1
Avant Garde - Pesadillas
2
Vandana - Cambios En El Tiempo
3
Syntoma - No Me Puedo Controlar
4
Artefacto - Mundo Sin Viento
5
Cou Cou Bazar - Cou Cou Bazar
6
Volti - Corazón
7
Nahtabisk - La Dama De Probeta
8
Escuadrón Del Ritmo - Las Cucarachas
9
Década 2 - Alfabeto (Cold Version)
10
Silueta Pálida - El Paso Del Tiempo (Versión Remezclada)
Repress!
On Back Up: Mexican Tecno Pop, Dark Entries brings us 10 divergent tracks of Mexican electronics from 1980-1989, full of skittering analog drum boxes and saucy synthesizer hooks. 8 of these songs were culled from the 2005 CD-only compilation Backup: Expediente Tecno Pop on AT-AT records. Also included are two previously unreleased cuts. This release marks the first time many of these songs will have appeared on vinyl; it is also the first ever vinyl compilation of Mexican New Wave and post-punk.
While synth pop and obscure electronics from Europe and the United States have been extensively documented, much less attention has been paid to such offerings from the periphery. Back Up serves as a vital document of Mexico’s flourishing DIY scene in the 1980’s, surveying a wide range of styles and moods. By using home recording techniques, the bands featured here were able to circumvent relying on the expensive studios of the era. Tracks by Avant Garde, Vandana, and Silueta Pálida mine the kind of dreary-but-infectious wave that long-time Dark Entries fans will celebrate. Meanwhile, Volti and Artefacto offer a floor-ready pop sound that has echoes of NY freestyle, with Latin percussion and boxy beats. But darker turns are present as well, with Década 2’s New Beat-inflections and electro experiments of Syntoma and their side project Escuadrón Del Ritmo.
Back Up: Mexican Tecno Pop was remastered by George Horn at Fantasy Studios. The sleeve is a neon retro-futurist design by Gwenaël Rattke. Also included is a 12-page booklet printed on neon green, pink, and orange paper, which features photographs, band biographies, lyrics, and liner notes.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
On Back Up: Mexican Tecno Pop, Dark Entries brings us 10 divergent tracks of Mexican electronics from 1980-1989, full of skittering analog drum boxes and saucy synthesizer hooks. 8 of these songs were culled from the 2005 CD-only compilation Backup: Expediente Tecno Pop on AT-AT records. Also included are two previously unreleased cuts. This release marks the first time many of these songs will have appeared on vinyl; it is also the first ever vinyl compilation of Mexican New Wave and post-punk.
While synth pop and obscure electronics from Europe and the United States have been extensively documented, much less attention has been paid to such offerings from the periphery. Back Up serves as a vital document of Mexico’s flourishing DIY scene in the 1980’s, surveying a wide range of styles and moods. By using home recording techniques, the bands featured here were able to circumvent relying on the expensive studios of the era. Tracks by Avant Garde, Vandana, and Silueta Pálida mine the kind of dreary-but-infectious wave that long-time Dark Entries fans will celebrate. Meanwhile, Volti and Artefacto offer a floor-ready pop sound that has echoes of NY freestyle, with Latin percussion and boxy beats. But darker turns are present as well, with Década 2’s New Beat-inflections and electro experiments of Syntoma and their side project Escuadrón Del Ritmo.
Back Up: Mexican Tecno Pop was remastered by George Horn at Fantasy Studios. The sleeve is a neon retro-futurist design by Gwenaël Rattke. Also included is a 12-page booklet printed on neon green, pink, and orange paper, which features photographs, band biographies, lyrics, and liner notes.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Dark Entries
1
Brandy Dalton - Interlude FiveFallacy
2
Brandy Dalton - Interlude One
3
Brandy Dalton - Swelled
4
Brandy Dalton - Interlude Two
5
Brandy Dalton - Spooks In The Well
6
Brandy Dalton - Interlude Three
7
Brandy Dalton - FA2
8
Brandy Dalton - Speaking In Tongues
9
Brandy Dalton - Interlude Four
10
Brandy Dalton - U Like Me 2 Ulysses
11
Brandy Dalton - Dante's Swell
12
Brandy Dalton - Interlude Five
13
Brandy Dalton - Feel Fall
14
Brandy Dalton - Talls Tales Two
15
Brandy Dalton - Dungeon Master
16
Brandy Dalton - Interlude Six
Somewhere between heaven and hell…there is Fallen Angel. Dark Entries continues its mission of shining light on a generation of composers and musicians lost to AIDS with Brandy Dalton’s Fallen Angel, his soundtrack work for the award-winning Fallen Angel series. Brandy was known for many years in the LA underground for his performances with his boyfriend, Robert Woods, who was the resident DJ at Club Fuck. Eventually, they recruited John Munt to form the band Drance, becoming infamous for their high-energy performances and songs that tackled taboo topics like sadomasochism. While Drance explored the aggressive sounds of industrial and EBM, Dalton continued to produce a wide range of electronica, from abstract sonic textures to techno bangers. The Fallen Angel album collects 16 sweaty, sticky cuts composed for the pornographic series Fallen Angel, a trio of leather-focused films released by Titan Studios. The sounds here span from the fractured cyberpunk-rave of “Swelled” to the tabla-laced trance of “FA2,” taking listeners on a journey through hedonistic recesses chock full of crunchy digital drum machines and wailing FM synths. This album was originally released on CD in 1999 by Titan Studios, capitalizing on the success of the film franchise. It will be reissued on LP as well as CD, featuring 6 bonus tracks. Artwork for the album, designed by Eloise Shir-Juen Leigh, features stills from the Fallen Angel film. Also included is an insert with liner notes and photographs. This album is dedicated to Brandy, who passed away from AIDS-related illness in 2006, after battling with the disease for 17 years. Brandy’s passing was preceded by his best friend and Drance co-founder Robert’s death in 1995. Documenting a sonic shift in the 90s bathhouse music, Fallen Angel provides a hardcore BDSM ride, building upon the analogue archival soundtracks that Dark Entries has previously released.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Spider Taylor - Stairs
2
Spider Taylor - Rain Forest
3
Spider Taylor - Cobra
4
Spider Taylor - Coming Soon
5
Spider Taylor - Slow Bug
6
Spider Taylor - Tech
7
Spider Taylor - Hi Tech
8
Spider Taylor - Strange Places, Strange Things
Spider Taylor crawls over to Dark Entries with Surge Studio Music, an album of archival gay pornographic soundtracks. James Allan Taylor was born into a working-class family in Los Angeles in 1951. Nicknamed “Spider” by his father due to his frantic energy, Taylor was a natural-born guitarist, gifted with perfect pitch and a voracious musical appetite. Throughout the 70s, he expanded his musical repertoire, playing in bands ranging from country to post-punk, like his outfit Red Wedding, while always looking for new sounds and styles to explore. During this period, Taylor also partnered with his soulmate and musical collaborator, Michael Ely. They were part of a wave of bold, young, gay couples living openly together in the years immediately following the Stonewall Riots. In the early 80s, while working at the West Hollywood gay sex club Basic Plumbing, Taylor met Al Parker, the legendary pornographic actor and director, who recruited Taylor to produce the soundtrack for a film he was working on. Parker’s partnership with Steve Scott running Surge Studios produced some of the most popular all-male films of the era. Spider’s music was a natural fit for Surge, and throughout 1985 and 1986, he composed the soundtracks for five films produced by the iconic studio. Assisted by engineer Steve Conrad and armed with a drum machine and some synths, Spider’s compositions for film veer from the expansive, reverb-drenched “Rainforest” to the Miami Vice-esque chugger “Tech.” While Spider thought of this work as little more than a gig, tangential to his real craft, enthusiasts of VHS-era nostalgia and vintage erotica will be brought to bliss. Surge Studio Music will be available on both LP and CD, the latter of which includes a 20-minute version of “Strange Places…Strange Things!” as a bonus track. The album’s cover art was designed by Gwenael Rattke, and features stylish images from Surge Studios releases. Also included is an insert featuring liner notes by Will Lewis, a longtime friend of Spider. The music is released from Spider’s estate by Michael Ely, Spider’s partner of 43 years. The shadow of AIDS lingered over Surge; Steve Scott passed from AIDS-related illness in 1987, and Al Parker succumbed in 1992. In 2014, when it became legal for same-sex couples to marry in Arizona, Spider and Michael finally became wedded. Spider would pass away from liver cancer six months later.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Spider Taylor - Stairs
2
Spider Taylor - Rain Forest
3
Spider Taylor - Cobra
4
Spider Taylor - Coming Soon
5
Spider Taylor - Slow Bug
6
Spider Taylor - Tech
7
Spider Taylor - Hi Tech
8
Spider Taylor - Strange Places, Strange Things
CD!
Spider Taylor crawls over to Dark Entries with Surge Studio Music, an album of archival gay pornographic soundtracks. James Allan Taylor was born into a working-class family in Los Angeles in 1951. Nicknamed “Spider” by his father due to his frantic energy, Taylor was a natural-born guitarist, gifted with perfect pitch and a voracious musical appetite. Throughout the 70s, he expanded his musical repertoire, playing in bands ranging from country to post-punk, like his outfit Red Wedding, while always looking for new sounds and styles to explore. During this period, Taylor also partnered with his soulmate and musical collaborator, Michael Ely. They were part of a wave of bold, young, gay couples living openly together in the years immediately following the Stonewall Riots. In the early 80s, while working at the West Hollywood gay sex club Basic Plumbing, Taylor met Al Parker, the legendary pornographic actor and director, who recruited Taylor to produce the soundtrack for a film he was working on. Parker’s partnership with Steve Scott running Surge Studios produced some of the most popular all-male films of the era. Spider’s music was a natural fit for Surge, and throughout 1985 and 1986, he composed the soundtracks for five films produced by the iconic studio. Assisted by engineer Steve Conrad and armed with a drum machine and some synths, Spider’s compositions for film veer from the expansive, reverb-drenched “Rainforest” to the Miami Vice-esque chugger “Tech.” While Spider thought of this work as little more than a gig, tangential to his real craft, enthusiasts of VHS-era nostalgia and vintage erotica will be brought to bliss. Surge Studio Music will be available on both LP and CD, the latter of which includes a 20-minute version of “Strange Places…Strange Things!” as a bonus track. The album’s cover art was designed by Gwenael Rattke, and features stylish images from Surge Studios releases. Also included is an insert featuring liner notes by Will Lewis, a longtime friend of Spider. The music is released from Spider’s estate by Michael Ely, Spider’s partner of 43 years. The shadow of AIDS lingered over Surge; Steve Scott passed from AIDS-related illness in 1987, and Al Parker succumbed in 1992. In 2014, when it became legal for same-sex couples to marry in Arizona, Spider and Michael finally became wedded. Spider would pass away from liver cancer six months later.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Spider Taylor crawls over to Dark Entries with Surge Studio Music, an album of archival gay pornographic soundtracks. James Allan Taylor was born into a working-class family in Los Angeles in 1951. Nicknamed “Spider” by his father due to his frantic energy, Taylor was a natural-born guitarist, gifted with perfect pitch and a voracious musical appetite. Throughout the 70s, he expanded his musical repertoire, playing in bands ranging from country to post-punk, like his outfit Red Wedding, while always looking for new sounds and styles to explore. During this period, Taylor also partnered with his soulmate and musical collaborator, Michael Ely. They were part of a wave of bold, young, gay couples living openly together in the years immediately following the Stonewall Riots. In the early 80s, while working at the West Hollywood gay sex club Basic Plumbing, Taylor met Al Parker, the legendary pornographic actor and director, who recruited Taylor to produce the soundtrack for a film he was working on. Parker’s partnership with Steve Scott running Surge Studios produced some of the most popular all-male films of the era. Spider’s music was a natural fit for Surge, and throughout 1985 and 1986, he composed the soundtracks for five films produced by the iconic studio. Assisted by engineer Steve Conrad and armed with a drum machine and some synths, Spider’s compositions for film veer from the expansive, reverb-drenched “Rainforest” to the Miami Vice-esque chugger “Tech.” While Spider thought of this work as little more than a gig, tangential to his real craft, enthusiasts of VHS-era nostalgia and vintage erotica will be brought to bliss. Surge Studio Music will be available on both LP and CD, the latter of which includes a 20-minute version of “Strange Places…Strange Things!” as a bonus track. The album’s cover art was designed by Gwenael Rattke, and features stylish images from Surge Studios releases. Also included is an insert featuring liner notes by Will Lewis, a longtime friend of Spider. The music is released from Spider’s estate by Michael Ely, Spider’s partner of 43 years. The shadow of AIDS lingered over Surge; Steve Scott passed from AIDS-related illness in 1987, and Al Parker succumbed in 1992. In 2014, when it became legal for same-sex couples to marry in Arizona, Spider and Michael finally became wedded. Spider would pass away from liver cancer six months later.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Dark Entries
Cat-No:DE-354CD
Release-Date:09.01.2026
Genre:Electronic, Electronica
Configuration:CD
Label:Dark Entries
Cat-No:DE-354CD
Release-Date:09.01.2026
Genre:Electronic, Electronica
Configuration:CD
1
Brandy Dalton - Fallacy
2
Brandy Dalton - Interlude One
3
Brandy Dalton - Swelled
4
Brandy Dalton - Interlude Two
5
Brandy Dalton - Spooks In The Well
6
Brandy Dalton - Interlude Three
7
Brandy Dalton - FA2
8
Brandy Dalton - Speaking In Tongues
9
Brandy Dalton - Interlude Four
10
Brandy Dalton - U Like Me 2 Ulysses
11
Brandy Dalton - Dante's Swell
12
Brandy Dalton - Interlude Five
13
Brandy Dalton - Feel Fall
14
Brandy Dalton - Tall Tales Two
15
Brandy Dalton - Dungeon Master
16
Brandy Dalton - Interlude Six
CD!
Somewhere between heaven and hell…there is Fallen Angel. Dark Entries continues its mission of shining light on a generation of composers and musicians lost to AIDS with Brandy Dalton’s Fallen Angel, his soundtrack work for the award-winning Fallen Angel series. Brandy was known for many years in the LA underground for his performances with his boyfriend, Robert Woods, who was the resident DJ at Club Fuck. Eventually, they recruited John Munt to form the band Drance, becoming infamous for their high-energy performances and songs that tackled taboo topics like sadomasochism. While Drance explored the aggressive sounds of industrial and EBM, Dalton continued to produce a wide range of electronica, from abstract sonic textures to techno bangers. The Fallen Angel album collects 16 sweaty, sticky cuts composed for the pornographic series Fallen Angel, a trio of leather-focused films released by Titan Studios. The sounds here span from the fractured cyberpunk-rave of “Swelled” to the tabla-laced trance of “FA2,” taking listeners on a journey through hedonistic recesses chock full of crunchy digital drum machines and wailing FM synths. This album was originally released on CD in 1999 by Titan Studios, capitalizing on the success of the film franchise. It will be reissued on LP as well as CD, featuring 6 bonus tracks. Artwork for the album, designed by Eloise Shir-Juen Leigh, features stills from the Fallen Angel film. Also included is an insert with liner notes and photographs. This album is dedicated to Brandy, who passed away from AIDS-related illness in 2006, after battling with the disease for 17 years. Brandy’s passing was preceded by his best friend and Drance co-founder Robert’s death in 1995. Documenting a sonic shift in the 90s bathhouse music, Fallen Angel provides a hardcore BDSM ride, building upon the analogue archival soundtracks that Dark Entries has previously released.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Somewhere between heaven and hell…there is Fallen Angel. Dark Entries continues its mission of shining light on a generation of composers and musicians lost to AIDS with Brandy Dalton’s Fallen Angel, his soundtrack work for the award-winning Fallen Angel series. Brandy was known for many years in the LA underground for his performances with his boyfriend, Robert Woods, who was the resident DJ at Club Fuck. Eventually, they recruited John Munt to form the band Drance, becoming infamous for their high-energy performances and songs that tackled taboo topics like sadomasochism. While Drance explored the aggressive sounds of industrial and EBM, Dalton continued to produce a wide range of electronica, from abstract sonic textures to techno bangers. The Fallen Angel album collects 16 sweaty, sticky cuts composed for the pornographic series Fallen Angel, a trio of leather-focused films released by Titan Studios. The sounds here span from the fractured cyberpunk-rave of “Swelled” to the tabla-laced trance of “FA2,” taking listeners on a journey through hedonistic recesses chock full of crunchy digital drum machines and wailing FM synths. This album was originally released on CD in 1999 by Titan Studios, capitalizing on the success of the film franchise. It will be reissued on LP as well as CD, featuring 6 bonus tracks. Artwork for the album, designed by Eloise Shir-Juen Leigh, features stills from the Fallen Angel film. Also included is an insert with liner notes and photographs. This album is dedicated to Brandy, who passed away from AIDS-related illness in 2006, after battling with the disease for 17 years. Brandy’s passing was preceded by his best friend and Drance co-founder Robert’s death in 1995. Documenting a sonic shift in the 90s bathhouse music, Fallen Angel provides a hardcore BDSM ride, building upon the analogue archival soundtracks that Dark Entries has previously released.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Vox Populi! - Yarom Lalou
2
Vox Populi! - Pellucidar
3
Vox Populi! - Neoplastie
4
Vox Populi! - Opium
5
Vox Populi! - Echreman
6
Vox Populi! - Ovan III
7
Vox Populi! - Bio Berim
8
Vox Populi! - Be Mafu
9
Vox Populi! - Gutta Percha II
10
Vox Populi! - Tibetan Cowboy
11
Vox Populi! - Glassy Stare
12
Vox Populi! - Atal Matal Toutoule
13
Vox Populi! - Apnée
14
Vox Populi! - Baby Sex
15
Vox Populi! - Yek!
16
Vox Populi! - Alternative Fresh
17
Vox Populi! - Divane
18
Vox Populi! - Djostodjou
Legendary French industrial pioneers Vox Populi! arrive on Dark Entries with a reissue of Sucre De Pastèque. Vox Populi! was founded in Paris in 1981 by Axel Kyrou, a multi-instrumentalist of Greek, French, and Palestinian roots. He soon recruited his future partner, Mytra, and her brother Arash Khalatbari, who were second-generation immigrants from Tehran, as well as bassist Fr6 Man (Francis Manne). Their sound was motley, combining elements of musique concrete and early industrial with horns, flutes, and traditional Persian instrumentation. Improbably prolific and ceaselessly divergent, Vox Populi! found their way onto dozens of cassette compilations during the heyday of the 1980s DIY tape music scene, including releases on era-defining labels like Insane Music, Cthulhu Records, and their own Vox Man. Sucre De Pastèque, the band’s sixth full-length release, came out in 1986 on Unlikely Records, the cult outlet of Rimarimba’s Robert Cox. Like most of Vox Populi’s output, Sucre is a scattershot endeavor, encompassing psychedelic dirges, cosmic drones, hypnotic chants, and fractured machine-funk. The mood is understatedly bleak, but Vox Populi’s genre agnosticism and curious sense of wonder prevent things from feeling oppressive or heavy-handed. The cover for Sucre DePastèque was designed by Eloise Shir-Juen Leigh, and features a collage by Vox Populi member Fr6 Man. Each copy includes an insert with photos and notes by the band. This is deeply fried material, perfectly capturing the obscurantism that characterized much of the 80s DIY cassette scene.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
C.L.A.W.S. - Route 505
2
C.L.A.W.S. - One Tear
3
C.L.A.W.S. - Vigilant Slimy Monsters (Tyrel Edit)
4
C.L.A.W.S. - Black Magic Carpet Ride III (Feat. Solar)
5
C.L.A.W.S. - Wild Slugs United (Feat. Paul Costuros)
6
C.L.A.W.S. - Don#t Flip The Crystal Ship
C.L.A.W.S. comes to Dark Entries with a new ripping LP, Splat City II. C.L.A.W.S. is the solo project of musical luminary Brian Hock, who has been a key figure in the Bay Area underground for over two decades via his involvement in projects like Bronze and The Vanishing, as well as helming the record labels Squirrels on Film and Immortal Sin. With C.L.A.W.S., Hock takes on the dancefloor, picking up cues from the Hague’s Giallo-dipped electro, the skewed minimalism of Chicago acid, and the mind-rending forays of San Francisco post-punk icons like Chrome and Tuxedomoon. Following 2019’s inaugural Splat City EP, Splat City II continues to map the psychogeography of a metropolis both alien and immediately recognizable, one where life is cheap, but so are the thrills. Previously released on Squirrels on Film in digital-only format, this expanded vinyl edition of Splat City II features two new cuts. Things kick off with “Route 505” and “One Tear,” a duo of rompers that vibe like Tom Ellard and Chip E locked in a room with a vial of liquid. Next up, Bay Area deckmaster Tyrel lends his editing chops to “Vigilant Slimy Monsters,” sculpting a moody space disco beast. Squirrels on Film co-founder Solar teams up with Hock for “Black Magic Carpet Ride III,” a cavernous downtempo banger. The slow-mo pace continues with “Wild Slugs United,” which features the no wave-esque clarinet work of Paul Costuros. Closer “Don’t Flip the Crystal Ship” pays homage to Bayview venue Bay Area 51 with melancholic strings and a quartz-solid electrofunk bassline. Splat City II comes in a sleeve with artwork by Bert Bergen, which features a vampiric cat and sci-fi cityscapes.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Bézier - Egg
2
Bézier - New Age
3
Bézier - Decompose
4
Bézier - Peat Moss
5
Bézier - Marionette
6
Bézier - Rippling
7
Bézier - Merciless Timeline
8
Bézier - A Fading Citadel Atop Black Sand Bluffs
9
Bézier - Pulsate
10
Bézier - Split A Path Towards The Thicket
11
Bézier - Inner Grace
12
Bézier - Codebreaking
13
Bézier - Anstrengend
Bézier ripples their way back to Dark Entries with Decompose, an LP of doomed spa music. Multi-instrumentalist Robert Yang has made numerous appearances on Dark Entries for more than a decade, with releases spanning the stylistic gamut from hi-NRG disco floor-fillers to lush ambient epics. Decompose, Bézier’s second LP, is perhaps his most introspective work yet. It is an album almost ten years in the making, a deep investigation of life, loss, and the struggle of knowing oneself. If one were to pull a tarot deck for this album it would be the Nine of Swords. The album honors the lives of the fallen victims of Pulse Nightclub. It honors lives lost or suffering through the ongoing genocide in Gaza. The title track takes the form of a Buddhist chant, a brooding synth-driven meditation that scales steadily until breaking into John Carpenter-esque arpeggios halfway through. Tracks like “Egg,” “Marionette,” and “A Fading Citadel Atop Black Sand Bluffs” build on this soundworld, one in which intricate melodies and cavernous reverb induce in the listener feelings of both claustrophobia and free-fall. The album’s dancefloor-leaning moments, like “Codebreaking” and “Split a Path Towards the Thicket” are spartan, tunnel-vision techno tracks speeding towards ego-death. Decompose chronicles Yang’s journey to find peace with himself, as a gay Asian American. During this process, they learned to “repot” long-lost parts of their identity so they could grow forth in wholesome fashion. The sleeve for Decompose was designed by Eloise Shir-Juen Leigh, and features a photograph by Frankie Casillo of Robert laying on a bed of rocks in savasana pose, resembling an ascetic, evocative of the monastic vibes of the record.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Patrick Cowley - Hellfire
2
Patrick Cowley - Tech-No
3
Patrick Cowley - Spellbinding Lover (feat. Jeanie Tracy)
4
Patrick Cowley - Pajama Party Massacre
5
Patrick Cowley - Big Ass In Motion
6
Patrick Cowley - Shake It Up
7
Patrick Cowley - Perk It Up
8
Patrick Cowley - Jungle Jump
9
Patrick Cowley - Megablue
10
Patrick Cowley - Ice Age (feat. Peggy Gibbons)
Cybernetic disco maestro Patrick Cowley graces Dark Entries once again with Hard Ware, an LP of far-out funk and synthpop celebrating what would have been Cowley’s 75th birthday. Best known for his chart-topping disco anthems, Cowley left us with an incredible body of work before his tragic death in 1982 due to AIDS-related illness. Since 2009, Dark Entries has been working with Cowley’s friends and family to uncover the singular artist’s lesser-known sides, including his soundtracks for gay pornographic films, which the label chronicled on compilation albums School Daze, Muscle Up, and Afternooners. Hard Ware presents the closing chapter in a trilogy of unreleased Cowley dancefloor bangers that began with 2022’s heavy-hitting Male Box and was continued with the soul and garage-inflected From Behind in 2024. The most expansive release in said trilogy, Hard Ware delivers ten tracks of pure, uncut Cowley: sultry, psychedelic, sarcastic, and just a bit sleazy. Cowley devotees will delight in “Tech-No,” a sparse instrumental demo version of his epically dystopian “Tech-No-Logical World.” You could soundtrack your next aerobics session with cheeky numbers like “Pajama Party Massacre” or “Shake It Up,” both of which feature Cowley himself on vocals. The frenetic “Big Ass in Motion” is built around samples from Rudy Ray Moore and The Madam’s infamous “Sensuous Black Woman,” an X-rated comedy record that would later feature in classic booty house records. Mid-tempo cosmic groovers are well-represented with jams like “Hellfire” and “Megablue,” which perfectly capture Cowley’s bathhouse-in-outerspace sensibilities. No collection of Cowley’s work would be complete without an interstellar floor-filler, and we’ve got quite a few here, like “Jungle Jump,” which pits whirling beats with dub-laced swirls of synth, or “Spellbinding Lover,” a Donna Summer-indebted melancholic boogie masterpiece that features Sylvester backup singer Jeanie Tracy. Hard Ware closes with the chilling synth-hymn ”Ice Age,” in which Loverde vocalist Peggy Gibbons sings of a coming frosty apocalypse. The story told in “Ice Age” mirrors the coming AIDS crisis and feels like a haunting premonition from Cowley. The record comes in a sleeve with a hand-airbrushed circuitboard-inspired design by Gwenaël Rattke, and includes lyrics as well as liner notes by Andrew Ryce and Peggy Gibbons. Hard Ware is another crucial document of a tremendous talent taken too soon.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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DE - 22113 Hamburg
Germany
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Cybernetic disco maestro Patrick Cowley graces Dark Entries once again with Hard Ware, an LP of far-out funk and synthpop celebrating what would have been Cowley’s 75th birthday. Best known for his chart-topping disco anthems, Cowley left us with an incredible body of work before his tragic death in 1982 due to AIDS-related illness. Since 2009, Dark Entries has been working with Cowley’s friends and family to uncover the singular artist’s lesser-known sides, including his soundtracks for gay pornographic films, which the label chronicled on compilation albums School Daze, Muscle Up, and Afternooners. Hard Ware presents the closing chapter in a trilogy of unreleased Cowley dancefloor bangers that began with 2022’s heavy-hitting Male Box and was continued with the soul and garage-inflected From Behind in 2024. The most expansive release in said trilogy, Hard Ware delivers ten tracks of pure, uncut Cowley: sultry, psychedelic, sarcastic, and just a bit sleazy. Cowley devotees will delight in “Tech-No,” a sparse instrumental demo version of his epically dystopian “Tech-No-Logical World.” You could soundtrack your next aerobics session with cheeky numbers like “Pajama Party Massacre” or “Shake It Up,” both of which feature Cowley himself on vocals. The frenetic “Big Ass in Motion” is built around samples from Rudy Ray Moore and The Madam’s infamous “Sensuous Black Woman,” an X-rated comedy record that would later feature in classic booty house records. Mid-tempo cosmic groovers are well-represented with jams like “Hellfire” and “Megablue,” which perfectly capture Cowley’s bathhouse-in-outerspace sensibilities. No collection of Cowley’s work would be complete without an interstellar floor-filler, and we’ve got quite a few here, like “Jungle Jump,” which pits whirling beats with dub-laced swirls of synth, or “Spellbinding Lover,” a Donna Summer-indebted melancholic boogie masterpiece that features Sylvester backup singer Jeanie Tracy. Hard Ware closes with the chilling synth-hymn ”Ice Age,” in which Loverde vocalist Peggy Gibbons sings of a coming frosty apocalypse. The story told in “Ice Age” mirrors the coming AIDS crisis and feels like a haunting premonition from Cowley. The record comes in a sleeve with a hand-airbrushed circuitboard-inspired design by Gwenaël Rattke, and includes lyrics as well as liner notes by Andrew Ryce and Peggy Gibbons. Hard Ware is another crucial document of a tremendous talent taken too soon.
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1
The Pool - Dance It Down
2
The Pool - Dance In Dub
3
The Pool - Dance It Down (European remix)
4
The Pool - Jamaica Running
5
The Pool - Jamaica Resting
6
The Pool - Jamaica Running (European remix)
Repress!
Patrick Keel is a multi-instrumentalist, composer, producer, and performer. The Pool was his solo project, the sum of fifteen years of experience in live bands, studios, and home recording. Patrick was heavily influenced by the radio of the early and mid 1960’s in Dallas. The British bands and Black soul of the era gave him a distinct style, and shaped his musical attitude. The New Wave/Punk/D.I.Y. attitudes of the late 1970s inspired him to express himself in a new way. 1980 saw the release of "Pool One," a sixty minute home-produced cassette. "Pool Two" followed in 1981, which received much praise and little distribution. In 1982 he released a 5-song self-titled vinyl EP of tight, skeletal, synthetic dance music.
In 1983, “Dance It Down/Jamaica Running” 12” EP was released on Moment Productions. Based on response from D.J.’s in New York and the Bronx, Patrick went back in the studio and remixed two songs from the self-titled EP for rapping, scratching and break dancing. "Jamaica Resting" was sped-up, extended, and reconfigured as "Jamaica Running". The whirlpool synth-strut of “Dance It Down” came out of the studio as “Dance In Dub”, with a heavier kick and extended dub outro. These spacious versions were optimal for DJ play, slotting regularly in sets at hip clubs like Danceteria. For this reissue we’ve added two bonus European remixes from the 1984 12” of “Dance It Down/Jamaica Running”, released on Nunk records from Belgium. Both songs employ the use of a Boss DR-55, Korg MS-20, Korg PolySix, and a Prophet 5, and were mixed on a 16- track Ampex recorder. The Pool's spartan, self-assured songs are experiments you can dance to.
All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The record comes housed in a newly designed jacket by Eloise Leigh, updating the magenta and blue grid and Pool logo of the Moment Productions release. Each copy includes a 12-page booklet with a never seen before photos, press clippings and notes.
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Patrick Keel is a multi-instrumentalist, composer, producer, and performer. The Pool was his solo project, the sum of fifteen years of experience in live bands, studios, and home recording. Patrick was heavily influenced by the radio of the early and mid 1960’s in Dallas. The British bands and Black soul of the era gave him a distinct style, and shaped his musical attitude. The New Wave/Punk/D.I.Y. attitudes of the late 1970s inspired him to express himself in a new way. 1980 saw the release of "Pool One," a sixty minute home-produced cassette. "Pool Two" followed in 1981, which received much praise and little distribution. In 1982 he released a 5-song self-titled vinyl EP of tight, skeletal, synthetic dance music.
In 1983, “Dance It Down/Jamaica Running” 12” EP was released on Moment Productions. Based on response from D.J.’s in New York and the Bronx, Patrick went back in the studio and remixed two songs from the self-titled EP for rapping, scratching and break dancing. "Jamaica Resting" was sped-up, extended, and reconfigured as "Jamaica Running". The whirlpool synth-strut of “Dance It Down” came out of the studio as “Dance In Dub”, with a heavier kick and extended dub outro. These spacious versions were optimal for DJ play, slotting regularly in sets at hip clubs like Danceteria. For this reissue we’ve added two bonus European remixes from the 1984 12” of “Dance It Down/Jamaica Running”, released on Nunk records from Belgium. Both songs employ the use of a Boss DR-55, Korg MS-20, Korg PolySix, and a Prophet 5, and were mixed on a 16- track Ampex recorder. The Pool's spartan, self-assured songs are experiments you can dance to.
All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The record comes housed in a newly designed jacket by Eloise Leigh, updating the magenta and blue grid and Pool logo of the Moment Productions release. Each copy includes a 12-page booklet with a never seen before photos, press clippings and notes.
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1
Brown Angel - Miel
2
Brown Angel - Maya
3
Brown Angel - Dame Más
4
Brown Angel - En Movimiento
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Brown Angel - PBE
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Brown Angel - Love Me Right
Brown Angel descends upon Dark Entries with Pure Brown Energy, an EP featuring 6 tracks of gloom-laced electro-funk and retro house. Pure Brown Energy was born when San Francisco-based producer and Hard French collective member Brown Angel was faced with a gift and a loss: an original Roland TR-808 was given to them around the same time that their father passed away. To process their grief, they set about making an album that showcased the many facets of their being, in their words: “my gay tío side, my Latin goth side, my cruising down the boulevard side, and most of all my soft vulnerable side.” From slamming vogue/ballroom house to cumbia-inflected freestyle, Pure Brown Energy channels club sounds both contemporary and timeless, while centering the most eternal electronic instrument of all: the TR-808. Opener “Miel” grooves with the effortlessness of peak-era Masters at Work or vintage Kevin Saunderson, while “Dame Más” dials up the energy even further. The influences of Miami bass and West Coast electro shine through on “Maya” and “Love Me Right,” which pair razor-sharp beats with a flurry of samples culled from Brown Angel’s record collection. “PBE” and “En Movimiento” take the Planet Rock vibes to another level, combining influences from contemporary cumbia and reggaeton sounds with Brown Angel’s Latin goth flair. Each copy comes in a sleeve designed by Ricardo Diseño featuring illustrations inspired by Teen Angels, a popular 1980’s Chicano magazine. Pure Brown Energy brings a sense of urgency to the dancefloor, unreluctantly examining the crossover between creation and loss, between celebration and sorrow. But don’t forget: these cuts also slap.
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1
Evelyne / Masao - Ich Weiß Nicht Mehr
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Evelyne / Masao - Watashino Shonen
3
Evelyne / Masao - Paradis Perdu
4
Evelyne / Masao - Sakuramochi
5
Evelyne / Masao - Le Soleil Se Leve
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Evelyne / Masao - La Jungle En Folie
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Evelyne / Masao - Au Clair De La Lune
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Evelyne / Masao - Singin In The Rain
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Evelyne / Masao - Bird Island
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Evelyne / Masao - Alien Go Home
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Evelyne / Masao - Tu Te Fous De Moi
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Evelyne / Masao - Time Out
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Evelyne / Masao - Drole Doiseau
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Evelyne / Masao - Time To Party
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Evelyne / Masao - Tabac
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Evelyne / Masao - Tale Of A Lizard
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Evelyne / Masao - Moonman
Evelyne/Masao bring TESTPATTERN to Dark Entries for the label’s first foray into vintage Japanese electronics. Masao Hiruma and Fumio Ichimura’s project Testpattern is known for their release Apres-Midi, a cult slab of synthpop perfection released by Yukihiro Takahashi and Haruomi Hosono’s legendary Yen Records in 1982. While Hiruma and Ichimura parted ways following Apres-Midi, Hiruma’s musical endeavors would continue after meeting French/American model and vocalist Evelyne Bennu in 1984 at a café bar where she would sit and write poetry. Their collaborative efforts as Evelyne/Masao were fruitful, and the duo first performed together in June 1984 on a television program called TOKYO ROCK TV. The album TESTPATTERN comprises seventeen songs recorded in Hiruma’s home studio, which have never been released previously. The Evelyne/Masao duo continues building on the soundworld of Apres-Midi: lush, sophisticated electronics with intricate yet minimalist production. Tracks like “Sakuramochi” and “Bird Island” bear influence from Hosono most clearly, their soaring melodies revealing a subtly ironic redeployment of East Asian musical tropes. But TESTPATTERN is more than homage to Yellow Magic Orchestra. “Tabac” and “Le Soleil Se Leve” display oddball sensibilities closer to Sky Records icons Asmus Tietchens or Cluster. Elsewhere, the project shows affinity for the punkier ethos of continental DIY electronics, like on the quirky “Alien Go Home” and a positively skewed cover of “Singin’ in the Rain.” Bennu’s vocals provide a common thread through these explorations, as she alternates deftly between New Wave deadpan and unhinged chanson singer—check her waxing maximally Francophone on “Au Clair de Lune,” based on an 18th century French song. TESTPATTERN will be available on both double LP as well as CD, and includes a fold-out poster with liner notes with lyrics. This album is dedicated to Masao Hiruma, who passed away in 2011.
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1
Coatshek - Softest
2
Coatshek - Slipping
3
Coatshek - The Feelings
4
Coatshek - Triple Virgo
5
Coatshek - Labyrinth
6
Coatshek - Eternal Lovers
Dark Entries returns to the steam room with Coatshek’s Sound Bath. For their SoundBaths series, now-defunct poppers brand Double Scorpio commissioned artists to make mixes for an imaginary queer bathhouse. When asked to contribute, San Francisco-based artist Coatshek aka Sheki Cicelsky took the opportunity to create original compositions. The resulting album, Sound Bath, serves as a masterclass in slow and sultry ambient techno. Taking inspiration from Pink Floyd, Manuel Göttsching’s E2-E4, and his friend’s DJ mixes (particularly Nick Moss and Matthew Paul’s for “Por Detroit”), Coatshek landed on 107 bpm as the optimal speed for sauna sex. With just a few synths, his Telecaster, and “lots of delays, reverb, and weed,” he sculpted stunning cuts like the effortlessly grooving “Softest” and the psych-laced “Triple Virgo.” The cover for Sound Bath was designed by Coatshek’s fiancé Nate Sprecher, and features photographs by Luke Kraman taken at The Ever Afters campout. The album also includes an insert featuring the Double Scorpio SoundBaths series artwork by Blake Wright. Equally hypnogogic and sexually supercharged, Sound Bath situates the bathhouse as a liminal dreamspace of unbounded erotic potentiality.
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1
Triple Five Soul - Boxxx That Rocks
2
Triple Five Soul - But A Freak
3
Triple Five Soul - Everybody Loves Triple Five Soul
4
Triple Five Soul - Gonna Get Got
5
Triple Five Soul - Halfway Home
Triple Five Sol drop 75 Racks on Dark Entries, an EP featuring 5 cuts of raw and jacking house music. San Francisco-based producers/DJs Johnny Five and Vin Sol linked up during a trip to New Orleans, and they began hatching plans to collaborate. After setting up a new home studio in Vin Sol’s abode, jam sessions ensued, and soon the duo had cemented their sound. Their analog house tracks harken back to the roughshod and unembellished vibes on 80s Chicago and New York labels like Nu Groove or Gherkin Records, influences they wear with pride. “Boxxx that Rocks,” “Just a Freak,” and “Everybody Loves Triple Five Sol” deploy chunky beats with sprees of minimalist bleeps, sounding like Chip E retuned for the 22nd century. It’s not all jagged drums and acidic squelch on 75 Racks, though; “Gonna Get Out” and “Halfway Home” saunter with the confidence of a New Dance Show participant, soulful and grooving with a dash of garage. 75 Racks comes in a sleeve designed by Primo Pitino featuring bold retro primary colors. Triple Five Sol brings us timeless dance music: deep, real, and weird.
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1
Kinga - Sexy Boy (Late Night Dance Mix)
2
Kinga - Sexy Boy (Dub)
3
Kinga - Sexy Boy (7" Mix)
4
Kinga - Sexy Boy (7" Remix/Edit)
5
Kinga - Sexy Boy (TV Mix)
In celebration of Pride Month, Kinga struts to Dark Entries with “Sexy Boy,” a steamy Canadian pop gem. Inspired by gender-bending pop stars of the 1980s like Boy George and Janet Jackson, a young Tomas Fussey aka Kinga ditched his “schoolboy appearance” to adopt an edgier, androgynous style. Immersed in Calgary nightlife, he became acquainted with sexy synthpop and disco songs like Madonna’s “Everybody,” Divine’s “Native Love,” and the Flirts’ “Passion” - songs which still linger in his mind. He began writing music: “It was 80s. Everyone was making a record. So I made one too.” In 1988 he teamed up with keyboardist Dan Madison and veteran producer Bob Gallo to make “Elevator Operator” and “Sexy Boy.” Kinga was surprised when the B-side “Sexy Boy” garnered substantial radio play from CFNY in Toronto. But he notes: “They saw the obvious... My physical appearance supported the lyrics.” In 1989, Amok Records backed a new “Late Night Dance Mix” version of “Sexy Boy.” Almost every part was re-recorded or remade, including Kinga’s vocals. The new version surprised Kinga with its slick production and moody atmosphere. Sales were disappointing, and Kinga stated “It was not the sound of the moment.” But these deeper house-inflected grooves feel like the sound of our current moment. This release of Sexy Boy includes five different mixes, including the original 7” mix, three versions from the 12”, and the previously unreleased “TV Mix”. Sexy Boy comes sleeved in a reproduction of the original artwork and includes an insert with liner notes and lyrics, as well as an 8x10 glossy press photo of the sexy boy himself.
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Label:Dark Entries
Cat-No:DE-338
Release-Date:06.06.2025
Genre:Electronic, Electronica
Configuration:12"
Label:Dark Entries
Cat-No:DE-338
Release-Date:06.06.2025
Genre:Electronic, Electronica
Configuration:12"
1
Hackney Electronica - H.E. Nuestro Circuito
2
Hackney Electronica - Efecto Perfecto
3
Hackney Electronica - The One
4
Hackney Electronica - Whispers from the Depths
5
Hackney Electronica - Nueva Ola
Hackney Electronica come to Dark Entries with the Synaptic Shadows EP, featuring 5 cuts of acidic rave-inflected wave. Quinn Whalley (Paranoid London), Unai Trotti (Cartulis Music), and Margo Broom (Hermitage Working Studios) formed Hackney Electronica during COVID era. Trotti and Whalley were spending countless hours digging through records and making music during lockdown. As their sound took shape - heavy and hypnotic - they invited Broom to join, cementing the motley trio. The five pieces on Synaptic Shadows explore themes of altered states, late-night cityscapes, and the fine line between pleasure and paranoia. Each track pulses like a memory from the backstreets of Hackney, where the night transforms the city into an electrified maze of fleeting highs and inevitable crashes. The anxious grooves on “H.E. Nuestro Circuito” and “Whispers from the Depths” channel 1980s DIY electronics onto the contemporary dancefloor, while “Efecto Perfecto,” “The One”, and “Nueva Ola” offer breakbeat-laced electro that will keep you dancing until dawn. Housed in a sleeve designed by German Bardo, Synaptic Shadows is more than just a debut release, it’s a journey through the flickering alleys of the mind, where tension and transcendence intertwine.
ps. all customers who got a copy of the misspress will receive a new copy, wihtout cover, automatically.
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ps. all customers who got a copy of the misspress will receive a new copy, wihtout cover, automatically.
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1
Deux Filles - The Letter
2
Deux Filles - L'intrigue
3
Deux Filles - Drinking At A Stream
4
Deux Filles - Oakwood Green
5
Deux Filles - Children Of Clay
6
Deux Filles - Sur La Plage
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Deux Filles - Her Masters Voice
8
Deux Filles - The Draw In Room
9
Deux Filles - The Slides
10
Deux Filles - Fleur's Dolls
11
Deux Filles - Mortuary
12
Deux Filles - The City Sleeps
13
Deux Filles - Birds
14
Deux Filles - Silence & Wisdom
15
Deux Filles - Festival
16
Deux Filles - Our English Friends
17
Deux Filles - Piroette
18
Deux Filles - The Third Movement
19
Deux Filles - Play Room
20
Deux Filles - Starboard She Said
21
Deux Filles - Los Estrellas
22
Deux Filles - Albert The Mud Fish
23
Deux Filles - Who Art In Heaven
24
Deux Filles - Shackleford Breeze
25
Deux Filles - 2 Blind 2 See
26
Deux Filles - Zazinthos
27
Deux Filles - Little Brown Jig
28
Deux Filles - Tounges
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Deux Filles - Shalama
30
Deux Filles - The Sun On The Sea
31
Deux Filles - Interlude
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Deux Filles - The Snow Falls & The Village Is Overflowing With Children
33
Deux Filles - Double Happiness
Repress!
The short, mysterious career of the female French duo Deux Filles is bookended by tragedy. Gemini Forque and Claudine Coule met as teenagers at a holiday pilgrimage to Lourdes, during which Coule's mother died of an incurable lung disease, and Forque's mother was killed and her father paralyzed in an auto accident. The two teens bonded over their shared grief and worked through their bereavement with music. However, after recording two critically acclaimed albums and playing throughout Europe and North America, Forque and Coule disappeared without a trace in North Africa in 1984 during a trip to visit Algiers. The short and terribly unhappy lives of Forque and Coule are at the root of the small but fervent cult following the mysterious duo have gained since their disappearance, not least because the placid, largely instrumental music on the duo's albums betrays no hint of the sorrow that framed their personal lives.
This would be a terribly sad story if a word of it were true. In reality, Deux Filles were Simon Fisher Turner, former child star/teen idol and future soundtrack composer, and his mate Colin Lloyd Tucker. Turner and Tucker left an early incarnation of The The in 1981 to pursue another musical direction. Turner claims that the idea of Deux Filles came to him in a dream, and he and Tucker strictly maintained the fiction throughout the duo's career. Not only did they pose in drag for the album covers, the duo once even played live without the audience realizing that the tragic French girls on-stage were actually a pair of blokes from south London. Deux Filles released two albums through Turner and Tucker's Papier Mache label, 1982's “Silence & Wisdom” and 1983's “Double Happiness”. Both albums are included here,
and blend watery piano, ghostly vocals, sheets of synthesizers, processed guitars, and the barest minimum of percussion. Drifting and wistful, they’re a pair of lost ambient gems from a time when the genre had yet to mature, an excellent example of post-Eno, pre-Orb ambient music.
All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in gatefold sleeve with original front covers of both albums, and a centerfold of archive images and the original liner notes. “Like an early French film soundtrack with melodramatic overtones, the sound is jagged and disjointed but never harsh. Lilting guitars and ample use of echo smack of Vini Reilly, relying on the hypnotic qualities of the sound rather than abrasive noise" (Sounds, 03/1983)
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The short, mysterious career of the female French duo Deux Filles is bookended by tragedy. Gemini Forque and Claudine Coule met as teenagers at a holiday pilgrimage to Lourdes, during which Coule's mother died of an incurable lung disease, and Forque's mother was killed and her father paralyzed in an auto accident. The two teens bonded over their shared grief and worked through their bereavement with music. However, after recording two critically acclaimed albums and playing throughout Europe and North America, Forque and Coule disappeared without a trace in North Africa in 1984 during a trip to visit Algiers. The short and terribly unhappy lives of Forque and Coule are at the root of the small but fervent cult following the mysterious duo have gained since their disappearance, not least because the placid, largely instrumental music on the duo's albums betrays no hint of the sorrow that framed their personal lives.
This would be a terribly sad story if a word of it were true. In reality, Deux Filles were Simon Fisher Turner, former child star/teen idol and future soundtrack composer, and his mate Colin Lloyd Tucker. Turner and Tucker left an early incarnation of The The in 1981 to pursue another musical direction. Turner claims that the idea of Deux Filles came to him in a dream, and he and Tucker strictly maintained the fiction throughout the duo's career. Not only did they pose in drag for the album covers, the duo once even played live without the audience realizing that the tragic French girls on-stage were actually a pair of blokes from south London. Deux Filles released two albums through Turner and Tucker's Papier Mache label, 1982's “Silence & Wisdom” and 1983's “Double Happiness”. Both albums are included here,
and blend watery piano, ghostly vocals, sheets of synthesizers, processed guitars, and the barest minimum of percussion. Drifting and wistful, they’re a pair of lost ambient gems from a time when the genre had yet to mature, an excellent example of post-Eno, pre-Orb ambient music.
All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in gatefold sleeve with original front covers of both albums, and a centerfold of archive images and the original liner notes. “Like an early French film soundtrack with melodramatic overtones, the sound is jagged and disjointed but never harsh. Lilting guitars and ample use of echo smack of Vini Reilly, relying on the hypnotic qualities of the sound rather than abrasive noise" (Sounds, 03/1983)
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1
Gina X - No G.D.M.
2
Gina X - Exhibitionism
3
Gina X - Be a Boy
4
Gina X - Tropical Comic Strip
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Gina X - Nice Mover
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Gina X - Cologne Intime
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Gina X - Opposite Numbers
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Gina X - Vendor's Box
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Gina X - Strip Tease
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Gina X - I.C. Code
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Gina X - Kaddish
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Gina X - Hypnosis/Hypnose
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Gina X - Babylon Generation
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Gina X - Die Kunst des Liebens (The Art of Loving)
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Gina X - Kanal Banal
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Gina X - French Lift
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Gina X - Waiting
Gina X makes her way to Dark Entries for Greatest Fits, a compilation of gems and jams from the eccentric New Wave icon. Gina X Performance was formed in Cologne in 1978 when art history student and chanteuse Gina Kikoine teamed up with synth wizard Zeus B. Held. Inspired by Patti Smith and Lou Reed, Kikoine aimed to create "the absolute union of music, poetry and travesty," a lofty goal that she most certainly would achieve. 1979 saw the release of the classic first LP, Nice Mover, which put Held’s lush electronic production in dialogue with Gina X’s deadpan delivery. Songs explore androgyny, decadence, and avant-garde art in a fashion that is stylish, sexy, and more than a touch transgressive. Nice Mover quickly became a cult favorite thanks to tracks like the euphoric “Nice Mover” and the dancefloor bomb “No G.D.M.”, dedicated to queer icon Quentin Crisp. Three more LPs followed in the coming years: X-Traordinaire in 1980; Voyeur in 1981; and Yinglish in 1984. The duo continued their genre deviance throughout, exploring uptempo space disco on “Strip Tease,” punk-laced New Wave on “Babylon Generation,” and icy electro-pop on “French Lift.” Greatest Fits is the first-ever double LP compilation of Gina X material. The 17 tracks on Greatest Fits were selected by Kikoine and Held, reflecting the duo’s most cherished moments from their wide-ranging catalog. The record comes housed in a gatefold sleeve designed by Eloise Shir-Juen Leigh featuring press clippings and photographs, and includes an insert with lyrics and memories about each song from Kikoine and Held.
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4
Huxley - ANY1
Huxley debuts on Rekids with the ‘MIND G%MES’ EP. UK DJ, producer, and Dumb Safari label head Huxley joins Radio Slave’s Rekids for the first time with the ‘MIND G%MES’ EP, dropping 25th July 2025. The first track, ‘M%ND’, kicks off with woozy and alluring pads swirling round a cuddly but kicking Deep House groove. Soulful vocals and delicate, cosmic melodies rise out of the mix to bring it to a close in style. 'CLUB SH%T' ups the ante with zippy synths injecting some texture to slamming drums that straddle the House and Techno divide, while wispy stabs and warm daubs of sound dance around the cowbells to make this an evaluated late-night tool. 'FEAR N%THING' is a new school cut, with fi ltered loops, sugary chords, and pent-up energy all surging through the dance fl oor. Last but not least is 'ANY1', a sleazy House pumper featuring moody spoken word, a big, rubbery bassline, and slinky, Garage-infl uenced percussion. Active in the underground music scene for two decades, former Rinse resident and sometime Aus, Shall Not Fade and Unknown To The Unknown artist has had one hell of a career. From huge breakthrough tracks like ‘Let it Go’ on Hypercolour and ‘Box Clever’ on 20:20 Vision to his 2014 ‘Blurred’ LP on Aus, he’s seen universal critical acclaim as well as massive support from DJs and dancefloors globally. In recent years, his Dumb Safari label, the online community R Trybe (co-founded by Ramin Rezaie/BAKKIS) and collaborations with Steve Bug are just a handful of his projects, while his ‘MIND G%MES’ EP for Rekids is already feeding the fi re with support from Jen Cardini, Cromby, I.Jordan, Jennifer Loveless and big room dons, Michael Bibi and Solomun.
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Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
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Germany
Contact: [email protected]More
1
Quiet Village & Vanessa Daou - Naked Hunger (Vocal Mix)
2
Quiet Village & Vanessa Daou - Naked Hunger (Spoken Word Mix)
Quiet Village collaborate with Vanessa Daou on 'Naked Hunger’ Legendary New York artist and The Daou front-woman Vanessa Daou lends vocals to Matt 'Radio Slave' Edwards and Joel Martin's second release on the ‘The Quiet Village’ imprint. Matt ‘Radio Slave' Edwards and Joel Martin's critically acclaimed Quiet Village project follow-up, 2024's 'Reunion' with the Vanessa Daou collaboration, 'Naked Hunger' on September 5th, '25. 'Naked Hunger', which comes in 'Vocal Mix' and 'Spoken Word Mix' versions, sees Quiet Village employ their hypnotic sensibilities to one of house music's most tantalising vocal talents in Daou, resulting in a mid-tempo house cut that completely envelops. While the vocal mix of 'Naked Hunger' leans into the interplay between Vanessa Daou's cosseting song voice and spoken vocals, with the rest of the track embracing a subtly dubby ethereal musicality, Quiet Village ramp up the instrumentation on the' Spoken Vocal' version with bass guitar and piano flourishes accompanying her sultry poetic delivery. 'Naked Hunger', Daou's first collaboration with Quiet Village, marks her first release since 2019's 'Little Black Dress'. Throughout her illustrious career, the acclaimed three-time #1 Billboard Dance Chart topper has collaborated with Danny Tenaglia, David Morales, Mood II Swing, Ralphi Rosario, Terry Farley (Farley & Heller), Charles Webster, Horse Meat Disco's Severino Panzetta, Hifi Sean, and Eli Escobar. Friends since meeting at Goldie's legendary MetalHeadz sessions at London's Blue Note in the '90s, Quiet Village, aka Matt Edwards and Joel Martin, began releasing their brand of dubbed-out, balearic-and-beyond tracks in 2005 via NYC's Whatever We Want Records. The duo's 2008 'Silent Movie' LP was a critical smash hit that resulted in remix commissions for the likes of Bryan Ferry, The Gorillas, Leftfi eld, Francois K, Massive Attack and many more. After a few years in the wilderness, unable to use their nom de plume due to contractual restrictions, the pair launched The Quiet Village label in 2024 with 'Reunion', a stunning 6/8-time urban jazz odyssey, a favourite of the likes of Luke Una, Gilles Peterson and Ryan Elliott.
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Germany
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1
Dold - Second Reset (Original Mix)
2
Dold - Second Reset (DHÆUR Remix)
3
Dold - Pulse Light Focus (Original Mix)
4
Dold, DHÆUR - Borderline (Original Mix)
GENRE: Techno
TRACKLIST:
Dold - Second Reset (Original Mix)
Dold - Second Reset (DHÆUR Remix)
Dold - Pulse Light Focus (Original Mix)
Dold - Borderline (Original Mix)
SHORT INFO:
The seventh release on the BINÄR-Label is an EP consisting of an opening, peak time and closing track by Dold with a remix by DHÆUR. The focus was on the storytelling which includes deep dives over a bit more rough sounds ending with a warm hug. The tracks are mastered by Ricardo Esposito.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLIST:
Dold - Second Reset (Original Mix)
Dold - Second Reset (DHÆUR Remix)
Dold - Pulse Light Focus (Original Mix)
Dold - Borderline (Original Mix)
SHORT INFO:
The seventh release on the BINÄR-Label is an EP consisting of an opening, peak time and closing track by Dold with a remix by DHÆUR. The focus was on the storytelling which includes deep dives over a bit more rough sounds ending with a warm hug. The tracks are mastered by Ricardo Esposito.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Aural Float - South Of The Clouds Pt.2 (Gregor Tresher Remix)
2
Aural Float - South Of The Clouds Pt.2 (Extrawelt Remix)
3
Aural Float - South Of The Clouds Pt.2 (2025 Remastered Edit)
GENRE/S: Techno
TRACKLISTS:
A: Aural Float - South Of The Clouds Pt.2 (Gregor Tresher Remix)
B1: Aural Float - South Of The Clouds Pt.2 (Extrawelt Remix)
B2: Aural Float - South Of The Clouds Pt.2 (2025 Remastered Edit)
SHORT INFO:
We are beyond excited to release new remixes of an absolute classic tune by none other than Aural Float, the legendary collaboration between Pascal FEOS, Gabriel Le Mar and Alex Azary. Originally released on their debut album „Introspectives“ on the mighty Elektrolux records back in 1995, „South Of The Clouds Pt.2“ quickly became the standout track of the longplayer and an absoute fan favorite as it encapsuled the very essence of the no nonsense hypnotic sound of Frankfurt at the time. On the A-Side, label head honcho Gregor Tresher presents an epic 11-minute journey that pays homage to the timeless original while updating it for the modern day dancefloor. Through layers and layers of subtle percussion lines, Gregor´s remix builds up over time, with bold breakdowns that gives the distinctive melody line time to breathe, only to eventually culminate in bringing the massive beat back to take things to the next sonic level. On the flip, our good friends Extrawelt deliver another outstanding production once again, that has their signature sound written all over it. The boys respectfully incorporate the original melody line, while perfecting their remix by adding their unmistakeable trademark sound and sophisticated beat structures. Aural Float, we salute you and are forever grateful for this seminal piece of music, that easily stood the test of time and will continue to do so for generations to come.
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DE - 22113 Hamburg
Germany
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TRACKLISTS:
A: Aural Float - South Of The Clouds Pt.2 (Gregor Tresher Remix)
B1: Aural Float - South Of The Clouds Pt.2 (Extrawelt Remix)
B2: Aural Float - South Of The Clouds Pt.2 (2025 Remastered Edit)
SHORT INFO:
We are beyond excited to release new remixes of an absolute classic tune by none other than Aural Float, the legendary collaboration between Pascal FEOS, Gabriel Le Mar and Alex Azary. Originally released on their debut album „Introspectives“ on the mighty Elektrolux records back in 1995, „South Of The Clouds Pt.2“ quickly became the standout track of the longplayer and an absoute fan favorite as it encapsuled the very essence of the no nonsense hypnotic sound of Frankfurt at the time. On the A-Side, label head honcho Gregor Tresher presents an epic 11-minute journey that pays homage to the timeless original while updating it for the modern day dancefloor. Through layers and layers of subtle percussion lines, Gregor´s remix builds up over time, with bold breakdowns that gives the distinctive melody line time to breathe, only to eventually culminate in bringing the massive beat back to take things to the next sonic level. On the flip, our good friends Extrawelt deliver another outstanding production once again, that has their signature sound written all over it. The boys respectfully incorporate the original melody line, while perfecting their remix by adding their unmistakeable trademark sound and sophisticated beat structures. Aural Float, we salute you and are forever grateful for this seminal piece of music, that easily stood the test of time and will continue to do so for generations to come.
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DE - 22113 Hamburg
Germany
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1
Hard To Tell - A1 Late Night Jam
2
Hard To Tell - A2 Hidden Traffic
3
Hard To Tell - A3 Can't Stop
4
Hard To Tell - A4 Fame
5
Hard To Tell - B1 Will Stay
6
Hard To Tell - B2 Tension
7
Hard To Tell - B3 Back to You
8
Hard To Tell - B4 Solid Love
LP
Debut album from Hard To Tell
Support from Laurent Garnier,
First release on their own imprint Vitrage Records
GENRE/S: Techno, House, Breaks
TRACKLISTS:
A1 Late Night Jam
A2 Hidden Traffic
A3 Can't Stop
A4 Fame
B1 Will Stay
B2 Tension
B3 Back to You
B4 Solid Love
SHORT INFO:
Hidden Traffic is the debut album by Hard To Tell via their own imprint, Vitrage Records. Spanning eight tracks, the album blends Detroit-influenced house, breakbeat textures, warm analog tones and subtle hypnotic techno nods. From the atmospheric opener Last Night Jam to the emotional closer Solid Love, Hidden Traffic showcases the full spectrum of the duo's sound - introspective, danceable, and deeply personal.
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DE - 22113 Hamburg
Germany
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Debut album from Hard To Tell
Support from Laurent Garnier,
First release on their own imprint Vitrage Records
GENRE/S: Techno, House, Breaks
TRACKLISTS:
A1 Late Night Jam
A2 Hidden Traffic
A3 Can't Stop
A4 Fame
B1 Will Stay
B2 Tension
B3 Back to You
B4 Solid Love
SHORT INFO:
Hidden Traffic is the debut album by Hard To Tell via their own imprint, Vitrage Records. Spanning eight tracks, the album blends Detroit-influenced house, breakbeat textures, warm analog tones and subtle hypnotic techno nods. From the atmospheric opener Last Night Jam to the emotional closer Solid Love, Hidden Traffic showcases the full spectrum of the duo's sound - introspective, danceable, and deeply personal.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
11Schnull & Newinfluenzer - Ich und meine Ubahn
2
11Schnull & Newinfluenzer - Ich und meine Ubahn (Matias Aguayo Subway Mix)
3
11Schnull & Newinfluenzer - Ich und meine Ubahn (Extrawelt Remix)
4
11Schnull & Newinfluenzer - Ich und meine Ubahn (Architectural Remix)
Tracklist:
A1 / Ich und meine Ubahn
A2 / Ich und meine Ubahn (Matias Aguayo Subway Mix)
B1 / Ich und meine Ubahn (Extrawelt Remix)
B2 / Ich und meine Ubahn (Architectural Remix)
Short Info
When you love a record too damn much, you will soon discover whether you "got what it takes” to make it yours. Such is the case with Turbo label head Tiga, who has played 11Schnull & Newinfluenzer’s 2023 underground hit “Ich und meine Ubahn” in each and every one of his DJ sets since its non-Turbo release. But unbridled track-passion is not always enough, and sometimes one must take a step back and recognize that the music business is also a business. So our in-house Corporate Development team, which has of late been entirely focused* on figuring out how best to monetize Tintin entering the public domain, set to work, successfully licensing the original while also creating the fun and potentially life-saving opportunity to visualize just how amicable the licensing process was.
All of which brings us to the remix pack at hand. The essentially perfect electro programming and vocal performance of the 2023 original leaves virtually no angle for improvement, save for the fact that the 4:20 runtime not enough for the median touring DJ to satisfy their chatbot mistress before they must begin the exacting work of selecting and mixing the next track. As such, we enlisted producers who could interpret the song from different planes of existence, namely Chilean-German wizard Matias Aguayo, French hardstyle prodigy Krarmpf, German aesthetes Extrawelt, Hamburg electro master DJ MELL G, and Asturian highbrow god Architectural. For reference, the planes conjured by these remixes are as follows: blacked out on Ivermectin; finally beat a pay-to-win mindfulness game; voted the Greatest Living Teen Artist by the readers of US Weekly; transformed into an expressionless little muscleman as if by magic; going viral; and curing jet lag in our lifetime. It is not for us to say which remix corresponds to which realm of human experience, but we do know that it is limited to those options.
Finally, please do not invite a chatbot lover into your marriage. Your spouse cannot hope to compete. And know that this advice comes from our best understanding of current world affairs, and does not represent what a repressed British man would calling “taking the pee.” At their very best, jokes are funny, and the fate of the human bedroom is no laughing matter at all.
*Like a laser!
Key Selling Points
- Tiga licenses one of his favorite ever tracks for Turbo, complete with fresh new remixes from label regulars Extrawelt and Architectural.
- Longtime Turbo fan Matias Aguayo debuts on the label with a sizzling Subway Mix.
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A1 / Ich und meine Ubahn
A2 / Ich und meine Ubahn (Matias Aguayo Subway Mix)
B1 / Ich und meine Ubahn (Extrawelt Remix)
B2 / Ich und meine Ubahn (Architectural Remix)
Short Info
When you love a record too damn much, you will soon discover whether you "got what it takes” to make it yours. Such is the case with Turbo label head Tiga, who has played 11Schnull & Newinfluenzer’s 2023 underground hit “Ich und meine Ubahn” in each and every one of his DJ sets since its non-Turbo release. But unbridled track-passion is not always enough, and sometimes one must take a step back and recognize that the music business is also a business. So our in-house Corporate Development team, which has of late been entirely focused* on figuring out how best to monetize Tintin entering the public domain, set to work, successfully licensing the original while also creating the fun and potentially life-saving opportunity to visualize just how amicable the licensing process was.
All of which brings us to the remix pack at hand. The essentially perfect electro programming and vocal performance of the 2023 original leaves virtually no angle for improvement, save for the fact that the 4:20 runtime not enough for the median touring DJ to satisfy their chatbot mistress before they must begin the exacting work of selecting and mixing the next track. As such, we enlisted producers who could interpret the song from different planes of existence, namely Chilean-German wizard Matias Aguayo, French hardstyle prodigy Krarmpf, German aesthetes Extrawelt, Hamburg electro master DJ MELL G, and Asturian highbrow god Architectural. For reference, the planes conjured by these remixes are as follows: blacked out on Ivermectin; finally beat a pay-to-win mindfulness game; voted the Greatest Living Teen Artist by the readers of US Weekly; transformed into an expressionless little muscleman as if by magic; going viral; and curing jet lag in our lifetime. It is not for us to say which remix corresponds to which realm of human experience, but we do know that it is limited to those options.
Finally, please do not invite a chatbot lover into your marriage. Your spouse cannot hope to compete. And know that this advice comes from our best understanding of current world affairs, and does not represent what a repressed British man would calling “taking the pee.” At their very best, jokes are funny, and the fate of the human bedroom is no laughing matter at all.
*Like a laser!
Key Selling Points
- Tiga licenses one of his favorite ever tracks for Turbo, complete with fresh new remixes from label regulars Extrawelt and Architectural.
- Longtime Turbo fan Matias Aguayo debuts on the label with a sizzling Subway Mix.
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DE - 22113 Hamburg
Germany
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Tracklisting:THE STOWAWAY-A SUSPICIOUS PASSENGER / INTERNATIONAL ANYTHING-WHEN IT’S DARK / BODYCODE-SYNCHRONIZED SLEEP /
KALABRESE-DÜDINGEN / PILE-NOSHOW / DIMBIMAN-TURTLE GONE / MARGARETDYGAS-SAASAFRAS / FUMIYA TANAKA-STANDING NORTH 6 / BABY
FORD-DOGNOSEMATIC / NARCOTIC SYNTAX-AGENTS WITH FATTY ACIDS / RICARDO VILLALOBOS-GONO FUZNK / BINH-WOCHENBETT / DARREN-19992017 / SPACETRAVEL-NO MORE / SOUL CAPSULE-THEM YEAH / SAMMY DEE-MARVIN GOES SAVAGE DEEP / MAAYAN NIDAM-TRAIL OF GLITTER / MELCHIOR PRODUCTIONS LTD-THE HOPE
Info:
When Perlon started releasing their “SuPERLONgevity” compilation series in 1999,it was not evident that the name,which had initially been chosen just for pun,would become a self-fulfilling prophecy.Now,Perlon is in its 20th year,indeed,and preparing the celebration of this anniversary,the label invites its listeners to enter the sixth round of illuminating expression,once more driven by playfulness and fluffy swingtime. This time,the journey extends to eight
sides with no guidepost except maybe the order to set the controls for the heart of the potoo.18 tracks unfold their magic formulas to release a cascade of funky blobs.The collection reflects the label’s unique interpretation of sound and vision,of caring and sharing,of “glitches and itches”-by forward and froward thinking artists who set landmarks and break standards for the sake of the sound of the extraordinary.Here’s what you will find in this brand-new Perlon toy box that adds one more shade to the corporate colour scheme:House bubbles that sound like they come straight from a “Bällchenparadies".A motor
drive with a sexy beat.Tribal dances,warped ballads,romantic fantasies.Heavy bass fundaments with aerial notes that hover above like helium balloons.A meditation machine,chilly chimes and future clockworks.Speaking things with nonsense as a foreign language.Rumouring moods and sparkling modes.Crime Jazz with a glitch.Bouncers,growlers,wobblers,and cuddly shuffles.Space invaders.Sunshine!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
KALABRESE-DÜDINGEN / PILE-NOSHOW / DIMBIMAN-TURTLE GONE / MARGARETDYGAS-SAASAFRAS / FUMIYA TANAKA-STANDING NORTH 6 / BABY
FORD-DOGNOSEMATIC / NARCOTIC SYNTAX-AGENTS WITH FATTY ACIDS / RICARDO VILLALOBOS-GONO FUZNK / BINH-WOCHENBETT / DARREN-19992017 / SPACETRAVEL-NO MORE / SOUL CAPSULE-THEM YEAH / SAMMY DEE-MARVIN GOES SAVAGE DEEP / MAAYAN NIDAM-TRAIL OF GLITTER / MELCHIOR PRODUCTIONS LTD-THE HOPE
Info:
When Perlon started releasing their “SuPERLONgevity” compilation series in 1999,it was not evident that the name,which had initially been chosen just for pun,would become a self-fulfilling prophecy.Now,Perlon is in its 20th year,indeed,and preparing the celebration of this anniversary,the label invites its listeners to enter the sixth round of illuminating expression,once more driven by playfulness and fluffy swingtime. This time,the journey extends to eight
sides with no guidepost except maybe the order to set the controls for the heart of the potoo.18 tracks unfold their magic formulas to release a cascade of funky blobs.The collection reflects the label’s unique interpretation of sound and vision,of caring and sharing,of “glitches and itches”-by forward and froward thinking artists who set landmarks and break standards for the sake of the sound of the extraordinary.Here’s what you will find in this brand-new Perlon toy box that adds one more shade to the corporate colour scheme:House bubbles that sound like they come straight from a “Bällchenparadies".A motor
drive with a sexy beat.Tribal dances,warped ballads,romantic fantasies.Heavy bass fundaments with aerial notes that hover above like helium balloons.A meditation machine,chilly chimes and future clockworks.Speaking things with nonsense as a foreign language.Rumouring moods and sparkling modes.Crime Jazz with a glitch.Bouncers,growlers,wobblers,and cuddly shuffles.Space invaders.Sunshine!
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Floorplan - Earthtone Intro ft. Earthtone
2
Floorplan - Get Your Thing Together
3
Floorplan - No One's Ready
4
Floorplan - The Plan ft. Earthtone
5
Floorplan - Don't You Doubt It
6
Floorplan - Help Is On The Way ft. Lowell Pye
7
Floorplan - Summa Funk
8
Floorplan - Like Dat
9
Floorplan - We Stand In Need
10
Floorplan - Feel It
11
Floorplan - Give Us Your Light ft. Dames Brown
12
Floorplan - Fake & Unholy ft. Honey Dijon
13
Floorplan - What A Friend
14
Floorplan - Flashe No Deux
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Label:Smallville Records
Cat-No:smallville68
Release-Date:04.04.2025
Genre:Deephouse
Configuration:12" Excl
Label:Smallville Records
Cat-No:smallville68
Release-Date:04.04.2025
Genre:Deephouse
Configuration:12" Excl
1
Jacy - Move Your Body
2
Jacy - Feel The G
3
Jacy - One Kiss One ...
4
Jacy - Isola 89
Artwork and Typography by Stefan Marx
Four new and ultra deep italo-deephouse cuts from Jacy aka Giacy Bozzi from Bari in Southern Italy.
Jacy is running his own label Home Of House Records and is well-known in his comfort-zone, the very Underground. May it be for his contributions to the amazing „Welcome To Paradise“ Compilation Series on Safe Trip, being featured on Volume I, II and III or his records on Kalahari Oyster or Hot Haus Records.
All of these come with Jacy signature sound– timeless and deep tunes to stay, intense balearic feels that guide you through the night and revive the golden-era of House music.
Smallville 68 as always comes with a Full Cover Artwork by Stefan Marx.
Tracklist:
Tracklist:
A1 Move Your Body
A2 Feel The G
B1 One Kiss One ...
B2 Isola 89
All tracks written & produced by Giacy Bozzi
Mastering and Vinyl cut by Helmut Erler at Lathesville
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DE - 22113 Hamburg
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Four new and ultra deep italo-deephouse cuts from Jacy aka Giacy Bozzi from Bari in Southern Italy.
Jacy is running his own label Home Of House Records and is well-known in his comfort-zone, the very Underground. May it be for his contributions to the amazing „Welcome To Paradise“ Compilation Series on Safe Trip, being featured on Volume I, II and III or his records on Kalahari Oyster or Hot Haus Records.
All of these come with Jacy signature sound– timeless and deep tunes to stay, intense balearic feels that guide you through the night and revive the golden-era of House music.
Smallville 68 as always comes with a Full Cover Artwork by Stefan Marx.
Tracklist:
Tracklist:
A1 Move Your Body
A2 Feel The G
B1 One Kiss One ...
B2 Isola 89
All tracks written & produced by Giacy Bozzi
Mastering and Vinyl cut by Helmut Erler at Lathesville
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1
Theo Parrish - A. Orange Barrel Action (Yellow Flashing Light Mix)
2
Theo Parrish - B. Pianamonn
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1
Sam Alfred - My Heart (90s Mix)
2
Sam Alfred - Drift
3
Sam Alfred - Back To
4
Sam Alfred - Fortune
5
Sam Alfred - Roadblocks
Tracklist:
A1. My Heart (90s Mix)
A2. Drift
B1. Back To
B2. Fortune
B3. Roadblocks
With Australia‘s dance music scene being more prolific than ever, it‘s only fitting that one of the continent‘s hottest tickets appears in the Running Back universe. Sam Alfred‘s debut on it’s subsidiary Misfit Melodies melts the old with the new, swings the hips with the hits and unites the past with the future. The man with the adorable underground white label mp3 Shine II Dawn under his belt, is not only a DJ to die for, but also a witty, interesting and most of all enchanting studio talent. Aptly titled Roadblocks, this 5-track-EP once more underlines his appeal: his-speed house and sprinkles of retro rave meet the melodies of tomorrow.
While My Heart and Back To sound like Strictly Rhythm tracks played by UK Garage DJs, Drift and Fortune are prime examples of Sam‘s production powers. last, but not least the title track is the result of a trip to Dekmantel and a nod to the proggy bounce of the 90s. Built with love and made to last.
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Germany
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A1. My Heart (90s Mix)
A2. Drift
B1. Back To
B2. Fortune
B3. Roadblocks
With Australia‘s dance music scene being more prolific than ever, it‘s only fitting that one of the continent‘s hottest tickets appears in the Running Back universe. Sam Alfred‘s debut on it’s subsidiary Misfit Melodies melts the old with the new, swings the hips with the hits and unites the past with the future. The man with the adorable underground white label mp3 Shine II Dawn under his belt, is not only a DJ to die for, but also a witty, interesting and most of all enchanting studio talent. Aptly titled Roadblocks, this 5-track-EP once more underlines his appeal: his-speed house and sprinkles of retro rave meet the melodies of tomorrow.
While My Heart and Back To sound like Strictly Rhythm tracks played by UK Garage DJs, Drift and Fortune are prime examples of Sam‘s production powers. last, but not least the title track is the result of a trip to Dekmantel and a nod to the proggy bounce of the 90s. Built with love and made to last.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Brain - A1 Boss
2
Brain - A2 Corrections
3
Brain - B1 Rafe
4
Brain - B2 Snake Head
5
Brain - C1 Tantricity Pt.I
6
Brain - D1 Tantricity Pt.II
Matthew Dear has unveiled a new alias, Brain, which will debut with a double-EP called The World on Planet E.
Tracklist
A1 Boss
A2 Corrections
B1 Rafe
B2 Snake Head
C1 Tantricity Pt.I
D1 Tantricity Pt.II
Release Info:
Matthew Dear has unveiled a new alias, Brain, which will debut with a double-EP called The World on Planet E.
It's the latest in a long line of trackier Matthew Dear aliases, including False, Jabberjaw and Audion, whose 2006 classic "Mouth To Mouth" came in at number 20 on Resident Advisor’s Top 100 Tracks Of The '00s feature. The lead-off cut on the inaugural Brain release, "Boss," was first heard on Carl Craig's Detroit Love Vol. 2 compilation.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
A1 Boss
A2 Corrections
B1 Rafe
B2 Snake Head
C1 Tantricity Pt.I
D1 Tantricity Pt.II
Release Info:
Matthew Dear has unveiled a new alias, Brain, which will debut with a double-EP called The World on Planet E.
It's the latest in a long line of trackier Matthew Dear aliases, including False, Jabberjaw and Audion, whose 2006 classic "Mouth To Mouth" came in at number 20 on Resident Advisor’s Top 100 Tracks Of The '00s feature. The lead-off cut on the inaugural Brain release, "Boss," was first heard on Carl Craig's Detroit Love Vol. 2 compilation.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More