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Tom Noble Presents: House Of Spirits - Love Trip
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Tom Noble Presents: House Of Spirits - Holding On
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Tom Noble Presents: House Of Spirits - Please Take Me There
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Tom Noble Presents: House Of Spirits - Diamond Eyes Ft. dreamcastmoe
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Tom Noble Presents: House Of Spirits - Times Are Changing
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Tom Noble Presents: House Of Spirits - I Get Lifted
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Tom Noble Presents: House Of Spirits - Time Is Running Out
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Tom Noble Presents: House Of Spirits - Moving Away
Bicoastal disco aficionado, Super Elevation label/shop owner, and all-around legend of the scene, Tom Noble brings forth a sprawling project 15 years in the making with his House of Spirits full length LP on Razor-N-Tape.
Slow-cooked over more than a decade, the eight tracks that stretch across this double 12 inch pack are the realization of Tom’s unique vision of modern dancefloor soul, with lush live instrumentation and deviously catchy hooks. Boasting a near encyclopedic knowledge of decades of club music, Tom draws on influences like Patrick Adams & the Mizell Brothers to build a sound that’s both reverent to the past, but feels extremely fresh and immediately timeless.
The lead off singles ‘Times Are Changing’ and ‘Please Take Me There’ and respective remixes by Harvey Sutherland, Makez and Sizmo have already garnered huge support, and ‘Holding On’ the beloved original House Of Spirits single from 2020 appears with a shiny new mix. The album opens with ‘Love Trip,’ an uptempo invitation to the sonic world to follow, and moves through various moods, like the Brit-funk vibe of ‘Time Is Running Out,’ the mid-tempo groover ‘I Get Lifted’ and the downtempo R&B smoothness of ‘Diamond Eyes’ featuring dreamcastmoe on vocals.
The cheeky dollar bin artwork rounds out this package perfectly, and with the tracks mixed to perfection and cut tough for the floor, this is an essential record that will surely find a permanent home in the bag.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Slow-cooked over more than a decade, the eight tracks that stretch across this double 12 inch pack are the realization of Tom’s unique vision of modern dancefloor soul, with lush live instrumentation and deviously catchy hooks. Boasting a near encyclopedic knowledge of decades of club music, Tom draws on influences like Patrick Adams & the Mizell Brothers to build a sound that’s both reverent to the past, but feels extremely fresh and immediately timeless.
The lead off singles ‘Times Are Changing’ and ‘Please Take Me There’ and respective remixes by Harvey Sutherland, Makez and Sizmo have already garnered huge support, and ‘Holding On’ the beloved original House Of Spirits single from 2020 appears with a shiny new mix. The album opens with ‘Love Trip,’ an uptempo invitation to the sonic world to follow, and moves through various moods, like the Brit-funk vibe of ‘Time Is Running Out,’ the mid-tempo groover ‘I Get Lifted’ and the downtempo R&B smoothness of ‘Diamond Eyes’ featuring dreamcastmoe on vocals.
The cheeky dollar bin artwork rounds out this package perfectly, and with the tracks mixed to perfection and cut tough for the floor, this is an essential record that will surely find a permanent home in the bag.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from Tom Noble Presents: House Of Spirits
12"
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Label:Razor-N-Tape Reserve
Cat-No:RNTR071
Release-Date:13.09.2024
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Tom Noble Presents: House Of Spirits - Please Take Me There
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Tom Noble Presents: House Of Spirits - Makèz Vocal House Remix
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Tom Noble Presents: House Of Spirits - Sizmo A Capella Dub Mix
Still buzzing from the first House of Spirits 12 Inch earlier this summer, RNT tops up our collective high with even more soulful bliss from the mind of Tom Noble. A Brit-funk inspired uptempo heater with spindly guitars, driving bass and a joyous vocal hook, 'Please Take Me There' is another all original modern retro offering that portends the massive gravity of the full LP to come. On the B side, Dutch production wunderkinds Makez reconfigure the tune into a sultry vocal house excursion, and Sizmo takes it to the beach with an extra wavey balearic A Capella dub. End of Summer essential!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Liebigstrasse 2-20
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Germany
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12"
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Label:Razor-N-Tape Reserve
Cat-No:RNTR068
Release-Date:12.07.2024
Genre:House
Configuration:12"
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Tom Noble Presents: House Of Spirits - Times Are Changing
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Tom Noble Presents: House Of Spirits - Times Are Changing (Instrumental)
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Tom Noble Presents: House Of Spirits - Times Are Changing (Harvey Sutherland Remix)
Tom Noble, digger extraordinaire, owner of Superior Elevation Records, and general Brooklyn/LA legend, dons his House Of Sprits moniker for the first single from a forthcoming LP on Razor-N-Tape.
'Times Are Changing' sets the tone for this album project that collects the work of nearly 15 years, a gritty vision of modern-retro soul that throws a reverent nod to its Mizell Brothers and Patrick Adams influences as it brings the sound into the future. Recorded with all live instrumentation and mixed tough for the dance floor, this limited 12 Inch boasts an extended original and instrumental on the A side, and a huge remix from Aussie synth wizard Harvey Sutherland on the flip that highlights the rich instrumentation and extremely catchy vocal hook. A surefire summer jam, this is timeless music that is only the tip of the iceberg from a future classic album.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
'Times Are Changing' sets the tone for this album project that collects the work of nearly 15 years, a gritty vision of modern-retro soul that throws a reverent nod to its Mizell Brothers and Patrick Adams influences as it brings the sound into the future. Recorded with all live instrumentation and mixed tough for the dance floor, this limited 12 Inch boasts an extended original and instrumental on the A side, and a huge remix from Aussie synth wizard Harvey Sutherland on the flip that highlights the rich instrumentation and extremely catchy vocal hook. A surefire summer jam, this is timeless music that is only the tip of the iceberg from a future classic album.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from Razor-N-Tape Reserve
12"
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Label:Razor-N-Tape Reserve
Cat-No:RNTR078
Release-Date:14.03.2025
Genre:House
Configuration:12"
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JKriv Feat. Megatronic / Pahua - Blueprint
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JKriv Feat. Megatronic / Pahua - Intuition
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JKriv Feat. Megatronic / Pahua - Zone 1
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JKriv Feat. Megatronic / Pahua - Paula's Dance
JKriv returns to home base Razor-N-Tape with the Intuition EP, a strong statement of how far his sound has traveled in the 2+ years since his last artist release on the label.
Blueprint, a driving club burner rooted on an unrelenting bass line, builds slowly through conversational synth elements until it opens up into a soulful vocal loop that explodes in a euphoric peak. The title track of the EP is a dubby slow roller that was equal parts inspired by 90s Ryuichi Sakamoto records and modern G-funk. Over its lithe piano, hooky vocoder melodies, and rolling bass, Megatronic delivers a melancholic message of relationship loss and renewal, and coda vocals are added by J himself.
Zone 1, an ode to David Morales’ amazing Red Zone 90s remix catalog, drives hard with insistent analog drums and absolutely filthy bass beneath a pillowy layer of lush and acidic synth elements. Wearing the influence of J’s favorite producer Larry Heard proudly on its sleeve, Paula’s Dance is a symphony of intertwining analog gear, with a mysterious and gorgeous vocal by Mexican singer Pahua.
Completed while JKriv was undergoing treatment for lymphoma in the latter part of 2024, this record is both deeply personal and a triumphant statement of determination under adversity. The beautiful cover artwork by The Myno captures both the vulnerability and focus that defined the period in which J made this music.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Blueprint, a driving club burner rooted on an unrelenting bass line, builds slowly through conversational synth elements until it opens up into a soulful vocal loop that explodes in a euphoric peak. The title track of the EP is a dubby slow roller that was equal parts inspired by 90s Ryuichi Sakamoto records and modern G-funk. Over its lithe piano, hooky vocoder melodies, and rolling bass, Megatronic delivers a melancholic message of relationship loss and renewal, and coda vocals are added by J himself.
Zone 1, an ode to David Morales’ amazing Red Zone 90s remix catalog, drives hard with insistent analog drums and absolutely filthy bass beneath a pillowy layer of lush and acidic synth elements. Wearing the influence of J’s favorite producer Larry Heard proudly on its sleeve, Paula’s Dance is a symphony of intertwining analog gear, with a mysterious and gorgeous vocal by Mexican singer Pahua.
Completed while JKriv was undergoing treatment for lymphoma in the latter part of 2024, this record is both deeply personal and a triumphant statement of determination under adversity. The beautiful cover artwork by The Myno captures both the vulnerability and focus that defined the period in which J made this music.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
LP
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Label:Razor-N-Tape Reserve
Cat-No:RNTR077
Release-Date:28.02.2025
Genre:House
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Clive From Accounts - It Began
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Clive From Accounts - Save Me
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Clive From Accounts - Ambika
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Clive From Accounts - All That Matters Ft. Kipp Stone
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Clive From Accounts - Heavier Ft. Riko Dan
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Clive From Accounts - Konsumu Suru Ft. Maya Kuroki & Jessica Roch
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Clive From Accounts - Spectrum
Fresh off a trip to the watercooler, London’s Clive From Accounts is circling back with his most expansive offering to date, the full length LP 'The Very Best Of Clive From Accounts.' Action items include lead-off single 'Save Me' with its driving organ stabs, soulful vocals, exuberant steel pans and just a touch of acid, as well as second single 'Heavier' which lives up to its name as a dark and weighty club number that boasts some heavy toasting from Riko Dan. But you’ll also want to go ahead and put a pin in 'Konsumu Suru' for a more melancholic tone with Japanese vocals by Maya Kuroki & violin by Jessica Roch, the mideastern tinged 'It Began,' and classic drum & bass vibes of 'Spectrum' amongst others!
We’ve run the numbers and offered this record as a 7 track vinyl sampler, that includes a special intra-office easter egg! A true win-win, this varied EP really fleshes out the depth and breadth of Clive’s wheelhouse, and is a deep dive into modern UK club sounds.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
We’ve run the numbers and offered this record as a 7 track vinyl sampler, that includes a special intra-office easter egg! A true win-win, this varied EP really fleshes out the depth and breadth of Clive’s wheelhouse, and is a deep dive into modern UK club sounds.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Razor-N-Tape Reserve
Cat-No:RNTR076
Release-Date:07.02.2025
Genre:House
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Ben Sun - Bootstand (Strange Soil)
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Ben Sun - Ten Thousand Shells
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Ben Sun - Moon Lion
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Ben Sun - Azha (The Nest)
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Ben Sun - The Khan's Reverie
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Ben Sun - Photoelectric
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Ben Sun - Living Things
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Ben Sun - Autumn Phase
Londoner come Margatean Ben Sun returns to RNT with a full-length offering of introspective analog electronic textures. Moving through various tempos and rhythmic styles, Ben crafts a sonic palette that feels alternatively meditative and melancholic, dark and brooding, or meditative and euphoric, while always rooted in a solid groove. With gorgeous artwork designed by Ben himself, this record is a gorgeous listen, and essential warmth for the frigid winter months
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Razor-N-Tape Reserve
Cat-No:RNTR075
Release-Date:13.12.2024
Genre:House
Configuration:12"
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Bessa Simmons - Sii Nana (JKriv Fit Rework)
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Vincenzo - Love Accurate
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Ilija Rudman - Discoteka Parmida
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Yasmin - Real High
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Arnau Obiols - Pagan Mambo
RNT drops their fourth installment of the beloved compilation series Family Affair with a diverse offering of vibes, and adds some fresh new faces to their ever expanding roster of artists. On the A side an Afro-electro secret weapon from label co-head JKriv’s DJ set is released into the wild, and German legend Vincenzo delivers a tune that harkens back to the lush deep house of his early 2000s glory era. The 3 songs of the B side bring even more variety, from the stomping hypnotic new disco of Ilija Rudman’s ‘Discoteka Parmida,’ to the head - nodding R&B groove of Yasmin’s ‘Real High’ and the modern live-arranged Afrobeat vibe of Arnau Obiols’ ‘Pagan Mambo.’ With ever gorgeous jacket art that is now the signature style of this series, this record is one for both the listening shelf and the bag!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Razor-N-Tape Reserve
Cat-No:RNTR072
Release-Date:04.10.2024
Genre:House
Configuration:12"
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Megatronic - The World Ft. Stavros
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Megatronic - Nuffin But LUV
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Megatronic - Organic
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Megatronic - Been Thinkin (Jimpster Remix)
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Megatronic - The World Ft. Stavros (Kiko Navarro Remix)
UK-born, Lisbon-based DJ, Producer, Songwriter, and activist Megatronic joins the RNT roster with her ‘Do I Belong To You?’ EP, a bold statement of her soulful and visionary sound. Side A opens with the deeply emotive ’The World’ featuring soulful and melancholic vocals by Stavros, then moves to the pulsating and freewheeling groove of Nuffin’ But Love (co-produced by Jitwam) and finishes with the jazzy vibes of Organic, with Meg’s sultry spoken poetry floating over live instrumentation. On the flip side two superlative remixes by heavyweights Jimpster and Kiko Navarro take Meg’s music straight to the dance floor, with Jimpster bringing is his signature lush deep textures to ‘Been Thinking’ (the original of which is available as part of the digi EP only) and Kiko delivering an acid afro-house banger of a mix on ‘The World.’ A gorgeous listen from beginning to end, this EP captures a sound that feels both classic and futuristic all at once.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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12"
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Tom Noble Presents: House Of Spirits - Please Take Me There
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Tom Noble Presents: House Of Spirits - Makèz Vocal House Remix
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Tom Noble Presents: House Of Spirits - Sizmo A Capella Dub Mix
Still buzzing from the first House of Spirits 12 Inch earlier this summer, RNT tops up our collective high with even more soulful bliss from the mind of Tom Noble. A Brit-funk inspired uptempo heater with spindly guitars, driving bass and a joyous vocal hook, 'Please Take Me There' is another all original modern retro offering that portends the massive gravity of the full LP to come. On the B side, Dutch production wunderkinds Makez reconfigure the tune into a sultry vocal house excursion, and Sizmo takes it to the beach with an extra wavey balearic A Capella dub. End of Summer essential!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Razor-N-Tape Reserve
Cat-No:RNTR070
Release-Date:16.08.2024
Genre:House
Configuration:12"
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Prince Of Queens - El Tiempo
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Prince Of Queens - Que Paso?
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Prince Of Queens - Merida
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Prince Of Queens - Macaria's Funk
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Prince Of Queens - Summer Rain (Dub)
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Prince Of Queens - No Hay Na'
Colombian-born, New York-raised producer and instrumentalist Felipe Quiroz aka Prince of Queens brings his unique synthesis of trans-caribbean culture with house and techno to RNT on his Merida EP. Known for releases on Names You Can Trust and his band Combo Chimbita, this lush and varied EP invites you into a world where vintage tropical sounds and modular synthesizers live side-by-side on the dance floor. With 6 songs stretched across two sides, the record explores a wide range of tempos and electronic Latin vibes, and boasts gorgeous cover art that suits the emotion of the music perfectly. Although he is a seasoned producer, Prince of Queens is still a relatively new name on the club scene…but with this definitive musical statement it’s a name that the heads will remember.
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Liebigstrasse 2-20
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12"
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Label:Razor-N-Tape Reserve
Cat-No:RNTR069
Release-Date:19.07.2024
Genre:House
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Magic Words - Wabi Soba
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Magic Words - Wabi Dub
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Magic Words - Wabi Soba (Jex Opolis Remix)
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Magic Words - Kissy Kiss
Magic Words, a new project from NY-based producers Eli Cohen and Peter Hargarten, make their debut on RNT with the Wabi Soba EP, a perfect summertime record. If the title track sounds a bit familiar it’s because it’s been in Harvey’s hands for a while and has made many appearances in his sets around the world. Based around an emotive and dreamy loop, the song basically embodies Balearica, dripping with Spanish guitar and wistful, melancholic harmonies. Toronto’s Jex Opolis turns in a massive remix that preserves all the delicate texture of the origi-nal and lays it lovingly over a pulsing clubby drum foundation. Already getting a huge re-sponse in the RNT crew’s club sets, this is a special record that’s got some serious sum-mer anthem buzz!
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Liebigstrasse 2-20
DE - 22113 Hamburg
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12"
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Label:Razor-N-Tape Reserve
Cat-No:RNTR068
Release-Date:12.07.2024
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Tom Noble Presents: House Of Spirits - Times Are Changing
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Tom Noble Presents: House Of Spirits - Times Are Changing (Instrumental)
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Tom Noble Presents: House Of Spirits - Times Are Changing (Harvey Sutherland Remix)
Tom Noble, digger extraordinaire, owner of Superior Elevation Records, and general Brooklyn/LA legend, dons his House Of Sprits moniker for the first single from a forthcoming LP on Razor-N-Tape.
'Times Are Changing' sets the tone for this album project that collects the work of nearly 15 years, a gritty vision of modern-retro soul that throws a reverent nod to its Mizell Brothers and Patrick Adams influences as it brings the sound into the future. Recorded with all live instrumentation and mixed tough for the dance floor, this limited 12 Inch boasts an extended original and instrumental on the A side, and a huge remix from Aussie synth wizard Harvey Sutherland on the flip that highlights the rich instrumentation and extremely catchy vocal hook. A surefire summer jam, this is timeless music that is only the tip of the iceberg from a future classic album.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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'Times Are Changing' sets the tone for this album project that collects the work of nearly 15 years, a gritty vision of modern-retro soul that throws a reverent nod to its Mizell Brothers and Patrick Adams influences as it brings the sound into the future. Recorded with all live instrumentation and mixed tough for the dance floor, this limited 12 Inch boasts an extended original and instrumental on the A side, and a huge remix from Aussie synth wizard Harvey Sutherland on the flip that highlights the rich instrumentation and extremely catchy vocal hook. A surefire summer jam, this is timeless music that is only the tip of the iceberg from a future classic album.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Razor-N-Tape Reserve
Cat-No:RNTR067
Release-Date:03.05.2024
Genre:House
Configuration:12"
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Pahua - Espantapajaros ft. La Perla (Captain Planet Remix)
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Pahua - Pa’lante ft. Acid Coco (Tigerbalm Remix)
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Pahua - Cana Brava ft. NIKOLA (Clive From Accounts Remix)
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Pahua - Porque Yo ft. Eva de Marce (JKriv Remix)
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Pahua - Calla ft. EnEskay (Prince of Queens Dub)
Mexican sensation Pahua comes to Razor-N-Tape via a huge remix project featuring some of the hottest producer names in current outer-national dance music.
Remixers on this 12” includes both staples and newcomers to the RNT production stable. Label co-head JKriv turns in a late-nite bass mix of the exceedingly popular ‘Porque Yo,’ Captain Planet delivers a percussive & thumping afro-house flip to “‘Espantapajaros’, Tigerbalm brings her chugging international disco flair to ‘Pa’lante,’ Prince of Queens digs deep with a housey dub of ‘Calla,’ and Londoner Clive From Accounts takes ‘Cana Brava’ into moody nu-disco meets amapiano territory.
With a collection of remixes as prolific and solid as these, RNT opted for an expansive 12” and 7” package which features seven of the remixes across two slabs of vinyl, with gorgeous artwork that flips the moonrise eclipse motif of the original Habita album cover perfectly in a slick device that reveals a crescent moon as the record is removed from the jacket.
This package honors the essence of the original music, while flipping it in quintessential RNT club-ready fashion.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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Germany
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Remixers on this 12” includes both staples and newcomers to the RNT production stable. Label co-head JKriv turns in a late-nite bass mix of the exceedingly popular ‘Porque Yo,’ Captain Planet delivers a percussive & thumping afro-house flip to “‘Espantapajaros’, Tigerbalm brings her chugging international disco flair to ‘Pa’lante,’ Prince of Queens digs deep with a housey dub of ‘Calla,’ and Londoner Clive From Accounts takes ‘Cana Brava’ into moody nu-disco meets amapiano territory.
With a collection of remixes as prolific and solid as these, RNT opted for an expansive 12” and 7” package which features seven of the remixes across two slabs of vinyl, with gorgeous artwork that flips the moonrise eclipse motif of the original Habita album cover perfectly in a slick device that reveals a crescent moon as the record is removed from the jacket.
This package honors the essence of the original music, while flipping it in quintessential RNT club-ready fashion.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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12"
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Cat-No:RNTR066
Release-Date:26.04.2024
Genre:House
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Cor.ece - Possibly Impossible (Ezel Dub)
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Guinu - Amanha (Bruce Leroys Remix)
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JKriv ft. Saucy Lady & Tortured Soul - Better Than Her
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Kim Anh - In The Stars
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Cody Currie - Ghost
The 3rd installment of Razor-N-Tape's Family Affair series is back and hotter than ever! Now an annual end-of-year tradition, Family Affair Vol. 3 features a heavy hitting 5 track sampler of standout tracks from the full compilation.
The A side features two spanking new remixes of RNT material — Ezel’s dub of Cor.ece & JKriv’s Possibly Impossible takes the track into classic & soulful house territory, while Bruce Leroys flip fellow brasilian artist Guinu’s Amanha into a mid-tempo afro stomper.
The B side starts with boogie-funk bomb Better Than Her by JKriv ft. Saucy Lady & Tortured Soul on vocals. Kim Ahn delivers the deep & sensual vibrations of In The Stars, and Cody Currie rounds out the EP with Ghost, a funk live instrumentation heavy UK broken beat jazz-dance serving.
With gorgeous art lovingly designed by The Myno, in true RNT style the collection is a lovely listen from beginning to end, and naturally boasts some serious dance floor heat!
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The A side features two spanking new remixes of RNT material — Ezel’s dub of Cor.ece & JKriv’s Possibly Impossible takes the track into classic & soulful house territory, while Bruce Leroys flip fellow brasilian artist Guinu’s Amanha into a mid-tempo afro stomper.
The B side starts with boogie-funk bomb Better Than Her by JKriv ft. Saucy Lady & Tortured Soul on vocals. Kim Ahn delivers the deep & sensual vibrations of In The Stars, and Cody Currie rounds out the EP with Ghost, a funk live instrumentation heavy UK broken beat jazz-dance serving.
With gorgeous art lovingly designed by The Myno, in true RNT style the collection is a lovely listen from beginning to end, and naturally boasts some serious dance floor heat!
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12"
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Label:Razor-N-Tape Reserve
Cat-No:RNTR065
Release-Date:08.03.2024
Genre:House
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Max Essa / Eddie C - Melon Steppin
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Max Essa / Eddie C - Save Me
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Max Essa / Eddie C - We Live In The Hills
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Max Essa / Eddie C - Sixth Bridge
Longtime friends and musical collaborators Max Essa and Eddie C join the RNT fold with a 4 tracker of melancholic and exquisitely produced chilled out disco. Begun as a lockdown project, the We Live In The Hills EP explores a vast palette of sonic soundscapes, from the shimmering guitars and acid lines of Melon Stepping, to the insistent rolling bass and whimsical synths of Save Me, the deep funk of the EP’s title track, and the late nite driving soundtrack stylings of Sixth Bridge. This EP tells a hopeful story of emerging from isolation and doubt, like a lovely musical sunrise after a long dark night.
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Liebigstrasse 2-20
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Label:Razor-N-Tape Reserve
Cat-No:RNTR064
Release-Date:09.02.2024
Genre:House
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Felipe Gordon - Flutes Of Gold
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Felipe Gordon - Right Beside Me
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Felipe Gordon - Homage To Bossa
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Felipe Gordon - Acid Party At Santa Barbara
Ever-prolific, ever-consistent Colombian producer Felipe Gordon returns to the RNT catalog for his 3rd EP. It’s a signature FG affair, from start to finish with deep jazz house chuggers like Homage to Bossa and Flutes of Gold, to the wistful and mysterious energy of Beside Me and the arpeggiated synth stomper Acid Party at Santa Barbara. An absolutely standout record with gorgeous jacket art to boot…buy on sight!
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Label:Razor-N-Tape Reserve
Cat-No:RNTR063
Release-Date:08.12.2023
Genre:House
Configuration:12"
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Cody Currie - Evernight (Feat. Stee Downes & Mik)
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Cody Currie - Yes Bruv (Feat. Mik)
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Cody Currie - Holding On (Feat. Marlena Dae)
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Cody Currie - Everynight (Vincenzo Remix)
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Cody Currie - Hot Water (Feat. Cor.ece)
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Cody Currie - Furball (Feat. Ally Mcmahon)
RNT welcomes Cody Currie back to the catalog with an extended EP of soulful and jazzy original sounds. A project that’s been in the works since his label debut back in 2017, the “Cody Currie EP” is a refined statement of the rising star producer’s UK-jazz and club roots, both danceable and introspective. Enlisting a talented roster of collaborators, such as vocalists Stee Downes, RNT mainstay Cor.ece, and newcomer Marlena Dae as well as instrumentalists Mik and Ally McMahon, each track is like a little world of its own in the universe of Cody’s vast musical aesthetic. To round out the EP we have a stellar remix from European deep house royalty Vincenzo, who shows that his production tools are still sharp as ever.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Razor-N-Tape Reserve
Cat-No:RNTR062
Release-Date:08.09.2023
Genre:House
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Flamingo Pier - How 2 Feel
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Flamingo Pier - Remedy
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Flamingo Pier - Beneath The Neon
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Flamingo Pier - Remedy (GUakaCVO Stank Face Mix)
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Flamingo Pier - Remedy feat. Steve Monite (JKriv Disco Dub)
New Zealand disco-boogie outfit Flamingo Pier plant some Brooklyn roots with their fresh new ‘Beneath the Neon EP’ on Razor-N-Tape. Known for parties in East London and their massive hometown festival, as well as previous releases on Soundway, the Kiwi collective deliver a trio of new songs that solidify and expand their signature danceable blue-eyed indie-soul sound.
Lead off single 'How 2 Feel' shows a clubbier side of the band, with a pulsating house rhythm track and layers of angular synth stabs, vibey horn lines, and vocal chants. 'Beneath the Neon' and 'Remedy' are more familiar Flamingo Pier territory, upbeat indie disco anthems that boast incendiary vocal hooks, funky guitar work, and crisp production by Luke Walker.
Rounding out the EP are remixes by Chicago house legend Glenn Underground, and RNT co-head JKriv, whose mix features a guest appearance by Afro-boogie royalty Steve Monite.
Oozing with hazy sun, Beneath the Neon is the perfect soundtrack to soak up the dog days of summer.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Lead off single 'How 2 Feel' shows a clubbier side of the band, with a pulsating house rhythm track and layers of angular synth stabs, vibey horn lines, and vocal chants. 'Beneath the Neon' and 'Remedy' are more familiar Flamingo Pier territory, upbeat indie disco anthems that boast incendiary vocal hooks, funky guitar work, and crisp production by Luke Walker.
Rounding out the EP are remixes by Chicago house legend Glenn Underground, and RNT co-head JKriv, whose mix features a guest appearance by Afro-boogie royalty Steve Monite.
Oozing with hazy sun, Beneath the Neon is the perfect soundtrack to soak up the dog days of summer.
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Label:Razor-N-Tape Reserve
Cat-No:RNTR061
Release-Date:04.08.2023
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Hiat dB - When The Night Is Right
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Hiat dB - 11pm - ’Til
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Hiat dB - First On The Floor
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Hiat dB - Whirlwind
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Hiat dB - Take The Low Roads Home
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Hiat dB - Last One Dancing
Southener Hiatt dB makes his debut on RNT with a 6 track mini-LP of swampy dance floor cuts. Born in Texas and based in New Orleans, Hiatt delivers a unique offering with “11pm-Til’” that bridges the gap between House, Breaks, Acid, Disco, Funk, and Boogie.
Having established his name with releases on Rhythm Section and his own Mystery Zone label, this record is his strongest musical statement yet, packed with live instrumentation, and vibrant organic productions that make for both a perfect listen and a groovy club spin!
DJ Support:
Charles Webster, Justin Robertson, Blair French, Moplen, Dicky Trisco, Nick The Record, Lex, Lars Behrenroth, Willie Graff, Ravanelli Disco Club, Androosh, Max Essa, & Massimiliano Pagliara
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Having established his name with releases on Rhythm Section and his own Mystery Zone label, this record is his strongest musical statement yet, packed with live instrumentation, and vibrant organic productions that make for both a perfect listen and a groovy club spin!
DJ Support:
Charles Webster, Justin Robertson, Blair French, Moplen, Dicky Trisco, Nick The Record, Lex, Lars Behrenroth, Willie Graff, Ravanelli Disco Club, Androosh, Max Essa, & Massimiliano Pagliara
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Liebigstrasse 2-20
DE - 22113 Hamburg
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Label:Razor-N-Tape Reserve
Cat-No:RNTR059
Release-Date:28.07.2023
Genre:House
Configuration:12"
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Midnight Magic - I Found Love (Derrick Carter Dub)
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Midnight Magic - I Found Love (BHQ Passion Vs. Desire Dub)
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Midnight Magic - I Found Love (Dimitri From Paris & DJ Rocca Dubstrumental)
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Midnight Magic - I Found Love (Perel Dub)
Earlier in the year RNT unearthed this previously-unheard classic by Midnight Magic, from the dusty tomb where it had been buried a decade earlier (along with an army of remixes). But a tune as big as “I Found Love” has even more love to give, in the form of a quartet of exquisite dubs by Derrick Carter, Dimitri From Paris & DJ Rocca, and Perel. Complete your compendium now with these absolute essentials on luxurious 180g wax.
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Label:Razor-N-Tape Reserve
Cat-No:RNTR060
Release-Date:23.06.2023
Configuration:12"
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Tigerbalm - Nina (Featuring Farafi)
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Tigerbalm - Sisters Ft. Les Amazones D'Afrique
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Tigerbalm - Nina (Elado Remix)
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Tigerbalm - Nina (Voilaaa Remix)
Coming off a run of singles and an LP on Ubiquity Records, UK DJ/Producer Tigerbalm (aka Rose Robinson) brings her vibrant global sound to the RNT catalog with the Nina EP.
Of the two original songs that grace the A side, Nina is a pulsing boogie affair with driving percussion, catchy chants and punctuating sax, and Sisters shows a more balearic side of tropical with African guitar work and lilting soulful vocals.
The B-side sees two distinct remix takes on the title track, the first by RNT regular Elado who bumps up the tempo for a stomping acidic club mix, and Voilaaa who transforms the song into a driving and authentic classic Zouk arrangement. Grab this tiger!
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Of the two original songs that grace the A side, Nina is a pulsing boogie affair with driving percussion, catchy chants and punctuating sax, and Sisters shows a more balearic side of tropical with African guitar work and lilting soulful vocals.
The B-side sees two distinct remix takes on the title track, the first by RNT regular Elado who bumps up the tempo for a stomping acidic club mix, and Voilaaa who transforms the song into a driving and authentic classic Zouk arrangement. Grab this tiger!
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Liebigstrasse 2-20
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Label:Syncrophone
Cat-No:SYNCRO39
Release-Date:24.01.2025
Genre:House
Configuration:12"
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Stojche - A1.Granada
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Stojche - B1.Granada (Convextion Remix)
There isn’t many who would disagree with the underlying sentiment that electronic music makes us feel something extraordinary. Much in the same way, the possibilities for creative discourse and cosmic interactivity are accessible to anyone with an open mind. It’s in this place where these possibilities materialise, and it’s in this space where SYNCROPHONE 39 operates within.
You see, you won’t find cleverly constructed adjectives or nonsensical descriptors for the music presented here. It doesn’t need them. The music speaks for itself, much in the same way the artists do. Stojche has been carving out timeless techno for two decades now, working tirelessly without fanfare to enrich a scene that sits close to his heart. Whether that be through releases on his own imprint TANGIBLE ASSETS or the ever expanding a.r.t.less, his trademark sound signature is synonymous with the soul of Detroit. You may be hard pressed to find anyone else who’s been as consistent with this sound over the years as he has. On the other hand, Gerard Hanson aka Convextion has been doing exactly that without fault his entire career. So the combination of these two artists on this release makes perfect sense.
Syncro39 is a celebration of core values in music. Of devotion to a singular obsession crafted over the course of decades devoid of trends or cheap influences, social or otherwise. It’s that unwillingness to compromise and to put everything on the line in the pursuit of the dreaming process that makes this a special release.
One thing is for certain. Those who are inspired by Stojche’s signature original and the timeless journey of Convextion’s remix,
will carry themselves through the smoke and haze into the sunlight as it takes some time for the rush to subside. That’s probably an apt abstract for this release thus far. For the most part though, the narrative for Stojche has only just begun.
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Liebigstrasse 2-20
DE - 22113 Hamburg
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You see, you won’t find cleverly constructed adjectives or nonsensical descriptors for the music presented here. It doesn’t need them. The music speaks for itself, much in the same way the artists do. Stojche has been carving out timeless techno for two decades now, working tirelessly without fanfare to enrich a scene that sits close to his heart. Whether that be through releases on his own imprint TANGIBLE ASSETS or the ever expanding a.r.t.less, his trademark sound signature is synonymous with the soul of Detroit. You may be hard pressed to find anyone else who’s been as consistent with this sound over the years as he has. On the other hand, Gerard Hanson aka Convextion has been doing exactly that without fault his entire career. So the combination of these two artists on this release makes perfect sense.
Syncro39 is a celebration of core values in music. Of devotion to a singular obsession crafted over the course of decades devoid of trends or cheap influences, social or otherwise. It’s that unwillingness to compromise and to put everything on the line in the pursuit of the dreaming process that makes this a special release.
One thing is for certain. Those who are inspired by Stojche’s signature original and the timeless journey of Convextion’s remix,
will carry themselves through the smoke and haze into the sunlight as it takes some time for the rush to subside. That’s probably an apt abstract for this release thus far. For the most part though, the narrative for Stojche has only just begun.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
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Label:Peak Oil
Cat-No:PEAK18
Release-Date:09.02.2024
Configuration:LP
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Label:Peak Oil
Cat-No:PEAK18
Release-Date:09.02.2024
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1
Purelink - In Circuits
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Purelink - 4k Murmurs Feat. J
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Purelink - Stadium Drive
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Purelink - Pinned
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Purelink - Blue
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Purelink - We Should Keep Going
Repress!
The latest by Chicago trio Purelink unspools an alchemical suite of fractal ambient, dusted dub tech, and interstitial electronica, born from a spirit of unity and flux: “All hands on the mixer, forever finding the sound.” Since forming in 2020, Tommy Paslaski (aka Concave Reflection), Ben Paulson (aka Kindtree), and Akeem Asani (aka Millia) have convened regularly in a shared studio to workshop, swap samples, and hone their collective muse via “the endless possibilities of a laptop,” seeking “something different than we would make on our own.”
Distilled from extended compositions prepared and performed across 2022 in Chicago, Kansas City, New York, and Los Angeles, Signs captures their chemistry at its most liquid and immaterial, mapped in mutating systems of glitch, glass, rhythm, and space. It’s music alternately subdued and subterranean, elevated and remote, attuned to the flickering sentience of outer spheres.
Cover art by Ezra Miller.
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The latest by Chicago trio Purelink unspools an alchemical suite of fractal ambient, dusted dub tech, and interstitial electronica, born from a spirit of unity and flux: “All hands on the mixer, forever finding the sound.” Since forming in 2020, Tommy Paslaski (aka Concave Reflection), Ben Paulson (aka Kindtree), and Akeem Asani (aka Millia) have convened regularly in a shared studio to workshop, swap samples, and hone their collective muse via “the endless possibilities of a laptop,” seeking “something different than we would make on our own.”
Distilled from extended compositions prepared and performed across 2022 in Chicago, Kansas City, New York, and Los Angeles, Signs captures their chemistry at its most liquid and immaterial, mapped in mutating systems of glitch, glass, rhythm, and space. It’s music alternately subdued and subterranean, elevated and remote, attuned to the flickering sentience of outer spheres.
Cover art by Ezra Miller.
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Liebigstrasse 2-20
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Label:Y-3000
Cat-No:Y-3001
Release-Date:21.02.2025
Genre:Electronic
Configuration:12"
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Cat-No:Y-3001
Release-Date:21.02.2025
Genre:Electronic
Configuration:12"
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Solitary Dancer - Movement I
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Solitary Dancer - Movement II
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Solitary Dancer - Movement III
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Solitary Dancer - Movement IV
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Solitary Dancer - Movement V
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Solitary Dancer - Movement VI
Solitary Dancer compose their first new works in five years for adidas & Yohji Yamamoto's pioneering Y-3 label. Originally featured as the score for Y-3's Spring/Summer 2025 runway presentation at Salle Pleyel in Paris, Y-3001 ushers in a series of artist commissions aimed at defining a new era of sound for the historic brand's return to runway format.
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Label:Toy Tonics
Cat-No:toyt064
Release-Date:12.05.2017
Configuration:12" Excl
Barcode:0880655506412
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Label:Toy Tonics
Cat-No:toyt064
Release-Date:12.05.2017
Configuration:12" Excl
Barcode:0880655506412
Tracklist 12":
A1) Orlando Magic, A2) Cabrio Mango
B1) 1981, B2) She Keeps It Good
The Toy Tonics crew is known for being addicted to two things: vintage music machines and old vinyl. 100% music aficionados. On the Tonic Edit series the crew shares some of their favorite old tracks - in a reworked version.
This time COEO get back in time. They destroyed a couple of 1970ies disco jams. Recut & repasted them. And gave them their special COEO touch. Of course it's irresistible!
This release comes on vinyl only first. Later maybe could be out on selected Digital sellers.. not sure yet.
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A1) Orlando Magic, A2) Cabrio Mango
B1) 1981, B2) She Keeps It Good
The Toy Tonics crew is known for being addicted to two things: vintage music machines and old vinyl. 100% music aficionados. On the Tonic Edit series the crew shares some of their favorite old tracks - in a reworked version.
This time COEO get back in time. They destroyed a couple of 1970ies disco jams. Recut & repasted them. And gave them their special COEO touch. Of course it's irresistible!
This release comes on vinyl only first. Later maybe could be out on selected Digital sellers.. not sure yet.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Elektronik Zoo Sounds
Cat-No:EZV001
Release-Date:07.02.2025
Genre:Techno
Configuration:12" Excl
Barcode:4251804184915
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Label:Elektronik Zoo Sounds
Cat-No:EZV001
Release-Date:07.02.2025
Genre:Techno
Configuration:12" Excl
Barcode:4251804184915
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Vince Watson - 1. GLIDING
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Vince Watson - 2. SPIRALS
12"
Track order :
1. GLIDING
2. SPIRALS
Our next release on the Elektronik Zoo sounds label coming on vinyl & digital is from Sir Vince Watson
The legendary outstanding producer from Scotland , based currently in Hilversum Netherlands is delivering since more then 2 decades
Sublime music on plenty of great labels and his own Everysoul , but also labels like Ovum , Pokerflat , Tresor and plenty more!
Excellent artist , each and every release is sublime music!
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Track order :
1. GLIDING
2. SPIRALS
Our next release on the Elektronik Zoo sounds label coming on vinyl & digital is from Sir Vince Watson
The legendary outstanding producer from Scotland , based currently in Hilversum Netherlands is delivering since more then 2 decades
Sublime music on plenty of great labels and his own Everysoul , but also labels like Ovum , Pokerflat , Tresor and plenty more!
Excellent artist , each and every release is sublime music!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Tempio Omega
Cat-No:hydro-omega02
Release-Date:13.12.2024
Genre:Techno
Configuration:12"
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Label:Tempio Omega
Cat-No:hydro-omega02
Release-Date:13.12.2024
Genre:Techno
Configuration:12"
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Under Black Helmet - Breakage
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Under Black Helmet - Naughty control
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Under Black Helmet - Grit
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Under Black Helmet - Chatterbox
Tracklisting
A1 Under Black Helmet - Breakage
A2 Under Black Helmet - Naughty control
B1 Under Black Helmet - Grit
B2 Under Black Helmet - Chatterbox
Sales Note
After many releases on labels with different techno imprints such as Mord, Hex, Raw, KR/LF and now BPitch Control, in his most recent works Under Black Helmet has pushed his sound in a more essential and hypnotic direction, raising the level of processing in rhythm and sound research. That's what you will find on Tempio Omega 02.
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Liebigstrasse 2-20
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A1 Under Black Helmet - Breakage
A2 Under Black Helmet - Naughty control
B1 Under Black Helmet - Grit
B2 Under Black Helmet - Chatterbox
Sales Note
After many releases on labels with different techno imprints such as Mord, Hex, Raw, KR/LF and now BPitch Control, in his most recent works Under Black Helmet has pushed his sound in a more essential and hypnotic direction, raising the level of processing in rhythm and sound research. That's what you will find on Tempio Omega 02.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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10"
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Label:Killa Sound
Cat-No:KILLA010
Release-Date:31.01.2025
Genre:Dubstep
Configuration:10"
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Label:Killa Sound
Cat-No:KILLA010
Release-Date:31.01.2025
Genre:Dubstep
Configuration:10"
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Unknown Artist - Police Skank
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Unknown Artist - For The Massive
Tracklisting
A1 Unknown Artist - Police Skank
B1 Unknown Artist - For The Massive
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Liebigstrasse 2-20
DE - 22113 Hamburg
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A1 Unknown Artist - Police Skank
B1 Unknown Artist - For The Massive
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Label:Razor-N-Tape Reserve
Cat-No:RNTR076
Release-Date:07.02.2025
Genre:House
Configuration:LP
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Label:Razor-N-Tape Reserve
Cat-No:RNTR076
Release-Date:07.02.2025
Genre:House
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Ben Sun - Bootstand (Strange Soil)
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Ben Sun - Ten Thousand Shells
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Ben Sun - Moon Lion
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Ben Sun - Azha (The Nest)
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Ben Sun - The Khan's Reverie
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Ben Sun - Photoelectric
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Ben Sun - Living Things
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Ben Sun - Autumn Phase
Londoner come Margatean Ben Sun returns to RNT with a full-length offering of introspective analog electronic textures. Moving through various tempos and rhythmic styles, Ben crafts a sonic palette that feels alternatively meditative and melancholic, dark and brooding, or meditative and euphoric, while always rooted in a solid groove. With gorgeous artwork designed by Ben himself, this record is a gorgeous listen, and essential warmth for the frigid winter months
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Liebigstrasse 2-20
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Label:Molekül
Cat-No:mlkl029
Release-Date:26.07.2024
Genre:Techno
Configuration:12"
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Beau Didier - Tool 10
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Isaiah - The Blue
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Flits - Club to Club
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Beau Didier & Flits & Isaiah - Bojum
Tracklisting
A1 Beau Didier - Tool 10
A2 Isaiah - The Blue
B1 Flits - Club to Club
B2 Beau Didier & Flits & Isaiah - Bojum
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Liebigstrasse 2-20
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A1 Beau Didier - Tool 10
A2 Isaiah - The Blue
B1 Flits - Club to Club
B2 Beau Didier & Flits & Isaiah - Bojum
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12"
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Label:Future Retro London
Cat-No:FRMOTM010
Release-Date:31.01.2025
Genre:Breaks
Configuration:12"
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Label:Future Retro London
Cat-No:FRMOTM010
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Genre:Breaks
Configuration:12"
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Parallel & Tim Reaper - Experiments In Motion
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Ben Kei & Tim Reaper - Symbolism
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X-Altera & Tim Reaper - Reel
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Sheba Q, No Nation & Tim Reaper - Step Back
Vol. 10 of Meeting Of The Minds is here, with 4 collaborations with some producers whose music I've enjoyed.
"Experiments In Motion" is by me & Parallel, one of the first people I ever collaborated with, back in 2011, with a tune called "Vega", which was released on a German label named Alphacut. We made a lot of other music together at the time, like "Innerspace" on Blu Mar Ten Music, "Your Life" on Green Bay Wavs (Green Bay Wax's digi label), but this is the first collaboration that we've made together in a long time, so I'm quite happy we were able to make it happen again after a break of many years.
Next tune is "Symbolism", which I made with Ben Kei, who runs a record label called Dalston Chillies (that also does some quality hot sauce) that I released on in 2020 with 2 collabs that I'd done with Dwarde & Comfort Zone. He's actually one of the first people I met in in person from music, at the first ever club night I went to in 2011, Jungle Syndicate's 1st Birthday at the Rhythm Factory. We've known each other for quite a long time but never actually worked on any music together so it only made sense to get on the case with collaborating.
X-Altera is someone who people may or may not know has a lot of history in this music, better known in the past as SK-1, involved in some of the earliest new jungle I had heard, most of it coming from a label called Rewind Records that he ran with Soundmurderer. I discovered Soundmurderer through his Wired For Sound mix and when I found out more about him, I learned about all the music the two of them had been making in the early 2000s like "Call Da Police", "Badman", "Soundclash" and many more. But I had no idea about his newer jungle alias until I stumbled upon his "New Harbinger" EP on Sneaker Social Club & then his self titled LP on Ghostly International, bringing a different take on modern jungle to what I was hearing from other people. I had him on the list of people I must work with Meeting Of The Minds for a long time & am glad to finally be able to tick him off the list.
Last tune on the release is "Step Back", which I made with Sheba Q & No Nation. I've been keeping tabs on both of them for a long while now, from when I first met Sheba Q in person after she came down to a Brighton Loves Jungle event that me & the rest of the Green Bay Wax crew played at a few years ago and when I met No Nation at a Distant Planet event. No Nation had started this tune with some vocals that Sheba Q had sung and I was keen to get involved with finishing it.
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Liebigstrasse 2-20
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"Experiments In Motion" is by me & Parallel, one of the first people I ever collaborated with, back in 2011, with a tune called "Vega", which was released on a German label named Alphacut. We made a lot of other music together at the time, like "Innerspace" on Blu Mar Ten Music, "Your Life" on Green Bay Wavs (Green Bay Wax's digi label), but this is the first collaboration that we've made together in a long time, so I'm quite happy we were able to make it happen again after a break of many years.
Next tune is "Symbolism", which I made with Ben Kei, who runs a record label called Dalston Chillies (that also does some quality hot sauce) that I released on in 2020 with 2 collabs that I'd done with Dwarde & Comfort Zone. He's actually one of the first people I met in in person from music, at the first ever club night I went to in 2011, Jungle Syndicate's 1st Birthday at the Rhythm Factory. We've known each other for quite a long time but never actually worked on any music together so it only made sense to get on the case with collaborating.
X-Altera is someone who people may or may not know has a lot of history in this music, better known in the past as SK-1, involved in some of the earliest new jungle I had heard, most of it coming from a label called Rewind Records that he ran with Soundmurderer. I discovered Soundmurderer through his Wired For Sound mix and when I found out more about him, I learned about all the music the two of them had been making in the early 2000s like "Call Da Police", "Badman", "Soundclash" and many more. But I had no idea about his newer jungle alias until I stumbled upon his "New Harbinger" EP on Sneaker Social Club & then his self titled LP on Ghostly International, bringing a different take on modern jungle to what I was hearing from other people. I had him on the list of people I must work with Meeting Of The Minds for a long time & am glad to finally be able to tick him off the list.
Last tune on the release is "Step Back", which I made with Sheba Q & No Nation. I've been keeping tabs on both of them for a long while now, from when I first met Sheba Q in person after she came down to a Brighton Loves Jungle event that me & the rest of the Green Bay Wax crew played at a few years ago and when I met No Nation at a Distant Planet event. No Nation had started this tune with some vocals that Sheba Q had sung and I was keen to get involved with finishing it.
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Label:Elektroshok Records
Cat-No:ESRVIN003
Release-Date:20.09.2024
Genre:Breaks
Configuration:12"
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Genre:Breaks
Configuration:12"
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1
Destroyers & Aggresivnes - Ignition
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JottaFrank - Copera
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Bios Destruction - RITS
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Keith MacKenzie - Caracoles 12
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CoolTasty feat. Javo Scratch - Fresh Flamenco
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Suga7 - Bass Shock
Tracklisting
A1 Destroyers & Aggresivnes - Ignition
A2 JottaFrank - Copera
A3 Bios Destruction - RITS
B1 Keith MacKenzie - Caracoles 12
B2 CoolTasty feat. Javo Scratch - Fresh Flamenco
B3 Suga7 - Bass Shock
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A1 Destroyers & Aggresivnes - Ignition
A2 JottaFrank - Copera
A3 Bios Destruction - RITS
B1 Keith MacKenzie - Caracoles 12
B2 CoolTasty feat. Javo Scratch - Fresh Flamenco
B3 Suga7 - Bass Shock
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Liebigstrasse 2-20
DE - 22113 Hamburg
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2LP
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Label:Jungle Fantasy
Cat-No:JF001LP
Release-Date:31.01.2025
Genre:House
Configuration:2LP
Barcode:8018344370019
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Release-Date:31.01.2025
Genre:House
Configuration:2LP
Barcode:8018344370019
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1
Progetto Tribale - The Sweep
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Onirico - Echo
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Open Spaces - Artist In Wonderland
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Alex Neri - The Wizard (Hot Funky Version)
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M.C.J. - (To Yourself) Be Free (Instrumental Mix) [feat. Sima]
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Mato Grosso - Titanic
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Dreamatic - I Can Feel It (Part One)
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Carol Bailey - Understand Me (Free You Mind) [Dreams Piano Remix]
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9
The True Underground Sound Of Rome - Secret Doctrine (feat. Stefano Di Carlo)
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10
Don Carlos - Boy
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11
Lady Bird - Jazzy Doll (Odyssey Dub)
Volume 1 of this expertly curated project of 90s Italian House - put together by Don Carlos.
If Paradise was half as nice… by Fabio De Luca.
Googling “paradise house”, the first results to pop up are an endless list of European b&b’s with whitewashed lime façades, all of them promising “…an unmatched travel experience a few steps from the sea”. Next, a little further down, are the institutional websites of a few select semi-luxury retirement homes (no photos shown, but lots of stock images of smiling nurses with reassuring looks). To find the “paradise house” we’re after, we have to scroll even further down. Much further down.
It feels like yesterday, and at the same time it seems like a million years ago. The Eighties had just ended, and it was still unclear what to expect from the Nineties. Mobile phones that were not the size of a briefcase and did not cost as much as a car? A frightening economic crisis? The guitar-rock revival?! Certainly, the best place to observe that moment of transition was the dancefloor. Truly epochal transformations were happening there. From America, within a short distance one from the other, two revolutionary new musical styles had arrived: the first one sounded a bit like an “on a budget” version of the best Seventies disco-music – Philly sound made with a set of piano-bar keyboards! – the other was even more sparse, futuristic and extraterrestrial. It was a music with a quite distinct “physical” component, which at the same time, to be fully grasped, seemed to call for the knotty theories of certain French post-modern philosophers: Gilles Deleuze, Félix Guattari, Paul Virilio... Both those genres – we would learn shortly after – were born in the black communities of Chicago and Detroit, although listening to those vinyl 12” (often wrapped in generic white covers, and with little indication in the label) you could not easily guess whether behind them there was a black boy from somewhere in the Usa, or a girl from Berlin, or a pale kid from a Cornish coastal town.
Quickly, similar sounds began to show up from all corners of Europe. A thousand variations of the same intuition: leaner, less lean, happier, slightly less intoxicated, more broken, slower, faster, much faster... Boom! From the dancefloors – the London ones at least, whose chronicles we eagerly read every month in the pages of The Face and i-D – came tales of a new generation of clubbers who had completely stopped “dressing up” to go dancing; of hot tempered hooligans bursting into tears and hugging everyone under the strobe lights as the notes of Strings of Life rose up through the fumes of dry ice (certain “smiling” pills were also involved, sure). At this point, however, we must move on to Switzerland.
In Switzerland, in the quiet and diligent town of Lugano, between the 1980s and 1990s there was a club called “Morandi”. Its hot night was on Wednesdays, when the audience also came from Milan, Como, Varese and Zurich. Legend goes that, one night, none less than Prince and Sheila E were spotted hiding among the sofas, on a day-off of the Italian dates of the Nude Tour… The Wednesday resident and superstar was an Italian dj with an exotic name: Don Carlos. The soundtrack he devised was a mixture of Chicago, Detroit, the most progressive R&B and certain forgotten classics of old disco music: practically, what the Paradise Garage in New York might have sounded like had it not closed in 1987. In between, Don Carlos also managed to squeeze in some tracks he had worked on in his studio on Lago Maggiore. One in particular: a track that was rather slow compared to the BPM in fashion at the time, but which was a perfect bridge between house and R&B. The title was Alone: Don Carlos would explain years later that it had to be intended both in the English meaning of “by itself” and like the Italian word meaning “halo”. That wasn’t the only double entendre about the song, anyway. Its own very deep nature was, indeed, double. On the one hand, Alone was built around an angelic keyboard pattern and a romantic piano riff that took you straight to heaven; on the other, it showcased enough electronic squelches (plus a sax part that sounded like it had been dissolved by acid rain) to pigeonhole the tune into the “junk modernity” section, aka the hallmark of all the most innovative sounds of the time: music that sounded like it was hand-crafted from the scraps of glittering overground pop.
No one knows who was the first to call it “paradise house”, nor when it happened. Alternative definitions on the same topic one happened to hear included “ambient house”, “dream house”, “Mediterranean progressive”… but of course none were as good (and alluring) as “paradise house”. What is certain is that such inclination for sounds that were in equal measure angelic and neurotic, romantic and unaffective, quickly became the trademark of the second generation of Italian house. Music that seemed shyly equidistant from all the rhythmic and electronic revolutions that had happened up to that moment (“Music perfectly adept at going nowhere slowly” as noted by English journalist Craig McLean in a legendary field report for Blah Blah Blah magazine). Music that to a inattentive ear might have sounded as anonymous as a snapshot of a random group of passers-by at 10AM in the centre of any major city, but perfectly described the (slow) awakening in the real world after the universal love binge of the so-called Second Summer of Love.
For a brief but unforgettable season, in Italy “paradise house” was the official soundtrack of interminable weekends spent inside the car, darting from one club to another, cutting the peninsula from North to centre, from East to West coast in pursuit of the latest after-hours disco, trading kilometres per hour with beats per minute: practically, a new New Year’s Eve every Friday and Saturday night. This too was no small transformation, as well as a shock for an adult Italy that was encountering for the first time – thanks to its sons and daughters – the wild side of industrial modernity. The clubbers of the so-called “fuoriorario” scene were the balls gone mad in the pinball machine most feared by newspapers, magazines and TV pundits. What they did each and every weekend, apart from going crazy to the sound of the current white labels, was linking distant geographical points and non-places (thank you Marc Augé!) – old dance halls, farmhouses and business centres – transformed for one night into house music heaven. As Marco D’Eramo wrote in his 1995 essay on Chicago, Il maiale e il grattacielo: “Four-wheeled capitalism distorts our age-old image of the city, it allows the suburbs to be connected to each other, whereas before they were connected only by the centre (…) It makes possible a metropolitan area without a metropolis, without a city centre, without downtown. The periphery is no longer a periphery of any centre, but is self-centred”.
“Paradise house” perfectly understood all of this and turned it into a sort of cyber-blues that didn’t even need words, and unexpectedly brought back a drop of melancholic (post?)-humanity within a world that by then – as we would wholly realise in the decades to come – was fully inhuman and heartless. A world where we were all alone, and surrounded by a sinister yellowish halo, like a neon at the end of its life cycle. But, for one night at least, happy.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
If Paradise was half as nice… by Fabio De Luca.
Googling “paradise house”, the first results to pop up are an endless list of European b&b’s with whitewashed lime façades, all of them promising “…an unmatched travel experience a few steps from the sea”. Next, a little further down, are the institutional websites of a few select semi-luxury retirement homes (no photos shown, but lots of stock images of smiling nurses with reassuring looks). To find the “paradise house” we’re after, we have to scroll even further down. Much further down.
It feels like yesterday, and at the same time it seems like a million years ago. The Eighties had just ended, and it was still unclear what to expect from the Nineties. Mobile phones that were not the size of a briefcase and did not cost as much as a car? A frightening economic crisis? The guitar-rock revival?! Certainly, the best place to observe that moment of transition was the dancefloor. Truly epochal transformations were happening there. From America, within a short distance one from the other, two revolutionary new musical styles had arrived: the first one sounded a bit like an “on a budget” version of the best Seventies disco-music – Philly sound made with a set of piano-bar keyboards! – the other was even more sparse, futuristic and extraterrestrial. It was a music with a quite distinct “physical” component, which at the same time, to be fully grasped, seemed to call for the knotty theories of certain French post-modern philosophers: Gilles Deleuze, Félix Guattari, Paul Virilio... Both those genres – we would learn shortly after – were born in the black communities of Chicago and Detroit, although listening to those vinyl 12” (often wrapped in generic white covers, and with little indication in the label) you could not easily guess whether behind them there was a black boy from somewhere in the Usa, or a girl from Berlin, or a pale kid from a Cornish coastal town.
Quickly, similar sounds began to show up from all corners of Europe. A thousand variations of the same intuition: leaner, less lean, happier, slightly less intoxicated, more broken, slower, faster, much faster... Boom! From the dancefloors – the London ones at least, whose chronicles we eagerly read every month in the pages of The Face and i-D – came tales of a new generation of clubbers who had completely stopped “dressing up” to go dancing; of hot tempered hooligans bursting into tears and hugging everyone under the strobe lights as the notes of Strings of Life rose up through the fumes of dry ice (certain “smiling” pills were also involved, sure). At this point, however, we must move on to Switzerland.
In Switzerland, in the quiet and diligent town of Lugano, between the 1980s and 1990s there was a club called “Morandi”. Its hot night was on Wednesdays, when the audience also came from Milan, Como, Varese and Zurich. Legend goes that, one night, none less than Prince and Sheila E were spotted hiding among the sofas, on a day-off of the Italian dates of the Nude Tour… The Wednesday resident and superstar was an Italian dj with an exotic name: Don Carlos. The soundtrack he devised was a mixture of Chicago, Detroit, the most progressive R&B and certain forgotten classics of old disco music: practically, what the Paradise Garage in New York might have sounded like had it not closed in 1987. In between, Don Carlos also managed to squeeze in some tracks he had worked on in his studio on Lago Maggiore. One in particular: a track that was rather slow compared to the BPM in fashion at the time, but which was a perfect bridge between house and R&B. The title was Alone: Don Carlos would explain years later that it had to be intended both in the English meaning of “by itself” and like the Italian word meaning “halo”. That wasn’t the only double entendre about the song, anyway. Its own very deep nature was, indeed, double. On the one hand, Alone was built around an angelic keyboard pattern and a romantic piano riff that took you straight to heaven; on the other, it showcased enough electronic squelches (plus a sax part that sounded like it had been dissolved by acid rain) to pigeonhole the tune into the “junk modernity” section, aka the hallmark of all the most innovative sounds of the time: music that sounded like it was hand-crafted from the scraps of glittering overground pop.
No one knows who was the first to call it “paradise house”, nor when it happened. Alternative definitions on the same topic one happened to hear included “ambient house”, “dream house”, “Mediterranean progressive”… but of course none were as good (and alluring) as “paradise house”. What is certain is that such inclination for sounds that were in equal measure angelic and neurotic, romantic and unaffective, quickly became the trademark of the second generation of Italian house. Music that seemed shyly equidistant from all the rhythmic and electronic revolutions that had happened up to that moment (“Music perfectly adept at going nowhere slowly” as noted by English journalist Craig McLean in a legendary field report for Blah Blah Blah magazine). Music that to a inattentive ear might have sounded as anonymous as a snapshot of a random group of passers-by at 10AM in the centre of any major city, but perfectly described the (slow) awakening in the real world after the universal love binge of the so-called Second Summer of Love.
For a brief but unforgettable season, in Italy “paradise house” was the official soundtrack of interminable weekends spent inside the car, darting from one club to another, cutting the peninsula from North to centre, from East to West coast in pursuit of the latest after-hours disco, trading kilometres per hour with beats per minute: practically, a new New Year’s Eve every Friday and Saturday night. This too was no small transformation, as well as a shock for an adult Italy that was encountering for the first time – thanks to its sons and daughters – the wild side of industrial modernity. The clubbers of the so-called “fuoriorario” scene were the balls gone mad in the pinball machine most feared by newspapers, magazines and TV pundits. What they did each and every weekend, apart from going crazy to the sound of the current white labels, was linking distant geographical points and non-places (thank you Marc Augé!) – old dance halls, farmhouses and business centres – transformed for one night into house music heaven. As Marco D’Eramo wrote in his 1995 essay on Chicago, Il maiale e il grattacielo: “Four-wheeled capitalism distorts our age-old image of the city, it allows the suburbs to be connected to each other, whereas before they were connected only by the centre (…) It makes possible a metropolitan area without a metropolis, without a city centre, without downtown. The periphery is no longer a periphery of any centre, but is self-centred”.
“Paradise house” perfectly understood all of this and turned it into a sort of cyber-blues that didn’t even need words, and unexpectedly brought back a drop of melancholic (post?)-humanity within a world that by then – as we would wholly realise in the decades to come – was fully inhuman and heartless. A world where we were all alone, and surrounded by a sinister yellowish halo, like a neon at the end of its life cycle. But, for one night at least, happy.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore