CD - NON EXCLUSIVE - CD Digisleeve/PocketPac, 4 pages with CD booklet 12 pages

GENRE/S:
GLOBAL POP
Urban / Funk / Soul / Rock


CD / DIGITAL Tracklisting incl. (ISRC CODES) time:

1. Ai Th?t Lòng Yêu Ai (DEQ922400001) 03:59
2. ?ám C??i Nhà Em (DEQ922400002) 03:55
3. Thôi (DEQ922400003) 04:20
4. M? Xuân (DEQ922400004) 04:08
5. M?ng M? (DEQ922400005) 04:03
6. Có M?y Ai ???c Vui (DEQ922400006) 04:16
7. K? Không Tình (DEQ922400007) 04:33
8. Bói Hoa (DEQ922400008) 03:34
9. S?c Hoa Cu?c S?ng (DEQ922400009) 03:33
10. N?i Ni?m D??ng Th? (DEQ922400010) 03:22
11. Ng? Nh?n (DEQ922400011) 03


SHORT INFO:
After their debut album "Hoa Am Xua" (2019), which was nominated for Songlines Music Award 2021, featured as Record of the Month on Radio FIP in France and celebrated by Iggy Pop on BBC6, among others, Saigon Soul Revival returns with their latest record, "M?i L??ng Duyên".

Descending out of the southern night sky through a turbulent cloud of dreams, memory, longing and psychedelia, Saigon Soul Revival's second full length represents the latest act in the group's resuscitation of the raw, heavy and subversive sounds of 1960s and 70s Saigon.

Roughly translated to "destiny", M?i L??ng Duyên is a journey through eight original compositions and three soul-stirring reinterpretations of Saigonese nh?c vàng or golden music: the soundtrack to a Saigon once thought lost to history and amnesia.

Driven by Western influences rock, bolero, soul, jazz and the rich heritage of Vietnamese ballads, M?i L??ng Duyên delivers a seamless blend of genres and traditional instrumentation (?àn Tranh, ?àn B?u & ?àn Nguy?t) with themes from across time and space.

In 2024 the title ?ÁM C??I NHÀ EM from their second studio album "M?i L??ng Duyên" is featured in the HBO Mini-Serie "The Symphatizer" (directed by Par Chan-Wook (Oldboy) / Robert Downey Junior producer and actor), which is based on the novel of the same name (Pulitzer Prize 2016) by Viet Thanh Nguyen.






More

Territories: WORLD minus FR


- CD Digisleeve (Gatefold), 28 page Booklet




Saigon Supersound is delighted to present the 3rd and final volume of its pre-1975 Southern Vietnamese music collection. A curated collection of music from Saigon during the 1960s and early 1970s. The music has been restored and remastered in order to present listeners with audio quality on par with its original quality upon release more than half a century ago.

The first few songs in this Volume are songs Vietnamese people used to call “Stimulus Music” or “Action Music”. These are songs that borrow vibrant melodies, inspired by the west, performed by the best representatives of this genre. In addition, this volume includes songs, famous in clubs both past and present like “N?u Anh V? Bên Em” by Mai Huong and “Hình ?nh Ngu?i Em Không Ð?i” by Thanh Lan.

Many believe that "Southern Golden Music" is just popular music, simply because it "pleases the listener". Volume 3 include melodies most Vietnamese might have considered “unpopular”, but popular with “golden music” lovers. Today, people often call “gold music” bolero music, because this is the most popular style found in this golden era of music. In this volume, Saigon Supersound have selected typical bolero songs like,“Hàn M?c T?” sang by Trúc Mai, as well as, “N?ng Chi?u” by Lê Tr?ng Nguy?n.

In addition to the variety of melodies, Volume 3 also shows the diversity of genres found in old Southern music by introducing songs that praise the homeland such as “Tình Reo Trên Sóng Lúa Vàng” by Thanh Lan, praising peace in “Xin Cho Tôi Gi?c M?ng Bình Yên” by Thanh Tuy?n, witty music in “C?u C? Lên Thành” by Connie Kim.

Volume 3 closes with the song “Xuân Mu?n” (Late Spring), performed by Hoàng Oanh. The song talks about the end of a lunar year - a cycle of heaven and earth, the end of sad stories and opens up new hopes for more positive things to come.

Finally, the face of the movie star Ki?u Chinh is chosen to grace the cover image of Saigon Supersound 3rd Volume. Although she may not have had any direct relations related to music, more than 50 years ago, Ki?u Chinh's image appeared many times on the covers of various music sheets. The image of Ki?u Chinh was chosen for the mix of Eastern and Western cultures present in her life and career that mirrored the music of that era. These songs, with melodies originating from Europe, the Americas and Africa have been an integral part of Vietnamese music since the 1960s.

Tracklist:

A1. Thý T.nh Cho Em - Mai L. Huy.n
A2. Tu. Anh Tu. Em - Hùng Cý.ng
A3. Anh Ðâu Em Ðó - Connie Kim
A4. Ði.u Ru Ný.c M.t - Carol Kim
A5. Ngý.i Hành Hýõng Trên ..nh Núi - Khánh Ly
B1. B.c Thý T.nh Trên Lô C.t - Ban Sao Bãng
B2. C.u C. Lên Thành - Connie Kim
B3. T.nh Reo Trên Sóng Lúa Vàng - Thanh Lan
B4. Xin Cho Tôi Gi.c M.ng B.nh Yên - ThanhTuy.n
B5. N.ng Chi.u - Sõn Ca
C1. Ð.ng Quên Anh Là Lính - Trý.ng H.i
C2. B.n nh.c không tên - Ban Nh.c Lê Vãn Thi.n
C3. Mýa Bay Trong Ð.i - Duy Khánh
C4. Hàn M.c T. - Trúc Mai
C5. N.u Anh V. Bên Em - Mai Hýõng
D1. G.i Ngý.i Em Nh. - Duy Quang
D2. H.nh .nh Ngý.i Em Không Ð.i - Thanh Lan
D3. Trách Yêu - Hùng Cý.ng & Mai L. Huy.n
D4. T.nh Anh T.nh Em - Túy Phý.ng
D5 .Xuân Mu.n (Chi.u 30 T.t) - Hoàng Oanh More

Territories: WORLD minus FR

2 x Vinyl LP, Gatefold, OBI, Printed innersleeves


Saigon Supersound is delighted to present the 3rd and final volume of its pre-1975 Southern Vietnamese music collection. A curated collection of music from Saigon during the 1960s and early 1970s. The music has been restored and remastered in order to present listeners with audio quality on par with its original quality upon release more than half a century ago.

The first few songs in this Volume are songs Vietnamese people used to call “Stimulus Music” or “Action Music”. These are songs that borrow vibrant melodies, inspired by the west, performed by the best representatives of this genre. In addition, this volume includes songs, famous in clubs both past and present like “N?u Anh V? Bên Em” by Mai Huong and “Hình ?nh Ngu?i Em Không Ð?i” by Thanh Lan.

Many believe that "Southern Golden Music" is just popular music, simply because it "pleases the listener". Volume 3 include melodies most Vietnamese might have considered “unpopular”, but popular with “golden music” lovers. Today, people often call “gold music” bolero music, because this is the most popular style found in this golden era of music. In this volume, Saigon Supersound have selected typical bolero songs like,“Hàn M?c T?” sang by Trúc Mai, as well as, “N?ng Chi?u” by Lê Tr?ng Nguy?n.

In addition to the variety of melodies, Volume 3 also shows the diversity of genres found in old Southern music by introducing songs that praise the homeland such as “Tình Reo Trên Sóng Lúa Vàng” by Thanh Lan, praising peace in “Xin Cho Tôi Gi?c M?ng Bình Yên” by Thanh Tuy?n, witty music in “C?u C? Lên Thành” by Connie Kim.

Volume 3 closes with the song “Xuân Mu?n” (Late Spring), performed by Hoàng Oanh. The song talks about the end of a lunar year - a cycle of heaven and earth, the end of sad stories and opens up new hopes for more positive things to come.

Finally, the face of the movie star Ki?u Chinh is chosen to grace the cover image of Saigon Supersound 3rd Volume. Although she may not have had any direct relations related to music, more than 50 years ago, Ki?u Chinh's image appeared many times on the covers of various music sheets. The image of Ki?u Chinh was chosen for the mix of Eastern and Western cultures present in her life and career that mirrored the music of that era. These songs, with melodies originating from Europe, the Americas and Africa have been an integral part of Vietnamese music since the 1960s.

Tracklist:

A1. Thý T.nh Cho Em - Mai L. Huy.n
A2. Tu. Anh Tu. Em - Hùng Cý.ng
A3. Anh Ðâu Em Ðó - Connie Kim
A4. Ði.u Ru Ný.c M.t - Carol Kim
A5. Ngý.i Hành Hýõng Trên ..nh Núi - Khánh Ly
B1. B.c Thý T.nh Trên Lô C.t - Ban Sao Bãng
B2. C.u C. Lên Thành - Connie Kim
B3. T.nh Reo Trên Sóng Lúa Vàng - Thanh Lan
B4. Xin Cho Tôi Gi.c M.ng B.nh Yên - ThanhTuy.n
B5. N.ng Chi.u - Sõn Ca
C1. Ð.ng Quên Anh Là Lính - Trý.ng H.i
C2. B.n nh.c không tên - Ban Nh.c Lê Vãn Thi.n
C3. Mýa Bay Trong Ð.i - Duy Khánh
C4. Hàn M.c T. - Trúc Mai
C5. N.u Anh V. Bên Em - Mai Hýõng
D1. G.i Ngý.i Em Nh. - Duy Quang
D2. H.nh .nh Ngý.i Em Không Ð.i - Thanh Lan
D3. Trách Yêu - Hùng Cý.ng & Mai L. Huy.n
D4. T.nh Anh T.nh Em - Túy Phý.ng
D5 .Xuân Mu.n (Chi.u 30 T.t) - Hoàng Oanh More

Territories: WORLD minus FR
CD
GENRE/S:

World / Asian / Funk / Rock / Nhac Vang / Reissue

SHORT INFO:

Saigon Supersound wird fortgesetzt um weitere interessante Melodien aus einer musikalischen Ära zu präsentieren, die lange Zeit im Dunkeln lag. Nach dem interntional gut aufgenommenen Release von Volume 1 freuen wir uns sehr, tiefer zu diggen und interessante Musik einer kurzen, aber bedeutenden Periode in der Geschichte Vietnams zu teilen.

Diesmal beschränkt sich die Auswahl der Titel auf die Zeit zwischen 1964 - 1975, das sogenannte "Goldene Zeitalter", in dem es im Süden Vietnams unter schwierigen Umständen eine lebendige Popkultur gab.

Für uns ist diese Geschichte mit Vol. 1 noch nicht zu Ende erzählt. Einige musikalische Facetten sind noch nicht beleuchtet, auch aus Mangel an qualitativ, geeignetem Ausgangsmaterial zur Aufarbeitung/Restaurierung. In der Zwischenzeit und vor allem durch die große Resonanz, die wir mit Vol. 1 in Vietnam erhalten haben (wir konnten zur Veröffentlichung Shows in den drei größten Städten Vietnams organisieren) und auch auf Festivals, die wir in London und Paris gespielt haben, haben sich neue Türen geöffnet und uns die Möglichkeit gegeben, Vol. 2 so zu gestalten, wie wir es uns wünschen.

VITAL SALES POINTS:

Erneut Features in FAZ / TAZ u.a.
- In der Auswahl für "Deutsche Schallplattenkritik" 2018


TRACKLISTS:

1 Carol Kim - Sài Gòn
2 Son Ca - Khi Tình Yêu Ðen
3 Vân Son - Cô Tây Ðen
4 Elvis Phuong - Loan Met Nhung
5 Thanh Tuyen - Con Gái Cea Me
6 Thanh Thúy - Trang Me Bên Suei
7 Phuong Dung - Khúc Hát Ân Tình
8 Thanh Lan - Sáng Reng
9 Son Ca - Thôn Trang Me Hei Trang Tròn
10 Túy Phueng - Xin Le Cuei Em
11 Champagne - Funky Do
12 Hùng Cueng - Tei Anh Hay Tei Em
13 Connie Kim - Túp Leu Lý Tueng
14 Trueng Hui - Ðueng Lên Non
15 Mai Le Huyen - Nhe Mình Anh Thôi
16 Lu Thu - Meng Neng Xuân Ve
17 Phuong Dung - Nheng Ðei Hoa Sim
18 Kích Ðung Nhac AVT - Lo Tho To Liau
More

Territories: WORLD minus FR


GENRE/S:

Rock / Funk / Soul / Asian / World


SHORT INFO:


ENGLISH
Ho Chi Minh City based band, Saigon Soul Revival has been bringing alternative pre 1975 music from Saigon back to the stage since 2016 with their live performances. Honouring the original composers, singers and the golden era from which this music (Nh?c Vàng) came while applying new arrangements and interpretations of old Vietnamese songs. With tight grooves, psychedelic textures and a powerful unique sound, SSR has performed countless shows at a variety of venues across Vietnam. In 2017 they also took part in the nationally known "Ban Nh?c Vi?t" (known in the west as "The Band") TV format and and accompanied live the two release tours to the Saigon Supersound Compilation releases.

With support from *British Council's FAMLAB Fund initiative they started to create own compositions in the same vein for their debut album "H?a Âm X?a" that was produce by Jan Hagenkötter and released in 2019 on the Saigon Supersound Imprint. The album was recorded in Vietnam with additional guests like the famous (pre 1975) Vietnamese singer Mai L? Huy?n and the current popular Saigonese rapper "Blacka" (2022 finalist of Vietnam's most successful
TV show "Rap Vi?t") in order to combine the old sound with the new sound of Saigon. Some compositions include traditional Vietnamese instruments like the ?àn Nguy?t or the ?àn tranh & ?àn b?u which is played by famous traditionally-trained musician Th? H?i Ph??ng on the album. This fusion distinguishes it from the original recordings of the 60s and 70s and has resulted in a unique and contemporary sound. Their debut album "Hoa Am Xua" gained international success. Among many other media features It was nominated for the SONGLINES MUSIC AWARDS 2021 in the UK ! and received massive radio airplay and rotations on Radio FIP in France.

All members of the band are of Vietnamese background or have a strong connection to its culture and heritage through loved ones and their time spent in the country. Their music focuses on compositions that fuse Vietnamese lyrics and sounds with influences of western rock, soul, bolero, tango and other popular genres of this time period, most of which was banned after the war. This project strives to revive this beautiful musical heritage of Vietnam which represents an important cultural bridge between east and west.

Video LINK: https://www.youtube.com/watch?v=jdLT4gwBLvk

DEUTSCH
Die in Ho-Chi-Minh-Stadt ansässige Band Saigon Soul Revival bringt seit 2016 mit ihren Live-Auftritten die alternative Musik aus Saigon vor 1975 zurück auf die Bühne. Sie ehren die ursprünglichen Komponisten, Sänger und die goldene Ära, aus der diese Musik (Nh?c Vàng) stammt, während sie neue Arrangements und Interpretationen alter vietnamesischer Lieder verwenden. Mit knackigen Grooves, psychedelischen Texturen und einem kraftvollen, einzigartigen Sound hat SSR unzählige Auftritte an verschiedenen Veranstaltungsorten in ganz Vietnam absolviert. Im Jahr 2017 nahmen sie auch an dem landesweit bekannten TV-Format "Ban Nh?c Vi?t" (im Westen als "The Band" bekannt) teil und begleiteten live die beiden Release-Touren zu den Saigon Supersound Compilation-Veröffentlichungen.

Mit Unterstützung der *British Council's FAMLAB Fund Initiative begannen sie, eigene Kompositionen in der gleichen Art und Weise für ihr Debütalbum "H?a Âm X?a" zu kreieren, das von Jan Hagenkötter produziert und 2019 auf dem Saigon Supersound Imprint veröffentlicht wurde. Das Album wurde in Vietnam aufgenommen, mit zusätzlichen Gästen wie der berühmten (vor 1975) vietnamesischen Sängerin Mai L? Huy?n und dem aktuell sehr populären saigonesischen Rapper "Blacka" (2022 Finalist von Vietnams erfolgreichster
TV-Show "Rap Vi?t"), um den alten Sound mit dem neuen Sound von Saigon zu verbinden. Einige Kompositionen enthalten traditionelle vietnamesische Instrumente wie die ?àn Nguy?t oder die ?àn Tranh & ?àn B?u, die von demr berühmten, traditionell ausgebildeten Musiker Th? H?i Ph??ng auf dem Album gespielt wird. Diese Fusion unterscheidet es von den Originalaufnahmen der 60er und 70er Jahre und hat zu einem einzigartigen und zeitgenössischen Sound geführt. Ihr Debütalbum "Hoa Am Xua" ist ein internationaler Erfolg. Neben vielen anderen Medienberichten wurde es für die SONGLINES MUSIC AWARDS 2021 in Großbritannien nominiert und erhielt massives Radio Airplay u.a, von Iggy Pop in seiner BBC Radio Show sowie Rotationen auf Radio FIP in Frankreich.

Alle Mitglieder der Band sind vietnamesischer Herkunft oder haben eine starke Verbindung zur vietnamesischen Kultur und zum vietnamesischen Erbe durch geliebte Menschen und ihre im Land verbrachte Zeit. Ihre Musik konzentriert sich auf Kompositionen, die vietnamesische Texte und Klänge mit Einflüssen von westlichem Rock, Soul, Bolero, Tango und anderen populären Genres dieser Zeit verbinden, von denen die meisten nach dem Krieg verboten wurden. Mit diesem Projekt soll dieses wunderschöne musikalische Erbe Vietnams, das eine wichtige kulturelle Brücke zwischen Ost und West darstellt, wiederbelebt werden.

Video LINK: https://www.youtube.com/watch?v=jdLT4gwBLvk

TRACKLISTS:

A1 Ði Xa Ðei Nhau
A2 Hào Hoa feate Blacka
A3 Nhân Gian Tenh
A4 Ve Meng ân Tenh Nguyen feate The Hei Phýeng
A5 Tenh Nhec Se
A6 Seu Ðông
B1 Giây Phút Cuei Tuen feate Mai Le Huyen
B2 Nào Ta Cùng Hát
B3 Bài Ca Ngông
B4 Chuen Chuen Xanh (Hea teu) feate Nguyen The Hei Phýeng
B5 Chen Tenh Xýa



VITAL SALES POINTS:

…The five-piece band's background is as diverse as can be, but they all share the same fascination with this era of Vietnamese music. Two tracks, 'Vo Mong An Tinh' and 'Chuon Chuon Xanh,' employ the unique sounds of Vietnamese instruments performed by traditional musician Nguyen Thi Hai Phuong. Phuong lent her expertise on ?àn tranh, ?àn nguy??t and ?àn bâ?u to the record, creating a fascinating mix of influences across eras and genres. (SAIGONEER - Vietnam 11/2019)


Le label allemand sort le 8 novembre H?a Âm X?a, le premier album de Saigon Soul Revival, quintet d'Hô-Chi-Minh-Ville qui se réapproprie avec modernité la richesse de cet "âge d'or" musical. (- several titles are on rotation) (RADIO FIP - France 11/2019 )

S? h?u 5 thành viên ?a qu?c t?ch, ??n t? nhi?u n?i trên th? gi?i, Saigon Soul Revival gây ?n t??ng m?nh cho khán gi? b?i nét ??c ?áo không tr?n l?n. Càng ??c bi?t h?n, khi nhóm quy?t ??nh ch?n cover các ca khúc vang bóng m?t th?i, và sáng tác nhi?u tác ph?m m?i có giai ?i?u, tinh th?n ?úng v?i ch?t nh?c th?i ?i?m n?m 60, 70 c?a th? k? tr??c. (Tu?i Tr? - Vietnam 12/2020)


…The tight, polished arrangements suggest a band that have earned their stripes on the live circuit. Managing to avoid the "tribute" band" trap, they do a good job of breathing new life into stifled vein of Vietnamese pop culture / TOP OF THE WORLD REVIEW (as best asian album in April 2020) (SONGLINES - United Kingdom 04/2020)


…Saigon Soul Revival widmet sich also dem goldenen Zeitalter, alles in allem mit Gewinn, es belebt nicht nur wieder, sondern gestaltet auch neu.
Darum sind neben Interpretationen auch eigene Stücke vorhanden…Damit treffen sie die goldene Mitte: Erhalt des Alten und bestenfalls eine Motivation für junge Vietnamesen, weniger Plastik zu konsumieren.
(TAGESZEITUNG/TAZ - Germany 01/2020)
...su vocalista no trata de imitar a las féminas anglos sino que su deje y forma se encuentra más enraizada con la delicadeza y sensibilidad asiática…(ARCADIA NEGRA - Spain 11/2019)





More

Territories: WORLD minus FR

World / Asian / Funk / Rock / Nhac Vang / Reissue

SHORT INFO:

DEUTSCH
Was 2012 als Idee begann, wurde mit der Veröffentlichung von SAIGON SUPERSOUND Vol.1, zusammengestellt von Jan Hagenkötter, Realität. Eine Compilation über die Geschichte einer fast verlorenen musikalischen Ära in Vietnam, bestehend aus Tracks aus den Jahren 1965 bis 1975, der sogenannten "Goldenen Musik"-Periode im Süden Vietnams, in der sich - unter schwierigen Umständen - eine lebendige Popkultur entwickelt hatte. Diese Periode ist gekennzeichnet durch die Verschmelzung vietnamesischer Musik mit westlicher Popmusik Mit der Veröffentlichung von Saigon Supersound Vol. 1 im Mai 2017 wird die Geschichte dieser fast unbekannten Musik zum ersten Mal neu aufgelegt. Einige Stücke werden zum allerersten Mal wiederveröffentlicht, oder überhaupt auf Vinyl veröffentlicht seit sie ursprünglich auf R2R-Tonband oder 7" Vinyl veröffentlicht wurden. ??

ENGLISH
What started as an idea in 2012 became reality with the release of SAIGON SUPERSOUND Vol.1, compiled by Jan Hagenkötter. A compilation about the story of a musical era in Vietnam that was almost lost, made of tracks from 1965 to 1975, the so-called "Golden Music" period in the south of Vietnam, where - under difficult circumstances - a lively pop culture had developed. This period is characterized by the fusion of Vietnamese music with western pop music. With the release of Saigon Supersound Vol. 1 in May 2017 the story of this nearly unknown music will be reissued for the first time. The compilation includes some tunes reissued for the very first time since they´ve been released originally. Some tunes even for the very first time on Vinyl since they ?ve been released originaly on reel 2 reel tape only.


VITAL SALES POINTS:

Artikel und Features in FAZ / SZ / MINT Special (9 Seiten) / TAZ / JAZZTHING / u.a.
Radio Specials/Interview: WDR "Cosmo" / SWR2 "Talking Music" u.a.

TRACKLISTS:

A1. Tình Ta Nhu Lua Ðom Hoa - Carol Kim
A2. Song Cho Nhau - Hùng Cung & Mai Le Huyen
A3. Mong Ve Quê - Duy Quang & Thái Hi.n
A4. N.u Mình Còn Yêu Nhau - Thanh Vu

B1. Lý Luan Tình Yêu - Connie Kim
B2. Ph. Ðêm - Hòa t.u
B3. Mùa Xuân G.i Em - Phu.ng Mai
B4. Di.m Xua - Khánh Ly
B5. Can Nhà Ngo.i Ô - Kim Loan

C1. Ðoàn Ngu.i L. Th. - Thanh Thuý & Van Thanh & Hoàng Liêm & Thanh Mai
C2. Ðêm Cu.i Cùng - Ki.u Oanh
C3. Hát M.ng Xuân - Thanh Lan, Châu Hà & Thanh Mai
C4. Có Ai Trên Ð.i Mà Không Yêu - Mai L. Huy.n

D1. Ch.n M.t G.i Vàng - Vân Son & Thùy Dung
D2. Mùa G.t M.i - Hoàng Oanh
D3. Tình Ðêm Liên Hoan - Thanh Lan
D4. Vòng Tay Gi. Tr.n Ân Tình - Phuong Dung
D5. 7 câu v.ng c. chúc T.t - Ng.c Giàu
More

Territories: WORLD minus FR
- 2LP
- OBI
- Gatefold
- Printed Inner-sleves

GENRE/S:

World / Asian / Funk / Rock / Nhac Vang / Reissue

SHORT INFO:

Saigon Supersound wird fortgesetzt um weitere interessante Melodien aus einer musikalischen Ära zu präsentieren, die lange Zeit im Dunkeln lag. Nach dem interntional gut aufgenommenen Release von Volume 1 freuen wir uns sehr, tiefer zu diggen und interessante Musik einer kurzen, aber bedeutenden Periode in der Geschichte Vietnams zu teilen.

Diesmal beschränkt sich die Auswahl der Titel auf die Zeit zwischen 1964 - 1975, das sogenannte "Goldene Zeitalter", in dem es im Süden Vietnams unter schwierigen Umständen eine lebendige Popkultur gab.

Für uns ist diese Geschichte mit Vol. 1 noch nicht zu Ende erzählt. Einige musikalische Facetten sind noch nicht beleuchtet, auch aus Mangel an qualitativ, geeignetem Ausgangsmaterial zur Aufarbeitung/Restaurierung. In der Zwischenzeit und vor allem durch die große Resonanz, die wir mit Vol. 1 in Vietnam erhalten haben (wir konnten zur Veröffentlichung Shows in den drei größten Städten Vietnams organisieren) und auch auf Festivals, die wir in London und Paris gespielt haben, haben sich neue Türen geöffnet und uns die Möglichkeit gegeben, Vol. 2 so zu gestalten, wie wir es uns wünschen.

VITAL SALES POINTS:

Erneut Features in FAZ / TAZ u.a.
- In der Auswahl für "Deutsche Schallplattenkritik" 2018


TRACKLISTS:

A1. Sai Gon - Carol Kim
A2. Khi Tinh Yeu Ðên - Son Ca
A3. Co Tay Ðen - Van Son
A4. Loan Mãt Nhung - Elvis Phýõng
B1. Con Gai Cua Me - Thanh Tuyên
B2. Trang Mõ Ben Suôi - Thanh Thuy
B3. Khuc Hat An Tinh - Phuong Dung
B4. Sang Rýng - Thanh Lan
C1. Thon Trang Mõ H.i Trang Tron - Son
C2. Xin Lê Cuõi Em - Tuy Phuõng
C3. Funky Do – Champagne
C4. Tai Anh Hay Tai Em - Hùng Cýõng & Mai L. Huyên
C5. Tup Lêu L. Týõng - Connie Kim
D1. Ðuõng Len Non - Truõng Hai
D2. Nhõ Minh Anh Thoi - Mai L. Huyên
D3. Mýng Nãng Xuan Vê - L. Thu
D4. Nhýng Ðôi Hoa Sim - Phuong Dung
D5. Lo Tho To Liêu - Kích Ð.ng Nhac More

Territories: WORLD minus FR


LP Gatefold with two printed Inner sleeves incl. liner-notes and lyrics

GENRE/S:

Rock / Funk / Soul / Asian / World


SHORT INFO:


ENGLISH
Ho Chi Minh City based band, Saigon Soul Revival has been bringing alternative pre 1975 music from Saigon back to the stage since 2016 with their live performances. Honouring the original composers, singers and the golden era from which this music (Nh?c Vàng) came while applying new arrangements and interpretations of old Vietnamese songs. With tight grooves, psychedelic textures and a powerful unique sound, SSR has performed countless shows at a variety of venues across Vietnam. In 2017 they also took part in the nationally known "Ban Nh?c Vi?t" (known in the west as "The Band") TV format and and accompanied live the two release tours to the Saigon Supersound Compilation releases.

With support from *British Council's FAMLAB Fund initiative they started to create own compositions in the same vein for their debut album "H?a Âm X?a" that was produce by Jan Hagenkötter and released in 2019 on the Saigon Supersound Imprint. The album was recorded in Vietnam with additional guests like the famous (pre 1975) Vietnamese singer Mai L? Huy?n and the current popular Saigonese rapper "Blacka" (2022 finalist of Vietnam's most successful
TV show "Rap Vi?t") in order to combine the old sound with the new sound of Saigon. Some compositions include traditional Vietnamese instruments like the ?àn Nguy?t or the ?àn tranh & ?àn b?u which is played by famous traditionally-trained musician Th? H?i Ph??ng on the album. This fusion distinguishes it from the original recordings of the 60s and 70s and has resulted in a unique and contemporary sound. Their debut album "Hoa Am Xua" gained international success. Among many other media features It was nominated for the SONGLINES MUSIC AWARDS 2021 in the UK ! and received massive radio airplay and rotations on Radio FIP in France.

All members of the band are of Vietnamese background or have a strong connection to its culture and heritage through loved ones and their time spent in the country. Their music focuses on compositions that fuse Vietnamese lyrics and sounds with influences of western rock, soul, bolero, tango and other popular genres of this time period, most of which was banned after the war. This project strives to revive this beautiful musical heritage of Vietnam which represents an important cultural bridge between east and west.

Video LINK: https://www.youtube.com/watch?v=jdLT4gwBLvk

DEUTSCH
Die in Ho-Chi-Minh-Stadt ansässige Band Saigon Soul Revival bringt seit 2016 mit ihren Live-Auftritten die alternative Musik aus Saigon vor 1975 zurück auf die Bühne. Sie ehren die ursprünglichen Komponisten, Sänger und die goldene Ära, aus der diese Musik (Nh?c Vàng) stammt, während sie neue Arrangements und Interpretationen alter vietnamesischer Lieder verwenden. Mit knackigen Grooves, psychedelischen Texturen und einem kraftvollen, einzigartigen Sound hat SSR unzählige Auftritte an verschiedenen Veranstaltungsorten in ganz Vietnam absolviert. Im Jahr 2017 nahmen sie auch an dem landesweit bekannten TV-Format "Ban Nh?c Vi?t" (im Westen als "The Band" bekannt) teil und begleiteten live die beiden Release-Touren zu den Saigon Supersound Compilation-Veröffentlichungen.

Mit Unterstützung der *British Council's FAMLAB Fund Initiative begannen sie, eigene Kompositionen in der gleichen Art und Weise für ihr Debütalbum "H?a Âm X?a" zu kreieren, das von Jan Hagenkötter produziert und 2019 auf dem Saigon Supersound Imprint veröffentlicht wurde. Das Album wurde in Vietnam aufgenommen, mit zusätzlichen Gästen wie der berühmten (vor 1975) vietnamesischen Sängerin Mai L? Huy?n und dem aktuell sehr populären saigonesischen Rapper "Blacka" (2022 Finalist von Vietnams erfolgreichster
TV-Show "Rap Vi?t"), um den alten Sound mit dem neuen Sound von Saigon zu verbinden. Einige Kompositionen enthalten traditionelle vietnamesische Instrumente wie die ?àn Nguy?t oder die ?àn Tranh & ?àn B?u, die von demr berühmten, traditionell ausgebildeten Musiker Th? H?i Ph??ng auf dem Album gespielt wird. Diese Fusion unterscheidet es von den Originalaufnahmen der 60er und 70er Jahre und hat zu einem einzigartigen und zeitgenössischen Sound geführt. Ihr Debütalbum "Hoa Am Xua" ist ein internationaler Erfolg. Neben vielen anderen Medienberichten wurde es für die SONGLINES MUSIC AWARDS 2021 in Großbritannien nominiert und erhielt massives Radio Airplay u.a, von Iggy Pop in seiner BBC Radio Show sowie Rotationen auf Radio FIP in Frankreich.

Alle Mitglieder der Band sind vietnamesischer Herkunft oder haben eine starke Verbindung zur vietnamesischen Kultur und zum vietnamesischen Erbe durch geliebte Menschen und ihre im Land verbrachte Zeit. Ihre Musik konzentriert sich auf Kompositionen, die vietnamesische Texte und Klänge mit Einflüssen von westlichem Rock, Soul, Bolero, Tango und anderen populären Genres dieser Zeit verbinden, von denen die meisten nach dem Krieg verboten wurden. Mit diesem Projekt soll dieses wunderschöne musikalische Erbe Vietnams, das eine wichtige kulturelle Brücke zwischen Ost und West darstellt, wiederbelebt werden.

Video LINK: https://www.youtube.com/watch?v=jdLT4gwBLvk

TRACKLISTS:

A1. Ði Xa Ð.i Nhau
A2. Hào Hoa feat. Blacka
A3. Nhân Gian T.nh
A4. V. M.ng ân T.nh Nguy.n feat. Th. H.i Phý.ng
A5. T.nh Nh.c S.
A6. S.u Ðông
B1. Giây Phút Cu.i Tu.n feat. Mai L. Huy.n
B2. Nào Ta Cùng Hát
B3. Bài Ca Ngông
B4. Chu.n Chu.n Xanh (H.a t.u) feat. Nguy.n Th. H.i Phý.ng
B5. Ch.n T.nh Xýa


VITAL SALES POINTS:

…The five-piece band's background is as diverse as can be, but they all share the same fascination with this era of Vietnamese music. Two tracks, 'Vo Mong An Tinh' and 'Chuon Chuon Xanh,' employ the unique sounds of Vietnamese instruments performed by traditional musician Nguyen Thi Hai Phuong. Phuong lent her expertise on ?àn tranh, ?àn nguy??t and ?àn bâ?u to the record, creating a fascinating mix of influences across eras and genres. (SAIGONEER - Vietnam 11/2019)


Le label allemand sort le 8 novembre H?a Âm X?a, le premier album de Saigon Soul Revival, quintet d'Hô-Chi-Minh-Ville qui se réapproprie avec modernité la richesse de cet "âge d'or" musical. (- several titles are on rotation) (RADIO FIP - France 11/2019 )

S? h?u 5 thành viên ?a qu?c t?ch, ??n t? nhi?u n?i trên th? gi?i, Saigon Soul Revival gây ?n t??ng m?nh cho khán gi? b?i nét ??c ?áo không tr?n l?n. Càng ??c bi?t h?n, khi nhóm quy?t ??nh ch?n cover các ca khúc vang bóng m?t th?i, và sáng tác nhi?u tác ph?m m?i có giai ?i?u, tinh th?n ?úng v?i ch?t nh?c th?i ?i?m n?m 60, 70 c?a th? k? tr??c. (Tu?i Tr? - Vietnam 12/2020)


…The tight, polished arrangements suggest a band that have earned their stripes on the live circuit. Managing to avoid the "tribute" band" trap, they do a good job of breathing new life into stifled vein of Vietnamese pop culture / TOP OF THE WORLD REVIEW (as best asian album in April 2020) (SONGLINES - United Kingdom 04/2020)


…Saigon Soul Revival widmet sich also dem goldenen Zeitalter, alles in allem mit Gewinn, es belebt nicht nur wieder, sondern gestaltet auch neu.
Darum sind neben Interpretationen auch eigene Stücke vorhanden…Damit treffen sie die goldene Mitte: Erhalt des Alten und bestenfalls eine Motivation für junge Vietnamesen, weniger Plastik zu konsumieren.
(TAGESZEITUNG/TAZ - Germany 01/2020)
...su vocalista no trata de imitar a las féminas anglos sino que su deje y forma se encuentra más enraizada con la delicadeza y sensibilidad asiática…(ARCADIA NEGRA - Spain 11/2019)





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Format Notes: Part of Be With x Tommy Guerrero Reissue Campaign, 2024 first time vinyl reissue with original artwork, 140g vinyl

Track List:

A1 B.W.s Blues
A2 So Blue It's Black
A3 Keep On Keepin On
A4 Azule
A5 Black Sheep Blues
A6 30

B1 Pollo Caliente
B2 Never
B3 Solow
B4 Introspection Section
B5 Gone
B6 In My Head
B7 Soul Miner

Release Notes:

Loose Grooves & Bastard Blues is Tommy Guerrero's sublime debut. Of this beloved masterpiece, the legendary skater himself says: "my 1st album. It was never meant to be released. I was just recording for the fun of it.. still my fave. Oh so naive..." And you know what? It's definitely Be With's fave too. An astonishingly great record. A chill, blissful, deeply moving album, it was rightly garlanded as an instant classic.

A laidback, fusionistic ride replete with loopy drum tracks underpinning Tommy's trademark reflective guitar stylings, Loose Grooves & Bastard Blues remains powerfully evergreen. Originally released in 1997, there's elements of jazz, trip hop, rock and downtempo groove. All shot through with a heavy dose of soul. Thirteen tracks of lo-fi (mostly) instrumental freshness fused with Cuban, Latin and blues, it's a must for fans of Money Mark, J Dilla, RJD2, DJ Shadow and Pete Rock. As ever with Tommy's records, the title sums up the music contained within most aptly. And writing about his songs, his vibes, is one of the trickier things to do, it has to be said. It's just all gorgeous!

A total vibe throughout, to blast Loose Grooves & Bastard Blues is a majestic experience, one that suits a start-to-finish listen and renders the picking out of highlights totally redundant. Featuring nagging, deeply melodic guitar lines - both electric and acoustic - over simple rhythms with such sumptuous elegance, the hypnotic playing against unrushed percussion releases a crystal clear stream of healing frequencies. It's ust divine. This album laid the blueprint from which Tommy Guerrero would subsequently explore further on A Little Bit of Somethin' and Soul Food Taquiera.

Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland. The original and iconic sleeve, designed by Natas Kaupas, has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. More

Format:2 LP / Territory: WW-US,UK,CA,BENELUX,AU

**AVAILABLE ON INDIES ONLY 'BLOOD MOON' COLOURED VINYL**


Tracklist: 1. The Coin-Op Guillotine / 2. Holy Smoke (2005) / 3. A Psychic Wound / 4. I. Spit; or, a Bite Mark In The Shape Of The Sunflower State / 5. Long Throes / 6. Feast Of Tongues / 7. The Order Of The Seasons / 8. II. Music For Aerial Toll House / 9. To Hell In a Handjob / 10. Clown Blood/Orpheus’ Bobbing Head / 11. kms / 12. III. Surfing a Contrail / 13. Moonstruck / 14. 0898 HEARTACHE / 15. Adult Acne Stigmata


- Exclusive colourway for indie retail - includes lyric sheet

- Double LP pressed at 45pm for best audio quality

- UK headline tour confirmed for September & the band will play 2000 Trees festival preceding the release.

- LC! Sold out their biggest ever headline show at London’s Troxy earlier this year

The UK’s first and only emo band Los Campesinos! return with their highly-anticipated seventh album, All Hell. It is perhaps their most ambitious and assured album yet, whilst simultaneously recalling everything we’ve come to love about LC! over their faultless discography. Recorded between October 2023 and February 2024, it is the first album to be wholly self-produced by band member Tom Bromley (having co-produced previous albums Sick Scenes and NO BLUES). The album is also self-released on the band’s own Heart Swells record label.

In the band’s words All Hell is an album about…

Drinking for fun and drinking for misery // adult acne // adult friendship // football // death and dying // love and sex // late-stage capitalism // Orpheus // day dreaming // night terrors // the heart as an organ and as a burden // suburban boredom // Tears of the Kingdom // the punks on the playlist // increments of time // climate apocalypse // the moon the moon the moon ///

Los Campesinos! have become one of the most important and influential cult acts in the UK since they formed in the mid-2000s. Starting out in the Cardiff indie scene and soundtracking Budweiser adverts, the seven-piece’s musical evolution since then has been slow, steady and remarkable. From the frenzied chaos of debut album Hold On Now, Youngster… (2008) through 2010 breakthrough Romance is Boring and the self-mythologising of latter day highlights NO BLUES (2013) and Sick Scenes (2017), their discography is an interconnected web of niche references, big swings and unflinching honesty.

Making self-professed sleeper hits for weeping dipshits, they’re as influenced by The Beautiful South as they are US emo, with emotional intensity and connection always at the core. Their lyrics are a treasure trove of football references, tales of romantic woe and painfully frank exorcisms, which have been tattooed across hundreds of fans’ bodies and served as comfort and insight during that break-up you had (there’s a reason the band’s tagline is “your ex-girlfriend’s favourite band”).

Now with the release of All Hell, Los Camp! approach their third decade as a band more brilliant, more potent and more vital than ever.
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Territory: WORLD (excluding France & UK) - 180gr black vinyl edition, gatefold sleeve with spot varnish and CD included
GATEFOLD LP incl CD


Tracklist:
A1. Ouverture. / A2. Le Premier Jour / A3. Istanbul Is Sleepy (feat. Anton Newcombe) / A4. Shadow People (feat. Emmanuelle Seigner) / A5. Dimanche (feat. Bertrand Belin)
B1. The Gift (feat. Peter Hook) / B2. Motorizatti Marie / B3. Pink Flamingos / B4. Trois Bancs / B5. De la Part des Copains
CD features the same tracks in the same order
Short info:
“What was old is new again”… The old adage is so tired that nobody takes its proper measure: all people
hear is the word “old”, when the important one is “new”. Making new things out of old things is an act of
alchemy.
The proof is in this fifth album – no rest for the wicked of Perpignan – which is blown right open here and
there by a few very contemporary guests. After the opener, ‘Ouverture’, with its almost surf-like guitars,
comes ‘Le Premier Jour’, where Lionel Limiñana talks about his rock baptism with the punks, the mods,
the skinheads and the Lambrettas of his youth in the South of France. What comes just after is the
seismic shock of ‘Istanbul is Sleepy’: the Imprimatur of Anton Newcombe of The Brian Jonestown
Massacre is simply enormous.
Then comes Emmanuelles Seigner’s super sexy tornado on the title track; and ‘Dimanche’ follows, with
Bertrand Belin. Lionel sees him as a “French Nick Cave who writes songs that resemble films.”. ‘The Gift’
features Peter Hook who scrapes his bass guitar again here; obviously a song reminiscent of an early
period New Order. Finally, the Limiñanas on their own send out an instrumental cavalcade with a furious
beat, like a Kraut Morricone, ‘Motorizzati Marie’ followed by ‘Pink Flamingos’, introduced with psych rock
pads played backwards forming a vaporous song bathed in acoustic arpeggios. A respite in the album…
before the fuzz and the abyssal bass of ‘Trois Bancs’ violently shakes the ghost of Gainsbourg: an
electroshock in talk over. And to close the scene, a love message: ‘De La Part Des Copains’; its organ, its
tambourine, its quaver and its brass place it in the classic soundtrack category revered by the band. An
ideal conclusion for this incredible faultless record. The rock’n’roll epiphany thus continues. It belongs to
those who will listen – full blast – to Shadow People and will doubtless feel the urge to plug a guitar into an
amp. A valve amp, of course. More

Special Remarks: LP 180 G Vinyl
Remastered by Göttsching, Long deleted Vinyl Reissue.

Remastered by Manuel Göttsching and released on his own label MG ART. Inventions for Electric Guitar is Manuel Göttsching´s first solo album, recorded: July-August 1974.
The album was written and performed entirely by Göttsching on electric guitar, hence the title. Manuel played his guitar and used a 4 track TEAC A3340, Revox A77 for echoes, WahWah pedal, volume pedal, Schaller Rotosound and Hawaiian steel bar.

Tracklist:
Echo Waves 17:45, Quasarsphere 06:34, Pluralis 21:36

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LP

* Handmade Tip-On Sleeve
* OBI Strip
* Analogue Remastered

Versions:
200 x Black Vinyl Edition

Tracklist:

Side A
A1 Eggs & Bacon
A2 What’s Going On
A3 You’re The One
A4 Down By The River
Side B
B1 If I Were Your Woman
B2 Too Many People
B3 Make It Easy On Yourself
B4 Shangra La

Release Notes:
THE 7000 DOLLAR ACETATE
The year is 1971, a time when nightclubs still had live bands perform the musical hits of the
day. Every city had its local stars and for the club scene of the city of Columbus, Ohio it was
the CROWD PLEASERS. Founded in 1968 by June Carey along with her younger brothers,
twins El & Al, the seven-piece band grew into an in-demand act that performed all over the
city. In April 1971 they went into the studio to record eight songs, but an actual release
never materialized. In time the master tape was destroyed and all that was left were two
acetates. But as time passed, these too were lost. Over the years, a growing market for
obscure funk and soul albums emerged. When one of the acetates went up for sale on eBay
in 2011, it sold for $3,900! Eleven years later, in 2022, the last remaining copy also appeared
on eBay. Collectors drove the price up until it finally sold for a staggering $7,000! So now,
after more than 53 years, Al Carey & Regrooved Records proudly presents the previously
unreleased 1971 album of the CROWD PLEASERS featuring renditions of hits by Marvin Gaye,
Sly Stone's Little Sister, Neil Young, Gladys Knight & The Pips, Cold Blood, Dionne Warwick,
The Lettermen and the original funk break track “Eggs & Bacon”. More

Format: 7” inches – Black Vinyl

Tracklisting:
A. La Bocachico
B. Bestiales 77 (Mad Professor Dub)

Description:
The Colombian band Frente Cumbiero from Bogota has been successfully mixing
traditional cumbia rhythms with more contemporary music trends for a number of years,
creating an unusual end product. At the Javeriana Universidad of Bogota, in 2010, there was
a productive meeting between the four-piece band and some local musicians with Mad
Professor. After three work-intensive days, the recordings were in the can.
Out on a limited sold out double Lp, and a sold out 7” inches box set, we're so honored to
repress 2 songs from this masterpiece on a single 45 vinyl.
Made with Love and cut it loud for your ear pleasure.

Edition of 600 copies, coming in a black paper sleeve with sticker.

Pressed on high quality Black and Yellow vinyl wax (40 gr.).

Credits:
Prod. by Frente Cumbiero
La Bocachico:Mario Galeano Toro: Bajo, guacharaca / Pedro Ojeda: Batería, timbal / Eblis Alvarez:
Electrónica / Andrés Martínez: Guitarra / Chongo Puello: Alegre, Caja / Marco Fajardo:
Clarinete / Juan Francisco Duque: Trompeta / Oswald Macías: Trombón / Diego Tunjano:
Saxo Barítono
Bestiales 77:
Dubbed by Mad Professor and Joe Ariwa at Ariwa Studio in London.
Artwork by Mateo Rivano
Remastered in 2023 by Simone Squillario
Made with by Little Beat More 2023 More

Format Notes: 2023 reissue, 140g vinyl

Territories: Worldwide no restrictions

Track List:

A1 Keep It Funky 5:20
A2 Day Dreaming 3:36
A3 Here Comes Funky Lou 4:00
A4 Betcha By Golly Wow 4:15
A5 People Make The World Go Round 5:34

B1 Slipping Into Darkness 7:15
B2 Missing You 3:17
B3 John's Groove 2:55
B4 The Love Gangster 3:20
B5 Lie 2:15
B6 Ah Movin' On 4:00

Release Notes:
"Every cut on our albums are what we call "A" sides" - Cleveland Eaton, on Half And Half

Like the winged half-man/half-bull that dominates its outrageous cover, Cleveland Eaton's Half And Half is a mutant bass-heavy monster that absolutely slays. Incredible jazz-funk from 1973, it's been largely overlooked for decades, and unfairly so. This is just sensational music - a crate digger's delight. It's super funky throughout, with lots of layers, jazz breaks for days, dripping with style and gritty class. This is the first reissue of what has been a hard to find record for many years; it's long overdue. Joyous music for mind, soul and body.

Cleveland Eaton was a revered bassist who played an active role in the backing of Count Basie, the Donald Byrd Quintet, The Ramsey Lewis Trio, Terry Callier and Minnie Riperton; amongst many, many others. Half And Half was the first album released under his own name, initially released as a private press record on his - awkwardly named - Cle An Thair Records. It was then picked up by Gamble & Huff for Gamble Records. Varied, string-adorned and with stupid funky grooves, it's just exceptionally good.

Whilst Half And Half is treasured for its famously brilliant interpretations of gold funk-soul standards, Eaton proves an imaginative composer in his own right. Indeed, the album opens with a striking original; the earthy, laconic jazz-guitar-funk fusion of "Keep It Funky". Cleveland and co. do exactly that. Up next is a properly moving cover of Aretha Franklin's eternal "Day Dreaming". The flute and guitar combo truly achieve celestial greatness here. "Here Comes Funky Lou" rides a bassline from the Gods and a driving soul-jazz groove allows the track to go off in all sorts of directions. Serene guitar soul of the breezy variety one moment, crazy hectic violin-driven wig outs the next, courtesy of Ed Green who played with Dorothy Ashby and Alice Coltrane.

His blistering two track salvo of Stylistics covers to close out this A-Side of A-Sides will leave your jaw dropped, and they're likely the reason you're here for this. And why not? "Betcha By Golly Wow", which uses a bed of acidy synths and harmonica to create a unique atmosphere, is on some next level business. Melancholic, wistful, beautiful. "People Make the World Go Round" is so good, dripping in wonderful horns and ace percussive breaks, it could even be regarded as the definitive version. Seriously!

Opening Side B, War's gigantic "Slipping Into Darkness" is tightly tailored to Eaton's funky flute fusion arrangement whilst the insistent "Missing You" is a swaggering horn-heavy version of Luther Ingram's track from the Dilla/Ghostface-linked LP, I've Been Here All The Time. The creeping, screeching guitar-drenched original "John's Groove" features more fantastic horn lines and neck-snapping percussion whilst "The Love Gangster", written by Bill Wyman and Stephen Stills for his seminal Manassas LP, contains a heavy break with slick drums high in the mix and fuzzy guitars.

The album closes with two more Eaton originals. Written with Johnny Guitar Watson, "Lie" is one hell of a funky string and guitar-driven gem whilst the wild, celebratory "Ah Movin' On" cleverly quotes "Wade In The Water" (which he'd recorded with Ramsey Lewis in 1966) folding it into his new free-jazz composition. A message to his old boss, perhaps, as a sign-off?

We've worked on this reissue for 3.5 years, spending the whole time making it sound super sharp and looking as perfect as it possibly can. An absolute must-have for fans of soulful jazz-funk, Half And Half was mastered for vinyl by Simon Francis and cut by Pete Norman at Final Tweak. The bizarre artwork, mutant beast and all, was restored at Be With HQ over many painstaking months! Hopefully, this new edition, a real labour of love, should bring Cleveland Eaton into the homes and record boxes of many more people.
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LP,180, 2018 REISSUE - REMASTERED FROM ORIGINAL TAPES, CAREFULLY REPRODUCED ORIGINAL ART

Voices In Harmony was released in 1973 as "a selection of contemporary pop titles featuring voices, brass and rhythm". We choose to describe this collection of works by Keith Mansfield and John Cameron as "a string-laced, harmony-drenched KPM classic".

From the bright, lilting harmonies of "Liquid Sunshine" to the melting flutes of "Loving Touch" and "Gentle Persuasion", this is warm, effervescent soul music for dreamy, idyllic moods. The supreme "Husky Birdsong" is so, so smooth, with its unrelenting bossa bassline and warm keyboards. "Half Forgotten Daydreams" is a gorgeous wordless groove.

As with all ten re-issues, the audio for Voices In Harmony comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We've taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM's brand identity.

TRACKLISTING

The Joys Of Spring
Play The Game
Ode To A Rock Opera
Young Generation
Swingle Song
Roller Coaster
Fly Away
Sweet Summer
Husky Birdsong
Gentle Persuasion
Sundown
The Loving Touch
Loving Spoonful
Half Forgotten Daydreams
Liquid Sunshine

Be With has worked with the hallowed KPM to re-issue ten of our favourites from across the KPM 1000 Series and the Themes International Music catalogue, currently under KPM stewardship.

Whether it's killer soul-funk, sweet jazz-samba, skuzzed-up guitars or accidental Balearic beauty, these records include some of the most innovative work from some of the most talented composers and musicians of the 20th century.

These records were never readily available, being originally released as a ready-made, affordable alternative to commissioning music for television and radio. Consequentially the originals have been unobtainable for decades by all but the most dedicated collectors.

The audio for all ten re-issues comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We've taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM's brand identity. And don't worry! Those KPM stickers aren't stuck directly on the sleeves!

But we didn't just get a bit giddy and find ourselves re-issuing classic work from Alan Parker, Alan Hawkshaw, Brian Bennett, Nick Ingman, James Clarke, Francis Coppieters, Keith Mansfield, David Snell and John Fiddy. In the middle of the project KPM also asked Be With to be responsible for the vinyl version of Full Circle, an entire LP of new material from Alan Hawkshaw and Brian Bennett. Who were we to refuse.

So that makes eleven records in total, all released on the 16th of November, and available for pre-order ordering now:

Keith Mansfield / John Cameron - Voices In Harmony
Nick Ingman - Distinctive Themes / Race To Achievement
Brian Bennett / Alan Hawkshaw / John Fiddy - Hot Wax
Keith Mansfield / Alan Hawkshaw / David Snell - Big Business / Wind Of Change
Francis Coppieters - Piano Viberations
Brian Bennett & Alan Hawkshaw - Synthesis
Alan Parker - The Sound of Soul
Alan Parker / Madeline Bell - The Voice of Soul
James Clarke - Mystery Movie
Brian Bennett & Alan Hawkshaw - Synthesizer & Percussion
Brian Bennett & Alan Hawkshaw - Full Circle


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7"

* Regrooved Company Outer sleeve
* Analogue Remastered
* Limited Edition 150pcs made

Versions:
150 x Black Vinyl Edition

Tracklist:
Side A
A1 Tightrope/Supergroupie
Side B
B1 Shakey Ground

Release Notes:
Regrooved Records is thrilled to release a limited 45 featuring the legendary Junie Morrison,
backed by the dynamic "Crowd Pleasers." Recorded live in 1976, this rare gem captures the
raw energy and unparalleled talent of a true funk pioneer. Previously only released as a part
of the limited extended edition version of the album "The Funky Worm – Live at Dooley’s
1976" on Regrooved Records, this 7" record is now being offered as a standalone treasure
for all funk aficionados. Don’t miss your chance to own a piece of funk history! More

Super smooth 4 track EP, limited green 10 Inch. "Ben Jamin is a Liverpool based DJ and producer with releases on labels such as Discoholics Anonymous, Too Slow To Disco, Hot Digits Music and most recent 'Dance EP' on Hot Gorilla Records. Recent support includes airplay on BBC 6 Music Craig Charles Funk and Soul Show with 'Hold On Me' making it onto Craig Charles' best of 2022 show. Juno Download also included tracks from Cosmic Miracles in the best Balearic/Downtempo of 2022. The year also saw 5 top 100 positions on Traxsource and Ben also received a nomination for 'Emerging Producer of the Year 2022' at the OGV Music Awards.

Tracklist:

A1 Dreams
A2 I'm Yours

B1 Conclusion
B2 Moment is Real
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