Transversales Disques proudly presents PANORAMA, an excursion through rare French soundtracks & other rarities mostly never reissued or compiled.
11 forgotten nuggets recorded between 1969 and 1980 by famous masters like Francis Lai, Alain Goraguer and Michel Magne alongside underrated composers like Jean Schwarz, Christian Gaubert or Maurice Lecoeur. A cinematic journey overflowing with moody strings arrangements, funky drum breaks, typical French basslines and psyched atmospheres.

Deluxe Tip-On jacket LP including exclusive and extensive liner notes.
Vinyl Only / No Digital
Remastered from the original master tapes

A1 - Christian Gaubert & Gilbert Becaud - The Organization
A2 - Christophe - Le dernier des mauvais jours
A3 - André Popp - Sweet Mary
A4 - Michel Magne - Prophets (Instrumental)
A5 - Jean Schwarz - FInal Maison Rouge
B1 - Vladimir Cosma - Menuet Spacial
B2 - Francis Lai - Thème de Simon
B3 - Jacky Chalard - L'agonie
B4 - Maurice Lecoeur - Conte au fil de l'eau
B5 - Janko Nilovic - Mouvements aquatiles
B6 - Alain Goraguer - La vie sentimentale More

Transversales Disques proudly presents Alain Goraguer Rare Soundtracks & Lost Tapes.
French composer Alain Goraguer who first made a name for himself as a sideman and arranger for Serge Gainsbourg wrote very few soundtracks, but amongst them, the legendary La Planète Sauvage (1973) is an absolute staple of France’s essential music.

During that same period of time, Goraguer wrote two rare and beautiful scores using the same masterclass arrangements. On L’Affaire Dominici (1975), Alain Goraguer creates a theme of great melodic clarity from a palette of breathy flutes, clavinet D6 baroque textures, wah-wah guitars and slow-paced drums that clearly reminds La Planete Sauvage’s atmosphere. The same can be said about the score of Au delà de la peur (1975) with its descending clavinet melody, twanging bass riff, funky drums and flashes of bended electric guitars. This record also includes never before released tracks found in the vaults of French national radio: beautiful and timeless orchestral compositions recorded at Studio 105, Maison de la radio.

REMASTERED FROM THE ORIGINAL MASTER TAPES

A1 - L’affaire Dominici
A2 - Enquête
A3 - Thème principal
A4 - Procès
A5 - Thème guitare
A6 - Thème orchestre
A7 - Générique
B1 - Un homme traqué
B2 - Au-delà de la peur
B3 - Nostalgie d’un amour imaginaire
B4 - Rêverie
B5 - Recherche nostalgique More

Transversales proudly presents the first LP reissue of “Les granges brûlées”, original soundtrack written and performed
by Jean-Michel Jarre shortly after his work experience at G.R.M (Groupe de Recherches Musicales). Probably one the first
ever electronic music score, recorded with very scanty means: a VCS3 synthesizer, a Farsifa organ and three synchronized
Revox tape recorders. Director Jean Chapot, who understood immediately the interest in the gap between this hyper
classical rural thriller and this groundbreaking music, let Jarre absolutely free to compose. Built up around several melodic
leitmotifs, the score of “Les granges brûlées” allowed Jarre to pursue his personal research: to bridge the gap between
experimental music and pop music.
This deluxe reissue also contains the bonus track “Happiness Is a Sad Song” composed during Jarre's time at the G.R.M.
“Aphex Twin

TRACKLIST:
A1. La chanson des granges brûlées
A2. Le pays de Rose
A3. L'hélicoptère
A4. Une morte dans la neige
A5. Le juge
A6. Le car / Le chasse-neige
A7. Thème de l'argent
A8. Rose
A9. Zig-Zag
B1. Hésitation
B2. La perquisition et les paysans
B3. Reconstitution
B4. Les granges brûlées
B5. Descente au village
B6. La vérité
B7. Générique
B8. Happiness Is a Sad Song* More

After more than 45 years forgotten in the personal archives of Jean Schwarz, Transversales Disques is very happy to release this previously unpublished recording which brings together the great Don Cherry and his friend, composer Jean Schwarz, pioneer in electro-acoustic music and member of G.R.M.
This concert was recorded in 1977 at the Paris MIX festival (Théatre Récamier) organised by G.R.M and hosted by director François Bayle. An elegant mix of spiritual jazz and electronic sounds around this astounding quintet made up of JF Jenny Clark, Nana Vasconcelos and Michel Portal.
Remastered from the original master tapes. Exclusive pictures and liner notes

A1 - Intro
A2 - Doussn' Gouni - Part 1
A3 - Doussn' Gouni - Part 2
A4 - Bells One
B1 - BellsTwo
B2 - Berimbau
B3 - Whistles
B4 - Theme 1
B5 - Bando
B6 - Tribute to Ornette More

Transversales Disques proudly presents Ahmad Jamal Trio, Live in Paris 1971. Never heard before ORTF recordings performed live at studio 104, Maison de la Radio, Paris. This is the first official release with the full permission and cooperation of the National Audiovisual Institute (INA) coming in a Deluxe Edition - Classic Tip-On Jacket. Including exclusive pictures. Mastered from the original master tapes.

« While be-bop musicians practise one-upmanship in terms of speed, Ahmad Jamal develops a crystal-clear touch and praises silence: "I was an angel among devils! The boppers made notes explode. I let them resonate until the end of their lives".
A reputation as an artist on the fringes perhaps explains this lack of fame he suffered at one time. But despite the great whirlwind that is his life, Ahmad Jamal declares that he is searching for peace: "The quest is that of musical and internal peace. I cannot acknowledge that I am at peace, it would be dangerous to show it. A man at peace with himself doesn't say so".

If you cannot say it, you can hear it, especially during his first concert in Paris in a trio. Here we are transported to the upper echelons of the art of the trio: the master of the piano, in studio 104 of Broadcasting House, is surrounded by brilliant accomplices, Jamil Nasser on double bass and Frank Gant on drums... » (Jérôme Badini, France Musique).

TRACKLIST:

A1. Bogota
B1. Manhattan Reflections
B2. Effendi More

Transversales Disques is very glad to announce the release of Solitude Transit
unpublished archives by electroacoustic music pioneer Luc Ferrari. Music composed for
contemporary dance, choregraphed by Anne-Marie Reynaud.
Affiliated with French Radio’s Groupe de Musique Concrète, co-founder of the GRM with
Pierre Schaeffer in 1958, Luc Ferrari (1929-2005) major figure of musique concrète and
electroacoustic music broke away to pave his own path of individualistic expressions of
minimalist music, musical theater, field recordings, orchestral music and soundtracks…

TRACKLIST:
A1. Roman de Gare
B1. Ligne de Fuite
B2. On Part chez Marie-Christine More

Maurice Lecoeur could be considered as France’s best kept secret composer. Although
hardly known outside of « digging-nerds » circles, he produced an incredible number of
themes for movies, TV programs and commercials. Inspired by his friend and mentor
François de Roubaix, he managed to create his own print, juggling freely with genres,
harmonies, tonalities and string arrangements.
This fine compilation gathers together the cream of his 70s-to-mid-80s work ; a journey
overflowing with pop fantasies, crazy drum-breaks and beautiful orchestral themes.
Most of these magnetic tapes are totally unrealeased and could have burned in the terrible
fire that devastated Lecoeur’s home studio in the early 90’s. For fans of Jean Claude Vannier,
Michel Colombier, François De Roubaix and Janco Nilovic…

TRACKLIST:

A1. Faux suspense
A2. L'Or rouge, richesse Du Zaire
A3. Le soleil qui rit rouge - maquette
A4. Les petites filles modèles
A5. Donne-moi la terre
A6. Lualaba, source d’énergie
A7. Fair Pale Sweet and Nice
A8. Safari au Kivu thème 1
A9. Évocation du Shaba
A10. Bayou
A11. Safari au Kivu thème 2
B1. Sans préméditation
B2. Le ballet inachevé
B3. Les bijoux de famille, thème
B4. Mélodie retrouvée
B5. Tartares
B6. La rage de lire
B7. Le vin des Carpathes
B8. Les bijoux de famille, thème 2
B9. Chili
B10. L'oeil de la nuit
B11. Madame Holle More

Transversales Disques proudly presents Pharoah Sanders - Live in Paris (1975).

A never-before-released ORTF recording performed live at studio 104, Maison de la Radio, Paris. First official release with the full permission and cooperation of the National Audiovisual Institute.

Deluxe edition, Classic Tip-On Gatefold jacket, including exclusive liner notes and pictures. Mastered from the original master tapes
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Transversales Disques presents KSHATRYA, (The Eye Of The Bird), never released before recording by french avant-garde electronic composer Igor Wakhevitch, who composed a bunch of major experimental albums in the 70’s such as Logos, Docteur Faust, Hathor, Les Fous d'Or, Nagual and Let's Start.
During this 10 years period, Wakhevitch was close to Jean-Michel Jarre, the Pink Floyd, the Soft-Machine, and legendary choreographer Maurice Bejart having with him many conversations around dance and music, human body and soul, spiritual path, collective life, new society, human evolution. As a composer Igor Wakhevitch collaborated with Salvador Dali, Carolyn Carlson, and Terry Riley to name a few. He's considered as one of the first French composer using synthesizers like Synthi AKS, ARP2600 or Moog modular systems.
After spending almost 30 years in India, Igor Wakhevitch dug in his archives this unreleased work recorded in 1999 on his “Mysterious Island 88” system. Esotheric, sacred and cosmic, KSHATRYA, (The Eye Of The Bird) is the logical follow up of Igor’s early works and a monumental piece of electronic music. A must!
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Transversales Disques presents KSHATRYA, (The Eye Of The Bird), never released before recording by french avant-garde electronic composer Igor Wakhevitch, who composed a bunch of major experimental albums in the 70’s such as Logos, Docteur Faust, Hathor, Les Fous d'Or, Nagual and Let's Start.
During this 10 years period, Wakhevitch was close to Jean-Michel Jarre, the Pink Floyd, the Soft-Machine, and legendary choreographer Maurice Bejart having with him many conversations around dance and music, human body and soul, spiritual path, collective life, new society, human evolution. As a composer Igor Wakhevitch collaborated with Salvador Dali, Carolyn Carlson, and Terry Riley to name a few. He's considered as one of the first French composer using synthesizers like Synthi AKS, ARP2600 or Moog modular systems.
After spending almost 30 years in India, Igor Wakhevitch dug in his archives this unreleased work recorded in 1999 on his “Mysterious Island 88” system. Esotheric, sacred and cosmic, KSHATRYA, (The Eye Of The Bird) is the logical follow up of Igor’s early works and a monumental piece of electronic music. A must!
More

The newly discovered and unreleased concert from 1975 recorded by the Philip Glass Sextet at La Maison de la Radio, Paris.
The sextet is composed of Philip Glass, Jon Gibson, Dickie Landry, Michael Riesman, Joan La Barbara and Richard Peck.
Music in Twelve Parts is a set of twelve pieces written between 1971 and 1974. This performance in France includes part 1, 2, 3, 11 and 12 on a double LP.
Also included a very rare Philip Glass interview from 1974 in his NYC loft during the rehearsals of this piece, produced for the French radio by Daniel Caux - musicologist and co-founder of Shandar Records.
A never before released –Philip GLASS (1975) live recordings, released in partnership with the National Audiovisual Institute – INA.
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Rare 1979 recording of Bernard Baschet performing on his Sound Sculptures. The Baschet brothers are known worldwide as creators of Sound Sculptures, fantastic shapes of moulded metal and glass, which combine the visual arts with music. François Baschet had always been fascinated by acoustics, by the relationships between the shape and material of an instrument and the beauty of its sound. Bernard Baschet was passionately interested in contemporary music and firmly believed that such instruments were the proper tools for modern music, for they offered to the artist and performer a personal means of expression denied by electronic devices. Together the brothers began to design and produce Sound Sculptures, which could also be regarded as musical instruments. Circa 1965, Bernard worked alongside Pierre Schaeffer as a member of the GRM (Musical Research Group) on the elaboration of what was to become Schaeffer’s Traité des objets musicaux (Treatise on Musical Objects).
The Baschet brothers also created structures and instruments of all sizes, including bell towers, windmills and fountains, using the natural elements of wind and water to make music. Bernard Baschet was especially proud of his pedagogical work amongst deprived and handicapped children, with the instrumentaium made up of fourteen pieces.
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First reissue of this essential LP by Italian pioneer and Ennio Morricone cohort, Alessandro Alessandroni. Originaly released on Munich based experimental, progressive library label Coloursound. Alessandroni at his best: very refined Italian cinematic sound, tense 12 strings guitar themes, synth sequences, beautiful sound of chamber classical music mixed with psych choir. You can feel Alessandroni’s magical touch for melodies and arrangements on nearly each song and at the same time, some François de Roubaix reminiscence on themes like "Dramatic" and "Sad Farewell".
No doubt each track of this underrated masterpiece could have been a classic soundtrack theme.
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Ulterior Motives launch their main label with a single from DJ Persuasion, featuring a Liftin’ Spirits remix from Ant Miles. The label, which is helmed by DJ and producer Noah Tucker, began life in 2021 with an anonymous edit of a much-loved underground hip hop gem. Two further 12”s in the white label series followed along similar lines, joining the dots between jungle, footwork and r’n’b in UM style. Since then, they have also launched their cassette series with a Metrist mix covering golden era tech step and d’n’b.

DJ Persuasion is principally known for A History Of Hardcore, a series of ten mixes covering ’88-’98 which appeared across a number of platforms between 2015 and 2020. Certain entries in the series appeared on cassette via The Trilogy Tapes, Blackest Ever Black (Id Mud) and Tape Echo. Persuasion also hosted the NTS Demon Poetry show (now the Drum Poetry show) for some years, and contributed In Focus sessions covering the work of Dillinja and LTJ Bukem, alongside Dev:Null.

Jameela EP covers four contrasting, but also concentric areas of the hardcore continuum, featuring a remix from Liftin’ Spirits aka Ant Miles of Origin Unknown. The title track rolls out at bleeding edge jungle hardcore tempo, taking in a mixture of familiar and unfamiliar references. Liftin’ Spirits contributes a standout remix which reframes Jameela as a drum’n’bass epic, opening with a panoramic intro and a quaking bass drop, then building to soaring strings. Robin Gets Revenge is an audial intervention into one of the last remaining unsolved mysteries in acid house, and a stomping 89’-’90 style jammer to boot. The B2 finds Jameela in a slower guise, offering something for after the club and the warm up. More

Tracklisting
A1 Tim Reaper - Energy Movements
A2 Tim Reaper - The Juggernaut
B1 Tim Reaper - World Of Shadows
B2 Tim Reaper - Fusebox More

Tracklisting
A1 Exos - Infrared
B1 Exos - Kaldur Klaki
B2 Exos - The Bad

Sales Note
Exos inaugurates the new sub-label on SHDW's Mutual Rytm with four 90s techno cuts, with offshoot imprint X building on the main imprint's DJ-friendly tools to delve deeper into a broader spectrum of electronic music.

Founded in 2022, SHDW's Mutual Rytm label has quickly become one of techno's most supported labels, with wide-reaching love and well-earned hype following a series of carefully curated VA offerings and solo EPs from a wealth of the scene's best. Continuing to push the pace, with more records capturing high-quality, fresh soundscapes, April brings a new project to the mix with the launch of a new sub-label X, with techno pioneer Exos drafted to deliver the first instalment.

Hailing from Iceland, the Planet X boss is a master of crafting perfect dancefloor weaponry. Over the last twenty years, his high-octane sounds have come via vital labels like Figure and X/OZ, never failing to make an impact with both DJs and dancers. Whether dubby or hard, his techno is always authentic and channels the purity of the 90s sound, and he brings this signature sound to four fresh productions across his 'Infrared' EP, marking an impressive debut for both label and artist.

The title cut 'Infrared' opens up the package in style and showcases a track that looks set to be a go-to anthem for many in the months ahead. With searing synth lines and drilling bass, the blistering production delivers a thrilling, high-impact techno sound that will devastate the dancefloor. The well-designed 'Kaldur Klaki' ups the ante even more with tightly coiled loops of drums, rusty hi-hats and stuttering synth lines that canter along with a muscular feel. 'The Bad' is twitchy and paranoid, anxiety-riddled techno that is perfect for dark warehouses and freaky dancers before digital bonus 'DS4BR' lands with a more stripped-back aesthetic with dubby undercurrents and static electricity fizzing across the face of the cut.

Each of the releases on Mutual Rytm X will be available on limited edition, coloured 10" vinyl, hence the Roman numeral X, and Exos' 'Infrared' EP kicks off the series on 19th April ahead of a new wave of killer releases scheduled across 2024.


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Spandau’s Dajusch debuts on Dance Trax with 3 tracks of high octane techno-jak-trax - road tested in clubs worldwide to full effekt! More

Tracklisting
A1 Diskop - Da Hooly
B1 Diskop - Sharp Shooter

Sales Note
Diskop & Pan4ez made two killer edits on old bangers. Check this sound! More

For their second release of 2023, T4T LUV NRG present the “Temptation E.P.” by breakout L.A. based producer and DJ Introspekt. Between sets at West Coast renegades, Introspekt has caught the attention of DJs the world over with her heavy and beautifully crafted UKG productions on Gimme A Break and Shall Not Fade, including a forthcoming release on Interplanetary Criminal’s compilation for Locked On. T4T LUV NRG label heads Octo Octa and Eris Drew were introduced to Introspekt through Bored Lord and eagerly signed the Temptation e.p. on a first listen, already having been fans of her music. Their imaginations were immediately captured by this U.S. artist’s fresh take on UKG, which borrows certain motifs from Ballroom culture and classic house sounds. All of the tracks on “Temptation” utterly rip in a playful way but they also have a genuine emotion and narrative that Introspekt weaves through all the swingin’ beats and bass. We can’t wait to hear these juicy tunes work the bins over the coming months! More

Tracklisting:
A1 Denham Audio - Feel The Panic
A2 Denham Audio - Volt
B1 Denham Audio - Bobby Wobbler
B2 Denham Audio - Check 1
B3 Denham Audio - Check 1 (Maruwa remix)

Sales Note:
Sheffield-based Denham Audio make their Lobster Theremin debut with an incredible 5 tracker of breaks and bass, backed with a club-fuelled remix from Maruwa.

EP opener 'Feel The Panic' sets the pace, crunchy drums with scorching acid basslines and old rave esque vocal hooks, merging into a dancefloor driven weapon. 'Volt' injects a punch, chopped up drum sequences with floating vocals and pulsating synth lines, one for the early hours of the dance.

On the flip side Denham Audio leads with a drum driven roller 'Bobby Wobbler', breaks and beats soar and transform into a weighty number.

'Check 1' blends classic rave esque sound pallets with punchy kick drums and clean, crisp synth lines. Maruwa's remix of 'Check 1' showcases her incredible ability to create productions destined to do the business in the clubs, hands in the air pads play gracefully with the drum elements from the original production.

This one is for the ravers. More

Ben Klock introduces Greek-grown, Moscow-based artist Stef Mendesidis for the next Klockworks release. Mendesidis delivers 3 original tracks utilising solely analogue gear to produce soundscapes inspired by cinematic scenes.
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Today Chicago-based percussionist, composer and producer Makaya McCraven announces the details of his new album In These Times, which is set for release on September 23rd via International Anthem / Nonesuch / XL Recordings. The first offering from the new album is a song tiled "Seventh String," which encapsulates the various musical dimensions present on McCraven's new album, a career-defining body of work that is a remarkable new peak for the already-soaring McCraven. In These Times is a collection of polytemporal compositions inspired as much by broader cultural struggles as McCraven's personal experience as a product of a multinational, working class musician community. It's the recording that he's been trying to create for 7+ years, as it's been consistently in process in the background while he's put forth a prolific run of releases including: In The Moment (2015), Highly Rare (2017), Where We Come From (2018), Universal Beings (2018), We're New Again (2020), Universal Beings E&F Sides (2020), and Deciphering the Message (2021). With contributions from over a dozen musicians and creative partners from his tight-knit circle of collaborators - including Jeff Parker, Junius Paul, Brandee Younger, Joel Ross, and Marquis Hill - the music was recorded in five different studios and four live performance spaces while McCraven engaged in extensive post-production work at home. Featuring orchestral, large ensemble arrangements interwoven with the signature "organic beat music" sound that's become his signature, the album is an evolution and a milestone for McCraven, the producer. But moreover, it's the strongest and clearest statement we've yet to hear from McCraven, the composer. Profiled in the New York Times, Vice, Pitchfork, Rolling Stone, the Guardian, and NPR, among other publications, Makaya and the music he makes today is what Passion of Weiss explains, "is part of a necessary conversation about the next evolution of the Black improvised music known colloquially as 'jazz.' He's found the threads connecting the past with the present, and is either wrapping them with new colors and textures, or he's plucking them gleefully like the strings of a grand instrument." McCraven, who has been aptly called a "cultural synthesizer" and "beat scientist," has a unique gift for collapsing space, destroying borders and blending past, present, and future into poly-textural arrangements of post-genre, jazz-rooted 21st century folk music. In These Times encompasses his artistic ethos, his experiences, identity and lineage, while pushing his music to new heights. More