The first of 2 salvos from the wizards of re-editing - Psychemagik. Part 1 is a selection of far-flung and undiscovered lysergic renderings of some 'well-known' pop & dance classics. These aren't your common dime a dozen covers either, these are straight killer, bizarro rearrangements that will have you scratching your head in wonder, and hitting the discotheque dance-floor in equal measure. As always, the Psychemagik boys strive to bring you that heat, reworking from only the prime source material sourced from their regular global jaunts and epic record trades in far-flung places. Welcome to the soundtrack to a funky alternative dimension where things seem somewhat familiar, but perhaps a little off.... in the best way! Pure sonic trips all over this one. Dig it! Answers on a postcard please! More

The next remix installment from Psychemagik’s LP, “I Feel How This Night Should Look”, comes from longtime mates and sonic colleagues, Warehouse Preservation Society, and esteemed dancefloor cornerstone, Bushwacka. W.P.S., the mutant duo from Los Angeles, have cropped up remixes and originals with reckless abandon these past years, and here, transform the Psychemagik source material into a breakbeat-infused act of nuclear fission, striking out the gate with heavy rhythms that meltdown into a steady hypnotic groove, all accompanied by dubbed vocal stabs and poignant arpeggios. Bushwacka's remix of Valley Of Paradise has echoes of some of his earlier signature works. Centered breaks and floating pads guide through his cosmic rendition, whilst still retaining a strong melodic anchor from the original track, and glued together with a thick bouncing bassline - a trip for sure! More

Psychemagik are the renowned duo of Daniel McLewin and Thomas Coveney hailing from the UK, best known for their carefully crafted DJ sets and distinctive edits. In 2019 they released their long lost LP ‘I Feel How This Night Should Look’ featuring for the most part a collection of unreleased material written and recorded over a decade ago. Two of the tracks had made it out ahead of the album with a life of their own; a self released EP that featured ‘Above the Clouds’ and the 10th Anniversary of Phonica which included ‘Triumph of the Gods’. Here Psychemagik revisit the latter with brand new remixes from Prins Thomas and Richard Norris. Thomas stays true to form with a percussive, glacial take that vibrates around the existing arrangement composed by Richard Chester at the infamous Air Studios. Whilst Norris ups the psychedelia pulling on Renate Staal Nygard’s stunningly melodic vocal accompaniment. More

DJs, producers and unrivaled selectors, Danny McLewin and Tom Coveney have shared the next taste of their debut album ‘I Feel How This Night Should Look’ via their stunning next track, ‘Ghost Particle’. Recorded at Canterbury’s Cosmic Forest Studios, ‘Ghost Particle’ features English psychedelic-rock Syd Arthur frontman Liam Magill. A gorgeously emotive and glistening space prog infused moment track for the album, Ghost Particle glides along at cruising altitude. Released last year on their own imprint Psychemagik Recordings. ‘I Feel How This Night Should Look’ is an album with a phenomenal backstory spanning back over a decade. ‘I Feel How This Night Should Look’ is testament to the duo’s deep understanding and love of their craft, an LP which hones a layered intelligence that only long-term dedication to the art and craft of the DJ can deliver. More

Known for their beautiful production work, vast record collections and transcendent mixtape journeys, they boast one of the most impressive and comprehensive remix outputs in contemporary electronic music for names including Roisin Murphy, Noel Gallagher, Haim, Bryan Ferry, Beyond The Wizards Sleeve, Paul Weller and Metronomy. ‘I Feel How This Night Should Look’ is an album with a phenomenal backstory. It spans back over a decade back to when Tom and Danny first met in 2008 and produced the ten tracks over an intensive two year period following the birth of Psychemagik. It was recorded at a number of esteemed locations primed for sonic craft including Kate Bush’s old workspace, George Martin’s Air Studios Lyndhurst Hall, where the duo recorded a seventeen piece string section and Toe Rag Studios recording drums onto tape. This album is a true labour of love. More

The first of 2 salvos from the wizards of re-editing - Psychemagik. Part 1 is a selection of far-flung and undiscovered lysergic renderings of some 'well-known' pop & dance classics. These aren't your common dime a dozen covers either, these are straight killer, bizarro rearrangements that will have you scratching your head in wonder, and hitting the discotheque dance-floor in equal measure. As always, the Psychemagik boys strive to bring you that heat, reworking from only the prime source material sourced from their regular global jaunts and epic record trades in far-flung places. Welcome to the soundtrack to a funky alternative dimension where things seem somewhat familiar, but perhaps a little off.... in the best way! Pure sonic trips all over this one. Dig it! Answers on a postcard please! More

Danny McLewin and Tom Coveney aka Psychemagik have dropped their new single, the effortlessly smooth and immediately deep ‘We Can Be One Ft Quinn Lamont Luke’.
An invigorating and ethereal slice of psychedelic funk, formed of reverberating acid rifts and the balearic vocals of New York’s Quinn Lamont Luke, ‘We Can Be One’ beautifully lays down the foundations and entry point into the endlessly unique and diverse world of Psychemagik. DJs, producers and unrivaled selectors, Tom and Danny are known for their beautiful production work, obscenely vast record collections and transcendent mixtape journeys. They boast one of the most impressive and comprehensive remix outputs in contemporary electronic music for names including Roisin Murphy, Noel Gallagher, Haim, Bryan Ferry, Beyond The Wizards Sleeve, Paul Weller and Metronomy. More

Those wizards of digging Psychemagik doing the business once again. Hot on the heels of last year's monstrous 'Gotta hold on me / Wildman' they're letting folks know that they were still out there searching in the darkest recesses of the last 40+ years of popular and unpopular music, and boy oh boy are they good at it! 'The Trip' lives up to it's name. The track kicks off with some ultra beefed up psychedelic shenanigans, swirling, cacophonous sounds whirl and sweep and gradually drag us into the holographic tunnel, gradually giving way to some heavyweight drums and percussions and unfurling into a muscular psych-discoid beast. This one will send the kids crazy and will undoubtedly cause some damage in the club, both sonically and mentally. 'But what is the original?' we hear you say... answers on a postcard please. 'Sisters of the moon' on the flip-side is a very different animal - All laid back, laconic steel-guitars and thundering slo-mo drums and percussion. The dark side of a rural witchcraft dream exposed here, almost menacing... and then? Those vocals spring out of the mix amidst the throbbing sexually charged atmosphere and drag us back into the realm of 'near reality' with sultry moans and groans. This one's woozy alright, but in the best possible way. So wrong, it's right and possibly the natural soundtrack to too many of those strange shots that that guy in the weird hat gave us earlier when we entered that country pub. 'What guy?' I hear you ask.... Ultimate freak-disco and deepest druid Funk for the discerning and psychedelically inclined record consumer. More

‘Mink & Shoes’ is a gooey drip of murky low slung slinky disco, falling somewhere in between smokey retro-futurism and hazy desolation. It's a seductively squiggling romp through the outer reaches of the cosmos — sky-crawlingly atmospheric, slow-motion dance floor abstraction for acid heads and space cadets. With Navid Izadi’s intoxicating vocals it’s quite something, and comes in three flavours: dub, radio and original. More

This next instalment of Psychemagik's edit series is a two sided journey through the cosmos and back down to Earth. First on the countdown screen is 'Way Milky'. Leading the inter-play between instruments is a deep hypnotic bass that creates a throbbing atmosphere for spacy 70's keys and inter-galactic sound effects. Hiding in the background are funky drums and a lead guitar that dons a space suit goes exploring. Ready for blast off? 'Make it mellow' is that warm-you-through Balearic bliss that this dynamic duo are masters of. A delicious edit, this encapsulates the sound of a lazy summer afternoon. Spacy synths and guitars interwoven throughout, the searingly syncopated solo shines in the spotlight. Complemented by chunky bass and soothing vocals that ease their way into your head, this epic summery edit rounds off this B Side beautifully. More

After much demand for a vinyl release the duo asked to make a short run of their latest remixes and were delighted to gain permission to release this legit but very limited 12".
Only 300 copies worldwide, don't sleep cause when they're gone, they're gone!! More

More vinyl remixes from Psychemagik with the long awaited official 'Dancehall Days' remix sanctioned by Jack Hues from Wang Chung himself.
Jack liked Psychemagiks re-edit of Dance Hall Days so much he contacted the duo and offered them the parts for an official remix.
The result is a monster dancefloor friendly beast that is true to the original edit but with some extra magik! Limited edition white vinyl release limited to only 500 copies, don't sleep! More

First up on this new 12" 'Ass Nation' a slo-mo disco monster with dirty drums, nasty synths, super sweet female vox and an infectious guitar hook that begs for dancefloor control!! The flip 'Upskirt' drops a filthy guitar and bassline hook, funky drums, dirty moog laserbeams and the kinda groove that takes you to places you know you shouldn't go, reminiscent of a reckless late night drive thru sleazy backstreets where insanity lurks just behind the curtains, come in and take a peek!! More

Psychemagik return with another freash 12? of killer edits, firstly they give Paula Cole’s ‘Feelin Love’ a new dimension by speeding it up around 120 BPM and adding the dirtiest nastiest synth swooshes that’ll have even the hardest of dancefloors bursting with sexual tension! On the flip they settle back into Balearic blissed out territory with another sunrise killer, their supreme rework of ‘Wake Up Everybody’ by Harold Melvin. Their sparkly live piano solo and tight crispy drums take an already amazing track to epic new heights. Just add Yacht. More