1
Q Lazzarus - Goodbye Horses (Extended Mix)
2
Q Lazzarus - Goodbye Horses (Instrumental)
3
Q Lazzarus - Hellfire
4
Q Lazzarus - Summertime
5
Q Lazzarus - Goodbye Horses (Acapella)
Repress coming end of April!
At long last, Q Lazzarus says hello to Dark Entries. Q Lazzarus is the moniker of Diane Luckey, born in New Jersey in 1960. While living in the East Village in New York City in the 1980s, Diane met songwriter Bill Garvey at a party and they recorded “Goodbye Horses” in his home studio. As the story goes, Luckey met Hollywood director Jonathan Demme when she picked him up in her taxi during a snowstorm in 1986. Demme was wowed by her demo tape, which was playing in the cab, and they ended up hanging out at a restaurant for hours talking about life and music. “He liked it so much, I gave him the tape I was listening to, he said he would call me for one of his movies, but I didn’t really take it seriously.” said Luckey. Demme would have the song “Goodbye Horses” first appear in his offbeat comedy Married to the Mob, and then again more memorably in Silence of the Lambs when Buffalo Bill changes into women’s clothing while drowning out his intended victim’s pleas with loud music. Despite the exposure, both Luckey and Garvey languished in relative obscurity. “Goodbye Horses” is the definition of a cult classic, an ethereal tearjerker driven by Garvey’s lush synth work and Luckey’s unmistakably powerful voice. Garvey says, “the song is about transcendence over those who see the world as only earthly and finite.”
Over 15 years of effort have gone into the making of this release. All five songs on this record were previously unreleased and are sourced from original master tapes. The extended version of “Goodbye Horses” was newly mixed from the original stems by Alberto Hernandez at Fantasy Studios. Instrumental and acapella versions of the song are included, which are also available for the first time. Side B opens with “Hellfire,” a brooding number about the New York BDSM nightclub of the same name, showcasing the range and force of Luckey’s voice. “Summertime” follows, with a sauntering synth-reggae spin on the 1937 George Gershwin number. Both B-side tracks are also new mixdowns and edits from the original stems. This record is released alongside Eva Aridjis Fuentes’s documentary on Q Lazzarus, Goodbye Horses: The Many Lives of Q Lazzarus, a work chronicling the life of the enigmatic Luckey. It is an opportune moment to reflect on the underrecognized artists we have lost and the undeniable brilliance of both Diane Luckey and William Garvey.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
At long last, Q Lazzarus says hello to Dark Entries. Q Lazzarus is the moniker of Diane Luckey, born in New Jersey in 1960. While living in the East Village in New York City in the 1980s, Diane met songwriter Bill Garvey at a party and they recorded “Goodbye Horses” in his home studio. As the story goes, Luckey met Hollywood director Jonathan Demme when she picked him up in her taxi during a snowstorm in 1986. Demme was wowed by her demo tape, which was playing in the cab, and they ended up hanging out at a restaurant for hours talking about life and music. “He liked it so much, I gave him the tape I was listening to, he said he would call me for one of his movies, but I didn’t really take it seriously.” said Luckey. Demme would have the song “Goodbye Horses” first appear in his offbeat comedy Married to the Mob, and then again more memorably in Silence of the Lambs when Buffalo Bill changes into women’s clothing while drowning out his intended victim’s pleas with loud music. Despite the exposure, both Luckey and Garvey languished in relative obscurity. “Goodbye Horses” is the definition of a cult classic, an ethereal tearjerker driven by Garvey’s lush synth work and Luckey’s unmistakably powerful voice. Garvey says, “the song is about transcendence over those who see the world as only earthly and finite.”
Over 15 years of effort have gone into the making of this release. All five songs on this record were previously unreleased and are sourced from original master tapes. The extended version of “Goodbye Horses” was newly mixed from the original stems by Alberto Hernandez at Fantasy Studios. Instrumental and acapella versions of the song are included, which are also available for the first time. Side B opens with “Hellfire,” a brooding number about the New York BDSM nightclub of the same name, showcasing the range and force of Luckey’s voice. “Summertime” follows, with a sauntering synth-reggae spin on the 1937 George Gershwin number. Both B-side tracks are also new mixdowns and edits from the original stems. This record is released alongside Eva Aridjis Fuentes’s documentary on Q Lazzarus, Goodbye Horses: The Many Lives of Q Lazzarus, a work chronicling the life of the enigmatic Luckey. It is an opportune moment to reflect on the underrecognized artists we have lost and the undeniable brilliance of both Diane Luckey and William Garvey.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Q Lazzarus
Label:Sacred Bones
Cat-No:SBRLPC3356
Release-Date:21.02.2025
Genre:Alternative/Electronic
Configuration:LP
Label:Sacred Bones
Cat-No:SBRLPC3356
Release-Date:21.02.2025
Genre:Alternative/Electronic
Configuration:LP
1
Q Lazzarus - Goodbye Horses (Single Edit)
2
Q Lazzarus - Heaven
3
Q Lazzarus - I See Your Eyes
4
Q Lazzarus - A Fools Life
5
Q Lazzarus - Summertime
6
Q Lazzarus - My Mistake
7
Q Lazzarus - Hellfire
8
Q Lazzarus - Don't Let Go
9
Q Lazzarus - Bang Bang
10
Q Lazzarus - Goodbye Horses (New Wave Version)
Summertime Green Vinyl!
For almost everyone, the entry point for discovering the music of Q Lazzarus came via “Goodbye Horses.” The song first appeared in 1988, via Jonathan Demme’s Married to the Mob, but it would not become fully lodged into popular consciousness until it infamously materialized again in Demme’s The Silence of the Lambs in 1991. “Goodbye Horses” felt like a self-contained universe – dreamlike and wholly unusual, an instant classic that left listeners captivated and curious about the mysterious voice behind it. That voice belonged to Diane Luckey, a uniquely talented artist whose music was ahead of its time and who would ultimately remain largely unrecognized in her lifetime.
In conjunction with the release of Aridjis Fuentes’ documentary film Goodbye Horses: The Many Lives of Q Lazzarus, Sacred Bones is releasing a collection of songs that span the entirety of Q’s career, showcasing the different eras of her work and the full breadth of her personality. Released in collaboration with the family of Q, it has the distinction of being her first and only full-length release.
Recorded between 1985 and 1995, this trove of previously unreleased music reflects some of the most interesting facets of pop music from the past four decades in a way that feels both savvy and wildly eclectic. The titular “Goodbye Horses” remains a singular piece of spooky new wave perfection and one might imagine an entire Q Lazzarus album coiled around this aesthetic, but much like singers such as Alison Moyet, Annie Lennox, or Lisa Gerrard, Q’s chameleonic voice could lend itself perfectly to a variety of styles and settings. Her cover of Talking Heads’ “Heaven” transforms the song into a full-throated power ballad complete with tinkly piano flourishes, while her take on Gershwin’s “Summertime” sounds like the kind of dubby club redux that could have been a perfect companion to anything from Nightclubbing-era Grace Jones. Tracks like “My Mistake” and “Hellfire” flirt with house music and showcase just how brassy and belty Q’s voice could be when she really let loose, while “Don’t Let Go” sounds like the kind of bombastic radio single Cher might have released several decades ago. Elsewhere, songs like “Bang Bang” and “I See Your Eyes” espouse the kind of guitar-driven alt-rock sensibilities that, in a parallel universe, could have made them staples on 120 Minutes.
Goodbye Horses represents the potential for so many different kinds of careers that, for whatever reason, never fully materialized. That we now have these songs in the world, and a clearer picture of the person behind them, is nothing short of a blessing.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
For almost everyone, the entry point for discovering the music of Q Lazzarus came via “Goodbye Horses.” The song first appeared in 1988, via Jonathan Demme’s Married to the Mob, but it would not become fully lodged into popular consciousness until it infamously materialized again in Demme’s The Silence of the Lambs in 1991. “Goodbye Horses” felt like a self-contained universe – dreamlike and wholly unusual, an instant classic that left listeners captivated and curious about the mysterious voice behind it. That voice belonged to Diane Luckey, a uniquely talented artist whose music was ahead of its time and who would ultimately remain largely unrecognized in her lifetime.
In conjunction with the release of Aridjis Fuentes’ documentary film Goodbye Horses: The Many Lives of Q Lazzarus, Sacred Bones is releasing a collection of songs that span the entirety of Q’s career, showcasing the different eras of her work and the full breadth of her personality. Released in collaboration with the family of Q, it has the distinction of being her first and only full-length release.
Recorded between 1985 and 1995, this trove of previously unreleased music reflects some of the most interesting facets of pop music from the past four decades in a way that feels both savvy and wildly eclectic. The titular “Goodbye Horses” remains a singular piece of spooky new wave perfection and one might imagine an entire Q Lazzarus album coiled around this aesthetic, but much like singers such as Alison Moyet, Annie Lennox, or Lisa Gerrard, Q’s chameleonic voice could lend itself perfectly to a variety of styles and settings. Her cover of Talking Heads’ “Heaven” transforms the song into a full-throated power ballad complete with tinkly piano flourishes, while her take on Gershwin’s “Summertime” sounds like the kind of dubby club redux that could have been a perfect companion to anything from Nightclubbing-era Grace Jones. Tracks like “My Mistake” and “Hellfire” flirt with house music and showcase just how brassy and belty Q’s voice could be when she really let loose, while “Don’t Let Go” sounds like the kind of bombastic radio single Cher might have released several decades ago. Elsewhere, songs like “Bang Bang” and “I See Your Eyes” espouse the kind of guitar-driven alt-rock sensibilities that, in a parallel universe, could have made them staples on 120 Minutes.
Goodbye Horses represents the potential for so many different kinds of careers that, for whatever reason, never fully materialized. That we now have these songs in the world, and a clearer picture of the person behind them, is nothing short of a blessing.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Dark Entries
1
Kinga - Sexy Boy (Late Night Dance Mix)
2
Kinga - Sexy Boy (Dub)
3
Kinga - Sexy Boy (7" Mix)
4
Kinga - Sexy Boy (7" Remix/Edit)
5
Kinga - Sexy Boy (TV Mix)
In celebration of Pride Month, Kinga struts to Dark Entries with “Sexy Boy,” a steamy Canadian pop gem. Inspired by gender-bending pop stars of the 1980s like Boy George and Janet Jackson, a young Tomas Fussey aka Kinga ditched his “schoolboy appearance” to adopt an edgier, androgynous style. Immersed in Calgary nightlife, he became acquainted with sexy synthpop and disco songs like Madonna’s “Everybody,” Divine’s “Native Love,” and the Flirts’ “Passion” - songs which still linger in his mind. He began writing music: “It was 80s. Everyone was making a record. So I made one too.” In 1988 he teamed up with keyboardist Dan Madison and veteran producer Bob Gallo to make “Elevator Operator” and “Sexy Boy.” Kinga was surprised when the B-side “Sexy Boy” garnered substantial radio play from CFNY in Toronto. But he notes: “They saw the obvious... My physical appearance supported the lyrics.” In 1989, Amok Records backed a new “Late Night Dance Mix” version of “Sexy Boy.” Almost every part was re-recorded or remade, including Kinga’s vocals. The new version surprised Kinga with its slick production and moody atmosphere. Sales were disappointing, and Kinga stated “It was not the sound of the moment.” But these deeper house-inflected grooves feel like the sound of our current moment. This release of Sexy Boy includes five different mixes, including the original 7” mix, three versions from the 12”, and the previously unreleased “TV Mix”. Sexy Boy comes sleeved in a reproduction of the original artwork and includes an insert with liner notes and lyrics, as well as an 8x10 glossy press photo of the sexy boy himself.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Dark Entries
Cat-No:DE-338
Release-Date:06.06.2025
Genre:Electronic, Electronica
Configuration:12"
Label:Dark Entries
Cat-No:DE-338
Release-Date:06.06.2025
Genre:Electronic, Electronica
Configuration:12"
1
Hackney Electronica - H.E. Nuestro Circuito
2
Hackney Electronica - Efecto Perfecto
3
Hackney Electronica - The One
4
Hackney Electronica - Whispers from the Depths
5
Hackney Electronica - Nueva Ola
New pressing coming soon.
Hackney Electronica come to Dark Entries with the Synaptic Shadows EP, featuring 5 cuts of acidic rave-inflected wave. Quinn Whalley (Paranoid London), Unai Trotti (Cartulis Music), and Margo Broom (Hermitage Working Studios) formed Hackney Electronica during COVID era. Trotti and Whalley were spending countless hours digging through records and making music during lockdown. As their sound took shape - heavy and hypnotic - they invited Broom to join, cementing the motley trio. The five pieces on Synaptic Shadows explore themes of altered states, late-night cityscapes, and the fine line between pleasure and paranoia. Each track pulses like a memory from the backstreets of Hackney, where the night transforms the city into an electrified maze of fleeting highs and inevitable crashes. The anxious grooves on “H.E. Nuestro Circuito” and “Whispers from the Depths” channel 1980s DIY electronics onto the contemporary dancefloor, while “Efecto Perfecto,” “The One”, and “Nueva Ola” offer breakbeat-laced electro that will keep you dancing until dawn. Housed in a sleeve designed by German Bardo, Synaptic Shadows is more than just a debut release, it’s a journey through the flickering alleys of the mind, where tension and transcendence intertwine.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Hackney Electronica come to Dark Entries with the Synaptic Shadows EP, featuring 5 cuts of acidic rave-inflected wave. Quinn Whalley (Paranoid London), Unai Trotti (Cartulis Music), and Margo Broom (Hermitage Working Studios) formed Hackney Electronica during COVID era. Trotti and Whalley were spending countless hours digging through records and making music during lockdown. As their sound took shape - heavy and hypnotic - they invited Broom to join, cementing the motley trio. The five pieces on Synaptic Shadows explore themes of altered states, late-night cityscapes, and the fine line between pleasure and paranoia. Each track pulses like a memory from the backstreets of Hackney, where the night transforms the city into an electrified maze of fleeting highs and inevitable crashes. The anxious grooves on “H.E. Nuestro Circuito” and “Whispers from the Depths” channel 1980s DIY electronics onto the contemporary dancefloor, while “Efecto Perfecto,” “The One”, and “Nueva Ola” offer breakbeat-laced electro that will keep you dancing until dawn. Housed in a sleeve designed by German Bardo, Synaptic Shadows is more than just a debut release, it’s a journey through the flickering alleys of the mind, where tension and transcendence intertwine.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Deux Filles - The Letter
2
Deux Filles - L'intrigue
3
Deux Filles - Drinking At A Stream
4
Deux Filles - Oakwood Green
5
Deux Filles - Children Of Clay
6
Deux Filles - Sur La Plage
7
Deux Filles - Her Masters Voice
8
Deux Filles - The Draw In Room
9
Deux Filles - The Slides
10
Deux Filles - Fleur's Dolls
11
Deux Filles - Mortuary
12
Deux Filles - The City Sleeps
13
Deux Filles - Birds
14
Deux Filles - Silence & Wisdom
15
Deux Filles - Festival
16
Deux Filles - Our English Friends
17
Deux Filles - Piroette
18
Deux Filles - The Third Movement
19
Deux Filles - Play Room
20
Deux Filles - Starboard She Said
21
Deux Filles - Los Estrellas
22
Deux Filles - Albert The Mud Fish
23
Deux Filles - Who Art In Heaven
24
Deux Filles - Shackleford Breeze
25
Deux Filles - 2 Blind 2 See
26
Deux Filles - Zazinthos
27
Deux Filles - Little Brown Jig
28
Deux Filles - Tounges
29
Deux Filles - Shalama
30
Deux Filles - The Sun On The Sea
31
Deux Filles - Interlude
32
Deux Filles - The Snow Falls & The Village Is Overflowing With Children
33
Deux Filles - Double Happiness
Repress!
The short, mysterious career of the female French duo Deux Filles is bookended by tragedy. Gemini Forque and Claudine Coule met as teenagers at a holiday pilgrimage to Lourdes, during which Coule's mother died of an incurable lung disease, and Forque's mother was killed and her father paralyzed in an auto accident. The two teens bonded over their shared grief and worked through their bereavement with music. However, after recording two critically acclaimed albums and playing throughout Europe and North America, Forque and Coule disappeared without a trace in North Africa in 1984 during a trip to visit Algiers. The short and terribly unhappy lives of Forque and Coule are at the root of the small but fervent cult following the mysterious duo have gained since their disappearance, not least because the placid, largely instrumental music on the duo's albums betrays no hint of the sorrow that framed their personal lives.
This would be a terribly sad story if a word of it were true. In reality, Deux Filles were Simon Fisher Turner, former child star/teen idol and future soundtrack composer, and his mate Colin Lloyd Tucker. Turner and Tucker left an early incarnation of The The in 1981 to pursue another musical direction. Turner claims that the idea of Deux Filles came to him in a dream, and he and Tucker strictly maintained the fiction throughout the duo's career. Not only did they pose in drag for the album covers, the duo once even played live without the audience realizing that the tragic French girls on-stage were actually a pair of blokes from south London. Deux Filles released two albums through Turner and Tucker's Papier Mache label, 1982's “Silence & Wisdom” and 1983's “Double Happiness”. Both albums are included here,
and blend watery piano, ghostly vocals, sheets of synthesizers, processed guitars, and the barest minimum of percussion. Drifting and wistful, they’re a pair of lost ambient gems from a time when the genre had yet to mature, an excellent example of post-Eno, pre-Orb ambient music.
All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in gatefold sleeve with original front covers of both albums, and a centerfold of archive images and the original liner notes. “Like an early French film soundtrack with melodramatic overtones, the sound is jagged and disjointed but never harsh. Lilting guitars and ample use of echo smack of Vini Reilly, relying on the hypnotic qualities of the sound rather than abrasive noise" (Sounds, 03/1983)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The short, mysterious career of the female French duo Deux Filles is bookended by tragedy. Gemini Forque and Claudine Coule met as teenagers at a holiday pilgrimage to Lourdes, during which Coule's mother died of an incurable lung disease, and Forque's mother was killed and her father paralyzed in an auto accident. The two teens bonded over their shared grief and worked through their bereavement with music. However, after recording two critically acclaimed albums and playing throughout Europe and North America, Forque and Coule disappeared without a trace in North Africa in 1984 during a trip to visit Algiers. The short and terribly unhappy lives of Forque and Coule are at the root of the small but fervent cult following the mysterious duo have gained since their disappearance, not least because the placid, largely instrumental music on the duo's albums betrays no hint of the sorrow that framed their personal lives.
This would be a terribly sad story if a word of it were true. In reality, Deux Filles were Simon Fisher Turner, former child star/teen idol and future soundtrack composer, and his mate Colin Lloyd Tucker. Turner and Tucker left an early incarnation of The The in 1981 to pursue another musical direction. Turner claims that the idea of Deux Filles came to him in a dream, and he and Tucker strictly maintained the fiction throughout the duo's career. Not only did they pose in drag for the album covers, the duo once even played live without the audience realizing that the tragic French girls on-stage were actually a pair of blokes from south London. Deux Filles released two albums through Turner and Tucker's Papier Mache label, 1982's “Silence & Wisdom” and 1983's “Double Happiness”. Both albums are included here,
and blend watery piano, ghostly vocals, sheets of synthesizers, processed guitars, and the barest minimum of percussion. Drifting and wistful, they’re a pair of lost ambient gems from a time when the genre had yet to mature, an excellent example of post-Eno, pre-Orb ambient music.
All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in gatefold sleeve with original front covers of both albums, and a centerfold of archive images and the original liner notes. “Like an early French film soundtrack with melodramatic overtones, the sound is jagged and disjointed but never harsh. Lilting guitars and ample use of echo smack of Vini Reilly, relying on the hypnotic qualities of the sound rather than abrasive noise" (Sounds, 03/1983)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Gina X - No G.D.M.
2
Gina X - Exhibitionism
3
Gina X - Be a Boy
4
Gina X - Tropical Comic Strip
5
Gina X - Nice Mover
6
Gina X - Cologne Intime
7
Gina X - Opposite Numbers
8
Gina X - Vendor's Box
9
Gina X - Strip Tease
10
Gina X - I.C. Code
11
Gina X - Kaddish
12
Gina X - Hypnosis/Hypnose
13
Gina X - Babylon Generation
14
Gina X - Die Kunst des Liebens (The Art of Loving)
15
Gina X - Kanal Banal
16
Gina X - French Lift
17
Gina X - Waiting
Gina X makes her way to Dark Entries for Greatest Fits, a compilation of gems and jams from the eccentric New Wave icon. Gina X Performance was formed in Cologne in 1978 when art history student and chanteuse Gina Kikoine teamed up with synth wizard Zeus B. Held. Inspired by Patti Smith and Lou Reed, Kikoine aimed to create "the absolute union of music, poetry and travesty," a lofty goal that she most certainly would achieve. 1979 saw the release of the classic first LP, Nice Mover, which put Held’s lush electronic production in dialogue with Gina X’s deadpan delivery. Songs explore androgyny, decadence, and avant-garde art in a fashion that is stylish, sexy, and more than a touch transgressive. Nice Mover quickly became a cult favorite thanks to tracks like the euphoric “Nice Mover” and the dancefloor bomb “No G.D.M.”, dedicated to queer icon Quentin Crisp. Three more LPs followed in the coming years: X-Traordinaire in 1980; Voyeur in 1981; and Yinglish in 1984. The duo continued their genre deviance throughout, exploring uptempo space disco on “Strip Tease,” punk-laced New Wave on “Babylon Generation,” and icy electro-pop on “French Lift.” Greatest Fits is the first-ever double LP compilation of Gina X material. The 17 tracks on Greatest Fits were selected by Kikoine and Held, reflecting the duo’s most cherished moments from their wide-ranging catalog. The record comes housed in a gatefold sleeve designed by Eloise Shir-Juen Leigh featuring press clippings and photographs, and includes an insert with lyrics and memories about each song from Kikoine and Held.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Borghesia - Pier 46
2
Borghesia - Graffiti No. 1
3
Borghesia - Graffiti No. 2 (We Are Everywhere)
4
Borghesia - Lustmörder
5
Borghesia - Secret Affair No. 1
6
Borghesia - Z.M.R.
7
Borghesia - Cindy Sherman
8
Borghesia - Linije Sile
9
Borghesia - Secret Affair No. 2
10
Borghesia - No Title
11
Borghesia - Obnova
Borghesia is an electronic music group, founded in 1982 in Ljubljana, Slovenia. The band was formed by four members of alternative theatrical group Theatre FV-112/15: Dario Seraval, Aldo Ivancic, Neven Korda and Zemira Alajbegovic. They established FV Video to self-publish their video projects and FV Založba – the first independent record label in ex-Yugoslavia. Aldo and Dario took care of songwriting, production and recording while Zemira and Neven handled the visuals. In the late 80s the band signed to PIAS and went on to release a string of successful albums and played world-wide tours.
Clones was Borghesia's second album, self-released on cassette only in 1984. The band borrowed synthesizers (Roland SH-101, Casio VL-1, Korg Polysix) and a Roland 808 drum machine from friends. Every song was played live - no overdubs - and recorded to a cassette deck over a few nights at their club Disco FV during 1983-1984. The music on Clones is meant to accompany various video installations and performances. All of the songs are instrumental and feature various cutting edge techniques for 1983. Hypnotic proto-techno and acid rhythms and synth lines. Music on the A Side of the LP is faster and club oriented while the B Side offers a drugged out soundtrack to get lost in.
All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley directly from the original master tape. Each LP is housed in a silver jacket with original gelatin print by photographer Jane Štravs. A fold-out poster is included with unreleased photos, original artwork and liner notes by Željko Luketic. After three decades, Borghesia's "music for video" is finally appearing on vinyl for the first time.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Clones was Borghesia's second album, self-released on cassette only in 1984. The band borrowed synthesizers (Roland SH-101, Casio VL-1, Korg Polysix) and a Roland 808 drum machine from friends. Every song was played live - no overdubs - and recorded to a cassette deck over a few nights at their club Disco FV during 1983-1984. The music on Clones is meant to accompany various video installations and performances. All of the songs are instrumental and feature various cutting edge techniques for 1983. Hypnotic proto-techno and acid rhythms and synth lines. Music on the A Side of the LP is faster and club oriented while the B Side offers a drugged out soundtrack to get lost in.
All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley directly from the original master tape. Each LP is housed in a silver jacket with original gelatin print by photographer Jane Štravs. A fold-out poster is included with unreleased photos, original artwork and liner notes by Željko Luketic. After three decades, Borghesia's "music for video" is finally appearing on vinyl for the first time.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Tobias Bernstrup - 27 (Original Mix)
2
Tobias Bernstrup - 27 (Laser Mix)
3
Tobias Bernstrup - Ventisette
4
Tobias Bernstrup - Ventisette (Instrumental)
5
Tobias Bernstrup - Dirty Money
Repress!
Tobias Bernstrup is a contemporary musician and video artist born 1970 in Gothenburg, Sweden. He received an MFA from Royal College University of Fine Arts Stockholm in 1998. Using the visual language of pop culture, video games, sci-fi, classicism and gothic noir, he has created a stage persona with notorious live performances. Dressed in elaborate costumes of skin-tight rubber suits and fetish gear, Tobias’ external appearance is androgynous. He raises questions about representation of identity, the body and physical space in both virtual and non-virtual realities. Between 1997 and 1998 he self-released two limited CD-R EPs. In 2002 his debut album ‘Re-Animate Me’ was released by Tonight Records followed by two limited 12” singles for the song “27” and the Italian version “Ventisette”.
“27” is a 5-song EP collecting 4 different mixes of the title track plus one unreleased song from the ‘Re-Animate Me’ recording sessions. The material on this EP is closely connected with the world of computer games which Bernstrup also inhabits. Bernstrup’s music is influenced by 1980s Italo disco and synth pop, reminiscent of Kraftwerk, Depeche Mode and Ken Lazlo. On the A-side is the original mix at 115 bpm followed by the Lazer Mix set to an faster beat and additional arpeggiations and heavier bass drum beats. Lyrically the song tells the story of a good looking 27-year old boy from a small town searching for love with any man who can spoil him. On the B-side are both the vocal and instrumental of “Ventisette”, the Italian translation of the song “27.” Both versions of “Ventisette” are stripped back compared to the A-side but keep the melodies in tact. Also released for the first time ever is the demo “Dirty Money” a Pet Shop Boys influenced song about male prostitutes ready for a night out working the streets.
All songs have been remastered for vinyl by George Horn at Fantasy Studios. For the jacket Eloise Leigh transformed the original portrait of Tobias into a Warhol-like painted polaroid with a striking likeness to Liza Minelli with blue eye shadow and red lipstick. Each copy includes a photo postcard with lyrics and notes.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tobias Bernstrup is a contemporary musician and video artist born 1970 in Gothenburg, Sweden. He received an MFA from Royal College University of Fine Arts Stockholm in 1998. Using the visual language of pop culture, video games, sci-fi, classicism and gothic noir, he has created a stage persona with notorious live performances. Dressed in elaborate costumes of skin-tight rubber suits and fetish gear, Tobias’ external appearance is androgynous. He raises questions about representation of identity, the body and physical space in both virtual and non-virtual realities. Between 1997 and 1998 he self-released two limited CD-R EPs. In 2002 his debut album ‘Re-Animate Me’ was released by Tonight Records followed by two limited 12” singles for the song “27” and the Italian version “Ventisette”.
“27” is a 5-song EP collecting 4 different mixes of the title track plus one unreleased song from the ‘Re-Animate Me’ recording sessions. The material on this EP is closely connected with the world of computer games which Bernstrup also inhabits. Bernstrup’s music is influenced by 1980s Italo disco and synth pop, reminiscent of Kraftwerk, Depeche Mode and Ken Lazlo. On the A-side is the original mix at 115 bpm followed by the Lazer Mix set to an faster beat and additional arpeggiations and heavier bass drum beats. Lyrically the song tells the story of a good looking 27-year old boy from a small town searching for love with any man who can spoil him. On the B-side are both the vocal and instrumental of “Ventisette”, the Italian translation of the song “27.” Both versions of “Ventisette” are stripped back compared to the A-side but keep the melodies in tact. Also released for the first time ever is the demo “Dirty Money” a Pet Shop Boys influenced song about male prostitutes ready for a night out working the streets.
All songs have been remastered for vinyl by George Horn at Fantasy Studios. For the jacket Eloise Leigh transformed the original portrait of Tobias into a Warhol-like painted polaroid with a striking likeness to Liza Minelli with blue eye shadow and red lipstick. Each copy includes a photo postcard with lyrics and notes.
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Germany
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1
Misty Lane - Energy
2
Misty Lane - Energy (7" Mix)
3
Misty Lane - Contrôle
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Misty Lane - Contrôle (7" Mix)
Misty Lane paves a path to Dark Entries to deliver some quirky Quebecois disco pop. In 1983, producers Michel Bibeau, perhaps best known for his work on Pluton & Humanoids’ “World Invasion,” and Fitz Roy aka Ralph Mashats teamed up with singer Elaine Desjardins, the eponymous Misty Lane. Mashats reminisces about bringing his Roland TR-808 and TB-303 to Michel’s Studio 21 in St. Eustache, two units he regretted later selling for “a slice of bread.” Michel added hooks with his Roland Jupiter 4 and various studio effects. Their sessions produced “Energy” and “Contrôle,” two cuts of slinky synthpop with French-Canadian flair. “Energy” pops off with proto-house vibes thanks to snappy 808s and Desjardin’s naive-but-enthusiastic vocals, and would fit right into a mid-80s WBMX Radio mix. “Contrôle” is a mid-tempo groover with tropical atmospheres, sitting perfectly next to to Junior Byron’s “Dance to the Music,” which was another Bibeau production. Energy comes in a sleeve featuring Elaine at The Chivas Club in Montreal. Fans of Italo, Canadian disco, and oddball wave will rejoice in these artfully produced gems.Hackney Electronica come to Dark Entries with the Synaptic Shadows EP, featuring 5 cuts of acidic rave-inflected wave. Quinn Whalley (Paranoid London), Unai Trotti (Cartulis Music), and Margo Broom (Hermitage Working Studios) formed Hackney Electronica during COVID era. Trotti and Whalley were spending countless hours digging through records and making music during lockdown. As their sound took shape - heavy and hypnotic - they invited Broom to join, cementing the motley trio. The five pieces on Synaptic Shadows explore themes of altered states, late-night cityscapes, and the fine line between pleasure and paranoia. Each track pulses like a memory from the backstreets of Hackney, where the night transforms the city into an electrified maze of fleeting highs and inevitable crashes. The anxious grooves on “H.E. Nuestro Circuito” and “Whispers from the Depths” channel 1980s DIY electronics onto the contemporary dancefloor, while “Efecto Perfecto,” “The One”, and “Nueva Ola” offer breakbeat-laced electro that will keep you dancing until dawn. Housed in a sleeve designed by German Bardo, Synaptic Shadows is more than just a debut release, it’s a journey through the flickering alleys of the mind, where tension and transcendence intertwine.
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Germany
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Germany
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1
Bill Converse - Live Track
2
Bill Converse - Key Pump
3
Bill Converse - Final Act
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Bill Converse - Two One Three
5
Bill Converse - Romance
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Bill Converse - Knob
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Bill Converse - Wrong Again
Cult icon Bill Converse trots back to Dark Entries with Trust. Converse has honed his craft since the early days of the Midwest rave scene, absorbing lessons from luminaries like Claude Young and Traxx. His skill as a producer has been cemented with releases on labels like Dark Entries, Fit Sound, and Obsolete Futures, and his prowess as a DJ has been witnessed on floors worldwide. In recent years, Converse has also pushed audiences to their lysergic limits with his sinewy and kinetic live sets, which pair classic analog boxes like the Roland TB-303 with cutting-edge modular synthesis techniques. The 7 tracks on Trust pick up the wild energy of these live hardware explorations, channeling the splayed beats of Chicago’s Relief Records, the acidic grit of Midwest techno like Woody McBride’s Communique Records, and the hypnagogic hooks of Artificial Intelligence-era IDM. According to Converse, the abrupt changes and off-kilter rhythms are “an effort to facilitate or express trust-making in the listening experience. I want some degree of give and take with the listener.” This process makes Converse’s sound truly singular, the kind of aural landscape that can only be conjured through a lifetime of crate-digging and analog abuse - just check out the untenable funk of “Live Track” or the otherworldly groove of “Romance.” Trust comes in a sleeve featuring artwork from Sonya Rapaport from 1986 featuring images generated with an MS-DOS computer. Converse says “I think there's also a muscle-to-love vibe with this one.” We can trust him.
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Germany
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1
Parade Ground - Riddle In The Stained Glass Windows
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Parade Ground - When The Fever Stops
3
Parade Ground - Looking Through Keyholes
4
Parade Ground - This Luxury
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Parade Ground - The Net
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Parade Ground - Snake
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Parade Ground - Off Balance
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Parade Ground - The Chosen One
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Parade Ground - Hollywood (The Sexiest Fish)
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Parade Ground - Marble Mind
Parade Ground march back to Dark Entries with The Hidden Side, a compilation of B-sides and unreleased material. Brothers Jean-Marc and Pierre Pauly started Parade Ground in Brussels in 1981. Their Dada-laced brand of post-punk fuses propulsive drum machines and icy synths with skeletal guitar riffs and Jean-Marc’s distinct and powerful voice, pioneering the subgenre of emotional body music. The brothers met Daniel B. and Patrick Codenys of Front 242 in 1982, marking the beginning of an enduring collaborative partnership. In 2011, Dark Entries released The Golden Years, a compilation chronicling the band’s A-sides and exposing them to a new generation of EBM enthusiasts. The Hidden Side continues this mission, illuminating lesser-known facets of the band’s oeuvre. The tracks here were written between 1982 and 1989, and showcase Parade Ground’s range of styles - all cold, dark, and brooding. Tracks like “Riddle in the Stain Glass Window” and the previously unreleased “Looking Through Keyholes” see the band in menacing coldwave mode, rocking chorus-drenched bass guitar and blasts of analog synth. The band’s dancier proclivities shine elsewhere, like on “Off-Balance” or the supremely funky “Hollywood (The Sexiest Fish),” a floor-filler driven by bass guitar and thumping digital drum machine beats. Also included is “Marble Mind,” a previously unreleased latter-period track from the band recorded by Patrick Codenys at 242 Studio. The Hidden Side includes liner notes featuring lyrics and a photo of Jean-Marc and Pierre Pauly. Additionally, a newly remastered edition of The Golden Years will be released along with The Hidden Side.
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1
Parade Ground - I Shut My Eyes
2
Parade Ground - Moan On The Sky
3
Parade Ground - Retired
4
Parade Ground - Fall Incognito
5
Parade Ground - Moral Support
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Parade Ground - Took Advantage
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Parade Ground - Gold Rush
8
Parade Ground - Action Replay
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Parade Ground - Moans
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Parade Ground - Strange World
11
Parade Ground - Hollywood
2025 Remaster/Repress!
Parade Ground has always been the duo of brothers Jean-Marc and Pierre Pauly from Brussels, Belgium formed in 1981. Taking cues from Post-Punk, Coldwave, Dada and Surrealism, Parade Ground channeled suffering, tension and rage through pulsing synthesizers, skeletal guitar, severe bass and Jean-Marc’s expressive vocals as the most melodic and emotional instrument. The Golden Years is an 11-song, career-spanning collection of Parade Ground’s long out-of-print 7” and 12” singles as well as rare compilation tracks from the pioneers of electronic body music created during 1982-1988.
Parade Ground first appeared on the Nationale Rockmeeting LP in 1982, striking straight to the heart with the passionate plea “I Shut My Eyes.” Later that year the brothers met Daniel B. and Patrick Codenys of Front 242 beginning a collaborative partnership that continues to present day. In 1983 they released their debut 3-song 7” EP Moan On The Sly on the New Dance label, musically a hybrid of Joy Division and Fad Gadget. 1984 brought further explorations into the world of electronic body music with the 3-song Man In A Trance EP and 2 tracks on the live concert compilation Mask Promotion both records released on Front 242's Mask Music label. The following year the single Took Advantage/Moral Support 12” was released incorporating then, state-of-the-art modular synthesizers programmed by Daniel B. and back-up vocals from Flo Sullivan (A Formal Sigh, Shiny Two Shiny). Then in 1987 the brothers collaborated with Colin Newman of British post-punk band Wire, who produced and lent his vocals, guitars and keyboards to two songs ("Moans"/"Action Replay") while Daniel B. produced flipside "Gold Rush" on the Dual Perspective EP that stands alongside 80s anthems from Tears for Fears, Modern English, Echo & The Bunnymen. Finally in 1988 their debut album Cut Up was released on Play It Again Sam Records and featured the singles Strange World and Hollywood. In 1993 the brothers wrote and composed the vocals on two Front 242 albums Up Evil and Off. After 15 years of silence the boys released their second album Rosary in 2007 and continue to write new material and tour with their extensive catalog of dark dance classics. Each LP includes a 6-page press kit with lyrics, discography, photos and liner notes by Daniel B. of Front 242. The history of Belgian electronic music would not be complete without a trip through “The Golden Years” of Parade Ground.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Parade Ground has always been the duo of brothers Jean-Marc and Pierre Pauly from Brussels, Belgium formed in 1981. Taking cues from Post-Punk, Coldwave, Dada and Surrealism, Parade Ground channeled suffering, tension and rage through pulsing synthesizers, skeletal guitar, severe bass and Jean-Marc’s expressive vocals as the most melodic and emotional instrument. The Golden Years is an 11-song, career-spanning collection of Parade Ground’s long out-of-print 7” and 12” singles as well as rare compilation tracks from the pioneers of electronic body music created during 1982-1988.
Parade Ground first appeared on the Nationale Rockmeeting LP in 1982, striking straight to the heart with the passionate plea “I Shut My Eyes.” Later that year the brothers met Daniel B. and Patrick Codenys of Front 242 beginning a collaborative partnership that continues to present day. In 1983 they released their debut 3-song 7” EP Moan On The Sly on the New Dance label, musically a hybrid of Joy Division and Fad Gadget. 1984 brought further explorations into the world of electronic body music with the 3-song Man In A Trance EP and 2 tracks on the live concert compilation Mask Promotion both records released on Front 242's Mask Music label. The following year the single Took Advantage/Moral Support 12” was released incorporating then, state-of-the-art modular synthesizers programmed by Daniel B. and back-up vocals from Flo Sullivan (A Formal Sigh, Shiny Two Shiny). Then in 1987 the brothers collaborated with Colin Newman of British post-punk band Wire, who produced and lent his vocals, guitars and keyboards to two songs ("Moans"/"Action Replay") while Daniel B. produced flipside "Gold Rush" on the Dual Perspective EP that stands alongside 80s anthems from Tears for Fears, Modern English, Echo & The Bunnymen. Finally in 1988 their debut album Cut Up was released on Play It Again Sam Records and featured the singles Strange World and Hollywood. In 1993 the brothers wrote and composed the vocals on two Front 242 albums Up Evil and Off. After 15 years of silence the boys released their second album Rosary in 2007 and continue to write new material and tour with their extensive catalog of dark dance classics. Each LP includes a 6-page press kit with lyrics, discography, photos and liner notes by Daniel B. of Front 242. The history of Belgian electronic music would not be complete without a trip through “The Golden Years” of Parade Ground.
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Germany
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1
Lunapark - Sei Verliebt
2
Lunapark - Komm Her
3
Lunapark - Gefangene Vögel
4
Lunapark - Dieser Tag
5
Lunapark - Worte
6
Lunapark - Lederhosen
7
Lunapark - Eine Frage - Keine Antwort
8
Lunapark - John Lennon
9
Lunapark - Renn, Wenn Du Kannst
10
Lunapark - Der Tunnel
Restock!
Lunapark is the trio of Burkhard Ballein, Klaus “Schlips” Gebauer, Reinhard “Zoppen” Benisch from Wuppertal, Germany. Formed in 1981 when the boys were dissatisfied with their surrounding musical environment. They packed their instruments and a cassette recorder and set off to create their own brand of Neue Deutsche Welle (NDW “New German Wave”). Their influences included The Beatles, Colloseum, Roxy Music, Frank Zappa as well as Sex Pistols, Ian Dury & The Blockheads, Blondie and The Cure. “Gefangene Vögel’ (‘Prisoner Birds’) is their debut album released by Intakt Records, Stuttgart in 1982. Utilizing a simple set up of guitar, bass, drums, drum-computer, Korg MS-10 and Korg MS-20 they recorded 10 tracks that make up the album. Songs bridge the Belgian-type industrial and cold sounds with NDW quirkiness. In the vein of Sad Lovers and Giants, and Schleimer K they blend post-punk and new wave music with electronic influences. All songs are sung in German with monotone vocals and epitomized the urban Zeitgeist of the Cold War. All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a replica of the original jacket design, which features a drawing of birds on a grid. There are 4 different color versions of the screen printed jacket: blue, yellow, magenta and turquoise. Each LP includes a copy of the double sided 11×11 insert that was included with the original pressing with lyrics and photos.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Lunapark is the trio of Burkhard Ballein, Klaus “Schlips” Gebauer, Reinhard “Zoppen” Benisch from Wuppertal, Germany. Formed in 1981 when the boys were dissatisfied with their surrounding musical environment. They packed their instruments and a cassette recorder and set off to create their own brand of Neue Deutsche Welle (NDW “New German Wave”). Their influences included The Beatles, Colloseum, Roxy Music, Frank Zappa as well as Sex Pistols, Ian Dury & The Blockheads, Blondie and The Cure. “Gefangene Vögel’ (‘Prisoner Birds’) is their debut album released by Intakt Records, Stuttgart in 1982. Utilizing a simple set up of guitar, bass, drums, drum-computer, Korg MS-10 and Korg MS-20 they recorded 10 tracks that make up the album. Songs bridge the Belgian-type industrial and cold sounds with NDW quirkiness. In the vein of Sad Lovers and Giants, and Schleimer K they blend post-punk and new wave music with electronic influences. All songs are sung in German with monotone vocals and epitomized the urban Zeitgeist of the Cold War. All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a replica of the original jacket design, which features a drawing of birds on a grid. There are 4 different color versions of the screen printed jacket: blue, yellow, magenta and turquoise. Each LP includes a copy of the double sided 11×11 insert that was included with the original pressing with lyrics and photos.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Patrick Cowley - Zygote
2
Patrick Cowley - Mockingbird Dream
3
Patrick Cowley - Nightcrawler
4
Patrick Cowley - Pagan Rhythms
5
Patrick Cowley - Seven Sacred Pools
6
Patrick Cowley - School Daze
7
Patrick Cowley - He's Like You
8
Patrick Cowley - Journey Home
9
Patrick Cowley - Out Of Body
10
Patrick Cowley - Primordial Landscape
11
Patrick Cowley - Tides Of Man
Repress!
Dark Entries and Honey Soundsystem have teamed up to release the gay porn soundtrack work of San Francisco-based musician and producer, Patrick Cowley. Perhaps one of the most revolutionary and influential people in the cannon of disco music, Cowley created his own brand of Hi-NRG dance music coined "The San Francisco Sound." Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco at the age of 21. He studied at the City College of San Francisco where he founded the Electronic Music Lab. During this time Patrick would create radio jingles and electronic pieces using the school's equipment, first a Putney, then an E-MU System and finally a Serge synthesizer. He would make experimental instrumental songs by blending various types of music and adapting them to the synthesizer.
By the mid-70's, Patrick's synthesizer skills landed him a job composing and producing songs for disco superstar Sylvester such as “You Make Me Feel (Mighty Real)”, “Dance Disco Heat” and "Stars." This helped Patrick obtain more work as a remixer and producer. Of particular note was his 18-minute long remix of Donna Summer’s “I Feel Love” and production work with edgy New Wave band Indoor Life. By 1981 Patrick released a string of dance 12" singles, like “Menergy” and “Megatron Man”, creating the soundtrack for a generation. Also that year, he founded Megatone Records and released his debut album. Around this time Patrick was hospitalized and diagnosed with a then-unknown illness: that would later be called AIDS. Prior to his passing on November 12, 1982, he recorded two more Hi-NRG hits, “Do You Wanna Funk” for Sylvester and "Right On Target" for Paul Parker.
In 1981 Patrick was contacted by John Coletti, owner of famed gay porn company Fox Studio in Los Angeles. John had heard about Patrick's music from the legendary Sylvester and proposed he write music for his films. Patrick jumped on this offer and sent reels of his college compositions from the 70s to John in LA. Coletti then used a variable speed oscillator to adjust the pitch and speed of Patrick's songs in-sync with the film scene. "School Daze" is a collection of Cowley's instrumental songs recorded between 1973 and 1981 found in the Fox Studio vaults. Influenced by Tomita, Wendy Carlos and Giorgio Moroder, Patrick forged an electronic sound from his collection of synthesizers, modified guitars and self-constructed equipment. The listener enters a world of dark forbidden vices, introspective and reflective of Patrick's time spent in the bathhouses of San Francisco. The songs on "School Daze" range from sparse proto-techno to high octane funk to somber post-punk to musique concrete, revealing the depth of Cowley's unique talent.
Featuring over 80 minutes of music, this compilation contains soundtrack music from two Fox Studio films, "Muscle Up" and "School Daze", never before released on vinyl. The tapes were restored and transferred using the same speed and pitch settings, then remastered for vinyl by George Horn at Fantasy Studios in Berkeley, CA. The vinyl comes housed in a glossy dual pocket gatefold featuring classic gay porn imagery from the Fox Studio vaults plus an essay from Indoor Life vocalist, Jorge Soccarras. For Patrick's 63rd birthday, Dark Entries and Honey Soundsystem present a glimpse into the instrumental world of a young genius. These recordings shine a new light on the experimental side of a disco legend who was taken too soon. All proceeds from "School Daze" will be donated to Project Open Hand and the AIDS Housing Alliance.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Dark Entries and Honey Soundsystem have teamed up to release the gay porn soundtrack work of San Francisco-based musician and producer, Patrick Cowley. Perhaps one of the most revolutionary and influential people in the cannon of disco music, Cowley created his own brand of Hi-NRG dance music coined "The San Francisco Sound." Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco at the age of 21. He studied at the City College of San Francisco where he founded the Electronic Music Lab. During this time Patrick would create radio jingles and electronic pieces using the school's equipment, first a Putney, then an E-MU System and finally a Serge synthesizer. He would make experimental instrumental songs by blending various types of music and adapting them to the synthesizer.
By the mid-70's, Patrick's synthesizer skills landed him a job composing and producing songs for disco superstar Sylvester such as “You Make Me Feel (Mighty Real)”, “Dance Disco Heat” and "Stars." This helped Patrick obtain more work as a remixer and producer. Of particular note was his 18-minute long remix of Donna Summer’s “I Feel Love” and production work with edgy New Wave band Indoor Life. By 1981 Patrick released a string of dance 12" singles, like “Menergy” and “Megatron Man”, creating the soundtrack for a generation. Also that year, he founded Megatone Records and released his debut album. Around this time Patrick was hospitalized and diagnosed with a then-unknown illness: that would later be called AIDS. Prior to his passing on November 12, 1982, he recorded two more Hi-NRG hits, “Do You Wanna Funk” for Sylvester and "Right On Target" for Paul Parker.
In 1981 Patrick was contacted by John Coletti, owner of famed gay porn company Fox Studio in Los Angeles. John had heard about Patrick's music from the legendary Sylvester and proposed he write music for his films. Patrick jumped on this offer and sent reels of his college compositions from the 70s to John in LA. Coletti then used a variable speed oscillator to adjust the pitch and speed of Patrick's songs in-sync with the film scene. "School Daze" is a collection of Cowley's instrumental songs recorded between 1973 and 1981 found in the Fox Studio vaults. Influenced by Tomita, Wendy Carlos and Giorgio Moroder, Patrick forged an electronic sound from his collection of synthesizers, modified guitars and self-constructed equipment. The listener enters a world of dark forbidden vices, introspective and reflective of Patrick's time spent in the bathhouses of San Francisco. The songs on "School Daze" range from sparse proto-techno to high octane funk to somber post-punk to musique concrete, revealing the depth of Cowley's unique talent.
Featuring over 80 minutes of music, this compilation contains soundtrack music from two Fox Studio films, "Muscle Up" and "School Daze", never before released on vinyl. The tapes were restored and transferred using the same speed and pitch settings, then remastered for vinyl by George Horn at Fantasy Studios in Berkeley, CA. The vinyl comes housed in a glossy dual pocket gatefold featuring classic gay porn imagery from the Fox Studio vaults plus an essay from Indoor Life vocalist, Jorge Soccarras. For Patrick's 63rd birthday, Dark Entries and Honey Soundsystem present a glimpse into the instrumental world of a young genius. These recordings shine a new light on the experimental side of a disco legend who was taken too soon. All proceeds from "School Daze" will be donated to Project Open Hand and the AIDS Housing Alliance.
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Germany
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1
Lives Of Angels - Pavilion
2
Lives Of Angels - Ascension
3
Lives Of Angels - Imperial Motors
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Lives Of Angels - Golden Age
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Lives Of Angels - The Rock Drill
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Lives Of Angels - Cold Expression
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Lives Of Angels - Red Suit
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Lives Of Angels - In The Image Of Youth
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Lives Of Angels - Meltdown
RESTOCK
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WAS - Word and Sound Medien GmbH
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Germany
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Germany
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1
Bézier - Ensconced
2
Bézier - Silhouette
3
Bézier - Templar
4
Bézier - Nautilus '78
5
Bézier - Mecanique
6
Bézier - Servile
RESTOCK
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Figure Study - Lesson One
2
Figure Study - Pirouette
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Germany
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1
Max + Mara - Hands
2
Max + Mara - No One
3
Max + Mara - Another Cop
4
Max + Mara - Rest In War
5
Max + Mara - Unseen
6
Max + Mara - Lake
7
Max + Mara - Concrete Lines
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1
Corps Diplomatique - Paradis I
2
Corps Diplomatique - Gnossos
3
Corps Diplomatique - Marie Eve
4
Corps Diplomatique - Mort Sur Le Nil
5
Corps Diplomatique - Sin Of Flesh
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Corps Diplomatique - Les Métamorphoses
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Corps Diplomatique - Paradis II
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Corps Diplomatique - Eros Phobia
9
Corps Diplomatique - Dreamy Days
French coldwave act Corps Diplomatique comes to Dark Entries with Dans Ta Nuit, a collection of tracks recorded between 1984-1987. Founded in Marseille by Olivier Aubin, Marie-Eve Bensussan, Patrick Loubet and Nicolas Pélissie, Corps Diplomatique remain shrouded in mystery. The band only released one 7” during their time, 1988’s Paradis I, in addition to appearing with three tracks on the La Muse Vénale compilation, a holy grail for devotees of the French coldwave. Dans Ta Nuit brings us nine tracks from this cult band, seven of which have never before appeared on vinyl. These cuts are raw and unembellished but not at the expense of dramatic tension. Tracks like “Sin of Flesh” and “Eros Phobia” deliver the kind of high octane mix of despair and ecstasy that coldwave enthusiasts crave. Comparisons are inevitably to be made with fellow Marseille act Martin Dupont, and the bands were indeed close; Alain Séghir from Martin Dupont lent Corps Diplomatique synthesizers for their own recording endeavors. Cold hearts care for each other. The cover art for Dans Ta Nuit includes photographs of the band from a 1985 concert in Marseille, and the record includes an insert that includes a photograph of the band as well as lyrics and notes.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Crash Course In Science - Cardboard Lamb
2
Crash Course In Science - Crashing Song
3
Crash Course In Science - Flying Turns
4
Crash Course In Science - Factory Forehead
After a fairly overwhelming 2013 of archival releases that was topped off with that excellent Patrick Cowley compilation, Dark Entries seemingly are maintaining that momentum this year with a clutch of new projects. The first is this reissue of the classic Signals From Pier Thirteen EP by Crash Course In Science, which is a name that should be instantly recognisable to fans of minimal wave thanks to "Flying Turns". The track featured on the Minimal Wave Tapes Vol. 1 compilation curated by Peanut Butter Wolf and Veronica Vasicka and has been reworked by Jamal Moss, J Rocc and Ricky Villalobos in recent years. "Flying Turns" of course features on this EP, and this Dark Entries issue is the first time Signals From Pier Thirteen has been reissued on vinyl since the early '80s and is a must for anyone who likes crude electronics and synthesised beats.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Rights: World excluding FR, UK
1x Black Vinyl 180 gr, 1x sleeve 3mm spine + UV gloss, 1x black inner sleeve. Sticker
LP
A1 FOIE GRAS 2’04’’
A2 SYLVIE 2’53’'
A3 DATE 2 1’21’'
A4 UN ATTIMO 1’38’’
A5 HOT IN HER 2’45’’
A6 BORRACHOS feat DIO MC 1’06’'
A7 EASYJET 2’19’'
A8 SERENATA BARBECUE feat FRAH QUINTALE 2’26’'
A9 HITS ME 3’14’’
B1 FOIE GRAS (INSTRUMENTAL) 2’04’’
B2 SYLVIE (INSTRUMENTAL) 2’53’’
B3 DATE 2 (INSTRUMENTAL) 1’21’’
B4 UN ATTIMO (INSTRUMENTAL) 1’38’’
B5 HOT IN HER (INSTRUMENTAL) 2’45’’
B6 BORRACHOS (INSTRUMENTAL) 1’06’'
B7 EASYJET (INSTRUMENTAL) 2’19’'
B8 SERENATA BARBECUE (INSTRUMENTAL) 2’26’’
B9 HITS ME (INSTRUMENTAL) 3’14’’
SHORT INFORMATION/ SHORT BIOG
After meeting on Mr Oizo ’s "All Wet" album, Mr Oizo and his Italian mate Phra went back to studio.
6 years after, this time as an unexpected duet, they wrote and composed together a 9 song "Italian Hip Hop" mini album, also reminding the spirit of mixtapes such as done by Madlib.
Mr Oizo aka Quentin Dupieux, one of the most exciting French music producer & move director, offers a new musical direction. Mainly mid-term, different from some classic powerful French Touch 2.0.
1 x 180 G Black Vinyl. A side: The album / B Side: The Instrumental album as bonus
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1x Black Vinyl 180 gr, 1x sleeve 3mm spine + UV gloss, 1x black inner sleeve. Sticker
LP
A1 FOIE GRAS 2’04’’
A2 SYLVIE 2’53’'
A3 DATE 2 1’21’'
A4 UN ATTIMO 1’38’’
A5 HOT IN HER 2’45’’
A6 BORRACHOS feat DIO MC 1’06’'
A7 EASYJET 2’19’'
A8 SERENATA BARBECUE feat FRAH QUINTALE 2’26’'
A9 HITS ME 3’14’’
B1 FOIE GRAS (INSTRUMENTAL) 2’04’’
B2 SYLVIE (INSTRUMENTAL) 2’53’’
B3 DATE 2 (INSTRUMENTAL) 1’21’’
B4 UN ATTIMO (INSTRUMENTAL) 1’38’’
B5 HOT IN HER (INSTRUMENTAL) 2’45’’
B6 BORRACHOS (INSTRUMENTAL) 1’06’'
B7 EASYJET (INSTRUMENTAL) 2’19’'
B8 SERENATA BARBECUE (INSTRUMENTAL) 2’26’’
B9 HITS ME (INSTRUMENTAL) 3’14’’
SHORT INFORMATION/ SHORT BIOG
After meeting on Mr Oizo ’s "All Wet" album, Mr Oizo and his Italian mate Phra went back to studio.
6 years after, this time as an unexpected duet, they wrote and composed together a 9 song "Italian Hip Hop" mini album, also reminding the spirit of mixtapes such as done by Madlib.
Mr Oizo aka Quentin Dupieux, one of the most exciting French music producer & move director, offers a new musical direction. Mainly mid-term, different from some classic powerful French Touch 2.0.
1 x 180 G Black Vinyl. A side: The album / B Side: The Instrumental album as bonus
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Midori Takada - Mr. Henri Rousseau's Dream
2
Midori Takada - Crossing
3
Midori Takada - Trompe-l'œil
4
Midori Takada - Catastrophe ?
- Beautiful 1 LP 33rpm Cut Re-Edition
- 33 rpm LP mastercut by Emil Berliner
*** TERRITORY RESTRICTION - NO SALES TO JAPAN ***
Tracklisting:
1. Mr. Henri Rousseau's Dream
2. Crossing
3. Trompe-l'œil
4. Catastrophe E
Info
WRWTFWW & Palto Flats Records are ecstatic to announce the highly-anticipated reissue of Japanese percussionist Midori Takada's sought after and timeless ambient / minimal album "Through The Looking Glass", originally released in 1983 by RCA Japan.
Considered a Holy Grail of Japanese music by many, "Through The Looking Glass" is Midori Takada's first solo endeavor, a captivating four-song suite capturing her deep quests into traditional African and Asian percussive language and exploring contemplative ambient sounds with an admirably precise use of marimba. The result is alternatively ethereal and vibrant, always precise and mesmerizing, and makes for an atmospheric masterpiece and an unparalleled sonic and spiritual experience.
The fully licensed reissue is available as a single 33rpm LP and a limited 45rpm DLP, both cut directly from the original studio reels (AAA), at Emil Berliner (formerly the in-house recording department of renowned classical record label Deutsche Grammophon) for the 45rpm DLP, and at the equally famous Frankfurter SST Studio for the LP. It is also available in CD format for the first time. All versions come with extensive liner notes.
Bio
Midori Takada is a composer, multi percussionist, and theater artist renowned in Japanese vanguard circles. She will tour Europe this year.
Midori released two solo albums: "Through The Looking Glass" and "Tree Of Life" and wrote music for Tadashi Suzuki's theater plays. Her hypnotic, minimalist music is based in the concept of coherence between sound and the human body. She performs solo on marimba and other percussion instruments.
She debuted on the scene of Berlin Philharmonic, performing with the RIAS Symphonie-Orchester Berlin just after graduating from Tokyo University of the Arts in 1974. She continued her career with solo concerts in Japan and abroad.
In the 1980s Midori began to explore the traditional music of Asia and Africa. Her fascination resulted in joint projects with Kakraba Lobi from Ghana, Lamine Konte from Senegal, Farafina Band from Burkina Faso, and Korean musicians: zither player Chi Seong-Ja, flute player Won-Il, and saxophone player Kang Tae-Hwan. She also led Mkwaju Ensemble's innovative percussion project and still performs with free-jazz band Ton-Klami with Kang Tae-Hwan and jazz pianist Masahiko Satoh.
In the past 20 years, Midori Takada spent more time in theaters than in concert halls - composing and performing live music for theater. She regularly works with Tadashi Suzuki and his Suzuki Company of Toga on their adaptations of "Electra" and "King Lear".
Takada's compositions have a remarkable way of affecting the imagination. Her minimalist, contemplative music is filled with the concept of infinity and reminds us of a moon voyage, falling stars, a journey into the ocean, or a walk in the garden. The trans melodies, initially simple, begin to loop and splinter, their rhythm breaking and thickening, slowly drawing the listener into another reality.
Every live performance Midori Takada gives is unique and prepared especially for that occasion.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
- 33 rpm LP mastercut by Emil Berliner
*** TERRITORY RESTRICTION - NO SALES TO JAPAN ***
Tracklisting:
1. Mr. Henri Rousseau's Dream
2. Crossing
3. Trompe-l'œil
4. Catastrophe E
Info
WRWTFWW & Palto Flats Records are ecstatic to announce the highly-anticipated reissue of Japanese percussionist Midori Takada's sought after and timeless ambient / minimal album "Through The Looking Glass", originally released in 1983 by RCA Japan.
Considered a Holy Grail of Japanese music by many, "Through The Looking Glass" is Midori Takada's first solo endeavor, a captivating four-song suite capturing her deep quests into traditional African and Asian percussive language and exploring contemplative ambient sounds with an admirably precise use of marimba. The result is alternatively ethereal and vibrant, always precise and mesmerizing, and makes for an atmospheric masterpiece and an unparalleled sonic and spiritual experience.
The fully licensed reissue is available as a single 33rpm LP and a limited 45rpm DLP, both cut directly from the original studio reels (AAA), at Emil Berliner (formerly the in-house recording department of renowned classical record label Deutsche Grammophon) for the 45rpm DLP, and at the equally famous Frankfurter SST Studio for the LP. It is also available in CD format for the first time. All versions come with extensive liner notes.
Bio
Midori Takada is a composer, multi percussionist, and theater artist renowned in Japanese vanguard circles. She will tour Europe this year.
Midori released two solo albums: "Through The Looking Glass" and "Tree Of Life" and wrote music for Tadashi Suzuki's theater plays. Her hypnotic, minimalist music is based in the concept of coherence between sound and the human body. She performs solo on marimba and other percussion instruments.
She debuted on the scene of Berlin Philharmonic, performing with the RIAS Symphonie-Orchester Berlin just after graduating from Tokyo University of the Arts in 1974. She continued her career with solo concerts in Japan and abroad.
In the 1980s Midori began to explore the traditional music of Asia and Africa. Her fascination resulted in joint projects with Kakraba Lobi from Ghana, Lamine Konte from Senegal, Farafina Band from Burkina Faso, and Korean musicians: zither player Chi Seong-Ja, flute player Won-Il, and saxophone player Kang Tae-Hwan. She also led Mkwaju Ensemble's innovative percussion project and still performs with free-jazz band Ton-Klami with Kang Tae-Hwan and jazz pianist Masahiko Satoh.
In the past 20 years, Midori Takada spent more time in theaters than in concert halls - composing and performing live music for theater. She regularly works with Tadashi Suzuki and his Suzuki Company of Toga on their adaptations of "Electra" and "King Lear".
Takada's compositions have a remarkable way of affecting the imagination. Her minimalist, contemplative music is filled with the concept of infinity and reminds us of a moon voyage, falling stars, a journey into the ocean, or a walk in the garden. The trans melodies, initially simple, begin to loop and splinter, their rhythm breaking and thickening, slowly drawing the listener into another reality.
Every live performance Midori Takada gives is unique and prepared especially for that occasion.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2LP, remaster - Imperial Tiger Orchestra's Mercato [12th years Anniversary Edition] includes the best of both albums Mercato & Addis Abeba remastered with bonuses live recordings in London, Paris, Addis, Tokyo & Cape Town.
Genre Ethiopian Jazz / Funky Groove
For fans of Les Ethiopiques, Mulatu Astatke, The Heliocentrics, Muluqen Melesse, Mahmoud Ahmed
SIDE A
DJEMEREGNE
[Muluqen Melesse]
ETU GELA
[Mahmoud Ahmed]
HARER DIRE DAWA
[Abonesh Adinew]
SELAM TEMAGWET
[Tekle Tesfa Ezghi]
SIDE B
AHA GEDAWO (LIVE CAPE TOWN)
[Getatchew Mehurya]
EMNETE (LIVE ADDIS ABBEBA)
[Mulatu Astatqe]
BATI (LIVE ADDIS ABBEBA)
[Traditional]
ZOMA (LIVE PARIS)
[Martha Ashagani / Zelalem Mekuria]
SIDE C
LALE LALE
[Abrar Abdo / Abrar Abdo]
ANCHI BALE GAME
[Tegenu Balkew / Tegenu Balkew]
YEDAO
[Rahel Yohannes / Yilma Gebereabe]
BEMGNOT ALNOREM
[Bahta Gebre-Metwet]
SIDE D
SHINET
[Tadesse Alemu / Traditional]
DEMAMAYE
[Ephrem Tamru / Akelilu Siyume]
YEFIKIR (LIVE LONDON)
[Tezera Haike-Michael / Tezera Haike-Michael]
Imperial Tiger Orchestra's Mercato [12th years Anniversary Edition] includes the best of both albums Mercato & Addis Abeba remastered with bonuses live recordings in London, Paris, Addis, Tokyo & Cape Town.
Imperial Tiger Orchestra, the finest connoisseurs and grooviest performers of Ethiopian music from the Golden Age.
Back in 2007 in underground Geneva, band leader Raphaël Anker decides to gather musicians for a one off live performance revisiting the golden age of Ethiopian music.
A memorable event that forced all the musicians to carry on.
As Imperial Tiger Orchestra.
Consisting of members with very diverse backgrounds (free jazz, noise experimentations, contemporary music, twisted pop…) the Orchestra soon travels to Addis-Abeba where they perform with local luminaries and deep learn about the large diversity of Ethiopian music.
A life-changing experience which brings them back to the studio and to a plethora of successful gigs around Europe, Eastern Europe, Japan and Africa.
The Tiger's unique sound is a mesmerizing re-interpretation of Ethiopian music's golden age mixed with the digitalized themes that appeared in the 80s and filtered through their eclectic influences, a sort of retro-futuristic and progressive Ethiopian rock. This Anniversary edition brings back thunderous rhythms and feverish hooks, down tempo moments and fast paced epiphanies, electronic sounds and ambient nirvanas.
The content of this email is confidential and intended for the recipient specified in message only. It is strictly forbidden to share any part of this message with any third party, without a written consent of the sender. If you received this message by mistake, please reply to this message and follow with its deletion, so that we can ensure such a mistake does not occur in the future.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Genre Ethiopian Jazz / Funky Groove
For fans of Les Ethiopiques, Mulatu Astatke, The Heliocentrics, Muluqen Melesse, Mahmoud Ahmed
SIDE A
DJEMEREGNE
[Muluqen Melesse]
ETU GELA
[Mahmoud Ahmed]
HARER DIRE DAWA
[Abonesh Adinew]
SELAM TEMAGWET
[Tekle Tesfa Ezghi]
SIDE B
AHA GEDAWO (LIVE CAPE TOWN)
[Getatchew Mehurya]
EMNETE (LIVE ADDIS ABBEBA)
[Mulatu Astatqe]
BATI (LIVE ADDIS ABBEBA)
[Traditional]
ZOMA (LIVE PARIS)
[Martha Ashagani / Zelalem Mekuria]
SIDE C
LALE LALE
[Abrar Abdo / Abrar Abdo]
ANCHI BALE GAME
[Tegenu Balkew / Tegenu Balkew]
YEDAO
[Rahel Yohannes / Yilma Gebereabe]
BEMGNOT ALNOREM
[Bahta Gebre-Metwet]
SIDE D
SHINET
[Tadesse Alemu / Traditional]
DEMAMAYE
[Ephrem Tamru / Akelilu Siyume]
YEFIKIR (LIVE LONDON)
[Tezera Haike-Michael / Tezera Haike-Michael]
Imperial Tiger Orchestra's Mercato [12th years Anniversary Edition] includes the best of both albums Mercato & Addis Abeba remastered with bonuses live recordings in London, Paris, Addis, Tokyo & Cape Town.
Imperial Tiger Orchestra, the finest connoisseurs and grooviest performers of Ethiopian music from the Golden Age.
Back in 2007 in underground Geneva, band leader Raphaël Anker decides to gather musicians for a one off live performance revisiting the golden age of Ethiopian music.
A memorable event that forced all the musicians to carry on.
As Imperial Tiger Orchestra.
Consisting of members with very diverse backgrounds (free jazz, noise experimentations, contemporary music, twisted pop…) the Orchestra soon travels to Addis-Abeba where they perform with local luminaries and deep learn about the large diversity of Ethiopian music.
A life-changing experience which brings them back to the studio and to a plethora of successful gigs around Europe, Eastern Europe, Japan and Africa.
The Tiger's unique sound is a mesmerizing re-interpretation of Ethiopian music's golden age mixed with the digitalized themes that appeared in the 80s and filtered through their eclectic influences, a sort of retro-futuristic and progressive Ethiopian rock. This Anniversary edition brings back thunderous rhythms and feverish hooks, down tempo moments and fast paced epiphanies, electronic sounds and ambient nirvanas.
The content of this email is confidential and intended for the recipient specified in message only. It is strictly forbidden to share any part of this message with any third party, without a written consent of the sender. If you received this message by mistake, please reply to this message and follow with its deletion, so that we can ensure such a mistake does not occur in the future.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
AAL record on Other People.
Pressed on to wax due to popular demand.
Tracklist:
A 1. THIS OLD HOUSE IS ALL I HAVE 3:39 A.A.L (AGAINST ALL LOGIC)
2. I NEVER DREAM 6:46 A.A.L (AGAINST ALL LOGIC)
3. SOME KIND OF GAME 6:47 A.A.L (AGAINST ALL LOGIC)
B 4. HOPELESS 5:41 A.A.L (AGAINST ALL LOGIC)
5. SUCH A BAD WAY 4:53 A.A.L (AGAINST ALL LOGIC)
6. FLASH IN THE PAN 7:28 A.A.L (AGAINST ALL LOGIC)
C 7. CITYFADE 5:41 A.A.L (AGAINST ALL LOGIC)
8. NOW U GOT ME HOOKED 5:51 A.A.L (AGAINST ALL LOGIC)
9. KNOW YOU 4:25 A.A.L (AGAINST ALL LOGIC)
D 10. YOU ARE GOING TO LOVE ME AND SCREAM 5:35 A.A.L (AGAINST ALL LOGIC)
11. RAVE ON U 9:56 A.A.L (AGAINST ALL LOGIC)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Pressed on to wax due to popular demand.
Tracklist:
A 1. THIS OLD HOUSE IS ALL I HAVE 3:39 A.A.L (AGAINST ALL LOGIC)
2. I NEVER DREAM 6:46 A.A.L (AGAINST ALL LOGIC)
3. SOME KIND OF GAME 6:47 A.A.L (AGAINST ALL LOGIC)
B 4. HOPELESS 5:41 A.A.L (AGAINST ALL LOGIC)
5. SUCH A BAD WAY 4:53 A.A.L (AGAINST ALL LOGIC)
6. FLASH IN THE PAN 7:28 A.A.L (AGAINST ALL LOGIC)
C 7. CITYFADE 5:41 A.A.L (AGAINST ALL LOGIC)
8. NOW U GOT ME HOOKED 5:51 A.A.L (AGAINST ALL LOGIC)
9. KNOW YOU 4:25 A.A.L (AGAINST ALL LOGIC)
D 10. YOU ARE GOING TO LOVE ME AND SCREAM 5:35 A.A.L (AGAINST ALL LOGIC)
11. RAVE ON U 9:56 A.A.L (AGAINST ALL LOGIC)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Rights: World excluding FR & UK
Format: 1 x solid white 140 G vinyl, printed 3mm spine sleeve, white inner sleeve, front sticker
BIOG
Ed Banger Records proudly presents “Remedy” , Breakbot’s new EP. Creators of classic songs such as “Baby I’m yours”, Breakbot & Irfane are back with 4 new songs. Following “Remedy”, next single will be “The Light”.
Limited Solid White Vinyl Edition.
TRACKLIST
FACE A
1. REMEDY
2. THE LIGHT
FACE B
1. THE LESS I KNOW
2. DISEASE
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Format: 1 x solid white 140 G vinyl, printed 3mm spine sleeve, white inner sleeve, front sticker
BIOG
Ed Banger Records proudly presents “Remedy” , Breakbot’s new EP. Creators of classic songs such as “Baby I’m yours”, Breakbot & Irfane are back with 4 new songs. Following “Remedy”, next single will be “The Light”.
Limited Solid White Vinyl Edition.
TRACKLIST
FACE A
1. REMEDY
2. THE LIGHT
FACE B
1. THE LESS I KNOW
2. DISEASE
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Kenji Kawai - 01 - Making of Cyborg
2
Kenji Kawai - 02 - Ghost Hacker
3
Kenji Kawai - 03 - Puppet Master
4
Kenji Kawai - 04 - Virtual Crime
5
Kenji Kawai - 05 - Ghost City
6
Kenji Kawai - 06 - Access
7
Kenji Kawai - 07 - Night Stalker
8
Kenji Kawai - 08 - Floating Museum
9
Kenji Kawai - 09 - Ghost Dive
10
Kenji Kawai - 10 - Reincarnation
11
Kenji Kawai - 11 - Bonus Track
2024 Repress
- NO SALES TO JAPAN -
Regular Offcial Authorised Vinyl Version, Original Soundtrack, 350g Sleeve, Black Inner, Sticker, 12" 140g Vinyl
- The first ever OFFICIAL vinyl release of the soundtrack for Mamoru Oshii's legendary science fiction anime film GHOST IN THE SHELL (1995).
- LP cut from the original master reels at Emil Berliner Studios, official Ghost in the Shell artwork
Tracklisting LP :
A1 ?I - Making Of Cyborg
A2 Ghosthack
A3 Puppetmaster
A4 Virtual Crime
A5 ?II - Ghost City
B1 Access
B2 Nightstalker
B3 Floating Museum
B4 Ghostdive
B5 ?III - Reincarnation
We Release Whatever The Fuck We Want Records is thrilled and honored to announce the first ever official vinyl pressing of the soundtrack for Mamoru Oshii's critically acclaimed and all around legendary science fiction anime film GHOST IN THE SHELL (1995), adapted from Masamune Shirow's groundbreaking manga series of the same name.
Cut from the original master reels at Emil Berliner Studios (formerly the in-house recording department of renowned classical record label Deutsche Grammophon), the album comes as a LP accompanied by a bonus one-sided 7" housed in official Ghost in the Shell artwork sleeve with silver gilt printing and a Japanese obi, and contains extensive 24-page liner notes.
The haunting score is composed by Kenji Kawai, one of Japan's most celebrated soundtrack composers, alongside Joe Hisaishi and Ry?ichi Sakamoto, whose work includes Hideo Nakata's Ring (1998) and Ring 2 (1999), Death Note (2006), Hong Kong films Seven Swords by Tsui Hark (2005) and Ip Man by Wilson Yip (2008), and countless others. Kawai's compositions see ancient harmonies and percussions uncannily mesh with synthesized sounds of the modern world to convey a sumptuous balance between folklore tradition and futuristic outlook. For its iconic main theme "Making of Cyborg", Kawai had a choir chant a wedding song in ancient Japanese following Bulgarian folk harmonies, setting the standard for a timeless and unparalleled soundtrack that admirably echoes the film's musings on the nature of humanity in a technologically advanced world.
Ghost in the Shell is widely considered one of the best anime films of all time and its influence has been felt in the work of numerous movie directors, including James Cameron (Avatar), the Wachowskis (The Matrix), and Steven Spielberg (AI: Artificial Intelligence).
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
- NO SALES TO JAPAN -
Regular Offcial Authorised Vinyl Version, Original Soundtrack, 350g Sleeve, Black Inner, Sticker, 12" 140g Vinyl
- The first ever OFFICIAL vinyl release of the soundtrack for Mamoru Oshii's legendary science fiction anime film GHOST IN THE SHELL (1995).
- LP cut from the original master reels at Emil Berliner Studios, official Ghost in the Shell artwork
Tracklisting LP :
A1 ?I - Making Of Cyborg
A2 Ghosthack
A3 Puppetmaster
A4 Virtual Crime
A5 ?II - Ghost City
B1 Access
B2 Nightstalker
B3 Floating Museum
B4 Ghostdive
B5 ?III - Reincarnation
We Release Whatever The Fuck We Want Records is thrilled and honored to announce the first ever official vinyl pressing of the soundtrack for Mamoru Oshii's critically acclaimed and all around legendary science fiction anime film GHOST IN THE SHELL (1995), adapted from Masamune Shirow's groundbreaking manga series of the same name.
Cut from the original master reels at Emil Berliner Studios (formerly the in-house recording department of renowned classical record label Deutsche Grammophon), the album comes as a LP accompanied by a bonus one-sided 7" housed in official Ghost in the Shell artwork sleeve with silver gilt printing and a Japanese obi, and contains extensive 24-page liner notes.
The haunting score is composed by Kenji Kawai, one of Japan's most celebrated soundtrack composers, alongside Joe Hisaishi and Ry?ichi Sakamoto, whose work includes Hideo Nakata's Ring (1998) and Ring 2 (1999), Death Note (2006), Hong Kong films Seven Swords by Tsui Hark (2005) and Ip Man by Wilson Yip (2008), and countless others. Kawai's compositions see ancient harmonies and percussions uncannily mesh with synthesized sounds of the modern world to convey a sumptuous balance between folklore tradition and futuristic outlook. For its iconic main theme "Making of Cyborg", Kawai had a choir chant a wedding song in ancient Japanese following Bulgarian folk harmonies, setting the standard for a timeless and unparalleled soundtrack that admirably echoes the film's musings on the nature of humanity in a technologically advanced world.
Ghost in the Shell is widely considered one of the best anime films of all time and its influence has been felt in the work of numerous movie directors, including James Cameron (Avatar), the Wachowskis (The Matrix), and Steven Spielberg (AI: Artificial Intelligence).
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Sam Ruffillo & Kapote - La La Tune (Extended Version)
2
Sam Ruffillo & Kapote - Rico Suave (Extended Version)
3
Sam Ruffillo & Kapote - La La Tune (A-Trak Remix Extended Version)
4
Sam Ruffillo & Kapote - La La Tune (Melé Remix)
Tracklist 12":
A1) La La Tune (Extended Version)
A2) Rico Suave (Extended Version)
B1) La La Tune (A-Trak Remix Extended Version)
B2) La La Tune (Melé Remix)
A-Trak, Mele, Aroop Roy, Josh Ludlow, ALOT on Toy Tonics? Yes! The Berlin label comes up with a heavy package of remixes for Sam Ruffillo & Kapote’s „Robot Salsa“ EP.
The Latin House EP by the 2 Italian producers. This stuff is the perfect floor fillers for the summer of 2025. While the Afrohouse wave has reached its peak and is becoming a bit „tacky“ a lot of underground DJs turned into playling different styles of latin music connected to electronic dance. And here we got Salsa and Boogaloo turned into 90’s house and indie dance. All of these will make the dancers get their hands in the air. Smiling faces and lot of endorphins secured.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1) La La Tune (Extended Version)
A2) Rico Suave (Extended Version)
B1) La La Tune (A-Trak Remix Extended Version)
B2) La La Tune (Melé Remix)
A-Trak, Mele, Aroop Roy, Josh Ludlow, ALOT on Toy Tonics? Yes! The Berlin label comes up with a heavy package of remixes for Sam Ruffillo & Kapote’s „Robot Salsa“ EP.
The Latin House EP by the 2 Italian producers. This stuff is the perfect floor fillers for the summer of 2025. While the Afrohouse wave has reached its peak and is becoming a bit „tacky“ a lot of underground DJs turned into playling different styles of latin music connected to electronic dance. And here we got Salsa and Boogaloo turned into 90’s house and indie dance. All of these will make the dancers get their hands in the air. Smiling faces and lot of endorphins secured.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
B.T. Express - No Title
Taken from the already popular Joaquin Joe Claussell Unofficial Edits & Overdubs 2XCD Limited 7” Vinyl Release. Comes Joaquin Joe Claussell’s Edit and Overdubs of “Energy to Burn” by BT Express.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
The Impossible Dreamers - Spin
2
The Impossible Dreamers - Spin (NAD Reversion)
3
The Impossible Dreamers - Spin (NAD Riddims Reprise)
Repress!
Emotional Rescue completes the series of non-defined reissues where the label licenses an all-time favourite, remasters and then reappraised with new interpretations by contemporary producers for today’s collectors.
After the series started back in 2019 with Hawkwind’s sprawling psychedelic electronics, featuring deep drone mixes by the esteemed digger Cherrystones (ERC074), the bouncing cosmic-Balearics of Thomas Leer with wonderful reworkings by friend and producer Bullion (ERC075) and then the post punk dubs of The Embrace and Timothy J Faiplay’s brooding italo-dub excursions (ERC076), there was always one artist and producer left out. Finally, then the percussive excursion of the early 80s band The Impossible Dreamers and their cult B side jam, Spin, coming with 9 minutes percussion-dub extravaganza of an extended reversion, plus a dub heavy reprise, by label go-to Dan Tyler (Idjut Boys /Noid), under his NAD moniker.
Started by a group of friends while at Exeter University that centered around Caroline Radcliffe, James Hood, Justin Adams and Nick Waterhouse, their debut 12” record is one of just three on the 100 Things To Do label. The other two releases have already been covered with the Hamburger All Stars ‘Swinging London’ 12” (ERC114) of 2022.
Recorded before the move to West London, ‘Life On Earth’ was a raw post punk vocal pop cut, with influences of dub, funk, hip-hop and African music shining through, there were in their own words, “young music fans starting out, with no agenda”.
However, it was on the B side that things got interesting. Enamored by the growing trend of extended 12” singles, they decided, with the A side wrapped up, to have some studio experimentation by recording a drumming jam, with all the members playing percussion, followed by some overdubbing. Memories are hazy, but at the time the band was an 8-piece, so the results a chaotic explosion, capturing the essence of that time. Featuring Nick and James on 4 hand piano, plus Caroline on Oboe, with some additional hollering and wooping vocals, Spin was a 5-minute burst of energy.
In effect, self-released in 1982, the band didn’t expect much to come of it, but the 12” acted as a calling card leading them to London and later signing for RCA. At the same time, Spin was being discovered in the early eighties alternative club world. On a trip to New York, the track was heard being played Downtown, and on enquiring it was discovered the DJ was playing a 7” that was never an official release but cut in the US solely for the club DJs there.
Its resonance extended further, to Italy and the Cosmic club of the resident, an ever-searching Danielle Baldelli, before being picked up a few years later by a young Andrew Weatherall during his pursuit of an alternative “Balearic” beat during the late eighties Summers of Love and has even recently received the Joe Clausell edit treatment back again in NYC.
For the remake to fit the label series, it was only right to ask label friend Dan Tyler to do what he does so well, putting the original through his array of dub machines and pedals, extending and cutting with aplomb to create an incendiary ‘Reversion’ that will send dancefloors literally in a spin. Teasing the percussion incandescent, looping and teasing, the piano held back before finally releasing in a haze of dub effects.
This is followed by the ‘Riddim Reprise’. Working with London based drummer Matt Bruce (Claptrap), this is the perfect DJ tool, taking the original idea of the band, to just jam see what happens, twisting it full of space echo and reverb, to offer a perfect 12” Extended Mix.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Emotional Rescue completes the series of non-defined reissues where the label licenses an all-time favourite, remasters and then reappraised with new interpretations by contemporary producers for today’s collectors.
After the series started back in 2019 with Hawkwind’s sprawling psychedelic electronics, featuring deep drone mixes by the esteemed digger Cherrystones (ERC074), the bouncing cosmic-Balearics of Thomas Leer with wonderful reworkings by friend and producer Bullion (ERC075) and then the post punk dubs of The Embrace and Timothy J Faiplay’s brooding italo-dub excursions (ERC076), there was always one artist and producer left out. Finally, then the percussive excursion of the early 80s band The Impossible Dreamers and their cult B side jam, Spin, coming with 9 minutes percussion-dub extravaganza of an extended reversion, plus a dub heavy reprise, by label go-to Dan Tyler (Idjut Boys /Noid), under his NAD moniker.
Started by a group of friends while at Exeter University that centered around Caroline Radcliffe, James Hood, Justin Adams and Nick Waterhouse, their debut 12” record is one of just three on the 100 Things To Do label. The other two releases have already been covered with the Hamburger All Stars ‘Swinging London’ 12” (ERC114) of 2022.
Recorded before the move to West London, ‘Life On Earth’ was a raw post punk vocal pop cut, with influences of dub, funk, hip-hop and African music shining through, there were in their own words, “young music fans starting out, with no agenda”.
However, it was on the B side that things got interesting. Enamored by the growing trend of extended 12” singles, they decided, with the A side wrapped up, to have some studio experimentation by recording a drumming jam, with all the members playing percussion, followed by some overdubbing. Memories are hazy, but at the time the band was an 8-piece, so the results a chaotic explosion, capturing the essence of that time. Featuring Nick and James on 4 hand piano, plus Caroline on Oboe, with some additional hollering and wooping vocals, Spin was a 5-minute burst of energy.
In effect, self-released in 1982, the band didn’t expect much to come of it, but the 12” acted as a calling card leading them to London and later signing for RCA. At the same time, Spin was being discovered in the early eighties alternative club world. On a trip to New York, the track was heard being played Downtown, and on enquiring it was discovered the DJ was playing a 7” that was never an official release but cut in the US solely for the club DJs there.
Its resonance extended further, to Italy and the Cosmic club of the resident, an ever-searching Danielle Baldelli, before being picked up a few years later by a young Andrew Weatherall during his pursuit of an alternative “Balearic” beat during the late eighties Summers of Love and has even recently received the Joe Clausell edit treatment back again in NYC.
For the remake to fit the label series, it was only right to ask label friend Dan Tyler to do what he does so well, putting the original through his array of dub machines and pedals, extending and cutting with aplomb to create an incendiary ‘Reversion’ that will send dancefloors literally in a spin. Teasing the percussion incandescent, looping and teasing, the piano held back before finally releasing in a haze of dub effects.
This is followed by the ‘Riddim Reprise’. Working with London based drummer Matt Bruce (Claptrap), this is the perfect DJ tool, taking the original idea of the band, to just jam see what happens, twisting it full of space echo and reverb, to offer a perfect 12” Extended Mix.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Hiroshi Suzuki - A1. Shrimp Dance
2
Hiroshi Suzuki - A2. Kuro To Shiro
3
Hiroshi Suzuki - B1. Walk Tall
4
Hiroshi Suzuki - B2. Cat
5
Hiroshi Suzuki - B3. Romance
No sales to Japan!
LP: 180g vinyl, half speed mastered, heavy sleeve, obi, gold ink
Genre: Jazz, Fusion, Funk
Tracklisting LP
A1. Shrimp Dance
A2. Kuro To Shiro
B1. Walk Tall
B2. Cat
B3. Romance
Info
We Release Jazz is ecstatic (purrrr!) to announce the official reissue of Hiroshi Suzuki's glorious jazz-fusion-funk Holy Grail Cat (originally released in 1976), sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both versions come with liner notes by Teruo Isono.
Cat was recorded in October 1975 at at Nippon Columbia Studio, while Hiroshi Suzuki was visiting his home country of Japan after moving to Las Vegas in 1971 to play with Buddy Rich and perfect his craft. Back on his old stomping grounds, the man known as Neko (Cat) immediately reunited with his dear friends for an epic two day session of groove magic. The chemistry was still intact. The skills and style had grown.
The result, Cat, is a smooth masterpiece, a deep and soulful affair where stunning trombone solos by Hiroshi Suzuki flirt with Takeru Muraoka's heavenly saxophone and the sensual rhythm section of Hiromasa Suzuki (keyboards), Kunimitsu Inaba (bass), and Akira Ishikawa (drums).
Celebrated in jazz collectors circles, in the lofi beat scene, and among music diggers around the world, Cat has become one of the most sought-after Japanese jazz albums of all time and, much like Ryo Fukui's Scenery, has fascinated old and young generations alike.
Points of interests
- For fans of jazz, fusion, funk, trombone, Japanese jazz, smooth rides, cats, allure.
- Official reissue of the glorious jazz-fusion album by Japanese trombonist extraordinaire Hiroshi "Neko" Suzuki.
- 10th release from We Release Jazz, following Ryo Fukui's Scenery, Mellow Dream, A Letter from Slowboat, and Ryo Fukui in New York, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin's Placebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada's Through The Looking Glass and Lunar Cruise with Masahiko Sato, Pierre Barouh's Le Pollen, Jun Fuka-machi's Nicole, Grauzone's discography, …)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP: 180g vinyl, half speed mastered, heavy sleeve, obi, gold ink
Genre: Jazz, Fusion, Funk
Tracklisting LP
A1. Shrimp Dance
A2. Kuro To Shiro
B1. Walk Tall
B2. Cat
B3. Romance
Info
We Release Jazz is ecstatic (purrrr!) to announce the official reissue of Hiroshi Suzuki's glorious jazz-fusion-funk Holy Grail Cat (originally released in 1976), sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both versions come with liner notes by Teruo Isono.
Cat was recorded in October 1975 at at Nippon Columbia Studio, while Hiroshi Suzuki was visiting his home country of Japan after moving to Las Vegas in 1971 to play with Buddy Rich and perfect his craft. Back on his old stomping grounds, the man known as Neko (Cat) immediately reunited with his dear friends for an epic two day session of groove magic. The chemistry was still intact. The skills and style had grown.
The result, Cat, is a smooth masterpiece, a deep and soulful affair where stunning trombone solos by Hiroshi Suzuki flirt with Takeru Muraoka's heavenly saxophone and the sensual rhythm section of Hiromasa Suzuki (keyboards), Kunimitsu Inaba (bass), and Akira Ishikawa (drums).
Celebrated in jazz collectors circles, in the lofi beat scene, and among music diggers around the world, Cat has become one of the most sought-after Japanese jazz albums of all time and, much like Ryo Fukui's Scenery, has fascinated old and young generations alike.
Points of interests
- For fans of jazz, fusion, funk, trombone, Japanese jazz, smooth rides, cats, allure.
- Official reissue of the glorious jazz-fusion album by Japanese trombonist extraordinaire Hiroshi "Neko" Suzuki.
- 10th release from We Release Jazz, following Ryo Fukui's Scenery, Mellow Dream, A Letter from Slowboat, and Ryo Fukui in New York, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin's Placebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada's Through The Looking Glass and Lunar Cruise with Masahiko Sato, Pierre Barouh's Le Pollen, Jun Fuka-machi's Nicole, Grauzone's discography, …)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Exo Fender - Big Mood
2
Exo Fender - Big Mood (Justin Van Der Volgen Edit)
Emotional Rescue presents the music of esteemed New York producer and sound engineer, Eric Calvi, coming together with friends, including the legendary Steve D’Acquisto, for the one-off electronic disco project Exo Fender.
Spread over 2 EPs the songs Big Mood and Music In My Mind are remastered and come with special updated edited versions by one of NYC’s latter day producers par excellence in Justin Van Der Volgen.
Born in Paris, a self-confessed music nut, Calvi moved to New York to be involved in an epicenter of music, during the furtive cross-over of 1980. Alongside studies, he landed an internship at Sound Ideas studio. Working for free, essentially as a goffer, the studio was his school. From there, he stepped on to the legendary Hit Factory and Record Plant studios, first achieving success engineering and mixing Cameo’s global hit, Word Up.
That led to becoming house engineer for fledgling hip hop / electro label, Tommy Boy, working with Africa Bambaataa and a stream of era defining releases. Going freelance he worked with a slew of artists from Chaka Khan to Miles Davis, before becoming A&R at Universal Records. Alongside this, Calvi was a club regular, a member at The Loft and Paradise Garage, becoming friends with David Mancuso and engineering for Larry Levan.
Exo Fenders grew out of friendships of those clubbing years. Exo Fenders first saw Calvi and fellow producer Phil Romano, plus musician-singer Randy Fredericks, team up to create Big Mood. Produced by Calvi, it was created as a ‘call and response’ to Laid Back’s cross over club hit White Horse.
Recorded at Sound Ideas studio during down-time, the tongue in cheek nature was backed with an infectious groove, that saw Calvi playing all the instrumentation and Fredericks on vocals. Co-produced and named off hand after Romano worked as a volunteer rehabilitating ex-offenders, the project sat to one side as a one off until the following year when Music In My Mind was created.
Released together on the little know Canadian label, Coach House – not to be confused with the labels run by Eddy Grant – the 12” garnered considerable club play and has gone on to become a highly sought and expensive slice of the tail-end of New York’s golden era, for DJs and many collectors.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Spread over 2 EPs the songs Big Mood and Music In My Mind are remastered and come with special updated edited versions by one of NYC’s latter day producers par excellence in Justin Van Der Volgen.
Born in Paris, a self-confessed music nut, Calvi moved to New York to be involved in an epicenter of music, during the furtive cross-over of 1980. Alongside studies, he landed an internship at Sound Ideas studio. Working for free, essentially as a goffer, the studio was his school. From there, he stepped on to the legendary Hit Factory and Record Plant studios, first achieving success engineering and mixing Cameo’s global hit, Word Up.
That led to becoming house engineer for fledgling hip hop / electro label, Tommy Boy, working with Africa Bambaataa and a stream of era defining releases. Going freelance he worked with a slew of artists from Chaka Khan to Miles Davis, before becoming A&R at Universal Records. Alongside this, Calvi was a club regular, a member at The Loft and Paradise Garage, becoming friends with David Mancuso and engineering for Larry Levan.
Exo Fenders grew out of friendships of those clubbing years. Exo Fenders first saw Calvi and fellow producer Phil Romano, plus musician-singer Randy Fredericks, team up to create Big Mood. Produced by Calvi, it was created as a ‘call and response’ to Laid Back’s cross over club hit White Horse.
Recorded at Sound Ideas studio during down-time, the tongue in cheek nature was backed with an infectious groove, that saw Calvi playing all the instrumentation and Fredericks on vocals. Co-produced and named off hand after Romano worked as a volunteer rehabilitating ex-offenders, the project sat to one side as a one off until the following year when Music In My Mind was created.
Released together on the little know Canadian label, Coach House – not to be confused with the labels run by Eddy Grant – the 12” garnered considerable club play and has gone on to become a highly sought and expensive slice of the tail-end of New York’s golden era, for DJs and many collectors.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Gina X - No G.D.M.
2
Gina X - Exhibitionism
3
Gina X - Be a Boy
4
Gina X - Tropical Comic Strip
5
Gina X - Nice Mover
6
Gina X - Cologne Intime
7
Gina X - Opposite Numbers
8
Gina X - Vendor's Box
9
Gina X - Strip Tease
10
Gina X - I.C. Code
11
Gina X - Kaddish
12
Gina X - Hypnosis/Hypnose
13
Gina X - Babylon Generation
14
Gina X - Die Kunst des Liebens (The Art of Loving)
15
Gina X - Kanal Banal
16
Gina X - French Lift
17
Gina X - Waiting
Gina X makes her way to Dark Entries for Greatest Fits, a compilation of gems and jams from the eccentric New Wave icon. Gina X Performance was formed in Cologne in 1978 when art history student and chanteuse Gina Kikoine teamed up with synth wizard Zeus B. Held. Inspired by Patti Smith and Lou Reed, Kikoine aimed to create "the absolute union of music, poetry and travesty," a lofty goal that she most certainly would achieve. 1979 saw the release of the classic first LP, Nice Mover, which put Held’s lush electronic production in dialogue with Gina X’s deadpan delivery. Songs explore androgyny, decadence, and avant-garde art in a fashion that is stylish, sexy, and more than a touch transgressive. Nice Mover quickly became a cult favorite thanks to tracks like the euphoric “Nice Mover” and the dancefloor bomb “No G.D.M.”, dedicated to queer icon Quentin Crisp. Three more LPs followed in the coming years: X-Traordinaire in 1980; Voyeur in 1981; and Yinglish in 1984. The duo continued their genre deviance throughout, exploring uptempo space disco on “Strip Tease,” punk-laced New Wave on “Babylon Generation,” and icy electro-pop on “French Lift.” Greatest Fits is the first-ever double LP compilation of Gina X material. The 17 tracks on Greatest Fits were selected by Kikoine and Held, reflecting the duo’s most cherished moments from their wide-ranging catalog. The record comes housed in a gatefold sleeve designed by Eloise Shir-Juen Leigh featuring press clippings and photographs, and includes an insert with lyrics and memories about each song from Kikoine and Held.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More