1
Saigon Soul Revival - Ði Xa Ð.i Nhau
2
Saigon Soul Revival - Hào Hoa feat. Blacka
3
Saigon Soul Revival - Nhân Gian Tanh
4
Saigon Soul Revival - V. M.ng ân T.nh Nguy.n feat. Th. H.i Phý.ng
5
Saigon Soul Revival - T.nh Nh.c S.
6
Saigon Soul Revival - Seu Ðông
7
Saigon Soul Revival - Giây Phút Cu.i Tu.n feat. Mai L. Huy.n
8
Saigon Soul Revival - Nào Ta Cùng Hát
9
Saigon Soul Revival - Bài Ca Ngông
10
Saigon Soul Revival - Chu.n Chu.n Xanh (H.a t.u) feat. Nguy.n Th. H.i Phý.ng
11
Saigon Soul Revival - Ch.n T.nh Xýa
Territories: WORLD minus FR
LP Gatefold with two printed Inner sleeves incl. liner-notes and lyrics
GENRE/S:
Rock / Funk / Soul / Asian / World
SHORT INFO:
ENGLISH
Ho Chi Minh City based band, Saigon Soul Revival has been bringing alternative pre 1975 music from Saigon back to the stage since 2016 with their live performances. Honouring the original composers, singers and the golden era from which this music (Nh?c Vàng) came while applying new arrangements and interpretations of old Vietnamese songs. With tight grooves, psychedelic textures and a powerful unique sound, SSR has performed countless shows at a variety of venues across Vietnam. In 2017 they also took part in the nationally known "Ban Nh?c Vi?t" (known in the west as "The Band") TV format and and accompanied live the two release tours to the Saigon Supersound Compilation releases.
With support from *British Council's FAMLAB Fund initiative they started to create own compositions in the same vein for their debut album "H?a Âm X?a" that was produce by Jan Hagenkötter and released in 2019 on the Saigon Supersound Imprint. The album was recorded in Vietnam with additional guests like the famous (pre 1975) Vietnamese singer Mai L? Huy?n and the current popular Saigonese rapper "Blacka" (2022 finalist of Vietnam's most successful
TV show "Rap Vi?t") in order to combine the old sound with the new sound of Saigon. Some compositions include traditional Vietnamese instruments like the ?àn Nguy?t or the ?àn tranh & ?àn b?u which is played by famous traditionally-trained musician Th? H?i Ph??ng on the album. This fusion distinguishes it from the original recordings of the 60s and 70s and has resulted in a unique and contemporary sound. Their debut album "Hoa Am Xua" gained international success. Among many other media features It was nominated for the SONGLINES MUSIC AWARDS 2021 in the UK ! and received massive radio airplay and rotations on Radio FIP in France.
All members of the band are of Vietnamese background or have a strong connection to its culture and heritage through loved ones and their time spent in the country. Their music focuses on compositions that fuse Vietnamese lyrics and sounds with influences of western rock, soul, bolero, tango and other popular genres of this time period, most of which was banned after the war. This project strives to revive this beautiful musical heritage of Vietnam which represents an important cultural bridge between east and west.
Video LINK: https://www.youtube.com/watch?v=jdLT4gwBLvk
DEUTSCH
Die in Ho-Chi-Minh-Stadt ansässige Band Saigon Soul Revival bringt seit 2016 mit ihren Live-Auftritten die alternative Musik aus Saigon vor 1975 zurück auf die Bühne. Sie ehren die ursprünglichen Komponisten, Sänger und die goldene Ära, aus der diese Musik (Nh?c Vàng) stammt, während sie neue Arrangements und Interpretationen alter vietnamesischer Lieder verwenden. Mit knackigen Grooves, psychedelischen Texturen und einem kraftvollen, einzigartigen Sound hat SSR unzählige Auftritte an verschiedenen Veranstaltungsorten in ganz Vietnam absolviert. Im Jahr 2017 nahmen sie auch an dem landesweit bekannten TV-Format "Ban Nh?c Vi?t" (im Westen als "The Band" bekannt) teil und begleiteten live die beiden Release-Touren zu den Saigon Supersound Compilation-Veröffentlichungen.
Mit Unterstützung der *British Council's FAMLAB Fund Initiative begannen sie, eigene Kompositionen in der gleichen Art und Weise für ihr Debütalbum "H?a Âm X?a" zu kreieren, das von Jan Hagenkötter produziert und 2019 auf dem Saigon Supersound Imprint veröffentlicht wurde. Das Album wurde in Vietnam aufgenommen, mit zusätzlichen Gästen wie der berühmten (vor 1975) vietnamesischen Sängerin Mai L? Huy?n und dem aktuell sehr populären saigonesischen Rapper "Blacka" (2022 Finalist von Vietnams erfolgreichster
TV-Show "Rap Vi?t"), um den alten Sound mit dem neuen Sound von Saigon zu verbinden. Einige Kompositionen enthalten traditionelle vietnamesische Instrumente wie die ?àn Nguy?t oder die ?àn Tranh & ?àn B?u, die von demr berühmten, traditionell ausgebildeten Musiker Th? H?i Ph??ng auf dem Album gespielt wird. Diese Fusion unterscheidet es von den Originalaufnahmen der 60er und 70er Jahre und hat zu einem einzigartigen und zeitgenössischen Sound geführt. Ihr Debütalbum "Hoa Am Xua" ist ein internationaler Erfolg. Neben vielen anderen Medienberichten wurde es für die SONGLINES MUSIC AWARDS 2021 in Großbritannien nominiert und erhielt massives Radio Airplay u.a, von Iggy Pop in seiner BBC Radio Show sowie Rotationen auf Radio FIP in Frankreich.
Alle Mitglieder der Band sind vietnamesischer Herkunft oder haben eine starke Verbindung zur vietnamesischen Kultur und zum vietnamesischen Erbe durch geliebte Menschen und ihre im Land verbrachte Zeit. Ihre Musik konzentriert sich auf Kompositionen, die vietnamesische Texte und Klänge mit Einflüssen von westlichem Rock, Soul, Bolero, Tango und anderen populären Genres dieser Zeit verbinden, von denen die meisten nach dem Krieg verboten wurden. Mit diesem Projekt soll dieses wunderschöne musikalische Erbe Vietnams, das eine wichtige kulturelle Brücke zwischen Ost und West darstellt, wiederbelebt werden.
Video LINK: https://www.youtube.com/watch?v=jdLT4gwBLvk
TRACKLISTS:
A1. Ði Xa Ð.i Nhau
A2. Hào Hoa feat. Blacka
A3. Nhân Gian T.nh
A4. V. M.ng ân T.nh Nguy.n feat. Th. H.i Phý.ng
A5. T.nh Nh.c S.
A6. S.u Ðông
B1. Giây Phút Cu.i Tu.n feat. Mai L. Huy.n
B2. Nào Ta Cùng Hát
B3. Bài Ca Ngông
B4. Chu.n Chu.n Xanh (H.a t.u) feat. Nguy.n Th. H.i Phý.ng
B5. Ch.n T.nh Xýa
VITAL SALES POINTS:
…The five-piece band's background is as diverse as can be, but they all share the same fascination with this era of Vietnamese music. Two tracks, 'Vo Mong An Tinh' and 'Chuon Chuon Xanh,' employ the unique sounds of Vietnamese instruments performed by traditional musician Nguyen Thi Hai Phuong. Phuong lent her expertise on ?àn tranh, ?àn nguy??t and ?àn bâ?u to the record, creating a fascinating mix of influences across eras and genres. (SAIGONEER - Vietnam 11/2019)
Le label allemand sort le 8 novembre H?a Âm X?a, le premier album de Saigon Soul Revival, quintet d'Hô-Chi-Minh-Ville qui se réapproprie avec modernité la richesse de cet "âge d'or" musical. (- several titles are on rotation) (RADIO FIP - France 11/2019 )
S? h?u 5 thành viên ?a qu?c t?ch, ??n t? nhi?u n?i trên th? gi?i, Saigon Soul Revival gây ?n t??ng m?nh cho khán gi? b?i nét ??c ?áo không tr?n l?n. Càng ??c bi?t h?n, khi nhóm quy?t ??nh ch?n cover các ca khúc vang bóng m?t th?i, và sáng tác nhi?u tác ph?m m?i có giai ?i?u, tinh th?n ?úng v?i ch?t nh?c th?i ?i?m n?m 60, 70 c?a th? k? tr??c. (Tu?i Tr? - Vietnam 12/2020)
…The tight, polished arrangements suggest a band that have earned their stripes on the live circuit. Managing to avoid the "tribute" band" trap, they do a good job of breathing new life into stifled vein of Vietnamese pop culture / TOP OF THE WORLD REVIEW (as best asian album in April 2020) (SONGLINES - United Kingdom 04/2020)
…Saigon Soul Revival widmet sich also dem goldenen Zeitalter, alles in allem mit Gewinn, es belebt nicht nur wieder, sondern gestaltet auch neu.
Darum sind neben Interpretationen auch eigene Stücke vorhanden…Damit treffen sie die goldene Mitte: Erhalt des Alten und bestenfalls eine Motivation für junge Vietnamesen, weniger Plastik zu konsumieren.
(TAGESZEITUNG/TAZ - Germany 01/2020)
...su vocalista no trata de imitar a las féminas anglos sino que su deje y forma se encuentra más enraizada con la delicadeza y sensibilidad asiática…(ARCADIA NEGRA - Spain 11/2019)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP Gatefold with two printed Inner sleeves incl. liner-notes and lyrics
GENRE/S:
Rock / Funk / Soul / Asian / World
SHORT INFO:
ENGLISH
Ho Chi Minh City based band, Saigon Soul Revival has been bringing alternative pre 1975 music from Saigon back to the stage since 2016 with their live performances. Honouring the original composers, singers and the golden era from which this music (Nh?c Vàng) came while applying new arrangements and interpretations of old Vietnamese songs. With tight grooves, psychedelic textures and a powerful unique sound, SSR has performed countless shows at a variety of venues across Vietnam. In 2017 they also took part in the nationally known "Ban Nh?c Vi?t" (known in the west as "The Band") TV format and and accompanied live the two release tours to the Saigon Supersound Compilation releases.
With support from *British Council's FAMLAB Fund initiative they started to create own compositions in the same vein for their debut album "H?a Âm X?a" that was produce by Jan Hagenkötter and released in 2019 on the Saigon Supersound Imprint. The album was recorded in Vietnam with additional guests like the famous (pre 1975) Vietnamese singer Mai L? Huy?n and the current popular Saigonese rapper "Blacka" (2022 finalist of Vietnam's most successful
TV show "Rap Vi?t") in order to combine the old sound with the new sound of Saigon. Some compositions include traditional Vietnamese instruments like the ?àn Nguy?t or the ?àn tranh & ?àn b?u which is played by famous traditionally-trained musician Th? H?i Ph??ng on the album. This fusion distinguishes it from the original recordings of the 60s and 70s and has resulted in a unique and contemporary sound. Their debut album "Hoa Am Xua" gained international success. Among many other media features It was nominated for the SONGLINES MUSIC AWARDS 2021 in the UK ! and received massive radio airplay and rotations on Radio FIP in France.
All members of the band are of Vietnamese background or have a strong connection to its culture and heritage through loved ones and their time spent in the country. Their music focuses on compositions that fuse Vietnamese lyrics and sounds with influences of western rock, soul, bolero, tango and other popular genres of this time period, most of which was banned after the war. This project strives to revive this beautiful musical heritage of Vietnam which represents an important cultural bridge between east and west.
Video LINK: https://www.youtube.com/watch?v=jdLT4gwBLvk
DEUTSCH
Die in Ho-Chi-Minh-Stadt ansässige Band Saigon Soul Revival bringt seit 2016 mit ihren Live-Auftritten die alternative Musik aus Saigon vor 1975 zurück auf die Bühne. Sie ehren die ursprünglichen Komponisten, Sänger und die goldene Ära, aus der diese Musik (Nh?c Vàng) stammt, während sie neue Arrangements und Interpretationen alter vietnamesischer Lieder verwenden. Mit knackigen Grooves, psychedelischen Texturen und einem kraftvollen, einzigartigen Sound hat SSR unzählige Auftritte an verschiedenen Veranstaltungsorten in ganz Vietnam absolviert. Im Jahr 2017 nahmen sie auch an dem landesweit bekannten TV-Format "Ban Nh?c Vi?t" (im Westen als "The Band" bekannt) teil und begleiteten live die beiden Release-Touren zu den Saigon Supersound Compilation-Veröffentlichungen.
Mit Unterstützung der *British Council's FAMLAB Fund Initiative begannen sie, eigene Kompositionen in der gleichen Art und Weise für ihr Debütalbum "H?a Âm X?a" zu kreieren, das von Jan Hagenkötter produziert und 2019 auf dem Saigon Supersound Imprint veröffentlicht wurde. Das Album wurde in Vietnam aufgenommen, mit zusätzlichen Gästen wie der berühmten (vor 1975) vietnamesischen Sängerin Mai L? Huy?n und dem aktuell sehr populären saigonesischen Rapper "Blacka" (2022 Finalist von Vietnams erfolgreichster
TV-Show "Rap Vi?t"), um den alten Sound mit dem neuen Sound von Saigon zu verbinden. Einige Kompositionen enthalten traditionelle vietnamesische Instrumente wie die ?àn Nguy?t oder die ?àn Tranh & ?àn B?u, die von demr berühmten, traditionell ausgebildeten Musiker Th? H?i Ph??ng auf dem Album gespielt wird. Diese Fusion unterscheidet es von den Originalaufnahmen der 60er und 70er Jahre und hat zu einem einzigartigen und zeitgenössischen Sound geführt. Ihr Debütalbum "Hoa Am Xua" ist ein internationaler Erfolg. Neben vielen anderen Medienberichten wurde es für die SONGLINES MUSIC AWARDS 2021 in Großbritannien nominiert und erhielt massives Radio Airplay u.a, von Iggy Pop in seiner BBC Radio Show sowie Rotationen auf Radio FIP in Frankreich.
Alle Mitglieder der Band sind vietnamesischer Herkunft oder haben eine starke Verbindung zur vietnamesischen Kultur und zum vietnamesischen Erbe durch geliebte Menschen und ihre im Land verbrachte Zeit. Ihre Musik konzentriert sich auf Kompositionen, die vietnamesische Texte und Klänge mit Einflüssen von westlichem Rock, Soul, Bolero, Tango und anderen populären Genres dieser Zeit verbinden, von denen die meisten nach dem Krieg verboten wurden. Mit diesem Projekt soll dieses wunderschöne musikalische Erbe Vietnams, das eine wichtige kulturelle Brücke zwischen Ost und West darstellt, wiederbelebt werden.
Video LINK: https://www.youtube.com/watch?v=jdLT4gwBLvk
TRACKLISTS:
A1. Ði Xa Ð.i Nhau
A2. Hào Hoa feat. Blacka
A3. Nhân Gian T.nh
A4. V. M.ng ân T.nh Nguy.n feat. Th. H.i Phý.ng
A5. T.nh Nh.c S.
A6. S.u Ðông
B1. Giây Phút Cu.i Tu.n feat. Mai L. Huy.n
B2. Nào Ta Cùng Hát
B3. Bài Ca Ngông
B4. Chu.n Chu.n Xanh (H.a t.u) feat. Nguy.n Th. H.i Phý.ng
B5. Ch.n T.nh Xýa
VITAL SALES POINTS:
…The five-piece band's background is as diverse as can be, but they all share the same fascination with this era of Vietnamese music. Two tracks, 'Vo Mong An Tinh' and 'Chuon Chuon Xanh,' employ the unique sounds of Vietnamese instruments performed by traditional musician Nguyen Thi Hai Phuong. Phuong lent her expertise on ?àn tranh, ?àn nguy??t and ?àn bâ?u to the record, creating a fascinating mix of influences across eras and genres. (SAIGONEER - Vietnam 11/2019)
Le label allemand sort le 8 novembre H?a Âm X?a, le premier album de Saigon Soul Revival, quintet d'Hô-Chi-Minh-Ville qui se réapproprie avec modernité la richesse de cet "âge d'or" musical. (- several titles are on rotation) (RADIO FIP - France 11/2019 )
S? h?u 5 thành viên ?a qu?c t?ch, ??n t? nhi?u n?i trên th? gi?i, Saigon Soul Revival gây ?n t??ng m?nh cho khán gi? b?i nét ??c ?áo không tr?n l?n. Càng ??c bi?t h?n, khi nhóm quy?t ??nh ch?n cover các ca khúc vang bóng m?t th?i, và sáng tác nhi?u tác ph?m m?i có giai ?i?u, tinh th?n ?úng v?i ch?t nh?c th?i ?i?m n?m 60, 70 c?a th? k? tr??c. (Tu?i Tr? - Vietnam 12/2020)
…The tight, polished arrangements suggest a band that have earned their stripes on the live circuit. Managing to avoid the "tribute" band" trap, they do a good job of breathing new life into stifled vein of Vietnamese pop culture / TOP OF THE WORLD REVIEW (as best asian album in April 2020) (SONGLINES - United Kingdom 04/2020)
…Saigon Soul Revival widmet sich also dem goldenen Zeitalter, alles in allem mit Gewinn, es belebt nicht nur wieder, sondern gestaltet auch neu.
Darum sind neben Interpretationen auch eigene Stücke vorhanden…Damit treffen sie die goldene Mitte: Erhalt des Alten und bestenfalls eine Motivation für junge Vietnamesen, weniger Plastik zu konsumieren.
(TAGESZEITUNG/TAZ - Germany 01/2020)
...su vocalista no trata de imitar a las féminas anglos sino que su deje y forma se encuentra más enraizada con la delicadeza y sensibilidad asiática…(ARCADIA NEGRA - Spain 11/2019)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Saigon Supersound
CD - NON EXCLUSIVE - CD Digisleeve/PocketPac, 4 pages with CD booklet 12 pages
GENRE/S:
GLOBAL POP
Urban / Funk / Soul / Rock
CD / DIGITAL Tracklisting incl. (ISRC CODES) time:
1. Ai Th?t Lòng Yêu Ai (DEQ922400001) 03:59
2. ?ám C??i Nhà Em (DEQ922400002) 03:55
3. Thôi (DEQ922400003) 04:20
4. M? Xuân (DEQ922400004) 04:08
5. M?ng M? (DEQ922400005) 04:03
6. Có M?y Ai ???c Vui (DEQ922400006) 04:16
7. K? Không Tình (DEQ922400007) 04:33
8. Bói Hoa (DEQ922400008) 03:34
9. S?c Hoa Cu?c S?ng (DEQ922400009) 03:33
10. N?i Ni?m D??ng Th? (DEQ922400010) 03:22
11. Ng? Nh?n (DEQ922400011) 03
SHORT INFO:
After their debut album "Hoa Am Xua" (2019), which was nominated for Songlines Music Award 2021, featured as Record of the Month on Radio FIP in France and celebrated by Iggy Pop on BBC6, among others, Saigon Soul Revival returns with their latest record, "M?i L??ng Duyên".
Descending out of the southern night sky through a turbulent cloud of dreams, memory, longing and psychedelia, Saigon Soul Revival's second full length represents the latest act in the group's resuscitation of the raw, heavy and subversive sounds of 1960s and 70s Saigon.
Roughly translated to "destiny", M?i L??ng Duyên is a journey through eight original compositions and three soul-stirring reinterpretations of Saigonese nh?c vàng or golden music: the soundtrack to a Saigon once thought lost to history and amnesia.
Driven by Western influences rock, bolero, soul, jazz and the rich heritage of Vietnamese ballads, M?i L??ng Duyên delivers a seamless blend of genres and traditional instrumentation (?àn Tranh, ?àn B?u & ?àn Nguy?t) with themes from across time and space.
In 2024 the title ?ÁM C??I NHÀ EM from their second studio album "M?i L??ng Duyên" is featured in the HBO Mini-Serie "The Symphatizer" (directed by Par Chan-Wook (Oldboy) / Robert Downey Junior producer and actor), which is based on the novel of the same name (Pulitzer Prize 2016) by Viet Thanh Nguyen.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
GENRE/S:
GLOBAL POP
Urban / Funk / Soul / Rock
CD / DIGITAL Tracklisting incl. (ISRC CODES) time:
1. Ai Th?t Lòng Yêu Ai (DEQ922400001) 03:59
2. ?ám C??i Nhà Em (DEQ922400002) 03:55
3. Thôi (DEQ922400003) 04:20
4. M? Xuân (DEQ922400004) 04:08
5. M?ng M? (DEQ922400005) 04:03
6. Có M?y Ai ???c Vui (DEQ922400006) 04:16
7. K? Không Tình (DEQ922400007) 04:33
8. Bói Hoa (DEQ922400008) 03:34
9. S?c Hoa Cu?c S?ng (DEQ922400009) 03:33
10. N?i Ni?m D??ng Th? (DEQ922400010) 03:22
11. Ng? Nh?n (DEQ922400011) 03
SHORT INFO:
After their debut album "Hoa Am Xua" (2019), which was nominated for Songlines Music Award 2021, featured as Record of the Month on Radio FIP in France and celebrated by Iggy Pop on BBC6, among others, Saigon Soul Revival returns with their latest record, "M?i L??ng Duyên".
Descending out of the southern night sky through a turbulent cloud of dreams, memory, longing and psychedelia, Saigon Soul Revival's second full length represents the latest act in the group's resuscitation of the raw, heavy and subversive sounds of 1960s and 70s Saigon.
Roughly translated to "destiny", M?i L??ng Duyên is a journey through eight original compositions and three soul-stirring reinterpretations of Saigonese nh?c vàng or golden music: the soundtrack to a Saigon once thought lost to history and amnesia.
Driven by Western influences rock, bolero, soul, jazz and the rich heritage of Vietnamese ballads, M?i L??ng Duyên delivers a seamless blend of genres and traditional instrumentation (?àn Tranh, ?àn B?u & ?àn Nguy?t) with themes from across time and space.
In 2024 the title ?ÁM C??I NHÀ EM from their second studio album "M?i L??ng Duyên" is featured in the HBO Mini-Serie "The Symphatizer" (directed by Par Chan-Wook (Oldboy) / Robert Downey Junior producer and actor), which is based on the novel of the same name (Pulitzer Prize 2016) by Viet Thanh Nguyen.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Saigon Soul Revival - 1.Ai That Long Yeu Ai
2
Saigon Soul Revival - 2.Dam Cuoi Nha Em
3
Saigon Soul Revival - 3.Thoi
4
Saigon Soul Revival - 4.Mo Xuan
5
Saigon Soul Revival - 5.Mong Mo
6
Saigon Soul Revival - 6.Co May Ai Duoc Vui
7
Saigon Soul Revival - 7.Ke Khong Tinh
8
Saigon Soul Revival - 8.Boi Hoa
9
Saigon Soul Revival - 9.Sac Hoa Cuoc Song
10
Saigon Soul Revival - 10.Noi Niem Duong The
11
Saigon Soul Revival - 11.Ngo Nhan
LP - NON EXCLUSIVE
GENRE/S:
GLOBAL POP
Urban / Funk / Soul / Rock
VINYL Tracklisting incl. (ISRC CODES) time:
Side A (33rpm) - 20:26
1.Ai That Long Yeu Ai
2.Dam Cuoi Nha Em
3.Thoi
4.Mo Xuan
5.Mong Mo
Side B (33rpm) - 22:54
6.Co May Ai Duoc Vui
7.Ke Khong Tinh
8.Boi Hoa
9.Sac Hoa Cuoc Song
10.Noi Niem Duong The
11.Ngo Nhan
SHORT INFO:
After their debut album "Hoa Am Xua" (2019), which was nominated for Songlines Music Award 2021, featured as Record of the Month on Radio FIP in France and celebrated by Iggy Pop on BBC6, among others, Saigon Soul Revival returns with their latest record, "M?i L??ng Duyên".
Descending out of the southern night sky through a turbulent cloud of dreams, memory, longing and psychedelia, Saigon Soul Revival's second full length represents the latest act in the group's resuscitation of the raw, heavy and subversive sounds of 1960s and 70s Saigon.
Roughly translated to "destiny", M?i L??ng Duyên is a journey through eight original compositions and three soul-stirring reinterpretations of Saigonese nh?c vàng or golden music: the soundtrack to a Saigon once thought lost to history and amnesia.
Driven by Western influences rock, bolero, soul, jazz and the rich heritage of Vietnamese ballads, M?i L??ng Duyên delivers a seamless blend of genres and traditional instrumentation (?àn Tranh, ?àn B?u & ?àn Nguy?t) with themes from across time and space.
In 2024 the title ?ÁM C??I NHÀ EM from their second studio album "M?i L??ng Duyên" is featured in the HBO Mini-Serie "The Symphatizer" (directed by Par Chan-Wook (Oldboy) / Robert Downey Junior producer and actor), which is based on the novel of the same name (Pulitzer Prize 2016) by Viet Thanh Nguyen.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
GENRE/S:
GLOBAL POP
Urban / Funk / Soul / Rock
VINYL Tracklisting incl. (ISRC CODES) time:
Side A (33rpm) - 20:26
1.Ai That Long Yeu Ai
2.Dam Cuoi Nha Em
3.Thoi
4.Mo Xuan
5.Mong Mo
Side B (33rpm) - 22:54
6.Co May Ai Duoc Vui
7.Ke Khong Tinh
8.Boi Hoa
9.Sac Hoa Cuoc Song
10.Noi Niem Duong The
11.Ngo Nhan
SHORT INFO:
After their debut album "Hoa Am Xua" (2019), which was nominated for Songlines Music Award 2021, featured as Record of the Month on Radio FIP in France and celebrated by Iggy Pop on BBC6, among others, Saigon Soul Revival returns with their latest record, "M?i L??ng Duyên".
Descending out of the southern night sky through a turbulent cloud of dreams, memory, longing and psychedelia, Saigon Soul Revival's second full length represents the latest act in the group's resuscitation of the raw, heavy and subversive sounds of 1960s and 70s Saigon.
Roughly translated to "destiny", M?i L??ng Duyên is a journey through eight original compositions and three soul-stirring reinterpretations of Saigonese nh?c vàng or golden music: the soundtrack to a Saigon once thought lost to history and amnesia.
Driven by Western influences rock, bolero, soul, jazz and the rich heritage of Vietnamese ballads, M?i L??ng Duyên delivers a seamless blend of genres and traditional instrumentation (?àn Tranh, ?àn B?u & ?àn Nguy?t) with themes from across time and space.
In 2024 the title ?ÁM C??I NHÀ EM from their second studio album "M?i L??ng Duyên" is featured in the HBO Mini-Serie "The Symphatizer" (directed by Par Chan-Wook (Oldboy) / Robert Downey Junior producer and actor), which is based on the novel of the same name (Pulitzer Prize 2016) by Viet Thanh Nguyen.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Territories: WORLD minus FR
- CD Digisleeve (Gatefold), 28 page Booklet
Saigon Supersound is delighted to present the 3rd and final volume of its pre-1975 Southern Vietnamese music collection. A curated collection of music from Saigon during the 1960s and early 1970s. The music has been restored and remastered in order to present listeners with audio quality on par with its original quality upon release more than half a century ago.
The first few songs in this Volume are songs Vietnamese people used to call “Stimulus Music” or “Action Music”. These are songs that borrow vibrant melodies, inspired by the west, performed by the best representatives of this genre. In addition, this volume includes songs, famous in clubs both past and present like “N?u Anh V? Bên Em” by Mai Huong and “Hình ?nh Ngu?i Em Không Ð?i” by Thanh Lan.
Many believe that "Southern Golden Music" is just popular music, simply because it "pleases the listener". Volume 3 include melodies most Vietnamese might have considered “unpopular”, but popular with “golden music” lovers. Today, people often call “gold music” bolero music, because this is the most popular style found in this golden era of music. In this volume, Saigon Supersound have selected typical bolero songs like,“Hàn M?c T?” sang by Trúc Mai, as well as, “N?ng Chi?u” by Lê Tr?ng Nguy?n.
In addition to the variety of melodies, Volume 3 also shows the diversity of genres found in old Southern music by introducing songs that praise the homeland such as “Tình Reo Trên Sóng Lúa Vàng” by Thanh Lan, praising peace in “Xin Cho Tôi Gi?c M?ng Bình Yên” by Thanh Tuy?n, witty music in “C?u C? Lên Thành” by Connie Kim.
Volume 3 closes with the song “Xuân Mu?n” (Late Spring), performed by Hoàng Oanh. The song talks about the end of a lunar year - a cycle of heaven and earth, the end of sad stories and opens up new hopes for more positive things to come.
Finally, the face of the movie star Ki?u Chinh is chosen to grace the cover image of Saigon Supersound 3rd Volume. Although she may not have had any direct relations related to music, more than 50 years ago, Ki?u Chinh's image appeared many times on the covers of various music sheets. The image of Ki?u Chinh was chosen for the mix of Eastern and Western cultures present in her life and career that mirrored the music of that era. These songs, with melodies originating from Europe, the Americas and Africa have been an integral part of Vietnamese music since the 1960s.
Tracklist:
A1. Thý T.nh Cho Em - Mai L. Huy.n
A2. Tu. Anh Tu. Em - Hùng Cý.ng
A3. Anh Ðâu Em Ðó - Connie Kim
A4. Ði.u Ru Ný.c M.t - Carol Kim
A5. Ngý.i Hành Hýõng Trên ..nh Núi - Khánh Ly
B1. B.c Thý T.nh Trên Lô C.t - Ban Sao Bãng
B2. C.u C. Lên Thành - Connie Kim
B3. T.nh Reo Trên Sóng Lúa Vàng - Thanh Lan
B4. Xin Cho Tôi Gi.c M.ng B.nh Yên - ThanhTuy.n
B5. N.ng Chi.u - Sõn Ca
C1. Ð.ng Quên Anh Là Lính - Trý.ng H.i
C2. B.n nh.c không tên - Ban Nh.c Lê Vãn Thi.n
C3. Mýa Bay Trong Ð.i - Duy Khánh
C4. Hàn M.c T. - Trúc Mai
C5. N.u Anh V. Bên Em - Mai Hýõng
D1. G.i Ngý.i Em Nh. - Duy Quang
D2. H.nh .nh Ngý.i Em Không Ð.i - Thanh Lan
D3. Trách Yêu - Hùng Cý.ng & Mai L. Huy.n
D4. T.nh Anh T.nh Em - Túy Phý.ng
D5 .Xuân Mu.n (Chi.u 30 T.t) - Hoàng Oanh
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
- CD Digisleeve (Gatefold), 28 page Booklet
Saigon Supersound is delighted to present the 3rd and final volume of its pre-1975 Southern Vietnamese music collection. A curated collection of music from Saigon during the 1960s and early 1970s. The music has been restored and remastered in order to present listeners with audio quality on par with its original quality upon release more than half a century ago.
The first few songs in this Volume are songs Vietnamese people used to call “Stimulus Music” or “Action Music”. These are songs that borrow vibrant melodies, inspired by the west, performed by the best representatives of this genre. In addition, this volume includes songs, famous in clubs both past and present like “N?u Anh V? Bên Em” by Mai Huong and “Hình ?nh Ngu?i Em Không Ð?i” by Thanh Lan.
Many believe that "Southern Golden Music" is just popular music, simply because it "pleases the listener". Volume 3 include melodies most Vietnamese might have considered “unpopular”, but popular with “golden music” lovers. Today, people often call “gold music” bolero music, because this is the most popular style found in this golden era of music. In this volume, Saigon Supersound have selected typical bolero songs like,“Hàn M?c T?” sang by Trúc Mai, as well as, “N?ng Chi?u” by Lê Tr?ng Nguy?n.
In addition to the variety of melodies, Volume 3 also shows the diversity of genres found in old Southern music by introducing songs that praise the homeland such as “Tình Reo Trên Sóng Lúa Vàng” by Thanh Lan, praising peace in “Xin Cho Tôi Gi?c M?ng Bình Yên” by Thanh Tuy?n, witty music in “C?u C? Lên Thành” by Connie Kim.
Volume 3 closes with the song “Xuân Mu?n” (Late Spring), performed by Hoàng Oanh. The song talks about the end of a lunar year - a cycle of heaven and earth, the end of sad stories and opens up new hopes for more positive things to come.
Finally, the face of the movie star Ki?u Chinh is chosen to grace the cover image of Saigon Supersound 3rd Volume. Although she may not have had any direct relations related to music, more than 50 years ago, Ki?u Chinh's image appeared many times on the covers of various music sheets. The image of Ki?u Chinh was chosen for the mix of Eastern and Western cultures present in her life and career that mirrored the music of that era. These songs, with melodies originating from Europe, the Americas and Africa have been an integral part of Vietnamese music since the 1960s.
Tracklist:
A1. Thý T.nh Cho Em - Mai L. Huy.n
A2. Tu. Anh Tu. Em - Hùng Cý.ng
A3. Anh Ðâu Em Ðó - Connie Kim
A4. Ði.u Ru Ný.c M.t - Carol Kim
A5. Ngý.i Hành Hýõng Trên ..nh Núi - Khánh Ly
B1. B.c Thý T.nh Trên Lô C.t - Ban Sao Bãng
B2. C.u C. Lên Thành - Connie Kim
B3. T.nh Reo Trên Sóng Lúa Vàng - Thanh Lan
B4. Xin Cho Tôi Gi.c M.ng B.nh Yên - ThanhTuy.n
B5. N.ng Chi.u - Sõn Ca
C1. Ð.ng Quên Anh Là Lính - Trý.ng H.i
C2. B.n nh.c không tên - Ban Nh.c Lê Vãn Thi.n
C3. Mýa Bay Trong Ð.i - Duy Khánh
C4. Hàn M.c T. - Trúc Mai
C5. N.u Anh V. Bên Em - Mai Hýõng
D1. G.i Ngý.i Em Nh. - Duy Quang
D2. H.nh .nh Ngý.i Em Không Ð.i - Thanh Lan
D3. Trách Yêu - Hùng Cý.ng & Mai L. Huy.n
D4. T.nh Anh T.nh Em - Túy Phý.ng
D5 .Xuân Mu.n (Chi.u 30 T.t) - Hoàng Oanh
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Thý T.nh Cho Em - Mai L. Huy.n
2
Tu. Anh Tu. Em - Hùng Cý.ng
3
Anh Ðâu Em Ðó - Connie Kim
4
Ði.u Ru Ný.c M.t - Carol Kim
5
Ngý.i Hành Hýõng Trên ..nh Núi - Khánh Ly
6
B.c Thý T.nh Trên Lô C.t - Ban Sao Bãng
7
C.u C. Lên Thành - Connie Kim
8
T.nh Reo Trên Sóng Lúa Vàng - Thanh Lan
9
Xin Cho Tôi Gi.c M.ng B.nh Yên - ThanhTuy.n
10
N.ng Chi.u - Sõn Ca
11
Ð.ng Quên Anh Là Lính - Trý.ng H.i
12
B.n nh.c không tên - Ban Nh.c Lê Vãn Thi.n
13
Mýa Bay Trong Ð.i - Duy Khánh
14
Hàn M.c T. - Trúc Mai
15
N.u Anh V. Bên Em - Mai Hýõng
16
G.i Ngý.i Em Nh. - Duy Quang
17
H.nh .nh Ngý.i Em Không Ð.i - Thanh Lan
18
Trách Yêu - Hùng Cý.ng & Mai L. Huy.n
19
T.nh Anh T.nh Em - Túy Phý.ng
20
.Xuân Mu.n (Chi.u 30 T.t) - Hoàng Oanh
Territories: WORLD minus FR
2 x Vinyl LP, Gatefold, OBI, Printed innersleeves
Saigon Supersound is delighted to present the 3rd and final volume of its pre-1975 Southern Vietnamese music collection. A curated collection of music from Saigon during the 1960s and early 1970s. The music has been restored and remastered in order to present listeners with audio quality on par with its original quality upon release more than half a century ago.
The first few songs in this Volume are songs Vietnamese people used to call “Stimulus Music” or “Action Music”. These are songs that borrow vibrant melodies, inspired by the west, performed by the best representatives of this genre. In addition, this volume includes songs, famous in clubs both past and present like “N?u Anh V? Bên Em” by Mai Huong and “Hình ?nh Ngu?i Em Không Ð?i” by Thanh Lan.
Many believe that "Southern Golden Music" is just popular music, simply because it "pleases the listener". Volume 3 include melodies most Vietnamese might have considered “unpopular”, but popular with “golden music” lovers. Today, people often call “gold music” bolero music, because this is the most popular style found in this golden era of music. In this volume, Saigon Supersound have selected typical bolero songs like,“Hàn M?c T?” sang by Trúc Mai, as well as, “N?ng Chi?u” by Lê Tr?ng Nguy?n.
In addition to the variety of melodies, Volume 3 also shows the diversity of genres found in old Southern music by introducing songs that praise the homeland such as “Tình Reo Trên Sóng Lúa Vàng” by Thanh Lan, praising peace in “Xin Cho Tôi Gi?c M?ng Bình Yên” by Thanh Tuy?n, witty music in “C?u C? Lên Thành” by Connie Kim.
Volume 3 closes with the song “Xuân Mu?n” (Late Spring), performed by Hoàng Oanh. The song talks about the end of a lunar year - a cycle of heaven and earth, the end of sad stories and opens up new hopes for more positive things to come.
Finally, the face of the movie star Ki?u Chinh is chosen to grace the cover image of Saigon Supersound 3rd Volume. Although she may not have had any direct relations related to music, more than 50 years ago, Ki?u Chinh's image appeared many times on the covers of various music sheets. The image of Ki?u Chinh was chosen for the mix of Eastern and Western cultures present in her life and career that mirrored the music of that era. These songs, with melodies originating from Europe, the Americas and Africa have been an integral part of Vietnamese music since the 1960s.
Tracklist:
A1. Thý T.nh Cho Em - Mai L. Huy.n
A2. Tu. Anh Tu. Em - Hùng Cý.ng
A3. Anh Ðâu Em Ðó - Connie Kim
A4. Ði.u Ru Ný.c M.t - Carol Kim
A5. Ngý.i Hành Hýõng Trên ..nh Núi - Khánh Ly
B1. B.c Thý T.nh Trên Lô C.t - Ban Sao Bãng
B2. C.u C. Lên Thành - Connie Kim
B3. T.nh Reo Trên Sóng Lúa Vàng - Thanh Lan
B4. Xin Cho Tôi Gi.c M.ng B.nh Yên - ThanhTuy.n
B5. N.ng Chi.u - Sõn Ca
C1. Ð.ng Quên Anh Là Lính - Trý.ng H.i
C2. B.n nh.c không tên - Ban Nh.c Lê Vãn Thi.n
C3. Mýa Bay Trong Ð.i - Duy Khánh
C4. Hàn M.c T. - Trúc Mai
C5. N.u Anh V. Bên Em - Mai Hýõng
D1. G.i Ngý.i Em Nh. - Duy Quang
D2. H.nh .nh Ngý.i Em Không Ð.i - Thanh Lan
D3. Trách Yêu - Hùng Cý.ng & Mai L. Huy.n
D4. T.nh Anh T.nh Em - Túy Phý.ng
D5 .Xuân Mu.n (Chi.u 30 T.t) - Hoàng Oanh
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2 x Vinyl LP, Gatefold, OBI, Printed innersleeves
Saigon Supersound is delighted to present the 3rd and final volume of its pre-1975 Southern Vietnamese music collection. A curated collection of music from Saigon during the 1960s and early 1970s. The music has been restored and remastered in order to present listeners with audio quality on par with its original quality upon release more than half a century ago.
The first few songs in this Volume are songs Vietnamese people used to call “Stimulus Music” or “Action Music”. These are songs that borrow vibrant melodies, inspired by the west, performed by the best representatives of this genre. In addition, this volume includes songs, famous in clubs both past and present like “N?u Anh V? Bên Em” by Mai Huong and “Hình ?nh Ngu?i Em Không Ð?i” by Thanh Lan.
Many believe that "Southern Golden Music" is just popular music, simply because it "pleases the listener". Volume 3 include melodies most Vietnamese might have considered “unpopular”, but popular with “golden music” lovers. Today, people often call “gold music” bolero music, because this is the most popular style found in this golden era of music. In this volume, Saigon Supersound have selected typical bolero songs like,“Hàn M?c T?” sang by Trúc Mai, as well as, “N?ng Chi?u” by Lê Tr?ng Nguy?n.
In addition to the variety of melodies, Volume 3 also shows the diversity of genres found in old Southern music by introducing songs that praise the homeland such as “Tình Reo Trên Sóng Lúa Vàng” by Thanh Lan, praising peace in “Xin Cho Tôi Gi?c M?ng Bình Yên” by Thanh Tuy?n, witty music in “C?u C? Lên Thành” by Connie Kim.
Volume 3 closes with the song “Xuân Mu?n” (Late Spring), performed by Hoàng Oanh. The song talks about the end of a lunar year - a cycle of heaven and earth, the end of sad stories and opens up new hopes for more positive things to come.
Finally, the face of the movie star Ki?u Chinh is chosen to grace the cover image of Saigon Supersound 3rd Volume. Although she may not have had any direct relations related to music, more than 50 years ago, Ki?u Chinh's image appeared many times on the covers of various music sheets. The image of Ki?u Chinh was chosen for the mix of Eastern and Western cultures present in her life and career that mirrored the music of that era. These songs, with melodies originating from Europe, the Americas and Africa have been an integral part of Vietnamese music since the 1960s.
Tracklist:
A1. Thý T.nh Cho Em - Mai L. Huy.n
A2. Tu. Anh Tu. Em - Hùng Cý.ng
A3. Anh Ðâu Em Ðó - Connie Kim
A4. Ði.u Ru Ný.c M.t - Carol Kim
A5. Ngý.i Hành Hýõng Trên ..nh Núi - Khánh Ly
B1. B.c Thý T.nh Trên Lô C.t - Ban Sao Bãng
B2. C.u C. Lên Thành - Connie Kim
B3. T.nh Reo Trên Sóng Lúa Vàng - Thanh Lan
B4. Xin Cho Tôi Gi.c M.ng B.nh Yên - ThanhTuy.n
B5. N.ng Chi.u - Sõn Ca
C1. Ð.ng Quên Anh Là Lính - Trý.ng H.i
C2. B.n nh.c không tên - Ban Nh.c Lê Vãn Thi.n
C3. Mýa Bay Trong Ð.i - Duy Khánh
C4. Hàn M.c T. - Trúc Mai
C5. N.u Anh V. Bên Em - Mai Hýõng
D1. G.i Ngý.i Em Nh. - Duy Quang
D2. H.nh .nh Ngý.i Em Không Ð.i - Thanh Lan
D3. Trách Yêu - Hùng Cý.ng & Mai L. Huy.n
D4. T.nh Anh T.nh Em - Túy Phý.ng
D5 .Xuân Mu.n (Chi.u 30 T.t) - Hoàng Oanh
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Carol Kim - - Sài Gòn
2
Various Artists - Son Ca - Khi Tình Yêu Ð?n
3
Various Artists - Vân Son - Cô Tây Ðen
4
Various Artists - Elvis Phuong - Loan M?t Nhung
5
Various Artists - Thanh Tuyen - Con Gái Coa Ma
6
Thanh Thúy - Trang Me Bên Suei
7
Phuong Dung - Khúc Hát Ân Tình
8
Thanh Lan - Sáng Reng
9
Son Ca - Thôn Trang Me Hei Trang Tròn
10
Túy Phueng - Xin Le Cuei Em
11
Champagne - Funky Do
12
Hùng Cueng - Tei Anh Hay Tei Em
13
Connie Kim - Túp Leu Lý Tueng
14
Trueng Hui - Ðueng Lên Non
15
Mai Le Huyen - Nhe Mình Anh Thôi
16
Lu Thu - Meng Neng Xuân Ve
17
Phuong Dung - Nheng Ðei Hoa Sim
18
Kích Ðung Nhac AVT - Lo Tho To Liau
Territories: WORLD minus FR
CD
GENRE/S:
World / Asian / Funk / Rock / Nhac Vang / Reissue
SHORT INFO:
Saigon Supersound wird fortgesetzt um weitere interessante Melodien aus einer musikalischen Ära zu präsentieren, die lange Zeit im Dunkeln lag. Nach dem interntional gut aufgenommenen Release von Volume 1 freuen wir uns sehr, tiefer zu diggen und interessante Musik einer kurzen, aber bedeutenden Periode in der Geschichte Vietnams zu teilen.
Diesmal beschränkt sich die Auswahl der Titel auf die Zeit zwischen 1964 - 1975, das sogenannte "Goldene Zeitalter", in dem es im Süden Vietnams unter schwierigen Umständen eine lebendige Popkultur gab.
Für uns ist diese Geschichte mit Vol. 1 noch nicht zu Ende erzählt. Einige musikalische Facetten sind noch nicht beleuchtet, auch aus Mangel an qualitativ, geeignetem Ausgangsmaterial zur Aufarbeitung/Restaurierung. In der Zwischenzeit und vor allem durch die große Resonanz, die wir mit Vol. 1 in Vietnam erhalten haben (wir konnten zur Veröffentlichung Shows in den drei größten Städten Vietnams organisieren) und auch auf Festivals, die wir in London und Paris gespielt haben, haben sich neue Türen geöffnet und uns die Möglichkeit gegeben, Vol. 2 so zu gestalten, wie wir es uns wünschen.
VITAL SALES POINTS:
Erneut Features in FAZ / TAZ u.a.
- In der Auswahl für "Deutsche Schallplattenkritik" 2018
TRACKLISTS:
1 Carol Kim - Sài Gòn
2 Son Ca - Khi Tình Yêu Ðen
3 Vân Son - Cô Tây Ðen
4 Elvis Phuong - Loan Met Nhung
5 Thanh Tuyen - Con Gái Cea Me
6 Thanh Thúy - Trang Me Bên Suei
7 Phuong Dung - Khúc Hát Ân Tình
8 Thanh Lan - Sáng Reng
9 Son Ca - Thôn Trang Me Hei Trang Tròn
10 Túy Phueng - Xin Le Cuei Em
11 Champagne - Funky Do
12 Hùng Cueng - Tei Anh Hay Tei Em
13 Connie Kim - Túp Leu Lý Tueng
14 Trueng Hui - Ðueng Lên Non
15 Mai Le Huyen - Nhe Mình Anh Thôi
16 Lu Thu - Meng Neng Xuân Ve
17 Phuong Dung - Nheng Ðei Hoa Sim
18 Kích Ðung Nhac AVT - Lo Tho To Liau
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
CD
GENRE/S:
World / Asian / Funk / Rock / Nhac Vang / Reissue
SHORT INFO:
Saigon Supersound wird fortgesetzt um weitere interessante Melodien aus einer musikalischen Ära zu präsentieren, die lange Zeit im Dunkeln lag. Nach dem interntional gut aufgenommenen Release von Volume 1 freuen wir uns sehr, tiefer zu diggen und interessante Musik einer kurzen, aber bedeutenden Periode in der Geschichte Vietnams zu teilen.
Diesmal beschränkt sich die Auswahl der Titel auf die Zeit zwischen 1964 - 1975, das sogenannte "Goldene Zeitalter", in dem es im Süden Vietnams unter schwierigen Umständen eine lebendige Popkultur gab.
Für uns ist diese Geschichte mit Vol. 1 noch nicht zu Ende erzählt. Einige musikalische Facetten sind noch nicht beleuchtet, auch aus Mangel an qualitativ, geeignetem Ausgangsmaterial zur Aufarbeitung/Restaurierung. In der Zwischenzeit und vor allem durch die große Resonanz, die wir mit Vol. 1 in Vietnam erhalten haben (wir konnten zur Veröffentlichung Shows in den drei größten Städten Vietnams organisieren) und auch auf Festivals, die wir in London und Paris gespielt haben, haben sich neue Türen geöffnet und uns die Möglichkeit gegeben, Vol. 2 so zu gestalten, wie wir es uns wünschen.
VITAL SALES POINTS:
Erneut Features in FAZ / TAZ u.a.
- In der Auswahl für "Deutsche Schallplattenkritik" 2018
TRACKLISTS:
1 Carol Kim - Sài Gòn
2 Son Ca - Khi Tình Yêu Ðen
3 Vân Son - Cô Tây Ðen
4 Elvis Phuong - Loan Met Nhung
5 Thanh Tuyen - Con Gái Cea Me
6 Thanh Thúy - Trang Me Bên Suei
7 Phuong Dung - Khúc Hát Ân Tình
8 Thanh Lan - Sáng Reng
9 Son Ca - Thôn Trang Me Hei Trang Tròn
10 Túy Phueng - Xin Le Cuei Em
11 Champagne - Funky Do
12 Hùng Cueng - Tei Anh Hay Tei Em
13 Connie Kim - Túp Leu Lý Tueng
14 Trueng Hui - Ðueng Lên Non
15 Mai Le Huyen - Nhe Mình Anh Thôi
16 Lu Thu - Meng Neng Xuân Ve
17 Phuong Dung - Nheng Ðei Hoa Sim
18 Kích Ðung Nhac AVT - Lo Tho To Liau
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Saigon Soul Revival - Ði Xa Ð.i Nhau
2
Saigon Soul Revival - Hào Hoa feat. Blacka
3
Saigon Soul Revival - Nhân Gian T.nh
4
Saigon Soul Revival - V. M.ng ân T.nh Nguy.n feat. Th. H.i Phý.ng
5
Saigon Soul Revival - Tenh Nhec Se
6
Saigon Soul Revival - Seu Ðông
7
Saigon Soul Revival - Giây Phút Cuei Tuen feate Mai Le Huyen
8
Saigon Soul Revival - Nào Ta Cùng Hát
9
Saigon Soul Revival - Bài Ca Ngông
10
Saigon Soul Revival - Chuen Chuen Xanh (Hea teu) feate Nguyen The Hei Phýeng
11
Saigon Soul Revival - Chen Tenh Xýa
Territories: WORLD minus FR
GENRE/S:
Rock / Funk / Soul / Asian / World
SHORT INFO:
ENGLISH
Ho Chi Minh City based band, Saigon Soul Revival has been bringing alternative pre 1975 music from Saigon back to the stage since 2016 with their live performances. Honouring the original composers, singers and the golden era from which this music (Nh?c Vàng) came while applying new arrangements and interpretations of old Vietnamese songs. With tight grooves, psychedelic textures and a powerful unique sound, SSR has performed countless shows at a variety of venues across Vietnam. In 2017 they also took part in the nationally known "Ban Nh?c Vi?t" (known in the west as "The Band") TV format and and accompanied live the two release tours to the Saigon Supersound Compilation releases.
With support from *British Council's FAMLAB Fund initiative they started to create own compositions in the same vein for their debut album "H?a Âm X?a" that was produce by Jan Hagenkötter and released in 2019 on the Saigon Supersound Imprint. The album was recorded in Vietnam with additional guests like the famous (pre 1975) Vietnamese singer Mai L? Huy?n and the current popular Saigonese rapper "Blacka" (2022 finalist of Vietnam's most successful
TV show "Rap Vi?t") in order to combine the old sound with the new sound of Saigon. Some compositions include traditional Vietnamese instruments like the ?àn Nguy?t or the ?àn tranh & ?àn b?u which is played by famous traditionally-trained musician Th? H?i Ph??ng on the album. This fusion distinguishes it from the original recordings of the 60s and 70s and has resulted in a unique and contemporary sound. Their debut album "Hoa Am Xua" gained international success. Among many other media features It was nominated for the SONGLINES MUSIC AWARDS 2021 in the UK ! and received massive radio airplay and rotations on Radio FIP in France.
All members of the band are of Vietnamese background or have a strong connection to its culture and heritage through loved ones and their time spent in the country. Their music focuses on compositions that fuse Vietnamese lyrics and sounds with influences of western rock, soul, bolero, tango and other popular genres of this time period, most of which was banned after the war. This project strives to revive this beautiful musical heritage of Vietnam which represents an important cultural bridge between east and west.
Video LINK: https://www.youtube.com/watch?v=jdLT4gwBLvk
DEUTSCH
Die in Ho-Chi-Minh-Stadt ansässige Band Saigon Soul Revival bringt seit 2016 mit ihren Live-Auftritten die alternative Musik aus Saigon vor 1975 zurück auf die Bühne. Sie ehren die ursprünglichen Komponisten, Sänger und die goldene Ära, aus der diese Musik (Nh?c Vàng) stammt, während sie neue Arrangements und Interpretationen alter vietnamesischer Lieder verwenden. Mit knackigen Grooves, psychedelischen Texturen und einem kraftvollen, einzigartigen Sound hat SSR unzählige Auftritte an verschiedenen Veranstaltungsorten in ganz Vietnam absolviert. Im Jahr 2017 nahmen sie auch an dem landesweit bekannten TV-Format "Ban Nh?c Vi?t" (im Westen als "The Band" bekannt) teil und begleiteten live die beiden Release-Touren zu den Saigon Supersound Compilation-Veröffentlichungen.
Mit Unterstützung der *British Council's FAMLAB Fund Initiative begannen sie, eigene Kompositionen in der gleichen Art und Weise für ihr Debütalbum "H?a Âm X?a" zu kreieren, das von Jan Hagenkötter produziert und 2019 auf dem Saigon Supersound Imprint veröffentlicht wurde. Das Album wurde in Vietnam aufgenommen, mit zusätzlichen Gästen wie der berühmten (vor 1975) vietnamesischen Sängerin Mai L? Huy?n und dem aktuell sehr populären saigonesischen Rapper "Blacka" (2022 Finalist von Vietnams erfolgreichster
TV-Show "Rap Vi?t"), um den alten Sound mit dem neuen Sound von Saigon zu verbinden. Einige Kompositionen enthalten traditionelle vietnamesische Instrumente wie die ?àn Nguy?t oder die ?àn Tranh & ?àn B?u, die von demr berühmten, traditionell ausgebildeten Musiker Th? H?i Ph??ng auf dem Album gespielt wird. Diese Fusion unterscheidet es von den Originalaufnahmen der 60er und 70er Jahre und hat zu einem einzigartigen und zeitgenössischen Sound geführt. Ihr Debütalbum "Hoa Am Xua" ist ein internationaler Erfolg. Neben vielen anderen Medienberichten wurde es für die SONGLINES MUSIC AWARDS 2021 in Großbritannien nominiert und erhielt massives Radio Airplay u.a, von Iggy Pop in seiner BBC Radio Show sowie Rotationen auf Radio FIP in Frankreich.
Alle Mitglieder der Band sind vietnamesischer Herkunft oder haben eine starke Verbindung zur vietnamesischen Kultur und zum vietnamesischen Erbe durch geliebte Menschen und ihre im Land verbrachte Zeit. Ihre Musik konzentriert sich auf Kompositionen, die vietnamesische Texte und Klänge mit Einflüssen von westlichem Rock, Soul, Bolero, Tango und anderen populären Genres dieser Zeit verbinden, von denen die meisten nach dem Krieg verboten wurden. Mit diesem Projekt soll dieses wunderschöne musikalische Erbe Vietnams, das eine wichtige kulturelle Brücke zwischen Ost und West darstellt, wiederbelebt werden.
Video LINK: https://www.youtube.com/watch?v=jdLT4gwBLvk
TRACKLISTS:
A1 Ði Xa Ðei Nhau
A2 Hào Hoa feate Blacka
A3 Nhân Gian Tenh
A4 Ve Meng ân Tenh Nguyen feate The Hei Phýeng
A5 Tenh Nhec Se
A6 Seu Ðông
B1 Giây Phút Cuei Tuen feate Mai Le Huyen
B2 Nào Ta Cùng Hát
B3 Bài Ca Ngông
B4 Chuen Chuen Xanh (Hea teu) feate Nguyen The Hei Phýeng
B5 Chen Tenh Xýa
VITAL SALES POINTS:
…The five-piece band's background is as diverse as can be, but they all share the same fascination with this era of Vietnamese music. Two tracks, 'Vo Mong An Tinh' and 'Chuon Chuon Xanh,' employ the unique sounds of Vietnamese instruments performed by traditional musician Nguyen Thi Hai Phuong. Phuong lent her expertise on ?àn tranh, ?àn nguy??t and ?àn bâ?u to the record, creating a fascinating mix of influences across eras and genres. (SAIGONEER - Vietnam 11/2019)
Le label allemand sort le 8 novembre H?a Âm X?a, le premier album de Saigon Soul Revival, quintet d'Hô-Chi-Minh-Ville qui se réapproprie avec modernité la richesse de cet "âge d'or" musical. (- several titles are on rotation) (RADIO FIP - France 11/2019 )
S? h?u 5 thành viên ?a qu?c t?ch, ??n t? nhi?u n?i trên th? gi?i, Saigon Soul Revival gây ?n t??ng m?nh cho khán gi? b?i nét ??c ?áo không tr?n l?n. Càng ??c bi?t h?n, khi nhóm quy?t ??nh ch?n cover các ca khúc vang bóng m?t th?i, và sáng tác nhi?u tác ph?m m?i có giai ?i?u, tinh th?n ?úng v?i ch?t nh?c th?i ?i?m n?m 60, 70 c?a th? k? tr??c. (Tu?i Tr? - Vietnam 12/2020)
…The tight, polished arrangements suggest a band that have earned their stripes on the live circuit. Managing to avoid the "tribute" band" trap, they do a good job of breathing new life into stifled vein of Vietnamese pop culture / TOP OF THE WORLD REVIEW (as best asian album in April 2020) (SONGLINES - United Kingdom 04/2020)
…Saigon Soul Revival widmet sich also dem goldenen Zeitalter, alles in allem mit Gewinn, es belebt nicht nur wieder, sondern gestaltet auch neu.
Darum sind neben Interpretationen auch eigene Stücke vorhanden…Damit treffen sie die goldene Mitte: Erhalt des Alten und bestenfalls eine Motivation für junge Vietnamesen, weniger Plastik zu konsumieren.
(TAGESZEITUNG/TAZ - Germany 01/2020)
...su vocalista no trata de imitar a las féminas anglos sino que su deje y forma se encuentra más enraizada con la delicadeza y sensibilidad asiática…(ARCADIA NEGRA - Spain 11/2019)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
GENRE/S:
Rock / Funk / Soul / Asian / World
SHORT INFO:
ENGLISH
Ho Chi Minh City based band, Saigon Soul Revival has been bringing alternative pre 1975 music from Saigon back to the stage since 2016 with their live performances. Honouring the original composers, singers and the golden era from which this music (Nh?c Vàng) came while applying new arrangements and interpretations of old Vietnamese songs. With tight grooves, psychedelic textures and a powerful unique sound, SSR has performed countless shows at a variety of venues across Vietnam. In 2017 they also took part in the nationally known "Ban Nh?c Vi?t" (known in the west as "The Band") TV format and and accompanied live the two release tours to the Saigon Supersound Compilation releases.
With support from *British Council's FAMLAB Fund initiative they started to create own compositions in the same vein for their debut album "H?a Âm X?a" that was produce by Jan Hagenkötter and released in 2019 on the Saigon Supersound Imprint. The album was recorded in Vietnam with additional guests like the famous (pre 1975) Vietnamese singer Mai L? Huy?n and the current popular Saigonese rapper "Blacka" (2022 finalist of Vietnam's most successful
TV show "Rap Vi?t") in order to combine the old sound with the new sound of Saigon. Some compositions include traditional Vietnamese instruments like the ?àn Nguy?t or the ?àn tranh & ?àn b?u which is played by famous traditionally-trained musician Th? H?i Ph??ng on the album. This fusion distinguishes it from the original recordings of the 60s and 70s and has resulted in a unique and contemporary sound. Their debut album "Hoa Am Xua" gained international success. Among many other media features It was nominated for the SONGLINES MUSIC AWARDS 2021 in the UK ! and received massive radio airplay and rotations on Radio FIP in France.
All members of the band are of Vietnamese background or have a strong connection to its culture and heritage through loved ones and their time spent in the country. Their music focuses on compositions that fuse Vietnamese lyrics and sounds with influences of western rock, soul, bolero, tango and other popular genres of this time period, most of which was banned after the war. This project strives to revive this beautiful musical heritage of Vietnam which represents an important cultural bridge between east and west.
Video LINK: https://www.youtube.com/watch?v=jdLT4gwBLvk
DEUTSCH
Die in Ho-Chi-Minh-Stadt ansässige Band Saigon Soul Revival bringt seit 2016 mit ihren Live-Auftritten die alternative Musik aus Saigon vor 1975 zurück auf die Bühne. Sie ehren die ursprünglichen Komponisten, Sänger und die goldene Ära, aus der diese Musik (Nh?c Vàng) stammt, während sie neue Arrangements und Interpretationen alter vietnamesischer Lieder verwenden. Mit knackigen Grooves, psychedelischen Texturen und einem kraftvollen, einzigartigen Sound hat SSR unzählige Auftritte an verschiedenen Veranstaltungsorten in ganz Vietnam absolviert. Im Jahr 2017 nahmen sie auch an dem landesweit bekannten TV-Format "Ban Nh?c Vi?t" (im Westen als "The Band" bekannt) teil und begleiteten live die beiden Release-Touren zu den Saigon Supersound Compilation-Veröffentlichungen.
Mit Unterstützung der *British Council's FAMLAB Fund Initiative begannen sie, eigene Kompositionen in der gleichen Art und Weise für ihr Debütalbum "H?a Âm X?a" zu kreieren, das von Jan Hagenkötter produziert und 2019 auf dem Saigon Supersound Imprint veröffentlicht wurde. Das Album wurde in Vietnam aufgenommen, mit zusätzlichen Gästen wie der berühmten (vor 1975) vietnamesischen Sängerin Mai L? Huy?n und dem aktuell sehr populären saigonesischen Rapper "Blacka" (2022 Finalist von Vietnams erfolgreichster
TV-Show "Rap Vi?t"), um den alten Sound mit dem neuen Sound von Saigon zu verbinden. Einige Kompositionen enthalten traditionelle vietnamesische Instrumente wie die ?àn Nguy?t oder die ?àn Tranh & ?àn B?u, die von demr berühmten, traditionell ausgebildeten Musiker Th? H?i Ph??ng auf dem Album gespielt wird. Diese Fusion unterscheidet es von den Originalaufnahmen der 60er und 70er Jahre und hat zu einem einzigartigen und zeitgenössischen Sound geführt. Ihr Debütalbum "Hoa Am Xua" ist ein internationaler Erfolg. Neben vielen anderen Medienberichten wurde es für die SONGLINES MUSIC AWARDS 2021 in Großbritannien nominiert und erhielt massives Radio Airplay u.a, von Iggy Pop in seiner BBC Radio Show sowie Rotationen auf Radio FIP in Frankreich.
Alle Mitglieder der Band sind vietnamesischer Herkunft oder haben eine starke Verbindung zur vietnamesischen Kultur und zum vietnamesischen Erbe durch geliebte Menschen und ihre im Land verbrachte Zeit. Ihre Musik konzentriert sich auf Kompositionen, die vietnamesische Texte und Klänge mit Einflüssen von westlichem Rock, Soul, Bolero, Tango und anderen populären Genres dieser Zeit verbinden, von denen die meisten nach dem Krieg verboten wurden. Mit diesem Projekt soll dieses wunderschöne musikalische Erbe Vietnams, das eine wichtige kulturelle Brücke zwischen Ost und West darstellt, wiederbelebt werden.
Video LINK: https://www.youtube.com/watch?v=jdLT4gwBLvk
TRACKLISTS:
A1 Ði Xa Ðei Nhau
A2 Hào Hoa feate Blacka
A3 Nhân Gian Tenh
A4 Ve Meng ân Tenh Nguyen feate The Hei Phýeng
A5 Tenh Nhec Se
A6 Seu Ðông
B1 Giây Phút Cuei Tuen feate Mai Le Huyen
B2 Nào Ta Cùng Hát
B3 Bài Ca Ngông
B4 Chuen Chuen Xanh (Hea teu) feate Nguyen The Hei Phýeng
B5 Chen Tenh Xýa
VITAL SALES POINTS:
…The five-piece band's background is as diverse as can be, but they all share the same fascination with this era of Vietnamese music. Two tracks, 'Vo Mong An Tinh' and 'Chuon Chuon Xanh,' employ the unique sounds of Vietnamese instruments performed by traditional musician Nguyen Thi Hai Phuong. Phuong lent her expertise on ?àn tranh, ?àn nguy??t and ?àn bâ?u to the record, creating a fascinating mix of influences across eras and genres. (SAIGONEER - Vietnam 11/2019)
Le label allemand sort le 8 novembre H?a Âm X?a, le premier album de Saigon Soul Revival, quintet d'Hô-Chi-Minh-Ville qui se réapproprie avec modernité la richesse de cet "âge d'or" musical. (- several titles are on rotation) (RADIO FIP - France 11/2019 )
S? h?u 5 thành viên ?a qu?c t?ch, ??n t? nhi?u n?i trên th? gi?i, Saigon Soul Revival gây ?n t??ng m?nh cho khán gi? b?i nét ??c ?áo không tr?n l?n. Càng ??c bi?t h?n, khi nhóm quy?t ??nh ch?n cover các ca khúc vang bóng m?t th?i, và sáng tác nhi?u tác ph?m m?i có giai ?i?u, tinh th?n ?úng v?i ch?t nh?c th?i ?i?m n?m 60, 70 c?a th? k? tr??c. (Tu?i Tr? - Vietnam 12/2020)
…The tight, polished arrangements suggest a band that have earned their stripes on the live circuit. Managing to avoid the "tribute" band" trap, they do a good job of breathing new life into stifled vein of Vietnamese pop culture / TOP OF THE WORLD REVIEW (as best asian album in April 2020) (SONGLINES - United Kingdom 04/2020)
…Saigon Soul Revival widmet sich also dem goldenen Zeitalter, alles in allem mit Gewinn, es belebt nicht nur wieder, sondern gestaltet auch neu.
Darum sind neben Interpretationen auch eigene Stücke vorhanden…Damit treffen sie die goldene Mitte: Erhalt des Alten und bestenfalls eine Motivation für junge Vietnamesen, weniger Plastik zu konsumieren.
(TAGESZEITUNG/TAZ - Germany 01/2020)
...su vocalista no trata de imitar a las féminas anglos sino que su deje y forma se encuentra más enraizada con la delicadeza y sensibilidad asiática…(ARCADIA NEGRA - Spain 11/2019)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Carol Kim - Tình Ta Nhu Lua Ðom Hoa
2
Hùng Cung & Mai Le Huyen - Song Cho Nhau
3
Duy Quang & Thái Hion - Mong Ve Quê
4
Thanh Vu - N.u Mình Còn Yêu Nhau
5
Connie Kim - Lý Luan Tình Yêu
6
Hòa tau - Pho Ðêm
7
Phuong Mai - Mùa Xuân Gui Em
8
Khánh Ly - Di.m Xua
9
Kim Loan - Can Nhà Ngo.i Ô
10
Thanh Thuý & Van Thanh & Hoàng Liêm & Th - Ðoàn Ngu La Tho
11
Kiau Oanh - Ðêm Cu.i Cùng
12
Thanh Lan, Châu Hà & Thanh Mai - Hát M.ng Xuân
13
Mai L. Huy.n - Có Ai Trên Ð.i Mà Không Yêu
14
Vân Son & Thùy Dung - Ch.n M.t G.i Vàng
15
Hoàng Oanh - Mùa G.t M.i
16
Thanh Lan - Tình Ðêm Liên Hoan
17
Phuong Dung - Vòng Tay Gi. Tr.n Ân Tình
18
Ng.c Giàu - 7 câu v.ng c. chúc T.t
Territories: WORLD minus FR
World / Asian / Funk / Rock / Nhac Vang / Reissue
SHORT INFO:
DEUTSCH
Was 2012 als Idee begann, wurde mit der Veröffentlichung von SAIGON SUPERSOUND Vol.1, zusammengestellt von Jan Hagenkötter, Realität. Eine Compilation über die Geschichte einer fast verlorenen musikalischen Ära in Vietnam, bestehend aus Tracks aus den Jahren 1965 bis 1975, der sogenannten "Goldenen Musik"-Periode im Süden Vietnams, in der sich - unter schwierigen Umständen - eine lebendige Popkultur entwickelt hatte. Diese Periode ist gekennzeichnet durch die Verschmelzung vietnamesischer Musik mit westlicher Popmusik Mit der Veröffentlichung von Saigon Supersound Vol. 1 im Mai 2017 wird die Geschichte dieser fast unbekannten Musik zum ersten Mal neu aufgelegt. Einige Stücke werden zum allerersten Mal wiederveröffentlicht, oder überhaupt auf Vinyl veröffentlicht seit sie ursprünglich auf R2R-Tonband oder 7" Vinyl veröffentlicht wurden. ??
ENGLISH
What started as an idea in 2012 became reality with the release of SAIGON SUPERSOUND Vol.1, compiled by Jan Hagenkötter. A compilation about the story of a musical era in Vietnam that was almost lost, made of tracks from 1965 to 1975, the so-called "Golden Music" period in the south of Vietnam, where - under difficult circumstances - a lively pop culture had developed. This period is characterized by the fusion of Vietnamese music with western pop music. With the release of Saigon Supersound Vol. 1 in May 2017 the story of this nearly unknown music will be reissued for the first time. The compilation includes some tunes reissued for the very first time since they´ve been released originally. Some tunes even for the very first time on Vinyl since they ?ve been released originaly on reel 2 reel tape only.
VITAL SALES POINTS:
Artikel und Features in FAZ / SZ / MINT Special (9 Seiten) / TAZ / JAZZTHING / u.a.
Radio Specials/Interview: WDR "Cosmo" / SWR2 "Talking Music" u.a.
TRACKLISTS:
A1. Tình Ta Nhu Lua Ðom Hoa - Carol Kim
A2. Song Cho Nhau - Hùng Cung & Mai Le Huyen
A3. Mong Ve Quê - Duy Quang & Thái Hi.n
A4. N.u Mình Còn Yêu Nhau - Thanh Vu
B1. Lý Luan Tình Yêu - Connie Kim
B2. Ph. Ðêm - Hòa t.u
B3. Mùa Xuân G.i Em - Phu.ng Mai
B4. Di.m Xua - Khánh Ly
B5. Can Nhà Ngo.i Ô - Kim Loan
C1. Ðoàn Ngu.i L. Th. - Thanh Thuý & Van Thanh & Hoàng Liêm & Thanh Mai
C2. Ðêm Cu.i Cùng - Ki.u Oanh
C3. Hát M.ng Xuân - Thanh Lan, Châu Hà & Thanh Mai
C4. Có Ai Trên Ð.i Mà Không Yêu - Mai L. Huy.n
D1. Ch.n M.t G.i Vàng - Vân Son & Thùy Dung
D2. Mùa G.t M.i - Hoàng Oanh
D3. Tình Ðêm Liên Hoan - Thanh Lan
D4. Vòng Tay Gi. Tr.n Ân Tình - Phuong Dung
D5. 7 câu v.ng c. chúc T.t - Ng.c Giàu
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
World / Asian / Funk / Rock / Nhac Vang / Reissue
SHORT INFO:
DEUTSCH
Was 2012 als Idee begann, wurde mit der Veröffentlichung von SAIGON SUPERSOUND Vol.1, zusammengestellt von Jan Hagenkötter, Realität. Eine Compilation über die Geschichte einer fast verlorenen musikalischen Ära in Vietnam, bestehend aus Tracks aus den Jahren 1965 bis 1975, der sogenannten "Goldenen Musik"-Periode im Süden Vietnams, in der sich - unter schwierigen Umständen - eine lebendige Popkultur entwickelt hatte. Diese Periode ist gekennzeichnet durch die Verschmelzung vietnamesischer Musik mit westlicher Popmusik Mit der Veröffentlichung von Saigon Supersound Vol. 1 im Mai 2017 wird die Geschichte dieser fast unbekannten Musik zum ersten Mal neu aufgelegt. Einige Stücke werden zum allerersten Mal wiederveröffentlicht, oder überhaupt auf Vinyl veröffentlicht seit sie ursprünglich auf R2R-Tonband oder 7" Vinyl veröffentlicht wurden. ??
ENGLISH
What started as an idea in 2012 became reality with the release of SAIGON SUPERSOUND Vol.1, compiled by Jan Hagenkötter. A compilation about the story of a musical era in Vietnam that was almost lost, made of tracks from 1965 to 1975, the so-called "Golden Music" period in the south of Vietnam, where - under difficult circumstances - a lively pop culture had developed. This period is characterized by the fusion of Vietnamese music with western pop music. With the release of Saigon Supersound Vol. 1 in May 2017 the story of this nearly unknown music will be reissued for the first time. The compilation includes some tunes reissued for the very first time since they´ve been released originally. Some tunes even for the very first time on Vinyl since they ?ve been released originaly on reel 2 reel tape only.
VITAL SALES POINTS:
Artikel und Features in FAZ / SZ / MINT Special (9 Seiten) / TAZ / JAZZTHING / u.a.
Radio Specials/Interview: WDR "Cosmo" / SWR2 "Talking Music" u.a.
TRACKLISTS:
A1. Tình Ta Nhu Lua Ðom Hoa - Carol Kim
A2. Song Cho Nhau - Hùng Cung & Mai Le Huyen
A3. Mong Ve Quê - Duy Quang & Thái Hi.n
A4. N.u Mình Còn Yêu Nhau - Thanh Vu
B1. Lý Luan Tình Yêu - Connie Kim
B2. Ph. Ðêm - Hòa t.u
B3. Mùa Xuân G.i Em - Phu.ng Mai
B4. Di.m Xua - Khánh Ly
B5. Can Nhà Ngo.i Ô - Kim Loan
C1. Ðoàn Ngu.i L. Th. - Thanh Thuý & Van Thanh & Hoàng Liêm & Thanh Mai
C2. Ðêm Cu.i Cùng - Ki.u Oanh
C3. Hát M.ng Xuân - Thanh Lan, Châu Hà & Thanh Mai
C4. Có Ai Trên Ð.i Mà Không Yêu - Mai L. Huy.n
D1. Ch.n M.t G.i Vàng - Vân Son & Thùy Dung
D2. Mùa G.t M.i - Hoàng Oanh
D3. Tình Ðêm Liên Hoan - Thanh Lan
D4. Vòng Tay Gi. Tr.n Ân Tình - Phuong Dung
D5. 7 câu v.ng c. chúc T.t - Ng.c Giàu
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Carol Kim - Sai Gon
2
Son Ca - Khi Tinh Yeu Ðên
3
Van Son - Co Tay Ðen
4
Elvis Phýõng - Loan Mãt Nhung
5
Thanh Tuyên - Con Gai Cua Me
6
Thanh Thuy - Trang Mõ Ben Suôi
7
Phuong Dung - Khuc Hat An Tinh
8
Thanh Lan - Sang Rýng
9
Son - Thon Trang Mõ H.i Trang Tron
10
Tuy Phuõng - Xin Lê Cuõi Em
11
Champagne - Funky Do
12
Hùng Cýõng & Mai L. Huyên - Tai Anh Hay Tai Em
13
Connie Kim - Tup Lêu L. Týõng
14
Truõng Hai - Ðuõng Len Non
15
Mai L. Huyên - Nhõ Minh Anh Thoi
16
L. Thu - Mýng Nãng Xuan Vê
17
Phuong Dung - Nhýng Ðôi Hoa Sim
18
Kích Ð.ng Nhac - Lo Tho To Liêu
Territories: WORLD minus FR
- 2LP
- OBI
- Gatefold
- Printed Inner-sleves
GENRE/S:
World / Asian / Funk / Rock / Nhac Vang / Reissue
SHORT INFO:
Saigon Supersound wird fortgesetzt um weitere interessante Melodien aus einer musikalischen Ära zu präsentieren, die lange Zeit im Dunkeln lag. Nach dem interntional gut aufgenommenen Release von Volume 1 freuen wir uns sehr, tiefer zu diggen und interessante Musik einer kurzen, aber bedeutenden Periode in der Geschichte Vietnams zu teilen.
Diesmal beschränkt sich die Auswahl der Titel auf die Zeit zwischen 1964 - 1975, das sogenannte "Goldene Zeitalter", in dem es im Süden Vietnams unter schwierigen Umständen eine lebendige Popkultur gab.
Für uns ist diese Geschichte mit Vol. 1 noch nicht zu Ende erzählt. Einige musikalische Facetten sind noch nicht beleuchtet, auch aus Mangel an qualitativ, geeignetem Ausgangsmaterial zur Aufarbeitung/Restaurierung. In der Zwischenzeit und vor allem durch die große Resonanz, die wir mit Vol. 1 in Vietnam erhalten haben (wir konnten zur Veröffentlichung Shows in den drei größten Städten Vietnams organisieren) und auch auf Festivals, die wir in London und Paris gespielt haben, haben sich neue Türen geöffnet und uns die Möglichkeit gegeben, Vol. 2 so zu gestalten, wie wir es uns wünschen.
VITAL SALES POINTS:
Erneut Features in FAZ / TAZ u.a.
- In der Auswahl für "Deutsche Schallplattenkritik" 2018
TRACKLISTS:
A1. Sai Gon - Carol Kim
A2. Khi Tinh Yeu Ðên - Son Ca
A3. Co Tay Ðen - Van Son
A4. Loan Mãt Nhung - Elvis Phýõng
B1. Con Gai Cua Me - Thanh Tuyên
B2. Trang Mõ Ben Suôi - Thanh Thuy
B3. Khuc Hat An Tinh - Phuong Dung
B4. Sang Rýng - Thanh Lan
C1. Thon Trang Mõ H.i Trang Tron - Son
C2. Xin Lê Cuõi Em - Tuy Phuõng
C3. Funky Do – Champagne
C4. Tai Anh Hay Tai Em - Hùng Cýõng & Mai L. Huyên
C5. Tup Lêu L. Týõng - Connie Kim
D1. Ðuõng Len Non - Truõng Hai
D2. Nhõ Minh Anh Thoi - Mai L. Huyên
D3. Mýng Nãng Xuan Vê - L. Thu
D4. Nhýng Ðôi Hoa Sim - Phuong Dung
D5. Lo Tho To Liêu - Kích Ð.ng Nhac
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
- 2LP
- OBI
- Gatefold
- Printed Inner-sleves
GENRE/S:
World / Asian / Funk / Rock / Nhac Vang / Reissue
SHORT INFO:
Saigon Supersound wird fortgesetzt um weitere interessante Melodien aus einer musikalischen Ära zu präsentieren, die lange Zeit im Dunkeln lag. Nach dem interntional gut aufgenommenen Release von Volume 1 freuen wir uns sehr, tiefer zu diggen und interessante Musik einer kurzen, aber bedeutenden Periode in der Geschichte Vietnams zu teilen.
Diesmal beschränkt sich die Auswahl der Titel auf die Zeit zwischen 1964 - 1975, das sogenannte "Goldene Zeitalter", in dem es im Süden Vietnams unter schwierigen Umständen eine lebendige Popkultur gab.
Für uns ist diese Geschichte mit Vol. 1 noch nicht zu Ende erzählt. Einige musikalische Facetten sind noch nicht beleuchtet, auch aus Mangel an qualitativ, geeignetem Ausgangsmaterial zur Aufarbeitung/Restaurierung. In der Zwischenzeit und vor allem durch die große Resonanz, die wir mit Vol. 1 in Vietnam erhalten haben (wir konnten zur Veröffentlichung Shows in den drei größten Städten Vietnams organisieren) und auch auf Festivals, die wir in London und Paris gespielt haben, haben sich neue Türen geöffnet und uns die Möglichkeit gegeben, Vol. 2 so zu gestalten, wie wir es uns wünschen.
VITAL SALES POINTS:
Erneut Features in FAZ / TAZ u.a.
- In der Auswahl für "Deutsche Schallplattenkritik" 2018
TRACKLISTS:
A1. Sai Gon - Carol Kim
A2. Khi Tinh Yeu Ðên - Son Ca
A3. Co Tay Ðen - Van Son
A4. Loan Mãt Nhung - Elvis Phýõng
B1. Con Gai Cua Me - Thanh Tuyên
B2. Trang Mõ Ben Suôi - Thanh Thuy
B3. Khuc Hat An Tinh - Phuong Dung
B4. Sang Rýng - Thanh Lan
C1. Thon Trang Mõ H.i Trang Tron - Son
C2. Xin Lê Cuõi Em - Tuy Phuõng
C3. Funky Do – Champagne
C4. Tai Anh Hay Tai Em - Hùng Cýõng & Mai L. Huyên
C5. Tup Lêu L. Týõng - Connie Kim
D1. Ðuõng Len Non - Truõng Hai
D2. Nhõ Minh Anh Thoi - Mai L. Huyên
D3. Mýng Nãng Xuan Vê - L. Thu
D4. Nhýng Ðôi Hoa Sim - Phuong Dung
D5. Lo Tho To Liêu - Kích Ð.ng Nhac
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Kenji Kawai - 02 - Ghost Hacker
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Kenji Kawai - 03 - Puppet Master
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Kenji Kawai - 04 - Virtual Crime
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Kenji Kawai - 05 - Ghost City
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Kenji Kawai - 06 - Access
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Kenji Kawai - 09 - Ghost Dive
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Kenji Kawai - 10 - Reincarnation
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Kenji Kawai - 11 - Bonus Track
2024 Repress
- NO SALES TO JAPAN -
Regular Offcial Authorised Vinyl Version, Original Soundtrack, 350g Sleeve, Black Inner, Sticker, 12" 140g Vinyl
- The first ever OFFICIAL vinyl release of the soundtrack for Mamoru Oshii's legendary science fiction anime film GHOST IN THE SHELL (1995).
- LP cut from the original master reels at Emil Berliner Studios, official Ghost in the Shell artwork
Tracklisting LP :
A1 ?I - Making Of Cyborg
A2 Ghosthack
A3 Puppetmaster
A4 Virtual Crime
A5 ?II - Ghost City
B1 Access
B2 Nightstalker
B3 Floating Museum
B4 Ghostdive
B5 ?III - Reincarnation
We Release Whatever The Fuck We Want Records is thrilled and honored to announce the first ever official vinyl pressing of the soundtrack for Mamoru Oshii's critically acclaimed and all around legendary science fiction anime film GHOST IN THE SHELL (1995), adapted from Masamune Shirow's groundbreaking manga series of the same name.
Cut from the original master reels at Emil Berliner Studios (formerly the in-house recording department of renowned classical record label Deutsche Grammophon), the album comes as a LP accompanied by a bonus one-sided 7" housed in official Ghost in the Shell artwork sleeve with silver gilt printing and a Japanese obi, and contains extensive 24-page liner notes.
The haunting score is composed by Kenji Kawai, one of Japan's most celebrated soundtrack composers, alongside Joe Hisaishi and Ry?ichi Sakamoto, whose work includes Hideo Nakata's Ring (1998) and Ring 2 (1999), Death Note (2006), Hong Kong films Seven Swords by Tsui Hark (2005) and Ip Man by Wilson Yip (2008), and countless others. Kawai's compositions see ancient harmonies and percussions uncannily mesh with synthesized sounds of the modern world to convey a sumptuous balance between folklore tradition and futuristic outlook. For its iconic main theme "Making of Cyborg", Kawai had a choir chant a wedding song in ancient Japanese following Bulgarian folk harmonies, setting the standard for a timeless and unparalleled soundtrack that admirably echoes the film's musings on the nature of humanity in a technologically advanced world.
Ghost in the Shell is widely considered one of the best anime films of all time and its influence has been felt in the work of numerous movie directors, including James Cameron (Avatar), the Wachowskis (The Matrix), and Steven Spielberg (AI: Artificial Intelligence).
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
- NO SALES TO JAPAN -
Regular Offcial Authorised Vinyl Version, Original Soundtrack, 350g Sleeve, Black Inner, Sticker, 12" 140g Vinyl
- The first ever OFFICIAL vinyl release of the soundtrack for Mamoru Oshii's legendary science fiction anime film GHOST IN THE SHELL (1995).
- LP cut from the original master reels at Emil Berliner Studios, official Ghost in the Shell artwork
Tracklisting LP :
A1 ?I - Making Of Cyborg
A2 Ghosthack
A3 Puppetmaster
A4 Virtual Crime
A5 ?II - Ghost City
B1 Access
B2 Nightstalker
B3 Floating Museum
B4 Ghostdive
B5 ?III - Reincarnation
We Release Whatever The Fuck We Want Records is thrilled and honored to announce the first ever official vinyl pressing of the soundtrack for Mamoru Oshii's critically acclaimed and all around legendary science fiction anime film GHOST IN THE SHELL (1995), adapted from Masamune Shirow's groundbreaking manga series of the same name.
Cut from the original master reels at Emil Berliner Studios (formerly the in-house recording department of renowned classical record label Deutsche Grammophon), the album comes as a LP accompanied by a bonus one-sided 7" housed in official Ghost in the Shell artwork sleeve with silver gilt printing and a Japanese obi, and contains extensive 24-page liner notes.
The haunting score is composed by Kenji Kawai, one of Japan's most celebrated soundtrack composers, alongside Joe Hisaishi and Ry?ichi Sakamoto, whose work includes Hideo Nakata's Ring (1998) and Ring 2 (1999), Death Note (2006), Hong Kong films Seven Swords by Tsui Hark (2005) and Ip Man by Wilson Yip (2008), and countless others. Kawai's compositions see ancient harmonies and percussions uncannily mesh with synthesized sounds of the modern world to convey a sumptuous balance between folklore tradition and futuristic outlook. For its iconic main theme "Making of Cyborg", Kawai had a choir chant a wedding song in ancient Japanese following Bulgarian folk harmonies, setting the standard for a timeless and unparalleled soundtrack that admirably echoes the film's musings on the nature of humanity in a technologically advanced world.
Ghost in the Shell is widely considered one of the best anime films of all time and its influence has been felt in the work of numerous movie directors, including James Cameron (Avatar), the Wachowskis (The Matrix), and Steven Spielberg (AI: Artificial Intelligence).
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:We Release Jazz
Cat-No:WRJ010LTD
Release-Date:16.07.2021
Genre:Jazz / Nu Jazz
Configuration:LP Excl
Label:We Release Jazz
Cat-No:WRJ010LTD
Release-Date:16.07.2021
Genre:Jazz / Nu Jazz
Configuration:LP Excl
1
Hiroshi Suzuki - A1. Shrimp Dance
2
Hiroshi Suzuki - A2. Kuro To Shiro
3
Hiroshi Suzuki - B1. Walk Tall
4
Hiroshi Suzuki - B2. Cat
5
Hiroshi Suzuki - B3. Romance
No sales to Japan!
LP: 180g vinyl, half speed mastered, heavy sleeve, obi, gold ink
Genre: Jazz, Fusion, Funk
Tracklisting LP
A1. Shrimp Dance
A2. Kuro To Shiro
B1. Walk Tall
B2. Cat
B3. Romance
Info
We Release Jazz is ecstatic (purrrr!) to announce the official reissue of Hiroshi Suzuki's glorious jazz-fusion-funk Holy Grail Cat (originally released in 1976), sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both versions come with liner notes by Teruo Isono.
Cat was recorded in October 1975 at at Nippon Columbia Studio, while Hiroshi Suzuki was visiting his home country of Japan after moving to Las Vegas in 1971 to play with Buddy Rich and perfect his craft. Back on his old stomping grounds, the man known as Neko (Cat) immediately reunited with his dear friends for an epic two day session of groove magic. The chemistry was still intact. The skills and style had grown.
The result, Cat, is a smooth masterpiece, a deep and soulful affair where stunning trombone solos by Hiroshi Suzuki flirt with Takeru Muraoka's heavenly saxophone and the sensual rhythm section of Hiromasa Suzuki (keyboards), Kunimitsu Inaba (bass), and Akira Ishikawa (drums).
Celebrated in jazz collectors circles, in the lofi beat scene, and among music diggers around the world, Cat has become one of the most sought-after Japanese jazz albums of all time and, much like Ryo Fukui's Scenery, has fascinated old and young generations alike.
Points of interests
- For fans of jazz, fusion, funk, trombone, Japanese jazz, smooth rides, cats, allure.
- Official reissue of the glorious jazz-fusion album by Japanese trombonist extraordinaire Hiroshi "Neko" Suzuki.
- 10th release from We Release Jazz, following Ryo Fukui's Scenery, Mellow Dream, A Letter from Slowboat, and Ryo Fukui in New York, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin's Placebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada's Through The Looking Glass and Lunar Cruise with Masahiko Sato, Pierre Barouh's Le Pollen, Jun Fuka-machi's Nicole, Grauzone's discography, …)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP: 180g vinyl, half speed mastered, heavy sleeve, obi, gold ink
Genre: Jazz, Fusion, Funk
Tracklisting LP
A1. Shrimp Dance
A2. Kuro To Shiro
B1. Walk Tall
B2. Cat
B3. Romance
Info
We Release Jazz is ecstatic (purrrr!) to announce the official reissue of Hiroshi Suzuki's glorious jazz-fusion-funk Holy Grail Cat (originally released in 1976), sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both versions come with liner notes by Teruo Isono.
Cat was recorded in October 1975 at at Nippon Columbia Studio, while Hiroshi Suzuki was visiting his home country of Japan after moving to Las Vegas in 1971 to play with Buddy Rich and perfect his craft. Back on his old stomping grounds, the man known as Neko (Cat) immediately reunited with his dear friends for an epic two day session of groove magic. The chemistry was still intact. The skills and style had grown.
The result, Cat, is a smooth masterpiece, a deep and soulful affair where stunning trombone solos by Hiroshi Suzuki flirt with Takeru Muraoka's heavenly saxophone and the sensual rhythm section of Hiromasa Suzuki (keyboards), Kunimitsu Inaba (bass), and Akira Ishikawa (drums).
Celebrated in jazz collectors circles, in the lofi beat scene, and among music diggers around the world, Cat has become one of the most sought-after Japanese jazz albums of all time and, much like Ryo Fukui's Scenery, has fascinated old and young generations alike.
Points of interests
- For fans of jazz, fusion, funk, trombone, Japanese jazz, smooth rides, cats, allure.
- Official reissue of the glorious jazz-fusion album by Japanese trombonist extraordinaire Hiroshi "Neko" Suzuki.
- 10th release from We Release Jazz, following Ryo Fukui's Scenery, Mellow Dream, A Letter from Slowboat, and Ryo Fukui in New York, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin's Placebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada's Through The Looking Glass and Lunar Cruise with Masahiko Sato, Pierre Barouh's Le Pollen, Jun Fuka-machi's Nicole, Grauzone's discography, …)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:imbalance computer music
Cat-No:ML-036LP
Release-Date:20.09.2024
Genre:Electronic
Configuration:2LP Excl
Label:imbalance computer music
Cat-No:ML-036LP
Release-Date:20.09.2024
Genre:Electronic
Configuration:2LP Excl
1
Monolake - 01 The Elders Disagree
2
Monolake - 02 Thru Stalactites
3
Monolake - 03 Signals
4
Monolake - 04 Cute Little Aliens
5
Monolake - 05 Intermezzo
6
Monolake - 06 Global Transport
7
Monolake - 07 Stasis Field
8
Monolake - 08 Prime Lundy
9
Monolake - 09 Red Alphonso
10
Monolake - 10 Eclipse
2 x 12”, black vinyl, 4C gatefold
My studio is my shelter, I feel comfortable there, surrounded by wonderful inspiring machines. A small cosy room where ideas emerge, mature, morph, and solidify into their final shape. 'Studio' is the result of spending time in that space. The album's intention is simple: Presenting a beautiful personal musical journey. The creative process in itself matters to me, the interaction with my instruments, the accidental discoveries, the successful execution of a vision and anything in between.
Most of the tracks on this album got revised countless times, and then even more, once I knew in which context and order I wanted to arrange them. I have been living with my music for months now, listening, thinking, changing, diving deeper and deeper into each piece.
I love albums, they are a beautiful long-form format where each part has its place, a journey from the start till the end. Each piece has its own story, its own flavour and history.
Some of them have been with me since a while already. There is material which I created years ago for installations and music derived from previous audiovisual works, all completely ripped apart and rearranged multiple times. During their creation my pieces often turn into something completely different, they repeatedly shift from one state to another until they become solid. What I consider a core element at the beginning might be later discarded completely, and a little detail in the background might become the essence.
Many explorations ended in the trash bin before the results had a chance to be part of 'Studio'. Things did not fall into place, did not feel right.
Other compositions had to fill the void instead, some created quickly in a rush of inspiration, some slowly, shy, questioning their significance. This album did not come into existence in a hurry, it took as long as it needed. I used the time to walk around my creations, to listen to them from the distance, physically, mentally, with friends, in all kinds of different contexts. I tried to understand what I just did. I started to see patterns, hidden motifs, things that were buried in between too many layers of sound. What is essential? What is ornament? I reduced, rearranged, added again.
The closer I got to the final state of 'Studio' the more clarity I found. The inherent doubts and the nagging voices from the inside got more quiet, and a sense of achievement started to manifest itself. More and more details just fell into place. And now it is done. After making electronic music since almost thirty years I don't care anymore about genres, about how to label things. It is music, my own personal music, and that's it. Call it electronica if you wish.
Process Notes
The music on this album has been constructed in Ableton Live. Most of the sounds have been created with my collection of beloved hardware synthesisers and effects, often further processed until something completely different did emerge. Sometimes I spend days in the studio just recording sounds or creating new presets, without already having a composition in mind. A few selected musical instruments contributed significantly to the palette of this album; a New England Digital Synclavier II, which also served as inspiration for the artwork, a Sequential Prophet VS, which is present on all Monolake albums since 1996, a Yamaha SY77, Linn Drum, and the Oberheim Xpander. And then there is Operator in Ableton Live, which I developed in 2004 and still love to use, and a lot of the other effects and instruments in the software. And of course my Granulator III instrument, and the PitchLoop89 audio effect. The final sonic world is often the result of radical processing of these elements, via filtering, pitch shifting, time stretching and other types of processing, both in Live and with my hardware. The good old Alesis Quadraverb deserves an honorary mention here, so does the AMS RMX 16.
Artwork
The cover combines a few complex elements. A composition of various lichen photographs, and a computational noise field that cuts rivers into the structure, where the inner artwork of the album shines through: The inside of the CD package and the gatefold vinyl cover shows a non-existing musical instrument, based on the user interface of the Synclavier II. I've always been fond of its futuristic button matrix with red LEDs, which conjures a sense of nostalgia for early computer systems. But I wanted more than just a photograph of it. Instead, I created a collage that not only consists of its existing controls but also integrated additional features it never possessed, though it might have in a subsequent iteration. In essence, I crafted a vision of a future that never materialized.
Geeky detail: When a Synclavier II is turned on, and the connected mainframe computer did not boot yet, the LEDs in the buttons light up in random patterns. The imaginary version of it does the same.
Track Listing:
01 The Elders Disagree
02 Thru Stalactites
03 Signals
04 Cute Little Aliens
05 Intermezzo
06 Global Transport
07 Stasis Field
08 Prime Lundy
09 Red Alphonso
10 Eclipse
Composed, mixed and produced by Robert Henke 2024..
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
My studio is my shelter, I feel comfortable there, surrounded by wonderful inspiring machines. A small cosy room where ideas emerge, mature, morph, and solidify into their final shape. 'Studio' is the result of spending time in that space. The album's intention is simple: Presenting a beautiful personal musical journey. The creative process in itself matters to me, the interaction with my instruments, the accidental discoveries, the successful execution of a vision and anything in between.
Most of the tracks on this album got revised countless times, and then even more, once I knew in which context and order I wanted to arrange them. I have been living with my music for months now, listening, thinking, changing, diving deeper and deeper into each piece.
I love albums, they are a beautiful long-form format where each part has its place, a journey from the start till the end. Each piece has its own story, its own flavour and history.
Some of them have been with me since a while already. There is material which I created years ago for installations and music derived from previous audiovisual works, all completely ripped apart and rearranged multiple times. During their creation my pieces often turn into something completely different, they repeatedly shift from one state to another until they become solid. What I consider a core element at the beginning might be later discarded completely, and a little detail in the background might become the essence.
Many explorations ended in the trash bin before the results had a chance to be part of 'Studio'. Things did not fall into place, did not feel right.
Other compositions had to fill the void instead, some created quickly in a rush of inspiration, some slowly, shy, questioning their significance. This album did not come into existence in a hurry, it took as long as it needed. I used the time to walk around my creations, to listen to them from the distance, physically, mentally, with friends, in all kinds of different contexts. I tried to understand what I just did. I started to see patterns, hidden motifs, things that were buried in between too many layers of sound. What is essential? What is ornament? I reduced, rearranged, added again.
The closer I got to the final state of 'Studio' the more clarity I found. The inherent doubts and the nagging voices from the inside got more quiet, and a sense of achievement started to manifest itself. More and more details just fell into place. And now it is done. After making electronic music since almost thirty years I don't care anymore about genres, about how to label things. It is music, my own personal music, and that's it. Call it electronica if you wish.
Process Notes
The music on this album has been constructed in Ableton Live. Most of the sounds have been created with my collection of beloved hardware synthesisers and effects, often further processed until something completely different did emerge. Sometimes I spend days in the studio just recording sounds or creating new presets, without already having a composition in mind. A few selected musical instruments contributed significantly to the palette of this album; a New England Digital Synclavier II, which also served as inspiration for the artwork, a Sequential Prophet VS, which is present on all Monolake albums since 1996, a Yamaha SY77, Linn Drum, and the Oberheim Xpander. And then there is Operator in Ableton Live, which I developed in 2004 and still love to use, and a lot of the other effects and instruments in the software. And of course my Granulator III instrument, and the PitchLoop89 audio effect. The final sonic world is often the result of radical processing of these elements, via filtering, pitch shifting, time stretching and other types of processing, both in Live and with my hardware. The good old Alesis Quadraverb deserves an honorary mention here, so does the AMS RMX 16.
Artwork
The cover combines a few complex elements. A composition of various lichen photographs, and a computational noise field that cuts rivers into the structure, where the inner artwork of the album shines through: The inside of the CD package and the gatefold vinyl cover shows a non-existing musical instrument, based on the user interface of the Synclavier II. I've always been fond of its futuristic button matrix with red LEDs, which conjures a sense of nostalgia for early computer systems. But I wanted more than just a photograph of it. Instead, I created a collage that not only consists of its existing controls but also integrated additional features it never possessed, though it might have in a subsequent iteration. In essence, I crafted a vision of a future that never materialized.
Geeky detail: When a Synclavier II is turned on, and the connected mainframe computer did not boot yet, the LEDs in the buttons light up in random patterns. The imaginary version of it does the same.
Track Listing:
01 The Elders Disagree
02 Thru Stalactites
03 Signals
04 Cute Little Aliens
05 Intermezzo
06 Global Transport
07 Stasis Field
08 Prime Lundy
09 Red Alphonso
10 Eclipse
Composed, mixed and produced by Robert Henke 2024..
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Digipak, 4C print
My studio is my shelter, I feel comfortable there, surrounded by wonderful inspiring machines. A small cosy room where ideas emerge, mature, morph, and solidify into their final shape. 'Studio' is the result of spending time in that space. The album's intention is simple: Presenting a beautiful personal musical journey. The creative process in itself matters to me, the interaction with my instruments, the accidental discoveries, the successful execution of a vision and anything in between.
Most of the tracks on this album got revised countless times, and then even more, once I knew in which context and order I wanted to arrange them. I have been living with my music for months now, listening, thinking, changing, diving deeper and deeper into each piece.
I love albums, they are a beautiful long-form format where each part has its place, a journey from the start till the end. Each piece has its own story, its own flavour and history.
Some of them have been with me since a while already. There is material which I created years ago for installations and music derived from previous audiovisual works, all completely ripped apart and rearranged multiple times. During their creation my pieces often turn into something completely different, they repeatedly shift from one state to another until they become solid. What I consider a core element at the beginning might be later discarded completely, and a little detail in the background might become the essence.
Many explorations ended in the trash bin before the results had a chance to be part of 'Studio'. Things did not fall into place, did not feel right.
Other compositions had to fill the void instead, some created quickly in a rush of inspiration, some slowly, shy, questioning their significance. This album did not come into existence in a hurry, it took as long as it needed. I used the time to walk around my creations, to listen to them from the distance, physically, mentally, with friends, in all kinds of different contexts. I tried to understand what I just did. I started to see patterns, hidden motifs, things that were buried in between too many layers of sound. What is essential? What is ornament? I reduced, rearranged, added again.
The closer I got to the final state of 'Studio' the more clarity I found. The inherent doubts and the nagging voices from the inside got more quiet, and a sense of achievement started to manifest itself. More and more details just fell into place. And now it is done. After making electronic music since almost thirty years I don't care anymore about genres, about how to label things. It is music, my own personal music, and that's it. Call it electronica if you wish.
Process Notes
The music on this album has been constructed in Ableton Live. Most of the sounds have been created with my collection of beloved hardware synthesisers and effects, often further processed until something completely different did emerge. Sometimes I spend days in the studio just recording sounds or creating new presets, without already having a composition in mind. A few selected musical instruments contributed significantly to the palette of this album; a New England Digital Synclavier II, which also served as inspiration for the artwork, a Sequential Prophet VS, which is present on all Monolake albums since 1996, a Yamaha SY77, Linn Drum, and the Oberheim Xpander. And then there is Operator in Ableton Live, which I developed in 2004 and still love to use, and a lot of the other effects and instruments in the software. And of course my Granulator III instrument, and the PitchLoop89 audio effect. The final sonic world is often the result of radical processing of these elements, via filtering, pitch shifting, time stretching and other types of processing, both in Live and with my hardware. The good old Alesis Quadraverb deserves an honorary mention here, so does the AMS RMX 16.
Artwork
The cover combines a few complex elements. A composition of various lichen photographs, and a computational noise field that cuts rivers into the structure, where the inner artwork of the album shines through: The inside of the CD package and the gatefold vinyl cover shows a non-existing musical instrument, based on the user interface of the Synclavier II. I've always been fond of its futuristic button matrix with red LEDs, which conjures a sense of nostalgia for early computer systems. But I wanted more than just a photograph of it. Instead, I created a collage that not only consists of its existing controls but also integrated additional features it never possessed, though it might have in a subsequent iteration. In essence, I crafted a vision of a future that never materialized.
Geeky detail: When a Synclavier II is turned on, and the connected mainframe computer did not boot yet, the LEDs in the buttons light up in random patterns. The imaginary version of it does the same.
Track Listing:
01 The Elders Disagree
02 Thru Stalactites
03 Signals
04 Cute Little Aliens
05 Intermezzo
06 Global Transport
07 Stasis Field
08 Prime Lundy
09 Red Alphonso
10 Eclipse
Composed, mixed and produced by Robert Henke 2024..
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
My studio is my shelter, I feel comfortable there, surrounded by wonderful inspiring machines. A small cosy room where ideas emerge, mature, morph, and solidify into their final shape. 'Studio' is the result of spending time in that space. The album's intention is simple: Presenting a beautiful personal musical journey. The creative process in itself matters to me, the interaction with my instruments, the accidental discoveries, the successful execution of a vision and anything in between.
Most of the tracks on this album got revised countless times, and then even more, once I knew in which context and order I wanted to arrange them. I have been living with my music for months now, listening, thinking, changing, diving deeper and deeper into each piece.
I love albums, they are a beautiful long-form format where each part has its place, a journey from the start till the end. Each piece has its own story, its own flavour and history.
Some of them have been with me since a while already. There is material which I created years ago for installations and music derived from previous audiovisual works, all completely ripped apart and rearranged multiple times. During their creation my pieces often turn into something completely different, they repeatedly shift from one state to another until they become solid. What I consider a core element at the beginning might be later discarded completely, and a little detail in the background might become the essence.
Many explorations ended in the trash bin before the results had a chance to be part of 'Studio'. Things did not fall into place, did not feel right.
Other compositions had to fill the void instead, some created quickly in a rush of inspiration, some slowly, shy, questioning their significance. This album did not come into existence in a hurry, it took as long as it needed. I used the time to walk around my creations, to listen to them from the distance, physically, mentally, with friends, in all kinds of different contexts. I tried to understand what I just did. I started to see patterns, hidden motifs, things that were buried in between too many layers of sound. What is essential? What is ornament? I reduced, rearranged, added again.
The closer I got to the final state of 'Studio' the more clarity I found. The inherent doubts and the nagging voices from the inside got more quiet, and a sense of achievement started to manifest itself. More and more details just fell into place. And now it is done. After making electronic music since almost thirty years I don't care anymore about genres, about how to label things. It is music, my own personal music, and that's it. Call it electronica if you wish.
Process Notes
The music on this album has been constructed in Ableton Live. Most of the sounds have been created with my collection of beloved hardware synthesisers and effects, often further processed until something completely different did emerge. Sometimes I spend days in the studio just recording sounds or creating new presets, without already having a composition in mind. A few selected musical instruments contributed significantly to the palette of this album; a New England Digital Synclavier II, which also served as inspiration for the artwork, a Sequential Prophet VS, which is present on all Monolake albums since 1996, a Yamaha SY77, Linn Drum, and the Oberheim Xpander. And then there is Operator in Ableton Live, which I developed in 2004 and still love to use, and a lot of the other effects and instruments in the software. And of course my Granulator III instrument, and the PitchLoop89 audio effect. The final sonic world is often the result of radical processing of these elements, via filtering, pitch shifting, time stretching and other types of processing, both in Live and with my hardware. The good old Alesis Quadraverb deserves an honorary mention here, so does the AMS RMX 16.
Artwork
The cover combines a few complex elements. A composition of various lichen photographs, and a computational noise field that cuts rivers into the structure, where the inner artwork of the album shines through: The inside of the CD package and the gatefold vinyl cover shows a non-existing musical instrument, based on the user interface of the Synclavier II. I've always been fond of its futuristic button matrix with red LEDs, which conjures a sense of nostalgia for early computer systems. But I wanted more than just a photograph of it. Instead, I created a collage that not only consists of its existing controls but also integrated additional features it never possessed, though it might have in a subsequent iteration. In essence, I crafted a vision of a future that never materialized.
Geeky detail: When a Synclavier II is turned on, and the connected mainframe computer did not boot yet, the LEDs in the buttons light up in random patterns. The imaginary version of it does the same.
Track Listing:
01 The Elders Disagree
02 Thru Stalactites
03 Signals
04 Cute Little Aliens
05 Intermezzo
06 Global Transport
07 Stasis Field
08 Prime Lundy
09 Red Alphonso
10 Eclipse
Composed, mixed and produced by Robert Henke 2024..
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Rights: World excluding France & UK
DOUBLE CD: 2 x CD, 22 tracks, 4 page digisleeve remus spine, printed inners, sticker.
TRACKLIST DOUBLE CD
CD 1
1 The Moebius - 2 Speed Freak - 3 Oolaa / Different mix to Vinly (Scream at start)
4 Desert Storm - 5 Fahrenheit 303 - 6 Steel Cube Idolatry - 7 High Rise
8 Chime (Live) - 9 Midnight (Live) - 10 Belfast - 11 I Think Its Disgusting
CD 2
1 Torpedo town (PKA untitled) - 2 Macrohead - 3 Satan - 4 L.C.1
5 Belfast / Wasted (Wasted Vocal Mix) - 6 Crime - 7 Fahrenheit 3D3
8 Open Mind Jam - 9 The Other One - 10 Satan (Rhyme and Reason Vocal Mix)
11 Midnight (Sasha Remix)
SHORT INFOS / KEY POINTS
Originally released on September 30, 1991, Orbital's eponymous debut album became known as "The Green Album" to distinguish it from their second album (known as "The Brown Album")
The Green Album includes the seminal 'Belfast' and a live version of 'Chime', the landmark dance track that launched their career in 1990
1. The album will be remastered and represented in multiple formats, to be released alongside the band's 'Green Album' UK tour (the band performing Green & Brown albums) starting on 24th April . They've just be announced for Coachella , as well as Miami's Ultra Festival & headline shows in New York & Chicago.
2. Last available on vinyl in 2015 - long time sold out. Back On Double Vinyl editions.
3. First repress on CD for over 20 years ! Back on Double CD - Bonus CD featuring rarities and classic remixes
BIOG / SHORT PR INFOS
Following on from the UK Top 20 success of 2022's 30 Something, and the Top 10 for 2023's Optical Delusion, London Records launch an extensive 2024 campaign for Orbital, revisiting 1991's seminal debut Orbital (aka The Green Album).
The Green Album heralded a brave new world for the UK musical landscape (DJ Mag would later decry that the album "rewrote the rule book for rave"). Brothers Paul and Phil Hartnoll eschewed formulas and clichés, choosing to explore wider textures, rhythms and stranger mind spaces within dance music. Their resulting album would enjoy both chart success and an enduring legacy, influencing and inspiring artists from Björk to Bicep, with the Hartnoll brothers going on to collaborate with artists as diverse as Madonna, Ennio Morricone, Kraftwerk, Sleaford Mods and Professor Brian Cox.
33 years since its original release the album is revisited, from black vinyl , limited colored vinyl and CD editions (long out of print), to special Record Store Day double Splatter Lp. In the digital space 'Tonight In Belfast' will be lauched on February 2nd, :a reworking of the band's seminal track 'Belfast', remixed by David Holmes and re-interpolated with new lyrics and vocal by acclaimed street poet Mike Garry.
Orbital will be supporting The Green Album with an extensive headline UK tour this April (performing both their Green and Brown albums). Ahead of that they've just been announced today for Coachella 2024, as well as Miami's Ultra Festival and headline shows in New York and Chicago.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
DOUBLE CD: 2 x CD, 22 tracks, 4 page digisleeve remus spine, printed inners, sticker.
TRACKLIST DOUBLE CD
CD 1
1 The Moebius - 2 Speed Freak - 3 Oolaa / Different mix to Vinly (Scream at start)
4 Desert Storm - 5 Fahrenheit 303 - 6 Steel Cube Idolatry - 7 High Rise
8 Chime (Live) - 9 Midnight (Live) - 10 Belfast - 11 I Think Its Disgusting
CD 2
1 Torpedo town (PKA untitled) - 2 Macrohead - 3 Satan - 4 L.C.1
5 Belfast / Wasted (Wasted Vocal Mix) - 6 Crime - 7 Fahrenheit 3D3
8 Open Mind Jam - 9 The Other One - 10 Satan (Rhyme and Reason Vocal Mix)
11 Midnight (Sasha Remix)
SHORT INFOS / KEY POINTS
Originally released on September 30, 1991, Orbital's eponymous debut album became known as "The Green Album" to distinguish it from their second album (known as "The Brown Album")
The Green Album includes the seminal 'Belfast' and a live version of 'Chime', the landmark dance track that launched their career in 1990
1. The album will be remastered and represented in multiple formats, to be released alongside the band's 'Green Album' UK tour (the band performing Green & Brown albums) starting on 24th April . They've just be announced for Coachella , as well as Miami's Ultra Festival & headline shows in New York & Chicago.
2. Last available on vinyl in 2015 - long time sold out. Back On Double Vinyl editions.
3. First repress on CD for over 20 years ! Back on Double CD - Bonus CD featuring rarities and classic remixes
BIOG / SHORT PR INFOS
Following on from the UK Top 20 success of 2022's 30 Something, and the Top 10 for 2023's Optical Delusion, London Records launch an extensive 2024 campaign for Orbital, revisiting 1991's seminal debut Orbital (aka The Green Album).
The Green Album heralded a brave new world for the UK musical landscape (DJ Mag would later decry that the album "rewrote the rule book for rave"). Brothers Paul and Phil Hartnoll eschewed formulas and clichés, choosing to explore wider textures, rhythms and stranger mind spaces within dance music. Their resulting album would enjoy both chart success and an enduring legacy, influencing and inspiring artists from Björk to Bicep, with the Hartnoll brothers going on to collaborate with artists as diverse as Madonna, Ennio Morricone, Kraftwerk, Sleaford Mods and Professor Brian Cox.
33 years since its original release the album is revisited, from black vinyl , limited colored vinyl and CD editions (long out of print), to special Record Store Day double Splatter Lp. In the digital space 'Tonight In Belfast' will be lauched on February 2nd, :a reworking of the band's seminal track 'Belfast', remixed by David Holmes and re-interpolated with new lyrics and vocal by acclaimed street poet Mike Garry.
Orbital will be supporting The Green Album with an extensive headline UK tour this April (performing both their Green and Brown albums). Ahead of that they've just been announced today for Coachella 2024, as well as Miami's Ultra Festival and headline shows in New York and Chicago.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Midori Takada - Mr. Henri Rousseau's Dream
2
Midori Takada - Crossing
3
Midori Takada - Trompe-l'œil
4
Midori Takada - Catastrophe ?
- Beautiful 1 LP 33rpm Cut Re-Edition
- 33 rpm LP mastercut by Emil Berliner
*** TERRITORY RESTRICTION - NO SALES TO JAPAN ***
Tracklisting:
1. Mr. Henri Rousseau's Dream
2. Crossing
3. Trompe-l'œil
4. Catastrophe E
Info
WRWTFWW & Palto Flats Records are ecstatic to announce the highly-anticipated reissue of Japanese percussionist Midori Takada's sought after and timeless ambient / minimal album "Through The Looking Glass", originally released in 1983 by RCA Japan.
Considered a Holy Grail of Japanese music by many, "Through The Looking Glass" is Midori Takada's first solo endeavor, a captivating four-song suite capturing her deep quests into traditional African and Asian percussive language and exploring contemplative ambient sounds with an admirably precise use of marimba. The result is alternatively ethereal and vibrant, always precise and mesmerizing, and makes for an atmospheric masterpiece and an unparalleled sonic and spiritual experience.
The fully licensed reissue is available as a single 33rpm LP and a limited 45rpm DLP, both cut directly from the original studio reels (AAA), at Emil Berliner (formerly the in-house recording department of renowned classical record label Deutsche Grammophon) for the 45rpm DLP, and at the equally famous Frankfurter SST Studio for the LP. It is also available in CD format for the first time. All versions come with extensive liner notes.
Bio
Midori Takada is a composer, multi percussionist, and theater artist renowned in Japanese vanguard circles. She will tour Europe this year.
Midori released two solo albums: "Through The Looking Glass" and "Tree Of Life" and wrote music for Tadashi Suzuki's theater plays. Her hypnotic, minimalist music is based in the concept of coherence between sound and the human body. She performs solo on marimba and other percussion instruments.
She debuted on the scene of Berlin Philharmonic, performing with the RIAS Symphonie-Orchester Berlin just after graduating from Tokyo University of the Arts in 1974. She continued her career with solo concerts in Japan and abroad.
In the 1980s Midori began to explore the traditional music of Asia and Africa. Her fascination resulted in joint projects with Kakraba Lobi from Ghana, Lamine Konte from Senegal, Farafina Band from Burkina Faso, and Korean musicians: zither player Chi Seong-Ja, flute player Won-Il, and saxophone player Kang Tae-Hwan. She also led Mkwaju Ensemble's innovative percussion project and still performs with free-jazz band Ton-Klami with Kang Tae-Hwan and jazz pianist Masahiko Satoh.
In the past 20 years, Midori Takada spent more time in theaters than in concert halls - composing and performing live music for theater. She regularly works with Tadashi Suzuki and his Suzuki Company of Toga on their adaptations of "Electra" and "King Lear".
Takada's compositions have a remarkable way of affecting the imagination. Her minimalist, contemplative music is filled with the concept of infinity and reminds us of a moon voyage, falling stars, a journey into the ocean, or a walk in the garden. The trans melodies, initially simple, begin to loop and splinter, their rhythm breaking and thickening, slowly drawing the listener into another reality.
Every live performance Midori Takada gives is unique and prepared especially for that occasion.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
- 33 rpm LP mastercut by Emil Berliner
*** TERRITORY RESTRICTION - NO SALES TO JAPAN ***
Tracklisting:
1. Mr. Henri Rousseau's Dream
2. Crossing
3. Trompe-l'œil
4. Catastrophe E
Info
WRWTFWW & Palto Flats Records are ecstatic to announce the highly-anticipated reissue of Japanese percussionist Midori Takada's sought after and timeless ambient / minimal album "Through The Looking Glass", originally released in 1983 by RCA Japan.
Considered a Holy Grail of Japanese music by many, "Through The Looking Glass" is Midori Takada's first solo endeavor, a captivating four-song suite capturing her deep quests into traditional African and Asian percussive language and exploring contemplative ambient sounds with an admirably precise use of marimba. The result is alternatively ethereal and vibrant, always precise and mesmerizing, and makes for an atmospheric masterpiece and an unparalleled sonic and spiritual experience.
The fully licensed reissue is available as a single 33rpm LP and a limited 45rpm DLP, both cut directly from the original studio reels (AAA), at Emil Berliner (formerly the in-house recording department of renowned classical record label Deutsche Grammophon) for the 45rpm DLP, and at the equally famous Frankfurter SST Studio for the LP. It is also available in CD format for the first time. All versions come with extensive liner notes.
Bio
Midori Takada is a composer, multi percussionist, and theater artist renowned in Japanese vanguard circles. She will tour Europe this year.
Midori released two solo albums: "Through The Looking Glass" and "Tree Of Life" and wrote music for Tadashi Suzuki's theater plays. Her hypnotic, minimalist music is based in the concept of coherence between sound and the human body. She performs solo on marimba and other percussion instruments.
She debuted on the scene of Berlin Philharmonic, performing with the RIAS Symphonie-Orchester Berlin just after graduating from Tokyo University of the Arts in 1974. She continued her career with solo concerts in Japan and abroad.
In the 1980s Midori began to explore the traditional music of Asia and Africa. Her fascination resulted in joint projects with Kakraba Lobi from Ghana, Lamine Konte from Senegal, Farafina Band from Burkina Faso, and Korean musicians: zither player Chi Seong-Ja, flute player Won-Il, and saxophone player Kang Tae-Hwan. She also led Mkwaju Ensemble's innovative percussion project and still performs with free-jazz band Ton-Klami with Kang Tae-Hwan and jazz pianist Masahiko Satoh.
In the past 20 years, Midori Takada spent more time in theaters than in concert halls - composing and performing live music for theater. She regularly works with Tadashi Suzuki and his Suzuki Company of Toga on their adaptations of "Electra" and "King Lear".
Takada's compositions have a remarkable way of affecting the imagination. Her minimalist, contemplative music is filled with the concept of infinity and reminds us of a moon voyage, falling stars, a journey into the ocean, or a walk in the garden. The trans melodies, initially simple, begin to loop and splinter, their rhythm breaking and thickening, slowly drawing the listener into another reality.
Every live performance Midori Takada gives is unique and prepared especially for that occasion.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
The Jimmy Castor Bunch - - Creation (Epilogue)
2
Ann Peebles - The Handwriting Is On The Wall
3
The Dells vs. The Dramatics - Tune Up
4
Sydney Joe Qualls - How Can You Say Goodbye
5
Jackie Moore - If
6
The Supremes - It's Time To Breakdown
7
Judy Clay - It Ain't Long Enough
8
Barbara & The Browns - In My Heart
9
Willie Mitchell - Mercy Mercy Mercy
10
Joe Tex - I'll Never Do You Wrong
11
The Sweet Inspirations - You Roam When You Don't Get It At Home
12
Bobby Bland - Ain't No Love In The Heart Of The City
13
B.B. King - Chains And Things
14
Rufus Thomas - The Breakdown Part 2
15
Freddie Waters - Groovin' On My Baby's Love
16
David Porter - Hang On Sloopy (Single Version)
17
Dionne Warwick - You're Gonna Need Me
18
Ann Sexton - I'm His Wife (You're Just His Frien
19
The Rimshots - Takin' It
20
The Persuasions - Gypsy Woman
Nonexclusive Release - Exportrights Only, 2LP in gatefold sleeve with CD included. EAN: 5060525433580
Cut from original masters. Original packaging, beautifully and precisely reproduced to the Original Standards. Original year of release: 2014
Tracklisting:
A1. The Jimmy Castor Bunch – Creation (Epilogue)
A2. Ann Peebles – The Handwriting Is On The Wall
A3. The Dells vs. The Dramatics – Tune Up
A4. Sydney Joe Qualls – How Can You Say Goodbye
A5. Jackie Moore – If
B1. The Supremes – It’s Time To Breakdown
B2. Judy Clay – It Ain’t Long Enough
B3. Barbara & The Browns – In My Heart
B4. Willie Mitchell – Mercy Mercy Mercy
B5. Joe Tex – I’ll Never Do You Wrong
C1. The Sweet Inspirations – You Roam When You Don’t Get It At Home
C2. Bobby Bland – Ain’t No Love In The Heart Of The City
C3. B.B. King – Chains And Things
C4. Rufus Thomas – The Breakdown Part 2
C5. Freddie Waters – Groovin’ On My Baby’s Love
D1. David Porter – Hang On Sloopy (Single Version)
D2. Dionne Warwick – You’re Gonna Need Me
D3. Ann Sexton – I’m His Wife (You’re Just His Friend)
D4. The Rimshots – Takin’ It
D5. The Persuasions – Gypsy Woman
Short Info
Legendary Deep Soul French complation(s) featuring many Soul classics, sometimes forgotten, which have been sampled countless times by some of the biggest Hip-Hop acts.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Cut from original masters. Original packaging, beautifully and precisely reproduced to the Original Standards. Original year of release: 2014
Tracklisting:
A1. The Jimmy Castor Bunch – Creation (Epilogue)
A2. Ann Peebles – The Handwriting Is On The Wall
A3. The Dells vs. The Dramatics – Tune Up
A4. Sydney Joe Qualls – How Can You Say Goodbye
A5. Jackie Moore – If
B1. The Supremes – It’s Time To Breakdown
B2. Judy Clay – It Ain’t Long Enough
B3. Barbara & The Browns – In My Heart
B4. Willie Mitchell – Mercy Mercy Mercy
B5. Joe Tex – I’ll Never Do You Wrong
C1. The Sweet Inspirations – You Roam When You Don’t Get It At Home
C2. Bobby Bland – Ain’t No Love In The Heart Of The City
C3. B.B. King – Chains And Things
C4. Rufus Thomas – The Breakdown Part 2
C5. Freddie Waters – Groovin’ On My Baby’s Love
D1. David Porter – Hang On Sloopy (Single Version)
D2. Dionne Warwick – You’re Gonna Need Me
D3. Ann Sexton – I’m His Wife (You’re Just His Friend)
D4. The Rimshots – Takin’ It
D5. The Persuasions – Gypsy Woman
Short Info
Legendary Deep Soul French complation(s) featuring many Soul classics, sometimes forgotten, which have been sampled countless times by some of the biggest Hip-Hop acts.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Eiko Ishibashi / Jim O'Rourke / Tatsuhis - Sakuraza part I
2
Eiko Ishibashi / Jim O'Rourke / Tatsuhis - Sakuraza part II
Modern Obscure Music presents "Sakuraza," a live album featuring Eiko Ishibashi (flute and electronics), Jim O'Rourke (electronics), Kei Matsumaru (alto saxophone), Tatsuhisa Yamamoto (drums), and Giovanni Di Domenico (piano). Recorded at the Sakuraza jazz club in Kofu, Japan, this dynamic and sophisticated performance blends jazz, electronic music, and pop elements.
Giovanni Di Domenico, a frequent visitor to Japan, organized this June 2023 concert with long-time collaborators Ishibashi, O'Rourke, and Yamamoto, and invited saxophonist Matsumaru. The warm, intimate setting of Sakuraza provided the perfect backdrop for their unedited, improvisational session.
"Sakuraza" captures the deep musical connection and spontaneity of these artists, offering an immersive auditory experience. Recorded on June 14, 2023.
TRACKLISTS:
A Sakuraza part I 16:29MIN
B. Sakuraza part II 22:19MIN
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Giovanni Di Domenico, a frequent visitor to Japan, organized this June 2023 concert with long-time collaborators Ishibashi, O'Rourke, and Yamamoto, and invited saxophonist Matsumaru. The warm, intimate setting of Sakuraza provided the perfect backdrop for their unedited, improvisational session.
"Sakuraza" captures the deep musical connection and spontaneity of these artists, offering an immersive auditory experience. Recorded on June 14, 2023.
TRACKLISTS:
A Sakuraza part I 16:29MIN
B. Sakuraza part II 22:19MIN
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:In My Room
Cat-No:imr14lp
Release-Date:23.09.2013
Genre:Alternative/Electronic
Configuration:2LP Excl
Label:In My Room
Cat-No:imr14lp
Release-Date:23.09.2013
Genre:Alternative/Electronic
Configuration:2LP Excl
release: 07 10. 2013 EAN: 4250382419587
Special Remarks: standard version including an mp3 download code.
We’re extremely proud to present “Lost”, the third full-length venture from Anders Trentemøller. “Lost”, much like its predecessor “Into the Great Wide Yonder” (2010), serves not only as a logical continuation of his work, but also as yet another fuck-you to whatever genre you thought you had him boxed into.
The Trentemøller sound is definitely left intact, yet as a whole it really doesn’t sound like anything he’s ever produced before.
Differing from “Into The Great Wide Yonder”, which was a rather bold cinematic landscape, “Lost” is definitely a far more streamlined affair and way more “song structured”. It’s the kind of record one can only produce after endless months of studio isolation. Just where his creativity flourishes best.
2LP tracklist:
01. The Dream (feat. Low) 02. Gravity (feat. Jana Hunter of Lower Dens) 03. Still On Fire 04. Candy Tongue (feat. Marie Fisker) 05. Trails
06. Never Stop Running (feat. Jonny Pierce of The Drums) 07. River Of Life (feat. Ghost Society) 08. Morphine
09. Come Undone (feat. Kazu Makino of Blonde Redhead) 10. Deceive (feat. Sune Rose Wagner of The Raveonettes) 11. Constantinople
12. Hazed
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Special Remarks: standard version including an mp3 download code.
We’re extremely proud to present “Lost”, the third full-length venture from Anders Trentemøller. “Lost”, much like its predecessor “Into the Great Wide Yonder” (2010), serves not only as a logical continuation of his work, but also as yet another fuck-you to whatever genre you thought you had him boxed into.
The Trentemøller sound is definitely left intact, yet as a whole it really doesn’t sound like anything he’s ever produced before.
Differing from “Into The Great Wide Yonder”, which was a rather bold cinematic landscape, “Lost” is definitely a far more streamlined affair and way more “song structured”. It’s the kind of record one can only produce after endless months of studio isolation. Just where his creativity flourishes best.
2LP tracklist:
01. The Dream (feat. Low) 02. Gravity (feat. Jana Hunter of Lower Dens) 03. Still On Fire 04. Candy Tongue (feat. Marie Fisker) 05. Trails
06. Never Stop Running (feat. Jonny Pierce of The Drums) 07. River Of Life (feat. Ghost Society) 08. Morphine
09. Come Undone (feat. Kazu Makino of Blonde Redhead) 10. Deceive (feat. Sune Rose Wagner of The Raveonettes) 11. Constantinople
12. Hazed
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Rights: World excluding France, UK
Format: DOUBLE CD : Expanded double CD 27 tracks in Purple Digipak with new liner notes, new and classic remixes, unreleased demos and B-sides, deluxe 24 page booklet, marketing sticker
GENRE : POP
SHORT INFO :
- Jimmy Somerville's debut solo album Read My Lips is re-issued with rarities and new remixes.
- Originally released in 1989, the album enjoyed Gold Sales and 3 Top 30 hits, as well as Jimmy's Top 10 cover of Sylvester's 'You Make Me Feel (Mighty Real)'.
- Across these expanded versions are remixes from Gerd Janson, AMYL, Arpeggius and William Orbit; unreleased demos, B-Sides and rarities such as 'From This Moment On' (from Red, Hot + Blue)
and I Believe in Love (with Arthur Baker and The Beat Disciples).
- New liner notes from journalist and author Paul Burston.
TRACKLISTING:
CD One
1 Comment Te Dire Adieu 2 You Make Me Feel (Mighty Real) 3 Perfect Day 4 Heaven Here On Earth (With Your Love) 5 Don't Know What To Do (Without You) 6 Adieu! (Madame Tata Mix)
7 Read My Lips (Enough Is Enough) 8 My Heart Is In Your Hands 9 Control 10 And You Never Thought This Could Happen To You 11 Rain 12 Not So God Almighty 13 From This Moment On 14 I Believe in Love 15 Tell The World 16 Stranger
CD Two
1 Read My Lips (Enough Is Enough) (AMYL Remix) 2 You Make Me Feel (Mighty Real) (Gerd Janson Remix) 3 Comment Te Dire Adieu (Commercial Mix) 4 Rain (Pascal Gabriel Mix) 5 You Make Me Feel (Mighty Real) (Arpeggius Club Vocal)
6 Run From Love (ft. Claudia Brücken) (12" Remix) 7 Until I Get Over You (Demo) 8 I Won't Let You See Me Cry (Demo)
9 And You Never Thought This Could Happen To You (Demo) 10 Read My Lips (Enough Is Enough) (Demo) 11 You Make Me Feel (Mighty Real) (William Orbit Remix)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Format: DOUBLE CD : Expanded double CD 27 tracks in Purple Digipak with new liner notes, new and classic remixes, unreleased demos and B-sides, deluxe 24 page booklet, marketing sticker
GENRE : POP
SHORT INFO :
- Jimmy Somerville's debut solo album Read My Lips is re-issued with rarities and new remixes.
- Originally released in 1989, the album enjoyed Gold Sales and 3 Top 30 hits, as well as Jimmy's Top 10 cover of Sylvester's 'You Make Me Feel (Mighty Real)'.
- Across these expanded versions are remixes from Gerd Janson, AMYL, Arpeggius and William Orbit; unreleased demos, B-Sides and rarities such as 'From This Moment On' (from Red, Hot + Blue)
and I Believe in Love (with Arthur Baker and The Beat Disciples).
- New liner notes from journalist and author Paul Burston.
TRACKLISTING:
CD One
1 Comment Te Dire Adieu 2 You Make Me Feel (Mighty Real) 3 Perfect Day 4 Heaven Here On Earth (With Your Love) 5 Don't Know What To Do (Without You) 6 Adieu! (Madame Tata Mix)
7 Read My Lips (Enough Is Enough) 8 My Heart Is In Your Hands 9 Control 10 And You Never Thought This Could Happen To You 11 Rain 12 Not So God Almighty 13 From This Moment On 14 I Believe in Love 15 Tell The World 16 Stranger
CD Two
1 Read My Lips (Enough Is Enough) (AMYL Remix) 2 You Make Me Feel (Mighty Real) (Gerd Janson Remix) 3 Comment Te Dire Adieu (Commercial Mix) 4 Rain (Pascal Gabriel Mix) 5 You Make Me Feel (Mighty Real) (Arpeggius Club Vocal)
6 Run From Love (ft. Claudia Brücken) (12" Remix) 7 Until I Get Over You (Demo) 8 I Won't Let You See Me Cry (Demo)
9 And You Never Thought This Could Happen To You (Demo) 10 Read My Lips (Enough Is Enough) (Demo) 11 You Make Me Feel (Mighty Real) (William Orbit Remix)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
ENERGY 52 - Café Del Mar (Nalin & Kane Remix)
2
ENERGY 52 - Café Del Mar (Deadmau5 Remix)
Vinyl only
GENRE/S:
Progressive House, Techno, Trance
TRACKLISTS:
A1. Café Del Mar (Nalin & Kane Remix)
B1. Café Del Mar (Deadmau5 Remix)
SHORT INFO:
Energy 52’s Café Del Mar has come to represent the most euphoric and hedonistic pleasures of dancefloors - in Ibiza and all around the world - and has been remixed by some of the biggest names in electronic music. Known for its infectious melody and its strong impact on dancefloors around the globe it charted multiple times around the world and won countless awards. Now, 30 years after its first original release, Superstition Records will be putting out a new series of releases, with brand new remixes as well as some of the many remixes from across the last three decades.
The second part in the series features two of the most recognizable interpretations, which fed into the hearts of millions: the remixes from 90ies Trance legends Nalin & Kane, originally released in 1998, which takes us on a deeper trance journey, raiding the senses with warm, calming pads before lush basses come through and ultimately that famous, instantly recognizable melody, alongside iconic Deadmau5 who delivered a remarkable housegrooving deep interpretation of the classic in 2008.
After about 15 years this cult classics are finally available again on vinyl in a new cutting.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
GENRE/S:
Progressive House, Techno, Trance
TRACKLISTS:
A1. Café Del Mar (Nalin & Kane Remix)
B1. Café Del Mar (Deadmau5 Remix)
SHORT INFO:
Energy 52’s Café Del Mar has come to represent the most euphoric and hedonistic pleasures of dancefloors - in Ibiza and all around the world - and has been remixed by some of the biggest names in electronic music. Known for its infectious melody and its strong impact on dancefloors around the globe it charted multiple times around the world and won countless awards. Now, 30 years after its first original release, Superstition Records will be putting out a new series of releases, with brand new remixes as well as some of the many remixes from across the last three decades.
The second part in the series features two of the most recognizable interpretations, which fed into the hearts of millions: the remixes from 90ies Trance legends Nalin & Kane, originally released in 1998, which takes us on a deeper trance journey, raiding the senses with warm, calming pads before lush basses come through and ultimately that famous, instantly recognizable melody, alongside iconic Deadmau5 who delivered a remarkable housegrooving deep interpretation of the classic in 2008.
After about 15 years this cult classics are finally available again on vinyl in a new cutting.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
01.Azrael 02.Window 03.Tender Skin 04.Cool Melt 05.Oxid 06.Clap Eyes 07.The Anxiety to please 08.Ghost 09.Turn a Rope round its axis 10.Attention
Short info:
HVOB: Trialog
HVOB present their second album as an interdisciplinary work of art: ten physical processes are reflected in interactive installations, visuals and sounds. With their successful debut album ('HVOB', 2013) and five EPs, HVOB have crafted a unique panoply of sound: intelligent and driving, challenging and melodic. 'Trialog', the second album by the producer duo Anna Müller and Paul Wallner, will be releases on April 17th.
I. Project
Above all, 'Trialog' is an interdisciplinary art project, comprising a discourse between the disciplines of sound, video and installation, realised by HVOB, the VJs licherloh and the visual artist Clemens Wolf. The theme centres on ten ubiquitous physical processes, which are being documented and interpreted interactively on three artistic levels; via Clemens Wolf's orchestrated processes, the lyrics and sounds of HVOB's tracks, and the visuals by VJs lichterloh.
II. Album
Tearing, mixing, bursting, melting, oxidising, breaking, imploding, etching, bending, burning, track to video, video to artwork, artwork to track: 'Trialog' depicts the transformation of ten physical processes in ten tracks. HVOB's sound distinctively shapes the album, yet the duo now interpret their acoustic palette in darker, more accentuated, techno-leaning shades. Each of the ten tracks pursues its own individual dramaturgy: the opener 'Azrael' tears apart its built-up percussive tension, 'Clap Eyes' inches along frailly, 'The Anxiety to please' deepens and condenses until it implodes. References, inspirations and associations between materials, processes and artistic disciplines create an artistic depth, which renders the album a highly complex and complete work of art.
III. Band
Within the space of three years, HVOB have not only established themselves within the international music scene by way of their releases, but also as a live-act. The duo strictly plays live and invariably performs with a drummer. HVOB played in 20 countries in the past year alone; at CTEMF in Cape Town, the Berlin Festival or SXSW in Austin. The conceptual framework of 'Trialog' will also be translated into a live-show. In dialogue with lichterloh and Clemens Wolf, HVOB have developed an audio-visual experience, which they're presenting globally this year. Next to Europe, dates in Central and North America, Africa and Asia are already confirmed.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
01.Azrael 02.Window 03.Tender Skin 04.Cool Melt 05.Oxid 06.Clap Eyes 07.The Anxiety to please 08.Ghost 09.Turn a Rope round its axis 10.Attention
Short info:
HVOB: Trialog
HVOB present their second album as an interdisciplinary work of art: ten physical processes are reflected in interactive installations, visuals and sounds. With their successful debut album ('HVOB', 2013) and five EPs, HVOB have crafted a unique panoply of sound: intelligent and driving, challenging and melodic. 'Trialog', the second album by the producer duo Anna Müller and Paul Wallner, will be releases on April 17th.
I. Project
Above all, 'Trialog' is an interdisciplinary art project, comprising a discourse between the disciplines of sound, video and installation, realised by HVOB, the VJs licherloh and the visual artist Clemens Wolf. The theme centres on ten ubiquitous physical processes, which are being documented and interpreted interactively on three artistic levels; via Clemens Wolf's orchestrated processes, the lyrics and sounds of HVOB's tracks, and the visuals by VJs lichterloh.
II. Album
Tearing, mixing, bursting, melting, oxidising, breaking, imploding, etching, bending, burning, track to video, video to artwork, artwork to track: 'Trialog' depicts the transformation of ten physical processes in ten tracks. HVOB's sound distinctively shapes the album, yet the duo now interpret their acoustic palette in darker, more accentuated, techno-leaning shades. Each of the ten tracks pursues its own individual dramaturgy: the opener 'Azrael' tears apart its built-up percussive tension, 'Clap Eyes' inches along frailly, 'The Anxiety to please' deepens and condenses until it implodes. References, inspirations and associations between materials, processes and artistic disciplines create an artistic depth, which renders the album a highly complex and complete work of art.
III. Band
Within the space of three years, HVOB have not only established themselves within the international music scene by way of their releases, but also as a live-act. The duo strictly plays live and invariably performs with a drummer. HVOB played in 20 countries in the past year alone; at CTEMF in Cape Town, the Berlin Festival or SXSW in Austin. The conceptual framework of 'Trialog' will also be translated into a live-show. In dialogue with lichterloh and Clemens Wolf, HVOB have developed an audio-visual experience, which they're presenting globally this year. Next to Europe, dates in Central and North America, Africa and Asia are already confirmed.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More