Ryan James Ford begins 2025 with his debut release on Blue Hour Music, “Tungsten Portals”, a six-track Mini LP that reflects on the evolving tides of club music with his signature blend of techno, ambient, a breaks. Ford navigates through an artistic journey, weaving introspective, nostalgic, and optimistic themes to create a deeply personal and compelling record, forming an important addition to the Blue Hour Music catalog.

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Omni – meaning all-encompassing – is an apt title for celebrating over a decade of existence of Blue Hour Music. Marking the musical diversity and longevity of Blue Hour's imprint, the Omni V/A series
brings together a wide range of artists from the full electronic music spectrum, plunging into a pool of techno, trance, breaks and everything in between.

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Omni – meaning all-encompassing – is an apt title for celebrating over a decade of existence of Blue Hour Music. Marking the musical diversity and longevity of Blue Hour's imprint, the Omni V/A series brings together a wide range of artists from the full electronic music spectrum, plunging into a pool of techno, trance, breaks and everything in between.

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Omni – meaning all-encompassing – is an apt title for celebrating over a decade of existence of Blue Hour Music. Marking the musical diversity and longevity of Blue Hour's imprint, the Omni V/A series brings together a wide range of artists from the full electronic music spectrum, plunging into a pool of techno, trance, breaks and everything in between.

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2024 Repress.

Tracing Xircles (Luke Standing aka Blue Hour & Simon Pilkington aka A_JX) return to base after debuting ‘Gaia’s Requiem’ back in 2017. During that period the duo contributed to Air Texture VI curated by Steffi & Martyn and have been quietly readying their new record ‘Air Lock’. The 4 track EP develops their signature sound palette into new territory with references to timeless UK & Detroit flavours, sealing the record with a retro futuristic collage of ambient techno and timeless electronica.
More from this label


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For the next Blue Hour Music chapter, a special friend of the label’s family is stepping in. Hailing from the city of Delft, Dutch composer Spekki Webu delivers ‘Tenzan’, a forceful 4-track EP which might be the producer’s most ambitious project to date. Spawned from a place of personal reflection, Tenzan is the result of the ongoing cycle of life that has been influencing Webu since his early years. This philosophy
was heightened after a fascination for mountains and a series of dreams about enlightenment on top of a sacred hill. These dreams later became reality after witnessing a ‘Tenzan’ (translated as ‘heavenly mountain’) during a trip in the Japanese wilderness. The cycle of life as represented by the heavenly mountain formed the spiritual direction to complete the narrative for this long-running Blue Hour project - as the leaves fell into place a new cycle began. Aligned in force and vigor, the A-side takes off with ‘Okada’, a grooving tension builder led by ominous melodies that drift off into the depths of the forests. Entering a state of empyrean elevation, ‘Horizon’ is a dub-induced peak-time roller of monumental grandeur. On the B side, the gears shift as ‘Solaris’ unveils a contemporary reinterpretation of 90s acid trance, fusing psyche-warping panned drones and minimalistic drum programming set to make blood pressures rise. Coming full circle, ‘Eion’ delivers euphoric salvation with a pulsating bassline guided by dreamy, repetitive soundscapes that reach for atmospheric heights. Vertigo-induced and wisdom-fueled, Spekki Webu opens the portal to the next cycle of sonic exploration marking the 25th release on Blue Hour Music.

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Label head Blue Hour steps up for the next release with an impressive two tracker, offering a new exploration of sound from the Berlin based producer. First up on the A side ‘Dimensions’ reveals a dramatic and eery driving Techno track with an atmosphere akin to early British IDM releases but with a more dancefloor-focused approach. ‘Dimensions’ is punctuated by warped mechanical percussive fx, pummeling drums and relentless groove highlighted by a simple yet effective melodic line which boldly opens things up and cuts through the complex layering of sound as the track evolves.

On the B side ‘Sun Dogz’ adopts a similar soundscape, however picks up the tempo with a more Trance orientated production inspired by darker Goa/Psy styles and modern Fast-Trance productions. Hypnotic acidic lines, spatial fx and tribal percussion guide the listener to the main event. A heavily reverbed metallic hook and unique piece of sound design which takes multiple twists and turns along the course of the track. The EP wraps up a year of multiple successful releases from the label, with next year marking 10 years since the labels inception - keep an eye on things to come.

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Original music from Blue Hour gets the ‘Copenhagen Remix Treatment’ on this special collaborative release with three diverse Techno/Trance energisers by Fast Forward Productions artists; DJ Ibon, Sugar and Repro.

2023 Repress!

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While digging for music at Snickars records in Stockholm, local producer, DJ and promoter Maya Lourenco aka Parallax Deep came across two classic goa/psy tracks. These were ‘Gobi Desert’ by 100th Monkey & Tristan (released on Matsuri Productions in 1995) and ‘Bunker’ by Four Carry Nuts (released on Aurinko Records in 2000). She took the records home and began working on creating her own edits by expertly slicing and re-arranging different sections of the tracks and coming up with her own unique versions staying true to the original identity, giving new life to two classics from decades past.

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Melbourne’s DJ Ali is up next on Blue Hour Music with a powerful EP of fast percussive tribal groovers recorded live over multiple hardware sessions. ‘Interceptor’ kicks off the record with energising and rolling momentum laced in echoes of shamanic ritual. ‘Paradox Cell’ maintains the tension with a stripped back and pumping drum track enhanced by repeating tones and swirling winds that suddenly take over. On the flip ‘Nightwatch’ feels even more immersive, tunneling down into hypnotic chambers where a voice guides and pulls the listener through a lucid void. ’Regeneration’ rounds up the record with an uplifting journey that begins to unfold with a series of shifting layers and hints of colour beneath a haze of euphoria.

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After successful releases on Transatlantic and Monnom Black, German FM synthesis wizard Luca Daniel Schwarz (aka LDS) presents his latest record ‘algo5’. The EP captures a wide range of sonic ground with innovative and futuristic edge.

’nbdfoil’ the opening track starts the voyage with mesmerising awe before sliding into ‘kizzt_VF’ where reality distorts and mind-warping events unfold. Closing out the A side the interlude ‘<13’ stumbles along with playful weirdness and explorative sonic gestures. Back in more familiar territory the B-side’s ‘fl+’ and ‘Vone’ propel dynamic rhythms through the ether until arriving at the final track, ‘mfäg’ where fragmented arps and cinematic ambience give an emotional sense of closure.

LDS’s ability to compose to a high level of depth and intrigue is unmistakably a significant feat for any electronic dance music producer and testament to the possibilities of modern sound design.

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Delivering his first solo EP in over two years, Blue Hour releases Origins, the 21st release on Blue Hour Music. Following a succession of remixes, V/A contributions and an EP under his Tracing Xircles alias earlier this year, the Berlin-based producer and DJ shares four tracks diving deeper into his UK roots. Channelling breakbeat, techno and trance with the hallmarks of 90’s rave, Origins builds upon the foundations created from his EP ‘Devotion’ in 2020.
In this eclectic EP, Blue Hour explores several sonic palettes. The title track blends celestial chords with urgent drums and acid basslines, while uplifting vocals and subtle melodies wind through the track. ‘True’ dips more heavily into breakbeat territory with evolving and immersive pads, soaring strings and a twinkling synth-line. A dynamic fusion of fast-paced energy and soft touches.

On the flip, ‘Emergence’ dances a delicate line between melancholia and elation, as dystopian chords pool with a squelchy acid sequence and a classic house vocal. ‘Searching’ closes on an ambient tip with spell-binding pads and an angelic melody, conveying a bright side to Blue Hour’s aesthetic, akin to Origins as a whole.

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For their first release, London label Moonworks are reissuing two highly sought-after UK house bombs from Carlos Baker aka Serpico to mark the 30th anniversary of its original 1993 release.

'Just Can't Stop' is a record which fell through the cracks, deemed not commercially viable enough by the major label that Serpico was signed to at the time. Determined to get the music out there, Baker decided to self-release a limited run of blue labelled vinyl. Several big independent labels of the '90s were subsequently interested in putting out the tracks, however it never came to fruition.

Over 30 years this record has aged gracefully, inspiring generations of diggers with its quirky euphoric feel, weighty low-end and intoxicating synthwork becoming a prized possession for some of the biggest names on the scene, with original copies trading hands for £100+. Whether you draw for the ecstasy-inducing Incantation Mix or the acid-infused Orca Space Dub, there’s no denying this is a timeless masterpiece from the UK underground.

Moonworks have worked closely with Serpico to bring this gem back down to earth, restoring the tracks from the original DAT tapes at Gat Decor’s studio, remastering them to modern standards and finally giving this music the official release it deserves.

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Tracklisting
A1 Sciahri - Temptation
A2 Sciahri - Stone
B1 Sciahri - Magnetism
B2 Sciahri - Dance Of The Knives



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In November 2021, right before the second lockdown, Guillaume and Louis were invited by the nacht crew in Leuven to play their first dj-set together since the start of the pandemic.
At the time, the nacht crew had just received the first physical release on their brand new imprint, and the team was eager to get the record out into the world. For the second release, however, everything was possible. Before the show, somewhere between the obligatory nasal swab and the third drink, the idea of an unusual collaboration sprouted.

Since Louis recently moved to Athens and Guillaume lived in Lyon, the duo found less time and opportunities to work on their shared project. However, wouldn’t STELPLAATS be the ideal venue for a temporary studio in which the two of them could create music?
For all the frustration the new lockdown on clubs brought with it, one upside to it was that not that long after the birth of this idea, Louis and Guillaume found their way back to each-other and to Leuven. The duo found their workspace in the dark club that is STELPLAATS’ staple. For the occasion, the room was equipped with studio monitors, a sofa, and instruments lended by Leuven based musicians.

Leuven Works compiles five tracks that flowed out of the sessions in STELPLAATS and is a testament to the week that Louis and Guillaume had under the STELPLAATS roof. During their stay, the blood brothers got looked after with love by the nacht team, who provided homemade pizzas and a well-stocked fridge full of Duvels, allowing The Pilotwings to truly root into the Leuven soil and enrich the local landscape with their colourful presence.

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This is the first stop on Sven Wunder’s musical journey. Wunder takes the listener somewhere around the easternmost part
of the Mediterranean Sea, around the Levantine Sea, where he paints a colourful portrait and illustrates the regions flora
through sound.
The fruitage is a vivid bouquet where Wunder fuses colours and pigments by using traditional and modern instruments
merged with arrangements and melodies that stretches from popular to folk music by portraying tulips, red roses, hibiscus,
hyacinths, chamomile, magnolia, daisies etcetera. With both fine and thick brushes are these flowers being pictured in a
both modern and classic idiom.
The outcome is prismatic. It stands between Anatolian rock and European jazz-funk with ponderous drum patterns, groovy
organs, far-out synthesizers, enchanting Saz and impetuous bass lines. Eastern Flowers sweeps through time and space
and points towards the future. It could appeal both psych and prog listeners, folk or jazz aficionados and as well the gourmet
hip hop connoisseurs.

A1. Black Iris
A2. Tulip
A3. Magnolia
A4. Lotus
A5. Lily
A6. Red Rose
B1. Hibiscus
B2. Magnolia (reprise)
B3. Morning Glory
B4. Chamomile
B5. Hyacinth
B6. Daisy
B7. Gilboa Iris

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Perfect imperfections come one as Swiss producer Modex
journeys through an array of hypnotic melodies and driving
basslines, culminating in 4 cuts of future dance floor classics.

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Tracklisting
A1 Aural Imbalance - Better Day
A2 Aural Imbalance - Scratch The Surface
B1 Aural Imbalance - Different Times
B2 Aural Imbalance - Spiral

Sales Note
ASC & Dan Azimuth AKA DJ Levi (Okbron, Repertoire, Spotlight) are proud to present their new collaborative project, Curvature.

Curvature will showcase a similar style to ASC's own pioneering label Spatial, which focuses on music inspired by the golden era of atmospheric drum & bass / jungle from the mid 90's. Curvature will shine a light on emerging talent in this space, as well as featuring established artists such as Spatial's own Aural Imbalance - who kicks the label off with Galactic Transmission.

Galactic Transmission features four diverse tracks from the genre stalwart, previously showcased on Dan Azimuth's own Atmoteka mix and the Atmospheals podcast, as well as ASC's 'Spatial Show' on Blast Radio, and will be instantly recognisable to listeners of those shows - finally released for fans to enjoy on Curvature's maiden voyage.

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Wewantsounds is glad to continue its Akiko Yano reissue series with the release of the singer"s third studio album "To Ki Me Ki", recorded in New York and released in 1978 in Japan. It follows her cult "Iroha Ni Konpeitou" LP and keeps the similar blend of Japanese pop and New York funk found in the latter. "To Ki Me Ki" features such musicians as Rick Marotta, Will Lee and David Spinozza and also programmer Hideki Matsutake who would soon join the YMO with Akiko for their international 1979/1980 tour before she recorded her next studio album "Tadaima" that year, featuring the YMO musicians. "To Ki Me Ki" is reissued outside of Japan for the first time, remastered in Tokyo by revered engineer Mitsuo Koike and featuring original artwork by Tsutomu Murakami with 4 page colour insert and new liner notes by Paul Bowler.

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Omar-S celebrates 20 years with an expanded edition of AOS-002.
Now pressed as a double pack with two new versions of 'U' and 'Set It Out'

"Thank you very much and your support for 20 years!!!!!!
I really really appreciate you guys!!!!"
Omar-S

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After two years of silence, Downbeat comes back with an old friend of the label. The responsible for that fantastic “Foregrounds and Backgrounds” ep, DaRand Land releases a new vinyl on the label from Madrid and he is fit as a fiddle. This underground music hero presens 4 synthetic deep house tracks with all those elements that are already an original brand: Hypnotic vibes with warm and smooth synth lines, silky pads and dubby basslines, This whisper from the lake EP will be immediately loved by the label followers because is exactly what the label is. Atmospheric and erotic midtempo house that represents perfectly the sound of Downbeat.

Mastered by Jose Rico

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Size XL

Underground Resistance 'Workers' T-Shirt
Tan with Orange print on Gildan Ultra Cotton Shirt

Available in X-Small, Small, Medium, Large and X-Large


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