Repress!

The 1st of 2 singles from the wizards of editing, with lysergic renderings of some well-known pop/dance classics, just not as you might expect.
Finally on vinyl after some considerable time, this one has a limited pressing!

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The next in the Undercover Lovers series from the wizards of editing, with lysergic renderings of some well-known pop/dance classics, just not as you might expect.

Number 5 features a steel band cover of an 80's classic (itself sampled on a 90's hip hop classic!) backed with the Balearic banger of the year; an edit of a rare 'Everybody's Gotta Learn Sometime' cover...

Limited pressing as usual, be quick!

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The next remix installment from Psychemagik’s LP, “I Feel How This Night Should Look”, comes from longtime mates and sonic colleagues, Warehouse Preservation Society, and esteemed dancefloor cornerstone, Bushwacka. W.P.S., the mutant duo from Los Angeles, have cropped up remixes and originals with reckless abandon these past years, and here, transform the Psychemagik source material into a breakbeat-infused act of nuclear fission, striking out the gate with heavy rhythms that meltdown into a steady hypnotic groove, all accompanied by dubbed vocal stabs and poignant arpeggios. Bushwacka's remix of Valley Of Paradise has echoes of some of his earlier signature works. Centered breaks and floating pads guide through his cosmic rendition, whilst still retaining a strong melodic anchor from the original track, and glued together with a thick bouncing bassline - a trip for sure!

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Psychemagik are the renowned duo of Daniel McLewin and Thomas Coveney hailing from the UK, best known for their carefully crafted DJ sets and distinctive edits. In 2019 they released their long lost LP ‘I Feel How This Night Should Look’ featuring for the most part a collection of unreleased material written and recorded over a decade ago. Two of the tracks had made it out ahead of the album with a life of their own; a self released EP that featured ‘Above the Clouds’ and the 10th Anniversary of Phonica which included ‘Triumph of the Gods’. Here Psychemagik revisit the latter with brand new remixes from Prins Thomas and Richard Norris. Thomas stays true to form with a percussive, glacial take that vibrates around the existing arrangement composed by Richard Chester at the infamous Air Studios. Whilst Norris ups the psychedelia pulling on Renate Staal Nygard’s stunningly melodic vocal accompaniment.

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DJs, producers and unrivaled selectors, Danny McLewin and Tom Coveney have shared the next taste of their debut album ‘I Feel How This Night Should Look’ via their stunning next track, ‘Ghost Particle’. Recorded at Canterbury’s Cosmic Forest Studios, ‘Ghost Particle’ features English psychedelic-rock Syd Arthur frontman Liam Magill. A gorgeously emotive and glistening space prog infused moment track for the album, Ghost Particle glides along at cruising altitude. Released last year on their own imprint Psychemagik Recordings. ‘I Feel How This Night Should Look’ is an album with a phenomenal backstory spanning back over a decade. ‘I Feel How This Night Should Look’ is testament to the duo’s deep understanding and love of their craft, an LP which hones a layered intelligence that only long-term dedication to the art and craft of the DJ can deliver.

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Known for their beautiful production work, vast record collections and transcendent mixtape journeys, they boast one of the most impressive and comprehensive remix outputs in contemporary electronic music for names including Roisin Murphy, Noel Gallagher, Haim, Bryan Ferry, Beyond The Wizards Sleeve, Paul Weller and Metronomy. ‘I Feel How This Night Should Look’ is an album with a phenomenal backstory. It spans back over a decade back to when Tom and Danny first met in 2008 and produced the ten tracks over an intensive two year period following the birth of Psychemagik. It was recorded at a number of esteemed locations primed for sonic craft including Kate Bush’s old workspace, George Martin’s Air Studios Lyndhurst Hall, where the duo recorded a seventeen piece string section and Toe Rag Studios recording drums onto tape. This album is a true labour of love.

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Danny McLewin and Tom Coveney aka Psychemagik have dropped their new single, the effortlessly smooth and immediately deep ‘We Can Be One Ft Quinn Lamont Luke’.
An invigorating and ethereal slice of psychedelic funk, formed of reverberating acid rifts and the balearic vocals of New York’s Quinn Lamont Luke, ‘We Can Be One’ beautifully lays down the foundations and entry point into the endlessly unique and diverse world of Psychemagik. DJs, producers and unrivaled selectors, Tom and Danny are known for their beautiful production work, obscenely vast record collections and transcendent mixtape journeys. They boast one of the most impressive and comprehensive remix outputs in contemporary electronic music for names including Roisin Murphy, Noel Gallagher, Haim, Bryan Ferry, Beyond The Wizards Sleeve, Paul Weller and Metronomy.

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Those wizards of digging Psychemagik doing the business once again. Hot on the heels of last year's monstrous 'Gotta hold on me / Wildman' they're letting folks know that they were still out there searching in the darkest recesses of the last 40+ years of popular and unpopular music, and boy oh boy are they good at it! 'The Trip' lives up to it's name. The track kicks off with some ultra beefed up psychedelic shenanigans, swirling, cacophonous sounds whirl and sweep and gradually drag us into the holographic tunnel, gradually giving way to some heavyweight drums and percussions and unfurling into a muscular psych-discoid beast. This one will send the kids crazy and will undoubtedly cause some damage in the club, both sonically and mentally. 'But what is the original?' we hear you say... answers on a postcard please. 'Sisters of the moon' on the flip-side is a very different animal - All laid back, laconic steel-guitars and thundering slo-mo drums and percussion. The dark side of a rural witchcraft dream exposed here, almost menacing... and then? Those vocals spring out of the mix amidst the throbbing sexually charged atmosphere and drag us back into the realm of 'near reality' with sultry moans and groans. This one's woozy alright, but in the best possible way. So wrong, it's right and possibly the natural soundtrack to too many of those strange shots that that guy in the weird hat gave us earlier when we entered that country pub. 'What guy?' I hear you ask.... Ultimate freak-disco and deepest druid Funk for the discerning and psychedelically inclined record consumer.

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Psychemagik are back with the next edition of their Hot Midnight edits 12" with a double A sided monster release. Side A kicks off with a super freaked out Malaysian disco edit, hypnotic bass, weirdo vocals, Arabic sounding strings and tweaked out synths! Side B offers an ultra obscure Guatemalan porno disco soundtrack, orgasmic vocals over a fuzzed out nasty beat, with trademark sexy artwork this whole release is Rated XXX!!!

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For the final installment of the esteemed Discotheque Wreckers series Psychemagik shine light on an other realm of crate digging with two choice edits. 'Balearic Girl' taken from a super rare Swedish hairspray advert, drops a heavy Haribo bassline with the sweetest summery vocal hook that combines dreamy beach vibes with deep dancefloor power. The flip 'Spiced Oddity' is a synth laden cosmic chugger that rounds off this series perfectly. Look out for a cd album to follow with two more exclusive tracks due late summer.

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On the next installment on their Discotheque Wreckers imprint, Psychemagik delve into yet untapped regions of their record collections to bring you a double A 12" of Cosmic Italo gold, two monster dancefloor beasts with bulging basslines, spacy synths and super sweet vox, both guaranteed club killers, the duo continue to deliver quality cuts, a fine edition to this epic series of edits/remixes.

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Repress!

The 1st of 2 singles from the wizards of editing, with lysergic renderings of some well-known pop/dance classics, just not as you might expect.
Finally on vinyl after some considerable time, this one has a limited pressing!

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

The next in the Undercover Lovers series from the wizards of editing, with lysergic renderings of some well-known pop/dance classics, just not as you might expect.

Number 5 features a steel band cover of an 80's classic (itself sampled on a 90's hip hop classic!) backed with the Balearic banger of the year; an edit of a rare 'Everybody's Gotta Learn Sometime' cover...

Limited pressing as usual, be quick!

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

The next in the Undercover Lovers series from the wizards of editing, with lysergic renderings of some well-known pop/dance classics, just not as you might expect.

Number 5 features a steel band cover of an 80's classic (itself sampled on a 90's hip hop classic!) backed with the Balearic banger of the year; an edit of a rare 'Everybody's Gotta Learn Sometime' cover...

Limited pressing as usual, be quick!

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Maestro Argentinian producer Kevin Fingier returns with a brand new 45 on his Fingier Records imprint. This time, he presents Santa Fiebre – a red-hot Buenos Aires Rhythm and Soul outfit. It’s the perfect combination, with Kevin’s slick production meeting the band’s sound, rooted in a pulsating beat, pumping horns, crisp guitar and a driving refrain.

Over the last few years, Fingier Records has released a string of highly acclaimed and collectable 7” singles, followed by a compilation LP and a full-length album from the Kevin Fingier Collective. This record is true to form – latin dynamite from the man that knows.

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Repress!

Midnight In Tokyo 2, the second installment to the compilation series that rounds up hidden gems by Japanese artists that's perfect for listening at night in Tokyo, is here. This time the collection brings together some tasty electric jazz fusion from the '80s , compiled by Dubby, the man behind the online record store Ondas.

The compilation begins with "Hikobae," a dark and slow cosmic jazz by saxophonist Genji Sawai, followed by "Danza Lucumi," an odd Caribbean-style jam by Today's Latin Project, a band fronted by Tadaaki Misago of Tokyo Cuban Boys, with arrangements by Yasuaki Shimizu. "On The Coast" is a soulful and mellow vocal track arranged by Ryuichi Sakamoto, from guitarist Shigeru Suzuki's album White Heat, and fusion boogie cut "In The Hot City" is by Mr. Theodore, which was a one-off project by a mysterious artist.

The melancholic soul jazz number "So Long America" is the title track from the album Yasunori Soryo released in '82, following a stint in America with the band Brown Rice. "Twisty" is a tropical reggae tune from the album Samba Kathy, an underrated classic by Jugando which was released on Trash, a sublabel of one of Japan's finest jazz labels, Trio. "Samarkand" is an electric Latin jazz jam that sounds like something Miles Davis and Santana could have played on, performed by a Latin funk band from Fussa. "Imagery" is a primal African fusion track by Katsutoshi Morizono, a member of the prog rock band Yoninbayashi.

"Windmill" is the most acoustic sounding tune on this compilation, a breezy Brazilian affair with a Hermeto Pascoal feel. "Mystery Of Asian Port" is by the band Parachute, which consisted of Japa-nese fusion giants like Akira Inoue, Tatsuo Hayashi and Masaki Matsubara. The cosmic jazz record sounds like something Daniele Baldelli would play in his sets. "Bay Sky Provincetown 1977" is a classic Japanese fusion tune by guitarist Yuji Toriyama.

The set also features the mellow but danceable "Heatwave" by keyboardist Keiichi Oku, featuring a female vocalist (which some have identified as Rie Ida), and last but not least, closing out the 13 track compilation is "Day Dream At The Bob's Beach," a wonderful urban fusion with a beautiful vibraphone melody, from the Japanese fusion classic album that was a one-off project by studio musicians

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Darone Sassounian’s debut album, ‘Synthetic Instincts’ is a full length journey that will allow you to be familiar with Darone Sassounian’s unique ability of sound sculpting. It’s an album that may seem pleasant on the surface, but becomes thought provoking and more revealing the longer you listen. Grounded on reality, the album takes from the world’s political landscape, loss of life and native land, and the trajectory humanity is walking towards. However, there is a sense of hope lingering, for the future may hold brighter days. Transcending borders and limitations, ‘Synthetic Instincts’ is Darone Sassounian’s deepest and most spirited milestone to date. Forward motion with a touch of history meant to move you, whether it is physically, mentally, or emotionally.


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Dark Entries has raided the bathhouse to bring us Deep Entries: Gay Electronic Excursions 1979-1985, 10 tracks of obscure queer synth bliss. One of Dark Entries' most important missions has been illuminating neglected facets of gay musical history, with crucial archival works by legends like Patrick Cowley, Sylvester, and Man Parrish. On Deep Entries, the label spans 6 years of gay electronics - from sultry to angsty to camp, these songs are overflowing with snappy 808 snares and sinewy analog synth leads. The '80s were a difficult period for many in the gay community as they grappled with the horrors of the HIV/AIDS crisis. The 10 tracks on Deep Entries, varied in genre and vibe, are united in their portraiture of 1980s gay life, and the hope for love or fleeting romance. Previously unreleased cruising soundtracks come courtesy of Patrick Cowley’s “Love Me Hot” featuring vocalist Paul Parker and Boytronic’s “Tonight (Alternate Mix)” set on Hamburg’s famous “Mile of Sin.” Brisbane-based Megamen deliver the proto-electroclash number “Designed for Living,” which prefigures Madonna’s Marlene Dietrich rap in “Vogue.” Trans vocalist Paula "Ula" Villagrá declares, “Everyone is gay!” on Muzak’s “Happy Song,” a skittering tecnopop anthem. Dereck Higgins' “This Was Something” rings like a lost Joy Division cut draped in bizarre effects, and Polar Praxis’ “(I Want) To Be Different” is a seething ode to alterity. Nightmoves’ “Nightdrive,” is best known as the brooding instrumental B-side to their epochal “Transdance.” Transistor Jet’s “Master Of The Universe (BW's f-w)”, Maxx Mann’s “Just Like a Razor” and Bachelor’s Anonymous’ “A Stranger’s Bed” are mood music for the pleasures of BDSM and one-night stands. The record comes housed in a retro bathhouse fantasy sleeve designed by Gwenaël Rattke and includes a double-sided poster with photographs and lyrics. Deep Entries arrives on December 1st in honor of World AIDS day, and proceeds will go to the San Francisco AIDS Foundation.

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A deluxe 16 track DLP edition of AMERIGO GAZAWAY's cult classic reimagining of his fav D'ANGELO cuts includes all the original tracks alongside their corresponding instrumentals, plus a few unreleased gems. A perfect mixture of hip-hop, gospel, house, neo-soul and R&B. Awesome full pic sleeve.


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Dean Bryce, one of London's best-kept secrets on the DJ circuit, brings his magic touch to this latest release for Extra Soul Perception. As the founder of Technicolour Records, the label behind early releases from Peggy Gou, Actress, and the recent standout Barry Can't Swim, Dean's reputation is undeniable. On this record, he dives deep into his re-edit arsenal to deliver three timeless gems. The highly sought-after "H.E.R." makes a triumphant return after becoming a Discogs favourite (£$£), while the flip side unveils "TEAZE" and "Winner"—two stunning cuts that capture Dean's signature sound. File next to the likes of Moodymann and Theo Parrish. Dean Bryce is truly certified!

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Limited Edition Yellow vinyl repress.

Two huge edits by Gospel Soul music authoritarian Greg Belson & veteran edit crew, Situation member Paulo Fulci.

Greg Belson has been the host of The Divine Chord Gospel Show since 2011 on dublab.com, and has shared his record collection to an ever growing worldwide audience.

Over the last 4 years, he's assembled DJ tours around Europe to spread the gospel directly to the dancefloors of more discerning clubs, and it was at Glastonbury Festival specifically the NYC Downlow stage that he met Paulo Fulci. 'Born Again' became a reality and in the Summer of 2017, was road tested on Belson's tour of 50 dates over 3 months.

His work as a compiler of releases on Cultures of Soul & Harmless Records have garnered support from all sides of the music industry from The Guardian to BBC Radio 6 Music.

Now as 'Divine Situation', Belson & Fulci are returning to the underground sound with a slew of edits, starting with these back to back club-tested heavy hitters.

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The Numero Group guide to private issue new age. Featuring Laraaji, Iasos, Joanna Brouk, Don Slepian, Peter Davison, Master Wilburn Burchette, Jordan De La Sierra, David Casper, Robert Slap and 9 other pioneers of the Perrier underground. Adorned with Marcus Uzilevsky's Linear Landscapes, this 2xLP compilation is housed in a sturdy tip-on jacket and is accompanied by a 32-page booklet. The fourth world awaits.

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25 years on from the release of their debut LP A Nice Hot Bath With.., acclaimed English dance collective Crazy P return with their ninth studio album, Any Signs of Love.

Written and recorded in 2023, before the untimely passing of beloved frontwoman Danielle Moore, Any Signs of Love, is Crazy P at their best, crystallising three decades of unforgettable live performances, solid friendship and above all, excellent tunes.

Masters at blending a range of classic references, from underground disco to Fleetwood Mac, and making it entirely their own, the band’s drive to continually evolve as songwriters, producers, and performers is witnessed across the album’s 10 glorious new tracks. Lead single ‘Human After All, is the perfect introduction - a feel good, sultry groover, bedecked with italo-y arps, infectious piano hooks, and drenched in Balearic beats.

Their first album in five years, ‘Any Signs of Love,’ delivers everything fans expect from a band of their calibre—whose catalogue has built a loyal, multi-generational following and is equally at home soundtracking sweaty basement clubs, and outdoor raves, as it is on huge festival stages. From the anthemic ‘The Revolution Will Not Be Anything’, to the Italo-esque title track, and the psychedelic fruitiness of ‘Not Too Late’, Any Signs of Love contains all the core ingredients of the Crazy P magic: grooves galore, hooks, and the electrifying vocals of charismatic leader, Danielle Moore.


Listen: https://listen.k7.com/9f4e565f-a79e-4d0f-9088-49c4875aee45

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Repress!

at mule musiq, we’ve focused on shining light on the many aspects of what electronic music can be, putting out house, techno and ambient releases on our main label, while releasing alternative-leaning dance music through our endless flight imprint. but with the launch of our new label, studio mule, we are stepping away from electronic club music for a bit. the label will not be tied to a specific genre, as we will instead focus on releasing any kind of music that we feel is a little bit different and interesting, but somehow make sense in this day and age. for our first batch of releases, we will be focusing on japanese music.

to be honest, i have been watching the recent rise of global interest in japanese music with a skeptical eye, not sure of how to feel about all these labels overseas licensing great albums that were birthed in our country. but then, i was told by somebody i greatly respect that i should do something similar with mule, and put our own spin on it, which sounded like a good idea to me. after a period of procrastination, i finally got around to doing it. we are starting things off with a compilation of japanese disco, boogie and soul music that we selected from a modern dance music perspective — the kind of songs that we feel would intrigue music fans across the world.

at first, i started seeking authentic-sounding disco that sound like it could have been recorded in the states, but after struggling to get licensing rights for many of those tracks, i started to wonder if that was really the direction we should be going in. when we start new labels or projects, we often come up with the title or artwork first, before deciding on the actual music. we came up with the title midnight in tokyo first, which dictated that we needed to find music that would be a perfect soundtrack to listen to at night in tokyo. we ended up compiling a selection of tracks that you could both listen to at home, and play in clubs at certain time slots. the compilation also ended up sounding a lot more pop than we initially imagined…

during the selection process, we did not care whether the tracks have been reissued already or not, and how rare the original copies of the records were. our sole purpose was to gather a handful of songs from across labels, major or otherwise, that we felt could be listened to for many years to come — even after this whole japanese music trend dies down. although we put together this release mainly for listeners outside of japan, the compilation can also be a chance for japanese music lovers to rediscover the greatness of domestic music, as we did during the process.

the compilation starts off with the afro disco classic “mi mi africa” by harmonica player nobuo yagi, which was also included in the compilation mastercuts.

“silver top” is a jazzy fusion disco taken from composer, arranger and multi-instrumentalist nobuyuki shimizu’s first album, which he released when he was 19. the track features singer epo, whom he worked with many times over the years as an arranger.

“samba night” is by vocalist keisuke yamamoto and his band piper, from their masterpiece second album summer breeze. a delightful city pop number that should appeal to tatsuro yamashita fans.

“akogareno sundown” is a japanese soul classic, sang by singer haruko kuwana (the sister of well-known musi-cian masahiro kuwana). recorded in hawaii and produced by mackey feary band, known for the soulful classic “a million stars.”

“koiwa saiko (i’m in love)” is a mellow and groovy track by singer aru takamura, the great-grandchild of sculptor kouun takamura, whose son kotaro takamura is a famed poet and sculptor. can be thought of as japan’s answer to cheryl lynn’s “got to be real.”

“what the magic is to try” is a cult electropop track by honma express, a project helmed by producer kanji honma. hailed as japan’s trevor horn, he is also known as the producer of legendary techno pop band tpo.

“colored music” is a song by colored music, a duo of pianist ichiko hashimoto and her partner atsuo fujimoto, who have gone on tour with ymo. taken from colored music’s sole album, the japanese rare groove treasure is a mesh of new wave, synth pop and jazz influences.

the dubby electronic new wave disco “electric city” is a b side of pop idol group shohjo-tai’s debut 12” single, but the girls aren’t actually singing on it, making the instrumental one of japan’s greatest ’80s dance tracks.

“love is the competition” is a breezy disco jam by okinawa-born bilingual artist hitomi tohyama. featured on her album next door, the song’s melody seems like an interpolation of the whispers’ “it’s a love thing.”

taken from mariah project’s diva yumi murata’s first album, “krishna” is a funky and soulful rockin’ disco cut.reminiscent of chaka khan’s “i know you, i live you,” “live hard, live free” is a song by jazz vocalist eri ohno who is known for her work with dj krush and singing on the soundtrack to anime rupin the third.

“rocket 88” is a melancholic disco number by singer minnie. though the track was released through sapporo’s independent label paradise records, the superb production quality suggests otherwise.

closing out the 13-track compilation is japanese disco staple “tokyo melody,” sang by half african and half swedish american singer shoody and backed by tetsuji hayashi’s disco band the eastern gang.

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