1
MD X-Spress - - God Made Me Phunky (Original Mix)
2
Three Kings Featuring Jaygun & Bashy - - Shake Dat Booty (A Pal Joey Interpretatio
3
Three Kings Featuring Jaygun & Bashy - - Shake Dat Booty (Wahoo Main Mix)
4 To The Floor are committed to delivering seminal house music to wax, making sought after heritage tracks readily available on vinyl for crate diggers to add to their collections. On Volume 1’s A-Side you’ll find a track with one of the most famous lyrics from house music history MD X-Spress’ ‘God Made Me Phunky’, the record has inspired countless producers to sample and remix it, but this 90’s gem still sounds amazing in its original glory. On the flip are two mixes of a Three Kings classic, ‘Shake Dat Booty’. The A Pal Joey Interpretation matches looped vocals with harmonious keys that perfectly complement each other, while the Wahoo Main Mix utilises energetic drums and techy synths to up the ante.
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More records from 4 to the floor
1
Kings Of Tomorrow featuring Apri - l ‘Fall For You’ (Sandy Rivera's Classic Mix - Moodyman edit
2
Sandy Rivera featuring LT Brown - ‘Come Into My Room’ (Take It Back Mix)
3
Soul Vision - ‘Don't Stop’ (Remix)
4
Kings Of Tomorrow featuring Elzi Hall - ‘Show Me’
4 To The Floor is committed to delivering seminal house music to wax, making sought after heritage tracks readily available on vinyl for crate diggers to add to their collections. The third edition of the series pays homage to one of the most heralded names in house music - Armand Van Helden. While Armand’s productions like ‘U Don’t Know Me’ and ‘Bonkers’ have soared to #1, he has remained a true legend of the underground. One of the most illustrious remixers in the game, this 12” package celebrates this part of Armand’s skillset. Kicking off the A-side is his remix of the 1993 club anthem by Tonja Dantzler ‘In And Out Of My Life’, followed by Shan & Gerd Janson’s edit which amplifies the Armand’s remix even further. On the flip is a classic bouncing house and garage sound from 1997 on Armand’s remix of Geoffrey Williams’ ‘Sex Life’, followed by the more recent Armand remix of Lee Walker vs. DJ Deeon’s ‘Freak Like Me’ – an explosive club track that was championed by everyone from Marco Carola to Annie Mac.
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Liebigstrasse 2-20
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Germany
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Germany
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1
Noir & Haze - - Around (Solomun Vox)
2
Noir & Haze - - Around (Solomun Vox - Moodymann Edit)
3
Chicken Lips - - He Not In
4 To The Floor is committed to delivering seminal house music to wax, making sought after heritage tracks readily available on vinyl for crate diggers to add to their collections. Classics Volume 2 kicks off with a slice of Defected 2012 goodness; ‘Around (Solomun Vox)’ by Noir & Haze. When Solomun took his turn at remixing this Ibiza anthem, it was heard everywhere from Hackney warehouses to Pacha Ibiza, and showed a different side to the heavier original. On the B-Side is the Moodymann Edit, where he makes subtle changes to Solomun’s mix by interweaving tribal drums and stripping back some of the techier elements, followed by Chicken Lips’ electro banger ‘He Not In’ which thunders through. An instantly recognisable record, even if they’re not aware of its name or who wrote it, with an unmistakable bassline that has truly stood the test of time.
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1
v.a. - Fonda Rae - Living In Ecstasy (The Groove Mix)
2
Fonda Rae - - Living In Ecstasy (JC’s Ecstasy Dub)
3
Jon Cutler featuring E-Man - - It’s Yours (Original Distant Music Mix)
4
The Return - - New Day (Original)
4 To The Floor is committed to delivering seminal house music to wax, making sought after heritage tracks readily available on vinyl for crate diggers to add to their collections. Now in its fifth edition, the series continues to raise the bar. The A-Side features two mixes of the mid-nineties Mood II Swing production ‘Living In Ecstasy’ by Fonda Rae. The R&B singer who was responsible for cult hits like ‘Touch Me’ delivers silky-smooth vocals that remain the focus in the opening Groove Mix, whereas JC’s Ecstasy Dub follows up with a rumbling bassline to deliver a club-focussed version. On the flip we’re greeted by a slice of 2001 goodness with the Original Distant Music Mix of Jon Cutler featuring E-Man ‘It’s Yours’, a seminal house classic. Closing out the release is The Return’s ‘New Day’, originally released on Fourth Floor Records in 1999, twenty years later this sublime and emotive piece of house music history sounds fresh as ever. Classics Volume 5 is another record box essential delivered to you by 4 To The Floor.
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1
Tonja Dantzler - - In And Out Of My Life (Armand Van Helden Mix)
2
Tonja Dantzler - - In And Out Of My Life (Armand Van Helden Mix - Shan & Gerd Janson
3
Geoffrey Williams - - Sex Life (Armand's Abstract Da Funk Mix)
4
Lee Walker vs DJ Deeon - - Freak Like Me (Armand Van Helden Remix)
4 To The Floor is committed to delivering seminal house music to wax, making sought after heritage tracks readily available on vinyl for crate diggers to add to their collections. The third edition of the series pays homage to one of the most heralded names in house music - Armand Van Helden. While Armand’s productions like ‘U Don’t Know Me’ and ‘Bonkers’ have soared to #1, he has remained a true legend of the underground. One of the most illustrious remixers in the game, this 12” package celebrates this part of Armand’s skillset. Kicking off the A-side is his remix of the 1993 club anthem by Tonja Dantzler ‘In And Out Of My Life’, followed by Shan & Gerd Janson’s edit which amplifies the Armand’s remix even further. On the flip is a classic bouncing house and garage sound from 1997 on Armand’s remix of Geoffrey Williams’ ‘Sex Life’, followed by the more recent Armand remix of Lee Walker vs. DJ Deeon’s ‘Freak Like Me’ – an explosive club track that was championed by everyone from Marco Carola to Annie Mac.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
MK - Burning (Vibe Mix)
2
MK - Always feat. Alana (MK Club Mix)
3
MK - Love Changes feat. Alana (MK Mix)
4 To The Floor continues to champion heritage tracks with Volume 7 of the Classics 12” series, ‘The MK EP’. As one of the most in demand producers of the halcyon period of house in the early 90s, this special delivery features three gems from MK’s early career. Opening the A-Side with vocal house masterpiece ‘Burning’, on the flip are two of MK’s most loved collaborations with Alana, first the deep and piano-lined ‘Always’ (Club Mix), before the soulful club anthem ‘Love Changes’. This release highlights the timeless quality of MK’s catalogue, with three cuts that truly stand the test of time.
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1
Various Artists - 4 You (MK Remix)
2
Various Artists - Free Your Mind (MK Mix)
3
Various Artists - I Never Knew Love (MK Club Mix)
4 To The Floor continues to champion heritage tracks with Volume 6 of the Classics 12” series, ‘The MK Mixes’. As one of the most in demand producers of the halcyon period of house in the early 90s, this special delivery features three gems from MK’s impressive catalogue of remixes. Kicking off the A-Side MK remixes 4th Measure Men’s ‘4 You’, as his signature 90s-era bumping bassline, sax accents and vocal chop come into play, features typical of all his very best work. Up next the trademark MK sounds continue, as his deep and grooving mix of ‘Free Your Mind’ by Geoffrey Williams powers through the speakers. On the flip MK’s Club Mix of ‘I Never Knew Love’ by house legend Chez Damier rounds off the release, as this 12” package offers a masterclass in remixing from one of dance music’s most loved artists.
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1
Fallout - - The Morning After (The Aftermath)
2
Royal Orchestra LTD - - How Do You Say Nastee (Itsa Jazzee Rhythm)
3
Arnold Jarvis - - Take Some Time Out (Club)
4
MODE - - Get Into The Mode (Dud Mode)
5
Bamboo - - It's All In Your Mind (This Mix)
6
Rhythm Faktor - - Dream On (Organ Grinder Mix - Luke Solomon's Slight Edit)
7
Love Root - - Funky Emotions (Another Mix - Luke Solomon's Slight Edit)
8
The Break Boys - - And The Break Goes On (Westside Kick Ass Dub)
Fourth Floor was a major US player in supporting the London garage scene in the late Nineties. Responsible for very early releases from Todd Terry (known as Masters at Work at the time) the imprint also released seminal classics from Fallout, ‘The Morning After’ and Arnold Jarvis, ‘Take Some Time Out’, both of which made the cut for this double 12” release. Included on this 8-track package are some contemporary edits from Luke Solomon of Rhythm Faktor ‘Dream On’ (Organ Grinder Mix) and Love Root ‘Funky Emotions’ (Another Mix), plus outstanding records from Royal Orchestra, M.O.D.E., Bamboo and The Break Boys. 4 To The Floor presents Fourth Floor Records is part of the 4 To The Floor series and will be followed by a full digital release. Lovingly selected and compiled by Luke Solomon, the 4 To The Floor series also delves into the Movin’ Records, Sub-Urban, Faya Combo, Soulfuric and Slip ‘n’ Slide catalogues, digging for those lightbulb moments of musical discovery. Fulfilling his role as your friendly record shop assistant, Luke’s 4 To The Floor series comes correct with brand new vinyl LP collections and digital albums from these now legendary house labels, plus official label merch to accompany all of the releases, for that full rack-raiding experience.
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1
Phase II - - Reachin (Original Brotherhood Mix)
2
Grampa - - She's Crazy (Mystipsycholix)
3
Cassio The Cassmaster - - Getting Hot (Broad & Market Street Mix)
4
3 AM - - I Love This Place (Original Mix)
5
Kamar - - In Every Way (Original This Six For That Six Mix)
6
Rhythm Section Feat Sunday - - Thrill Me (KF In The Spirit)
7
Dee Dee Brave - - My My Lover (Original Mix)
8
Vicky Martin - - Not Gonna Do It (Larry Patterson 12 Mix)
The brainchild of the so-called “fairy godmother of house” Abigail Adams, during the mid-80s and early 90s Movin’ Records defined the New Jersey sound. A regular at the iconic Roxy roller disco in New York, Adams’ skate-shop-turned-record-store was instrumental in supplying club resident Tony Humphries with the hottest records that everybody wanted to dance to. Danny Krivit, Larry Levan and Timmy Regisford were also Adams’ friends and regulars at the store.
Taking the natural step into releasing records, Movin’s first output was ‘I’ve Got The Music’ by Boyd Jarvis in 1987, followed by music from game changers like Phase II, 3 A.M. and Cassio The Cassmaster; straight up “Jersey jams” that producers are still attempting to replicate to this day. All those standout records and more appear on this double 12” package, lovingly selected and compiled by Luke Solomon as part of the 4 To The Floor series. In the series, which will also delve into Fourth Floor, Sub-Urban and Slip ‘n’ Slide, Luke digs for those lightbulb moments of musical discovery. Once again fulfilling the role of your friendly record shop assistant, Luke’s 4 To The Floor series comes correct with official label merch to accompany all of the releases, for that full rack-raiding experience.
“Movin’ was very much a part of my youth,” says Luke of his connection to the seminal label, “more than I actually realised whilst working my way through the catalogue. 4 To The Floor is very much about selecting music that has stood the test of time from each and every one of the labels. It will be a celebration of house music history.”
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Taking the natural step into releasing records, Movin’s first output was ‘I’ve Got The Music’ by Boyd Jarvis in 1987, followed by music from game changers like Phase II, 3 A.M. and Cassio The Cassmaster; straight up “Jersey jams” that producers are still attempting to replicate to this day. All those standout records and more appear on this double 12” package, lovingly selected and compiled by Luke Solomon as part of the 4 To The Floor series. In the series, which will also delve into Fourth Floor, Sub-Urban and Slip ‘n’ Slide, Luke digs for those lightbulb moments of musical discovery. Once again fulfilling the role of your friendly record shop assistant, Luke’s 4 To The Floor series comes correct with official label merch to accompany all of the releases, for that full rack-raiding experience.
“Movin’ was very much a part of my youth,” says Luke of his connection to the seminal label, “more than I actually realised whilst working my way through the catalogue. 4 To The Floor is very much about selecting music that has stood the test of time from each and every one of the labels. It will be a celebration of house music history.”
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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M.A.N.D.Y. vs Booka Shade feat. Laurie A - A1 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (Remaster)
2
M.A.N.D.Y. vs Booka Shade feat. Laurie A - A2 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (Man Power Remix
3
M.A.N.D.Y. vs Booka Shade feat. Laurie A - B1 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (SIS Remix)
4
M.A.N.D.Y. vs Booka Shade feat. Laurie A - B2 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (Robag's Pumper-
12" - 2025 Limited Re Editiion in "Superman" Yellow Vinyl & RedLabel,
Tracklist 12”:
A1 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (Remaster)
A2 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (Man Power Remix)
B1 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (SIS Remix)
B2 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (Robag's Pumper-Nikkel 2008 Rmks)
Shortinfo:
Arguably one of Get Physical’s most influential tracks, ‘O Superman’ sees a new release with remixes
from Man Power and SIS alongside the 2008 version from Robag Whrume and a remaster of the now
classic original.
Man Power kicks off the new interpretations with an epic, ten and half minute version that patiently
stretches the original’s melodies into pads and held bass tones across crisp, micro-house styled beats
before unleashing loose, clattering breakbeats after a striking, extended breakdown.
SIS’s dreamy, percussive version sees the German producer in hypnotic, and tracky form, focussing
on the ebb and flow of the original’s tuneful vocoder and synth work that drift across his perfect
groove.
Robag’s Pumper-Nikkel remix, for those that missed it some years back, is yet another funky,
chopped, sliced and diced piece of work from the playful producer and still sounds as fresh as ever.
M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman Remixes are released on Get
Physical 12” in late July with a digital release following in the Autumn.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Tracklist 12”:
A1 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (Remaster)
A2 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (Man Power Remix)
B1 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (SIS Remix)
B2 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (Robag's Pumper-Nikkel 2008 Rmks)
Shortinfo:
Arguably one of Get Physical’s most influential tracks, ‘O Superman’ sees a new release with remixes
from Man Power and SIS alongside the 2008 version from Robag Whrume and a remaster of the now
classic original.
Man Power kicks off the new interpretations with an epic, ten and half minute version that patiently
stretches the original’s melodies into pads and held bass tones across crisp, micro-house styled beats
before unleashing loose, clattering breakbeats after a striking, extended breakdown.
SIS’s dreamy, percussive version sees the German producer in hypnotic, and tracky form, focussing
on the ebb and flow of the original’s tuneful vocoder and synth work that drift across his perfect
groove.
Robag’s Pumper-Nikkel remix, for those that missed it some years back, is yet another funky,
chopped, sliced and diced piece of work from the playful producer and still sounds as fresh as ever.
M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman Remixes are released on Get
Physical 12” in late July with a digital release following in the Autumn.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Buttechno - Dark Loop
2
Buttechno - L Dub
3
Buttechno - 2080 Dub
4
Buttechno - Stone Dub
Buttechno digs into Berlin's club psyche once more on the second chapter of X-Berg Dubs, which twists his sound into something murkier and more inward. Squashed breaks and flighty dub techno blur with jungle-adjacent sidewinds, all wrapped in rough, lo-fi textures. These tracks don't rush the 'floor, they slowly subvert and seep into it. Overdriven delays, ghosted guitars, and smudged rhythms unfold on 'Dark Loop' with 'L Dub' setting a glitchy, Burial-esque vibe, while '2080 Dub' drifts deeper into echo and decay, but with retro garage chords and 'Stone Dub' is a pure stoner dub.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
GAZZI - A1 Sants
2
GAZZI - A2 Lake Lake Lake
3
GAZZI - A3 Journey
4
GAZZI - A4 Waves of Time
5
GAZZI - A5 Unlimited Light
6
GAZZI - B1 Lila
7
GAZZI - B2 Reloj
8
GAZZI - B3 Opción
9
GAZZI - B4 Eco
LP
2. GENRE/S: Ambient, New Age, Fourth World
3. TRACKLIST:
Side A:
A1 Sants
A2 Lake Lake Lake
A3 Journey
A4 Waves of Time
A5 Unlimited Light
Side B:
B1 Lila
B2 Reloj
B2 Opción
B4 Eco
4. SHORT INFO:
Andalusian emerging-talent producer GAZZI, a young yet influential figure within the broader Spanish electronic scene, presents an LP that feels like a quiet turning point in his career. Rooted in ambient and new-age minimalism, the record drifts through piano-based textures, soft pauses, and spacious moments that invite deep introspection.
Across its delicate arrangements, GAZZI captures the sensation of slowing down in a world where everything feels fleeting. These tracks hold space for reflection-offering nostalgia, stillness, and the subtle suggestion that hope remains at the edges of even the most ephemeral moments. Each piece unfolds like a landscape suspended in time, shaped by restraint, emotional nuance, and a profound sense of presence.
Presented by Glossy Mistakes, the release reflects the label's ongoing commitment to uplifting a new wave of contemporary Spanish artists, highlighting creators who are redefining the country's sonic identity through experimentation, sensitivity, and forward-thinking sound design.
In GAZZI's own words:
"These songs were made to sit with the wound - to let you drift, to feel scattered, contemplative; they're meant to keep you from thinking too much - or maybe to make you think a lot."
The result is a meditative, deeply personal body of work-one that not only marks a cornerstone in GAZZI's artistic path but also extends Glossy Mistakes' mission to showcase innovative, emotionally resonant voices from Spain's evolving music landscape.
5. VITAL SALES POINTS:
- New work by Andalusian emerging talent Gazzi, an introspective meditation rooted in ambient and new age.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2. GENRE/S: Ambient, New Age, Fourth World
3. TRACKLIST:
Side A:
A1 Sants
A2 Lake Lake Lake
A3 Journey
A4 Waves of Time
A5 Unlimited Light
Side B:
B1 Lila
B2 Reloj
B2 Opción
B4 Eco
4. SHORT INFO:
Andalusian emerging-talent producer GAZZI, a young yet influential figure within the broader Spanish electronic scene, presents an LP that feels like a quiet turning point in his career. Rooted in ambient and new-age minimalism, the record drifts through piano-based textures, soft pauses, and spacious moments that invite deep introspection.
Across its delicate arrangements, GAZZI captures the sensation of slowing down in a world where everything feels fleeting. These tracks hold space for reflection-offering nostalgia, stillness, and the subtle suggestion that hope remains at the edges of even the most ephemeral moments. Each piece unfolds like a landscape suspended in time, shaped by restraint, emotional nuance, and a profound sense of presence.
Presented by Glossy Mistakes, the release reflects the label's ongoing commitment to uplifting a new wave of contemporary Spanish artists, highlighting creators who are redefining the country's sonic identity through experimentation, sensitivity, and forward-thinking sound design.
In GAZZI's own words:
"These songs were made to sit with the wound - to let you drift, to feel scattered, contemplative; they're meant to keep you from thinking too much - or maybe to make you think a lot."
The result is a meditative, deeply personal body of work-one that not only marks a cornerstone in GAZZI's artistic path but also extends Glossy Mistakes' mission to showcase innovative, emotionally resonant voices from Spain's evolving music landscape.
5. VITAL SALES POINTS:
- New work by Andalusian emerging talent Gazzi, an introspective meditation rooted in ambient and new age.
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Liebigstrasse 2-20
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Germany
Contact: [email protected]More
Label:Circus Company
Cat-No:ccs136
Release-Date:27.03.2026
Genre:Electronic, Electronica
Configuration:LP Excl
Label:Circus Company
Cat-No:ccs136
Release-Date:27.03.2026
Genre:Electronic, Electronica
Configuration:LP Excl
1
Joseph Schiano di Lombo - Pas de bruit
2
Joseph Schiano di Lombo - Être invisible
3
Joseph Schiano di Lombo - Ne rien « préparer », ne rien « arranger »
4
Joseph Schiano di Lombo - Simplement être là
5
Joseph Schiano di Lombo - Arriver tout doucement
6
Joseph Schiano di Lombo - À pas de loup
7
Joseph Schiano di Lombo - Afin de ne pas troubler l’eau
Genre: Electronic, Ambient, Neoclassical
Tracklist LP:
1. Pas de bruit
2. Être invisible
3. Ne rien « préparer », ne rien « arranger »
4. Simplement être là
5. Arriver tout doucement
6. À pas de loup
7. Afin de ne pas troubler l’eau
Short Info:
With Le Tact, Joseph Schiano di Lombo delivers a work of rare finesse, conceived as a posthumous conversation with photographer Henri Cartier-Bresson. Through seven meditative pieces - whose evocative titles echo the photographer's words when describing the art of creating an image - this album explores the instinctive and delicate relationship that connects music and photography to our everyday lives.
Presented for the first time on stage during the 20th anniversary of the Henri Cartier-Bresson Foundation, Le Tact draws its inspiration from the photographer’s art: a sensitive and respectful approach, capturing the essence of things without altering them. This spirit of discretion and precision is distilled by Joseph into his music, blending composition and improvisation with intuitive elegance. While Joseph composed and performed the piano, organ, synthesizer, clarinet, and guitar himself, he opened his arrangements for the first time to other musicians. Agnes Wasniewska (oboe), Barbara Misiewicz (cello), and Tomasz Baye Zietek (trumpet) bring their sonic textures, enriching this work, which is both intimate and collaborative. The album was recorded between Paris and Sopot (Poland) during a residency organized by the CNM.
The album’s title perfectly encapsulates its essence: Le Tact. This simple word, evoking both the sense of touch and artistic intuition, reflects the way Joseph composes—with respect, humility, and attention to detail. Each note seems to float lightly, as if to preserve the serenity of the moment. Le Tact transcends genre boundaries. Between ambient music and contemporary art, this album invites listeners to slow down and truly listen. It is a tribute to the beauty of the world, captured with the subtlety of a photographer and the sensitivity of a musician.
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist LP:
1. Pas de bruit
2. Être invisible
3. Ne rien « préparer », ne rien « arranger »
4. Simplement être là
5. Arriver tout doucement
6. À pas de loup
7. Afin de ne pas troubler l’eau
Short Info:
With Le Tact, Joseph Schiano di Lombo delivers a work of rare finesse, conceived as a posthumous conversation with photographer Henri Cartier-Bresson. Through seven meditative pieces - whose evocative titles echo the photographer's words when describing the art of creating an image - this album explores the instinctive and delicate relationship that connects music and photography to our everyday lives.
Presented for the first time on stage during the 20th anniversary of the Henri Cartier-Bresson Foundation, Le Tact draws its inspiration from the photographer’s art: a sensitive and respectful approach, capturing the essence of things without altering them. This spirit of discretion and precision is distilled by Joseph into his music, blending composition and improvisation with intuitive elegance. While Joseph composed and performed the piano, organ, synthesizer, clarinet, and guitar himself, he opened his arrangements for the first time to other musicians. Agnes Wasniewska (oboe), Barbara Misiewicz (cello), and Tomasz Baye Zietek (trumpet) bring their sonic textures, enriching this work, which is both intimate and collaborative. The album was recorded between Paris and Sopot (Poland) during a residency organized by the CNM.
The album’s title perfectly encapsulates its essence: Le Tact. This simple word, evoking both the sense of touch and artistic intuition, reflects the way Joseph composes—with respect, humility, and attention to detail. Each note seems to float lightly, as if to preserve the serenity of the moment. Le Tact transcends genre boundaries. Between ambient music and contemporary art, this album invites listeners to slow down and truly listen. It is a tribute to the beauty of the world, captured with the subtlety of a photographer and the sensitivity of a musician.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Arp - Touch
2
Arp - Echo's refrain w/Takuma Watanabe
3
Arp - Dissolve
4
Arp - Future Nature
5
Arp - Orpheus & E w/Patrick Belaga
6
Arp - Haze of
7
Arp - Shifted
8
Arp - Thread
9
Arp - After The Storm
10
Arp - Seaweed
11
Arp - Eye of Eurycide
12
Arp - Sketch For Zoe
A collection of transfixing, storm-like compositions, "Drifts" draws you into its heightened sense of quiet, reveling in iridescent, tranquilized vapors - one part ambient Classical, one part Club-adjacent ambience.
Pitched, reduced, sampled and re-sampled, the album's glowing, elliptical abstractions - using piano, harp, strings & modular synthesizer - explore the emotional terrain between aftermath and renewal, blending the unstructured immediacy of improvisation with the elegant sculpture of composition.
"Drifts" represents for its maker a newfound interest in shadow and mystery, each track a shifting terrain, a collection of clues, a scene set in a larger story, the effect cumulative.
Featuring collaborations with Patrick Belaga, Marilu Donovan (LEYA), and Takuma Watanabe, the album's cinematic suite of impressionistic, ambient works invites the listener into a vast, mapless space of dreamlike non-linearity where interior and exterior landscapes bristle with intimacy and electricity.
Abba Funn by John Chamberlain, 1979. Permanent collection, the Chinati Foundation, Marfa, Texas.
© 2025 Fairweather & Fairweather LTD / Artists Rights Society (ARS), New York. Image Consultant: Claudia Poulter. Design by Graphic Services.
1. Touch 02:20
2. Echo's refrain w/Takuma Watanabe 04:21
3. Dissolve 05:59
4. Future Nature 05:58
5. Orpheus & E w/Patrick Belaga 03:56
6. Haze of 02:45
7. Shifted 03:42
8. Thread 01:53
9. After The Storm 03:17
10. Seaweed 04:55
11. Eye of Eurycide 01:50
12. Sketch For Zoe 03:04
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Pitched, reduced, sampled and re-sampled, the album's glowing, elliptical abstractions - using piano, harp, strings & modular synthesizer - explore the emotional terrain between aftermath and renewal, blending the unstructured immediacy of improvisation with the elegant sculpture of composition.
"Drifts" represents for its maker a newfound interest in shadow and mystery, each track a shifting terrain, a collection of clues, a scene set in a larger story, the effect cumulative.
Featuring collaborations with Patrick Belaga, Marilu Donovan (LEYA), and Takuma Watanabe, the album's cinematic suite of impressionistic, ambient works invites the listener into a vast, mapless space of dreamlike non-linearity where interior and exterior landscapes bristle with intimacy and electricity.
Abba Funn by John Chamberlain, 1979. Permanent collection, the Chinati Foundation, Marfa, Texas.
© 2025 Fairweather & Fairweather LTD / Artists Rights Society (ARS), New York. Image Consultant: Claudia Poulter. Design by Graphic Services.
1. Touch 02:20
2. Echo's refrain w/Takuma Watanabe 04:21
3. Dissolve 05:59
4. Future Nature 05:58
5. Orpheus & E w/Patrick Belaga 03:56
6. Haze of 02:45
7. Shifted 03:42
8. Thread 01:53
9. After The Storm 03:17
10. Seaweed 04:55
11. Eye of Eurycide 01:50
12. Sketch For Zoe 03:04
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
kerri chandler - One
2
kerri chandler - Two
3
kerri chandler - Three
4
kerri chandler - Four
The brilliant initial outing from Kerri Chandler on Large Music gets a re-issue and sounds just as fresh and influential as it did in 1995. Darker and more minimal than Kerri's output at the time on labels such as King Street and Freetown, this four track ep set the tone and sound of Large for most of the late 1990s. All four tracks feature the trademark Chandler bassline, jazzed-out trippy chords, and chopped up vocals. This is a timeless classic and a must have for any serious House vinyl connoisseur.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
James Shinra - Acid Every Day
2
James Shinra - Back
3
James Shinra - Blip
4
James Shinra - 1310Clap
James Shinra continues his ‘Shinra Electro Company’ series with 4 acid-laced tracks exploring different aspects of his sound. Opener ‘Acid Every Day’ keeps it simple by combining hard hitting drums with a 303, while ‘Back’ adds a soulful touch with vocal snippets and dubby chords. On the B-side, 2 sub-rattling DJ tools.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Kenji Kawai - 01 - Making of Cyborg
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Kenji Kawai - 02 - Ghost Hacker
3
Kenji Kawai - 03 - Puppet Master
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Kenji Kawai - 04 - Virtual Crime
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Kenji Kawai - 05 - Ghost City
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Kenji Kawai - 06 - Access
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Kenji Kawai - 07 - Night Stalker
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Kenji Kawai - 08 - Floating Museum
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Kenji Kawai - 09 - Ghost Dive
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Kenji Kawai - 10 - Reincarnation
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Kenji Kawai - 11 - Bonus Track
2024 Repress
- NO SALES TO JAPAN -
Regular Offcial Authorised Vinyl Version, Original Soundtrack, 350g Sleeve, Black Inner, Sticker, 12" 140g Vinyl
- The first ever OFFICIAL vinyl release of the soundtrack for Mamoru Oshii's legendary science fiction anime film GHOST IN THE SHELL (1995).
- LP cut from the original master reels at Emil Berliner Studios, official Ghost in the Shell artwork
Tracklisting LP :
A1 ?I - Making Of Cyborg
A2 Ghosthack
A3 Puppetmaster
A4 Virtual Crime
A5 ?II - Ghost City
B1 Access
B2 Nightstalker
B3 Floating Museum
B4 Ghostdive
B5 ?III - Reincarnation
We Release Whatever The Fuck We Want Records is thrilled and honored to announce the first ever official vinyl pressing of the soundtrack for Mamoru Oshii's critically acclaimed and all around legendary science fiction anime film GHOST IN THE SHELL (1995), adapted from Masamune Shirow's groundbreaking manga series of the same name.
Cut from the original master reels at Emil Berliner Studios (formerly the in-house recording department of renowned classical record label Deutsche Grammophon), the album comes as a LP accompanied by a bonus one-sided 7" housed in official Ghost in the Shell artwork sleeve with silver gilt printing and a Japanese obi, and contains extensive 24-page liner notes.
The haunting score is composed by Kenji Kawai, one of Japan's most celebrated soundtrack composers, alongside Joe Hisaishi and Ry?ichi Sakamoto, whose work includes Hideo Nakata's Ring (1998) and Ring 2 (1999), Death Note (2006), Hong Kong films Seven Swords by Tsui Hark (2005) and Ip Man by Wilson Yip (2008), and countless others. Kawai's compositions see ancient harmonies and percussions uncannily mesh with synthesized sounds of the modern world to convey a sumptuous balance between folklore tradition and futuristic outlook. For its iconic main theme "Making of Cyborg", Kawai had a choir chant a wedding song in ancient Japanese following Bulgarian folk harmonies, setting the standard for a timeless and unparalleled soundtrack that admirably echoes the film's musings on the nature of humanity in a technologically advanced world.
Ghost in the Shell is widely considered one of the best anime films of all time and its influence has been felt in the work of numerous movie directors, including James Cameron (Avatar), the Wachowskis (The Matrix), and Steven Spielberg (AI: Artificial Intelligence).
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
- NO SALES TO JAPAN -
Regular Offcial Authorised Vinyl Version, Original Soundtrack, 350g Sleeve, Black Inner, Sticker, 12" 140g Vinyl
- The first ever OFFICIAL vinyl release of the soundtrack for Mamoru Oshii's legendary science fiction anime film GHOST IN THE SHELL (1995).
- LP cut from the original master reels at Emil Berliner Studios, official Ghost in the Shell artwork
Tracklisting LP :
A1 ?I - Making Of Cyborg
A2 Ghosthack
A3 Puppetmaster
A4 Virtual Crime
A5 ?II - Ghost City
B1 Access
B2 Nightstalker
B3 Floating Museum
B4 Ghostdive
B5 ?III - Reincarnation
We Release Whatever The Fuck We Want Records is thrilled and honored to announce the first ever official vinyl pressing of the soundtrack for Mamoru Oshii's critically acclaimed and all around legendary science fiction anime film GHOST IN THE SHELL (1995), adapted from Masamune Shirow's groundbreaking manga series of the same name.
Cut from the original master reels at Emil Berliner Studios (formerly the in-house recording department of renowned classical record label Deutsche Grammophon), the album comes as a LP accompanied by a bonus one-sided 7" housed in official Ghost in the Shell artwork sleeve with silver gilt printing and a Japanese obi, and contains extensive 24-page liner notes.
The haunting score is composed by Kenji Kawai, one of Japan's most celebrated soundtrack composers, alongside Joe Hisaishi and Ry?ichi Sakamoto, whose work includes Hideo Nakata's Ring (1998) and Ring 2 (1999), Death Note (2006), Hong Kong films Seven Swords by Tsui Hark (2005) and Ip Man by Wilson Yip (2008), and countless others. Kawai's compositions see ancient harmonies and percussions uncannily mesh with synthesized sounds of the modern world to convey a sumptuous balance between folklore tradition and futuristic outlook. For its iconic main theme "Making of Cyborg", Kawai had a choir chant a wedding song in ancient Japanese following Bulgarian folk harmonies, setting the standard for a timeless and unparalleled soundtrack that admirably echoes the film's musings on the nature of humanity in a technologically advanced world.
Ghost in the Shell is widely considered one of the best anime films of all time and its influence has been felt in the work of numerous movie directors, including James Cameron (Avatar), the Wachowskis (The Matrix), and Steven Spielberg (AI: Artificial Intelligence).
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A modern day mashup classic from AMERIGO GAZAWAY that takes the Afrobeat rhythms and music of FELA KUTI and mixes it with the rap stylings of DE LA SOUL. Awesome.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Viejas Raíces ( Feat. Jorge Lopez Ruiz ) - O'Placar (feat. Jorge López Ruiz)
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Viejas Raíces ( Feat. Jorge Lopez Ruiz ) - Para Nosotros Solamente (feat. Jorge López Ruiz)
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Viejas Raíces ( Feat. Jorge Lopez Ruiz ) - Balewada (feat. Jorge López Ruiz)
4
Viejas Raíces ( Feat. Jorge Lopez Ruiz ) - Los Berugos Wor (feat. Jorge López Ruiz)
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Viejas Raíces ( Feat. Jorge Lopez Ruiz ) - La Hora De La Sed Maldita (feat. Jorge López Ruiz)
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Viejas Raíces ( Feat. Jorge Lopez Ruiz ) - El Viaje De Dumpty (feat. Jorge López Ruiz)
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Viejas Raíces ( Feat. Jorge Lopez Ruiz ) - Eterna Presencia (feat. Jorge López Ruiz)
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Viejas Raíces ( Feat. Jorge Lopez Ruiz ) - Mira Tú (feat. Jorge López Ruiz)
Altercat proudly presents the definitive reissue of one of the crown jewels of South American jazz. Essentially the brainchild of Argentinian jazz's leading figure Jorge López Ruiz, the project Viejas Raíces marked López Ruiz's departure from the traditional forms of jazz. The trio that recorded this album, consisting of López Ruiz joined by his life-long friend drummer Pocho Lapouble and gifted Chilean pianist Matías Pizarro, created a thrilling blend of jazz and Uruguayan candombe, surrounded by an undeniable cinematic feel spurred by López Ruiz's long experience in the soundtrack field. When read as one element, the cleverly chosen combination of group name and album title (in English: 'Old Roots of the Colonies of the River Plate') readily hints at the kind of sounds the listener will be challenged with when diving into this LP. Recorded in 1976 in the wake of the "Proceso de Reorganización Nacional", the bloodiest period of dictatorship in Argentina, the album was initially frowned upon by critics and public alike, both still firmly rooted in jazz traditionalism and obviously not ready for the new ideas that musicians like López Ruiz were experimenting with. Despite being a commercial flop upon its release, the album has been enjoying a growing reputation over the last two decades, acclaimed by jazz enthusiasts who value it from a different historical perspective and embrace its experimentation during this revolutionary period of change. Fourty-five years after its release, the album receives the Altercat treatment with a much deserved deluxe reissue, with sound direct from the master tapes and an accompanying 12-page booklet with previously unpublished pictures and bilingual liner notes telling everything you ever wanted to know about the album and those who made it possible.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
harvey sutherland & bermuda - Priestess
2
harvey sutherland & bermuda - Bravado
Harvey Sutherland’s latest 12” marks the inaugural release for Clarity Recordings, an imprint established by Sutherland for modern Australian records. The first new music from the Melbourne producer since last year’s cuts for MCDE, the double A-side Priestess / Bravado features his live trio Bermuda at full tilt, with an ensemble of hand clapping friends. Self-described “lounge room disco burners”, the record summons the groove experiments of Patrick Adams, Bill Laswell and Arthur Russell, while retaining Harvey’s soulful tones and club-ready arrangements. Priestess evolves slowly, a nine-minute mind dance that ultimately reaches a celestial state. Sutherland’s piano lines bounce off drummer Graeme Pogson’s unwavering four-on-the-floor, while one-man string section Tamil Rogeon travels skyward. Live standout Bravado is played with determined precision, locking into a tough backbeat that only breaks once Sutherland’s warbling lead solo approaches its resonant peak.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More