Label:Peak Oil
Cat-No:PEAK18
Release-Date:06.06.2025
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Purelink - In Circuits
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Purelink - 4k Murmurs Feat. J
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Purelink - Stadium Drive
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Purelink - Pinned
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Purelink - Blue
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Purelink - We Should Keep Going
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The latest by Chicago trio Purelink unspools an alchemical suite of fractal ambient, dusted dub tech, and interstitial electronica, born from a spirit of unity and flux: “All hands on the mixer, forever finding the sound.” Since forming in 2020, Tommy Paslaski (aka Concave Reflection), Ben Paulson (aka Kindtree), and Akeem Asani (aka Millia) have convened regularly in a shared studio to workshop, swap samples, and hone their collective muse via “the endless possibilities of a laptop,” seeking “something different than we would make on our own.”
Distilled from extended compositions prepared and performed across 2022 in Chicago, Kansas City, New York, and Los Angeles, Signs captures their chemistry at its most liquid and immaterial, mapped in mutating systems of glitch, glass, rhythm, and space. It’s music alternately subdued and subterranean, elevated and remote, attuned to the flickering sentience of outer spheres.
Cover art by Ezra Miller.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
The latest by Chicago trio Purelink unspools an alchemical suite of fractal ambient, dusted dub tech, and interstitial electronica, born from a spirit of unity and flux: “All hands on the mixer, forever finding the sound.” Since forming in 2020, Tommy Paslaski (aka Concave Reflection), Ben Paulson (aka Kindtree), and Akeem Asani (aka Millia) have convened regularly in a shared studio to workshop, swap samples, and hone their collective muse via “the endless possibilities of a laptop,” seeking “something different than we would make on our own.”
Distilled from extended compositions prepared and performed across 2022 in Chicago, Kansas City, New York, and Los Angeles, Signs captures their chemistry at its most liquid and immaterial, mapped in mutating systems of glitch, glass, rhythm, and space. It’s music alternately subdued and subterranean, elevated and remote, attuned to the flickering sentience of outer spheres.
Cover art by Ezra Miller.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from Purelink
Label:Peak Oil
Cat-No:PEAK23
Release-Date:06.06.2025
Genre:Electronic, Electronica
Configuration:LP
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Genre:Electronic, Electronica
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Purelink - Looked Me Right In The Eye
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Purelink - Rookie (Feat. Loraine James)
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Purelink - Kite Scene
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Purelink - Yoke
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Purelink - First Iota (Feat. Angelina Nonaj)
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Purelink - Circle Of Dust
Sailing beyond the boundaries of electronic music, Purelink embrace liquidity on their second album, washing live instrumentation and exposed vocals over their patented cascade of dubbed ambience and ebbing rhythmic experimentation. Since 2020, Tommy Paslaski (aka Concave Reflection), Ben Paulson (aka kindtree) and Akeem Asani (aka Millia) have channeled their most euphoric musical whims into the Purelink project. Drifting between brittle '90s drum 'n bass and dub techno on their cult debut 12" 'Bliss / Swivel' and vaporizing Windy City jazz and post-rock motifs with muggy soundscapes on 2023's critically revered first full-length 'Signs', the trio have managed to define a painterly signature sound that's reflective but not reverent. Sure, Purelink's music can be graceful and bucolic, but it's powered by their innate devotion to the dancefloor's soundsystem.
'Faith' illustrates a period of upheaval for the three friends; relocating from Chicago to New York City, they found themselves surrounded by new scenery and fresh inspirations that permeated their compositions as they adapted to the change. On their previous records, the production process was relatively simple, just three laptops jacked into an interface in Paslaski's living room. Here, they augment the intermixed electronics with acoustic and electric timbres, opening up space for vocal contributions from Hyperdub luminary Loraine James and poet Angelina Nonaj. "Always time for rest," James ponders candidly on 'Rookie', "we settle." Her voice floats like smoke over the trio's familiar pattering rhythms and light-headed synths, now enhanced by capsized guitar motifs and subtle bass plucks.
On 'First Iota' meanwhile, Nonaj's deadpan narration grounds Purelink's dissociated echoes, sub swells and delicate improvisations. "Not everything beautiful has to be real," Nonaj repeats as organic and digital sounds sublime into a lysergic haze. And the softly propulsive 4/4 thuds that steered 'Signs' haven't disappeared entirely, either. On 'Kite Scene' a heartbeat-like pulse underpins Purelink's balmy pads and acidic synths, tactfully disrupted by hollow live percussion, and 'Yoke' muffles its chugging, broken beat sequences with swaddled trance hallucinations, gesturing cautiously towards euphoria. Each element falls into place on the album's final track, 'Circle of Dust', when Paslaski, Paulson and Asani find a fertile middle ground, ornamenting the kinetic, reverberating beats with evaporating whispers, evocative instrumental scrapes and hopeful, ecstatic harmonies.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
'Faith' illustrates a period of upheaval for the three friends; relocating from Chicago to New York City, they found themselves surrounded by new scenery and fresh inspirations that permeated their compositions as they adapted to the change. On their previous records, the production process was relatively simple, just three laptops jacked into an interface in Paslaski's living room. Here, they augment the intermixed electronics with acoustic and electric timbres, opening up space for vocal contributions from Hyperdub luminary Loraine James and poet Angelina Nonaj. "Always time for rest," James ponders candidly on 'Rookie', "we settle." Her voice floats like smoke over the trio's familiar pattering rhythms and light-headed synths, now enhanced by capsized guitar motifs and subtle bass plucks.
On 'First Iota' meanwhile, Nonaj's deadpan narration grounds Purelink's dissociated echoes, sub swells and delicate improvisations. "Not everything beautiful has to be real," Nonaj repeats as organic and digital sounds sublime into a lysergic haze. And the softly propulsive 4/4 thuds that steered 'Signs' haven't disappeared entirely, either. On 'Kite Scene' a heartbeat-like pulse underpins Purelink's balmy pads and acidic synths, tactfully disrupted by hollow live percussion, and 'Yoke' muffles its chugging, broken beat sequences with swaddled trance hallucinations, gesturing cautiously towards euphoria. Each element falls into place on the album's final track, 'Circle of Dust', when Paslaski, Paulson and Asani find a fertile middle ground, ornamenting the kinetic, reverberating beats with evaporating whispers, evocative instrumental scrapes and hopeful, ecstatic harmonies.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from Peak Oil
Label:Peak Oil
Cat-No:PEAK23
Release-Date:06.06.2025
Genre:Electronic, Electronica
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Purelink - Looked Me Right In The Eye
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Purelink - Rookie (Feat. Loraine James)
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Purelink - Kite Scene
4
Purelink - Yoke
5
Purelink - First Iota (Feat. Angelina Nonaj)
6
Purelink - Circle Of Dust
Sailing beyond the boundaries of electronic music, Purelink embrace liquidity on their second album, washing live instrumentation and exposed vocals over their patented cascade of dubbed ambience and ebbing rhythmic experimentation. Since 2020, Tommy Paslaski (aka Concave Reflection), Ben Paulson (aka kindtree) and Akeem Asani (aka Millia) have channeled their most euphoric musical whims into the Purelink project. Drifting between brittle '90s drum 'n bass and dub techno on their cult debut 12" 'Bliss / Swivel' and vaporizing Windy City jazz and post-rock motifs with muggy soundscapes on 2023's critically revered first full-length 'Signs', the trio have managed to define a painterly signature sound that's reflective but not reverent. Sure, Purelink's music can be graceful and bucolic, but it's powered by their innate devotion to the dancefloor's soundsystem.
'Faith' illustrates a period of upheaval for the three friends; relocating from Chicago to New York City, they found themselves surrounded by new scenery and fresh inspirations that permeated their compositions as they adapted to the change. On their previous records, the production process was relatively simple, just three laptops jacked into an interface in Paslaski's living room. Here, they augment the intermixed electronics with acoustic and electric timbres, opening up space for vocal contributions from Hyperdub luminary Loraine James and poet Angelina Nonaj. "Always time for rest," James ponders candidly on 'Rookie', "we settle." Her voice floats like smoke over the trio's familiar pattering rhythms and light-headed synths, now enhanced by capsized guitar motifs and subtle bass plucks.
On 'First Iota' meanwhile, Nonaj's deadpan narration grounds Purelink's dissociated echoes, sub swells and delicate improvisations. "Not everything beautiful has to be real," Nonaj repeats as organic and digital sounds sublime into a lysergic haze. And the softly propulsive 4/4 thuds that steered 'Signs' haven't disappeared entirely, either. On 'Kite Scene' a heartbeat-like pulse underpins Purelink's balmy pads and acidic synths, tactfully disrupted by hollow live percussion, and 'Yoke' muffles its chugging, broken beat sequences with swaddled trance hallucinations, gesturing cautiously towards euphoria. Each element falls into place on the album's final track, 'Circle of Dust', when Paslaski, Paulson and Asani find a fertile middle ground, ornamenting the kinetic, reverberating beats with evaporating whispers, evocative instrumental scrapes and hopeful, ecstatic harmonies.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
'Faith' illustrates a period of upheaval for the three friends; relocating from Chicago to New York City, they found themselves surrounded by new scenery and fresh inspirations that permeated their compositions as they adapted to the change. On their previous records, the production process was relatively simple, just three laptops jacked into an interface in Paslaski's living room. Here, they augment the intermixed electronics with acoustic and electric timbres, opening up space for vocal contributions from Hyperdub luminary Loraine James and poet Angelina Nonaj. "Always time for rest," James ponders candidly on 'Rookie', "we settle." Her voice floats like smoke over the trio's familiar pattering rhythms and light-headed synths, now enhanced by capsized guitar motifs and subtle bass plucks.
On 'First Iota' meanwhile, Nonaj's deadpan narration grounds Purelink's dissociated echoes, sub swells and delicate improvisations. "Not everything beautiful has to be real," Nonaj repeats as organic and digital sounds sublime into a lysergic haze. And the softly propulsive 4/4 thuds that steered 'Signs' haven't disappeared entirely, either. On 'Kite Scene' a heartbeat-like pulse underpins Purelink's balmy pads and acidic synths, tactfully disrupted by hollow live percussion, and 'Yoke' muffles its chugging, broken beat sequences with swaddled trance hallucinations, gesturing cautiously towards euphoria. Each element falls into place on the album's final track, 'Circle of Dust', when Paslaski, Paulson and Asani find a fertile middle ground, ornamenting the kinetic, reverberating beats with evaporating whispers, evocative instrumental scrapes and hopeful, ecstatic harmonies.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Peak Oil
Cat-No:PEAK22
Release-Date:13.05.2025
Genre:Electronic, Electronica
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Cat-No:PEAK22
Release-Date:13.05.2025
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1
Wrecked Lightship - Drained Strands
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Wrecked Lightship - Delinquent Spirits
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Wrecked Lightship - Ultra Red
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Wrecked Lightship - Reeling Mist
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Wrecked Lightship - Lagoon
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Wrecked Lightship - Somnium Sands
Peak Oil is proud to issue another slab of shattered fractals of dank and decomposed genre from the gifted deconstructionist duo that is Wrecked Lightship.
"Drained Strands" picks up almost immediately where their first installment left off, the listener is hurled immediately into the dubbed out, breaks-scattered, bass billowing, shrewdly sculpted world only capable from the unique visage of Adam Winchester and Laurie Osborne.
Spread across six scintillating tracks - Wrecked Lightship further their post-historic, studio-as-a-black-cauldron vantage point in a compelling and visionary way only these two can conjure.
Artwork once again stems from Brian Close - providing a similarly singular visual language to their auditory visions.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
"Drained Strands" picks up almost immediately where their first installment left off, the listener is hurled immediately into the dubbed out, breaks-scattered, bass billowing, shrewdly sculpted world only capable from the unique visage of Adam Winchester and Laurie Osborne.
Spread across six scintillating tracks - Wrecked Lightship further their post-historic, studio-as-a-black-cauldron vantage point in a compelling and visionary way only these two can conjure.
Artwork once again stems from Brian Close - providing a similarly singular visual language to their auditory visions.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Peak Oil
Cat-No:PEAK21
Release-Date:22.11.2024
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Cat-No:PEAK21
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Lifted - All Right
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Lifted - Open Door
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Lifted - Specials
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Lifted - Warmer Cooler
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Lifted - Pasters
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Lifted - The Latecomer
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Lifted - Gris Pink
The core duo of Max D and Matt Papich debut on Peak Oil following full-lengths for Future Times and PAN with a fresh suite of tactile, diffuse fusion. Half the collection emerged from a 2021 session at Tempo House rounded out by Dustin Wong, Mezey, and Jeremy Hyman, while the rest took shape in moments both collaborative and isolated, collaged together with CDJs into something more liquid and liminal than the sum of its parts.
Across fractured jazz, pitch-shifted downtempo, revelatory guitar, and interstitial interplay, Lifted’s sound is one of flux, fragments, and filigree. Oblique harmonic synergies dusted in chance encounters and rogue acoustics. Diverse moods mapped with split strings and the space between notes. Music untethered by form or expectation, snaking like an ungrounded cable through a geodesic dome of deep-listening.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Across fractured jazz, pitch-shifted downtempo, revelatory guitar, and interstitial interplay, Lifted’s sound is one of flux, fragments, and filigree. Oblique harmonic synergies dusted in chance encounters and rogue acoustics. Diverse moods mapped with split strings and the space between notes. Music untethered by form or expectation, snaking like an ungrounded cable through a geodesic dome of deep-listening.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Peak Oil
Cat-No:PEAK17
Release-Date:12.01.2024
Genre:Electronic, Electronica
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Cat-No:PEAK17
Release-Date:12.01.2024
Genre:Electronic, Electronica
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1
Lamin Fofana - Tune Of Departure
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Lamin Fofana - A Symbol Of The WIthdrawn God Redux
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Lamin Fofana - Erosion Whispers A Laminated Shout
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Lamin Fofana - Broken Time Of Transition
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Lamin Fofana - Rehearsal Of Truth
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Lamin Fofana - The Ocean After Nature
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Lamin Fofana - Oily (Resurfacing)
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The latest by New York-based producer Lamin Fofana further refines his cinematic dialect of fractured soundscapes, displaced rhythms, and tectonic unease. Unsettling scores aptly describes itself: grainy, bristling, and bruised, rippling with dread disguised as grandeur. The collection emerged from an extended reworking of his 2016 composition, “A Symbol of the Withdrawn God,” mining deeper into the piece’s “unvoiced fragments, shards, and utterances.” Other tracks were inspired by recent readings on climate emergency and its “specific implications for Black life, from hurricanes in the Caribbean to mudslides in West Africa.”
Fofana has spoken of his music as part of a “legacy of resistance,” spanning the roots of Detroit techno to the outer reaches of contemporary sound art as championed by his labels, Sci-Fi & Fantasy and Black Studies. His work here vividly embodies that spirit, seven hyper-textural transmissions of rumbling lament, shifting sands, and restless innovation, tracing jagged silhouettes of indeterminate futures: “The instability is worldwide.”
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
The latest by New York-based producer Lamin Fofana further refines his cinematic dialect of fractured soundscapes, displaced rhythms, and tectonic unease. Unsettling scores aptly describes itself: grainy, bristling, and bruised, rippling with dread disguised as grandeur. The collection emerged from an extended reworking of his 2016 composition, “A Symbol of the Withdrawn God,” mining deeper into the piece’s “unvoiced fragments, shards, and utterances.” Other tracks were inspired by recent readings on climate emergency and its “specific implications for Black life, from hurricanes in the Caribbean to mudslides in West Africa.”
Fofana has spoken of his music as part of a “legacy of resistance,” spanning the roots of Detroit techno to the outer reaches of contemporary sound art as championed by his labels, Sci-Fi & Fantasy and Black Studies. His work here vividly embodies that spirit, seven hyper-textural transmissions of rumbling lament, shifting sands, and restless innovation, tracing jagged silhouettes of indeterminate futures: “The instability is worldwide.”
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Label:False Aralia
Cat-No:FALSE02
Release-Date:04.07.2025
Genre:Electronic, Electronica
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Selfsame - Selfsame 01
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Selfsame - Selfsame 02
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Selfsame - Selfsame 03
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Selfsame - Selfsame 04
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‘selfsame’, the second 12” on false aralia, mirrors the structure of companion release ‘zero key’ in presenting an iterative exploration of versioning itself, unspooling a line of flight through four ascending rhythmic configurations. the objects at the center remain hard to glimpse: holographic percussion, snatches of breath, contorted blue chords, and roiling subs phase in and out of perception, interlocking, dissipating and reappearing as familiar silhouettes. the slow and quick domains of rhythm superimpose and bifurcate, perpetually just out of grasp, only visible in mutual reflection. the apparent solidity of the structure dissolves into a froth of microscopic activity upon close inspection.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
‘selfsame’, the second 12” on false aralia, mirrors the structure of companion release ‘zero key’ in presenting an iterative exploration of versioning itself, unspooling a line of flight through four ascending rhythmic configurations. the objects at the center remain hard to glimpse: holographic percussion, snatches of breath, contorted blue chords, and roiling subs phase in and out of perception, interlocking, dissipating and reappearing as familiar silhouettes. the slow and quick domains of rhythm superimpose and bifurcate, perpetually just out of grasp, only visible in mutual reflection. the apparent solidity of the structure dissolves into a froth of microscopic activity upon close inspection.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Sweetzak - 1.1
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Sweetzak - Intuitive Fields
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Sweetzak - The Center Of It All
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Sweetzak - Eye Of The Flying Fish
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Sweetzak - Meeting You
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Sweetzak - The Sea In You
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Sweetzak - Viggo's Dream
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Sweetzak - Nightcall
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Sweetzak - Ne T'arrête Pas
territories : ww -fr -uk
Format: 2LP Gatefold, printed inner-sleeves
Genre: Electronic, ambient
Tracklist
A1. 1.1
A2. Intuitive fields
B1. The center of it all
B2. Eye of the flying fish
C1. Meeting you
C2. The sea in you
D1. Viggo's dream
D2. Nightcall
D3. Ne t'arrête pas
Debut album from French producer Sweetzak, half of the duo Rue des Garderies (whose album was acclaimed by some of the specialist media in 2024: Album of the Year by Inverted Audio ; Juno ; World of Echo ; Soundohm ...). An ambient epic of complex textures, sculpted with emotion and intuition.
Zach writes his dreams, his grand inner music emanating directly from his soul and offering it to the world, guided by his intuition.
Nine abstract, ambient, and celestial tracks, evolving with his sensitivity, conducted like an intimate orchestra, revealing his landscapes and skies.
Sweetzak takes us on a journey within himself and questions our emotions in this first album with complex textures, like a glimpse into what moves him.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Format: 2LP Gatefold, printed inner-sleeves
Genre: Electronic, ambient
Tracklist
A1. 1.1
A2. Intuitive fields
B1. The center of it all
B2. Eye of the flying fish
C1. Meeting you
C2. The sea in you
D1. Viggo's dream
D2. Nightcall
D3. Ne t'arrête pas
Debut album from French producer Sweetzak, half of the duo Rue des Garderies (whose album was acclaimed by some of the specialist media in 2024: Album of the Year by Inverted Audio ; Juno ; World of Echo ; Soundohm ...). An ambient epic of complex textures, sculpted with emotion and intuition.
Zach writes his dreams, his grand inner music emanating directly from his soul and offering it to the world, guided by his intuition.
Nine abstract, ambient, and celestial tracks, evolving with his sensitivity, conducted like an intimate orchestra, revealing his landscapes and skies.
Sweetzak takes us on a journey within himself and questions our emotions in this first album with complex textures, like a glimpse into what moves him.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
LP Excl
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Cat-No:LPS254
Release-Date:04.07.2025
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1
JOE MEEK - A1. I Hear A New World
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JOE MEEK - A2.Orbit Around The Moon
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JOE MEEK - A3.Entry Of The Globbots
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JOE MEEK - A4.The Bublight
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JOE MEEK - A5.March Of The Dribcots
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JOE MEEK - A6.Love Dance Of The Saroos
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JOE MEEK - B1.Glob Waterfall
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JOE MEEK - B2.Magnetic Field
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JOE MEEK - B3.Valley Of The Saroos
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JOE MEEK - B4.Dribcots Space Boat
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JOE MEEK - B5.Disc Dance Of The Globbots
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JOE MEEK - B6.Valley Of No Return
NON EXCL LP , Black Vinyl
The first and most independent of all independent producers, Joe Meek needs little introduction. He was the first to chart in both the UK and the USA with an independently produced song -which was actually recorded in his home’s kitchen- when The Tornados' Telstar took the world in 1962. Meek was, of course, one of the most in vogue producers of the first half of the 1960s, providing the soundtrack to the evolution of UK Rock’n'Roll to Swinging London, scoring hits with actors like John Leyton (Johnny Remember Me), showmen like Screaming Lord Sutch and bands like The Outlaws and The Tornados. He also produced a wide stream of R&B and freakbeat 45s that are nowadays hardly sought after by the collectors with the biggest bank accounts.
Joe Meek experimented with all kinds of recording techniques in his home studio, his tricks and gimmicks won his productions chart placement and critical and public acclaim, but none of his projects was so advanced and way out as the avantgarde experimentation showed in his I Hear a New World electronic symphony from 1960. Aided by The Blue Men formed by Rod Freeman (group leader, guitar, vocals), Ken Harvey (tenor sax, vocals), Roger Fiola (Hawaiian Guitar), Chris White (guitar), Doug Collins (bass), Dave Golding (drums) -also known as Rodd-Ken and The Cavaliers- who provided a tight base to his electronically produced sounds, Meek came up with what he envisioned as the soundtrack of the future, the sounds he envisioned were to be heard in outer space. It was too way out for its time, certainly. To the point that of all the opus, only four tracks saw the light of day on a 7" EP released on Triumph, Meeks very own label. It wouldn’t be until 1991 that the whole recordings from the I Hear a New World sessions would see the light of day on a CD issued by the RPM label.
Wah Wah offers a new reissue of this now classic early electronics masterpiece, housed in a beautiful front-laminated back-flapped sleeve and offered as a limited 400 copies only black vinyl version and an ultra-limited 100 copies only transparent purple vinyl. Get yours before they fly!
RIYL : Delia Derbyshire and The BBC Radiophonic Workshop, Louis and Bebe Barron’s soundtrack to Forbidden Planet, Raymond Scott, Tom Dissevelt & Kid Baltan, Morton Subotnick…
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
The first and most independent of all independent producers, Joe Meek needs little introduction. He was the first to chart in both the UK and the USA with an independently produced song -which was actually recorded in his home’s kitchen- when The Tornados' Telstar took the world in 1962. Meek was, of course, one of the most in vogue producers of the first half of the 1960s, providing the soundtrack to the evolution of UK Rock’n'Roll to Swinging London, scoring hits with actors like John Leyton (Johnny Remember Me), showmen like Screaming Lord Sutch and bands like The Outlaws and The Tornados. He also produced a wide stream of R&B and freakbeat 45s that are nowadays hardly sought after by the collectors with the biggest bank accounts.
Joe Meek experimented with all kinds of recording techniques in his home studio, his tricks and gimmicks won his productions chart placement and critical and public acclaim, but none of his projects was so advanced and way out as the avantgarde experimentation showed in his I Hear a New World electronic symphony from 1960. Aided by The Blue Men formed by Rod Freeman (group leader, guitar, vocals), Ken Harvey (tenor sax, vocals), Roger Fiola (Hawaiian Guitar), Chris White (guitar), Doug Collins (bass), Dave Golding (drums) -also known as Rodd-Ken and The Cavaliers- who provided a tight base to his electronically produced sounds, Meek came up with what he envisioned as the soundtrack of the future, the sounds he envisioned were to be heard in outer space. It was too way out for its time, certainly. To the point that of all the opus, only four tracks saw the light of day on a 7" EP released on Triumph, Meeks very own label. It wouldn’t be until 1991 that the whole recordings from the I Hear a New World sessions would see the light of day on a CD issued by the RPM label.
Wah Wah offers a new reissue of this now classic early electronics masterpiece, housed in a beautiful front-laminated back-flapped sleeve and offered as a limited 400 copies only black vinyl version and an ultra-limited 100 copies only transparent purple vinyl. Get yours before they fly!
RIYL : Delia Derbyshire and The BBC Radiophonic Workshop, Louis and Bebe Barron’s soundtrack to Forbidden Planet, Raymond Scott, Tom Dissevelt & Kid Baltan, Morton Subotnick…
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Modern Hypnosis
Cat-No:MH014
Release-Date:04.07.2025
Genre:Techno
Configuration:12"
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Label:Modern Hypnosis
Cat-No:MH014
Release-Date:04.07.2025
Genre:Techno
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WZ - Organix
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WZ - Wolpha
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WZ - Encoded
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WZ - Neurotikum
A specialist in reducing multiple genres at once into their minimalist form, WZ has a talent for making music with character. Organix EP offers 4 deep tracks grooving around 138.6bpm, built for sound systems and built for the dance music, It’s WZ and it’s here on Modern Hypnosis.
Enjoy responsibly.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Enjoy responsibly.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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12"
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Label:Cosmic Waves Records
Cat-No:CWRLTD002
Release-Date:04.07.2025
Genre:Techno
Configuration:12"
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Label:Cosmic Waves Records
Cat-No:CWRLTD002
Release-Date:04.07.2025
Genre:Techno
Configuration:12"
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Anechoic - Offcuts
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Anechoic - Refractive Sculpture
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Anechoic - Aerial
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Anechoic - Mythodology Of Blue
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Anechoic - Offcuts (Marco Shuttle Remix)
In Echoes of Fractured Light, Anechoic explores the fluid interplay between light and shadow. Each track becomes an auditory representation of light as it bends, scatters, and reflects through space and time.
Subtle shifts in illumination are mirrored in the evolving sound design, tones morph and shimmer, rhythms fracture and reassemble, and layers of sound drift in and out of focus like fleeting shadows cast by shifting light.
Every piece captures a moment of change, sound refracting into something new, expanding and contracting like breath across vast sonic landscapes. Natural reverberation plays a key role, much like how light lingers, fades, and reflects in its surroundings, shaping the atmosphere in unseen ways.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Subtle shifts in illumination are mirrored in the evolving sound design, tones morph and shimmer, rhythms fracture and reassemble, and layers of sound drift in and out of focus like fleeting shadows cast by shifting light.
Every piece captures a moment of change, sound refracting into something new, expanding and contracting like breath across vast sonic landscapes. Natural reverberation plays a key role, much like how light lingers, fades, and reflects in its surroundings, shaping the atmosphere in unseen ways.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Peak Oil
Cat-No:PEAK22
Release-Date:13.05.2025
Genre:Electronic, Electronica
Configuration:LP
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Label:Peak Oil
Cat-No:PEAK22
Release-Date:13.05.2025
Genre:Electronic, Electronica
Configuration:LP
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Wrecked Lightship - Drained Strands
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Wrecked Lightship - Delinquent Spirits
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Wrecked Lightship - Ultra Red
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Wrecked Lightship - Reeling Mist
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Wrecked Lightship - Lagoon
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Wrecked Lightship - Somnium Sands
Peak Oil is proud to issue another slab of shattered fractals of dank and decomposed genre from the gifted deconstructionist duo that is Wrecked Lightship.
"Drained Strands" picks up almost immediately where their first installment left off, the listener is hurled immediately into the dubbed out, breaks-scattered, bass billowing, shrewdly sculpted world only capable from the unique visage of Adam Winchester and Laurie Osborne.
Spread across six scintillating tracks - Wrecked Lightship further their post-historic, studio-as-a-black-cauldron vantage point in a compelling and visionary way only these two can conjure.
Artwork once again stems from Brian Close - providing a similarly singular visual language to their auditory visions.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
"Drained Strands" picks up almost immediately where their first installment left off, the listener is hurled immediately into the dubbed out, breaks-scattered, bass billowing, shrewdly sculpted world only capable from the unique visage of Adam Winchester and Laurie Osborne.
Spread across six scintillating tracks - Wrecked Lightship further their post-historic, studio-as-a-black-cauldron vantage point in a compelling and visionary way only these two can conjure.
Artwork once again stems from Brian Close - providing a similarly singular visual language to their auditory visions.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
LP
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Label:Balmat
Cat-No:BALMAT16
Release-Date:06.06.2025
Configuration:LP
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Label:Balmat
Cat-No:BALMAT16
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1
Stephen Vitiello With Brendan Canty & Ha - Last Minute Guitar
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Stephen Vitiello With Brendan Canty & Ha - Piece 2 At 77BPM
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Stephen Vitiello With Brendan Canty & Ha - Rhythmic Rhodes
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Stephen Vitiello With Brendan Canty & Ha - #6
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Stephen Vitiello With Brendan Canty & Ha - Rasun112
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Stephen Vitiello With Brendan Canty & Ha - First Improv
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Stephen Vitiello With Brendan Canty & Ha - New Prepared Guitar
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Stephen Vitiello With Brendan Canty & Ha - Mrphgtrs1
When you’re running a label, a demo occasionally comes across your desk that makes you reconsider everything you thought your label was all about. For Balmat, such was the case with this stunning album from Stephen Vitiello, Brendan Canty, and Hahn Rowe. It sounds like nothing we’ve released so far—and that very otherness opened up a whole new world of possibilities for us.
Fans of ambient, experimental electronic music, and sound art will be familiar with Vitiello, a New York native, long based in Virginia, who has collaborated with a cross-generational list of greats: Taylor Deupree, Steve Roden, Lawrence English, Tetsu Inoue, Nam June Paik, Ryuichi Sakamoto, Pauline Oliveros, and many more. On labels like 12k, Room40, and Sub Rosa, he has explored a wide range of minimalism, microsound, lowercase, ambient, improv, and other styles. But this album is something different. It may begin in ambient-adjacent territory, but it quickly veers off, and it just keeps zigzagging, taking on elements of krautrock, post-punk, dub, and the groove-heavy interplay of groups like Natural Information Society and 75 Dollar Bill.
This stylistic turn is thanks in large part to Vitiello’s choice of collaborators. “We’re coming from three different schools,” Vitiello says: “sound art, art rock, and punk rock.”
Active since the early 1980s, Rowe—a violinist, guitarist, and producer/engineer—has played with, or manned the boards for, a frankly jaw-dropping list of musicians: Herbie Hancock, Gil Scott-Heron, the Last Poets, Roy Ayers, John Zorn, Glenn Branca, Swans, Live Skull, Brian Eno, David Byrne, Anohni, R.E.M., Yoko Ono, and many more. But he might be most closely associated with Hugo Largo, a one-of-a-kind New York quartet—two basses, vocals, and Rowe’s violin—that in the late 1980s helped lay the groundwork for what would eventually become known as post-rock.
Canty, of course, is the legendary drummer of Fugazi, the visionary DC post-hardcore group, as well as Rites of Spring before them, and, currently, the Messthetics, a Dischord-signed instrumental trio with guitarist Anthony Pirog and Fugazi bassist Joe Lally.
Vitiello’s trio first collaborated on First, a 17-minute piece released on the Longform Editions label in 2023. Second picks up where the freeform drift of First left off, channeling the trio’s exploratory energies into more intentionally structured tracks and—in a real first for Balmat—some almost shockingly muscular grooves. “Sometimes my projects are more conceptually driven,” Vitiello says, “but I think this was more musically geared. I just wanted to open up the references and bring in an incredible drummer, bring in some melodies, and I’m sort of the center.” But his collaborators, he stresses, are “vastly creative in making anything I might suggest better.”
Like its predecessor, Second took shape in phases, shifting between improvisation and collage. Vitiello laid down the skeleton of the music at home, sketching out initial ideas on Rhodes keyboard and acoustic and electric guitar; he then fed the parts through samplers and his modular system, recording 10- or 20-minute jams. Once he had edited them into more structured forms, he hit the studio with Canty, who added not just drums but also bass and piano; finally, Vitiello took the results of those sessions to Rowe, who played violin, viola, electric bass, and 12-string acoustic and bowed electric guitar, and assisted in some of the final structuring and mixdown.
A few more surprises along the way: Reanimator’s Don Godwin, the studio engineer where Vitiello recorded with Canty, contributed what he calls “resonant dustpan”; and none other than Animal Collective’s Geologist, who just happened to be in the studio that day, sits in on hurdy gurdy on “Mrphgtrs1,” the album’s gorgeous, stunningly atmospheric drone closer. “I love these chance encounters,” Vitiello says. “Somebody I admire, a group I admire—that was an unexpected gift.”
An unexpected gift is a great way of describing Second as a whole: three veteran musicians venturing outside their usual zones and finding a new collaborative language together. The results can’t be neatly slotted into any given genre; they belong not to any given category, but to the spirit of conversation itself.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Fans of ambient, experimental electronic music, and sound art will be familiar with Vitiello, a New York native, long based in Virginia, who has collaborated with a cross-generational list of greats: Taylor Deupree, Steve Roden, Lawrence English, Tetsu Inoue, Nam June Paik, Ryuichi Sakamoto, Pauline Oliveros, and many more. On labels like 12k, Room40, and Sub Rosa, he has explored a wide range of minimalism, microsound, lowercase, ambient, improv, and other styles. But this album is something different. It may begin in ambient-adjacent territory, but it quickly veers off, and it just keeps zigzagging, taking on elements of krautrock, post-punk, dub, and the groove-heavy interplay of groups like Natural Information Society and 75 Dollar Bill.
This stylistic turn is thanks in large part to Vitiello’s choice of collaborators. “We’re coming from three different schools,” Vitiello says: “sound art, art rock, and punk rock.”
Active since the early 1980s, Rowe—a violinist, guitarist, and producer/engineer—has played with, or manned the boards for, a frankly jaw-dropping list of musicians: Herbie Hancock, Gil Scott-Heron, the Last Poets, Roy Ayers, John Zorn, Glenn Branca, Swans, Live Skull, Brian Eno, David Byrne, Anohni, R.E.M., Yoko Ono, and many more. But he might be most closely associated with Hugo Largo, a one-of-a-kind New York quartet—two basses, vocals, and Rowe’s violin—that in the late 1980s helped lay the groundwork for what would eventually become known as post-rock.
Canty, of course, is the legendary drummer of Fugazi, the visionary DC post-hardcore group, as well as Rites of Spring before them, and, currently, the Messthetics, a Dischord-signed instrumental trio with guitarist Anthony Pirog and Fugazi bassist Joe Lally.
Vitiello’s trio first collaborated on First, a 17-minute piece released on the Longform Editions label in 2023. Second picks up where the freeform drift of First left off, channeling the trio’s exploratory energies into more intentionally structured tracks and—in a real first for Balmat—some almost shockingly muscular grooves. “Sometimes my projects are more conceptually driven,” Vitiello says, “but I think this was more musically geared. I just wanted to open up the references and bring in an incredible drummer, bring in some melodies, and I’m sort of the center.” But his collaborators, he stresses, are “vastly creative in making anything I might suggest better.”
Like its predecessor, Second took shape in phases, shifting between improvisation and collage. Vitiello laid down the skeleton of the music at home, sketching out initial ideas on Rhodes keyboard and acoustic and electric guitar; he then fed the parts through samplers and his modular system, recording 10- or 20-minute jams. Once he had edited them into more structured forms, he hit the studio with Canty, who added not just drums but also bass and piano; finally, Vitiello took the results of those sessions to Rowe, who played violin, viola, electric bass, and 12-string acoustic and bowed electric guitar, and assisted in some of the final structuring and mixdown.
A few more surprises along the way: Reanimator’s Don Godwin, the studio engineer where Vitiello recorded with Canty, contributed what he calls “resonant dustpan”; and none other than Animal Collective’s Geologist, who just happened to be in the studio that day, sits in on hurdy gurdy on “Mrphgtrs1,” the album’s gorgeous, stunningly atmospheric drone closer. “I love these chance encounters,” Vitiello says. “Somebody I admire, a group I admire—that was an unexpected gift.”
An unexpected gift is a great way of describing Second as a whole: three veteran musicians venturing outside their usual zones and finding a new collaborative language together. The results can’t be neatly slotted into any given genre; they belong not to any given category, but to the spirit of conversation itself.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:BMM Records
Cat-No:BMM103
Release-Date:06.06.2025
Configuration:LP
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1
Mohs. - Baïne
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Mohs. - Stuck in Lagos
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Mohs. - Lovin' u
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Mohs. - Le Majordome
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Mohs. - Candy Butcher
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Mohs. - Sur la Dune
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Mohs. - L'Éveil
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Mohs. - Pineapple
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Mohs. - Louisiana
Baïne is the 3rd album from mohs. and remains true to their sonic universe: dreamlike, adventurous and skillful. Blurring the lines between jazz, ambient and folk, these 10 new tracks immerse us in an imperturbable state of bliss, close to the emotions conveyed by Carlos Niño or Khruangbin. All of which is sure to please the international community of fans they have gathered through their previous releases and concerts, and confirm them as rising stars of the Swiss jazz scene.
A1 - Baïne
A2 - Stuck in Lagos
A3 - Lovin' u
A4 - Le Majordome
A5 - Candy Butcher
B1 - Sur la Dune
B2 - L'Éveil
B3 - Pineapple
B4 - Louisiana
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 - Baïne
A2 - Stuck in Lagos
A3 - Lovin' u
A4 - Le Majordome
A5 - Candy Butcher
B1 - Sur la Dune
B2 - L'Éveil
B3 - Pineapple
B4 - Louisiana
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Legofunk Records
Cat-No:LGF-S03
Release-Date:06.06.2025
Genre:House
Configuration:12"
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Label:Legofunk Records
Cat-No:LGF-S03
Release-Date:06.06.2025
Genre:House
Configuration:12"
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1
Various Artist - A1. It's Just Begun (Hansi Remix)
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Various Artist - A2. Booker (Lego Edit & Vito Lalinga)
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Various Artist - B1. The Return Of BBC (Lego ReFunk)
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Various Artist - B2. The Kool Orch. - Jungle Jazzy Groove (Lego Re-edit)
3rd Lego Special with more fantastic disco house edits!
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Liebigstrasse 2-20
DE - 22113 Hamburg
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DE - 22113 Hamburg
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12"
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Last in:08.07.2025
Label:Andermedt
Cat-No:ADMDT01
Release-Date:30.05.2025
Genre:Techno
Configuration:12"
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1
Laurine Frost - Unstrust
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Laurine Frost - Act of Finch
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Laurine Frost - Act of Mist
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Laurine Frost - Jinx in Silk
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Laurine Frost - Mirage
Tracklisting
A1 Laurine Frost - Unstrust
A2 Laurine Frost - Act of Finch
A3 Laurine Frost - Act of Mist
B1 Laurine Frost - Jinx in Silk
B2 Laurine Frost - Mirage
Sales Note
Spanish label Andermedt delivers a peerless debut with a solid mindf*ck. The lost and found magic chest of Laurine Frost's never-ending protest against the cliche of techno. A more than 5year old archive winks back at Frost's earlier 4/4-based works, but Cabaret Nord represents grotesque and his characteristic dark mysticism in a yet unheard intensity. Tight funk, earth-shaking drums, playful structures on a wide and dark veil.
* mastered and cut by Stefan Betke.
* 180 gr. heavyweight vinyl with premium packaging and hand-drawn illustration.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 Laurine Frost - Unstrust
A2 Laurine Frost - Act of Finch
A3 Laurine Frost - Act of Mist
B1 Laurine Frost - Jinx in Silk
B2 Laurine Frost - Mirage
Sales Note
Spanish label Andermedt delivers a peerless debut with a solid mindf*ck. The lost and found magic chest of Laurine Frost's never-ending protest against the cliche of techno. A more than 5year old archive winks back at Frost's earlier 4/4-based works, but Cabaret Nord represents grotesque and his characteristic dark mysticism in a yet unheard intensity. Tight funk, earth-shaking drums, playful structures on a wide and dark veil.
* mastered and cut by Stefan Betke.
* 180 gr. heavyweight vinyl with premium packaging and hand-drawn illustration.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12" Excl
in stock
Label:Oath
Cat-No:OATH022
Release-Date:23.05.2025
Genre:House / Techno
Configuration:12" Excl
Barcode:4062548113365
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Last in:25.07.2025
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Last in:25.07.2025
Label:Oath
Cat-No:OATH022
Release-Date:23.05.2025
Genre:House / Techno
Configuration:12" Excl
Barcode:4062548113365
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1
Elfenberg - Ritmo Paradiso
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Elfenberg - Vasastan
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Elfenberg - Ritmo Paradiso (Varhat Remix)
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Elfenberg - Styggforsen
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Elfenberg - Thank You For Patience
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Elfenberg - Styggforsen (Abdul Raeva’s Fugue Remix)
Territories: World
Tracklist:
A1 / Ritmo Paradiso
A2 / Vasastan
A3 / Ritmo Paradiso (Varhat Remix)
B1 / Styggforsen
B1 / Thank You For Patience
B2 / Styggforsen (Abdul Raeva’s Fugue Remix)
Info
Oath’s latest release takes flight with Elfenberg’s signature proggy, euphoric sound. Known for his expertly crafted, otherworldly grooves, Elfenberg seamlessly blends trance-laden progressive house and techno, delivering dancefloor-ready yet deeply immersive experiences.
His new EP, *Ritmo Paradiso*, showcases his signature style while exploring fresh sonic landscapes. The title track pulses with deep bass, evolving percussion, and acid-tinged melodies. *Vasastan* shifts into IDM territory, layering swirling synths over a hypnotic rhythm. *Styggforsen* builds on acid-driven grooves with delicate pads and intricate keys, creating an endless sense of immersion. Closing track *Thank You For Your Patience* ups the tempo, featuring rolling basslines and dynamic breaks for an electrifying finish.
As always, Elfenberg crafts a journey of rhythm and melody, and Oath is thrilled to share this latest chapter.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist:
A1 / Ritmo Paradiso
A2 / Vasastan
A3 / Ritmo Paradiso (Varhat Remix)
B1 / Styggforsen
B1 / Thank You For Patience
B2 / Styggforsen (Abdul Raeva’s Fugue Remix)
Info
Oath’s latest release takes flight with Elfenberg’s signature proggy, euphoric sound. Known for his expertly crafted, otherworldly grooves, Elfenberg seamlessly blends trance-laden progressive house and techno, delivering dancefloor-ready yet deeply immersive experiences.
His new EP, *Ritmo Paradiso*, showcases his signature style while exploring fresh sonic landscapes. The title track pulses with deep bass, evolving percussion, and acid-tinged melodies. *Vasastan* shifts into IDM territory, layering swirling synths over a hypnotic rhythm. *Styggforsen* builds on acid-driven grooves with delicate pads and intricate keys, creating an endless sense of immersion. Closing track *Thank You For Your Patience* ups the tempo, featuring rolling basslines and dynamic breaks for an electrifying finish.
As always, Elfenberg crafts a journey of rhythm and melody, and Oath is thrilled to share this latest chapter.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12" Excl
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Label:Quintessentials
Cat-No:Quintesse95
Release-Date:25.04.2025
Genre:House
Configuration:12" Excl
Barcode:4251804184304
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Last in:24.03.2025
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backorder
Last in:24.03.2025
Label:Quintessentials
Cat-No:Quintesse95
Release-Date:25.04.2025
Genre:House
Configuration:12" Excl
Barcode:4251804184304
Add all to playlist
Play all
Add all to playlist
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1
Borrowed Identity & Mechanical Soul Brot - Another chance
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2
Borrowed Identity & Mechanical Soul Brot - Art of disclosure
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3
Borrowed Identity & Mechanical Soul Brot - Set it all free
Tracklist 12” :
A1 : Another chance
A2: Art of disclosure
B: Set it all free
Short info:
Yessss! Here it is! The comeback we have all been waiting for! Borrowed Identity is back! This classy producer and DJ from the German Black Forest has been making his mark some years ago (well it has been nearly a decade now) with releases on labels like Quintessentials (3 EPs to be precise), Circus Company or Foul & Sunk to name but a few. Now he teams up again with his Sandkastenbuddy Mechanical Soul Brother to present some super groovy, deep yet powerful and uplifting House tunes! Grab your copy and enjoy a hot summer!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 : Another chance
A2: Art of disclosure
B: Set it all free
Short info:
Yessss! Here it is! The comeback we have all been waiting for! Borrowed Identity is back! This classy producer and DJ from the German Black Forest has been making his mark some years ago (well it has been nearly a decade now) with releases on labels like Quintessentials (3 EPs to be precise), Circus Company or Foul & Sunk to name but a few. Now he teams up again with his Sandkastenbuddy Mechanical Soul Brother to present some super groovy, deep yet powerful and uplifting House tunes! Grab your copy and enjoy a hot summer!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore