Label:Dark Entries
Cat-No:DE-314
Release-Date:06.09.2024
Genre:Alternative/Electronic
Configuration:2LP
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Cat-No:DE-314
Release-Date:06.09.2024
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1
Severed Heads - All Rights Reservered
2
Severed Heads - God Factory
3
Severed Heads - Hawaii / Torso / 97 Cigarettes
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Severed Heads - Acid Fur
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Severed Heads - Dance
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Severed Heads - New York Is A Lonely Town
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Severed Heads - (This Track Doesn't Exist)
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Severed Heads - Much About Bones
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Severed Heads - Scat
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Severed Heads - Pander To The Natives
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Severed Heads - For Garry 5
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Severed Heads - The Monkey Is Safe
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Severed Heads - 1-2-3 A Baby Buggy
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Severed Heads - Walking Best Friend
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Severed Heads - Untitled 1
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Severed Heads - Untitled 2
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Severed Heads - Now This Is God's Son 1
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Severed Heads - Acid Fur (Demo)
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Severed Heads - Now This Is God's Son 2
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Severed Heads - Hello Donald, Merry Christmas
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Severed Heads - Pinstripe Bus
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Severed Heads - The Man Of My Dreams
Dark Entries picks up Severed Heads yet again for Ear Bitten, a double LP reissue of some of the band’s earliest material. As originary Aussie industrial legends - although founder Tom Ellard would balk at being branded as such - Severed Heads shaped the continental subcultural sound with their kitchen electronics, chaotic tape loops, and quietly infectious nursery-rhyme-esque melodies. In 1979 Ellard, Richard Fielding, and Andrew Wright abandoned the moniker Mr. and Mrs. No Smoking Sign and adopted the edgier name Severed Heads “to pretend to be an industrial band such as Surgical Penis Klinik & Throbbing Gristle.” Noise-rockers Rhythmx Chymx had placed an advertisement in a local shop looking for a band to share the costs of pressing an LP. The Heads set about recording a Dadaist racket on a pair of open reel dictaphones and a cassette deck using a TRS-80 computer, Kawai Synthesizer 100F and Korg Mini Pops drum machine. Ear Bitten was released in 1980; original copies now fetch obscene sums, in part due to most of Severed Heads’ copies perishing in a fire at Richard’s home. The band’s next endeavor was a cassette titled Side 2, a collection of free-form experiments fashioned as Ear Bitten’s second side. For this reissue, Dark Entries has collected both Ear Bitten and Side 2 on the first disc, presenting the album in its full form. Disc two includes the original first version of Ear Bitten, which was only unreleased because it was recorded in a format not suitable for pressing. The album comes in a gatefold sleeve designed by Eloise Leigh and includes photos, liner notes, and reproductions of the original Xerox inserts from the 1980 issue. Ear Bitten delivers 22 tracks of pain you can dance to!
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Label:Medical Records
Cat-No:MR-089
Release-Date:26.08.2022
Genre:Alternative/Electronic
Configuration:2LP
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Label:Medical Records
Cat-No:MR-089
Release-Date:26.08.2022
Genre:Alternative/Electronic
Configuration:2LP
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1
Severed Heads - All Saints Day
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Severed Heads - Triangle Tangle Tango
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Severed Heads - Bad Times Too
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Severed Heads - Midget Sings
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Severed Heads - Seven Miles
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Severed Heads - Big Car Intro
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Severed Heads - Big Car
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Severed Heads - First Steps
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Severed Heads - Rotund For Success
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Severed Heads - LFM
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Severed Heads - All Saints Day Original
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Severed Heads - Bad Times Three
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Severed Heads - The Star Spangled Bradbury
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Severed Heads - LFM Dub
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Severed Heads - Chasing Skirt
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Severed Heads - Greater Reward
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Severed Heads - Greater Dub
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Severed Heads - Big Car Crash
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Medical continues it's exploration and admiration our beloved Severed Heads. Long overdue and much needed reissue of their1989 album "Rotund For Success". Special expanded 2LP version including alternate versions and remixes. "Rotund" is a treasure trove of hits including "All Saints Day", "Greater Reward" and "Big Car". Includes deluxe gatefold heavy duty full color jacket featuring the iconic pineapple and pine cone featured on the singles. Remastered by Mr. Ellard himself. Double 160gm black vinyl. Limited Edition. More
Medical continues it's exploration and admiration our beloved Severed Heads. Long overdue and much needed reissue of their1989 album "Rotund For Success". Special expanded 2LP version including alternate versions and remixes. "Rotund" is a treasure trove of hits including "All Saints Day", "Greater Reward" and "Big Car". Includes deluxe gatefold heavy duty full color jacket featuring the iconic pineapple and pine cone featured on the singles. Remastered by Mr. Ellard himself. Double 160gm black vinyl. Limited Edition. More
Label:Medical Records
Cat-No:MR-034
Release-Date:13.12.2021
Genre:Alternative/Electronic
Configuration:LP
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Label:Medical Records
Cat-No:MR-034
Release-Date:13.12.2021
Genre:Alternative/Electronic
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1
Severed Heads - A Relic Of The Empire
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Severed Heads - A Million Angels
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Severed Heads - Houses Still Standing
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Severed Heads - Gashing The Old Mae West
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Severed Heads - Dead Eyes Opened
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Severed Heads - Golden Boy
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Severed Heads - Godsong
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Severed Heads - Epilepsy 82
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Severed Heads - Exploring The Secrets Of Treating Deaf Mutes
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Severed Heads - Brassiere, In Rome
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Severed Heads - Wasps
Repress of Medical's 2014 reissue of the long out of print and crucial LP Australia's Severed Heads (alongside "City Slab Horror" also being repressed by Medical). Released in 1983 and features some of the most important yet underrated electronic music of the genre. Characterized by a fusion of experimental tape loop manipulation perfectly integrated into synth-based and quite catchy pop stylized tunes. Features the hit "Dead Eyes Opened" as well as other standout tracks such as "A Million Angels" and "A Relic Of The Empire". For fans of innovative early industrial/wave crossovers such as Cabaret Voltaire, early Coil, and Chris & Cosey. Limited Edition.
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Label:Medical Records
Cat-No:MR-035
Release-Date:13.12.2021
Genre:Alternative/Electronic
Configuration:LP
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Label:Medical Records
Cat-No:MR-035
Release-Date:13.12.2021
Genre:Alternative/Electronic
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1
Severed Heads - Spasm
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Severed Heads - Spastic Crunch
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Severed Heads - Spitoon Thud
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Severed Heads - 4.W.D.
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Severed Heads - Ayoompteyempt
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Severed Heads - The Bladders of A One Thousand Bedoin
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Severed Heads - Now An Explosive New Movie
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Severed Heads - Guests
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Severed Heads - We Have Come To Bless The House
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Severed Heads - Cyflea, Rated R
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Severed Heads - Goodbye Tonsils
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Severed Heads - Voices Of The Dead
Repress of Medical's 2014 reissue of the long out of print and crucial LP Australia's Severed Heads (alongside "Since The Accident" also being repressed by Medical). Released in 1985 and features some of the most important yet underrated electronic music of the genre. Characterized by a fusion of experimental tape loop manipulation perfectly integrated into synth-based and quite catchy pop stylized tunes. Features the standout tracks "Goodbye Tonsils", "We Have Come For This House" and the lovely "4.W.D" track. For fans of innovative early industrial/wave crossovers such as Cabaret Voltaire, early Coil, and Chris & Cosey. Limited Edition.
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Label:Dark Entries
Cat-No:DE-265
Release-Date:26.11.2021
Configuration:2LP
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Label:Dark Entries
Cat-No:DE-265
Release-Date:26.11.2021
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1
Severed Heads - Food City
2
Severed Heads - On Own Home
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Severed Heads - Charivari
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Severed Heads - Nightsong
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Severed Heads - Car Advertisment
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Severed Heads - Love
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Severed Heads - Don't Saxophone
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Severed Heads - Book
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Severed Heads - Tiny Fingers
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Severed Heads - heavily Tatooed Men + Women
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Severed Heads - Violins And Moonlight
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Severed Heads - Stomach
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Severed Heads - You Will
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Severed Heads - Turtledove
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Severed Heads - Flower
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Severed Heads - Clean Loops
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Severed Heads - Floopness
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Severed Heads - Ladies + Gents Digital
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Severed Heads - Somehow Pain
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Severed Heads - Subjective
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Severed Heads - Always Randy
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Severed Heads - Unbreakable
23
Severed Heads - Traumat
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Severed Heads - Opera
25
Severed Heads - Siren
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Our first release of 2020 is a deluxe 2xLP reissue of Severed Heads’ debut 1981 album ‘Clean’. One of the longest surviving bands to emerge from the Australian post-punk independent music scene, they began in Sydney in 1979. Severed Heads is basically a nom- de-plum for Tom Ellard, who incorporates elements of ‘industrial’ noise-generation, tape cutting & looping and electronic sound synthesis. As the project developed song-structures and vocals were employed in a more-or-less recognizable mutant electro pop style.
‘Clean’ was amongst the first vinyl releases under the Dogfood Productions banner of Terse Tapes, previously a cassette-only label. For this records Tom used an array of synthesizers (Kawai 100F, Casiotone, Roland CR78+SH1+CSQ100), sequencers, tapes and occasional guitar and violin played by Garry Bradbury. Severed Heads have a language of their own, music that juxtaposes all sorts of noise, in all sorts of ways so that a structure evolves, (fragmented) melody and rhythm being almost a by-product. As one reviewer said in 1981, “It is an ugly album that you simply cannot ignore, it thuds and screeches and makes you stare just to wonder what kind of people would procure such an album.” For this deluxe reissue we’ve included a bonus disc featuring 13 songs, 5 of which have never been released before, culled from live performances, the ‘Side 3’ cassette and a ‘Clean’ demo tape that only surfaced last year, plus "Food City" missing from previous reissues.
All songs have been remastered by Tom Ellard, with vinyl EQ and lacquer cutting by George Horn at Fantasy Studios in Berkeley. Each copy is housed in a gatefold jacket featuring black and white xeroxed artwork from the first vinyl edition. Inside the gatefold are liner notes by Tom Ellard plus photos and press clippings from the period. “‘Clean’ is original and powerful and everybody should listen to it at least once, just so they know where the boundaries lie.” Ashley Crawford, Virgin Press 1981. 25% of proceeds will be donated to the Australian Fire Relief Fund for First Nations Communities, that offers specific direct support to some of those communities with critical costs to cover expenses.
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Our first release of 2020 is a deluxe 2xLP reissue of Severed Heads’ debut 1981 album ‘Clean’. One of the longest surviving bands to emerge from the Australian post-punk independent music scene, they began in Sydney in 1979. Severed Heads is basically a nom- de-plum for Tom Ellard, who incorporates elements of ‘industrial’ noise-generation, tape cutting & looping and electronic sound synthesis. As the project developed song-structures and vocals were employed in a more-or-less recognizable mutant electro pop style.
‘Clean’ was amongst the first vinyl releases under the Dogfood Productions banner of Terse Tapes, previously a cassette-only label. For this records Tom used an array of synthesizers (Kawai 100F, Casiotone, Roland CR78+SH1+CSQ100), sequencers, tapes and occasional guitar and violin played by Garry Bradbury. Severed Heads have a language of their own, music that juxtaposes all sorts of noise, in all sorts of ways so that a structure evolves, (fragmented) melody and rhythm being almost a by-product. As one reviewer said in 1981, “It is an ugly album that you simply cannot ignore, it thuds and screeches and makes you stare just to wonder what kind of people would procure such an album.” For this deluxe reissue we’ve included a bonus disc featuring 13 songs, 5 of which have never been released before, culled from live performances, the ‘Side 3’ cassette and a ‘Clean’ demo tape that only surfaced last year, plus "Food City" missing from previous reissues.
All songs have been remastered by Tom Ellard, with vinyl EQ and lacquer cutting by George Horn at Fantasy Studios in Berkeley. Each copy is housed in a gatefold jacket featuring black and white xeroxed artwork from the first vinyl edition. Inside the gatefold are liner notes by Tom Ellard plus photos and press clippings from the period. “‘Clean’ is original and powerful and everybody should listen to it at least once, just so they know where the boundaries lie.” Ashley Crawford, Virgin Press 1981. 25% of proceeds will be donated to the Australian Fire Relief Fund for First Nations Communities, that offers specific direct support to some of those communities with critical costs to cover expenses.
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Label:dark entries
Cat-No:de104
Release-Date:29.10.2015
Genre:Classics
Configuration:12"
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Cat-No:de104
Release-Date:29.10.2015
Genre:Classics
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Dark Entries digs deeper in to the archives of Severed Heads, one of the longest surviving bands to emerge from the Australian post-punk independent music scene. They began in Sydney in 1979, incorporating elements of ‘industrial’ noise-generation, tape cutting & looping and electronic sound synthesis. As the project developed song-structures and vocals were employed in a more-or-less recognizable mutant electro pop style. In 1986 the band released the 12” single “Petrol” on Nettwerk Records. We’ve decided to shed light on the evolution of “Petrol” with this EP showcasing four earlier incarnations of what became an instant synth pop classic. “Petrol”, originally titled “Lamborghini”, was written by Garry Bradbury and Tom Ellard in 1981. The first version of the song featured vocals by Finoa Graham and music by Tom Ellard. “Lamborghini” was featured on a compilation of Experimental Australian bands titled “Entrave Et Étouffement, From Australia...” released by L'Invitation Au Suicide in April 1982. DJs in Chicago discovered the import compilation and “Lamborghini” became a proto-House secret weapon, traded on mix tapes. In July 1982, the band was invited to record several songs on Metro TV in Sydney to demonstrate the video synthesizer, a new piece of equipment played by Stephen Jones. The video synthesizer was installed into Metro's control room above the main studio to process the performance in real time on two cameras while recording to video. Tom Ellard and Garry Bradbury were using analog synths and tape recorders along with the screaming guitar work of Simon Knuckey, while Garry took over vocal duties. In 1984 Tom took another stab at the song, re-recording and singing “Petrol” for the compilation “Beyond The Southern Cross”, a double compilation album of Electronic and Post-Punk bands from Australia and New Zealand. Finally in 1985, the band went into the Terse Tapes studio with producer Robert Racic to record “Petrol” for a 7” single release on Volition Records. Featured here is the B-side of the 7”, a cut-up dub “version” remixed by Racic and packed full of intensity. All songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. Housed in a jacket featuring brightly colored, distorted, VHS graphics output by Stephen Jones' video synthesizer created by Tom Ellard video piece “Kato Gets The Girl” in 1985, designed by Eloise Leigh. Each copy includes a postcard with notes and original hand-written lyrics by Garry Bradbury. More than 30 years later Severed Heads are still paving the way for powerful imaginative challenging music far and wide.
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Label:Dark Entries
Cat-No:DE-285
Release-Date:20.09.2024
Genre:Alternative/Electronic
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1
Avant Garde - Pesadillas
2
Vandana - Cambios En El Tiempo
3
Syntoma - No Me Puedo Controlar
4
Artefacto - Mundo Sin Viento
5
Cou Cou Bazar - Cou Cou Bazar
6
Volti - Corazón
7
Nahtabisk - La Dama De Probeta
8
Escuadrón Del Ritmo - Las Cucarachas
9
Década 2 - Alfabeto (Cold Version)
10
Silueta Pálida - El Paso Del Tiempo (Versión Remezclada)
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On Back Up: Mexican Tecno Pop, Dark Entries brings us 10 divergent tracks of Mexican electronics from 1980-1989, full of skittering analog drum boxes and saucy synthesizer hooks. 8 of these songs were culled from the 2005 CD-only compilation Backup: Expediente Tecno Pop on AT-AT records. Also included are two previously unreleased cuts. This release marks the first time many of these songs will have appeared on vinyl; it is also the first ever vinyl compilation of Mexican New Wave and post-punk.
While synth pop and obscure electronics from Europe and the United States have been extensively documented, much less attention has been paid to such offerings from the periphery. Back Up serves as a vital document of Mexico’s flourishing DIY scene in the 1980’s, surveying a wide range of styles and moods. By using home recording techniques, the bands featured here were able to circumvent relying on the expensive studios of the era. Tracks by Avant Garde, Vandana, and Silueta Pálida mine the kind of dreary-but-infectious wave that long-time Dark Entries fans will celebrate. Meanwhile, Volti and Artefacto offer a floor-ready pop sound that has echoes of NY freestyle, with Latin percussion and boxy beats. But darker turns are present as well, with Década 2’s New Beat-inflections and electro experiments of Syntoma and their side project Escuadrón Del Ritmo.
Back Up: Mexican Tecno Pop was remastered by George Horn at Fantasy Studios. The sleeve is a neon retro-futurist design by Gwenaël Rattke. Also included is a 12-page booklet printed on neon green, pink, and orange paper, which features photographs, band biographies, lyrics, and liner notes. More
On Back Up: Mexican Tecno Pop, Dark Entries brings us 10 divergent tracks of Mexican electronics from 1980-1989, full of skittering analog drum boxes and saucy synthesizer hooks. 8 of these songs were culled from the 2005 CD-only compilation Backup: Expediente Tecno Pop on AT-AT records. Also included are two previously unreleased cuts. This release marks the first time many of these songs will have appeared on vinyl; it is also the first ever vinyl compilation of Mexican New Wave and post-punk.
While synth pop and obscure electronics from Europe and the United States have been extensively documented, much less attention has been paid to such offerings from the periphery. Back Up serves as a vital document of Mexico’s flourishing DIY scene in the 1980’s, surveying a wide range of styles and moods. By using home recording techniques, the bands featured here were able to circumvent relying on the expensive studios of the era. Tracks by Avant Garde, Vandana, and Silueta Pálida mine the kind of dreary-but-infectious wave that long-time Dark Entries fans will celebrate. Meanwhile, Volti and Artefacto offer a floor-ready pop sound that has echoes of NY freestyle, with Latin percussion and boxy beats. But darker turns are present as well, with Década 2’s New Beat-inflections and electro experiments of Syntoma and their side project Escuadrón Del Ritmo.
Back Up: Mexican Tecno Pop was remastered by George Horn at Fantasy Studios. The sleeve is a neon retro-futurist design by Gwenaël Rattke. Also included is a 12-page booklet printed on neon green, pink, and orange paper, which features photographs, band biographies, lyrics, and liner notes. More
LP
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Label:Dark Entries
Cat-No:DE-323
Release-Date:20.09.2024
Genre:Alternative/Electronic
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Cat-No:DE-323
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1
Los Agentes Secretos - Loco Poco A Poco
2
Interface - Terregator
3
Casino Shanghai - Cuerpos Huecos
4
Duda Mata - Se, Soy
5
Ford Proco - Central De Datos
6
Voces Múltiples - Que No Se Pare El Tiempo
7
Neo Danza - La Reina Blanca
8
María Bonita - Rezo El Rosario
9
El Escuadrón Del Ritmo - Hielo Congelado
10
Las Flores Del Mal - El Ojo Del Gato
Dark Entries returns to Mexico with Back Up Dos: Mexican Tecno Pop 1982-1989. Following 2021’s Back Up compilation, Back Up Dos delivers 10 more tracks of synth-pop and New Beat, 7 of which have never before appeared on vinyl. From mutant drum machine beats to irresistible synthesizer hooks, fans of the fringes of the 80s will find songs to stir their cold, dark hearts. But Back Up Dos does more than mine retro kitsch; it documents the development of a rich DIY music scene that is still underexplored. As affordable samplers and digital synths spread throughout the decade, post-punk and new wave gave way to more aggressive EBM and cyberpunk sounds. The scene also developed in opposition to the political climate of the times: the rise of the drug cartels and a reactionary turn in national politics. Using home recording techniques, these bands took cues from the electronic wizardry of the Human League and Wax Trax Records while reflecting the vibrant and chaotic Mexican cultural landscape of the era. On Back Up Dos, impeccable pop anthems from Casino Shanghai and Los Agentes Secretos sit alongside gnarled obscurities from Ford Proco and María Bonita, showcasing a decade of sly deviance and enthusiastic experimentation. This album comes housed in an 80s-inflected neon sleeve designed by Gwenael Rattke and includes a 12-page booklet with photographs, lyrics, and notes. Back Up Dos compiles synthetic music produced in Mexico at the crossroads from Tecno Pop to Post-Industrial, nourished by culture shock and stories of dystopian worlds.
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Label:Dark Entries
Cat-No:DE-CMG
Release-Date:30.08.2024
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Dark Entries Collected Music Graphics Compiled by Josh Cheon and Eloise Shir-Juen Leigh To celebrate 15 years of Dark Entries, this zine showcases the label’s visual aesthetic, bringing together some of the most iconic designs that we’ve released. While Dark Entries’ sonic mission has included sounds as diverse as synth-pop, Italo disco, darkwave, house, and techno, it is equally staggering to see the breadth of visuals the label has encountered and collected over the years. Included here are selected typography, logos, and illustrations from the label’s extensive catalog — well over 300 releases to date. Designs have been created using DIY analogue techniques as well as more contemporary digital approaches. A full discography is included at the end for reference and an essay by Shawn O’Sullivan (Led Er Est, Further Reductions). This zine serves as a source of inspiration for artists as well as a means of preserving and documenting these distinct graphics. DARK ENTRIES RECORDS is a San Francisco-based record label that was born in July 2009. Helmed by Josh Cheon, a vinyl-focused DJ and collector, the label has focused largely on excavating the 1980s underground era – but releases have spanned from sultry vintage disco to bleeding-edge contemporary techno. Graphic designer Eloise Shir-Juen Leigh has been responsible for most of the label’s artwork, whether reproducing original designs accurately for reissues or creating exciting new ones. Much care and attention is given to each release to represent the music in a memorable way as well as tell the stories behind these projects. Hand-stamped and limited to 200 numbered copies. 64 pages with neon cardstock covers. Measures 5×7 inches.
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Cat-No:DE-269BOOK
Release-Date:23.08.2024
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Dark Entries again shines a spotlight on bathhouse disco don Patrick Cowley with a newly remastered release of Kickin’ In. Although Cowley tragically passed from AIDS-related illness in 1982, he left an extensive archive of unreleased tapes, many of which Dark Entries has had the honor of releasing. While working as a lighting technician at The City, SF’s disco cabaret, Cowley saw rising star Frank Loverde perform. Cowley asked Loverde to contribute vocals to some material in progress, and Frank, Linda Imperial, and Peggy Gibbons joined Cowley in the studio. The resulting songs included “Kickin’ In,” a 9-minute cybernetic disco stormer that taps into the essence of Cowley’s hi-NRG sound: equal parts spaced out and zoned in on the dancefloor. In May 1978 Cowley joined Loverde on stage at The City to perform “Kickin’ In” as they opened for disco diva Sylvester.
“Kickin’ In” was initially released in 2015 via Honey Soundsystem who found the tapes in the basement of Megatone Records owner John Hedges. This newly remastered version was made possible due to the discovery of the original multi-track recordings of "Kickin’ In," allowing for a fresh mixdown by Jim Hopkins as well as the creation of a new instrumental version. Also included are two impeccably sleazy Cowley jams recorded in 1980, “Thief of Love” and “Make It Come Loose.” Cowley narrates excerpts from his erotic journals on these raunchy slow-burners, capturing the vibe of SF’s leather bars and backrooms. “Thief of Love” features frequent Cowley collaborator Paul Parker on background vocals. This reissue of Kickin’ In includes features an illustration by Gwenaël Rattke that originally appeared Cowley’s erotic journal, Mechanical Fantasy Box, as well as a postcard with lyrics. “Patrick parted the veil and entered a dark world of forbidden vices, wondrous musical panoramas and bold, strident, hopeful possibilities. Patrick brought the future to us and laid it at our feet.” – David Diebold, Tribal Rites More
“Kickin’ In” was initially released in 2015 via Honey Soundsystem who found the tapes in the basement of Megatone Records owner John Hedges. This newly remastered version was made possible due to the discovery of the original multi-track recordings of "Kickin’ In," allowing for a fresh mixdown by Jim Hopkins as well as the creation of a new instrumental version. Also included are two impeccably sleazy Cowley jams recorded in 1980, “Thief of Love” and “Make It Come Loose.” Cowley narrates excerpts from his erotic journals on these raunchy slow-burners, capturing the vibe of SF’s leather bars and backrooms. “Thief of Love” features frequent Cowley collaborator Paul Parker on background vocals. This reissue of Kickin’ In includes features an illustration by Gwenaël Rattke that originally appeared Cowley’s erotic journal, Mechanical Fantasy Box, as well as a postcard with lyrics. “Patrick parted the veil and entered a dark world of forbidden vices, wondrous musical panoramas and bold, strident, hopeful possibilities. Patrick brought the future to us and laid it at our feet.” – David Diebold, Tribal Rites More
Label:Dark Entries
Cat-No:DE-273
Release-Date:16.08.2024
Configuration:12"
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1
Patrick Cowley - Kickin' In Feat. Loverde
2
Patrick Cowley - Thief Of Love
3
Patrick Cowley - Kickin' In (Instrumental)
4
Patrick Cowley - Make It Come Loose
Dark Entries again shines a spotlight on bathhouse disco don Patrick Cowley with a newly remastered release of Kickin’ In. Although Cowley tragically passed from AIDS-related illness in 1982, he left an extensive archive of unreleased tapes, many of which Dark Entries has had the honor of releasing. While working as a lighting technician at The City, SF’s disco cabaret, Cowley saw rising star Frank Loverde perform. Cowley asked Loverde to contribute vocals to some material in progress, and Frank, Linda Imperial, and Peggy Gibbons joined Cowley in the studio. The resulting songs included “Kickin’ In,” a 9-minute cybernetic disco stormer that taps into the essence of Cowley’s hi-NRG sound: equal parts spaced out and zoned in on the dancefloor. In May 1978 Cowley joined Loverde on stage at The City to perform “Kickin’ In” as they opened for disco diva Sylvester.
“Kickin’ In” was initially released in 2015 via Honey Soundsystem who found the tapes in the basement of Megatone Records owner John Hedges. This newly remastered version was made possible due to the discovery of the original multi-track recordings of "Kickin’ In," allowing for a fresh mixdown by Jim Hopkins as well as the creation of a new instrumental version. Also included are two impeccably sleazy Cowley jams recorded in 1980, “Thief of Love” and “Make It Come Loose.” Cowley narrates excerpts from his erotic journals on these raunchy slow-burners, capturing the vibe of SF’s leather bars and backrooms. “Thief of Love” features frequent Cowley collaborator Paul Parker on background vocals. This reissue of Kickin’ In includes features an illustration by Gwenaël Rattke that originally appeared Cowley’s erotic journal, Mechanical Fantasy Box, as well as a postcard with lyrics. “Patrick parted the veil and entered a dark world of forbidden vices, wondrous musical panoramas and bold, strident, hopeful possibilities. Patrick brought the future to us and laid it at our feet.” – David Diebold, Tribal Rites More
“Kickin’ In” was initially released in 2015 via Honey Soundsystem who found the tapes in the basement of Megatone Records owner John Hedges. This newly remastered version was made possible due to the discovery of the original multi-track recordings of "Kickin’ In," allowing for a fresh mixdown by Jim Hopkins as well as the creation of a new instrumental version. Also included are two impeccably sleazy Cowley jams recorded in 1980, “Thief of Love” and “Make It Come Loose.” Cowley narrates excerpts from his erotic journals on these raunchy slow-burners, capturing the vibe of SF’s leather bars and backrooms. “Thief of Love” features frequent Cowley collaborator Paul Parker on background vocals. This reissue of Kickin’ In includes features an illustration by Gwenaël Rattke that originally appeared Cowley’s erotic journal, Mechanical Fantasy Box, as well as a postcard with lyrics. “Patrick parted the veil and entered a dark world of forbidden vices, wondrous musical panoramas and bold, strident, hopeful possibilities. Patrick brought the future to us and laid it at our feet.” – David Diebold, Tribal Rites More
Label:Dark Entries
Cat-No:DE-001
Release-Date:19.07.2024
Genre:Alternative/Electronic
Configuration:LP
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1
Eleven Pond - Tear & Cinnamon
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Eleven Pond - Watching Trees
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Eleven Pond - Days Hence
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Eleven Pond - Tightrope
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Eleven Pond - Asterisk
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Eleven Pond - Portugal
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Eleven Pond - Moving Nowhere
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Eleven Pond - Changing Face
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Eleven Pond - Temporeal
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Eleven Pond - Ignorant Father
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Eleven Pond - Ask / Jealousy
Dark Entries celebrates its 15th anniversary by returning to where it all started, our initial darkest entry: Eleven Pond’s masterpiece Bas Relief, an ultra-obscure album from 1986 that would become a definitive dark pop holy grail. Eleven Pond was James Tabbi (vocals, acoustic guitar), Jeff Gallea (drum machine, synthesizer, vocals), Jack Schaeffer (guitar) and Dan Brumley (synthesizer, samples, vocoder, melodica). They met in Rochester, NY, while attending art school, brought together by their shared love of 4AD and Factory Records. Taking cues from acts like Joy Division, Fad Gadget, and For Against, Eleven Pond’s infectious basslines, churning guitar riffs, and atmospheric synths will charm all fans of moody music. But what really makes Bas Relief shine is the timeless songwriting on classics like “Tear and Cinnamon”, “Portugal”, and the anthemic “Watching Trees.”
With only 500 copies in it’s initial release, Bas Relief resurfaces with a fresh remaster that corrects a pitch shift from previous reissues. Each copy is housed in a screen printed jacket, like the 1986 edition, and includes a lyric sheet, two postcards and a bookmark. Bas Relief is a true lost relic of the cold 80’s and an essential piece Dark Entries history. More
With only 500 copies in it’s initial release, Bas Relief resurfaces with a fresh remaster that corrects a pitch shift from previous reissues. Each copy is housed in a screen printed jacket, like the 1986 edition, and includes a lyric sheet, two postcards and a bookmark. Bas Relief is a true lost relic of the cold 80’s and an essential piece Dark Entries history. More
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Label:Dark Entries
Cat-No:DE-307
Release-Date:28.06.2024
Genre:Alternative/Electronic
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Cat-No:DE-307
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1
Balladium - Andrómeda
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D. W. Art - Mate
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Prece Oposto - Homem Do Leme
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Jovem Guarda - Levante
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Taquicárdia - Enfarte 11
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Zona Proibida - Musak
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Der Stil - Flores Do Vício
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Projecto Azul - New Sides
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Essa Entente - Festa Final
The seductive sounds of Portugal swing to Dark Entries on Rock Rendez Vous: Música Moderna Portuguesa 1985-1986, a compilation of vintage Iberian synth, wave, and postpunk gems. The legendary club Rock Rendez Vous (RRV) opened its doors in Lisbon in 1980, heralding a new era in the Portuguese underground. Although touring acts like Killing Joke, Danse Society, or Echo & the Bunnymen graced its stage, RRV more vitally served as ground zero for a new generation of Portuguese bands, one simultaneously in touch with broader international musical movements while being invested in establishing a national sonic identity. Rock Rendez Vous culls 9 tracks of prime Portuguese indie tunes from the Música Moderna Portuguesa compilations released in 1985 and 1986, documenting the heyday of this movement. Jangly and brooding postpunk gems like “Levante” from Jovem Guarda, Projecto Azul’s “New Sides,” and Essa Entente’s “Festa Final” are well-represented here. Meanwhile, quirky Balearic-laced synthpop gems like D. W. Art’s “Mate” or Zona Proibida’s “Musak” add a subtly regional flare. Rock Rendez Vous: Música Moderna Portuguesa comes housed in a sleeve designed by Eloise Leigh featuring a photo of the club RRV, and also includes a double-sided insert with lyrics, photos, and liner notes.
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Label:Dark Entries
Cat-No:DE-321
Release-Date:07.06.2024
Genre:Alternative/Electronic
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Cat-No:DE-321
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1
Angelyne - Tangerine Rose
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Angelyne - Sex Goddess
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Angelyne - Dreamin About You
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Angelyne - My List
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Angelyne - Skin Tight
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Angelyne - Flirt
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Angelyne - Sex Goddess (Dance Mix)
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Angelyne - Dreamin About You (Dance Mix)
LA goddess Angelyne’s neon-draped sophomore LP Driven to Fantasy steers its way to Dark Entries as part of the ongoing celebration of our 15th anniversary! "Who is Angelyne? Angelyne is a voluptuous, blonde, self-made star who drives a hot pink Corvette; wears her clothes short and tight, and is influenced by Barbie and Marilyn Monroe.” In 1984, a series of billboards popped up in the LA area featuring the lone word “Angelyne” along with a mysterious woman posing provocatively. The campaign created an instant stir, making her one of the first icons who was "famous for being famous", and it led to the recording of her second solo LP. Released in 1986, Driven to Fantasy features 8 tracks of bubblegum-hued new wave with a distinctly LA flavor. On sassy titles like “Sex Goddess”, “Skin Tight”, and “Flirt”, Angelyne fused the glam and grit of southern Californian punk with flashy synth-pop style. This will be the first time that this cult record will be in print since its original release, and comes on pink Corvette-colored vinyl with a 2-sided poster featuring lyrics. Angelyne is more than just a billboard or a rock star; she’s been an actress, a visual artist, and even a political candidate. Celebrate a true Hollywood legend with this historic reissue.
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Label:Dark Entries
Cat-No:DE-324
Release-Date:07.06.2024
Genre:Alternative/Electronic
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Cat-No:DE-324
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1
Ortrotasce - Distant In Time
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Ortrotasce - No Mortal Harmony
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Ortrotasce - Failing Star
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Ortrotasce - Romance & War
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Ortrotasce - Dispatches From Solitude
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Ortrotasce - Part From Myself
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Ortrotasce - Systems Of Love
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Ortrotasce - Shorting Circuit
Ortrotasce comes to Dark Entries with Dispatches From Solitude, their latest LP. For over a decade, Nic Hamersly has been using the Ortotrasce (pronounced: or-tro-task) moniker to unleash brooding-yet-propulsive darkwave anthems upon the world. Hamersly’s work explores the intersection between industrial and synth pop, drawing a line from the sounds of the past to the present. Recorded during the Covid and post-Covid era, Dispatches from Solitude brings 8 tracks of tightly wrought synth-pop exploring grief, romance, and our strange world - which just keeps getting stranger. The cover art was designed by Hamersly, and the record includes a postcard with notes. Dispatches From Solitude will thrill fans of classic industrial-laced wave bands like Hard Corps, Fad Gadget, and SPK
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Label:Dark Entries
Cat-No:DE-328
Release-Date:26.04.2024
Genre:Alternative/Electronic
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1
Crash Course In Science - Near Marineland
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Crash Course In Science - Second Glance
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Crash Course In Science - It Cost's To Be Austere
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Crash Course In Science - No More Hollow Doors
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Crash Course In Science - Force The Habit
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Crash Course In Science - Someone Reads
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Crash Course In Science - Jump Over Barrels
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Crash Course In Science - Pompei Spared
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Crash Course In Science - Fun Hair
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Crash Course In Science - In Your Own Backyard
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Crash Course In Science - Wishbone
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Crash Course In Science - Sputnik In Orbit
Dark Entries celebrates its 15th anniversary with legendary synth-punk deviants Crash Course in Science. Dale Feliciello, Mallory Yago, and Michael Zodorozny formed CCIS in 1979 after meeting at art school in Philadelphia. As a gesture born of equal parts punk irreverence and brute necessity, the band incorporated toy instruments and kitchen appliances into their aggressive, angular sound. Their anthems “Cardboard Lamb” and “Flying Turns” from 1981’s Signals From Pier Thirteen EP have been staples in adventurous DJ sets for over 40 years - yet some of their finest work is to be found on Near Marineland, a full-length LP recorded in 1981 but remained unreleased in its time. Near Marineland shows the band moving into more diverse and polished territory (although it’s still as abrasive as sandpaper). Tracks like “No More Hollow Doors” and “Jump Over Barrels” highlight CCIS’s singular knack for embedding infectiously monotone hooks in their stiff-yet-funky grooves. Elsewhere we see CCIS going fully unhinged, like on the searing “Someone Reads” or the demented “Pompeii Spared”, where a spray of honks is barely glued together by a frantic synthetic pulse. While this masterwork of malfunctioning analog electronics has surfaced on a few occasions - this first time stand alone remaster includes four never-before-released bonus tracks and includes a lyric sheet. Near Marineland is crucial listening for all devotees of synth-punk and minimal electronics.
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Label:Dark Entries
Cat-No:DE-317
Release-Date:22.03.2024
Genre:Alternative/Electronic
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Cat-No:DE-317
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1
Coti K. - Theros
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Coti K. - Blue
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Coti K. - Argonauts
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Coti K. - Shoal
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Coti K. - Nottle Estiva
Coti K. brings 5 tracks of Balearic-ambient sweetness to Dark Entries. Italian-Greek musician Costantino Luca Rolando Kiriakos has been a pioneering force in the Athens electronic music scene since the mid-80’s, wearing hats as diverse as composer, sound engineer, and installation artist. His countless projects and collaborators include Tuxedomoon, Stereo Nova, In Trance 95, and RAW (previously reissued by Dark Entries). 1994’s Theros, Kiriakos’s first release as Coti K., was comprised of three tracks of breezy downtempo beats, brimming with smooth breaks, boomy 808’s, and cosmically chill pads & pianos. In tune with the global vibes of the emerging ambient electronica movement, Coti K. brings a dose of his Hellenic heritage with tracks titles like “Argonauts” and “Theros.” The title track includes spoken word contributions from Konstantinos Bhta of Stereo Nova and is built off of a drum loop from Greek goth outfit Flowers of Romance. The sauntering “Blue” features vocals by Christina Moraki which were captured on a portable tape recorder, while the instrumental “Argonauts” is bolstered by cello from Nikos Veliotis. This reissue also includes two tracks from Coti’s 1997 debut LP - “Shoal” and “Notte Estiva” - which have never before appeared on vinyl, and show Coti experimenting with ambient and IDM styles. The cover art for Theros is a photo of the ocean by Giannis Papaioannou of RAW featuring early digital processing done on a Macintosh LC. Coti’s Theros is a timely slice of 90’s nostalgia with a uniquely Mediterranean twist.
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Label:Dark Entries
Cat-No:DE-298
Release-Date:15.03.2024
Genre:House / Techno
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1
Doc Sleep - Professor Eucalyptus
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Doc Sleep - Lemon Zest
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Doc Sleep - Palm Reader
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Doc Sleep - Echo Azure
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Doc Sleep - Water Sign
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Doc Sleep - Cloud Sight Fade
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Doc Sleep - Enchanted Static
Doc Sleep returns to Dark Entries with Cloud Sight Fade, an album of ethereal house and techno. Doc Sleep is the alias of DJ and producer Melissa Maristuen. Following 2023’s Birds, her ambient and IDM-leaning debut album, Cloud Sight Fade shows Doc drawing on her years of queer clubbing to bring us seven diverse tracks sitting between muscular New York house, Berlin twilight techno, and funky West-coast breakbeats. Production began in the Bay Area and was completed in Berlin; Maristuen says that this work became a love letter to the West Coast’s magnificent natural landscape, the light of the Pacific sunrise. While draped in dreamlike textures and melodies, this is also a record about embodiment and the memories that live within our corporeal forms. The powerful grooves on the breakbeat-inflected “Lemon Zest” and the propulsive “Cloud Sight Fade” remind us that dance music is for bodies dancing. Meanwhile, tracks like the sparkling album-closer “Enchanted Static” or the brooding groover “Water Sign” plunge us deeper into hypnotic depths. On Cloud Sight Fade, Doc Sleep guides us through slumber and wakefulness, in and out of our bodies, with the mastery of a seasoned DJ and clubgoer.
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Label:Dark Entries
Cat-No:DE-312
Release-Date:15.03.2024
Genre:Alternative/Electronic
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1
Ike Yard - Facile
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Ike Yard - Dancing + Slaving
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Ike Yard - War=Strong
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Ike Yard - Agua (Diablo)
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Ike Yard - S.I. (I Couldn't See)
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Ike Yard - A Dull Life
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Ike Yard - We Are One
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Ike Yard - I Killed Picasso
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Ike Yard - Freighter
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Ike Yard - Wolfen
Dark Entries flashes back to the grimy streets of New York City circa 1982 to bring us an unreleased album from cult outfit Ike Yard. Comprised of Stuart Argabright, Michael Diekmann, Kenneth Compton, and Fred Szymanski, Ike Yard sits between the sinewy proto-body music of the Neue Deutsche Welle and the shattered grooves of their No Wave peers in New York. The band’s initial run was short but blinding. They released an EP for Les Disques du Crépuscule in 1981, which was followed by their legendary self-titled LP for Factory in 1982. They disbanded within a year, frustrated by the slow pace at which the industry was able to release their increasingly challenging music. 1982 features 10 tracks which likely would have become the band’s second LP - only four of these songs have previously seen release on 2006’s 1980-82 Collected via Acute Records. Following the release of Ike Yard, they continued down their tortured path of hybrid electro-acoustic music with an arsenal of now-classic analog instruments, including the Korg MS-20 and the Roland TR-808. Skittering rhythms teeter on the verge of collapse while seasick synth warbles threaten to push us overboard. Electronic washes devolve into waves of feedback. Sneering basslines threaten dancers to move, but how can the body obey? This is dangerous music, gliding along the brink. The album features a live photo of the band by Makoto Iida and includes an insert with liner notes from Stuart Argabright. 1982 is essential for fans of post-punk and caustic electronics from Liaisons Dangereuses to Beau Wanzer.
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Label:Dark Entries
Cat-No:DE-053
Release-Date:02.02.2024
Genre:Alternative/Electronic
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Cat-No:DE-053
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1
Figure Study - Answers
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Figure Study - Wait
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Figure Study - Bad Side
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Figure Study - Paralyzed
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Figure Study - Maze
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Figure Study - Interaction
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Figure Study - Station
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Figure Study - Invisible
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Figure Study - Divide
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Figure Study - Window
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Figure Study - Rain
Dark Entries is proud to present the debut album by Figure Study, a contemporary band from New York. Figure Study is the Manhattan-based duo of Nathan Antolik and April Chalpara. They formed in 2009, after meeting through the Wierd Records weekly party, where they would play their first concert soon after. For their debut self-titled album, Figure Study utilizes a carefully tailored set up of vintage analog synthesizers and drum machines. Figure Study creates a lush sound where haunting vocals echo over dark melodies that reflect an isolated and disintegrating world. Songs flux between dissonant dance numbers and more sparse, somber compositions, each carrying a sense of urgency and modernism. Figure Study's sound includes influences from such early underground artists as Kirlian Camera, Nine Circles, and The Actor. The album was recorded in their small Chinatown studio using a sparse set-up of analog synthesizers, drum machines and sequencers. Each LP is packaged in a specially designed jacket and includes an insert with lyrics. Figure Study draw their own model using shapes and forms from the synthetic landscape.
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Label:Dark Entries
Cat-No:DE-309
Release-Date:02.02.2024
Genre:Electro
Configuration:12"
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1
Lust Pattern - Forming Lines
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Lust Pattern - Choreography
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Lust Pattern - It's Right There In Front Of You
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Lust Pattern - No Floor
Lust Pattern slithers its way to Dark Entries with four tracks of deviant electro-wave on Stand, Scatter. Ryan Armbridge has graced Dark Entries several times via his project Linea Aspera, a revered coldwave revivalist duo with Zoe Zanias. As Lust Pattern, Armbridge draws hypnotic paths through the reverb-laden halls of post-punk and electro-funk, coursing in a gait uniquely his own. Built up from improvised jams, the four cuts on Stand, Scatter defy neat categorization while spanning a wide breadth of genres. Opener “Forming Lines” features Drexciyan squelch, silky guitar, and bursts of live drumming; this sounds like a lot, but it coheres into a perfectly simmering stew of funk. “Choreography” preserves the aquatic vibes but bumps the tempo up into space disco territory, complete with laser bleeps and Moroder-esque pads. It’s a mark of Armbridge’s craft that closing track “No Floor” - a searing motorik synth punk jam that recalls Suicide at their finest - sounds not at all out of place, but rather serves as a logical conclusion to this illogical picture. Stand, Scatter drifts across genres but never loses its focus on the unorthodox groove.
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Label:Dark Entries
Cat-No:DE-303
Release-Date:26.01.2024
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1
Code Industry - Behind The Mirror (Image Mix)
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Code Industry - Behind The Mirror (Release Of Anguish Mix)
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Code Industry - Fury
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Code Industry - Dead City
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Code Industry - Crimes Agains The People
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Code Industry - Ail
Restock incoming!
Seminal EBM-techno outfit Code Industry surfaces on Dark Entries with a reissue of their Structure EP. Detroit-based musicians Rob Myers, E.N. Sevy, Kyl Crys, and William Keith formed Code Industry in 1989 following their previous project, Code Assault. Among the few Black artists working in the idioms of EBM and industrial during their time, Code Industry tackle issues of racism, the media, and the hypocrisy of patriotism. The band’s frigid synths and menacingly whispered vocals display their affinity for European EBM acts like Front 242 and Nitzer Ebb, but their adventurous production and high- tech grooves situate their work equally within the Detroit techno continuum. The Structure EP was originally released in 1991 via the legendary Antler-Subway label. On its six tracks, Code Assembly expand upon Method of Assembly, their debut album from the year prior, while presenting striking new work hinting at the development of their sound. On “Behind the Mask (Image Mix)”, the band reworks one of the hits from Method of Assembly into a leaner, more kinetic form, finely sculpted for maximum dancefloor impact. The instrumental “Fury” shows the outfit pushing harder into the then-nascent Detroit techno sound, with spare synths and disembodied vocal snippets. Meanwhile, brooding downtempo cuts like “Ail” and “Crimes Again the People” imbue their cyberpunk aesthetics with politically-charged rage. Code Industry illustrates the depth of techno and EBM’s mutual entanglement while addressing political struggles that still embroil us in 2023. This reissue of Structure includes a double-sided insert with lyrics and liner notes by Pen Jackson aka E.N. Sevy. It will be released on Juneteenth as a celebration of powerful Black American music. More
Seminal EBM-techno outfit Code Industry surfaces on Dark Entries with a reissue of their Structure EP. Detroit-based musicians Rob Myers, E.N. Sevy, Kyl Crys, and William Keith formed Code Industry in 1989 following their previous project, Code Assault. Among the few Black artists working in the idioms of EBM and industrial during their time, Code Industry tackle issues of racism, the media, and the hypocrisy of patriotism. The band’s frigid synths and menacingly whispered vocals display their affinity for European EBM acts like Front 242 and Nitzer Ebb, but their adventurous production and high- tech grooves situate their work equally within the Detroit techno continuum. The Structure EP was originally released in 1991 via the legendary Antler-Subway label. On its six tracks, Code Assembly expand upon Method of Assembly, their debut album from the year prior, while presenting striking new work hinting at the development of their sound. On “Behind the Mask (Image Mix)”, the band reworks one of the hits from Method of Assembly into a leaner, more kinetic form, finely sculpted for maximum dancefloor impact. The instrumental “Fury” shows the outfit pushing harder into the then-nascent Detroit techno sound, with spare synths and disembodied vocal snippets. Meanwhile, brooding downtempo cuts like “Ail” and “Crimes Again the People” imbue their cyberpunk aesthetics with politically-charged rage. Code Industry illustrates the depth of techno and EBM’s mutual entanglement while addressing political struggles that still embroil us in 2023. This reissue of Structure includes a double-sided insert with lyrics and liner notes by Pen Jackson aka E.N. Sevy. It will be released on Juneteenth as a celebration of powerful Black American music. More
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Cat-No:DE-T-L
Release-Date:09.11.2023
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Label:Emotional Especial
Cat-No:EES048
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DJ 1985 - A1. We Trippin'
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DJ 1985 - A2. Dolphins & Sirens
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DJ 1985 - B1. Catland
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DJ 1985 - B2. The Last One
Especial welcomes new artist DJ 1985 to the label. As so often, the idea of pushing new music has been the raison d'etre of the past decade. An EP of a love for Acid, from the breaks anthem of the title We Trippin’ to exploring the ethereal and even mind-melting Ambient House and Balearic of how the Roland TB-303 has become a fundamental element in the history of electronic music.
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1
Jungle Neck - 8 Coffins
2
Jungle Neck - Kingdom Rise
3
Jungle Neck - Wadada
4
Jungle Neck - Body Guard
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Jungle Neck - No Wicked
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Jungle Neck - Vampire
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Jungle Neck - Latin Flute
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Jungle Neck - Zion
Tracklist
A1. Jungle Neck - 8 Coffins
A2. Jungle Neck - Kingdom Rise
B1. Jungle Neck - Wadada
B2. Jungle Neck - Body Guard
C1. Jungle Neck - No Wicked
C2. Jungle Neck - Vampire
D1. Jungle Neck - Latin Flute
D2. Jungle Neck - Zion
Musique Pour La Danse proudly presents "8 COFFINS", an essential collection of original tracks by the British duo Dougie Wardrop (of Conscious Sounds fame) and Nigel Lake as Jungle Neck unearthed from the mid 90s from original masters for all fans of the Jungle Sound. These impressive and mind-blowing soundclash ready weapons feature the deepest analog subs and sharpest drums, killer reggae samples to fit any sound system, and stands out as possibly the only jungle album in the bizness with an innovative and effective live dub production feeling. This unique characteristic makes it even more essential and one-of-a-kind, capturing the raw energy and innovation of the era.
For fans of the peak era of Jungle, with shades of reggae and dub, warehouse raves, heavy basslines and 160 BPM.
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A1. Jungle Neck - 8 Coffins
A2. Jungle Neck - Kingdom Rise
B1. Jungle Neck - Wadada
B2. Jungle Neck - Body Guard
C1. Jungle Neck - No Wicked
C2. Jungle Neck - Vampire
D1. Jungle Neck - Latin Flute
D2. Jungle Neck - Zion
Musique Pour La Danse proudly presents "8 COFFINS", an essential collection of original tracks by the British duo Dougie Wardrop (of Conscious Sounds fame) and Nigel Lake as Jungle Neck unearthed from the mid 90s from original masters for all fans of the Jungle Sound. These impressive and mind-blowing soundclash ready weapons feature the deepest analog subs and sharpest drums, killer reggae samples to fit any sound system, and stands out as possibly the only jungle album in the bizness with an innovative and effective live dub production feeling. This unique characteristic makes it even more essential and one-of-a-kind, capturing the raw energy and innovation of the era.
For fans of the peak era of Jungle, with shades of reggae and dub, warehouse raves, heavy basslines and 160 BPM.
More
LP
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Label:International Anthem
Cat-No:IARC0086LPI
Release-Date:04.10.2024
Genre:Jazz
Configuration:LP
Barcode:789993994694
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Label:International Anthem
Cat-No:IARC0086LPI
Release-Date:04.10.2024
Genre:Jazz
Configuration:LP
Barcode:789993994694
Mighty Vertebrate is the International Anthem debut from Anna Butterss. The Adelaide born bassist / composer has been a first call for LA tour and studio work since relocating there in 2014 – racking up credits with notables across the experimental, jazz, and pop worlds alike – but their most notable contributions to the burgeoning LA scene have been as a member of both Jeff Parker’s ETA IVtet and rising proto-trance supergroup SML, who Pitchfork says “represents the thrilling next phase of a vibrant L.A. community.”
“I had just gotten off of a bunch of touring at the end of 2022 and just wanted to write music,” says Butterss. “The best way for me to do that, I’ve found, is to set myself a discreet and focused task."
I’m going to make a song where the bass doesn’t function in the role of a bass.
I’m going to work on this for an hour and then I’m going to stop.
I’m going to make a song that uses groups of three-bar phrasing.
I want to sample something and make it into a song.
I’m going to start with a drum machine.
The music itself reflects that structure beautifully, with the material being tightly
composed and melodically realized by Butterss well in advance of production concerns. Here they reconvene a group of trusted longtime collaborators to bring their compositions to fruition: Ben Lumsdaine (drums, guitar, production), Josh Johnson (sax), and Gregory Uhlmann (guitar), plus a smoking guest appearance from Jeff Parker. The breadth and scope of the results might have been difficult to achieve otherwise. From the Robbie-Shakespeare-in-groove-mode intro to the album opener “Bishop” to the spacious cinematic doom of “Seeing You”, there is a lot to wrangle into one cohesive concept. On Mighty Vertebrate, Butterss and crew do just that. More
“I had just gotten off of a bunch of touring at the end of 2022 and just wanted to write music,” says Butterss. “The best way for me to do that, I’ve found, is to set myself a discreet and focused task."
I’m going to make a song where the bass doesn’t function in the role of a bass.
I’m going to work on this for an hour and then I’m going to stop.
I’m going to make a song that uses groups of three-bar phrasing.
I want to sample something and make it into a song.
I’m going to start with a drum machine.
The music itself reflects that structure beautifully, with the material being tightly
composed and melodically realized by Butterss well in advance of production concerns. Here they reconvene a group of trusted longtime collaborators to bring their compositions to fruition: Ben Lumsdaine (drums, guitar, production), Josh Johnson (sax), and Gregory Uhlmann (guitar), plus a smoking guest appearance from Jeff Parker. The breadth and scope of the results might have been difficult to achieve otherwise. From the Robbie-Shakespeare-in-groove-mode intro to the album opener “Bishop” to the spacious cinematic doom of “Seeing You”, there is a lot to wrangle into one cohesive concept. On Mighty Vertebrate, Butterss and crew do just that. More
12"
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Label:Wilson Records
Cat-No:WLS29
Release-Date:11.10.2024
Genre:House
Configuration:12"
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Cat-No:WLS29
Release-Date:11.10.2024
Genre:House
Configuration:12"
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1
Fabio Monesi & Tom Carruthers - Mi Amor
2
Fabio Monesi & Tom Carruthers - Bass Theory
3
Fabio Monesi & Tom Carruthers - Killer Fruit
Fabio Monesi teamed up with Tom Carruthers for a solid EP of pure house music.
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Label:Polly Records
Cat-No:POLLY002
Release-Date:27.09.2024
Genre:Indie Rock/Alternative
Configuration:LP Excl
Barcode:4251804181969
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Cat-No:POLLY002
Release-Date:27.09.2024
Genre:Indie Rock/Alternative
Configuration:LP Excl
Barcode:4251804181969
1
Andreas Raser - TOO SOON TO TELL
2
Andreas Raser - WILLOW
3
Andreas Raser - VIOLA
4
Andreas Raser - I STILL COULDN'T
5
Andreas Raser - ZWISCHENSPIEL
6
Andreas Raser - ALL I DON'T KNOW
7
Andreas Raser - SPOTLESS
8
Andreas Raser - REIGNITE
9
Andreas Raser - SPENT
'Hollywood' is Andreas Raser debut album. After their single releases 'Willow' 'Reignite' and 'Spent' the LA-Hamburg band will release their first vinyl on Polly Records.
Andreas Raser consists of Camille Clair, from Los Angeles, and Albert Dietrich, from Hamburg, who first started making music together in 2020 while studying art in Frankfurt am Main, Germany. Their debut album "Hollywood" was recorded in the school, and realized simultaneously with a collaborative visual arts practice. Andreas Raser is currently based in Vienna, Austria. They recently had their live debut opening 3 show for Bar Italia.
Tracklist:
1 - TOO SOON TO TELL
2 - WILLOW
3 - VIOLA
4 - I STILL COULDN'T
5 - ZWISCHENSPIEL
6 - ALL I DON'T KNOW
7 - SPOTLESS
8 - REIGNITE
9 - SPENT More
Andreas Raser consists of Camille Clair, from Los Angeles, and Albert Dietrich, from Hamburg, who first started making music together in 2020 while studying art in Frankfurt am Main, Germany. Their debut album "Hollywood" was recorded in the school, and realized simultaneously with a collaborative visual arts practice. Andreas Raser is currently based in Vienna, Austria. They recently had their live debut opening 3 show for Bar Italia.
Tracklist:
1 - TOO SOON TO TELL
2 - WILLOW
3 - VIOLA
4 - I STILL COULDN'T
5 - ZWISCHENSPIEL
6 - ALL I DON'T KNOW
7 - SPOTLESS
8 - REIGNITE
9 - SPENT More
Label:Black Truffle
Cat-No:BlackTruffle123
Release-Date:20.09.2024
Configuration:LP
Barcode:4250101472015
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Cat-No:BlackTruffle123
Release-Date:20.09.2024
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Barcode:4250101472015
1
crys cole - Making Conversation
2
crys cole - Valid ForeverrRrrRRrrr… (pt.1)
3
crys cole - Valid ForeverrRrrRRrrr… (pt.2)
crys cole returns to Black Truffle with Making Conversation, her third solo release for the label. After the intimate song-like constructions of Other Meetings (BT096), Making Conversation documents a different facet of cole’s work, presenting three rigorously conceptualised commissioned pieces, each of which extend her signature approach to highly amplified small sounds into new directions.
The side-long title piece is a stereo version of an 8-channel sound installation exhibited in 2023 at the Tabakalera Art Center in Donostia / San Sebastian, Spain. The piece uses a multitude of instrumental, vocal, concrete and electronic sounds to evoke the soundscapes cole encountered during nocturnal listening session in Bali, Indonesia in 2018 and 2019. In this world of night sounds, she explains, she ‘observed the complex interplay between amphibian, lizard, bird and insect communication, domestic animals (roosters, dogs), man-made sounds (airplanes, vehicles, conversations and evening activities) and sounds that were difficult to place’. Drawing on field recordings as memory aids (but including none in the finished piece), cole’s piece uncannily reproduces the spatiality and pacing of environmental sound without attempting strictly to replicate it. We hear insect-like twittering and birdsong fragments, resonant thuds and distant roars, furtive crunches and taps, muffled breath and metallic scrapes. While at times it can be difficult to imagine the source of these sounds, at other points they are clearly instrumental or electronic in origin; in its placement and layering, though, the whole assemblage suggests the glorious, unthinking richness of a non-musical sound environment. Suggesting at once the electronic gardens of Rolf Julius and the little instrument expanses of classic AACM, the piece is a brilliant enactment of the Cagean drive to ‘imitate nature in her manner of operation’.
‘Valid ForeverrRrrRRrrr… (pt. 1)’ began as cole’s contribution to an Issue Project Room commission to realise a score from Alison Knowles and Annea Lockwood’s Women´s Work, a 1975 collection of text and conceptual scores by women artists and composers. cole’s piece begins from Beth Anderson’s Valid for Life, a complex arrangement of the letter R in various typefaces. Where the composer suggests a realisation on a trio of acoustic instruments (playing rolls with velvet beaters), cole translates the piece into her characteristic sound and object language as a trio of rolling sounds on ‘two large similar paper things and one 5-pin bowling ball’. Rolling from one side of the stereo field to the other, the bowling ball’s uneven movement is the heart of this immersive textural array, created with the simplest materials, which generates phantom sensations of pitch and phasing effects solely through amplified friction.
On ‘Valid ForeverrRrrRRrrr… (pt. 2)’, cole makes a first foray in translating her signature approach into conventional instrumental sounds, here in the form of a transcription for MIDI percussion ensemble. The result is refreshingly puzzling, comparable perhaps only to the sparsest moments of Keiji Haino’s classic “C’est parfait…” Accompanied with extensive liner notes, photographic documentation and a download code, Making Conversation is an exciting next step in cole’s work, extending her signature concerns in new sonic and conceptual directions. More
The side-long title piece is a stereo version of an 8-channel sound installation exhibited in 2023 at the Tabakalera Art Center in Donostia / San Sebastian, Spain. The piece uses a multitude of instrumental, vocal, concrete and electronic sounds to evoke the soundscapes cole encountered during nocturnal listening session in Bali, Indonesia in 2018 and 2019. In this world of night sounds, she explains, she ‘observed the complex interplay between amphibian, lizard, bird and insect communication, domestic animals (roosters, dogs), man-made sounds (airplanes, vehicles, conversations and evening activities) and sounds that were difficult to place’. Drawing on field recordings as memory aids (but including none in the finished piece), cole’s piece uncannily reproduces the spatiality and pacing of environmental sound without attempting strictly to replicate it. We hear insect-like twittering and birdsong fragments, resonant thuds and distant roars, furtive crunches and taps, muffled breath and metallic scrapes. While at times it can be difficult to imagine the source of these sounds, at other points they are clearly instrumental or electronic in origin; in its placement and layering, though, the whole assemblage suggests the glorious, unthinking richness of a non-musical sound environment. Suggesting at once the electronic gardens of Rolf Julius and the little instrument expanses of classic AACM, the piece is a brilliant enactment of the Cagean drive to ‘imitate nature in her manner of operation’.
‘Valid ForeverrRrrRRrrr… (pt. 1)’ began as cole’s contribution to an Issue Project Room commission to realise a score from Alison Knowles and Annea Lockwood’s Women´s Work, a 1975 collection of text and conceptual scores by women artists and composers. cole’s piece begins from Beth Anderson’s Valid for Life, a complex arrangement of the letter R in various typefaces. Where the composer suggests a realisation on a trio of acoustic instruments (playing rolls with velvet beaters), cole translates the piece into her characteristic sound and object language as a trio of rolling sounds on ‘two large similar paper things and one 5-pin bowling ball’. Rolling from one side of the stereo field to the other, the bowling ball’s uneven movement is the heart of this immersive textural array, created with the simplest materials, which generates phantom sensations of pitch and phasing effects solely through amplified friction.
On ‘Valid ForeverrRrrRRrrr… (pt. 2)’, cole makes a first foray in translating her signature approach into conventional instrumental sounds, here in the form of a transcription for MIDI percussion ensemble. The result is refreshingly puzzling, comparable perhaps only to the sparsest moments of Keiji Haino’s classic “C’est parfait…” Accompanied with extensive liner notes, photographic documentation and a download code, Making Conversation is an exciting next step in cole’s work, extending her signature concerns in new sonic and conceptual directions. More
LP
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Label:Strut Records
Cat-No:STRUT237LPC
Release-Date:27.09.2024
Genre:Jazz
Configuration:LP
Barcode:4062548088854
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Label:Strut Records
Cat-No:STRUT237LPC
Release-Date:27.09.2024
Genre:Jazz
Configuration:LP
Barcode:4062548088854
LP housed in tip-on sleeve with OBI, poster & insert
Strut proudly presents a special edition, deluxe repress of Sun Ra’s classic ‘Lanquidity’, for the 25th anniversary of the label. Housed in a tip-on sleeve with OBI strip, this new special editions features an A2 poster including a rare Veryl Oakland photograph of Sun Ra in his home, as well as liner notes by Tom Buchler (Philly Jazz), Michael Ray and Danny Ray Thompson (Sun Ra Arkestra) and Bob Blank.
Tracklist
1.1Lanquidity
1.2Where Pathways Meet
1.3That's How I Feel
1.4Twin Stars Of Thence
1.5There Are Other Worlds (They Have Not Told You Of)
Listen: listen.k7.com/3ae09f5d-3fca-4e24-bd57-c28788baddb0 More
Strut proudly presents a special edition, deluxe repress of Sun Ra’s classic ‘Lanquidity’, for the 25th anniversary of the label. Housed in a tip-on sleeve with OBI strip, this new special editions features an A2 poster including a rare Veryl Oakland photograph of Sun Ra in his home, as well as liner notes by Tom Buchler (Philly Jazz), Michael Ray and Danny Ray Thompson (Sun Ra Arkestra) and Bob Blank.
Tracklist
1.1Lanquidity
1.2Where Pathways Meet
1.3That's How I Feel
1.4Twin Stars Of Thence
1.5There Are Other Worlds (They Have Not Told You Of)
Listen: listen.k7.com/3ae09f5d-3fca-4e24-bd57-c28788baddb0 More
Label:Isle Of Jura Records
Cat-No:ISLE026
Release-Date:06.09.2024
Genre:Soul/Funk
Configuration:2x12"
Barcode:
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Label:Isle Of Jura Records
Cat-No:ISLE026
Release-Date:06.09.2024
Genre:Soul/Funk
Configuration:2x12"
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1
ESA - A Muto (Original Mix)
2
ESA - A Muto (Instrumental)
3
ESA - A Muto (Dubstrumental)
4
ESA - A Muto (Keys Mix)
5
ESA - A Muto (Acapella
2x 12" 140g pressing of this big tune from Cameroonian outfit, ESA, originally released on an LP in 1986. Pressed in full 45RPM glory with extra versions from the original tapes. TIP!
For the first time ‘A Muto’ by Esa is given an official reissue. Not only does this mark a first as a stand along single, but the reissue contains previously unheard Instrumental, Dub and Keys Versions alongside an Acapella. Licensed from writer and producer Martin Socko Moukoko, for 40 years Martin kept the original 2” master tape in mint condition so for the reissue the tape was baked and stems transferred by Archive Audio in Paris and the tracks given new mixdowns by Martin himself alongside Jerome Caron. The resulting mixes stay true the original whilst making the most of today’s digital studio technology, cut at 45rpm and truly representing the gold standard of quality when it comes to a reissue.
‘A Muto’ was originally released in 1986 on the ‘Atesa’ album and became an instant hit in Cameroon and Africa. The lyrics tell the story of a woman who abandons her husband, complaining of being alone as the keeper of the house. ‘A Muto’ is a blend of Makossa, a style originating in the French Cameroons characterised by prominent brass arrangements, and Ambasse Bey, traditional fast paced dance music from Cameroon. Martin assembled a team of session musicians in Paris in 1985 and programmed the drums and synths himself on the Linn Drum and Yamaha DX 7.
The Esa project ground to a halt in 1989 following a legal dispute which saw Martin win a court case in France regaining the rights to his music. In the intervening years Martin has continued to work in music studying jazz for 4 years at the American school of modern music in Paris and providing background music for the corporate world.
Artwork by Bradley Pinkerton. More
For the first time ‘A Muto’ by Esa is given an official reissue. Not only does this mark a first as a stand along single, but the reissue contains previously unheard Instrumental, Dub and Keys Versions alongside an Acapella. Licensed from writer and producer Martin Socko Moukoko, for 40 years Martin kept the original 2” master tape in mint condition so for the reissue the tape was baked and stems transferred by Archive Audio in Paris and the tracks given new mixdowns by Martin himself alongside Jerome Caron. The resulting mixes stay true the original whilst making the most of today’s digital studio technology, cut at 45rpm and truly representing the gold standard of quality when it comes to a reissue.
‘A Muto’ was originally released in 1986 on the ‘Atesa’ album and became an instant hit in Cameroon and Africa. The lyrics tell the story of a woman who abandons her husband, complaining of being alone as the keeper of the house. ‘A Muto’ is a blend of Makossa, a style originating in the French Cameroons characterised by prominent brass arrangements, and Ambasse Bey, traditional fast paced dance music from Cameroon. Martin assembled a team of session musicians in Paris in 1985 and programmed the drums and synths himself on the Linn Drum and Yamaha DX 7.
The Esa project ground to a halt in 1989 following a legal dispute which saw Martin win a court case in France regaining the rights to his music. In the intervening years Martin has continued to work in music studying jazz for 4 years at the American school of modern music in Paris and providing background music for the corporate world.
Artwork by Bradley Pinkerton. More
2x12"
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Label:Outcast Planet
Cat-No:OTP05
Release-Date:29.11.2024
Genre:House
Configuration:2x12"
Barcode:
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Label:Outcast Planet
Cat-No:OTP05
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Genre:House
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1
Bakked - Dentro il sistema
2
Munir Nadir - Push it
3
Alex Dima - Freedom of expression
4
Denaila - Time to relax
5
Cristian Sarde - Technology flot
6
Paolo Macrì - The pain
7
Emanuele Montalto - The electric transformation
8
Lorenzo Aribone - S.D.A.D.
9
Paul Lution - More than 80%
Tracklisting
A1 Bakked - Dentro il sistema
A2 Munir Nadir - Push it
B1 Alex Dima - Freedom of expression
B2 Denaila - Time to relax
C1 Cristian Sarde - Technology flot
C2 Paolo Macrì - The pain
D1 Emanuele Montalto - The electric transformation
D2 Lorenzo Aribone - S.D.A.D.
D3 Paul Lution - More than 80%
More
A1 Bakked - Dentro il sistema
A2 Munir Nadir - Push it
B1 Alex Dima - Freedom of expression
B2 Denaila - Time to relax
C1 Cristian Sarde - Technology flot
C2 Paolo Macrì - The pain
D1 Emanuele Montalto - The electric transformation
D2 Lorenzo Aribone - S.D.A.D.
D3 Paul Lution - More than 80%
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MERCH
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Label:Velocity Press
Cat-No:VP041
Release-Date:06.09.2024
Genre:Dubstep
Configuration:MERCH
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Label:Velocity Press
Cat-No:VP041
Release-Date:06.09.2024
Genre:Dubstep
Configuration:MERCH
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ISBN: 978-1-913231-66-8
Drumz Of The South: The Dubstep Years (2004-2007) is the first photography book to present the early days of dubstep in detail. It features over 200 photographs by Georgina Cook from events and radio stations such as FWD>> at Plastic People, DMZ and Rinse FM, plus pioneering producers, DJs and MCs like Burial, Skream and Benga, Mala & Coki, Loefah and Sgt Pokes, Plastician, Kode9, Hatcha & Crazy D, Skepta and Wiley.
Originally published in 2021 as a Kickstarter campaign, this second edition features a complete redesign, hardback cover and essays from Blackdown, Charlie Dark MBE, Emma Warren and others. The book is 24cm x 17cm, and the 224 pages are printed on heavyweight paper with a hardback cover. More
Drumz Of The South: The Dubstep Years (2004-2007) is the first photography book to present the early days of dubstep in detail. It features over 200 photographs by Georgina Cook from events and radio stations such as FWD>> at Plastic People, DMZ and Rinse FM, plus pioneering producers, DJs and MCs like Burial, Skream and Benga, Mala & Coki, Loefah and Sgt Pokes, Plastician, Kode9, Hatcha & Crazy D, Skepta and Wiley.
Originally published in 2021 as a Kickstarter campaign, this second edition features a complete redesign, hardback cover and essays from Blackdown, Charlie Dark MBE, Emma Warren and others. The book is 24cm x 17cm, and the 224 pages are printed on heavyweight paper with a hardback cover. More
Label:Mule Musiq
Cat-No:MuleMusiq295
Release-Date:04.10.2024
Configuration:2LP
Barcode:4250101470271
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Cat-No:MuleMusiq295
Release-Date:04.10.2024
Configuration:2LP
Barcode:4250101470271
1
Lawrence - Friday's Child
2
Lawrence - Sunrise
3
Lawrence - Grey Light
4
Lawrence - Jill
5
Lawrence - Father Umbrillo
6
Lawrence - Todenhausen Blues
7
Lawrence - The Dream
8
Lawrence - In Your Eyes
9
Lawrence - Miles
10
Lawrence - Don’t Follow Me
11
Lawrence - Sleep And Suffer
12
Lawrence - A New Day
13
Lawrence - Until Then, Goodbye
The highly anticipated album from LAWRENCE is finally here and 15 years after the CD release for the first time available on vinyl!!!
Hamburg based DIAL and SMALLVILLE owner Peter Kersten aka LAWRENCE is one of the most valued and highly regarded artist's in the modern dance music community with a long history of releases on Nova Mute, Kompakt, Ladomat, Spectral, Ghostly, Mule and of course his own imprint DIAL. UNTIL THEN, GOODBYE kicks off with a special 'intro' version of a fan favourite FRIDAY'S CHILD followed by the introspective ambient piece SUNRISE. GREY LIGHT remarks the electronic style of DRUTTI COLUMN while JILL is purely sweet slow house music. The album shifts towards more acoustic driven material with songs such as FATHER UMBRILLO and TODERHAUSEN BLUES…don't fret purists as LAWRENCE hits back with his classic signature sounds with the likes of IN YOUR EYES, SLEEP and SUFFER. LAWRENCE leaves us with a whisper in the most beautiful of ways. The atmospheric ambient tune DON'T FOLLOW ME, the ebb and flow of the piano driven A NEW DAY and the title track leave the listener in a state of bliss. Dare we say, this is one of LAWRENCE's most daring and diverse albums to date…not necessarily a 'concept' album per say but definitely showcases his gift for provoking a remarkably diverse range of musical influences and styles. More
Hamburg based DIAL and SMALLVILLE owner Peter Kersten aka LAWRENCE is one of the most valued and highly regarded artist's in the modern dance music community with a long history of releases on Nova Mute, Kompakt, Ladomat, Spectral, Ghostly, Mule and of course his own imprint DIAL. UNTIL THEN, GOODBYE kicks off with a special 'intro' version of a fan favourite FRIDAY'S CHILD followed by the introspective ambient piece SUNRISE. GREY LIGHT remarks the electronic style of DRUTTI COLUMN while JILL is purely sweet slow house music. The album shifts towards more acoustic driven material with songs such as FATHER UMBRILLO and TODERHAUSEN BLUES…don't fret purists as LAWRENCE hits back with his classic signature sounds with the likes of IN YOUR EYES, SLEEP and SUFFER. LAWRENCE leaves us with a whisper in the most beautiful of ways. The atmospheric ambient tune DON'T FOLLOW ME, the ebb and flow of the piano driven A NEW DAY and the title track leave the listener in a state of bliss. Dare we say, this is one of LAWRENCE's most daring and diverse albums to date…not necessarily a 'concept' album per say but definitely showcases his gift for provoking a remarkably diverse range of musical influences and styles. More
Cat-No:YOLP356
Release-Date:20.09.2024
Genre:Pop
Configuration:LP
Barcode:0889030035615
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Release-Date:20.09.2024
Genre:Pop
Configuration:LP
Barcode:0889030035615
The long-awaited new album by Jamie xx In Waves is the next chapter in the career of one of the most in demand producers of his generation.
With In Waves, Jamie replicates the emotional crescendos and thrilling volatility of an almost mystical night out– one where you return home in the cigarette ash dawn, the specifics of the last eight hours already blurring, but aware that these feelings will remain a crystalline memory.
In Waves is a melancholy paradise of bliss, heartbreak, and introspection. The story of a journey where you merge into the divine pulse of shadows, light, and dance floor rhythms.A strobe light epiphany about the illimitable possibilities and spiritual capacities of humanity.
Nine years after his debut solo masterpiece, In Colour the London producer has not only eclipsed the heights of its predecessor, he’s somehow made all supernatural adjectives and analogies seem understated.
Tracklist
1.1Wanna
1.2Treat Each Other Right
1.3Waited All Night (ft. Romy, Oliver Sim)
1.4Baddy On The Floor (ft. Honey Dijon)
1.5Dafodil (ft. Kelsey Lu, John Glacier, Panda Bear)
1.6Still Summer
1.7Life (Ft. Robyn)
1.8The Feeling I Get From You
1.9Breather
1.10All You Children (ft. The Avalanches)
1.11Every Single Weekend (Interlude)
1.12Falling Together (ft. Oona Doherty)
2.1F U (ft. Erykah Badu)
2.2It's So Good
2.3Do Something
2.4Let's Do It Again
2.5Kill Dem More
With In Waves, Jamie replicates the emotional crescendos and thrilling volatility of an almost mystical night out– one where you return home in the cigarette ash dawn, the specifics of the last eight hours already blurring, but aware that these feelings will remain a crystalline memory.
In Waves is a melancholy paradise of bliss, heartbreak, and introspection. The story of a journey where you merge into the divine pulse of shadows, light, and dance floor rhythms.A strobe light epiphany about the illimitable possibilities and spiritual capacities of humanity.
Nine years after his debut solo masterpiece, In Colour the London producer has not only eclipsed the heights of its predecessor, he’s somehow made all supernatural adjectives and analogies seem understated.
Tracklist
1.1Wanna
1.2Treat Each Other Right
1.3Waited All Night (ft. Romy, Oliver Sim)
1.4Baddy On The Floor (ft. Honey Dijon)
1.5Dafodil (ft. Kelsey Lu, John Glacier, Panda Bear)
1.6Still Summer
1.7Life (Ft. Robyn)
1.8The Feeling I Get From You
1.9Breather
1.10All You Children (ft. The Avalanches)
1.11Every Single Weekend (Interlude)
1.12Falling Together (ft. Oona Doherty)
2.1F U (ft. Erykah Badu)
2.2It's So Good
2.3Do Something
2.4Let's Do It Again
2.5Kill Dem More