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Starting his career in 1976 as the lead singer of The Equators, Winston Fergus quickly moved on to perform on his own. Throughout the 80s Winston worked with producers Clement Bushay (Pay To Live) and Clive Stanhope (Keep On Dancing). These two rare early 80s Roots tracks are now finally available again on 12inch! One-away extended "disco" versions.

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Just a Man, Beres Hammond’s 1979 album, is a hidden gem in his illustrious career, celebrated for its heartfelt lyrics and smooth melodies, hallmarks of Hammond's signature style. This album offers a rare glimpse of Hammond before he became the lover’s rock icon we know today. Blending R&B, disco, soul reggae, and lovers rock, Just a Man showcases his soulful voice against the backdrop of disco-infused reggae rhythms, creating an irresistible vibe.
At this pivotal moment in his career, Hammond had just left the band Zap Pow to focus on his solo work, and Just a Man was a bold statement of independence. It reflects Hammond’s early musical journey, combining elements of R&B and disco with reggae, and marks a key moment in his rise as a solo artist.
Produced by Joe Gibbs, a legendary figure in reggae, and arranged by Willie Lindo, the album features some of Jamaica’s most esteemed musicians: Val Douglas & Mike Chung on bass; Mike Richards, Robert Stephenson & Calvin McKenzie on drums; Robert Lyn, Franklyn Waul& Harold Butler on electric piano; Lenox Gordon, Willie Lindo on guitar; Pam Hall, Prilly Hamilton, Sharon Forrester & Beres Hammond on backing vocals; Waul, Clive Hunt & Noel Seale on percussions; Hunt, Franklyn Waul & Harold Butler on piano; Dean Fraser on saxophone; Peter Ashbourne Group as string ensemble; Jerome Francque & Roland Robinson on trombone; David Madden, Willie Brackenridge & Clive Hunt on trumpet.
The album’s standout track, “Do This World A Favour,” became a UK soul hit, but the entire album features rare and funky gems like "Keep My Wheel Turning" that reflect Hammond's versatility and ability to transcend genres.
Our exclusive edition has been remastered, delivering superior sound quality that enhances the richness of every note.
This edition is published under the direction of Joseph Barthelet for Jamwax, under license from Gavin D.A. Gibson.
Just a Man is more than just an album; it’s a significant piece of jamaican music history.

A1 - Music Is Positive Vibration
A2 - Keep My Wheel Turning
A3 - Do This World A Favor
A4 - John Crazy
B1 - Just A Man
B2 - I'm Lonely
B3 - I'm In Love With You
B4 - Let Me Love You Tonight

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Underrated digi conscious killer with vocal by Bullwackies/Lee Perry collaborator Lloyd Hemmings. Wayne Armond (Chalice band) wrote and produced this song for the 1985 Jamaican festival song competition.
Bass: Keith Francis
Drum: Desmond Jones
Guitar: Wayne Armond
Keyboard: Mikey Wallace & Ervin 'Allah' Lloyd
Backing vocals: Wayne Armond & Michael Wallace
Recorded at Dynamic Sounds Studios, 15 Bell Road, Kingston 11, Jamaica in 1983.
Produced by Wayne Armond.
Licensed from Wayne Armond.

A1 - Work To Do
B1 - Work To Do (Version)

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“Raggamuffin Soldier” was recorded at Channel One Recording Studio in 1983 with Soldgie as engineer and a rhythm track played by Jolly Stewart and Daniel “Axeman” Thompson. Growing up in the Waterhouse neighborhood of Kingston, Jolly Stewart obviously developed this singing style and gave us a killer early digital dancehall missile with pure conscious lyrics “Raggamuffin soldier, big ina your area...me no deal with badness, me nah deal inna war, me is a raggamuffin soldier...mi raggamuffin ina foreign, raggamuffin sit down pon di riddim...how you know the raggamuffin? Me no wear no gold chain, me no wear no gold ring...”. “Raggamuffin Soldier” was produced by Fitzroy Peterkin who also produced the digital lover tune "Angie".
The Waterhouse style is a particular style of singing that emerged in the late seventies and early eighties within the Jamaican reggae scene. The Waterhouse style is commonly described as a plaintive, groaning and fluctuating vocal style, often nasal and strident, characteristics that will give it a sound that is distinct from the rest of the reggae singers. The commonly recognized founders of the Waterhouse style are the singers Michael "Mykal" Rose, Junior Reid and Don Carlos. The name derives from the famous neighborhood of the same name in Kingston, the capital of Jamaica, the place where the three pioneers were born and emerged. The Waterhouse style influenced many dancehall reggae artists of the eightiesvsuch as Tenor Saw, Half Pint, Nitty Gritty, Anthony Red Rose, King Kong, Yami Bolo, Andrew Bees...
Vincent Stewart aka “Jolly Man” is a reggae singer from Kingston 11, born december 16 1960 at Hunts Bay Lane, 4 Miles, Jamaica. Jolly started singing at age 13, he was placed in an approve School for 3 years and at the age of 16 he was released.
He started his musical career in the late 70's with Ossie Thomas, Phllip Morgan and Tristan Palmer from Black Solidarity label. Jolly Stewart recorded his first song entitled "Money Pyaka" on the classic "Pretty Looks" riddim which was recorded for Oswald Thomas on Ganja Farm label and released in 1979. Tristan Palmer who has another tune "Disappointed Lover" on the same riddim backed by The Soul Syndicate made the link with Jolly Stewart because he liked his style of song writting.
Jolly Stewart wrote three songs for Black Solidarity label: "Collie Man", "Bad Minded" and "Symbol Of Justice". All three tracks were covered by Triston Palmer. As a song writter, Jolly Stewart is behind Yami Bolo's hit on Stalag riddim “When A Man Is In Love” released on Winston Riley's label Techniques.
Jolly Stewart then decided to move on with his singjay career. He ventured to Tuff Gong studio where he met two producers. One was Prince Jazzbo from Ujama label, and the other was John John who owned the Bun Fi Bun label. He recorded "Praise jah" for Ujama and "Poverty Rush" for Bun Fi Bun. Still not satisfied with how his career was heading, he moved on to Lannaman's Preparatory School. There he learned to play guitar from a man named Fred McMurray aka Faf and Donald Jackson. Later he learned to play the keyboards by watching other musicians.
In the late 80's and early 90's, Jolly Stewart recorded many songs for various labels such as “Do Me Like So” for Bunny Gemini's label “Bun Gem Records” in 1987, “Late Last Night” and “War” for producer Zelma Rust and his label Myotta Ruff.
He also recorded for Augustus Pablo on his label Rockers International just before he died in the late 90's but we never heard about this release so probably Addis Pablo have it on old master tapes in the Rockers International archives....only Jah knows!

A1 - Ragga Muffin Soldier
B1 - Ragga Muffin Soldier (Version)

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Rzee Jackson, also known by his stage names Esso Jaxxon and Castro Pink, has been a transformative figure in the reggae music scene, both in Jamaica and Canada. Originally from Clarendon, Jamaica, Jackson's musical journey began in earnest when he moved to Canada in 1975 after a cultural exchange program in the United States. Toronto's reggae scene was vibrant with legendary figure such as Jackie Mittoo of Studio One fame, and Rzee Jackson was at the forefront, contributing to the city's unique Jamaican vibes.

Leroy Sibbles, the lead singer of The Heptones, recognized Jackson's talent and brought him into the Ital Groove Band, where Jackson sang harmonies, played Gong Bap/Congos, and engineered. The Ital Groove Band became one of Canada's most prolific reggae bands, with Jackson touring extensively. With The Ital Groove Band, Rzee Jackson quickly made his mark, collaborating with renowned producer Oswald Creary of Half Moon Records.

Through his own indie labels : Ital, BeeZee Sounds Production, and Radio Plus, Rzee Jackson has recorded and distributed music with CC Records and Jet Star in the UK. His records have resonated on radio stations across Canada, the USA, Europe, Africa, and Brazil.
On this new Jamwax release, you will play two standout tracks from the "New Beat" album, originally released in the mid-80s in Canada on Ossie Records, the label owned by Oswald Creary.

The reissue features on A-Side "Row Fisherman Row," a timeless classic from Cedric Myton & The Congos, "Blackheart Man" the iconic song from Bunny Wailer and on the B-Side "Long Long Time" a deep extended 12-inch roots track with dubwise elements reminiscent of King Tubby's style. All songs, produced by Rzee Jackson, were recorded at Half Moon Recording Studio in Toronto, Canada, under the expert engineering of Oswald Creary.

This reissue also boasts new sleeve artwork by Ras Mykha, capturing an Ethiopian-inspired scene that depicts Rzee Jackson, Jackie Mittoo, and Cedric Myton in a fisherman boat, celebrating the unity and legacy of these reggae legends.

In recent years, Rzee Jackson has been collaborating with Cedric Myton and The Congos. As a producer, engineer, singer, and songwriter, Rzee Jackson continues to contribute to the rich tapestry of reggae music, bringing authentic Jamaican and Rasta vibes to audiences globally.

A1 - Row Fisherman Row
A2 - Blackheart Man
B1 - Long Long Time

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Daweh Congo has propelled himself to the forefront of conscious heartical roots reggae with this album Human Rights & Justice originally released in 2000.

Human Rights & Justice personifies the essence of JAH music today. Daweh's voice and his righteous livications for Rastafari and Marcus Garvey often result in his being compared to 1999 Grammy winner Burning Spear.

On Human Rights & Justice, Daweh exalts his spirituality with such incantations as "Jah Is My Shepherd", "Wilderness", "Drums" and "Jah Mercy Seat". His cries for a better world can be heard on "One World", "Earth Running" and the title track. Daweh Congo recruited the formidable talents of "Roots Radics", Jamaica’s premier back-up band to lay the rhythms that can be heard throughout this album. The heavy drum and baselines from Style Scott and Flabba Holt, along with Daweh Congo’s mesmerizing voice have catapulted Human Rights and Justice to the number one position on IREGGAE.COM’s top ten albums for the month of May 2000.

Born "Rohan Graham" in 1969, Daweh's father cut sides for Joe Gibbs and Lee Perry. Daweh recorded his first song "Breadwinner" for Alton Ellis. In 1995, he teamed up with Ocho Rios based producer and managing director Barry O'Hare, to record his first hit singles "Study Garvey" and "Coconut Chalice".

Daweh Congo continues his spiritually charged and uplifting lyrics on Human Rights & Justice. Produced by Gaylard Bravo, this album features 45 minutes of pure conscious reasonings that are sure to uplift the hearts and souls of roots music lovers all over the world.

Thanks to Daniel from Ireggae.com for the liner notes.

A1 - Human Rights & Justice
A2 - Big Bad Sound
A3 - Mercy Seat
A4 - Wilderness
A5 - One World
B1 - Earth Runnings
B2 - Jah Is My Sheperd
B3 - Drums
B4 - Another Day
B5 - Herb Tree

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Wade "Jimmy" Dyce was an original member of Cultural Roots. He was a vocalist and played a key role in shaping the
sound of the group. Cultural Roots emerged as a four-part harmony group for producer Donovan Germain in the late
1970s, releasing « Revolutionary Sounds » and « Mr Bossman » which counts among ‘Jah Shaka's favourite tunes’. Then
they released « Hell A Go Pop », one of the Greensleeves label’s lesser-known classics.
In the early 80's, Wade Dyce produced alone three songs at Chris Stanley's famous Music Mountain studio. Wade Dayce
surrounds himself with the best musicians of the time, namely the Revolutionaries, but does not remember the exact
formation apart from Sly Dunbar on drums and Bongo Herman on percussion. « Humble », « Money Mare » and « Hide
& Seek » are three forgotten songs that can be described as killer roots from the middle of the 80s and which you can
(re)discover again through this reissue on the original Moving On label. For this release, Jamwax worked with Parade
Studio for this original and unique Disco 45 cover graphic creation.
Today, Wade, now sixty-seven years old, is living in Salem, Massachusetts, where he graduated in 2010 as a mental-health
specialist. Long live to the Cultural Roots !

A1. Humble
B1. Humble (Dub Version)
B2. Humble (Version)

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Wade "Jimmy" Dyce was an original member of Cultural Roots. He was a vocalist and played a key role in shaping the
sound of the group. Cultural Roots emerged as a four-part harmony group for producer Donovan Germain in the late
1970s, releasing « Revolutionary Sounds » and « Mr Bossman » which counts among ‘Jah Shaka's favourite tunes’. Then
they released « Hell A Go Pop », one of the Greensleeves label’s lesser-known classics.
In the early 80's, Wade Dyce produced alone three songs at Chris Stanley's famous Music Mountain studio. Wade Dayce
surrounds himself with the best musicians of the time, namely the Revolutionaries, but does not remember the exact
formation apart from Sly Dunbar on drums and Bongo Herman on percussion. « Humble », « Money Mare » and « Hide
& Seek » are three forgotten songs that can be described as killer roots from the middle of the 80s and which you can
(re)discover again through this reissue on the original Moving On label. For this release, Jamwax worked with Parade Studio
for this original and unique Disco 45 cover graphic creation.
Today, Wade, now sixty-seven years old, is living in Salem, Massachusetts, where he graduated in 2010 as a mental-health
specialist. Long live to the Cultural Roots !

A1. Money Mare
A2. Money Mare (Dub Version)
B1. Hide And Seek
B2. Hide And Seek (Dub Version)

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Wilfred Trevor Woodley aka Woods (1934 - 2010) is certainly one of the best kept secrets in Caribbean jazz. A pianist composer from Point Fortin, Trinidad & Tobago, Woods was a fascinating man who lived an incredible life traveling to more than 70 countries. Even though he composed hundreds of songs he had never released an official album.

Woods was a man who lived a fearless life. Even when faced with life's adversities he dealt with them with such courage and calmness that all who knew him could only remember him with admiration and respect. In july 1990 he was involved in an accident where a truck crushed one os his legs. facing the doctors, he replied with aplomb: "As long as I can play the pinao, everything is fine".

This EP is the first project of a series to pay a tribute to his legend and to keep his music alive.

A1 - The Lone Pilgrim
B1 - Uhuru
B2 - Stickman

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Synth lovers rock at its best! Jamaican born and New-York based, Laury Webb is a singer, musician, producer, actor, former model and writer. He's been called both the Opera Dread and the Frank Sinatra of Reggae.
Laury's musical career began with a role as keyboardist and later backing vocalist with the reggae vocal group The Meditations (with whom he continues to perform).
Laury Webb posses a unique and eclectic vocal style. He has performed at some of New York city's premier musical venues, including Lincoln Center's Alice Tully Hall, The Village Gate, S.O.B.'s, The Ritz, The Lion's Den, Joe's Pub, Leopard Lounge, Kenny's Castaway, Central Park Summer Stage, The Baggot Inn and The Brooklyn Bowl.
After enjoying years of being a back-up musician, Laury launched a solo career with his Tigerbone Band. During that period he recorded and releases singles "Woman My Queen" and "It Seems The Same".
He was fresh out of college and touring with The Meditations, when he purchased a small organ for his girlfriend/mother of his two children for Christmas. By the time her birthday came around he was so broke and could not afford to purchase a birthday present for her so he gave her a writing pad and pen and told her to write down whatever came out of her mouth, and he sat at the keyboard and began playing and singing. “Woman My Queen”, was the result.
“It Seems The Same” was begun in America but I did not finish writing it till the music was recorded. My cousin, Barry Biggs, worked with me on this one. We both sang on the backing tracks.

Tracklist:

A1 - Woman My Queen
B1 - It Seems The Same
B2 - The Same Dub

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Jahlin, whose real name is Colin Pitter, was born in Clarendon, Jamaica and moved to Canada in 1975 for his education. He graduated from high school majoring in welding in 1979 and began working as a welder in Toronto while pursuing his musical career.
In 1980, Jahlin joined the reggae band Joshua on the recommendation of a fellow musician, Gregory Frank. Later, he recorded his first single "Roots Reality" under his own label, Black Echo.

Jahlin's "Roots Reality" is a roots reggae song that was originally released on the Roots Reality label in 1983.
Overall, "Roots Reality" is a powerful roots reggae song that showcases Jahlin's talent as a singer and songwriter, as well as his commitment to spreading messages through his music. Its particularity is the addition of violin which is rarely heard in roots reggae music.

TRACKLIST:
A1. Roots Reality
B1. Roots Reality (Version)

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The one arm keyboard luminary is well known in the entertainment circle of Western Jamaica. Born on the 2nd of March 1954, the accomplished singer and musician hails from Hayes, Clarendon. In 1969 he went to live in Kingston until 1973. Ancel's first effort in a recording studio was inside the popular Randy's in downtown Kingston. He did a single called 'Riding On' on the Musical Barber label out of Mandeville.
In 1977 he joined a group called Solid Foundation and stayed with them for two years. After that he moved to Montego Bay to sing with Stamma and the Sounds of Mobay, with who he appeared on Reggae Sunsplash festival in 1980.
Johnny made the move for the United States in 1982, and formed his first own band 'Uprisers' in Pittsburgh city.
One of the things he likes to talk about is how he once reunited the famed Clarendonians with Peter Austin and Ernest Wilson. Both pioneer icons were at irreconcilable odds with each other for quite some time. When he came back to Jamaica in 1985, he invited Ernest Wilson to do back-up vocals for him. For the same studio session, he also invited Peter Austin for the same back-up duties, and that was how the reunion came about. Inside famous Aquarius studio, there was Burning Spear's personal Band called Burning. The songs recorded there were 'Moving Out' and 'True Love' with top musicians : Tony Green on the saxophone, Bobby Ellis on the trumpet, Dwight Pinkney on the guitar, Calvin on percussion, Nelson Miller on the drums and Maurice Gordon on bass. This was not the first time Ancel was working with Peter Austin. When the split came in the ranks of the Clarendonians, Ancel was asked to fill the breach. He thus teamed up with Peter Austin and their first single together was entitled 'Out Of Sight'. They later entered the annual Jamaica Festival Song competition in 1975. Their entry was entitled 'Paradise On Earth' which Ancel said was quite popular. However, it was not popular enough to prevent the late Roman Stewart from copping the award with 'Hooray Festival'.
After the release of 'Moving Out', Johnny moved to Miami and continued his career as a solo artist, singing with different local bands. He did a number of singles, notably were 'Faith, Patience and Love' and 'Stand Back' for a producer called Jolly in Miami. In 1988 Powell formed his second band Benja, a band which gained increasing popularity in the time in South Florida. They have performed on several festivals, played in most major clubs and were a big success in Andros Island in the Bahamas for an audience who not necessarily consider Reggae their prime choice of music.

The saddest part of his life was when he lost his left hand to what doctors termed as a cancerous situation in 1977. This did not, however, stop him from learning how to play keyboards. Initially he was taught by the late Bobby Vaugh in Montego Bay and also got further teaching from jamaican saxophinist Reuben Alexander.

Now approaching 70 years old, Ancel is still very active in his music. In previous years he performed at the Marcus Garvey Celebration and is currently working with the “Synergy Band” at Royalton Hotel in Negril under the stage name “Ancel P.” Let the one arm keyboard luminary life and music live eternally !

TRACKLIST:
A1. Moving Out
B1. True Love

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Interstellar digital dancehall with stunning synth, superb vocal by Robert Ffrench in extended mix & mad style by obscure DJ Shortie Ranks.


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Margino (real name Kim Kallie) is a South African artist. She recorded her first song at the age of eight, when she performed ''Montreal'' with her mother Judy Page. She sang with the reggae group Kariba and jazz rock outfit Turbo in the early 80's, and later did backing vocals for Future and others. She first shot to fame as a solo star with a version of ''Holiday'' (written by Lisa Stevens and Curtis Hudson, credited as Cathy Hudson), which was released at the same time as Madonna's version. Margino also had a hit in 1983 with a cover of In-Deep's ''Last Night a DJ Saved My Life'', that went to #16 on the South-African Top 30 and charted for 10 weeks. She now runs a Performance Academy from her studio, and continues to perform on stage at events around Cape Town.
Recorded at RPM Recording Studios (Johannesburg, South Africa) in 1985, Happy People is a flawless album with dancefloor hits such as ''Happy People'', ''I'm Getting Out'' and ''One Hot Night'' and downtempo tunes such as ''You Turn Me On'', ''You Need A Woman'' and ''You''. All rhythm tracks were played by Attie Van Wyk (Keyboards, Synthesizer, Drum Machine) and Danny Bridgens (Guitar). The full album is a cream of boogie funk, disco and pop.
For this reissue, Jamwax took the pleasure to remaster the sound from the original tape. The artwork was also remake with Andy Warhol ''Marilyn Monroe'' pop art style, for your eyes pleasure

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Thandi Zulu known as T.Z. Junior was a young girl from Soweto. She started her musical career with Peter Moticoe who produced "Love Games" with The Young Five on Heads label in 1984. Then, Peter Moticoe brought her to Phil Hollis at Dephon Entertainment who then teamed them up with Attie Van Wyk who was the producer for Yvonne Chaka Chaka at that time.
Phil Hollis started Dephon Promotion (Dephon Entertainment) in the late 70's and developed into the largest independent record company in South Africa. He describes himself as the only person who has been involved in recording of major hit songs in nearly all genres of music in all the languages in South Africa. Phil Hollis was involved in all aspects of the Entertainment industry from production of recordings, recording company, distribution, marketing and promotion, events management, staging major events and filming.
"Sugar My Love" and "Are You Ready for Love" were produced and arranged by Attie Van Wyk. “Back in the 80's I was a songwriter for a band called Ballyhoo when I got an offer from the Dephon Record Company to join them as a music producer. So I quit the band and joined them, producing records mainly for music targeted at the black market in those days,” he says. Between 1982 and 1992, Attie Van Wyk produced over 120 albums, including many for Yvonne Chaka Chaka.

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“Slave” is a dark instrumental of Sparrow’s “The Slave” from 1963 by Bert Inniss National Recording Orchestra with backing vocals by March of Dimes Quartet. It was the first release on the National label, which would become Sparrow’s home from 1963 to 1967; Spicy, rhythmic, mournful, classic, full of emotions.


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MJ getting the krewcial remix treatment. Mixed from the original multi-tracks, with love and respect for the original. Side A sets off with an alternate version of 'Get On The Floor', completely built on the various afrobeat inspired elements within the original multitracks. The result is a hard hitting and intense +7 minutes dancefloor workout. 'Baby' takes us from Off The Wall to Thriller, with classic 80’s MJ on one of his more underrated midtempo tunes, updated for today’s dancefloor.

On the Flip Krewcial presents a 9 minute never-ending version of 'Get On The Floor', true to the spirit of the album version. Limited Vinyl Only Release

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Mukatsuku returns with another superb little remastered package here on limited 12" hand-numbered to 400 copies. It features the Afro disco sounds of Fred Fisher Atalobhor And His Ogiza Dance Band .'WTFS' was originally released back in 1981 from the African Carnival album. It's a booty-wiggling cut with myriad funky lines, squelchy synth motifs, lush chords and soul drenched vocals that bring the sunshine and party in equally playful measure. On the flip is 'Ebi Lolo' which is defined by its big brass section and loosey-goose guitar lines, bright chords and subtle funk and currently being championed by Charlie Dark on social media and his recent DJ sets….

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A. ONCE IN A LIFETIME B. JUST A TOUCH OF LOVE

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Support from: Dave Lee ZR, Birdee, Mousse T, Da Lukas, Dr Packer, John Morales, Terry Farley, Horse Meat Disco, Basement Jaxx, Oliver Dollar, Yuksek, Bill Brewster, Bibi Seck, Chloe Callait, Glenn Underground, Nick The Record, Mark Brickman, Jimpster, Damian Lazarus, NTS Radio, BBC Radio 1, Joey Chicago & many more..

Full steam ahead! Put on your dancing shoes and jump aboard The Disco Express as the much loved London label unveils its hugely anticipated Best of 2024 compilation.

Pressed on special edition purple neon vinyl, this electrifying compilation showcases the wider breadth of the label's sound. Best of 2024 ventures into a multitude of styles: Soul, Disco, Italo and House, all made with cutting-edge production.

A brilliant fusion of established and emerging artists, the compilation boasts a stacked line up of talent; celebrating the vibrant spirit of The Disco Express whilst perfectly infusing modern twists, optimised for contemporary dance floors.

This is original house & disco for 21st century dance floors and this train ain't slowing down anytime soon...

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Wade "Jimmy" Dyce was an original member of Cultural Roots. He was a vocalist and played a key role in shaping the
sound of the group. Cultural Roots emerged as a four-part harmony group for producer Donovan Germain in the late
1970s, releasing « Revolutionary Sounds » and « Mr Bossman » which counts among ‘Jah Shaka's favourite tunes’. Then
they released « Hell A Go Pop », one of the Greensleeves label’s lesser-known classics.
In the early 80's, Wade Dyce produced alone three songs at Chris Stanley's famous Music Mountain studio. Wade Dayce
surrounds himself with the best musicians of the time, namely the Revolutionaries, but does not remember the exact
formation apart from Sly Dunbar on drums and Bongo Herman on percussion. « Humble », « Money Mare » and « Hide
& Seek » are three forgotten songs that can be described as killer roots from the middle of the 80s and which you can
(re)discover again through this reissue on the original Moving On label. For this release, Jamwax worked with Parade
Studio for this original and unique Disco 45 cover graphic creation.
Today, Wade, now sixty-seven years old, is living in Salem, Massachusetts, where he graduated in 2010 as a mental-health
specialist. Long live to the Cultural Roots !

A1. Humble
B1. Humble (Dub Version)
B2. Humble (Version)

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Bicoastal disco aficionado, Super Elevation label/shop owner, and all-around legend of the scene, Tom Noble brings forth a sprawling project 15 years in the making with his House of Spirits full length LP on Razor-N-Tape.

Slow-cooked over more than a decade, the eight tracks that stretch across this double 12 inch pack are the realization of Tom’s unique vision of modern dancefloor soul, with lush live instrumentation and deviously catchy hooks. Boasting a near encyclopedic knowledge of decades of club music, Tom draws on influences like Patrick Adams & the Mizell Brothers to build a sound that’s both reverent to the past, but feels extremely fresh and immediately timeless.

The lead off singles ‘Times Are Changing’ and ‘Please Take Me There’ and respective remixes by Harvey Sutherland, Makez and Sizmo have already garnered huge support, and ‘Holding On’ the beloved original House Of Spirits single from 2020 appears with a shiny new mix. The album opens with ‘Love Trip,’ an uptempo invitation to the sonic world to follow, and moves through various moods, like the Brit-funk vibe of ‘Time Is Running Out,’ the mid-tempo groover ‘I Get Lifted’ and the downtempo R&B smoothness of ‘Diamond Eyes’ featuring dreamcastmoe on vocals.

The cheeky dollar bin artwork rounds out this package perfectly, and with the tracks mixed to perfection and cut tough for the floor, this is an essential record that will surely find a permanent home in the bag.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Hand the king of re-edits Late Nite Tuff Guy the keys to an unreleased Silk recording from the ‘70s hey days and you’ve got yourself a recipe for greatness. A’s and Bees line up their second heavyweight 12 inch pressing, with two exhilarating edits from LNTG alongside the first ever release of the original recording. As ever 50% of the profits from this release will be donated towards the British Beekeepers Association.

It's rare to crack the vaults on a recording that’s as good as this, that never saw the light of day. Courtesy of ‘70s Philly International wonders Silk, most famed for their soul sensation ‘I Can't Stop (Turning You On)’ that was sampled by LF System for their 8 week strong number 1 release, ‘Somethin' 'Bout The Way’ has all the elements of a smash hit. As catchy as they come, singalong sensibilities and musicianship of the highest order with vocal harmonies to match, it’s genuinely astonishing that this never got released. Who better to tweak this into an all-out disco stomper, than re-edit royalty Late Nite Tuff Guy. His Disco Dub teases in, loops up and adds extra punch to all the elements that make the original such a standout track, before letting loose those joyous vocals. Big room, full body, DJ friendly business this!

On the B side, the original mix gets it’s first ever release, with LNTG providing a shorter edit of his full throttle re-work to round off the package.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More