Transversales Disques proudly presents Thelonious Monk / Live in Paris (1966).
LOST ORTF RECORDINGS. A unique pianist and composer, Thelonious Monk (1917-1982) is one of the greatest jazz legends of all time. Thelonious is surrounded by his legendary quartet featuring Charlie Rouse (saxophone ténor), Larry Gales (bass),and Ben Riley (drum).
First ever official release of this lost ORTF recording performed live in Paris at Studio 104, Maison de la Radio.Release with the full permission and cooperation of the National Audiovisual Institute (INA).
Deluxe Tip-On Jacket / Exclusive Liner notes

A1 - I Love You (Sweetheart Of All My Dreams)
A2 - Lulu's Back In Town
A3 - Just a Gigolo
B1 - I'm Getting Sentimental Over You
B2 - Crepuscule With Nellie
B3 - Epistrophy

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Transversales Disques proudly presents Alain Goraguer Rare Soundtracks & Lost Tapes.
French composer Alain Goraguer who first made a name for himself as a sideman and arranger for Serge Gainsbourg wrote very few soundtracks, but amongst them, the legendary La Planète Sauvage (1973) is an absolute staple of France’s essential music.

During that same period of time, Goraguer wrote two rare and beautiful scores using the same masterclass arrangements. On L’Affaire Dominici (1975), Alain Goraguer creates a theme of great melodic clarity from a palette of breathy flutes, clavinet D6 baroque textures, wah-wah guitars and slow-paced drums that clearly reminds La Planete Sauvage’s atmosphere. The same can be said about the score of Au delà de la peur (1975) with its descending clavinet melody, twanging bass riff, funky drums and flashes of bended electric guitars. This record also includes never before released tracks found in the vaults of French national radio: beautiful and timeless orchestral compositions recorded at Studio 105, Maison de la radio.

REMASTERED FROM THE ORIGINAL MASTER TAPES

A1 - L’affaire Dominici
A2 - Enquête
A3 - Thème principal
A4 - Procès
A5 - Thème guitare
A6 - Thème orchestre
A7 - Générique
B1 - Un homme traqué
B2 - Au-delà de la peur
B3 - Nostalgie d’un amour imaginaire
B4 - Rêverie
B5 - Recherche nostalgique

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Transversales Disques proudly presents Rahsaan Roland Kirk - Live in Paris (1970).

Gifted multi-instrumentalist Rahsaan Roland Kirk at the height of his powers, backed by his Vibration Society, including long-term cohorts pianist Ron Burton, powerhouse percussionist Joe Habao Texidor, Dick Griffin on trombone, drummer Jerome Cooper and Vernon Martin on Double Bass. First ever official reissue of this rare ORTF recording performed live at studio 104, Maison de la Radio Paris, with the full permission and cooperation of the National Audiovisual Institute (INA).

Deluxe edition, Classic Tip-On jacket, including exclusive liner notes and pictures. Mastered from the original master tapes.

A1 - Sweet Fire
A2 - The Inflated Tear
B1 - Three For The Festival
B2 - My Cherie Amour
B3 - Volunteered Slavery

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Transversales proudly presents the first LP reissue of “Les granges brûlées”, original soundtrack written and performed
by Jean-Michel Jarre shortly after his work experience at G.R.M (Groupe de Recherches Musicales). Probably one the first
ever electronic music score, recorded with very scanty means: a VCS3 synthesizer, a Farsifa organ and three synchronized
Revox tape recorders. Director Jean Chapot, who understood immediately the interest in the gap between this hyper
classical rural thriller and this groundbreaking music, let Jarre absolutely free to compose. Built up around several melodic
leitmotifs, the score of “Les granges brûlées” allowed Jarre to pursue his personal research: to bridge the gap between
experimental music and pop music.
This deluxe reissue also contains the bonus track “Happiness Is a Sad Song” composed during Jarre's time at the G.R.M.
“Aphex Twin

TRACKLIST:
A1. La chanson des granges brûlées
A2. Le pays de Rose
A3. L'hélicoptère
A4. Une morte dans la neige
A5. Le juge
A6. Le car / Le chasse-neige
A7. Thème de l'argent
A8. Rose
A9. Zig-Zag
B1. Hésitation
B2. La perquisition et les paysans
B3. Reconstitution
B4. Les granges brûlées
B5. Descente au village
B6. La vérité
B7. Générique
B8. Happiness Is a Sad Song*

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After more than 45 years forgotten in the personal archives of Jean Schwarz, Transversales Disques is very happy to release this previously unpublished recording which brings together the great Don Cherry and his friend, composer Jean Schwarz, pioneer in electro-acoustic music and member of G.R.M.
This concert was recorded in 1977 at the Paris MIX festival (Théatre Récamier) organised by G.R.M and hosted by director François Bayle. An elegant mix of spiritual jazz and electronic sounds around this astounding quintet made up of JF Jenny Clark, Nana Vasconcelos and Michel Portal.
Remastered from the original master tapes. Exclusive pictures and liner notes

A1 - Intro
A2 - Doussn' Gouni - Part 1
A3 - Doussn' Gouni - Part 2
A4 - Bells One
B1 - BellsTwo
B2 - Berimbau
B3 - Whistles
B4 - Theme 1
B5 - Bando
B6 - Tribute to Ornette

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Transversales Disques proudly presents Ahmad Jamal Trio, Live in Paris 1971. Never heard before ORTF recordings performed live at studio 104, Maison de la Radio, Paris. This is the first official release with the full permission and cooperation of the National Audiovisual Institute (INA) coming in a Deluxe Edition - Classic Tip-On Jacket. Including exclusive pictures. Mastered from the original master tapes.

« While be-bop musicians practise one-upmanship in terms of speed, Ahmad Jamal develops a crystal-clear touch and praises silence: "I was an angel among devils! The boppers made notes explode. I let them resonate until the end of their lives".
A reputation as an artist on the fringes perhaps explains this lack of fame he suffered at one time. But despite the great whirlwind that is his life, Ahmad Jamal declares that he is searching for peace: "The quest is that of musical and internal peace. I cannot acknowledge that I am at peace, it would be dangerous to show it. A man at peace with himself doesn't say so".

If you cannot say it, you can hear it, especially during his first concert in Paris in a trio. Here we are transported to the upper echelons of the art of the trio: the master of the piano, in studio 104 of Broadcasting House, is surrounded by brilliant accomplices, Jamil Nasser on double bass and Frank Gant on drums... » (Jérôme Badini, France Musique).

TRACKLIST:

A1. Bogota
B1. Manhattan Reflections
B2. Effendi

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Transversales Disques is very glad to announce the release of Solitude Transit
unpublished archives by electroacoustic music pioneer Luc Ferrari. Music composed for
contemporary dance, choregraphed by Anne-Marie Reynaud.
Affiliated with French Radio’s Groupe de Musique Concrète, co-founder of the GRM with
Pierre Schaeffer in 1958, Luc Ferrari (1929-2005) major figure of musique concrète and
electroacoustic music broke away to pave his own path of individualistic expressions of
minimalist music, musical theater, field recordings, orchestral music and soundtracks…

TRACKLIST:
A1. Roman de Gare
B1. Ligne de Fuite
B2. On Part chez Marie-Christine

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Maurice Lecoeur could be considered as France’s best kept secret composer. Although
hardly known outside of « digging-nerds » circles, he produced an incredible number of
themes for movies, TV programs and commercials. Inspired by his friend and mentor
François de Roubaix, he managed to create his own print, juggling freely with genres,
harmonies, tonalities and string arrangements.
This fine compilation gathers together the cream of his 70s-to-mid-80s work ; a journey
overflowing with pop fantasies, crazy drum-breaks and beautiful orchestral themes.
Most of these magnetic tapes are totally unrealeased and could have burned in the terrible
fire that devastated Lecoeur’s home studio in the early 90’s. For fans of Jean Claude Vannier,
Michel Colombier, François De Roubaix and Janco Nilovic…

TRACKLIST:

A1. Faux suspense
A2. L'Or rouge, richesse Du Zaire
A3. Le soleil qui rit rouge - maquette
A4. Les petites filles modèles
A5. Donne-moi la terre
A6. Lualaba, source d’énergie
A7. Fair Pale Sweet and Nice
A8. Safari au Kivu thème 1
A9. Évocation du Shaba
A10. Bayou
A11. Safari au Kivu thème 2
B1. Sans préméditation
B2. Le ballet inachevé
B3. Les bijoux de famille, thème
B4. Mélodie retrouvée
B5. Tartares
B6. La rage de lire
B7. Le vin des Carpathes
B8. Les bijoux de famille, thème 2
B9. Chili
B10. L'oeil de la nuit
B11. Madame Holle

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Transversales Disques proudly presents Pharoah Sanders - Live in Paris (1975).

A never-before-released ORTF recording performed live at studio 104, Maison de la Radio, Paris. First official release with the full permission and cooperation of the National Audiovisual Institute.

Deluxe edition, Classic Tip-On Gatefold jacket, including exclusive liner notes and pictures. Mastered from the original master tapes


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Transversales Disques presents KSHATRYA, (The Eye Of The Bird), never released before recording by french avant-garde electronic composer Igor Wakhevitch, who composed a bunch of major experimental albums in the 70’s such as Logos, Docteur Faust, Hathor, Les Fous d'Or, Nagual and Let's Start.
During this 10 years period, Wakhevitch was close to Jean-Michel Jarre, the Pink Floyd, the Soft-Machine, and legendary choreographer Maurice Bejart having with him many conversations around dance and music, human body and soul, spiritual path, collective life, new society, human evolution. As a composer Igor Wakhevitch collaborated with Salvador Dali, Carolyn Carlson, and Terry Riley to name a few. He's considered as one of the first French composer using synthesizers like Synthi AKS, ARP2600 or Moog modular systems.
After spending almost 30 years in India, Igor Wakhevitch dug in his archives this unreleased work recorded in 1999 on his “Mysterious Island 88” system. Esotheric, sacred and cosmic, KSHATRYA, (The Eye Of The Bird) is the logical follow up of Igor’s early works and a monumental piece of electronic music. A must!


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Transversales Disques presents KSHATRYA, (The Eye Of The Bird), never released before recording by french avant-garde electronic composer Igor Wakhevitch, who composed a bunch of major experimental albums in the 70’s such as Logos, Docteur Faust, Hathor, Les Fous d'Or, Nagual and Let's Start.
During this 10 years period, Wakhevitch was close to Jean-Michel Jarre, the Pink Floyd, the Soft-Machine, and legendary choreographer Maurice Bejart having with him many conversations around dance and music, human body and soul, spiritual path, collective life, new society, human evolution. As a composer Igor Wakhevitch collaborated with Salvador Dali, Carolyn Carlson, and Terry Riley to name a few. He's considered as one of the first French composer using synthesizers like Synthi AKS, ARP2600 or Moog modular systems.
After spending almost 30 years in India, Igor Wakhevitch dug in his archives this unreleased work recorded in 1999 on his “Mysterious Island 88” system. Esotheric, sacred and cosmic, KSHATRYA, (The Eye Of The Bird) is the logical follow up of Igor’s early works and a monumental piece of electronic music. A must!


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The newly discovered and unreleased concert from 1975 recorded by the Philip Glass Sextet at La Maison de la Radio, Paris.
The sextet is composed of Philip Glass, Jon Gibson, Dickie Landry, Michael Riesman, Joan La Barbara and Richard Peck.
Music in Twelve Parts is a set of twelve pieces written between 1971 and 1974. This performance in France includes part 1, 2, 3, 11 and 12 on a double LP.
Also included a very rare Philip Glass interview from 1974 in his NYC loft during the rehearsals of this piece, produced for the French radio by Daniel Caux - musicologist and co-founder of Shandar Records.
A never before released –Philip GLASS (1975) live recordings, released in partnership with the National Audiovisual Institute – INA.


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Rare 1979 recording of Bernard Baschet performing on his Sound Sculptures. The Baschet brothers are known worldwide as creators of Sound Sculptures, fantastic shapes of moulded metal and glass, which combine the visual arts with music. François Baschet had always been fascinated by acoustics, by the relationships between the shape and material of an instrument and the beauty of its sound. Bernard Baschet was passionately interested in contemporary music and firmly believed that such instruments were the proper tools for modern music, for they offered to the artist and performer a personal means of expression denied by electronic devices. Together the brothers began to design and produce Sound Sculptures, which could also be regarded as musical instruments. Circa 1965, Bernard worked alongside Pierre Schaeffer as a member of the GRM (Musical Research Group) on the elaboration of what was to become Schaeffer’s Traité des objets musicaux (Treatise on Musical Objects).
The Baschet brothers also created structures and instruments of all sizes, including bell towers, windmills and fountains, using the natural elements of wind and water to make music. Bernard Baschet was especially proud of his pedagogical work amongst deprived and handicapped children, with the instrumentaium made up of fourteen pieces.


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First reissue of this essential LP by Italian pioneer and Ennio Morricone cohort, Alessandro Alessandroni. Originaly released on Munich based experimental, progressive library label Coloursound. Alessandroni at his best: very refined Italian cinematic sound, tense 12 strings guitar themes, synth sequences, beautiful sound of chamber classical music mixed with psych choir. You can feel Alessandroni’s magical touch for melodies and arrangements on nearly each song and at the same time, some François de Roubaix reminiscence on themes like "Dramatic" and "Sad Farewell".
No doubt each track of this underrated masterpiece could have been a classic soundtrack theme.


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The next album in our Cuban Classics series is a hard one to pigeonhole. It’s a real oddity, unique and not in keeping with the majority of Cuban albums we know, but it's all the better for this. Coming courtesy of Juan Almeida, the Fantasia LP is an eclectic and epic, instrumental ride through Latin jazz-funk, trippy electronics and orchestrated classical music. Sounding at points like a full-blown orchestrated score to a dusty animated film extravaganza, with phrases and passages repeating like the appearance of ghostly spectres throughout the recording. At others, it busts into exotic funk, psychedelic-trippiness and Afro-Cuban percussion.

As rich and varied as the record, so too was Juan Almeida's (Juan Almeida Bosque) life. A descendant of African slaves born in a poor neighbourhood in Havana in 1927, Almeida went from bricklayer to university law student, through which he would meet Fidel Castro. He played a key role in the Cuban revolution, becoming the only black commander and famously voicing “Aqui no se rinde nadie!” (“Nobody here surrenders!”) when outnumbered at the start of the offensive. Castro would later make him one of his vice presidents, but Almeida’s legacy does not stop there. He also became the composer of over 300 popular Cuban songs, many of them recounting his days as a guerrilla.

Produced, orchestrated and conducted by Rafael Somavilla, who worked on a vast array of Cuban recordings including Raúl Gómez's Instrumental which we also reissued on Mr Bongo. The feel of Fantasia is big, luscious, grand and pop-classical. It has become a highly sought-after, cult Cuban rarity amongst collectors and like many great albums, every repeat listen brings with it new elements previously unnoticed. Such is its richness and depth. A truly mesmerising, off-the-beaten-track instrumental record.

The vinyl release is presented with a Cuban Classic Series OBI Strip.

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Repress!

New half-speed mastering!
Taken from the original Continental master tapes, transferred under supervision by Arthur Verocai. Original replica gatefold artwork.
A complete album masterpiece in every sense of the word, considered by many people to be one of the greatest ever made, regardless of genre.

Recorded at Studio Somil, Rio De Janeiro in 1972, the album was produced, arranged, directed by the self-taught, Arthur Verocai. Previously he had worked on many records in various capacities, with artists including Jorge Ben, Ivan Lins and Celia, but this album gave him the chance to do his thing in it’s most pure form.

The 29 minute masterpiece, perfect in it’s arrangement and fusion of sonics, epitomises the sound of Brazil at the time; strings, guitars, pianos, break beats, bass lines, synthesizers, vocals from the wonderful Célia, Carlos Dafe and Oberdan (Banda Black Rio), plus percussion from Pedro Santos and Paulo Moura on sax. Bossa nova, samba, jazz, MPB, psychedelics and funk sit side by side effortlessly.

The album transcends the genre of Brazilian music, and infact all genres. Highlighted in part by the number of artists that have sampled from it; MF Doom, Ludacris & Common, Little Brother, Jneiro Jarel aka Dr Who Dat?, Dibiase and Action Bronson amongst others.

The original Continental version of the album now fetch around $2000. Our definitive re-issue is an exact replica of the gatefold original LP and the source master is taken from the Continental tapes, re-mastered in 2012 under Arthur’s supervision.

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Repress!
One of the finest soul and funk releases of the past 18 months.” Clash Magazine

“Soothing, atmospheric, disquieting.” MOJO Magazine

“Wonderful deep grooves.” Shindig

There is something simultaneously both brand-new and retro about 'All News Is Good News’ - the debut album from Melbourne's instrumental soul group Surprise Chef. It sounds like something dreamt up by lo-fi cousins of David Axelrod and Janko Nilovic, with dramatic Library-music-esque cinematic arrangements echoing both light and dark, delving into moments of dissonance and positivity. There is a meticulous education of 1970’s soul on display that touches on the legacies of the great composer / producers, yet at the same time, this is a truly contemporary record that could have only been made now.

The first limited pressing of 'All News Is Good News’ was released on the band's own 'College Of Knowledge' imprint in November 2019. It slipped rapidly into the collective consciousness of underground music lovers around the world, with all copies selling out within a week and becoming a firm favourite at Mr Bongo HQ in the process. We felt Surprise Chef had made something very special, a future-classic, and that needed to be heard well beyond those lucky enough to have bagged those limited first copies.

Formed at the end of 2017, Surprise Chef have grown within the fertile, creative, and supportive Melbourne music scene. Whilst the band is comprised of four core members, the album features friends and family as guest instrumentalists on flute, saxophone, vibraphone, congas, and assorted percussion; all adeptly recorded by engineer Henry Jenkins from the band Karate Boogaloo. The warm-raw-authenticity of the album was captured in the recordings live to tape over a handful of sessions in the band’s home studio in Melbourne’s inner-northern suburb of Coburg. As band member Lachlan Stuckey explains “All of the music we record is tracked live to tape, simply because so many of the records we love most were made that way".

The results are a captivating journey of instrumental cinematic-soul that will connect with the hardened Axelrod, Truth & Soul, El Michels Affair, and Daptone's fans, as well as the open-minded first-time listener. We are very excited to share this first slice of Surprise Chef’s world, with plenty more magic from these guys coming around the corner very soon.

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Mike Dunn returns with his sought after disco, funk & soul re-edits in a new series all from his personal vault, tried and tested for dancefloors this summer. Hand stamped ltd 12" vinyl.

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Dark Entries celebrates its 15th anniversary by returning to where it all started, our initial darkest entry: Eleven Pond’s masterpiece Bas Relief, an ultra-obscure album from 1986 that would become a definitive dark pop holy grail. Eleven Pond was James Tabbi (vocals, acoustic guitar), Jeff Gallea (drum machine, synthesizer, vocals), Jack Schaeffer (guitar) and Dan Brumley (synthesizer, samples, vocoder, melodica). They met in Rochester, NY, while attending art school, brought together by their shared love of 4AD and Factory Records. Taking cues from acts like Joy Division, Fad Gadget, and For Against, Eleven Pond’s infectious basslines, churning guitar riffs, and atmospheric synths will charm all fans of moody music. But what really makes Bas Relief shine is the timeless songwriting on classics like “Tear and Cinnamon”, “Portugal”, and the anthemic “Watching Trees.”

With only 500 copies in it’s initial release, Bas Relief resurfaces with a fresh remaster that corrects a pitch shift from previous reissues. Each copy is housed in a screen printed jacket, like the 1986 edition, and includes a lyric sheet, two postcards and a bookmark. Bas Relief is a true lost relic of the cold 80’s and an essential piece Dark Entries history.

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there’s a nu name on the map. interloot strives to equip the delicate nightlife companion and savvy dancefloor connoisseur with heavy artillery. for their long-awaited debut they team up with the slick bavarian based decent rides who supply a versatile house infiltrated dance voyage. starting of with the title track »always a choice« the duo delivers an atmospheric synth heavy opening tune, that forcefully accelerates into a driving floorfilla. the following »stuff in space« gently makes its way through the groove with a moody percussive loop soon to be succeeded by a weighty electric baseline for proper pressure. after flipping sides »under the carpet« builds up on a stomping tribal infused percussion rhythm, steadily unfolding it’s raw and sweeping energy. the grand final is completed by well known berlin based producer johannes albert, contributing an uplifting take on »always a choice«. so now, choice is yours. cheers.

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Jaden Thompson returns to Crosstown Rebels with ‘Downtown’, with remixes from HoneyLuv and Ghoulish. Marking his first solo outing on the label following ‘Talking Walls’ alongside Seth Troxler, the fabric resident impresses once more following recent material on Classic Music Company, PIV and his own Midnight Parade imprint. A new school talent whose sound takes cues from Chicago while pointing to the future with forward-thinking allure and energy, Jaden Thompson’s ascent is well-documented, having been tipped by an endless list of industry heavyweights and global media outlets from an early age. Releasing on labels such as Cuttin’ Headz and Classic Music Company, amongst others, plus his own Midnight Parade imprint, Thompson’s sound and dynamic sets have seen the UK talent become a favourite for many while also hosting his ongoing Rinse FM show and curating mixes for the likes of Circoloco and Keinemusik through to Nike for it’s annual Air Max Day. Having made his label debut on Crosstown Rebels in 2022 with his standout collaboration ‘Talking Walls’ with Seth Troxler, Thompson now returns to Damian Lazarus’ legendary imprint as he serves up his first solo record on the label ‘Downtown’ - backed by remixes from surging US DJ/producer HoneyLuv and emerging UK talent Ghoulish, who makes his debut on the imprint. Merging various shades and sounds from across the electronic sphere, ‘Downtown’ brings vibrant vocals, energy-charged synths, and sharp metallic percussion, all balanced perfectly, to the fore. HoneyLuv’s remix brings jacking drums while warping the original’s vocals todeliver a peak-time interpretation before Ghoulish flips the script, utilising off-kilter drums and spiralling lasers amongst heavy low-ends.

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Reissue of the legendary album of Janko Nilovic , sampled by Dr Dre, Pop Smoke ... and more!
This album recorded in 1972 with around 40 musicians making up the cream of the studio orchestras of the time, remains a centerpiece of the composer's work.

A1 - Black On A White Ground
A2 - Giant Locomotion
A3 - Xenos Cosmos
B1 - Underground Session
B2 - Mouvements Aquatiles
B3 - The Savage Rose

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Repress!

Following the recent dip into the theo parrish archives that was the twin cities, Phil Weeks' Robsoul imprint looks to another one of Detroit's adopted sons in the form of Rick Wade. Like that recent Parrish reissue, Weeks re-releases another three tracks from wade's bulging discography. The upbeat disco loops of "Players Theme" was originally released on French label Funky Chocolate in 2002 and still sound fresher than anything being plied by the soundcloud dwellers today, while "Can't You See" from 2003 provides a more soulful take on house music. On the flip, the tracky funk and cascading string melodies of "I Feel Good" originally graced Wade's own Harmonie Park imprint in 1998, but sound no less vital today. Essential....

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