Estonian meteoric label Sad Fun lets loose “Sauna Belt” 12—inch by Roma Vjazemski. Vjazemski brings along four tracks from his recent limited cassette “Handlebar” for Berceuse Heroique & adds an extraterritorial remix by Philipp Otterbach. Loose oddball electronica by the Tallinn based astronomy enthusiast.

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Tallinn's OG mainstay Nikolajev hops back on Sad Fun camp to hand out two bass loyal dancefloor beasts. A side “Lego Dub” steps on it accurately with its beat all flanged up & pushed to the red of course. Arpeggiator carousels doing the rounds with Niko’s vocals sprayed left & right, front & back like bad hallucinations. Hihat chewing your ear off. Are we there yet? Nope. B side has the funk. And chaos. Let the acidic bass sink in & soundtrack your mid–summer madness. Trust Nikolajev to be your guide, always.

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Fruit Express is here! This is their debut EP and "they" are Roma and Madis. A mellow electronica producer meets multi-instrumentalist and old time guitar hero. The outcome? Funky shit with its roots in dub and what seems like some smoky country music.
The title track is prominently catchy & poppy, while "Harlan County Line" crosses the border jamming away with a heavy spaghetty western feel. "Samurai" jam holds the mystique levels high, all spacey and mushy in its dub sauce.

The 12" is spotlessly sewn together by Tapes who throws the original "No Secret" into a 8-bit blender and out comes... well a sensational 8 bit version "The Secret"."

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Ace dubbers - made the old way.

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Tracklisting
A1 Damon Wild - Somewhere But Here
A2 Damon Wild - Capture The Moment
A3 Damon Wild - Sync Quantum
B1 Damon Wild - DMT
B2 Damon Wild - The Space Between
C1 Damon Wild - Moving Parton
C2 Damon Wild - Subforms
C3 Damon Wild - Sea Dweller
D1 Damon Wild - Moribund
D2 Damon Wild - Within
D3 Damon Wild - Bittersweet

Sales Note
Let's rewind back to 1990 and the early beginnings of the techno scene, forthcoming techno legend Damon Wild's descends upon Brooklyn, New York. Upon arrival Damon forges an alliance with Frankie Bones and Adam. He joins the team at Groove and ran the mail order department for their recently opened ''Groove Records Shop''.
Quickly moving into music production, Damon presents a slew of releases under different aliases; building his name quickly on the still developing global techno circuit. Simultaneously, he activates the cult classic label ''Experimental Records'' which goes on to release many rising techno stars over the following years.

In 1994 Damon launches Synewave Records, this time with a focus on a freshly innovative, stripped down jacking-hypnotic techno. The label goes on to play a big and memorable part in techno history, influencing the many generations to come.

Fast forward to the present, Damon goes full circle to his beginnings with Sonic Groove (formerly the Groove Records Shop) and records a thought provocative, cutting edge album for his old friend and label owner Adam X.

With an eye always focused on sound innovation, Damon's latest album ''Pleasure Builder'' is a masterpiece of sound design, expanding his take on a genre he helped create 30+ years ago, ''Hypnotic, Groove Techno''. This album is a must have for techno fans of all generations.

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“Dreams of a Dancefloor” is the latest EP by Octo Octa (aka Maya Bouldry-Morrison) on her label T4T LUV NRG. Maya spent the last 3 years perfecting her engineering on these three sensual, beautiful and enveloping songs. For the opening track, “Late Night Love”, we hear Octo Octa capturing not just the subjective experience of dancing together, but also what happens after the party, making love and holding her partner close. It has none of the formalism of “big trance” and is instead an extended house-trance missive all her own with beautiful resonances that evoke Motherbeat and the ineffable softness of true connection. The second track “Let Yourself Go!” raises the tempo but maintains the mood of the record. The song is a classic Octo Octa ecstatic breakbeat acid jam written for building heat in the body and for speaker-dancing under a starlit sky. The E.P. closer, “Come Here, Let’s Commune”, is an invitation to explore togetherness. The essence of the track is a gorgeous piano theme, grounded in Maya’s belief that the dancefloor experience can be not only exciting and ecstatic, but also deeply moving and generative—a reminder that underground dance culture offers permission for connections unsanctioned in the dominant society.

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Tracklisting
A1 Sciahri - Temptation
A2 Sciahri - Stone
B1 Sciahri - Magnetism
B2 Sciahri - Dance Of The Knives



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This is the first stop on Sven Wunder’s musical journey. Wunder takes the listener somewhere around the easternmost part
of the Mediterranean Sea, around the Levantine Sea, where he paints a colourful portrait and illustrates the regions flora
through sound.
The fruitage is a vivid bouquet where Wunder fuses colours and pigments by using traditional and modern instruments
merged with arrangements and melodies that stretches from popular to folk music by portraying tulips, red roses, hibiscus,
hyacinths, chamomile, magnolia, daisies etcetera. With both fine and thick brushes are these flowers being pictured in a
both modern and classic idiom.
The outcome is prismatic. It stands between Anatolian rock and European jazz-funk with ponderous drum patterns, groovy
organs, far-out synthesizers, enchanting Saz and impetuous bass lines. Eastern Flowers sweeps through time and space
and points towards the future. It could appeal both psych and prog listeners, folk or jazz aficionados and as well the gourmet
hip hop connoisseurs.

A1. Black Iris
A2. Tulip
A3. Magnolia
A4. Lotus
A5. Lily
A6. Red Rose
B1. Hibiscus
B2. Magnolia (reprise)
B3. Morning Glory
B4. Chamomile
B5. Hyacinth
B6. Daisy
B7. Gilboa Iris

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Wewantsounds is glad to continue its Akiko Yano reissue series with the release of the singer"s third studio album "To Ki Me Ki", recorded in New York and released in 1978 in Japan. It follows her cult "Iroha Ni Konpeitou" LP and keeps the similar blend of Japanese pop and New York funk found in the latter. "To Ki Me Ki" features such musicians as Rick Marotta, Will Lee and David Spinozza and also programmer Hideki Matsutake who would soon join the YMO with Akiko for their international 1979/1980 tour before she recorded her next studio album "Tadaima" that year, featuring the YMO musicians. "To Ki Me Ki" is reissued outside of Japan for the first time, remastered in Tokyo by revered engineer Mitsuo Koike and featuring original artwork by Tsutomu Murakami with 4 page colour insert and new liner notes by Paul Bowler.

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Tracklisting
A1 Lady Starlight - Choose
A2 Lady Starlight - Permian-Triassic
B1 Lady Starlight - In A Tizzy
B2 Lady Starlight - No Expectations

Sales Note
After early work with Lady Gaga, Lady Starlight immediately entered techno's upper echelons playing live alongside Surgeon, earning the respect of one of the genre's most legendary hard asses, no small feat for an artist only then emerging. Forming a strong alliance with Len Faki's Figure reinforced her upward trajectory, so it's with considerable stature we introduce 'Choose', her first full solo EP since 2020.

'Choose' makes its choice from the beginning when the mutated, squealing vocal sample and insistent percussion command dancers to the floor. She adds sophistication with melodic ideas, quick breakdowns, and constantly shifting drums, the instability maintaining momentum. 'Permian-Triassic' could refer to earlier eras of techno Lady Starlight seeks to bury, although droning pads poke out of her deep soundscapes like fossils from the 90s framed elegantly. Excited like its title, 'In a Tizzy' centers its nervous energy around a seesawing motif until it breaks apart halfway through, then rides it into oblivion on top of rapid-fire drum fills and a return of the theme. The title track closes in the darkest mode, its tricked-out breakbeat evading dancer's expectations and the heavily-processed noises squalling in the background providing no respite.

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Tracklisting
A1 Alien Rave - Tanzen
A2 Alien Rave - Folge Mir
B1 Alien Rave - Tunel
B2 Alien Rave - Dark Matter

Sales Note
Here's the first vinyl record release by Alien Rave. We still can't explain the strange circumstances surrounding this record, which came to our attention in a mysterious and unexpected way. A coded message through Ableton Live led us to a strange place where we found the recordings. The instructions were very clear - all we had to was follow them You'll find the results on this interstellar '94 electro-break track. Alien Rave sets out to get inside your head, introducing evocative and epic mental moments that give way to energetic tunnels built on a solid rhythmic foundation carefully designed to withstand elegant ultrasonic bass frequencies. For electro-break fans, this record could be seen as a journey which originated in the German-inspired Florida scene before eventually finding its way back to Spain. It's funny how Florida, home to some of the most robotic and extraterrestrial electro-break music, is also one of the hot spots of the global UFO phenomenon. Coincidence? Maybe, but we're looking forward to the next contact: we know it's coming.

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We are glad to welcome talented producer Funktor with his debut EP "Emitter" for our 2nd release on Abstract Rhythm. His release contains 4 massive Electro tracks transforming electricity into machine funk heavy sound waves.

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Field Records proudly presents the first complete vinyl edition of Monolake’s seminal excursion into experimental dub techno, Hongkong. Originally released on the now-classic Chain Reaction label in 1997, this collection of early singles by Robert Henke and Gerhard Behles has gone on to become a vital listening experience in its own right - a genre classic alongside the other groundbreaking works from the likes of Porter Ricks and Vladislav Delay.

The tracks which make up Hongkong were made while Henke and Behles studied computer science and immersed themselves in Berlin’s techno scene. Their early forays into computer-based music production were enabled by the use of the Max/MSP programming environment, forming a backdrop to the landmark work they would undertake in developing the Ableton Live DAW. Henke and Behles travelled to Hong Kong in 1996 to attend the annual International Computer Music Conference, and while there recorded extensive field recordings. These recordings became the glue that pieced together their collaborative tracks into a fluid listening experience for a CD-compilation at Chain Reaction’s request.

While absolutely rooted in the embryonic sound of European dub techno, Monolake’s early work possesses a back room, headphone-ready demeanour which lends itself to the album listening experience. In the cascade of rhythms created by precision engineered delays and subliminal, expansive spatial world building occurring throughout Hongkong, the stage is set for a full and thorough immersion. Before the Monolake sound progressed into a more pointillist form of computer music as Henke’s solo project, Hongkong presented a gritty, grainy sonic still tied in some way to the traditional methods of techno production, even as the artists’ ideas were sending the sequencing and arranging in exciting new directions.

Remastered and presented for the first time as a complete double 12” package, this is the definitive edition of an essential work in the evolution of experimental techno. As Henke himself explains, “twenty-five years later, this record still holds immense value to me in many ways.”

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Now repressed by popular demand! "The Trance Of Seven Colors" by master Gnawa musician MALEEM MAHMOUD GHANIA and free jazz legend PHAROAH SANDERS. Produced by BILL LASWELL and according to The Attic "one of the most important albums of Gnawa trance music released in the '90s". Originally released in 1994 on BILL LASWELL's AXIOM imprint, "The Trance Of Seven Colors" is the meeting of two true musical masters: MALEEM MAHMOUD GHANIA (1951 – 2015), son of the master of Gnawa music MALEEM BOUBKER GHANIAand the famous clairvoyant and "moqaddema" A'ISHA QABRAL, and a master of the traditional Gnawa style in his own right.MAHMOUD learned this craft as a youth along with his brothers, walking from village to village, performing ceremonies with his father BOUBKER and was one of the few masters (Maleem) who continued to practice the Gnawa tradition strictly for healing (the central ritual of the Gnawa is the trance music ceremony – with the purpose of healing or purification of the participants). With 30 cassette releases of music from the Gnawa repertoire with his own ensemble and performances at every major festival in Morocco, including performing for the King in various contexts, MAHMOUD GHANIA was also one of Morocco's most prominent professional musicians. In 1994, BILL LASWELL and PHAROAH SANDERS went to Mocrocco, equipped with just some mobile recording devices, to record GHANIA and a large ensemble of musicians (to a good part family members) in a very intimate set up at a private house with the legendary free jazz musician contributing his distinctive tenor saxophone sounds that gained him highest praise as a truely spiritual soul right from the days of playing with JOHN COLTRANE and his wife ALICE and on seminal solo albums like "Karma". The aptly titled "The Trance of Seven Colors" ranks among the best Gnawa recordings ever released, made it onto the list of "10 incredible percussive albums from around the world" by Thevinylfactory.com and is 25 years after its original CD release on finally available on vinyl!

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Size XL

Underground Resistance 'Workers' T-Shirt
Tan with Orange print on Gildan Ultra Cotton Shirt

Available in X-Small, Small, Medium, Large and X-Large


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Midland returns after 4 years with his first solo record “Drift Into The Algorithm” taken from his forthcoming EP “You Never Take Me Dancing.” Following on from 2019’s “Alchemy of Circumstance” the EP consists of four tracks that represent the next chapter in his studio process.

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