Groove charmer Route 8 spirals through the techyverse on his full Gestalt Records debut, unleashing a trident of dancefloor destruction, neatly wrapped with a stripped back Gearmaster remix on the B2.

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Bridging the gap between past and present, Framboisier lands on Gestalt Records with a jacking 4-tracker where tech and hardgroove lay the foundation for a new type of club sound.

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Repress!

Gestalt Records present the 4th installment of their Anniversary Sampler series, including brand new dancefloor cuts from Tywi, Route 8 and Reflex Blue, as well as a long-awaited reissue of 2 Trip 2gether’s 1995 classic, 'Same Trip'.

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Italian newcomers E.T.H (Italy) and Palmiz go head to head on Gestalt Record for a techy 4-track exploration, surfing between big room utility and heady club shuffle.

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The 31st installment on Gestalt Records comes from enterprising UK producer Utopian Streams who debuts with an ethereal 4-track EP, phasing through house, techno, breakbeat and electro.

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Gestalt Records is turning 5 so we've teamed up with Asphalt DJ & Gzardin, Opal Sunn, Salomo and Clint for the annual anniversary sampler, spanning 4 club-ready cuts of tech, acid and prog.

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Following a remix cameo on GST27, Biodive returns to Gestalt Records with 4 tracks of low-slung basslines, rhythmic melodies and fleeting vocals, covering an array of vogue dancefloor territories.

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Upcoming Melbourne producer, Michael 'Cybernet' Giese debuts on Gestalt Records with a blistering 4 track EP full of neo-noir-esque Goa, progressive trance, leftfield house and deep breakbeat.

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The 27th release on Gestalt Records comes from Manchester-based Aiden Francis, spanning three original cuts of driving techno and a levitating remix by South African producer Terrence Pearce aka Biodive.

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Dutch 303 aficionado Böhm lets his arsenal of bleeps and breaks loose on GST19. Released in collaboration with Echocentric Records and in addition to ECR005.

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We are glad to welcome talented producer Funktor with his debut EP "Emitter" for our 2nd release on Abstract Rhythm. His release contains 4 massive Electro tracks transforming electricity into machine funk heavy sound waves.

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Now repressed by popular demand! "The Trance Of Seven Colors" by master Gnawa musician MALEEM MAHMOUD GHANIA and free jazz legend PHAROAH SANDERS. Produced by BILL LASWELL and according to The Attic "one of the most important albums of Gnawa trance music released in the '90s". Originally released in 1994 on BILL LASWELL's AXIOM imprint, "The Trance Of Seven Colors" is the meeting of two true musical masters: MALEEM MAHMOUD GHANIA (1951 – 2015), son of the master of Gnawa music MALEEM BOUBKER GHANIAand the famous clairvoyant and "moqaddema" A'ISHA QABRAL, and a master of the traditional Gnawa style in his own right.MAHMOUD learned this craft as a youth along with his brothers, walking from village to village, performing ceremonies with his father BOUBKER and was one of the few masters (Maleem) who continued to practice the Gnawa tradition strictly for healing (the central ritual of the Gnawa is the trance music ceremony – with the purpose of healing or purification of the participants). With 30 cassette releases of music from the Gnawa repertoire with his own ensemble and performances at every major festival in Morocco, including performing for the King in various contexts, MAHMOUD GHANIA was also one of Morocco's most prominent professional musicians. In 1994, BILL LASWELL and PHAROAH SANDERS went to Mocrocco, equipped with just some mobile recording devices, to record GHANIA and a large ensemble of musicians (to a good part family members) in a very intimate set up at a private house with the legendary free jazz musician contributing his distinctive tenor saxophone sounds that gained him highest praise as a truely spiritual soul right from the days of playing with JOHN COLTRANE and his wife ALICE and on seminal solo albums like "Karma". The aptly titled "The Trance of Seven Colors" ranks among the best Gnawa recordings ever released, made it onto the list of "10 incredible percussive albums from around the world" by Thevinylfactory.com and is 25 years after its original CD release on finally available on vinyl!

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Fresh off his explosive Boiler Room performance in Liverpool, the dust is yet to settle from the electronic eruptions caused by GTOWN head-honcho and energy inducer, KETTAMA. Namely, the damage caused by his latest armoured artillery; ‘GTOWN004’, a radioactive EP with devastatingly euphoric consequences. ‘Samba Soccer 2001’ is the track that opens the door to ‘GTOWN004’, as we’re welcomed by an anonymous voice that insults the listener; a perfect introduction to a project that is wildly unapologetic in its character, and utterly ruthless in its delivery. Released as the first single from the ‘GTOWN004’ EP, ‘Samba Soccer 2001’ has already been greatly received by the GTOWN faithful, and sets the tone for what is arguably KETTAMA’s most complete, and anticipated project yet. The EP starts as it means to go on, as KETTAMA drops another bombshell with ‘Blitz Zuruck.’ With a euphoric soundscape which the producer partners with a punishing bassline, this track is deeply nostalgic, embodying a time-capsule in the thick of a modern rave-renaissance. Further elements of revamped rave-nostalgia are seen in ‘Slaap Lekker’, before we’re taken deep into the belly of the Galway beast with the atomic ‘GTOWN IN EFFEKT’, and finally killed off with the ‘Rock Da Cliffe Mix’ of ‘Blitz Zuruck.’ ‘GTOWN004’ features an ungodly blend of sounds, and in the process, creates an atmosphere that is both ecstatic enough for heaven, and sinister enough for hell. Purpose built for dance-floor destruction, KETTAMA’s infusion of stomach-churning bass, hypnagogic synthesisers, soulful vocals and contagious drum patterns result in an utterly pure, addictive sound. From Galway to Vienna, Liverpool to New York, the track will be road tested amongst an armoured artillery of records, with dance-floor devastation an inevitable outcome. With his name boldly imprinted on the lineups for the likes of AVA Festival in Belfast, CRSSD in Miami, 121 Festival in New Zealand and Terminal V Festival in Edinburgh, KETTAMA’s worldwide domination of sound-systems continues.

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The Full Circle Released imprint is here. Finally - some might say - as these Parisian Masterminds stoke their engines with a faster grade of fuel. Always in keeping with trend, these well-versed contemporary historians have delivered something fit for the peak of the moment, a progressive A side that surely crosses over; with a break in the beat, surges of euphoria and darker moments that harken back to the hard trance we knew, this number fills the Full Circle brief and more! The B side is a true dub, nestled in at just the right tempo, it sails on through with plenty of heavenly space about it, balanced with subtle percussion and just a pinch of sonic wonk. Those starting to panic about the speed of it all can of course just hit the 33 dial for some 1/2 speed love, it’s Full Circle after all.

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Label head honcho Alix Perez teams up with fellow New Zealand based producer DJ Headland on their mini LP 'Hellion'. Delivering eight heavyweight cuts that have been doing damage on sound systems across the world.


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Gudu Records is proud to present remixes of Special Request and Novelist’s grime-meets-techno Summer anthem ‘Sliver’ - by two of club music’s modern-day heavyweights in KETTAMA and Tim Reaper. In Special Request’s words: “I chose Tim Reaper and KETTAMA because they are both 100% top-table practitioners of machine funk. They both delivered the goods in completely different ways and illuminate new paths with this song. Both mixes have been causing havoc in our sets and I can’t wait for people to hear them.” Both remixes are out now on all platforms, with a limited 12” release available to pre-order now. It continues a stand-out 2023 for Peggy Gou’s record label, which has already seen releases from Special Request & Novelist, Mogwaa, Matisa, Hiver, Matrefakt and DMX Krew, as well as the inaugural entry in Gudu & Friends - a new annual compilation series which introduced Salamanda, Closet Yi, Lady Blacktronika and more to the roster.

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The SOUP collective return with their second manifestation of cultural reincarnation.

Four more soundsystem specific artefacts for the discerning dancer...


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