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Label:Dark Entries
Cat-No:DE-001
Release-Date:19.07.2024
Genre:Alternative/Electronic
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1
Eleven Pond - Tear & Cinnamon
2
Eleven Pond - Watching Trees
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Eleven Pond - Days Hence
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Eleven Pond - Tightrope
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Eleven Pond - Asterisk
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Eleven Pond - Portugal
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Eleven Pond - Moving Nowhere
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Eleven Pond - Changing Face
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Eleven Pond - Temporeal
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Eleven Pond - Ignorant Father
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Eleven Pond - Ask / Jealousy
Dark Entries celebrates its 15th anniversary by returning to where it all started, our initial darkest entry: Eleven Pond’s masterpiece Bas Relief, an ultra-obscure album from 1986 that would become a definitive dark pop holy grail. Eleven Pond was James Tabbi (vocals, acoustic guitar), Jeff Gallea (drum machine, synthesizer, vocals), Jack Schaeffer (guitar) and Dan Brumley (synthesizer, samples, vocoder, melodica). They met in Rochester, NY, while attending art school, brought together by their shared love of 4AD and Factory Records. Taking cues from acts like Joy Division, Fad Gadget, and For Against, Eleven Pond’s infectious basslines, churning guitar riffs, and atmospheric synths will charm all fans of moody music. But what really makes Bas Relief shine is the timeless songwriting on classics like “Tear and Cinnamon”, “Portugal”, and the anthemic “Watching Trees.”
With only 500 copies in it’s initial release, Bas Relief resurfaces with a fresh remaster that corrects a pitch shift from previous reissues. Each copy is housed in a screen printed jacket, like the 1986 edition, and includes a lyric sheet, two postcards and a bookmark. Bas Relief is a true lost relic of the cold 80’s and an essential piece Dark Entries history. More
With only 500 copies in it’s initial release, Bas Relief resurfaces with a fresh remaster that corrects a pitch shift from previous reissues. Each copy is housed in a screen printed jacket, like the 1986 edition, and includes a lyric sheet, two postcards and a bookmark. Bas Relief is a true lost relic of the cold 80’s and an essential piece Dark Entries history. More
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Cat-No:DE-307
Release-Date:28.06.2024
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1
Balladium - Andrómeda
2
D. W. Art - Mate
3
Prece Oposto - Homem Do Leme
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Jovem Guarda - Levante
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Taquicárdia - Enfarte 11
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Zona Proibida - Musak
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Der Stil - Flores Do Vício
8
Projecto Azul - New Sides
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Essa Entente - Festa Final
The seductive sounds of Portugal swing to Dark Entries on Rock Rendez Vous: Música Moderna Portuguesa 1985-1986, a compilation of vintage Iberian synth, wave, and postpunk gems. The legendary club Rock Rendez Vous (RRV) opened its doors in Lisbon in 1980, heralding a new era in the Portuguese underground. Although touring acts like Killing Joke, Danse Society, or Echo & the Bunnymen graced its stage, RRV more vitally served as ground zero for a new generation of Portuguese bands, one simultaneously in touch with broader international musical movements while being invested in establishing a national sonic identity. Rock Rendez Vous culls 9 tracks of prime Portuguese indie tunes from the Música Moderna Portuguesa compilations released in 1985 and 1986, documenting the heyday of this movement. Jangly and brooding postpunk gems like “Levante” from Jovem Guarda, Projecto Azul’s “New Sides,” and Essa Entente’s “Festa Final” are well-represented here. Meanwhile, quirky Balearic-laced synthpop gems like D. W. Art’s “Mate” or Zona Proibida’s “Musak” add a subtly regional flare. Rock Rendez Vous: Música Moderna Portuguesa comes housed in a sleeve designed by Eloise Leigh featuring a photo of the club RRV, and also includes a double-sided insert with lyrics, photos, and liner notes.
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Label:Dark Entries
Cat-No:DE-321
Release-Date:07.06.2024
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1
Angelyne - Tangerine Rose
2
Angelyne - Sex Goddess
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Angelyne - Dreamin About You
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Angelyne - My List
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Angelyne - Skin Tight
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Angelyne - Flirt
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Angelyne - Sex Goddess (Dance Mix)
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Angelyne - Dreamin About You (Dance Mix)
LA goddess Angelyne’s neon-draped sophomore LP Driven to Fantasy steers its way to Dark Entries as part of the ongoing celebration of our 15th anniversary! "Who is Angelyne? Angelyne is a voluptuous, blonde, self-made star who drives a hot pink Corvette; wears her clothes short and tight, and is influenced by Barbie and Marilyn Monroe.” In 1984, a series of billboards popped up in the LA area featuring the lone word “Angelyne” along with a mysterious woman posing provocatively. The campaign created an instant stir, making her one of the first icons who was "famous for being famous", and it led to the recording of her second solo LP. Released in 1986, Driven to Fantasy features 8 tracks of bubblegum-hued new wave with a distinctly LA flavor. On sassy titles like “Sex Goddess”, “Skin Tight”, and “Flirt”, Angelyne fused the glam and grit of southern Californian punk with flashy synth-pop style. This will be the first time that this cult record will be in print since its original release, and comes on pink Corvette-colored vinyl with a 2-sided poster featuring lyrics. Angelyne is more than just a billboard or a rock star; she’s been an actress, a visual artist, and even a political candidate. Celebrate a true Hollywood legend with this historic reissue.
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Label:Dark Entries
Cat-No:DE-324
Release-Date:07.06.2024
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1
Ortrotasce - Distant In Time
2
Ortrotasce - No Mortal Harmony
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Ortrotasce - Failing Star
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Ortrotasce - Romance & War
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Ortrotasce - Dispatches From Solitude
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Ortrotasce - Part From Myself
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Ortrotasce - Systems Of Love
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Ortrotasce - Shorting Circuit
Ortrotasce comes to Dark Entries with Dispatches From Solitude, their latest LP. For over a decade, Nic Hamersly has been using the Ortotrasce (pronounced: or-tro-task) moniker to unleash brooding-yet-propulsive darkwave anthems upon the world. Hamersly’s work explores the intersection between industrial and synth pop, drawing a line from the sounds of the past to the present. Recorded during the Covid and post-Covid era, Dispatches from Solitude brings 8 tracks of tightly wrought synth-pop exploring grief, romance, and our strange world - which just keeps getting stranger. The cover art was designed by Hamersly, and the record includes a postcard with notes. Dispatches From Solitude will thrill fans of classic industrial-laced wave bands like Hard Corps, Fad Gadget, and SPK
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Label:Dark Entries
Cat-No:DE-328
Release-Date:26.04.2024
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1
Crash Course In Science - Near Marineland
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Crash Course In Science - Second Glance
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Crash Course In Science - It Cost's To Be Austere
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Crash Course In Science - No More Hollow Doors
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Crash Course In Science - Force The Habit
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Crash Course In Science - Someone Reads
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Crash Course In Science - Jump Over Barrels
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Crash Course In Science - Pompei Spared
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Crash Course In Science - Fun Hair
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Crash Course In Science - In Your Own Backyard
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Crash Course In Science - Wishbone
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Crash Course In Science - Sputnik In Orbit
Dark Entries celebrates its 15th anniversary with legendary synth-punk deviants Crash Course in Science. Dale Feliciello, Mallory Yago, and Michael Zodorozny formed CCIS in 1979 after meeting at art school in Philadelphia. As a gesture born of equal parts punk irreverence and brute necessity, the band incorporated toy instruments and kitchen appliances into their aggressive, angular sound. Their anthems “Cardboard Lamb” and “Flying Turns” from 1981’s Signals From Pier Thirteen EP have been staples in adventurous DJ sets for over 40 years - yet some of their finest work is to be found on Near Marineland, a full-length LP recorded in 1981 but remained unreleased in its time. Near Marineland shows the band moving into more diverse and polished territory (although it’s still as abrasive as sandpaper). Tracks like “No More Hollow Doors” and “Jump Over Barrels” highlight CCIS’s singular knack for embedding infectiously monotone hooks in their stiff-yet-funky grooves. Elsewhere we see CCIS going fully unhinged, like on the searing “Someone Reads” or the demented “Pompeii Spared”, where a spray of honks is barely glued together by a frantic synthetic pulse. While this masterwork of malfunctioning analog electronics has surfaced on a few occasions - this first time stand alone remaster includes four never-before-released bonus tracks and includes a lyric sheet. Near Marineland is crucial listening for all devotees of synth-punk and minimal electronics.
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Label:Dark Entries
Cat-No:DE-317
Release-Date:22.03.2024
Genre:Alternative/Electronic
Configuration:12"
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1
Coti K. - Theros
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Coti K. - Blue
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Coti K. - Argonauts
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Coti K. - Shoal
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Coti K. - Nottle Estiva
Coti K. brings 5 tracks of Balearic-ambient sweetness to Dark Entries. Italian-Greek musician Costantino Luca Rolando Kiriakos has been a pioneering force in the Athens electronic music scene since the mid-80’s, wearing hats as diverse as composer, sound engineer, and installation artist. His countless projects and collaborators include Tuxedomoon, Stereo Nova, In Trance 95, and RAW (previously reissued by Dark Entries). 1994’s Theros, Kiriakos’s first release as Coti K., was comprised of three tracks of breezy downtempo beats, brimming with smooth breaks, boomy 808’s, and cosmically chill pads & pianos. In tune with the global vibes of the emerging ambient electronica movement, Coti K. brings a dose of his Hellenic heritage with tracks titles like “Argonauts” and “Theros.” The title track includes spoken word contributions from Konstantinos Bhta of Stereo Nova and is built off of a drum loop from Greek goth outfit Flowers of Romance. The sauntering “Blue” features vocals by Christina Moraki which were captured on a portable tape recorder, while the instrumental “Argonauts” is bolstered by cello from Nikos Veliotis. This reissue also includes two tracks from Coti’s 1997 debut LP - “Shoal” and “Notte Estiva” - which have never before appeared on vinyl, and show Coti experimenting with ambient and IDM styles. The cover art for Theros is a photo of the ocean by Giannis Papaioannou of RAW featuring early digital processing done on a Macintosh LC. Coti’s Theros is a timely slice of 90’s nostalgia with a uniquely Mediterranean twist.
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Label:Dark Entries
Cat-No:DE-298
Release-Date:15.03.2024
Genre:House / Techno
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1
Doc Sleep - Professor Eucalyptus
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Doc Sleep - Lemon Zest
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Doc Sleep - Palm Reader
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Doc Sleep - Echo Azure
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Doc Sleep - Water Sign
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Doc Sleep - Cloud Sight Fade
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Doc Sleep - Enchanted Static
Doc Sleep returns to Dark Entries with Cloud Sight Fade, an album of ethereal house and techno. Doc Sleep is the alias of DJ and producer Melissa Maristuen. Following 2023’s Birds, her ambient and IDM-leaning debut album, Cloud Sight Fade shows Doc drawing on her years of queer clubbing to bring us seven diverse tracks sitting between muscular New York house, Berlin twilight techno, and funky West-coast breakbeats. Production began in the Bay Area and was completed in Berlin; Maristuen says that this work became a love letter to the West Coast’s magnificent natural landscape, the light of the Pacific sunrise. While draped in dreamlike textures and melodies, this is also a record about embodiment and the memories that live within our corporeal forms. The powerful grooves on the breakbeat-inflected “Lemon Zest” and the propulsive “Cloud Sight Fade” remind us that dance music is for bodies dancing. Meanwhile, tracks like the sparkling album-closer “Enchanted Static” or the brooding groover “Water Sign” plunge us deeper into hypnotic depths. On Cloud Sight Fade, Doc Sleep guides us through slumber and wakefulness, in and out of our bodies, with the mastery of a seasoned DJ and clubgoer.
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Label:Dark Entries
Cat-No:DE-312
Release-Date:15.03.2024
Genre:Alternative/Electronic
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1
Ike Yard - Facile
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Ike Yard - Dancing + Slaving
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Ike Yard - War=Strong
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Ike Yard - Agua (Diablo)
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Ike Yard - S.I. (I Couldn't See)
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Ike Yard - A Dull Life
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Ike Yard - We Are One
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Ike Yard - I Killed Picasso
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Ike Yard - Freighter
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Ike Yard - Wolfen
Dark Entries flashes back to the grimy streets of New York City circa 1982 to bring us an unreleased album from cult outfit Ike Yard. Comprised of Stuart Argabright, Michael Diekmann, Kenneth Compton, and Fred Szymanski, Ike Yard sits between the sinewy proto-body music of the Neue Deutsche Welle and the shattered grooves of their No Wave peers in New York. The band’s initial run was short but blinding. They released an EP for Les Disques du Crépuscule in 1981, which was followed by their legendary self-titled LP for Factory in 1982. They disbanded within a year, frustrated by the slow pace at which the industry was able to release their increasingly challenging music. 1982 features 10 tracks which likely would have become the band’s second LP - only four of these songs have previously seen release on 2006’s 1980-82 Collected via Acute Records. Following the release of Ike Yard, they continued down their tortured path of hybrid electro-acoustic music with an arsenal of now-classic analog instruments, including the Korg MS-20 and the Roland TR-808. Skittering rhythms teeter on the verge of collapse while seasick synth warbles threaten to push us overboard. Electronic washes devolve into waves of feedback. Sneering basslines threaten dancers to move, but how can the body obey? This is dangerous music, gliding along the brink. The album features a live photo of the band by Makoto Iida and includes an insert with liner notes from Stuart Argabright. 1982 is essential for fans of post-punk and caustic electronics from Liaisons Dangereuses to Beau Wanzer.
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Label:Dark Entries
Cat-No:DE-053
Release-Date:02.02.2024
Genre:Alternative/Electronic
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1
Figure Study - Answers
2
Figure Study - Wait
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Figure Study - Bad Side
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Figure Study - Paralyzed
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Figure Study - Maze
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Figure Study - Interaction
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Figure Study - Station
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Figure Study - Invisible
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Figure Study - Divide
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Figure Study - Window
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Figure Study - Rain
Dark Entries is proud to present the debut album by Figure Study, a contemporary band from New York. Figure Study is the Manhattan-based duo of Nathan Antolik and April Chalpara. They formed in 2009, after meeting through the Wierd Records weekly party, where they would play their first concert soon after. For their debut self-titled album, Figure Study utilizes a carefully tailored set up of vintage analog synthesizers and drum machines. Figure Study creates a lush sound where haunting vocals echo over dark melodies that reflect an isolated and disintegrating world. Songs flux between dissonant dance numbers and more sparse, somber compositions, each carrying a sense of urgency and modernism. Figure Study's sound includes influences from such early underground artists as Kirlian Camera, Nine Circles, and The Actor. The album was recorded in their small Chinatown studio using a sparse set-up of analog synthesizers, drum machines and sequencers. Each LP is packaged in a specially designed jacket and includes an insert with lyrics. Figure Study draw their own model using shapes and forms from the synthetic landscape.
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Label:Dark Entries
Cat-No:DE-309
Release-Date:02.02.2024
Genre:Electro
Configuration:12"
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Cat-No:DE-309
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Genre:Electro
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1
Lust Pattern - Forming Lines
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Lust Pattern - Choreography
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Lust Pattern - It's Right There In Front Of You
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Lust Pattern - No Floor
Lust Pattern slithers its way to Dark Entries with four tracks of deviant electro-wave on Stand, Scatter. Ryan Armbridge has graced Dark Entries several times via his project Linea Aspera, a revered coldwave revivalist duo with Zoe Zanias. As Lust Pattern, Armbridge draws hypnotic paths through the reverb-laden halls of post-punk and electro-funk, coursing in a gait uniquely his own. Built up from improvised jams, the four cuts on Stand, Scatter defy neat categorization while spanning a wide breadth of genres. Opener “Forming Lines” features Drexciyan squelch, silky guitar, and bursts of live drumming; this sounds like a lot, but it coheres into a perfectly simmering stew of funk. “Choreography” preserves the aquatic vibes but bumps the tempo up into space disco territory, complete with laser bleeps and Moroder-esque pads. It’s a mark of Armbridge’s craft that closing track “No Floor” - a searing motorik synth punk jam that recalls Suicide at their finest - sounds not at all out of place, but rather serves as a logical conclusion to this illogical picture. Stand, Scatter drifts across genres but never loses its focus on the unorthodox groove.
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Label:Dark Entries
Cat-No:DE-303
Release-Date:26.01.2024
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1
Code Industry - Behind The Mirror (Image Mix)
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Code Industry - Behind The Mirror (Release Of Anguish Mix)
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Code Industry - Fury
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Code Industry - Dead City
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Code Industry - Crimes Agains The People
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Code Industry - Ail
Restock incoming!
Seminal EBM-techno outfit Code Industry surfaces on Dark Entries with a reissue of their Structure EP. Detroit-based musicians Rob Myers, E.N. Sevy, Kyl Crys, and William Keith formed Code Industry in 1989 following their previous project, Code Assault. Among the few Black artists working in the idioms of EBM and industrial during their time, Code Industry tackle issues of racism, the media, and the hypocrisy of patriotism. The band’s frigid synths and menacingly whispered vocals display their affinity for European EBM acts like Front 242 and Nitzer Ebb, but their adventurous production and high- tech grooves situate their work equally within the Detroit techno continuum. The Structure EP was originally released in 1991 via the legendary Antler-Subway label. On its six tracks, Code Assembly expand upon Method of Assembly, their debut album from the year prior, while presenting striking new work hinting at the development of their sound. On “Behind the Mask (Image Mix)”, the band reworks one of the hits from Method of Assembly into a leaner, more kinetic form, finely sculpted for maximum dancefloor impact. The instrumental “Fury” shows the outfit pushing harder into the then-nascent Detroit techno sound, with spare synths and disembodied vocal snippets. Meanwhile, brooding downtempo cuts like “Ail” and “Crimes Again the People” imbue their cyberpunk aesthetics with politically-charged rage. Code Industry illustrates the depth of techno and EBM’s mutual entanglement while addressing political struggles that still embroil us in 2023. This reissue of Structure includes a double-sided insert with lyrics and liner notes by Pen Jackson aka E.N. Sevy. It will be released on Juneteenth as a celebration of powerful Black American music. More
Seminal EBM-techno outfit Code Industry surfaces on Dark Entries with a reissue of their Structure EP. Detroit-based musicians Rob Myers, E.N. Sevy, Kyl Crys, and William Keith formed Code Industry in 1989 following their previous project, Code Assault. Among the few Black artists working in the idioms of EBM and industrial during their time, Code Industry tackle issues of racism, the media, and the hypocrisy of patriotism. The band’s frigid synths and menacingly whispered vocals display their affinity for European EBM acts like Front 242 and Nitzer Ebb, but their adventurous production and high- tech grooves situate their work equally within the Detroit techno continuum. The Structure EP was originally released in 1991 via the legendary Antler-Subway label. On its six tracks, Code Assembly expand upon Method of Assembly, their debut album from the year prior, while presenting striking new work hinting at the development of their sound. On “Behind the Mask (Image Mix)”, the band reworks one of the hits from Method of Assembly into a leaner, more kinetic form, finely sculpted for maximum dancefloor impact. The instrumental “Fury” shows the outfit pushing harder into the then-nascent Detroit techno sound, with spare synths and disembodied vocal snippets. Meanwhile, brooding downtempo cuts like “Ail” and “Crimes Again the People” imbue their cyberpunk aesthetics with politically-charged rage. Code Industry illustrates the depth of techno and EBM’s mutual entanglement while addressing political struggles that still embroil us in 2023. This reissue of Structure includes a double-sided insert with lyrics and liner notes by Pen Jackson aka E.N. Sevy. It will be released on Juneteenth as a celebration of powerful Black American music. More
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Label:Dark Entries
Cat-No:DE-295
Release-Date:03.11.2023
Genre:Alternative/Electronic
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1
Nervous Gender - Monsters
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Nervous Gender - Alien Point Of View
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Nervous Gender - Cardinal Newman
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Nervous Gender - Fat Cow
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Nervous Gender - Nothing To Hide
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Nervous Gender - People Like You
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Nervous Gender - Regress For You
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Nervous Gender - Christian Lovers
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Nervous Gender - Exorcism
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Nervous Gender - Bathroom Sluts
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Nervous Gender - Pie On A Ledge
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Nervous Gender - Push, Push, Push
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Nervous Gender - Alice's Song
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Nervous Gender - Praise The Lord
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Nervous Gender - My Mommy's Chest
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Nervous Gender - Slave
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Nervous Gender - Poets (Early Version)
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Nervous Gender - Pretty Vacant
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Nervous Gender - Miscarriage
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Nervous Gender - Scandinavian Dilemma
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Nervous Gender - Poets
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Nervous Gender - Confession
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Nervous Gender - She Works For Safeway...
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Nervous Gender - Bible Stories
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Nervous Gender - Baby Face
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Nervous Gender - Berlin Red Head
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Nervous Gender - Diphtheria
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Nervous Gender - Castration
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Nervous Gender - Green Tile Floor
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Nervous Gender - Bathroom Sluts (Demo)
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Nervous Gender - Waterpiss
Nervous Gender’s legendary synthpunk LP Music From Hell burbles up from infernal depths to resurface on Dark Entries! Confrontational, unhinged, and unabashedly queer, Music from Hell is an unholy grail for fans of the strangest underbellies of post-punk, minimal synth, and early industrial music, and is presented here newly remastered and on expanded double LP. Nervous Gender (de)formed in LA in 1978 at the hands of Phranc, Gerardo Velaquez, Edward Stapleton, and Michael Ochoa. Phranc, the androgynous embodiment of the band’s name, left in 1980. Following her departure, a wide cast of LA freaks would find themselves drawn into the band’s orbit, including Alice Bag of the Bags, Paul Roessler of the Screamers, the Germs’ Don Bolles, and an 8-year old drummer named Sven Pfeiffer. In 1980, Nervous Gender appeared on the seminal Live at Target compilation alongside Factrix, uns, and Flipper. With the band’s notoriety cemented, Music from Hell followed in 1981 on Subterranean Records (as no LA label would touch this material).
Side A, dubbed “Martyr Complex”, presents a more punk-forward sound with live drum salvos and slabs of aggressive synth. These twitchy, unsettling shockers ooze with the kind of snotty misanthropy that will endear them to fans of the Screamers or Crass.
Side B, known as “Beelzebub Youth”, is a live performance the band labeled "an electronic bruto-canto dissertation on the banality of spiritual transcendence." Mutant melodies cede way to synthesized clangs, whirs, bleeps, manipulated tapes, and howls of despair. In addition to all the material from the original LP, we’re treated to a full disc of the band’s demos, the material from the Live at Target compilation, and early live recordings. Included are unrecognizable covers of Carly Simon and Lou Reed, and the Sex Pistols that are so despairingly skewed they fall into the void. This reissue of Music From Hell includes a 36 page lyric booklet, foldout poster, and gatefold sleeve with photos, flyers, and news-clippings designed by Eloise Leigh. Tackling taboo issues like sexual kinks, mental illness, drug use, and childhood molestation, Music From Hell is still surprising – even shocking - over 40 years after the album’s release. Nervous Gender stand as one of the most genuinely anti-establishment outfits in underground music, a colossal fuck you to social norms from religious strictures to gender essentialism. More
Side A, dubbed “Martyr Complex”, presents a more punk-forward sound with live drum salvos and slabs of aggressive synth. These twitchy, unsettling shockers ooze with the kind of snotty misanthropy that will endear them to fans of the Screamers or Crass.
Side B, known as “Beelzebub Youth”, is a live performance the band labeled "an electronic bruto-canto dissertation on the banality of spiritual transcendence." Mutant melodies cede way to synthesized clangs, whirs, bleeps, manipulated tapes, and howls of despair. In addition to all the material from the original LP, we’re treated to a full disc of the band’s demos, the material from the Live at Target compilation, and early live recordings. Included are unrecognizable covers of Carly Simon and Lou Reed, and the Sex Pistols that are so despairingly skewed they fall into the void. This reissue of Music From Hell includes a 36 page lyric booklet, foldout poster, and gatefold sleeve with photos, flyers, and news-clippings designed by Eloise Leigh. Tackling taboo issues like sexual kinks, mental illness, drug use, and childhood molestation, Music From Hell is still surprising – even shocking - over 40 years after the album’s release. Nervous Gender stand as one of the most genuinely anti-establishment outfits in underground music, a colossal fuck you to social norms from religious strictures to gender essentialism. More
Label:Dark Entries
Cat-No:DE-264
Release-Date:27.10.2023
Configuration:LP
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1
Sexual Harrassment - I Need A Freak
2
Sexual Harrassment - If I Gave You A Party
3
Sexual Harrassment - You Are My Sexual Connection
4
Sexual Harrassment - Exercise Your Ass Off
5
Sexual Harrassment - K-I-S-S-I-N-G
6
Sexual Harrassment - We Didn't Say It
7
Sexual Harrassment - We Want Prince
8
Sexual Harrassment - These Are The Things That I Like
Repress!
Dark Entries is pleased to announce a deluxe reissue of Sexual Harrassment’s 1983 opus I Need A Freak. Lynn Tolliver, DJ/Program Director at Cleveland’s WZAK, adopted the pseudonym David Payton in order to keep his musical endeavors separate from his public persona. Sexual Harrassment (misspelled deliberately) was formed as a concept band, with members selected based on appearance and choreographic skill rather than musical ability. Tolliver’s explicit lyrics focused on the central themes of desire and sexual relations. Working at a studio in Akron, he recorded an album of quirky-yet-lurid electro funk, which was released on Heat Records. Tolliver remarks, “I learned as a youngster, sex sells! The things that are rated the worst – violence, horror and sex – are the things people want to see or hear about.” I Need a Freak was a surprise hit, selling over 100,000 copies.
I Need A Freak is presented here for the first time on double LP, pressed at 45 rpm for maximum DJ-friendliness. While the album’s naughtier moments seem quaint by contemporary standards, the fusion of lo-fi funk and disaffected vocals still stuns today. On the eternal electro-raunch anthem “I Need a Freak”, minimalism serves to highlight the lasciviousness of the deadpan lyrics, which were inspired by Lourdes Figueroa, Tolliver’s girlfriend at the time. Tolliver’s whimsy shines on tracks like “If I Gave You a Party” and “K.I.S.S.I.N.G.”, which contrast nursery rhyme structures with decidedly R-rated lyrics. “Exercise Your Ass Off” lampoons the home exercise craze, but with a more-than-suggestive sexual bent. Also included are two bonus cuts, “We Want Prince” and “These Are The Things That I Like”, previously released as singles in 1984 and 1986, respectively. “We Want Prince” is both a homage to the Purple one and a gentle satire of obsessive fandom.
I Need A Freak has been remastered by George Horn at Fantasy Studios. The album comes in a gatefold sleeve featuring the original artwork. Included are lyrics, photos, and liner notes by Lynn Tolliver and drummer Dale Jackson. Tolliver’s sly provacateurship is best captured by the quote: “It’s funny – without sex, mankind is dead, yet we hide the very thing we need.” More
Dark Entries is pleased to announce a deluxe reissue of Sexual Harrassment’s 1983 opus I Need A Freak. Lynn Tolliver, DJ/Program Director at Cleveland’s WZAK, adopted the pseudonym David Payton in order to keep his musical endeavors separate from his public persona. Sexual Harrassment (misspelled deliberately) was formed as a concept band, with members selected based on appearance and choreographic skill rather than musical ability. Tolliver’s explicit lyrics focused on the central themes of desire and sexual relations. Working at a studio in Akron, he recorded an album of quirky-yet-lurid electro funk, which was released on Heat Records. Tolliver remarks, “I learned as a youngster, sex sells! The things that are rated the worst – violence, horror and sex – are the things people want to see or hear about.” I Need a Freak was a surprise hit, selling over 100,000 copies.
I Need A Freak is presented here for the first time on double LP, pressed at 45 rpm for maximum DJ-friendliness. While the album’s naughtier moments seem quaint by contemporary standards, the fusion of lo-fi funk and disaffected vocals still stuns today. On the eternal electro-raunch anthem “I Need a Freak”, minimalism serves to highlight the lasciviousness of the deadpan lyrics, which were inspired by Lourdes Figueroa, Tolliver’s girlfriend at the time. Tolliver’s whimsy shines on tracks like “If I Gave You a Party” and “K.I.S.S.I.N.G.”, which contrast nursery rhyme structures with decidedly R-rated lyrics. “Exercise Your Ass Off” lampoons the home exercise craze, but with a more-than-suggestive sexual bent. Also included are two bonus cuts, “We Want Prince” and “These Are The Things That I Like”, previously released as singles in 1984 and 1986, respectively. “We Want Prince” is both a homage to the Purple one and a gentle satire of obsessive fandom.
I Need A Freak has been remastered by George Horn at Fantasy Studios. The album comes in a gatefold sleeve featuring the original artwork. Included are lyrics, photos, and liner notes by Lynn Tolliver and drummer Dale Jackson. Tolliver’s sly provacateurship is best captured by the quote: “It’s funny – without sex, mankind is dead, yet we hide the very thing we need.” More
Label:Dark Entries
Cat-No:DE-185
Release-Date:13.10.2023
Configuration:2LP
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1
Patrick Cowley - Big Shot
2
Patrick Cowley - Surfside Sex
3
Patrick Cowley - Hot Beach
4
Patrick Cowley - The Runner
5
Patrick Cowley - Furlough
6
Patrick Cowley - One Hot Afternoon
7
Patrick Cowley - Leather Bound
8
Patrick Cowley - Bore & Stroke
9
Patrick Cowley - Cycle Tuff
Repress!
Tracklist:
Big Shot
Surfside Sex
Hot Beach
The Runner
Furlough
One Hot Afternoon
Leather Bound
Bore & Stroke
Cycle Tuff
Jungle Orchids
Take A Little Trip
Love Come Set Me Free
Dark Entries and Honey Soundsystem Records have teamed up once more to release the final volume of gay porn soundtracks by San Francisco-based musician and producer, Patrick Cowley. One of the most revolutionary and influential figures in the canon of disco, Cowley created his own brand of Hi-NRG dance music, “The San Francisco Sound.” Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco in 1971 to study at the City College of San Francisco. He founded the Electronic Music Lab at the school, where he would make experimental soundtracks by blending various types of music and adapting them to the synthesizer.
By the mid-70’s, Patrick’s synthesis techniques landed him a job composing and producing songs for disco superstar Sylvester, including hits like “You Make Me Feel (Mighty Real)”, “Dance Disco Heat” and “Stars.” This helped Patrick obtain more work as a remixer and producer. His 18-minute long remix of Donna Summer’s “I Feel Love” and his production work with edgy New Wave band Indoor Life were both of particular note. By 1981, Patrick had released a string of dance 12" singles, like “Menergy” and “Megatron Man”. He also had founded Megatone Records, the label upon which he released his debut album, “Menergy”. Around this time Patrick was hospitalized and diagnosed with an unknown illness: that which would later be called AIDS. Throughout 1982, he recorded two more Hi-NRG hits, “Do You Wanna Funk” for Sylvester, and “Right On Target” for Paul Parker, as well as a second solo album “Mind Warp”. On November 12, 1982, he passed away.
In 1979 Patrick was contacted by John Coletti, owner of famed gay porn company Fox Studio in Los Angeles. Patrick jumped on this offer and sent reels of his college compositions from the 70s to John in LA. Coletti then used a variable speed oscillator to adjust the pitch and speed of Patrick’s songs in-sync with the film scenes. The result was the VHS collections “Muscle Up” and “School Daze” released in 1979 and 1980. “Afternooners” is the third collection of Cowley’s instrumental songs, recorded in May 1982. These recordings were culled from two 23-minute reels in the Fox Studio vaults. All songs were originally untitled, so we’ve used the titles from Fox Studio’s 8mm film loops. This compilation also includes three bonus tracks found in the archives of fellow Megatone Records recording artist Paul Parker and the attic of teenage friend Lily Bartels. Influenced by Tomita, Wendy Carlos, and Giorgio Moroder, Patrick crafted a singular sound from his collection of synthesizers, percussion, modified guitars, and hand-built equipment. The listener enters a world of forbidden vices, evocative of Patrick’s time spent in the bathhouses of San Francisco. The songs on “Afternooners” reflect the advances of the equipment available at the onset of the 1980s. Cowley's unadulterated electronic forms are stripped down and dubbed up. Lush electronic percussion, soaring synthesizer riffs and low slung funk grooves comingle on these magnificent soundscapes.
Featuring 70 minutes of music never before released on vinyl. All songs have been remastered by George Horn at Fantasy Studios in Berkeley, CA. The vinyl is housed in a gatefold jacket designed by Berlin-based artist Gwenael Rattke, featuring black and white photos of Patrick in his studio that opens to a full color array of x-rated scenes from the Fox Studio vaults. Included is a fold-out poster featuring a handmade collage using photography and xeroxed graphics of classic gay porn imagery and an essay from Drew Daniel of Matmos. For Patrick’s 67th birthday, Dark Entries and Honey Soundsystem Records present a glimpse into the futuristic world of a young genius. These recordings shed a new light on the experimental side of a disco legend who was taken too soon. More
Tracklist:
Big Shot
Surfside Sex
Hot Beach
The Runner
Furlough
One Hot Afternoon
Leather Bound
Bore & Stroke
Cycle Tuff
Jungle Orchids
Take A Little Trip
Love Come Set Me Free
Dark Entries and Honey Soundsystem Records have teamed up once more to release the final volume of gay porn soundtracks by San Francisco-based musician and producer, Patrick Cowley. One of the most revolutionary and influential figures in the canon of disco, Cowley created his own brand of Hi-NRG dance music, “The San Francisco Sound.” Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco in 1971 to study at the City College of San Francisco. He founded the Electronic Music Lab at the school, where he would make experimental soundtracks by blending various types of music and adapting them to the synthesizer.
By the mid-70’s, Patrick’s synthesis techniques landed him a job composing and producing songs for disco superstar Sylvester, including hits like “You Make Me Feel (Mighty Real)”, “Dance Disco Heat” and “Stars.” This helped Patrick obtain more work as a remixer and producer. His 18-minute long remix of Donna Summer’s “I Feel Love” and his production work with edgy New Wave band Indoor Life were both of particular note. By 1981, Patrick had released a string of dance 12" singles, like “Menergy” and “Megatron Man”. He also had founded Megatone Records, the label upon which he released his debut album, “Menergy”. Around this time Patrick was hospitalized and diagnosed with an unknown illness: that which would later be called AIDS. Throughout 1982, he recorded two more Hi-NRG hits, “Do You Wanna Funk” for Sylvester, and “Right On Target” for Paul Parker, as well as a second solo album “Mind Warp”. On November 12, 1982, he passed away.
In 1979 Patrick was contacted by John Coletti, owner of famed gay porn company Fox Studio in Los Angeles. Patrick jumped on this offer and sent reels of his college compositions from the 70s to John in LA. Coletti then used a variable speed oscillator to adjust the pitch and speed of Patrick’s songs in-sync with the film scenes. The result was the VHS collections “Muscle Up” and “School Daze” released in 1979 and 1980. “Afternooners” is the third collection of Cowley’s instrumental songs, recorded in May 1982. These recordings were culled from two 23-minute reels in the Fox Studio vaults. All songs were originally untitled, so we’ve used the titles from Fox Studio’s 8mm film loops. This compilation also includes three bonus tracks found in the archives of fellow Megatone Records recording artist Paul Parker and the attic of teenage friend Lily Bartels. Influenced by Tomita, Wendy Carlos, and Giorgio Moroder, Patrick crafted a singular sound from his collection of synthesizers, percussion, modified guitars, and hand-built equipment. The listener enters a world of forbidden vices, evocative of Patrick’s time spent in the bathhouses of San Francisco. The songs on “Afternooners” reflect the advances of the equipment available at the onset of the 1980s. Cowley's unadulterated electronic forms are stripped down and dubbed up. Lush electronic percussion, soaring synthesizer riffs and low slung funk grooves comingle on these magnificent soundscapes.
Featuring 70 minutes of music never before released on vinyl. All songs have been remastered by George Horn at Fantasy Studios in Berkeley, CA. The vinyl is housed in a gatefold jacket designed by Berlin-based artist Gwenael Rattke, featuring black and white photos of Patrick in his studio that opens to a full color array of x-rated scenes from the Fox Studio vaults. Included is a fold-out poster featuring a handmade collage using photography and xeroxed graphics of classic gay porn imagery and an essay from Drew Daniel of Matmos. For Patrick’s 67th birthday, Dark Entries and Honey Soundsystem Records present a glimpse into the futuristic world of a young genius. These recordings shed a new light on the experimental side of a disco legend who was taken too soon. More
Label:Dark Entries
Cat-No:DE-052
Release-Date:13.10.2023
Configuration:2LP
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Label:Dark Entries
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1
Patrick Cowley - Zygote
2
Patrick Cowley - Mockingbird Dream
3
Patrick Cowley - Nightcrawler
4
Patrick Cowley - Pagan Rhythms
5
Patrick Cowley - Seven Sacred Pools
6
Patrick Cowley - School Daze
7
Patrick Cowley - He's Like You
8
Patrick Cowley - Journey Home
9
Patrick Cowley - Out Of Body
10
Patrick Cowley - Primordial Landscape
11
Patrick Cowley - Tides Of Man
Repress!
Dark Entries and Honey Soundsystem have teamed up to release the gay porn soundtrack work of San Francisco-based musician and producer, Patrick Cowley. Perhaps one of the most revolutionary and influential people in the cannon of disco music, Cowley created his own brand of Hi-NRG dance music coined "The San Francisco Sound." Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco at the age of 21. He studied at the City College of San Francisco where he founded the Electronic Music Lab. During this time Patrick would create radio jingles and electronic pieces using the school's equipment, first a Putney, then an E-MU System and finally a Serge synthesizer. He would make experimental instrumental songs by blending various types of music and adapting them to the synthesizer.
By the mid-70's, Patrick's synthesizer skills landed him a job composing and producing songs for disco superstar Sylvester such as “You Make Me Feel (Mighty Real)”, “Dance Disco Heat” and "Stars." This helped Patrick obtain more work as a remixer and producer. Of particular note was his 18-minute long remix of Donna Summer’s “I Feel Love” and production work with edgy New Wave band Indoor Life. By 1981 Patrick released a string of dance 12" singles, like “Menergy” and “Megatron Man”, creating the soundtrack for a generation. Also that year, he founded Megatone Records and released his debut album. Around this time Patrick was hospitalized and diagnosed with a then-unknown illness: that would later be called AIDS. Prior to his passing on November 12, 1982, he recorded two more Hi-NRG hits, “Do You Wanna Funk” for Sylvester and "Right On Target" for Paul Parker.
In 1981 Patrick was contacted by John Coletti, owner of famed gay porn company Fox Studio in Los Angeles. John had heard about Patrick's music from the legendary Sylvester and proposed he write music for his films. Patrick jumped on this offer and sent reels of his college compositions from the 70s to John in LA. Coletti then used a variable speed oscillator to adjust the pitch and speed of Patrick's songs in-sync with the film scene. "School Daze" is a collection of Cowley's instrumental songs recorded between 1973 and 1981 found in the Fox Studio vaults. Influenced by Tomita, Wendy Carlos and Giorgio Moroder, Patrick forged an electronic sound from his collection of synthesizers, modified guitars and self-constructed equipment. The listener enters a world of dark forbidden vices, introspective and reflective of Patrick's time spent in the bathhouses of San Francisco. The songs on "School Daze" range from sparse proto-techno to high octane funk to somber post-punk to musique concrete, revealing the depth of Cowley's unique talent.
Featuring over 80 minutes of music, this compilation contains soundtrack music from two Fox Studio films, "Muscle Up" and "School Daze", never before released on vinyl. The tapes were restored and transferred using the same speed and pitch settings, then remastered for vinyl by George Horn at Fantasy Studios in Berkeley, CA. The vinyl comes housed in a glossy dual pocket gatefold featuring classic gay porn imagery from the Fox Studio vaults plus an essay from Indoor Life vocalist, Jorge Soccarras. For Patrick's 63rd birthday, Dark Entries and Honey Soundsystem present a glimpse into the instrumental world of a young genius. These recordings shine a new light on the experimental side of a disco legend who was taken too soon. All proceeds from "School Daze" will be donated to Project Open Hand and the AIDS Housing Alliance.
More
Dark Entries and Honey Soundsystem have teamed up to release the gay porn soundtrack work of San Francisco-based musician and producer, Patrick Cowley. Perhaps one of the most revolutionary and influential people in the cannon of disco music, Cowley created his own brand of Hi-NRG dance music coined "The San Francisco Sound." Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco at the age of 21. He studied at the City College of San Francisco where he founded the Electronic Music Lab. During this time Patrick would create radio jingles and electronic pieces using the school's equipment, first a Putney, then an E-MU System and finally a Serge synthesizer. He would make experimental instrumental songs by blending various types of music and adapting them to the synthesizer.
By the mid-70's, Patrick's synthesizer skills landed him a job composing and producing songs for disco superstar Sylvester such as “You Make Me Feel (Mighty Real)”, “Dance Disco Heat” and "Stars." This helped Patrick obtain more work as a remixer and producer. Of particular note was his 18-minute long remix of Donna Summer’s “I Feel Love” and production work with edgy New Wave band Indoor Life. By 1981 Patrick released a string of dance 12" singles, like “Menergy” and “Megatron Man”, creating the soundtrack for a generation. Also that year, he founded Megatone Records and released his debut album. Around this time Patrick was hospitalized and diagnosed with a then-unknown illness: that would later be called AIDS. Prior to his passing on November 12, 1982, he recorded two more Hi-NRG hits, “Do You Wanna Funk” for Sylvester and "Right On Target" for Paul Parker.
In 1981 Patrick was contacted by John Coletti, owner of famed gay porn company Fox Studio in Los Angeles. John had heard about Patrick's music from the legendary Sylvester and proposed he write music for his films. Patrick jumped on this offer and sent reels of his college compositions from the 70s to John in LA. Coletti then used a variable speed oscillator to adjust the pitch and speed of Patrick's songs in-sync with the film scene. "School Daze" is a collection of Cowley's instrumental songs recorded between 1973 and 1981 found in the Fox Studio vaults. Influenced by Tomita, Wendy Carlos and Giorgio Moroder, Patrick forged an electronic sound from his collection of synthesizers, modified guitars and self-constructed equipment. The listener enters a world of dark forbidden vices, introspective and reflective of Patrick's time spent in the bathhouses of San Francisco. The songs on "School Daze" range from sparse proto-techno to high octane funk to somber post-punk to musique concrete, revealing the depth of Cowley's unique talent.
Featuring over 80 minutes of music, this compilation contains soundtrack music from two Fox Studio films, "Muscle Up" and "School Daze", never before released on vinyl. The tapes were restored and transferred using the same speed and pitch settings, then remastered for vinyl by George Horn at Fantasy Studios in Berkeley, CA. The vinyl comes housed in a glossy dual pocket gatefold featuring classic gay porn imagery from the Fox Studio vaults plus an essay from Indoor Life vocalist, Jorge Soccarras. For Patrick's 63rd birthday, Dark Entries and Honey Soundsystem present a glimpse into the instrumental world of a young genius. These recordings shine a new light on the experimental side of a disco legend who was taken too soon. All proceeds from "School Daze" will be donated to Project Open Hand and the AIDS Housing Alliance.
More
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Nu Genea - La Crisi
Four years after Nuova Napoli, Nu Genea are back with Bar Mediterraneo, a new album and journey, which projects the
sounds of the Neapolitan duo formed by Massimo Di Lena and Lucio Aquilina even further.
Nu Genea's Bar Mediterraneo is an idea of a shared place where people meet and fuse together; a space that leaves its
doors open to travellers and their lives, always exposed to the whims of fate. Some of this can be experienced through the
multitude of sounds that come together in the tracks, layers of different acoustic instruments, voices and synthesizers
merging in a unique musical blend.
Opening up to the voices of many different people, separated by languages but united by the sea and the music, Nu
Genea's hometown, Napoli, becomes a true place of encounter.
You can hear this all along. In "Gelbi", a gorgeously deep and propulsive Ney flute plunges into murky waters of the
melancholic Tunisian dialect sung by Marzouk Mejri. In "Marechia'", unbridled happiness and sun ooze from the delicate
vocals of Célia Kameni and create an acrobatic bridge between French and Neapolitan language. In "Straniero", your
soul is arrested from the moment the slow spell-binding mandolin ignites the hypnotic patterns recorded by the legendary
Afrobeat drummer Tony Allen. In "Bar Mediterraneo", the title track, bittersweet guitar’s riffs, analog waves and choirs are
overwhelming the song giving you what you would like to hear on a boat trip along the Amalfi Coast.
Nu Genea couldn't afford to overlook their firmly anchored roots into the Neapolitan culture and its dialect with "Tienaté",
where the power of neapolitan language (interpreted by Fabiana Martone) supports those quarter-tone strings and the
uncessant folk-disco groove that spreads to the entire song. In "Praja Magia", repetitive mandolin riffs lead the song,
giving space to a choral yet tight vocal line that speaks of Varcaturo, a village close to Napoli. In "Rire", a volley of poetic,
deceptively laidback, lyrical fury interpreted by Sicilian Marco Castello intimately combines with a highly musical, multitextured
instrumental backbone and the swoon of a chanson in its heart. In "La Crisi'', the lyrics of a Raffaele Viviani’s
poem from 1930 have been adapted to a laidback jazz-funk groove in full NG style. In "Vesuvio", revaluing the evocative
verses and powerful mantra of Vesuvio, Nu Genea re-adapted to the dancefloor a folk song by the working-class band E’
Zezi from Pomigliano D'Arco, combining the voices of a school choir with Jupiter-6 arpeggios and bold percussions.
Bar Mediterraneo is the place where people constantly return to transform curiosity into participation, tradition into
sharing, unfamiliar into familiar. When travellers come through its “doors”, carrying their treasures of words and emotions,
they aren’t strangers any more. They take part in a shared experience, enriching themselves and others by leading to
unexpected musical journeys.
TRACKLIST:
A1. Bar Mediterraneo
A2. Tienaté
A3. Gelbi (with Marzouk Mejri)
A4. Marechià (with Célia Kameni)
A5. Straniero
B1. Praja Magia
B2. Vesuvio
B3. Rire
B4. La Crisi More
sounds of the Neapolitan duo formed by Massimo Di Lena and Lucio Aquilina even further.
Nu Genea's Bar Mediterraneo is an idea of a shared place where people meet and fuse together; a space that leaves its
doors open to travellers and their lives, always exposed to the whims of fate. Some of this can be experienced through the
multitude of sounds that come together in the tracks, layers of different acoustic instruments, voices and synthesizers
merging in a unique musical blend.
Opening up to the voices of many different people, separated by languages but united by the sea and the music, Nu
Genea's hometown, Napoli, becomes a true place of encounter.
You can hear this all along. In "Gelbi", a gorgeously deep and propulsive Ney flute plunges into murky waters of the
melancholic Tunisian dialect sung by Marzouk Mejri. In "Marechia'", unbridled happiness and sun ooze from the delicate
vocals of Célia Kameni and create an acrobatic bridge between French and Neapolitan language. In "Straniero", your
soul is arrested from the moment the slow spell-binding mandolin ignites the hypnotic patterns recorded by the legendary
Afrobeat drummer Tony Allen. In "Bar Mediterraneo", the title track, bittersweet guitar’s riffs, analog waves and choirs are
overwhelming the song giving you what you would like to hear on a boat trip along the Amalfi Coast.
Nu Genea couldn't afford to overlook their firmly anchored roots into the Neapolitan culture and its dialect with "Tienaté",
where the power of neapolitan language (interpreted by Fabiana Martone) supports those quarter-tone strings and the
uncessant folk-disco groove that spreads to the entire song. In "Praja Magia", repetitive mandolin riffs lead the song,
giving space to a choral yet tight vocal line that speaks of Varcaturo, a village close to Napoli. In "Rire", a volley of poetic,
deceptively laidback, lyrical fury interpreted by Sicilian Marco Castello intimately combines with a highly musical, multitextured
instrumental backbone and the swoon of a chanson in its heart. In "La Crisi'', the lyrics of a Raffaele Viviani’s
poem from 1930 have been adapted to a laidback jazz-funk groove in full NG style. In "Vesuvio", revaluing the evocative
verses and powerful mantra of Vesuvio, Nu Genea re-adapted to the dancefloor a folk song by the working-class band E’
Zezi from Pomigliano D'Arco, combining the voices of a school choir with Jupiter-6 arpeggios and bold percussions.
Bar Mediterraneo is the place where people constantly return to transform curiosity into participation, tradition into
sharing, unfamiliar into familiar. When travellers come through its “doors”, carrying their treasures of words and emotions,
they aren’t strangers any more. They take part in a shared experience, enriching themselves and others by leading to
unexpected musical journeys.
TRACKLIST:
A1. Bar Mediterraneo
A2. Tienaté
A3. Gelbi (with Marzouk Mejri)
A4. Marechià (with Célia Kameni)
A5. Straniero
B1. Praja Magia
B2. Vesuvio
B3. Rire
B4. La Crisi More
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Last in:18.03.2024
Label:Voam
Cat-No:VOAM013
Release-Date:01.12.2023
Genre:Techno
Configuration:12"
Barcode:
1
Peder Mannerfelt - Pumping Plastics
2
Peder Mannerfelt - Vankelmotor
3
Peder Mannerfelt - Eurotrashed
4
Peder Mannerfelt - Liquid Rattan Mainframe
Sweden’s Peder Mannerfelt returns to Voam with “The Benefits of Living in a Hole”, his third EP for the label.
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Label:Central Processing Unit
Cat-No:CPU01111001
Release-Date:01.12.2023
Genre:Techno
Configuration:12"
Barcode:5050580804210
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Last in:30.01.2024
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Last in:30.01.2024
Label:Central Processing Unit
Cat-No:CPU01111001
Release-Date:01.12.2023
Genre:Techno
Configuration:12"
Barcode:5050580804210
1
Global Goon - Khroxic Mould
2
Global Goon - Snapterisk
3
Global Goon - Metallik
4
Global Goon - Syntheseers
5
Global Goon - Calcula
6
Global Goon - Metro Esc
7
Global Goon - Digit Six
8
Global Goon - Metal Glass
While this may be the first release on Sheffield's Central Processing Unit from Global Goon, the one known to friends and family as Johnny Hawk brings a whole heap of experience to the Nanoclusters mini-LP. Hawk started dropping Global Goon records on the legendary Rephlex Records back in the 1990s. The project's subsequent releases have taken in imprints as esteemed as WéMè and Balkan. Factor in a whole host of other aliases which have delivered missives via the likes of Planet Mu, and you know even before you press play on this witty, wily record that you're dealing with a master at work here. The confidence with which Global Goon approaches Nanoclusters shines through in Hawk taking much of the mini-album at midtempo. Cuts like 'Khroxic Mould', 'Metallik' and 'Syntheseers' sound like Bochum Welt heading down a dark alleyway. The former in particular is a seasick lope, the tuned synths lurching around like sailors on deck in a storm as bass ebbs and flows underneath the mix. The influence of Kraftwerk comes through prominently at times here, particularly in the way 'Calcula' and 'Digit Six' play pensive, slightly sombre synth chords off some simple but effective forward motion in the drum programming. That is not to say that Nanoclusters is not full of invention, though. None of the productions are overly flash, but this approach allows the little details to shine through more clearly, from cleverly panned hi-hats to hissing synth counter-melodies which flit in and out of the mix. Enthralling and packed full of ear candy, they're further evidence that Nanoclusters is the work of an expert craftsman. While the pulse of Nanoclusters remains relatively steady throughout, it's still a rather lively record. Plenty of these tracks will get the dancefloor moving if deployed correctly - though whether they're heard at home or in the dance, it's the attention to detail which makes them stand out. 'Snapterisk' is as perfect an example of machine-funk as you're likely to find - the drum programming is razor-sharp but rubbery with bongos, the bass a lithe burble, and those wobbly stabs of keys that put a bit of wiggle in the beat? Delightful stuff. Elsewhere the ever-looping arpeggio of 'Metro Esc' has hints of Frankie Knuckles' house classic 'Your Love', though an array of interesting sonic nuggets - snippets of vocal, radar-like bloops, a gently insistent low-end pulse - soften the track's clubbier elements with a pillowy sheen. And Hawk throws us a curveball right at the end of Nanoclusters, tapping back into that old Rephlex sound for the fizzy, braindancing 'Metal Glass'. Global Goon doesn't need to show off on Nanoclusters - from brilliantly slick machine-funk to Kraftwerkian reveries, the CPU debutant lets the music do the talking here. It makes for a confident and vivacious mini-LP, one which wears its expertise lightly.
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Last in:02.07.2024
Label:WSNWG
Cat-No:WSNWG013
Release-Date:17.11.2023
Genre:Techno
Configuration:12" Excl
Barcode:
1
PERYL & Rødhåd - KALLAIT 01 [230509]
2
PERYL & Rødhåd - KALLAIT 02 [230831]
3
PERYL & Rødhåd - KALLAIT 03 [230211.3]
4
PERYL & Rødhåd - KALLAIT 04 [230211.1]
For the next release on Rødhåd’s WSNWG imprint the label head invited Berlin based producer and live performer Peryl to his studio for various sessions between February and August of 2023. The result is 'KALLAIT' - five deep, driving techno cuts.
The vinyl release consists of four tracks with a digital Bonus added on top, all produced with maximum care and attention to detail. More
The vinyl release consists of four tracks with a digital Bonus added on top, all produced with maximum care and attention to detail. More
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Last in:26.06.2024
Label:Apollo
Cat-No:amb3922lp
Release-Date:29.06.2006
Genre:Techno
Configuration:2LP Excl
Barcode:5055274703046
non-exclusive
2LP R&S and Apollo Records present an official vinyl repress of this most classicand timeless album The vinyl uses the 2013 re-masters made from original DAT tapes cut by Matt Colton and presented in original artwork.
All time favourite Aphex Twin Album. Nice and accesible experimental techno. Originally released in 1992. What else could be said here, we finally are stocking copies on arguably the most important and influential electronic album of album time, Aphex Twin's Selected Ambient Works 85–92. You will always need this!!!
Tracks: A1 Xtal
A2 Tha
A3 Pulsewidth
B1 Ageispolis
B2 i
B3 Green Calx
B4 Heliosphan
C1 We Are The Music Makers
C2 Schottkey 7th Path
C3 Ptolemy
D1 Hedphelym
D2 Delphium
D3 Actium
More
2LP R&S and Apollo Records present an official vinyl repress of this most classicand timeless album The vinyl uses the 2013 re-masters made from original DAT tapes cut by Matt Colton and presented in original artwork.
All time favourite Aphex Twin Album. Nice and accesible experimental techno. Originally released in 1992. What else could be said here, we finally are stocking copies on arguably the most important and influential electronic album of album time, Aphex Twin's Selected Ambient Works 85–92. You will always need this!!!
Tracks: A1 Xtal
A2 Tha
A3 Pulsewidth
B1 Ageispolis
B2 i
B3 Green Calx
B4 Heliosphan
C1 We Are The Music Makers
C2 Schottkey 7th Path
C3 Ptolemy
D1 Hedphelym
D2 Delphium
D3 Actium
More
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Last in:08.03.2024
Label:HAYES
Cat-No:hysep49
Release-Date:15.12.2023
Genre:Techno
Configuration:12"
Barcode:
1
Nørbak - Malta 6AM
2
Nørbak - Passo Lento
3
Nørbak - Lux
4
Nørbak - Gare
Tracklisting
A1 Nørbak - Malta 6AM
A2 Nørbak - Passo Lento
B1 Nørbak - Lux
B2 Nørbak - Gare
Sales Note
Nørbak is back on HAYES with Passo Lento, five sparse, Orwellian exercises with concrete percussion and a soul-stirring, atonal approach to melody. More
A1 Nørbak - Malta 6AM
A2 Nørbak - Passo Lento
B1 Nørbak - Lux
B2 Nørbak - Gare
Sales Note
Nørbak is back on HAYES with Passo Lento, five sparse, Orwellian exercises with concrete percussion and a soul-stirring, atonal approach to melody. More
Label:A Long Strange Dream
Cat-No:ALSD002
Release-Date:08.12.2023
Configuration:12"
Barcode:
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Last in:17.01.2024
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Last in:17.01.2024
Label:A Long Strange Dream
Cat-No:ALSD002
Release-Date:08.12.2023
Configuration:12"
Barcode:
1
Batu - Seams
2
Batu - Half Speed
3
Batu - Flown
4
Batu - The Fifth
Batu returns to A Long Strange Dream for a deep dive into otherworldly ambient soundscapes, after infusing his interest in beatless forms in recent releases.
Drawing inspiration from the ambiance of chill-out rooms and their ability to channel the intense emotions of rave, he presents an entrancing voyage into post-euphoria, where self-exploration lives at the border of lucid dreaming and reality.
By recontextualizing his signature studies of the frontiers between organic and synthetic sounds outside of dancefloors, the multi-faceted producer displays a blissfully radiant and emotive side throughout an ecstatic journey. More
Drawing inspiration from the ambiance of chill-out rooms and their ability to channel the intense emotions of rave, he presents an entrancing voyage into post-euphoria, where self-exploration lives at the border of lucid dreaming and reality.
By recontextualizing his signature studies of the frontiers between organic and synthetic sounds outside of dancefloors, the multi-faceted producer displays a blissfully radiant and emotive side throughout an ecstatic journey. More