Reissued on CD and, for the first time, on vinyl on ESP-Disk'. Please see attached and below the announcement info for "Circular Temple" by the legendary Matthew Shipp Trio


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Reissued on CD and, for the first time, on vinyl on ESP-Disk'. Please see attached and below the announcement info for "Circular Temple" by the legendary Matthew Shipp Trio


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(2022 Japanese pressing, with obi, Clear vinyl) Part of the Deep Jazz Reality series! The popular work 'Leeward' is affectionately known as 'Mabumi's Fan' among fans. This is the second album recorded in 1978 by Mabumi Yamaguchi, a saxophonist who was active in the George Otsuka Group and the Colgen Band (later The Players).



TRACKLIST


A1. Dawn
A2. Dewdrop
B1. Distant Thunder

B2. Leeward


INFO

A bouncy groove. beautiful melody. Hard bop, jazz rock, fusion. No label can capture the essence of this work. The pure crystal is now shining once again.

The popular work 'Leeward' is affectionately known as 'Mabumi's Fan' among fans. This is the second album recorded in 1978 by Mabumi Yamaguchi, a saxophonist who was active in the George Otsuka Group and the Colgen Band (later The Players). The titles/themes of all four songs, ‘Dawn (Yoake),’ ‘Dewdrop (Tsuyu),’ “Distant Thunder (Enrai),’ and ‘Leeward (Kazashimo),’ unfold before your eyes as vivid images in harmony with the musicality.

A groove that combines dynamism and elasticity. A dignified yet beautiful melody that touches your heart. Hard bop, jazz rock, fusion. All of these apply, but none of them can tell you the essence of this work. It doesn't need any labels, it's just a pure masterpiece. – text by Yusuke Ogawa (universounds/Deep Jazz Reality)

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TRACK LISTING

A1. Opening theme
A2. Shiro
A3. Gilgamesh no Sakaba
A4. Boukensha no Yado
A5. Voltak Shouten
A6. Kant Jiin
B1. Machi Hazure
B2. Chika Meikyu
B3. Camp
B4.Sentou
B5. Zenmetsu
B6. Wardna
B7. Ninmu Kanryou


INFO

This masterpiece of game music is finally reissued on vinyl! Kentaro Haneda, a composer/arranger and pianist who boasts Japan, overdubbed a synthesizer in 1987 by playing directly by hand instead of typing. An album that transcends the boundaries of video game music, composed of symphonic songs.

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LP with obi. Akiro Ashikawa's 1975 Japanese jazz, rare groove masterpiece re-released on clear lime yellow color vinyl! The pleasure of feeling numb all over your body with a single drum beat. Akira Ishikawa, the super funky drummer born in Japan, runs through a wonderland of grooves!



TRACKLIST

A1.I've Got To Use My Imagination
A2.Bongo Rock
A3.Do It Til You're Satisfied
A4.Hey Jude
A5.El Condor Pasa
B1.Pick Up The Pieces
B2.Love Is The Answer
B3.I Shot The Sheriff
B4.Let's Start
B5.Boogie On Reggae Woman


INFO

Japanese jazz, rare groove masterpiece re-released on clear lime yellow color vinyl!

The pleasure of feeling numb all over your body with a single drum beat. Akira Ishikawa, the super funky drummer born in Japan, runs through a wonderland of grooves!

Akira Ishikawa is a super funky drummer born in Japan. His ability to freely explore and fuse jazz, rock, and African music to create a unique musicality has been highly praised in many fields. His career includes masterpieces from jazz rock to rare groove, but this work is especially beloved for its outstanding song selection and exciting musicality. "Let's Start" is a tight cover of Fela Kuti's Afro-funk, "Bongo Rock" is a dynamic song with drum breaks, and "Pick Up The Pieces" is a jazz-funk version of the Average White Band's classic song. It is full of amazing monster tunes that are hard to believe were recorded in 1975. Support from masters such as Kiyoshi Sugimoto, Hiromasa Suzuki, and Takeru Muraoka also shines.
text by Yusuke Ogawa (universounds/Deep Jazz Reality)

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(pressed on black vinyl, original released in 1975) Colorful, powerful and elegant. A watershed masterpiece that embraces before then and after that by Kiyoshi Sugimoto, the master of the era.

TRACKLIST

A1. Our Time
A2. Jones Street
B1. Take My Blues !!
B2. Quiet Pulse
B3. Marmalade Sky


INFO

Since turning professional in 1960, Kiyoshi Sugimoto has been active in many sessions and recordings. From the latter half of the 1960s, he joined groups such as Hideo Shiraki, Akira Ishikawa, and Terumasa Hino, gaining attention and solidifying his position with leader works such as “Country Dream” and “Babylonia Wind.” This work was recorded with Akira Ishikawa, Hiromasa Suzuki, Takao Uematsu and others right after studying in America for about a year. Starting with the groovy and luscious “Our Time” and “Marmalade Sky”, the dubious keyboards of “Jones Street”, and the melancholic and beautiful “Quiet Pulse”, it can be said to be a gap between jazz rock and fusion. There are attractive songs. This work represents Sugimoto’s work in the mid-1970s.

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(Gatefold 2LP with obi strip) This is a completely unreleased live recording from June 8, 1977

"The pleasure in listening to this was vast an unreleased trio recording by Ryo Fukui during these times of global pandemics this is the healing force we all need." Gilles Peterson

TRACKLIST

A1.Mellow Dream
B1.Speak Low
B2.Body And Soul

C1.Love For Sale
D1.Mr. P.C.
D2.My Foolish Heart

INO

This is a completely unreleased live recording from June 8, 1977.

The recording was made at the Sapporo live house “Vidro” by Masataka Ito, the producer of Fukui’s “Scenery” and “Mellow Dream”.

This is the performance of the Fukui Trio at that time, but at the same time, it has an overwhelming amount of heat and freshness that you don’t find in-studio recordings, and it is very exciting. Not to mention the brilliant 16-minute “Mellow Dream”, the dynamic “Speak Low”, the lustrous “Body & Soul”, the galloping “Love For Sale”, the profound “Mr. P.C.”, and the spilling “My Foolish Heart”. It was an amazing performance.

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(clear pink color vinyl / LP with OBI) Fresh reissued magic of Funky Stuff, formerly a rare exquisite by jazzmaster Jiro Inagaki, originally released in 1975. An enduring, pioneering fusion of jazz, funk, soul and rock - the album features some of the best and most acclaimed Japanese musicians of the time, enlisting the talent-wares of Hiromasa Suzuki on keyboards, Akira Ishikawa on drums and Takeru Muraoka on sax.



TRACKLIST

A1. Painted Paradise
A2. Funky Motion
A3. Breeze
A4. Scratch
B1. Funky Stuff
B2. One For Jiro
B3. Gentle Wave
B4. Four Up


INFO

Fresh reissued magic of Funky Stuff, formerly a rare exquisite by jazzmaster Jiro Inagaki, originally released in 1975. An enduring, pioneering fusion of jazz, funk, soul and rock - with influences from Herbie Hancock, James Brown and Santana - the album features some of the best and most acclaimed Japanese musicians of the time, enlisting the talent-wares of Hiromasa Suzuki on keyboards, Akira Ishikawa on drums and Takeru Muraoka on sax.



Originally released in 1975
Features a cover of “Funky Stuff” by Kool & The Gang
All songs written and arranged by Hiromasa Suzuki
Pressed on Pink Vinyl

Tenor Sax, Alto Sax, Flute, Producer – Jiro Inagaki
Electric Piano – Hiromasa Suzuki
Drums – Hajime Ishimatsu
Bass – Akira Okazawa
Guitar – Hiroshi Yasukawa
Trombone – Takashi Imai

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(LP with obi strip) A magnificent concept album that will remain in the history of Japanese jazz

TRACKLIST

A1. By The Red Stream
A2. Warm, Honest And Love
B1. There Is Not Any War To End The War
B2. Something Over The War

INFO

The sound that swallows jazz rock, mode jazz, and free jazz is serious and profound.

A magnificent concept album that will remain in the history of Japanese jazz with the theme of global anti-war and peace

Hiromasa Suzuki, a rare pianist/composer/arranger who showed his skills in the groups of Terumasa Hino and Akira Ishikawa. Collaborating with Big Soul Media, led by Jiro Inagaki, one of the best jazz rock groups of our time, this work is unusual for a Japanese jazz work, and the concept is based on the theme of “global anti-war and peace.”

The sound that swallows jazz rock, mode jazz, and free jazz is serious and solid, but at the same time, it is full of overwhelming dynamism.

Suzuki’s ability to manage a big band and create a masterpiece sound is also splendid, and Big Soul Media, which listened to Suzuki’s intentions and responded to his request, is also splendid.

Both Suzuki and Inagaki’s activities in the jazz-rock era are at their peak, and this work is also important in that it captures the overlap.

text by Yusuke Ogawa (universounds/Deep Jazz Reality)

Composition/Arrangement/Conductor: Hiromasa Suzuki
Performed by Jiro Inagaki and Big Soul Media
Jiro Inagaki (S.Sax, T.Sax)
Shigeo Suzuki (A.Sax)
Tadayuki Harada (B.Sax)
Takehisa Suzuki (Trumpet)
Tetsuo Fushimi (Trumpet)
Takeshi Nomura (Trumpet)
Shigemichi Domoto (Trombone)
Tadataka Nakazawa (Trombone)
Kazuo Usui (Trombone)
Tsunehide Matsuki (Guitar)
Masaru Imada (Piano, Organ)
Hiromasa Suzuki (Piano, Organ)
Yasuo Arakawa (Bass) / Gen Ishimatsu (Drums)

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In July of 2022, just one month before jaimie branch’s death sent shockwaves around the world, the trumpet player and composer was in Chicago at International Anthem (IARC) studios putting finishing touches on an album. It was a suite of music she had composed and then recorded with her flagship ensemble, Fly or Die.

Tracklisting
1. aurora rising
2. borealis dancing
3. burning grey
4. the mountain
5. baba louie
6. bolinko bass
7. and kuma walks
8. take over the world
9. world war ((reprise))


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In July of 2022, just one month before jaimie branch’s death sent shockwaves around the world, the trumpet player and composer was in Chicago at International Anthem (IARC) studios putting finishing touches on an album. It was a suite of music she had composed and then recorded with her flagship ensemble, Fly or Die.

Tracklisting
1. aurora rising
2. borealis dancing
3. burning grey
4. the mountain
5. baba louie
6. bolinko bass
7. and kuma walks
8. take over the world
9. world war ((reprise))


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1979 BRAZILIAN HOLY GRAIL DISPUTED BY COLLECTORS WORLDWIDE

Official Reissue for the first time Worldwide

180-gram black vinyl

Hardcover sleeve

OBI Strip


The LP “Um Grito de Guerra” cover invites us to enter Pedrinho's ship and embark on a series of sounds that reveal Amazonian jazz harmonies, groovy guitars, a funky swing, and progressive keyboard attacks. However, the musical journey is not unambiguous in its style, unveiling a walk over the treetops beyond the “Southern seas”. So, we must get lost in the immensity before even commanding words defining this sound.

From his cabin, Pedrinho controls his keyboards (an instrument that became so commonplace in the following decades), extracting all his creative power and masterfully conducting a band that swells the musical stew, bringing a new song that was part of the creative process of the eponymous show.

An authentic Brazilian gem! Ranging from funk to soul to boogie, jazz and beyond, this little-known album by Amazonas state native Pedrinho Sampaio titled “Um Grito De Guerra” is the collection of musical works created for a theatrical show by the same name. The presentation focused on a few points, but the primary focus was rescuing the Amazonian identity and protecting the environment against Transamazonica. Pedrinho handles producing and arranging, along with keyboards and vocals.

Tracklist:
SIDE A: A1. Pensando Em Pensar... - A2. No Ar... Um Grito de Guerra! - A3. Noções de Piano-Harp - A4. Rio Negro - A5. Miragem
SIDE B: B1. Todas As Crianças da Terra - B2. Manaus - B3. A Fonte - B4. Correnteza - B5. Transamazônica

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Five of Rex Omar's premier cuts remastered for a new self-titled EP - an irresistible blend of street-soul-come-highlife, with elements of bouncing 90s RnB/hip-hop !

Over his career Rex Omar has evolved the genre, pushing boundaries and dazzling listeners. A definitive piece of his repertoire comes via his Dangerous album: while it was self- produced and recorded in London circa 1997, upon CD release it saw success mainly within his homeland of Ghana. An irresistible blend of street-soul-come-highlife, with elements of bouncing 90s RnB/hip-hop, it was developed with help from Ibibio Sound Machine’s Kari Bannerman and prolific Jamaican producer Bill Campbell. From this album rising London producer and DJ Aroop Roy revisits the four-to-the-floor excursion ‘Dada’, repurposing for today’s dancefloor with the addition of fizzing synth chords and stabs.

While Omar regularly raps on his earlier works, on ‘Kele Ngele’ (taken from his 2004 album Ajala) we hear a yearning melodic vocal over a more laid back RnB beat. This rounds out the new Rex Omar EP for the discerning listener to experience the full breadth of his inventive output.

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