Transversales is very glad to announce the release of « Mémoire Magnétique, vol.3 » spanning 1967-1971, revelatory collection of short and secret music by electronic music pioneer Bernard Parmegiani.

The third volume of this compilation allows us to discover some of unreleased rarities from Bernard Parmegiani’s personal archives and unpublished recordings which were composed for the screen or the performing arts.

Remastered high-resolution audio transferred directly from the original master tapes.
Deluxe Edition with OBI

A1 Araignelephant I
A2 Narcissus Echo
A3 Sadiquement Votre I
A4 Sables
A5 Sadiquement Votre II
A6 La Ville En Haut De La Colline I
A7 Sadiquement Votre III
A8 Araignelephant II
B1 La Ville En Haut De La Colline II
B2 Araignelephant III
B3 Je, Tu, Elles
B4 Sadiquement Votre IV
B5 Labyrinthe
B6 Sadiquement Votre V
B7 Araignelephant IV

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Transversales is very glad to announce the release of « Unreleased & Rareties » spanning 1972-2002, revelatory collection of short and secret music by electronic music pioneer, Jean SCHWARZ. He served as an engineer at the CNRS in the Ethnomusicology Department of the Musée de l'Homme in Paris, and was a member of the Groupe de Recherches Musicales (G.R.M) from 1969 to 1999.

This compilation allows us to discover some of unreleased rarities from Jean Schwarz’s personal archives and unpublished recordings which were composed for the dance, screen or the performing arts.

Remastered high-resolution audio transferred directly from the original master tapes.
Exclusive liner notes. Deluxe LP with printed innersleeves & OBI

A1 - Etude Longue
A2 - Prologue, Maison Rouge
A3 - Kodo
A4 - Keeping Still
A5 - Bouillon de Culture
A6 - Cloches
B1 - Calligraphy
B2 - Histoire d'A
B3 - Regard
B4 - Koening Song
B5 - Awakening
B6 - Feedback
B7 - Sonal France Culture

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Transversales Disques proudly presents the first official reissue of Michel Colombier's cult 1973 soundtrack "L'héritier". The man behind "Psyche Rock" and "Requiem pour un con" delivers an incredibly intense downtempo spacey-prog-funk score with outstanding drums, wah-wah guitars, deep Rhodes chords and superb bass performed by a legendary rhythm section (Jannick Top, Jean Schultheis, Claude Engel). The soundtrack of "L’héritier" is linked with the score of "Tarot", an improbable Spanish giallo that Colombier composed the same year, featuring Nanette Workman on the main theme. It perfectly captures the essence of this thriller with deep drama grooves and electronic experimentations. This 2025 deluxe edition contains 5 unreleased tracks from the '"Tarot" score.

AUDIO RESTORED & REMASTERED
EXCLUSIVE & EXTENSIVE LINER NOTES

A1 - L'héritier
A2 - Rêve
A3 - L'usine
A4 - Hôtel Lutetia
A5 - Kidnapping
A6 - L'héritier (Partie 2)
B1 - Blind Date
B2 - Incantation
B3 - Blind Luck
B4 - Doggie Style
B5 - Hearing Aid
B6 - Breakdown
B7 - Reading The Cards
B8 - Tarot

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Transversales Disques proudly presents the first official LP reissue of "Deserted Palace", studio album written & performed by Jean Michel Jarre in 1972, during his work experience at G.R.M. (Groupe de Recherches Musicales).

In 1971, an order was placed with producer Francis Dreyfus to provide sound for public places such as airports and libraries. He decided to pass the project on to Jean-Michel, who had recently been signed by his record company.

These fifteen tracks are made with only two synthesizers (EMS VCS3 & Farfisa organ) in an experimental and very minimal style.

"It was a crazy album, totally homemade, with rhythms that I made in my student room, with a minimum of equipment and at the same time electronic sounds that I stole from the GRM where I went at night after stealing the keys to the studios. It is a pirate record, in every sense of the word, in which we find what I did afterwards.” JMJ

Audio restored & remastered

A1 - Poltergeist Party
A2 - Music Box Concerto
A3 - Rain Forest Rap Session
A4 - A Love Theme For Gargoyles
A5 - Bridge Of Promises
A6 - Exasperated Frog
A7 - Take Me To Your Leader
A8 - Deserted Palace
A9 - Pogo Rock
B1 - Wind Swept Canyon
B2 - The Abominable Snowman
B3 - Iraqi Hitch-Hiker
B4 - Free Floating Anxiety
B5 - Synthetic Jungle
B6 - Bee Factory

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Transversales Disques proudly presents Thelonious Monk / Live in Paris (1966).
LOST ORTF RECORDINGS. A unique pianist and composer, Thelonious Monk (1917-1982) is one of the greatest jazz legends of all time. Thelonious is surrounded by his legendary quartet featuring Charlie Rouse (saxophone ténor), Larry Gales (bass),and Ben Riley (drum).
First ever official release of this lost ORTF recording performed live in Paris at Studio 104, Maison de la Radio.Release with the full permission and cooperation of the National Audiovisual Institute (INA).
Deluxe Tip-On Jacket / Exclusive Liner notes

A1 - I Love You (Sweetheart Of All My Dreams)
A2 - Lulu's Back In Town
A3 - Just a Gigolo
B1 - I'm Getting Sentimental Over You
B2 - Crepuscule With Nellie
B3 - Epistrophy

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Transversales Disques proudly presents PANORAMA, an excursion through rare French soundtracks & other rarities mostly never reissued or compiled.
11 forgotten nuggets recorded between 1969 and 1980 by famous masters like Francis Lai, Alain Goraguer and Michel Magne alongside underrated composers like Jean Schwarz, Christian Gaubert or Maurice Lecoeur. A cinematic journey overflowing with moody strings arrangements, funky drum breaks, typical French basslines and psyched atmospheres.

Deluxe Tip-On jacket LP including exclusive and extensive liner notes.
Vinyl Only / No Digital
Remastered from the original master tapes

A1 - Christian Gaubert & Gilbert Becaud - The Organization
A2 - Christophe - Le dernier des mauvais jours
A3 - André Popp - Sweet Mary
A4 - Michel Magne - Prophets (Instrumental)
A5 - Jean Schwarz - FInal Maison Rouge
B1 - Vladimir Cosma - Menuet Spacial
B2 - Francis Lai - Thème de Simon
B3 - Jacky Chalard - L'agonie
B4 - Maurice Lecoeur - Conte au fil de l'eau
B5 - Janko Nilovic - Mouvements aquatiles
B6 - Alain Goraguer - La vie sentimentale

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Transversales Disques proudly presents Alain Goraguer Rare Soundtracks & Lost Tapes.
French composer Alain Goraguer who first made a name for himself as a sideman and arranger for Serge Gainsbourg wrote very few soundtracks, but amongst them, the legendary La Planète Sauvage (1973) is an absolute staple of France’s essential music.

During that same period of time, Goraguer wrote two rare and beautiful scores using the same masterclass arrangements. On L’Affaire Dominici (1975), Alain Goraguer creates a theme of great melodic clarity from a palette of breathy flutes, clavinet D6 baroque textures, wah-wah guitars and slow-paced drums that clearly reminds La Planete Sauvage’s atmosphere. The same can be said about the score of Au delà de la peur (1975) with its descending clavinet melody, twanging bass riff, funky drums and flashes of bended electric guitars. This record also includes never before released tracks found in the vaults of French national radio: beautiful and timeless orchestral compositions recorded at Studio 105, Maison de la radio.

REMASTERED FROM THE ORIGINAL MASTER TAPES

A1 - L’affaire Dominici
A2 - Enquête
A3 - Thème principal
A4 - Procès
A5 - Thème guitare
A6 - Thème orchestre
A7 - Générique
B1 - Un homme traqué
B2 - Au-delà de la peur
B3 - Nostalgie d’un amour imaginaire
B4 - Rêverie
B5 - Recherche nostalgique

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Transversales proudly presents the first LP reissue of “Les granges brûlées”, original soundtrack written and performed
by Jean-Michel Jarre shortly after his work experience at G.R.M (Groupe de Recherches Musicales). Probably one the first
ever electronic music score, recorded with very scanty means: a VCS3 synthesizer, a Farsifa organ and three synchronized
Revox tape recorders. Director Jean Chapot, who understood immediately the interest in the gap between this hyper
classical rural thriller and this groundbreaking music, let Jarre absolutely free to compose. Built up around several melodic
leitmotifs, the score of “Les granges brûlées” allowed Jarre to pursue his personal research: to bridge the gap between
experimental music and pop music.
This deluxe reissue also contains the bonus track “Happiness Is a Sad Song” composed during Jarre's time at the G.R.M.
“Aphex Twin

TRACKLIST:
A1. La chanson des granges brûlées
A2. Le pays de Rose
A3. L'hélicoptère
A4. Une morte dans la neige
A5. Le juge
A6. Le car / Le chasse-neige
A7. Thème de l'argent
A8. Rose
A9. Zig-Zag
B1. Hésitation
B2. La perquisition et les paysans
B3. Reconstitution
B4. Les granges brûlées
B5. Descente au village
B6. La vérité
B7. Générique
B8. Happiness Is a Sad Song*

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After more than 45 years forgotten in the personal archives of Jean Schwarz, Transversales Disques is very happy to release this previously unpublished recording which brings together the great Don Cherry and his friend, composer Jean Schwarz, pioneer in electro-acoustic music and member of G.R.M.
This concert was recorded in 1977 at the Paris MIX festival (Théatre Récamier) organised by G.R.M and hosted by director François Bayle. An elegant mix of spiritual jazz and electronic sounds around this astounding quintet made up of JF Jenny Clark, Nana Vasconcelos and Michel Portal.
Remastered from the original master tapes. Exclusive pictures and liner notes

A1 - Intro
A2 - Doussn' Gouni - Part 1
A3 - Doussn' Gouni - Part 2
A4 - Bells One
B1 - BellsTwo
B2 - Berimbau
B3 - Whistles
B4 - Theme 1
B5 - Bando
B6 - Tribute to Ornette

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Transversales Disques proudly presents Ahmad Jamal Trio, Live in Paris 1971. Never heard before ORTF recordings performed live at studio 104, Maison de la Radio, Paris. This is the first official release with the full permission and cooperation of the National Audiovisual Institute (INA) coming in a Deluxe Edition - Classic Tip-On Jacket. Including exclusive pictures. Mastered from the original master tapes.

« While be-bop musicians practise one-upmanship in terms of speed, Ahmad Jamal develops a crystal-clear touch and praises silence: "I was an angel among devils! The boppers made notes explode. I let them resonate until the end of their lives".
A reputation as an artist on the fringes perhaps explains this lack of fame he suffered at one time. But despite the great whirlwind that is his life, Ahmad Jamal declares that he is searching for peace: "The quest is that of musical and internal peace. I cannot acknowledge that I am at peace, it would be dangerous to show it. A man at peace with himself doesn't say so".

If you cannot say it, you can hear it, especially during his first concert in Paris in a trio. Here we are transported to the upper echelons of the art of the trio: the master of the piano, in studio 104 of Broadcasting House, is surrounded by brilliant accomplices, Jamil Nasser on double bass and Frank Gant on drums... » (Jérôme Badini, France Musique).

TRACKLIST:

A1. Bogota
B1. Manhattan Reflections
B2. Effendi

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Transversales Disques is very glad to announce the release of Solitude Transit
unpublished archives by electroacoustic music pioneer Luc Ferrari. Music composed for
contemporary dance, choregraphed by Anne-Marie Reynaud.
Affiliated with French Radio’s Groupe de Musique Concrète, co-founder of the GRM with
Pierre Schaeffer in 1958, Luc Ferrari (1929-2005) major figure of musique concrète and
electroacoustic music broke away to pave his own path of individualistic expressions of
minimalist music, musical theater, field recordings, orchestral music and soundtracks…

TRACKLIST:
A1. Roman de Gare
B1. Ligne de Fuite
B2. On Part chez Marie-Christine

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Maurice Lecoeur could be considered as France’s best kept secret composer. Although
hardly known outside of « digging-nerds » circles, he produced an incredible number of
themes for movies, TV programs and commercials. Inspired by his friend and mentor
François de Roubaix, he managed to create his own print, juggling freely with genres,
harmonies, tonalities and string arrangements.
This fine compilation gathers together the cream of his 70s-to-mid-80s work ; a journey
overflowing with pop fantasies, crazy drum-breaks and beautiful orchestral themes.
Most of these magnetic tapes are totally unrealeased and could have burned in the terrible
fire that devastated Lecoeur’s home studio in the early 90’s. For fans of Jean Claude Vannier,
Michel Colombier, François De Roubaix and Janco Nilovic…

TRACKLIST:

A1. Faux suspense
A2. L'Or rouge, richesse Du Zaire
A3. Le soleil qui rit rouge - maquette
A4. Les petites filles modèles
A5. Donne-moi la terre
A6. Lualaba, source d’énergie
A7. Fair Pale Sweet and Nice
A8. Safari au Kivu thème 1
A9. Évocation du Shaba
A10. Bayou
A11. Safari au Kivu thème 2
B1. Sans préméditation
B2. Le ballet inachevé
B3. Les bijoux de famille, thème
B4. Mélodie retrouvée
B5. Tartares
B6. La rage de lire
B7. Le vin des Carpathes
B8. Les bijoux de famille, thème 2
B9. Chili
B10. L'oeil de la nuit
B11. Madame Holle

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Transversales Disques proudly presents Pharoah Sanders - Live in Paris (1975).

A never-before-released ORTF recording performed live at studio 104, Maison de la Radio, Paris. First official release with the full permission and cooperation of the National Audiovisual Institute.

Deluxe edition, Classic Tip-On Gatefold jacket, including exclusive liner notes and pictures. Mastered from the original master tapes


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Transversales Disques presents KSHATRYA, (The Eye Of The Bird), never released before recording by french avant-garde electronic composer Igor Wakhevitch, who composed a bunch of major experimental albums in the 70’s such as Logos, Docteur Faust, Hathor, Les Fous d'Or, Nagual and Let's Start.
During this 10 years period, Wakhevitch was close to Jean-Michel Jarre, the Pink Floyd, the Soft-Machine, and legendary choreographer Maurice Bejart having with him many conversations around dance and music, human body and soul, spiritual path, collective life, new society, human evolution. As a composer Igor Wakhevitch collaborated with Salvador Dali, Carolyn Carlson, and Terry Riley to name a few. He's considered as one of the first French composer using synthesizers like Synthi AKS, ARP2600 or Moog modular systems.
After spending almost 30 years in India, Igor Wakhevitch dug in his archives this unreleased work recorded in 1999 on his “Mysterious Island 88” system. Esotheric, sacred and cosmic, KSHATRYA, (The Eye Of The Bird) is the logical follow up of Igor’s early works and a monumental piece of electronic music. A must!


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Transversales Disques presents KSHATRYA, (The Eye Of The Bird), never released before recording by french avant-garde electronic composer Igor Wakhevitch, who composed a bunch of major experimental albums in the 70’s such as Logos, Docteur Faust, Hathor, Les Fous d'Or, Nagual and Let's Start.
During this 10 years period, Wakhevitch was close to Jean-Michel Jarre, the Pink Floyd, the Soft-Machine, and legendary choreographer Maurice Bejart having with him many conversations around dance and music, human body and soul, spiritual path, collective life, new society, human evolution. As a composer Igor Wakhevitch collaborated with Salvador Dali, Carolyn Carlson, and Terry Riley to name a few. He's considered as one of the first French composer using synthesizers like Synthi AKS, ARP2600 or Moog modular systems.
After spending almost 30 years in India, Igor Wakhevitch dug in his archives this unreleased work recorded in 1999 on his “Mysterious Island 88” system. Esotheric, sacred and cosmic, KSHATRYA, (The Eye Of The Bird) is the logical follow up of Igor’s early works and a monumental piece of electronic music. A must!


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The newly discovered and unreleased concert from 1975 recorded by the Philip Glass Sextet at La Maison de la Radio, Paris.
The sextet is composed of Philip Glass, Jon Gibson, Dickie Landry, Michael Riesman, Joan La Barbara and Richard Peck.
Music in Twelve Parts is a set of twelve pieces written between 1971 and 1974. This performance in France includes part 1, 2, 3, 11 and 12 on a double LP.
Also included a very rare Philip Glass interview from 1974 in his NYC loft during the rehearsals of this piece, produced for the French radio by Daniel Caux - musicologist and co-founder of Shandar Records.
A never before released –Philip GLASS (1975) live recordings, released in partnership with the National Audiovisual Institute – INA.


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Rare 1979 recording of Bernard Baschet performing on his Sound Sculptures. The Baschet brothers are known worldwide as creators of Sound Sculptures, fantastic shapes of moulded metal and glass, which combine the visual arts with music. François Baschet had always been fascinated by acoustics, by the relationships between the shape and material of an instrument and the beauty of its sound. Bernard Baschet was passionately interested in contemporary music and firmly believed that such instruments were the proper tools for modern music, for they offered to the artist and performer a personal means of expression denied by electronic devices. Together the brothers began to design and produce Sound Sculptures, which could also be regarded as musical instruments. Circa 1965, Bernard worked alongside Pierre Schaeffer as a member of the GRM (Musical Research Group) on the elaboration of what was to become Schaeffer’s Traité des objets musicaux (Treatise on Musical Objects).
The Baschet brothers also created structures and instruments of all sizes, including bell towers, windmills and fountains, using the natural elements of wind and water to make music. Bernard Baschet was especially proud of his pedagogical work amongst deprived and handicapped children, with the instrumentaium made up of fourteen pieces.


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First reissue of this essential LP by Italian pioneer and Ennio Morricone cohort, Alessandro Alessandroni. Originaly released on Munich based experimental, progressive library label Coloursound. Alessandroni at his best: very refined Italian cinematic sound, tense 12 strings guitar themes, synth sequences, beautiful sound of chamber classical music mixed with psych choir. You can feel Alessandroni’s magical touch for melodies and arrangements on nearly each song and at the same time, some François de Roubaix reminiscence on themes like "Dramatic" and "Sad Farewell".
No doubt each track of this underrated masterpiece could have been a classic soundtrack theme.


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Transversales Disques proudly presents Thelonious Monk / Live in Paris (1966).
LOST ORTF RECORDINGS. A unique pianist and composer, Thelonious Monk (1917-1982) is one of the greatest jazz legends of all time. Thelonious is surrounded by his legendary quartet featuring Charlie Rouse (saxophone ténor), Larry Gales (bass),and Ben Riley (drum).
First ever official release of this lost ORTF recording performed live in Paris at Studio 104, Maison de la Radio.Release with the full permission and cooperation of the National Audiovisual Institute (INA).
Deluxe Tip-On Jacket / Exclusive Liner notes

A1 - I Love You (Sweetheart Of All My Dreams)
A2 - Lulu's Back In Town
A3 - Just a Gigolo
B1 - I'm Getting Sentimental Over You
B2 - Crepuscule With Nellie
B3 - Epistrophy

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With output on Ubiquity, Wonderwheel and Razor-N-Tape, London’s Tigerbalm has truly come into her own production voice recently, bringing forth a colorful vision of tropical influences filtered through modern club sounds. With the Profunda Alma EP, the Tiger focusses her attention on Brazil, coaxing out two gorgeous original songs that pay homage to the sizable impact the country has had on her musical sensibilities. Profunda Alma features the vocalist Joy Tyson (who appeared on Tigerbalm’s earlier Nina EP), and creates an atmosphere of deep emotional mystique through driving percussion, an insistent bassline and dramatic guitar stabs. Vem Ca goes for a more bouncey retro samba vibe and features the incredible vocals of Joao Selva, who delivers a hook that feels almost canonical, as if we’ve known it forever. Ever consistent French producer Yuksek takes Vem Ca straight to the club with his remix, and London upstarts Make-A-Dance deliver two trippy dancefloor takes on the title track to make this record a powerful 5-tracker!

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TRACKLISTING
A1. Black Flower - Magma
A2. Black Flower - O Fogo
A3. Black Flower - The Light
A4. Black Flower - Half Liquid
B1. Black Flower - Deep Dive Down
B2. Black Flower feat. Meskerem Mees - Morning In The Jungle
B3. Black Flower - The Forge
B4. Black Flower - Blue Speck



INFO
Five-piece hybrid jazz outfit Black Flower are set to release new album 'Magma' on the 28th January via the groove-obsessed Belgian label, Sdban Ultra.
Piloted by Brussels-based saxophonist/flutist/composer Nathan Daems (Echoes of Zoo, Dijf Sanders), the quintet is a vibrant, hypnotic mix of Ethio jazz, afrobeat, psychedelia and oriental influences, inspired by Mulatu Astatke, Fela Kuti and varied western musical traditions.
Black Flower is a band at the peak of their creative powers. Having received glowing praise for the 2019 album 'Future Flora' from Mojo, Songlines, BBC Radio 6 Music's Gilles Peterson, BBC Radio 3's Music Planet, Worldwide FM and Jazz FM among others, forthcoming album 'Magma' sees Black Flower embrace new synth and organ sounds from the band's most recent recruit, Karel Cuelenaere. His influence can be heard from the outset - his keys adding a swirling, mischievousness to album opener and title track 'Magma'. Elsewhere, the shuffling drum patterns and flighty, flute-propelled 'O Fogo' are rich in texture and flow.
Driving rhythms and Eastern influenced melodies serve as a rich source of pleasure that, like magma, become real and solid when finding its way to the surface. It's the perfect metaphor for this album's creational process. The pulsating, trance-inducing 'Deep Dive Down' continues the joyous process while singer-songwriter Meskerem Mees (winner of The Montreux Jazz Talent Award 2021) adds, her clear-as-spring-water vocals to the celestial 'Morning in the Jungle'.
With the much-trusted Frederik Segers on production and London-based visual virtuoso Raimund Wong (Total Refreshment Centre) on artwork duties, it all adds up to the psychedelic and exploratory identity of the band and are key elements that helped 'Magma' in its ascension from deep down up to the surface. A creative process solidified into vinyl, just as magma into rock.
Fellow musicians and spiritual henchmen are Jon Birdsong (dEUS, Beck, Calexico) on cornet, Simon Segers (Absynthe Minded, De Beren Gieren, MDCIII) at the drums, Filip Vandebril (Lady Linn, The Valerie Solanas) at the bass and Karel Cuelenaere (John Ghost) on keys.


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TIP! - Preview: https://www.youtube.com/watch?v=monJkVSJUQ0

Highly anticipated would be an understatement; since their inception Overmono have purposefully cultivated a fanbase that heralds them as one of the UK’s most original contemporary live electronic acts. A run of ground-breaking club EPs between 2020 and 2022 built momentum and culminated in their breakthrough club single, ‘So U Kno’, which encapsulated the hearts of clubbers and went on to become a bonafide phenomenon as dancefloors re-opened; featuring in end of year lists published by Resident Advisor, Pitchfork, DJ Mag and Mixmag.

Since then, Overmono have been named ‘Best Live Act’ at the prestigious DJ Mag Best of British Awards, taken their custom audio-visual live show to the most credible festivals across the globe, including Glastonbury, Movement Festival, Dekmantel, and produced innovative releases including their instalment of their ‘Fabric Presents’ DJ mix series and collaborations with Joy Orbison. Now, Overmono return to present their most ambitious release to date. Across the twelve-track project, Overmono journey through a powerful distillation of their musical career so far; incorporating “So U Kno” alongside new music that propels them beyond the dancefloor. “Good Lies” remoulds and interweaves captivating vocal cuts into a series of multi-genre electronic sounds that flits effortlessly between euphoria and melancholy in the same 4-bar loop.

Tracklist:

1. Feelings Plain
2. Arla Fearn
3. Good Lies
4. Good Lies (Outro)
5. Overmono feat. St. Panther - Walk Thru Water
6. Cold Blooded
7. Skulled
8. Sugarushhh
9. Calon
10. Is U https://www.youtube.com/watch?v=monJkVSJUQ0
11. Vermonly
12. So U Kno
13. Calling Out

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Tracklist:

01. Song With No Words
02. Offscreen
03. I Knew It — feat. Kate NV
04. Glance
05. How Are You — feat. Sessa (Como é que vai você)
06. Beige Days
07. Morning Moon (Lua da manhã)
08. Force of the Wind
09. Weather Report

Some records just stop you in your tracks. They resonate with you and feel instantly familiar like an old friend, even on the first listen. SOYUZ's third album ‘Force of the Wind’ is one of those records. It holds all the trademarks, beauty, and eccentricities of classic Brazilian recordings, from the 60s and 70s, that we have come to love. Think artists such as Milton Nascimento, Lô Borges, Burnier e Cartier, Arthur Verocai et al. But this record wasn’t made in Brazil and is in fact a brand-new release.

SOYUZ (which translates as 'union') is a creative collective from Minsk, Belarus, led by composer, arranger, and singer, Alex Chumak, multi-instrumentalist, Mikita Arlou, and drummer, Anton Nemahai. SOYUZ's previous albums explored and reimagined the legacy of jazz-oriented, non-English-language pop music of the 20th century. For their third album, there is a stronger focus, and it is influenced by 70s Música popular Brasileira and building bridges from it to present-day Belarus. Alex notes that from the moment he first encountered Brazilian music, he found in it a kind of concentrated emotion that felt as if it were familiar to him from his childhood. This non-verbal emotion and connection between the listener and musician echoes in the music, regardless of understanding of the language the album is recorded in.

‘Force of the Wind’ includes songs sung in Russian and Portuguese as well as instrumental compositions. Its musical palette is both acoustic and electroacoustic: rich warm Rhodes piano, soaring string arrangements, and a controlled drum swagger sounding both relaxed yet super tight. Alongside Alex's sublime vocals, that grace the majority of the tracks, the album features guest performances by multi-talented musician and vocalist Kate NV and rising Brazilian star, Sessa. Alex also recently arranged a number of tracks on Sessa's highly praised 2022 album 'Estrela Acesa'.

On the album, the trio is joined by a cast of friends; NY-based musician of Turkish origin percussionist, Cem Misirlioglu, classically trained composer, Simon Hanes, who aided with string arrangements and conducting the string players, Netherlands-based Brazilian multi-instrumentalist, Gabriel Milliet, on flutes. With the collaboration of these friends SOYUZ have created nine songs/suites that are subtle and plenitude and like the best albums, leave you aching for more.

‘Force of the Wind’ is an enigma, Brazilian yet not Brazilian, vintage yet still contemporary, out of sync with modern culture yet completely relevant and necessary.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

In their first bout of new music since 2022’s critically celebrated Mondays at Enfield Tennis Academy, Jeff Parker and his ETA IVtet find themselves exploring the depths of improvised jazz grooves on The Way Out of Easy.

Tracklist
1.1Freakadelic
1.2Late Autumn
2.1Easy Way Out
2.2Chrome Dome

Listen: https://listen.k7.com/3b02e2f5-05af-484c-8bbe-5645f87763dc

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Bloto’s bold 2020 debut brought forth three albums in just twelve months. This prolific creative burst, followed by an ongoing tour and involvement in other projects, meant fans had to wait over three years for the next release. During this time, new ideas took shape, and the vision for their fourth LP crystallized. The wait for Bloto's new album is nearly over. As always, autumn signals the arrival of Grzybnia (Mycelium).

The idea for the album had been simmering within the band since the release of Kwasy i zasady and finally took shape in early 2023 at Warsaw's Studio Pasterka, under Piotr Zabrodzki's guidance. It was the group's most fruitful session, resulting in two singles, Szlam / Scieki and Bakteria, as well as material for an EP to be released next year.
The seemingly chemical title of Kwasy i zasady (Acids and Bases) referred to interpersonal relationships, describing traits that prevent harmony and reflecting the polarization of modern societies. The metaphor of Grzybnia (Mycelium) goes further, emphasizing cooperation as a skill that yields diverse results, both good and bad. Above all, it underscores the power of collective action.

In a fragmented, unstable world, mycelium offers a powerful model. It thrives in degraded, lifeless environments created by humans. Cooperation benefits all parties involved, where each contributes something and receives something in return. Mycelium forms a symbiotic relationship with certain tree species through mycorrhiza, where roots and mycelium exchange life-sustaining substances, benefiting both. This cooperation is key to survival and growth.

Like a mushroom that dies, yet whose mycelium endures, Bloto’s music is an organic and evolving force. The band operates much like mycelium itself, drawing on cultural products and transforming them into new forms. The collaboration of Latarnik, Cancer G, Wuja HZG, and OlafSaxx produces surprising combinations, resulting in music that blurs the lines between genres like jazz, house, techno, and improvisation.

A1 - Lysiczka
A2 - Kozak
A3 - Shiitake
A4 - Boczniak
A5 - Prawdziwek
B1 - Podostroma
B2 - Muchomor
B3 - Szatan
B4 - Zaslonak

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

This is Mulatu Astatke’s protege and Ethiopian saxophonist and composer Jorga Mesfin’s debut album. It’s a long foray into Ethio-jazz that takes this courageous syncretism further by fusing spiritual experimentation with bits from all kinds of situations in Ethiopian music, jazz music, and specifically Ethiopian jazz music that precedes it.

Jorga Mesfin is widely regarded as one of the most talented contemporary musicians and composers in Ethiopia. He started his professional career at the young age of 17 and has since collaborated with numerous renowned artists, including Tsegaye Gebremedhin, Carolyn Beard Withlow, The Last Poets, Vijay Iyer, Wayna Wondossen, Kirk Whalum, Takana Miyamoto, Gizze Reggae band, Dionne Farris, Aster Aweke, Mahmoud Ahmed, and Mulatu Astatke. Additionally, Mesfin was a resident at Astatke's legendary African Jazz Village in Addis Ababa every Thursday.

Jorga Mesfin is the founder of the Ethio-jazz group called Wudasse. He composed the music for the epic Ethiopian film "Teza" directed by Haile Gerima. His work on the film earned him the Best Music Award at the 22nd Carthage Film Festival and Best Composition at the 5th Dubai International Film Festival.

Muzikawi is a record label, music publisher, studio, artist management, and event organizer based in Addis Ababa and Stockholm. With extensive experience in curating and representing artists from all regions, Muzikawi has a deep understanding and appreciation of Ethiopia's culture.

A1 - Thanksgiving
A2 - The Portal
A3 - Longing
A4 - Pilgrimage
B1 - The Kindest One
B2 - Tizita
B3 - Spring Water
B4 - Ye Abay Gizo

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

UK supergroup Flock return with their anticipated sophomore album ‘Flock II’. Comprising an exceptional line-up featuring Bex Burch (fresh from her debut solo album on International Anthem), Sarathy Korwar, Tamar Osborn (Collocutor, Dele Sosimi, Unknown To Known), Danalogue (The Comet Is Coming / Soccer96) and Al MacSween (Kefaya), the new recordings showcase Flock’s ability to push the boundaries of the composition process and craft unique tracks based on their collective spirit.

Tracklist
1.1Druidstone Incantation
1.2Turned Skyward
1.3Cat's Paws Effect
1.4Meet Your Shadow
1.5Large Magellanic Cloud
1.6No One Is Spared Who Goes Down The Deep Well
1.7Dance Until You Shatter Yourself
1.8A Thousand Miles Lost
1.9Capillary Waves
1.10Edge Of Empty

listen: https://listen.k7.com/9203b88a-600b-45e1-9345-af6c0e0943d9

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More