shared musical language.
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Germany
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LP
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Label:Melody As Truth
Cat-No:mat-ss3
Release-Date:23.01.2020
Configuration:LP
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Matstudio ( Jonny Nash & SK U Kno) - No Title
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Matstudio ( Jonny Nash & SK U Kno) - No Title
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Matstudio ( Jonny Nash & SK U Kno) - No Title
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Matstudio ( Jonny Nash & SK U Kno) - No Title
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Matstudio ( Jonny Nash & SK U Kno) - No Title
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Matstudio ( Jonny Nash & SK U Kno) - No Title
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Matstudio ( Jonny Nash & SK U Kno) - No Title
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Matstudio ( Jonny Nash & SK U Kno) - No Title
Part 3 of the Melody As Truth Studio vinyl documents
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Label:Melody As Truth
Cat-No:mat014
Release-Date:04.10.2019
Configuration:LP
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Label:Melody As Truth
Cat-No:mat014
Release-Date:04.10.2019
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1
Land Of Light - No Title
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Land Of Light - No Title
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Land Of Light - No Title
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Land Of Light - No Title
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Land Of Light - No Title
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Land Of Light - No Title
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Land Of Light - No Title
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Land Of Light - No Title
After a seven year hiatus since the release of their debut LP on ESP Institute, Kyle Martin and Jonny Nash’s Land Of Light return with their sophomore album for Melody As Truth. Written and composed over the course of two years, “The World Lies Breathing” reflects the pair’s shared development towards spacious, abstract composition crafted from a wide range of contrasting sound sources. Utilising a combination of acoustic instruments, contact microphones and Martin’s self-built modular synthesiser “The World Lies Breathing” focuses on the space between sounds, conjuring up an organic yet alien landscape that exists on the edge of an unknowable void.
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LP
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Label:Melody As Truth
Cat-No:matstudio1
Release-Date:08.03.2019
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Cat-No:matstudio1
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Jonny Nash & Suzanne Kraft - MATstudio is a series intended to catalogue some of the experiments, explorations, accidents and fortuitous events that regularly take place in our Amsterdam studio. Each record features two compositions created from a collage of works.
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Label:Melody as truth
Cat-No:mat011
Release-Date:25.05.2018
Genre:Eclectic
Configuration:LP
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Cat-No:mat011
Release-Date:25.05.2018
Genre:Eclectic
Configuration:LP
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1
tourist kid - Example
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tourist kid - Discourse II
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tourist kid - Learn
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tourist kid - Variegare
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tourist kid - Know
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tourist kid - UV Bleacher Tangent
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tourist kid - Bacterial
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tourist kid - Petrol
Tourist Kid's first release for Melody As Truth. Recorded in Perth and Melbourne between 2016 and 2017. Though the idea of movement between two places could be a somewhat romantic afterthought, a more palpable sense of dislocated unease creeps up on the listener throughout the album.
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Label:Melody as truth
Cat-No:mat010
Release-Date:24.11.2017
Configuration:12"
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Cat-No:mat010
Release-Date:24.11.2017
Configuration:12"
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With his debut MAT release entitled 'Universel', Palta almost paints with sound. Working a defined palette with subtlety and clarity of vision, we are taken to places that are alien yet somehow familiar; a world whose delicate exterior belies a profound depth and power.
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Label:Melody as truth
Cat-No:mat008
Release-Date:22.05.2017
Configuration:LP
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Cat-No:mat008
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1
jonny nash/ suzanne kraft - Photo With Grey Sky, White Clouds
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jonny nash/ suzanne kraft - Refractory Cafe
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jonny nash/ suzanne kraft - Beluga's Song
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jonny nash/ suzanne kraft - Hanging Glass Structure
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jonny nash/ suzanne kraft - inside
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jonny nash/ suzanne kraft - Small Town
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jonny nash/ suzanne kraft - See Yourself Out Of The Way
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jonny nash/ suzanne kraft - Time Being
Next up, MAT8. "Passive Aggressive", the first collaborative album release from Jonny Nash & Suzanne Kraft.
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Label:Melody as truth
Cat-No:mat004
Release-Date:21.10.2016
Genre:Electro
Configuration:7"
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Label:Melody as truth
Cat-No:mat004
Release-Date:21.10.2016
Genre:Electro
Configuration:7"
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suzanne kraft/ jonny nash - Cristina and Carolina
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suzanne kraft/ jonny nash - Roberto and Giovanni
Melody As Truth is proud to announce this split 7" by Jonny Nash and Suzanne Kraft. The release features two tracks of melancholic ambience and kicks off a new string of releases for the label in the latter half of 2016....High Price On This Due To Large Production Costs; Limited Copies. TIPPED!
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On Soft Wish Oslo based soundartist Erik M merges noisy home recordings of acoustic instruments with fluctuating bass elements and his own voice to create a personal, muted landscape that carries notions of longing as well as contentment.
This is Erik Mowinckel’s first release on Kora and the first music arriving under his new moniker Erik M
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This is Erik Mowinckel’s first release on Kora and the first music arriving under his new moniker Erik M
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Cat-No:PDONLP001
Release-Date:21.03.2025
Genre:Techno
Configuration:2LP
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paranoid london - 01. Light Tunnel ft Mutado Pintado
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paranoid london - 02. Transmission 5 ft Mutado Pintado
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paranoid london - 03. Headtrack
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paranoid london - 04. Paris Dub 3 ft Paris Brightledge
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paranoid london - 08. Eating Glue ft Mutado Pintado
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paranoid london - 09. 300 Hangovers A Year ft Mutado Pintado
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paranoid london - 10. Paris Dub 1 ft Paris Brightledge
10th Anniversary Repress of the Paranoid London LP from 2014. From the moment you hear the first warm pads you know this is going to be an epic journey. Not really. Here is some more repetitive, machine bass music for DJs to play loud & dancers to freak to. Featuring vocals from Mutado Pintado (NYC), Paris Brightledge (Chicago) & DJ Genesis (Detroit). Includes New Printed Insert
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Vinyl Album Excl
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Label:Scissor And Thread
Cat-No:sat005lpx
Release-Date:15.06.2018
Genre:House
Configuration:Vinyl Album Excl
Barcode:4250382436058
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Label:Scissor And Thread
Cat-No:sat005lpx
Release-Date:15.06.2018
Genre:House
Configuration:Vinyl Album Excl
Barcode:4250382436058
2018 Reissue of the Classic, Now in HQ Gatefold Sleeve! Original Cover Art, Carefully remastered 3LP from Original Tapes + Bonus Download
Tracklist
A1. Plays I Play feat. Gry
A2. Pensum
B1. Living Lips
B2. Lostfound feat. Gry
C1. Of the Field
C2. McLeod
D1. Pharoah In the Morning feat. Gry
D2. Whether It Was
E. Picture Us
F1. Close Air
F2. Leland
Francis Harris is one of the most interesting figures on the american electronic music cicruit and beyond. His output has gone from tightly wound tech house cuts as Adultnapper in the early days, sublime deep house as Frank & Tony, intricate and expressive musical journeys as evident in his two solo-albums 'Leland' and 'Minutes Of Sleep', and ambient shoegaze with two Aris Kindt albums, co-produced with Gabe Hedrick. Most recently Harris branched out with a new label - Kingdoms - a home for his love of a more adventurous sound.
Up until now his most notable milestones remain the two solo-albums Leland (2012) and Minutes Of Sleep (2014) who became essential albums of the genre. Both albums have been out of print for a long time and due to public demand we are happy to present new vinyl editions of both albums. Carefully restored from original masters and artwork the albums now appear in gatefold-sleeves while Leland spans over three vinyl discs and Minutes Of Sleep over two, just like the sold out originals.
‚Leland' features Danish vocalist Gry on three tracks including "lostfound," the first single and video which was remixed by Mathew Herbert and debuted on Pitchfork. Also featured throughout are Emil Abramyan, whose poignant performance on cello evokes comparison to Arthur Russell, and Greg Paulus (No Regular Play/Matthew Dear Band), whose improvisational free jazz inspired trumpet accents converse thoughtfully with Harris' own tonal melodies performed on piano and guitar. Determined to produce electronic music with warmth and true dynamic range, Harris recorded and mixed "Leland" with Jordan Lieb on an analog SSL and then enlisted legendary engineer Joe Lambert to master the project.
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Tracklist
A1. Plays I Play feat. Gry
A2. Pensum
B1. Living Lips
B2. Lostfound feat. Gry
C1. Of the Field
C2. McLeod
D1. Pharoah In the Morning feat. Gry
D2. Whether It Was
E. Picture Us
F1. Close Air
F2. Leland
Francis Harris is one of the most interesting figures on the american electronic music cicruit and beyond. His output has gone from tightly wound tech house cuts as Adultnapper in the early days, sublime deep house as Frank & Tony, intricate and expressive musical journeys as evident in his two solo-albums 'Leland' and 'Minutes Of Sleep', and ambient shoegaze with two Aris Kindt albums, co-produced with Gabe Hedrick. Most recently Harris branched out with a new label - Kingdoms - a home for his love of a more adventurous sound.
Up until now his most notable milestones remain the two solo-albums Leland (2012) and Minutes Of Sleep (2014) who became essential albums of the genre. Both albums have been out of print for a long time and due to public demand we are happy to present new vinyl editions of both albums. Carefully restored from original masters and artwork the albums now appear in gatefold-sleeves while Leland spans over three vinyl discs and Minutes Of Sleep over two, just like the sold out originals.
‚Leland' features Danish vocalist Gry on three tracks including "lostfound," the first single and video which was remixed by Mathew Herbert and debuted on Pitchfork. Also featured throughout are Emil Abramyan, whose poignant performance on cello evokes comparison to Arthur Russell, and Greg Paulus (No Regular Play/Matthew Dear Band), whose improvisational free jazz inspired trumpet accents converse thoughtfully with Harris' own tonal melodies performed on piano and guitar. Determined to produce electronic music with warmth and true dynamic range, Harris recorded and mixed "Leland" with Jordan Lieb on an analog SSL and then enlisted legendary engineer Joe Lambert to master the project.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Scissor And Thread
Cat-No:sat054lp
Release-Date:18.11.2022
Genre:House
Configuration:LP Excl
Barcode:4250382447078
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Cat-No:sat054lp
Release-Date:18.11.2022
Genre:House
Configuration:LP Excl
Barcode:4250382447078
1
ZG - Jungle Times
2
ZG - Roll Of Thunder
3
ZG - When Young
4
ZG - Ombre
5
ZG - Aura
6
ZG - Dog Days
7
ZG - Drift Out
WW -DE, -AT.
LP incl DL code
GENRE/S:
Electronica, Breaks, Drum & Bass
TRACKLISTS:
A1. Jungle Times
A2. Roll Of Thunder
A3. When Young
A4. Ombre
B1. Aura
B2. Dog Days
B3. Drift Out
SHORT INFO:
ZG is the moniker of London based Zansika Lachhani and Grant (aka Anthony Collins, and the Tony in Frank & Tony). The concept was borne out of a connection online, as Grant and Zan connected on Soundcloud, both independently vibing off each other's music and approach to their art.
In 2018 they began to work together, developing a number of tracks but eventually parking the project as other life commitments got in the way. Fast forward to 2021, while clearing out old harddrives, Grant rediscovered the recordings and was blown away by the music already put down. Together they began to rework and develop the project further, resulting in a blindingly beautiful seven track LP.
Opener Jungle Times sets the scene, an atmospheric dreamy opening giving way to an idiosyncratic breakbeat and whispered vocals from Zan, setting the tone perfectly, floating the sound equally between London and New York styles. Following it up is the enigmatic Roll of Thunder, drawing its power broken beat patterns, deep and soulful strings and washes reminiscent of 4Hero in their prime.
When Young also brings a jazz aesthetic to the fore, with upfront drums and Rhodes chords washing over in melodic bliss. Ombre starts with a thick bassline and urgent synth stabs before developing into a tripped-out groove, layered with thick synth lines and subtle harmonic touches. Similarly, Aura uses some of the same sound palette as well with touches of guitars and more sparking pads creating an uplifting yet melancholic journey. The first real vocal arrives with the penultimate track Dog Days, dreamily layered over beautifully evolving synth washes and skittering beats. By the time Drift Out arrives to usher in the last act of this exceptional LP, we are on cloud nine.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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LP incl DL code
GENRE/S:
Electronica, Breaks, Drum & Bass
TRACKLISTS:
A1. Jungle Times
A2. Roll Of Thunder
A3. When Young
A4. Ombre
B1. Aura
B2. Dog Days
B3. Drift Out
SHORT INFO:
ZG is the moniker of London based Zansika Lachhani and Grant (aka Anthony Collins, and the Tony in Frank & Tony). The concept was borne out of a connection online, as Grant and Zan connected on Soundcloud, both independently vibing off each other's music and approach to their art.
In 2018 they began to work together, developing a number of tracks but eventually parking the project as other life commitments got in the way. Fast forward to 2021, while clearing out old harddrives, Grant rediscovered the recordings and was blown away by the music already put down. Together they began to rework and develop the project further, resulting in a blindingly beautiful seven track LP.
Opener Jungle Times sets the scene, an atmospheric dreamy opening giving way to an idiosyncratic breakbeat and whispered vocals from Zan, setting the tone perfectly, floating the sound equally between London and New York styles. Following it up is the enigmatic Roll of Thunder, drawing its power broken beat patterns, deep and soulful strings and washes reminiscent of 4Hero in their prime.
When Young also brings a jazz aesthetic to the fore, with upfront drums and Rhodes chords washing over in melodic bliss. Ombre starts with a thick bassline and urgent synth stabs before developing into a tripped-out groove, layered with thick synth lines and subtle harmonic touches. Similarly, Aura uses some of the same sound palette as well with touches of guitars and more sparking pads creating an uplifting yet melancholic journey. The first real vocal arrives with the penultimate track Dog Days, dreamily layered over beautifully evolving synth washes and skittering beats. By the time Drift Out arrives to usher in the last act of this exceptional LP, we are on cloud nine.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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in stock
Last in:26.06.2025
Label:Apollo
Cat-No:amb3922lp
Release-Date:29.06.2006
Genre:Techno
Configuration:2LP Excl
Barcode:5055274703046
non-exclusive
2LP R&S and Apollo Records present an official vinyl repress of this most classicand timeless album The vinyl uses the 2013 re-masters made from original DAT tapes cut by Matt Colton and presented in original artwork.
All time favourite Aphex Twin Album. Nice and accesible experimental techno. Originally released in 1992. What else could be said here, we finally are stocking copies on arguably the most important and influential electronic album of album time, Aphex Twin's Selected Ambient Works 85–92. You will always need this!!!
Tracks: A1 Xtal
A2 Tha
A3 Pulsewidth
B1 Ageispolis
B2 i
B3 Green Calx
B4 Heliosphan
C1 We Are The Music Makers
C2 Schottkey 7th Path
C3 Ptolemy
D1 Hedphelym
D2 Delphium
D3 Actium
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
2LP R&S and Apollo Records present an official vinyl repress of this most classicand timeless album The vinyl uses the 2013 re-masters made from original DAT tapes cut by Matt Colton and presented in original artwork.
All time favourite Aphex Twin Album. Nice and accesible experimental techno. Originally released in 1992. What else could be said here, we finally are stocking copies on arguably the most important and influential electronic album of album time, Aphex Twin's Selected Ambient Works 85–92. You will always need this!!!
Tracks: A1 Xtal
A2 Tha
A3 Pulsewidth
B1 Ageispolis
B2 i
B3 Green Calx
B4 Heliosphan
C1 We Are The Music Makers
C2 Schottkey 7th Path
C3 Ptolemy
D1 Hedphelym
D2 Delphium
D3 Actium
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Label:We Release Jazz
Cat-No:WRJ002-REG
Release-Date:26.10.2018
Genre:Electronic, Electronica
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Release-Date:26.10.2018
Genre:Electronic, Electronica
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1
Ryo Fukui - Mellow Dream
2
Ryo Fukui - My Foolish Heart
3
Ryo Fukui - Baron Potato Blues
4
Ryo Fukui - What's New
5
Ryo Fukui - Horizon
6
Ryo Fukui - My Funny Valentine
The Standard Edition - Territory - NO Sales to Japan
Ryo Fukui's 1976 highly sought-after follow up to SCENERY!
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is thrilled to present the official reissue of criminally overlooked Japanese jazz gem Mellow Dream (1977) by Hokkaido pianist wunderkind Ryo Fukui, released in conjunction with the its legendary predecessor Scenery, sourced from the original masters and mastered at half speed.
Firmly standing on the foundation he laid down with Scenery, Ryo Fukui continues his exploration of modal, bop and cool jazz sounds with meticulous grace and absolute mastery. As its title suggests, Mellow Dream ventures into slightly mellower, more soulful, and sometimes more contemplative territories (the Bill Evans-reminiscent "Mellow Dream" and "My Foolish Heart") while still packing the commanding punch Fukui's work is loved for, as heard on the amazingly bombastic "Baron Potato Blues" or the gigantic McCoy Tyner/John Coltrane-influenced "Horizon" which sees each member of the trio (Satoshi Denpo is on bass and Yoshinori Fukui is on drums) demonstrating their virtuosity for 9 exhilarating minutes. With his sophomore album, Ryo Fukui swings from melancholy to vibrant joy with ease, reminding us that jazz is best served with a pinch of blues, and displays an immensely rare combination of pure talent, unique personal approach and focused discipline. The man undeniably deserves a spot in the pantheon of all-time great jazz pianists.
After releasing the outstanding Scenery and Mellow Dream back to back, Ryo Fukui worked on developing his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui), and even releasing 2 live albums. He sadly passed away in March 2016, leaving behind a legacy of works that all jazz lovers should explore.
Tracklisting Vinyl LP
A1 Mellow Dream
A2 My Foolish Heart
A3 Baron Potato Blues
B1 What's New
B2 Horizon
B3 My Funny Valentine
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Ryo Fukui's 1976 highly sought-after follow up to SCENERY!
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is thrilled to present the official reissue of criminally overlooked Japanese jazz gem Mellow Dream (1977) by Hokkaido pianist wunderkind Ryo Fukui, released in conjunction with the its legendary predecessor Scenery, sourced from the original masters and mastered at half speed.
Firmly standing on the foundation he laid down with Scenery, Ryo Fukui continues his exploration of modal, bop and cool jazz sounds with meticulous grace and absolute mastery. As its title suggests, Mellow Dream ventures into slightly mellower, more soulful, and sometimes more contemplative territories (the Bill Evans-reminiscent "Mellow Dream" and "My Foolish Heart") while still packing the commanding punch Fukui's work is loved for, as heard on the amazingly bombastic "Baron Potato Blues" or the gigantic McCoy Tyner/John Coltrane-influenced "Horizon" which sees each member of the trio (Satoshi Denpo is on bass and Yoshinori Fukui is on drums) demonstrating their virtuosity for 9 exhilarating minutes. With his sophomore album, Ryo Fukui swings from melancholy to vibrant joy with ease, reminding us that jazz is best served with a pinch of blues, and displays an immensely rare combination of pure talent, unique personal approach and focused discipline. The man undeniably deserves a spot in the pantheon of all-time great jazz pianists.
After releasing the outstanding Scenery and Mellow Dream back to back, Ryo Fukui worked on developing his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui), and even releasing 2 live albums. He sadly passed away in March 2016, leaving behind a legacy of works that all jazz lovers should explore.
Tracklisting Vinyl LP
A1 Mellow Dream
A2 My Foolish Heart
A3 Baron Potato Blues
B1 What's New
B2 Horizon
B3 My Funny Valentine
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Label:Because Music
Cat-No:bec5156050
Release-Date:15.06.2015
Genre:Soundtracks
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The first Time ever on Vinyl: The Original Soundtrack of ZBIGNIEW PREISNER /KIESLOWSKI /
3 Clolours / Trois Coulours / 3 Farben: Red / Rouge / Rot
1LP+CD
1. Miosc od pierwszego wejrzenia (Love At First Sight) interprété par Zbigniew ZAMACHOWSKI 2. Fashion show I 3. Meeting the judge 4. The tapped conversation 5. Leaving the judge 6. Psychoanalysis 7. Today is my birthday 8. Do not take another man's wife I 9. Treason 10. Fashion show II 11. Conversation at the theatre 12. The rest of the conversation at the theatre 13. Do not take another man's wife II 14. Catastrophe 15. Finale
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3 Clolours / Trois Coulours / 3 Farben: Red / Rouge / Rot
1LP+CD
1. Miosc od pierwszego wejrzenia (Love At First Sight) interprété par Zbigniew ZAMACHOWSKI 2. Fashion show I 3. Meeting the judge 4. The tapped conversation 5. Leaving the judge 6. Psychoanalysis 7. Today is my birthday 8. Do not take another man's wife I 9. Treason 10. Fashion show II 11. Conversation at the theatre 12. The rest of the conversation at the theatre 13. Do not take another man's wife II 14. Catastrophe 15. Finale
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DE - 22113 Hamburg
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Label:Because Music
Cat-No:bec5156049
Release-Date:15.06.2015
Genre:Soundtracks
Configuration:2LP Excl
Barcode:5060421560496
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Cat-No:bec5156049
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Territories World Ex France, Ex Poland
The first Time ever on Vinyl: The Original Soundtrack of ZBIGNIEW PREISNER /KIESLOWSKI /
3 Clolours / Trois Coulours / 3 Farben: White / Blanc / Weiss
1LP+CD
1. The Beginning 2. The Court 3. Dominique tries to go home 4. A chat in the underground 5. Return to Poland 6. Home at last 7. On the Wisla 8. First job 9. Don't fall asleep 10. After the rst transaction 11. Attempted murder 12. The party on the Wisla 13. Don Karol I 14. Phone call to Dominique 15. Funeral music 16. Don Karol II 17. Morning at the hotel 18. Dominique's arrest 19. Don Karol III 20. Dominique in prison 21. The end
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DE - 22113 Hamburg
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The first Time ever on Vinyl: The Original Soundtrack of ZBIGNIEW PREISNER /KIESLOWSKI /
3 Clolours / Trois Coulours / 3 Farben: White / Blanc / Weiss
1LP+CD
1. The Beginning 2. The Court 3. Dominique tries to go home 4. A chat in the underground 5. Return to Poland 6. Home at last 7. On the Wisla 8. First job 9. Don't fall asleep 10. After the rst transaction 11. Attempted murder 12. The party on the Wisla 13. Don Karol I 14. Phone call to Dominique 15. Funeral music 16. Don Karol II 17. Morning at the hotel 18. Dominique's arrest 19. Don Karol III 20. Dominique in prison 21. The end
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Label:MG.ART
Cat-No:MG.ART612
Release-Date:05.11.2021
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1
Ash Ra Tempel - A1. Light: Look At Your Sun 6:20
2
Ash Ra Tempel - A2. Darkness: Flowers Must Die 12:20
3
Ash Ra Tempel - Side B : Schwingungen 19:00
- LP , GATEFOLD, STICKER
- 50th Anniversary Re-Edition
- Includes Original Releasesheet Inlay
- Original Release: 1972
- 2021 Re-Cut carefully overseen by Manuel Göttsching
GENRE/S: Krautrock, Kosmische, Early Progressive-/Psychedelic-Rock, Early Ambient
TRACKLIST:
Side A : Light And Darkness
A1. Light: Look At Your Sun 6:20
A2. Darkness: Flowers Must Die 12:20
Side B : Schwingungen 19:00
We proudly announce the authorised 50th Anniversary Edition 2021 of the 1972 Original release , one of the most important German
Krautrock albums in a 2021 Re-Cut carefully overseen by Manuel Göttsching himself.
As for the info we refer to Julian Cope´s review in his “Krautrocksampler” Book,
Publisher : Head Heritage (1 Oct. 1995) :
“Beware of Schwingungen!” That should be the large sticker on the front of all copies of this record. For it is dangerous to be casually
introduced to something that is life-changing, as I found out to my cost when first listening to this record.
It all starts fairly simply and without any cause for alarm - “Look at Your Sun” begins with a Doorsy lone groover guitar begins a pedestrian
blues, beautiful. Then the most crushed voice, a cross between Johnny Rotten and Tiny Tim, preaches its way into the proceeds. God, it
is beautiful - John L. repeats over and over, “We are all one, we are all one”, until a howling fuzztone solo guitar blows the whole onechord “Signed D.C.” ringing-cymbals torture to an end. And then the most far out track of all begins. This is called “Flower Must Die” and
it is a free-rock giant that transcends everything else in its field (there are no contenders.) As I've written before, PIL sounds like this. John
L. was John Lydon in a previous incarnation. After a slow weird build, a frantic streamlined one-chord mantra kicks in and it’s like the
Stooges’ Funhouse period but in a Righteous Vision Zone that fucks them right off. Phasing tears at the whole tracks as this Holy Racket
crosses into Hyper-space and everything gets all hyphenated just-for-the-sake-of-it. “Flowers Must Die”, man, it’s fucked up. Over on Side
2, the title-track (“Vibrations”) begins poetically enough with Wolfgang Muller’s epic and hugely reverbed vibraphone. Organ fades in and
FX guitars, and time passes by. Finally, tom-toms roll and the developing pace is built upon until that great eternal chord sequence finally
materialises — this is the one that Göttsching and Enke believed was the sound of heaven.
They may have been right. And Schwingungen was a gift from the Gods.“
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
- 50th Anniversary Re-Edition
- Includes Original Releasesheet Inlay
- Original Release: 1972
- 2021 Re-Cut carefully overseen by Manuel Göttsching
GENRE/S: Krautrock, Kosmische, Early Progressive-/Psychedelic-Rock, Early Ambient
TRACKLIST:
Side A : Light And Darkness
A1. Light: Look At Your Sun 6:20
A2. Darkness: Flowers Must Die 12:20
Side B : Schwingungen 19:00
We proudly announce the authorised 50th Anniversary Edition 2021 of the 1972 Original release , one of the most important German
Krautrock albums in a 2021 Re-Cut carefully overseen by Manuel Göttsching himself.
As for the info we refer to Julian Cope´s review in his “Krautrocksampler” Book,
Publisher : Head Heritage (1 Oct. 1995) :
“Beware of Schwingungen!” That should be the large sticker on the front of all copies of this record. For it is dangerous to be casually
introduced to something that is life-changing, as I found out to my cost when first listening to this record.
It all starts fairly simply and without any cause for alarm - “Look at Your Sun” begins with a Doorsy lone groover guitar begins a pedestrian
blues, beautiful. Then the most crushed voice, a cross between Johnny Rotten and Tiny Tim, preaches its way into the proceeds. God, it
is beautiful - John L. repeats over and over, “We are all one, we are all one”, until a howling fuzztone solo guitar blows the whole onechord “Signed D.C.” ringing-cymbals torture to an end. And then the most far out track of all begins. This is called “Flower Must Die” and
it is a free-rock giant that transcends everything else in its field (there are no contenders.) As I've written before, PIL sounds like this. John
L. was John Lydon in a previous incarnation. After a slow weird build, a frantic streamlined one-chord mantra kicks in and it’s like the
Stooges’ Funhouse period but in a Righteous Vision Zone that fucks them right off. Phasing tears at the whole tracks as this Holy Racket
crosses into Hyper-space and everything gets all hyphenated just-for-the-sake-of-it. “Flowers Must Die”, man, it’s fucked up. Over on Side
2, the title-track (“Vibrations”) begins poetically enough with Wolfgang Muller’s epic and hugely reverbed vibraphone. Organ fades in and
FX guitars, and time passes by. Finally, tom-toms roll and the developing pace is built upon until that great eternal chord sequence finally
materialises — this is the one that Göttsching and Enke believed was the sound of heaven.
They may have been right. And Schwingungen was a gift from the Gods.“
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Label:We Release Jazz
Cat-No:WRJ009LTD
Release-Date:18.09.2020
Configuration:LP Excl
Barcode:4251804120852
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1
Ryo Fukui - A1. Hot House (Charlie Parker)
2
Ryo Fukui - A2. All The Things Your Are (Jerome Kern)
3
Ryo Fukui - A3. Red Carpet (Duke Ellington)
4
Ryo Fukui - A4. Bouncing With Bud (Bud Powell)
5
Ryo Fukui - B1. Embraceable You (George Gershwin)
6
Ryo Fukui - B2. Just One of Those Things (Cole Porter)
7
Ryo Fukui - B3. Mellow Dream (Ryo Fukui)
-NO SALES TO JAPAN-
LP: 180g vinyl, half speed mastered, heavy sleeve, obi
Tracklisting LP
A1. Hot House (Charlie Parker)
A2. All The Things Your Are (Jerome Kern)
A3. Red Carpet (Duke Ellington)
A4. Bouncing With Bud (Bud Powell)
B1. Embraceable You (George Gershwin)
B2. Just One of Those Things (Cole Porter)
B3. Mellow Dream (Ryo Fukui)
Info
We Release Jazz is so happy to announce the official reissue of Ryo Fukui’s New York sessions with Lisle Atkinson and Leroy Williams, the aptly titled album Ryo Fukui in New York, sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD.
Recorded in February 1999 at Avatar Recording Studios in New York and inspired by Ryo Fukui’s idol and mentor Barry Harris, the fourth album from the famed Sapporo pianist captures memorable ses-sions with seasoned American jazz musicians (and frequent Barry Harris collaborators) Lisle Arthur Atkinson on bass and Leroy Williams on drums.
Ryo Fukui in New York is pure bop heaven, glowing with poetic takes on classics by Charlie Parker, George Gershwin, Duke Ellington, Jerome Kern, Cole Porter, and Bud Powell, plus a supreme remake of Fukui’s very own "Mellow Dream". It’s expressive, soulful, and vibrating with a bouncing swing feel all the way through; every note falls exactly where it should, undeniable brilliance. Much like the other albums by the genius from Hokkaido, it’s got that "special something", hard to grasp, hard to describe, but 100% felt. Skills and heart, the Ryo Fukui way.
Following his New York adventures, Ryo Fukui headed back to Sapporo, and more precisely to his jazz club Slowboat, where his newly acquired experience inspired numerous jam sessions and a full dedication to perfecting his craft. He sadly passed away in 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come, and Slowboat, where the magic still hap-pens to this day.
This is reissued in conjunction with Ryo Fukui’s A Letter from Slowboat (2016), also available via We Release Jazz.
Points of interests
- For fans of jazz, soul jazz, modal, hard bop, piano, Japanese jazz, Barry Harris, Scenery, jazz clubs and New York nights.
- Official reissue of Ryo Fukui’s New York sessions with Lisle Atkinson and Leroy Williams.
- 9th release from We Release Jazz, following Ryo Fukui’s Scenery, Mellow Dream, and A Letter from Slowboat, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin’s Placebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada’s Through The Looking Glass and Lunar Cruise with Masahiko Sato, MKWAJU ensemble’s KI-Motion, Jun Fukamachi’s Nicole, Bruno Spoer-ri’s Voice of Taurus and The Sound of the UFOs, Piero Umiliani’s Tra Scienza e Fantascienza and Il Mondo Dei Romani…)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
LP: 180g vinyl, half speed mastered, heavy sleeve, obi
Tracklisting LP
A1. Hot House (Charlie Parker)
A2. All The Things Your Are (Jerome Kern)
A3. Red Carpet (Duke Ellington)
A4. Bouncing With Bud (Bud Powell)
B1. Embraceable You (George Gershwin)
B2. Just One of Those Things (Cole Porter)
B3. Mellow Dream (Ryo Fukui)
Info
We Release Jazz is so happy to announce the official reissue of Ryo Fukui’s New York sessions with Lisle Atkinson and Leroy Williams, the aptly titled album Ryo Fukui in New York, sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD.
Recorded in February 1999 at Avatar Recording Studios in New York and inspired by Ryo Fukui’s idol and mentor Barry Harris, the fourth album from the famed Sapporo pianist captures memorable ses-sions with seasoned American jazz musicians (and frequent Barry Harris collaborators) Lisle Arthur Atkinson on bass and Leroy Williams on drums.
Ryo Fukui in New York is pure bop heaven, glowing with poetic takes on classics by Charlie Parker, George Gershwin, Duke Ellington, Jerome Kern, Cole Porter, and Bud Powell, plus a supreme remake of Fukui’s very own "Mellow Dream". It’s expressive, soulful, and vibrating with a bouncing swing feel all the way through; every note falls exactly where it should, undeniable brilliance. Much like the other albums by the genius from Hokkaido, it’s got that "special something", hard to grasp, hard to describe, but 100% felt. Skills and heart, the Ryo Fukui way.
Following his New York adventures, Ryo Fukui headed back to Sapporo, and more precisely to his jazz club Slowboat, where his newly acquired experience inspired numerous jam sessions and a full dedication to perfecting his craft. He sadly passed away in 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come, and Slowboat, where the magic still hap-pens to this day.
This is reissued in conjunction with Ryo Fukui’s A Letter from Slowboat (2016), also available via We Release Jazz.
Points of interests
- For fans of jazz, soul jazz, modal, hard bop, piano, Japanese jazz, Barry Harris, Scenery, jazz clubs and New York nights.
- Official reissue of Ryo Fukui’s New York sessions with Lisle Atkinson and Leroy Williams.
- 9th release from We Release Jazz, following Ryo Fukui’s Scenery, Mellow Dream, and A Letter from Slowboat, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin’s Placebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada’s Through The Looking Glass and Lunar Cruise with Masahiko Sato, MKWAJU ensemble’s KI-Motion, Jun Fukamachi’s Nicole, Bruno Spoer-ri’s Voice of Taurus and The Sound of the UFOs, Piero Umiliani’s Tra Scienza e Fantascienza and Il Mondo Dei Romani…)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Label:WRWTFWW
Cat-No:wrwtfww017
Release-Date:12.04.2024
Genre:Soundtracks
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1
Kenji Kawai - 01 - Making of Cyborg
2
Kenji Kawai - 02 - Ghost Hacker
3
Kenji Kawai - 03 - Puppet Master
4
Kenji Kawai - 04 - Virtual Crime
5
Kenji Kawai - 05 - Ghost City
6
Kenji Kawai - 06 - Access
7
Kenji Kawai - 07 - Night Stalker
8
Kenji Kawai - 08 - Floating Museum
9
Kenji Kawai - 09 - Ghost Dive
10
Kenji Kawai - 10 - Reincarnation
11
Kenji Kawai - 11 - Bonus Track
2024 Repress
- NO SALES TO JAPAN -
Regular Offcial Authorised Vinyl Version, Original Soundtrack, 350g Sleeve, Black Inner, Sticker, 12" 140g Vinyl
- The first ever OFFICIAL vinyl release of the soundtrack for Mamoru Oshii's legendary science fiction anime film GHOST IN THE SHELL (1995).
- LP cut from the original master reels at Emil Berliner Studios, official Ghost in the Shell artwork
Tracklisting LP :
A1 ?I - Making Of Cyborg
A2 Ghosthack
A3 Puppetmaster
A4 Virtual Crime
A5 ?II - Ghost City
B1 Access
B2 Nightstalker
B3 Floating Museum
B4 Ghostdive
B5 ?III - Reincarnation
We Release Whatever The Fuck We Want Records is thrilled and honored to announce the first ever official vinyl pressing of the soundtrack for Mamoru Oshii's critically acclaimed and all around legendary science fiction anime film GHOST IN THE SHELL (1995), adapted from Masamune Shirow's groundbreaking manga series of the same name.
Cut from the original master reels at Emil Berliner Studios (formerly the in-house recording department of renowned classical record label Deutsche Grammophon), the album comes as a LP accompanied by a bonus one-sided 7" housed in official Ghost in the Shell artwork sleeve with silver gilt printing and a Japanese obi, and contains extensive 24-page liner notes.
The haunting score is composed by Kenji Kawai, one of Japan's most celebrated soundtrack composers, alongside Joe Hisaishi and Ry?ichi Sakamoto, whose work includes Hideo Nakata's Ring (1998) and Ring 2 (1999), Death Note (2006), Hong Kong films Seven Swords by Tsui Hark (2005) and Ip Man by Wilson Yip (2008), and countless others. Kawai's compositions see ancient harmonies and percussions uncannily mesh with synthesized sounds of the modern world to convey a sumptuous balance between folklore tradition and futuristic outlook. For its iconic main theme "Making of Cyborg", Kawai had a choir chant a wedding song in ancient Japanese following Bulgarian folk harmonies, setting the standard for a timeless and unparalleled soundtrack that admirably echoes the film's musings on the nature of humanity in a technologically advanced world.
Ghost in the Shell is widely considered one of the best anime films of all time and its influence has been felt in the work of numerous movie directors, including James Cameron (Avatar), the Wachowskis (The Matrix), and Steven Spielberg (AI: Artificial Intelligence).
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
- NO SALES TO JAPAN -
Regular Offcial Authorised Vinyl Version, Original Soundtrack, 350g Sleeve, Black Inner, Sticker, 12" 140g Vinyl
- The first ever OFFICIAL vinyl release of the soundtrack for Mamoru Oshii's legendary science fiction anime film GHOST IN THE SHELL (1995).
- LP cut from the original master reels at Emil Berliner Studios, official Ghost in the Shell artwork
Tracklisting LP :
A1 ?I - Making Of Cyborg
A2 Ghosthack
A3 Puppetmaster
A4 Virtual Crime
A5 ?II - Ghost City
B1 Access
B2 Nightstalker
B3 Floating Museum
B4 Ghostdive
B5 ?III - Reincarnation
We Release Whatever The Fuck We Want Records is thrilled and honored to announce the first ever official vinyl pressing of the soundtrack for Mamoru Oshii's critically acclaimed and all around legendary science fiction anime film GHOST IN THE SHELL (1995), adapted from Masamune Shirow's groundbreaking manga series of the same name.
Cut from the original master reels at Emil Berliner Studios (formerly the in-house recording department of renowned classical record label Deutsche Grammophon), the album comes as a LP accompanied by a bonus one-sided 7" housed in official Ghost in the Shell artwork sleeve with silver gilt printing and a Japanese obi, and contains extensive 24-page liner notes.
The haunting score is composed by Kenji Kawai, one of Japan's most celebrated soundtrack composers, alongside Joe Hisaishi and Ry?ichi Sakamoto, whose work includes Hideo Nakata's Ring (1998) and Ring 2 (1999), Death Note (2006), Hong Kong films Seven Swords by Tsui Hark (2005) and Ip Man by Wilson Yip (2008), and countless others. Kawai's compositions see ancient harmonies and percussions uncannily mesh with synthesized sounds of the modern world to convey a sumptuous balance between folklore tradition and futuristic outlook. For its iconic main theme "Making of Cyborg", Kawai had a choir chant a wedding song in ancient Japanese following Bulgarian folk harmonies, setting the standard for a timeless and unparalleled soundtrack that admirably echoes the film's musings on the nature of humanity in a technologically advanced world.
Ghost in the Shell is widely considered one of the best anime films of all time and its influence has been felt in the work of numerous movie directors, including James Cameron (Avatar), the Wachowskis (The Matrix), and Steven Spielberg (AI: Artificial Intelligence).
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