Label:Eternal Schvitz
Cat-No:ES005
Release-Date:17.11.2023
Genre:House
Configuration:12"
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Last in:05.03.2024
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Label:Eternal Schvitz
Cat-No:ES005
Release-Date:17.11.2023
Genre:House
Configuration:12"
Barcode:
1
Love Boat People - 3 Some
2
Love Boat People - To The Other Woorld
3
Love Boat People - Dontcha Know? (Sunday Morning Mix)
4
Love Boat People - Dontcha Know? (Sunday Night Mix)
Nathan Micay is pleased to present the fifth re-issue on Eternal Schvitz: Love Boat People - 3 Some. Originally released in 1998 during the infamous Gulliani NYC nightlife crackdowns, this is the first record ever made by Bryan Keller of duo Automagic. A unique and timeless record that was Bryan's battle cry to what was happening at the time. A-sides '3Some' and 'To the Other Woorld' are as psychedelic and groovy as they come, making great use of a 70's era Crumar Spirit Synth and some truly wild vocals. B-sides "Dontcha Know? (Sunday Morning Mix/Sunday Night Mix) are equally banging with 'The Sunday Night Mix' conceived for Emjay's Sunday Night Very Gay Who's-Who Roundup Party at Crowbar, while the 'Saturday Night Mix' was made for Big Room, where it could be heard regularly in the sets of Danny Tenaglia, Junior and other DJ's around the city.
As always, Schvitz gives back. Eternal Schvitz release will be providing 60% of the cut to the artists and ensuring their credits are front and centre. The remaining 40% of profits will go to aequa, a Berlin-based collective with a focus on empowerment of women, trans and non- binary folks through gatherings for interpersonal exchange. Schvitz is Love. Schvitz is Communal. More
As always, Schvitz gives back. Eternal Schvitz release will be providing 60% of the cut to the artists and ensuring their credits are front and centre. The remaining 40% of profits will go to aequa, a Berlin-based collective with a focus on empowerment of women, trans and non- binary folks through gatherings for interpersonal exchange. Schvitz is Love. Schvitz is Communal. More
More records from Eternal Schvitz
Label:Eternal Schvitz
Cat-No:ES003RP
Release-Date:27.01.2023
Genre:House / Techno
Configuration:12"
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Last in:15.02.2023
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Last in:15.02.2023
Label:Eternal Schvitz
Cat-No:ES003RP
Release-Date:27.01.2023
Genre:House / Techno
Configuration:12"
Barcode:
1
Eternal Schvitz 003: Earthlink - Bender (Melon Twister)
2
Eternal Schvitz 003: Earthlink - Bender (Kooky Spooky)
3
Eternal Schvitz 003: Earthlink - Blink
4
Eternal Schvitz 003: Earthlink - Blisterbob
Nathan Micay is elated to present the third reissue on Eternal Schvitz: Earthlink - Spectral EP. Originally released on cult Australian label Thunk Recordings in 1996, Spectral was a milestone release for the Syndey scene, garnering international acclaim among tastemakers of the time such as John Digweed. The EP was written by label cofounders Brett Mitchell (of Boxcar) and noted international DJ Phil Smart. It remains electrifying today. Four tracks of genre-hopping hybrids, sonic gymnastics and stupidly fed back guitars. Lovingly remastered and restored on vinyl.
As always, Schvitz gives back. To fight the evil no-ID-DJ forces currently at work, every Eternal Schvitz release will be providing 60% of the cut to the artists and ensuring their credits are front and centre. The remaining 40% of profits will go to aequa, a Berlin-based collective with a focus on empowerment of women, trans and non- binary folks through gatherings for interpersonal exchange. Schvitz is Love. Schvitz is Communal. More
As always, Schvitz gives back. To fight the evil no-ID-DJ forces currently at work, every Eternal Schvitz release will be providing 60% of the cut to the artists and ensuring their credits are front and centre. The remaining 40% of profits will go to aequa, a Berlin-based collective with a focus on empowerment of women, trans and non- binary folks through gatherings for interpersonal exchange. Schvitz is Love. Schvitz is Communal. More
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Last in:10.01.2024
Label:Hardspace
Cat-No:H001
Release-Date:17.11.2023
Genre:Techno
Configuration:2LP Excl
Barcode:4251804144520
1
Viers - The Club Is My House (Hardspace Mix)
2
Resist 101 - Impulse 101 (Hardspace Mix)
3
Viers - Some Weird Drum Shit (Hardspace Mix)
4
Perry & Rhodan - The Beat Just Goes Straight On And On (Hardspace Mix)
5
Helena Hauff - Rupture (Hardspace Mix)
6
Ectomorph - The Haunting (Hardspace Mix)
2x 12" colored vinyl with full cover print - transparent pink vinyl
TRACKLIST:
A1 Viers - The Club Is My House (Hardspace Mix)
B1 Resist 101 - Impulse 101 (Hardspace Mix)
B2 Viers - Some Weird Drum Shit (Hardspace Mix)
C1 Perry & Rhodan - The Beat Just Goes Straight On And On (Hardspace Mix)
D1 Helena Hauff - Rupture (Hardspace Mix)
D2 Ectomorph - The Haunting (Hardspace Mix)
INFO:
Len Faki recently put out his mammoth LP Fusion, but his new moniker Hardspace finds him harking back to his signature style of specifically editing tracks for his personal club usage.
Working on the album may have helped open him up creatively, but this new project has him investing countless hours and a lot of passion into building the most efficient club tracks imaginable.
Long-time fans of Faki know that he's always edited all of his sets' tracks to uniquely suit his personal mixing style, making his sets sound as tight and cohesive in a way that stands out from the rest. Decades of experience as a producer and DJ for the dancefloor have gone into these edits, re-arranging and re-mixing sometimes forgotten tracks for a new audience. Incorporating his singular understanding of frequencies and floor dynamics, Hardspace is meant to express this side of his musical personality, while Len Faki will continue to explore a more varied approach to producing.
Swapping a lot of weekends away busily touring for much more studio time, the result marks both a technical and also personal achievement for Faki. Improved production skills, tears and emotions all have been poured into Hardspace, which will see a slew of releases in the forthcoming months.
The first volume includes a total of six reworks, both previously unreleased tools of colleague Viers or Helena Hauff's modern acid chug, as well as some 90's classics from Perry & Rhodan, Resist 101 and Ectomorph. All of these tunes have been meticulously pieced together to keep the originals' flavor and ideas, but infuse them with the undeniable power and presence that all Faki produtions have come to hold.
More
TRACKLIST:
A1 Viers - The Club Is My House (Hardspace Mix)
B1 Resist 101 - Impulse 101 (Hardspace Mix)
B2 Viers - Some Weird Drum Shit (Hardspace Mix)
C1 Perry & Rhodan - The Beat Just Goes Straight On And On (Hardspace Mix)
D1 Helena Hauff - Rupture (Hardspace Mix)
D2 Ectomorph - The Haunting (Hardspace Mix)
INFO:
Len Faki recently put out his mammoth LP Fusion, but his new moniker Hardspace finds him harking back to his signature style of specifically editing tracks for his personal club usage.
Working on the album may have helped open him up creatively, but this new project has him investing countless hours and a lot of passion into building the most efficient club tracks imaginable.
Long-time fans of Faki know that he's always edited all of his sets' tracks to uniquely suit his personal mixing style, making his sets sound as tight and cohesive in a way that stands out from the rest. Decades of experience as a producer and DJ for the dancefloor have gone into these edits, re-arranging and re-mixing sometimes forgotten tracks for a new audience. Incorporating his singular understanding of frequencies and floor dynamics, Hardspace is meant to express this side of his musical personality, while Len Faki will continue to explore a more varied approach to producing.
Swapping a lot of weekends away busily touring for much more studio time, the result marks both a technical and also personal achievement for Faki. Improved production skills, tears and emotions all have been poured into Hardspace, which will see a slew of releases in the forthcoming months.
The first volume includes a total of six reworks, both previously unreleased tools of colleague Viers or Helena Hauff's modern acid chug, as well as some 90's classics from Perry & Rhodan, Resist 101 and Ectomorph. All of these tunes have been meticulously pieced together to keep the originals' flavor and ideas, but infuse them with the undeniable power and presence that all Faki produtions have come to hold.
More
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Last in:22.10.2024
Label:Trule
Cat-No:TRULE022
Release-Date:13.10.2023
Genre:Techno
Configuration:12"
Barcode:
1
Priori & Al Wootton - The Bell With The Wooden Tongue
2
Priori & Al Wootton - Leniency
3
Priori & Al Wootton - Seclusion
4
Priori & Al Wootton - Mud And Exhaustion
Priori and Al Wootton combine efforts on FLAW, a 4 track EP of psychedelic workouts combining maximal dance floor elevation and evocative world building.
Intricate, shuffling percussion, bubbling, tweaking, acidic synthesizers and heady sound design come to the fore. The mood is heavy, yet propulsive. The burden of penitence and the desire to atone.
On this tightly cohesive EP, both producers exert their unique styles and weight of production experience, while aptly channeling the strange grace in the mud of the world. More
Intricate, shuffling percussion, bubbling, tweaking, acidic synthesizers and heady sound design come to the fore. The mood is heavy, yet propulsive. The burden of penitence and the desire to atone.
On this tightly cohesive EP, both producers exert their unique styles and weight of production experience, while aptly channeling the strange grace in the mud of the world. More
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Last in:12.12.2023
Label:Skylax
Cat-No:LAX156
Release-Date:17.11.2023
Genre:House
Configuration:12"
Barcode:
1
Zaratustra - A1. Zaratustra feat. Stolt - Uprising (vocal mix)
2
Zaratustra - A2. Zaratustra feat. Stolt - Uprising (instrumental mix)
3
Zaratustra - B1. Zaratustra feat. Stolt - Uprising (Lauer Ghost rider version)
4
Zaratustra - B2. Zaratustra feat. Stolt - Uprising (Lauer Ghost rider instrumental version)
Zaratustra is a young French producer strongly inspired by indie dance, italo disco, EBM, new beat, acid and ethnic music. His style matured over the course of this year & we actually received this extraordinary "uprising" demo. This track symbolizes the perfect mix of rock, italo and EBM, for the older ones we will notice the incredible similarity in the voice with Ian Astbury singer of The Cult. A bit as if this fabulous group would have teleported to 2022 accompanied by a very modern production. It is once again STOLT who strikes the blow with one of his finest vocal performances. We called again on the brilliant Lauer for a rereading halfway between Suicide, Alan Vega & The cramps. This record is more than a statement, it's a miracle.
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Label:Outside In
Cat-No:OUT002
Release-Date:17.11.2023
Genre:House / Techno
Configuration:12"
Barcode:
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Last in:18.04.2024
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Last in:18.04.2024
Label:Outside In
Cat-No:OUT002
Release-Date:17.11.2023
Genre:House / Techno
Configuration:12"
Barcode:
1
Strange Haze - Mental Breakdown
2
Strange Haze - Mystery Traxxx
3
Strange Haze - Outer Body Experience
4
Strange Haze - Nihilistic Sedation
Outside In returns with some new-school, acid inspired sounds made for the club, by a producer some of you will already know.
It's not just the 4 tracks shown here, grab one to find out.
Only 300 copies. More
It's not just the 4 tracks shown here, grab one to find out.
Only 300 copies. More
Label:X-Kalay
Cat-No:XK033
Release-Date:01.12.2023
Genre:House / Techno
Configuration:12"
Barcode:
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Last in:24.10.2024
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Last in:24.10.2024
Label:X-Kalay
Cat-No:XK033
Release-Date:01.12.2023
Genre:House / Techno
Configuration:12"
Barcode:
1
Kepler - Lowlife
2
Kepler - Control
3
Kepler - Stranded (Ft. Wickham)
4
Kepler - Need
Minimal don Kepler strikes a balance between dancefloor utility and introspection on his latest record, and debut for X-Kalay. Big house and techno incursions straight out of Yorkshire – Leeds, to be precise. It’s a strong testament to the region’s long standing reputation as a hotbed for late-night minimalism.
Subtle flourishes and details stand out across all four tracks. Uncovering relics from ancient futures, ‘Lowlife’ stimulates the pineal gland with a mescaline-strength take on classic ‘90s tech house. While it dials the trippier elements down just a tad, ‘Control’, like its predecessor, recalls golden era Wiggle or Asad Rizvi under his Silverlining moniker.
No half measures on the next one. Bringing heft in spades, ‘Stranded’ comes hurtling in with swinging, jacking 4 AM NRG. It’s some serious gear, which makes the EP closer such an unexpected left-turn. ‘Need’ offers proper heads-down introspection, complete with widescreen, nebulous chords that ripple out into the vastness of space. More
Subtle flourishes and details stand out across all four tracks. Uncovering relics from ancient futures, ‘Lowlife’ stimulates the pineal gland with a mescaline-strength take on classic ‘90s tech house. While it dials the trippier elements down just a tad, ‘Control’, like its predecessor, recalls golden era Wiggle or Asad Rizvi under his Silverlining moniker.
No half measures on the next one. Bringing heft in spades, ‘Stranded’ comes hurtling in with swinging, jacking 4 AM NRG. It’s some serious gear, which makes the EP closer such an unexpected left-turn. ‘Need’ offers proper heads-down introspection, complete with widescreen, nebulous chords that ripple out into the vastness of space. More
LP Excl
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Label:Fragile
Cat-No:fragile012lp
Release-Date:17.11.2023
Configuration:LP Excl
Barcode:4251804128407
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Last in:12.10.2023
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Last in:12.10.2023
Label:Fragile
Cat-No:fragile012lp
Release-Date:17.11.2023
Configuration:LP Excl
Barcode:4251804128407
1
Wolfgang Tillmans - Celloloop / More That Connects Us
2
Wolfgang Tillmans - Rain Gutter
3
Wolfgang Tillmans - Fourth Floor
4
Wolfgang Tillmans - Nairobi Traffic Light
5
Wolfgang Tillmans - Possibility / Kardio Loop (a)
6
Wolfgang Tillmans - Stonerella
7
Wolfgang Tillmans - Don't Kill It By Naming It
8
Wolfgang Tillmans - Insanely Alive
9
Wolfgang Tillmans - El Condor Pasa
10
Wolfgang Tillmans - Kardio Loop (b)
11
Wolfgang Tillmans - Can't Escape into Space
12
Wolfgang Tillmans - Kardio Loop (c)
13
Wolfgang Tillmans - Celloloop / Stronger Than This
14
Wolfgang Tillmans - Im Treppenhaus (a)
15
Wolfgang Tillmans - Late For The Webinar
16
Wolfgang Tillmans - Kardio Loop (d)
17
Wolfgang Tillmans - Kantine
18
Wolfgang Tillmans - Ocean Walk
19
Wolfgang Tillmans - Give Me A Shadow
LP - 2023 Repress Edition in BioVinyl
- Debut album by Wolfgang Tillmans. Artwork designed by the artist.
GENRE:
Electronic
Pop
Abstract
TRACKLISTS:
CD / Vinyl
Celloloop / More That Connects Us
Rain Gutter
Fourth Floor
Nairobi Traffic Light
Possibility / Kardio Loop (a)
Stonerella
Don't Kill It By Naming It
Insanely Alive
El Condor Pasa
Kardio Loop (b)
Can't Escape into Space
Kardio Loop (c)
Celloloop / Stronger Than This
Im Treppenhaus (a)
Late For The Webinar
Kardio Loop (d)
Kantine
Ocean Walk
Give Me A Shadow
SHORT INFO:
Moon in Earthlight describes the phenomenon one can see in the first few days after a New Moon, when the slim crescent of the moon is completed into a full circle by a faint light that is not lit by sunlight but by the light reflected from Earth. It is also the apt title for the first album from an artist whose first love was astronomy. After 6 EPs over the course of 5 years, Wolfgang Tillmans now releases his first album, Moon in Earthlight, a singularly plural 53-minute piece comprised of 19 tracks.
Opening with more that connects us than divides us, 'Celloloop / More That Connects Us', a looped cello sets out a discursive path for a bright keyed melody to flirt with while the sounds of the organ and synthesizer build their supporting roles, all along a bouncing four-to-the-floor beat punctuated with bright electronic chimes and the rhythmic tempo of a shaker. The invitation is hard to resist as a yearning voice opens up to let us know he's left his "place in security." And, "you're shining … All the way down to this glittering place … you're shining." Where voices and laughter are then overheard in the background of another field recording sounding water dripping from a 'Rain Gutter' later caught by the soft, warm rhythmic bounce between two synth notes on 'Fourth Floor' where chime-like and percussive timbres resonate from the metal tine keys of the kalimba creating a meditative acuity, which Tillmans peppers with arpeggiated synth riffs.
A composition of multiplicities, Tillmans' album debut is a collage of sounds, field recordings, words, studio jam sessions and live recordings, voice, soundscapes, and instrumentation scored with audible space to breathe along the way. Keeping pace, the first 'Kardio Loop' is a vocal callisthenics contemplating 'the possibility of a happy life' and/or the propositional properties of its semantic constructions backed by the recording of a heartbeat from a cardiogram. This movement is gradually accompanied by a set of orchestral synth pads that build to a crescendo before the soft, twirling melody of 'Stonerella' carries us along a carousel-like melodic, pop, instrumental timed in the percussive clapping of pebbles.
Not knowing where one leaves off and the other begins is part of this album's enigma, as we move in and out of these aural spaces choreographed with the slightest, open hand, where we can float through 'Don't Kill It by Naming It' before dancing along 'Insanely Alive' all the while contemplating the inherent, fragile complexities of language and being.
This enigma also stems from the raw vulnerability of Tillmans' voice. Whether lyrically playful or introspective, it is always giving: intimately unfolding as in the surprising take on Simon & Garfunkel's 'El Condor Pasa' or shapeshifting in 'Can't Escape into Space' or fully naked as raw material expression in 'Kantine' and 'Ocean Walk'.
Whether it's Tillmans voice or voices overheard, a field recording or a pop synth melody, these sounds defy track listings, audibly held together as one of many in an aural space that becomes a reflective cycle that develops over the course of the album. The accumulative effect of which (reminiscent of the artist's installations), drives the singularity of each of the album's elements into a complete, unconsolidated whole. Like a phenomenon that marks time, Moon in Earthlight is the shadow and the reflection, fifty-three minutes in time.
More
- Debut album by Wolfgang Tillmans. Artwork designed by the artist.
GENRE:
Electronic
Pop
Abstract
TRACKLISTS:
CD / Vinyl
Celloloop / More That Connects Us
Rain Gutter
Fourth Floor
Nairobi Traffic Light
Possibility / Kardio Loop (a)
Stonerella
Don't Kill It By Naming It
Insanely Alive
El Condor Pasa
Kardio Loop (b)
Can't Escape into Space
Kardio Loop (c)
Celloloop / Stronger Than This
Im Treppenhaus (a)
Late For The Webinar
Kardio Loop (d)
Kantine
Ocean Walk
Give Me A Shadow
SHORT INFO:
Moon in Earthlight describes the phenomenon one can see in the first few days after a New Moon, when the slim crescent of the moon is completed into a full circle by a faint light that is not lit by sunlight but by the light reflected from Earth. It is also the apt title for the first album from an artist whose first love was astronomy. After 6 EPs over the course of 5 years, Wolfgang Tillmans now releases his first album, Moon in Earthlight, a singularly plural 53-minute piece comprised of 19 tracks.
Opening with more that connects us than divides us, 'Celloloop / More That Connects Us', a looped cello sets out a discursive path for a bright keyed melody to flirt with while the sounds of the organ and synthesizer build their supporting roles, all along a bouncing four-to-the-floor beat punctuated with bright electronic chimes and the rhythmic tempo of a shaker. The invitation is hard to resist as a yearning voice opens up to let us know he's left his "place in security." And, "you're shining … All the way down to this glittering place … you're shining." Where voices and laughter are then overheard in the background of another field recording sounding water dripping from a 'Rain Gutter' later caught by the soft, warm rhythmic bounce between two synth notes on 'Fourth Floor' where chime-like and percussive timbres resonate from the metal tine keys of the kalimba creating a meditative acuity, which Tillmans peppers with arpeggiated synth riffs.
A composition of multiplicities, Tillmans' album debut is a collage of sounds, field recordings, words, studio jam sessions and live recordings, voice, soundscapes, and instrumentation scored with audible space to breathe along the way. Keeping pace, the first 'Kardio Loop' is a vocal callisthenics contemplating 'the possibility of a happy life' and/or the propositional properties of its semantic constructions backed by the recording of a heartbeat from a cardiogram. This movement is gradually accompanied by a set of orchestral synth pads that build to a crescendo before the soft, twirling melody of 'Stonerella' carries us along a carousel-like melodic, pop, instrumental timed in the percussive clapping of pebbles.
Not knowing where one leaves off and the other begins is part of this album's enigma, as we move in and out of these aural spaces choreographed with the slightest, open hand, where we can float through 'Don't Kill It by Naming It' before dancing along 'Insanely Alive' all the while contemplating the inherent, fragile complexities of language and being.
This enigma also stems from the raw vulnerability of Tillmans' voice. Whether lyrically playful or introspective, it is always giving: intimately unfolding as in the surprising take on Simon & Garfunkel's 'El Condor Pasa' or shapeshifting in 'Can't Escape into Space' or fully naked as raw material expression in 'Kantine' and 'Ocean Walk'.
Whether it's Tillmans voice or voices overheard, a field recording or a pop synth melody, these sounds defy track listings, audibly held together as one of many in an aural space that becomes a reflective cycle that develops over the course of the album. The accumulative effect of which (reminiscent of the artist's installations), drives the singularity of each of the album's elements into a complete, unconsolidated whole. Like a phenomenon that marks time, Moon in Earthlight is the shadow and the reflection, fifty-three minutes in time.
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Last in:18.12.2023
Label:Irenic
Cat-No:IRENICSPC002
Release-Date:17.11.2023
Genre:Techno
Configuration:12"
Barcode:
1
Bas Amro - Chained
2
Bas Amro - Nearing
3
Bas Amro - Chained (Roger Gerressen Remix)
Repress!
IRENICSPC002 brings us two new tracks by Bas Amro, best known for his releases on Freerange Records and Wolfskuil Records. For this EP he takes an unusual straight-forward approach; ‘Chained’ is a driving dub track with beautiful chords, while ‘Nearing’ leans towards the deeper side of the techno spectrum. With both tracks being very suitable for the dancefloor, the b-side finds label boss Roger Gerressen changing pace, delivering a remix for the early hours. More
IRENICSPC002 brings us two new tracks by Bas Amro, best known for his releases on Freerange Records and Wolfskuil Records. For this EP he takes an unusual straight-forward approach; ‘Chained’ is a driving dub track with beautiful chords, while ‘Nearing’ leans towards the deeper side of the techno spectrum. With both tracks being very suitable for the dancefloor, the b-side finds label boss Roger Gerressen changing pace, delivering a remix for the early hours. More
Label:ZYX Records
Cat-No:MAXI1120-12
Release-Date:15.12.2023
Configuration:12"
Barcode:
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Last in:18.12.2023
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Last in:18.12.2023
Label:ZYX Records
Cat-No:MAXI1120-12
Release-Date:15.12.2023
Configuration:12"
Barcode:
1
Mac Jr. - Elephant Song (Vocal Version)
2
Mac Jr. - Elephant Song (Instrumental Version)
3
Mac Jr. - Elephant Song (Flemming Dalum Remix)
4
Mac Jr. - Elephant Song (The Ri-Mix)
Reissue of this italo disco rarity from 1984 with Flemming Dalum & F. Ricci remixes.
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Last in:01.12.2023
Label:Pinkman
Cat-No:PNKMN051
Release-Date:01.12.2023
Genre:Techno
Configuration:12"
Barcode:8718723241212
1
Adam X - Laying It On Thick
2
Adam X - Trailing Effects
3
Adam X - I've Been Here Before
4
Adam X - It Seems Like Yesterday
New York techno luminary Adam X debuts on Pinkman with 4 tabs of extra-strength acid specially designed for peak-time club sets. Opening in typically thunderous fashion, the overdriven kick of A1's aptly-named Laying It On Thick sets a tone that doesn't relent for the duration of the record. No-nonsense and straight to the action, Adam X's distinct approach to crafting dancefloor hits shines throughout as multiple 303 refrains weave through stripped back drum patterns for unforgettably hypnotic results. While A2's Trailing Effect drops the tempo a couple of notches, its head-scrambling acid psychedelia would take any bustling dancefloor on a trip long into the early hours. The three remaining tracks give no let-up, fostering a frenetic energy that just can't be contained. In the game since the very beginning, the Sonic Groove label-head has dedicated years to his craft and they're all on display here with slick, classy productions that punch through the speakers to move bodies and minds.
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Label:House Of EFUNK Records
Cat-No:EFUNK07
Release-Date:17.11.2023
Genre:House
Configuration:12"
Barcode:
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Last in:06.12.2023
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Last in:06.12.2023
Label:House Of EFUNK Records
Cat-No:EFUNK07
Release-Date:17.11.2023
Genre:House
Configuration:12"
Barcode:
1
Josh Wink - 12 Months Of Longing
2
Josh Wink - Sexy Bot
3
Josh Wink - Used To Be
4
Josh Wink - Used To Be (Instrumental)
An EP based on nostalgic feelings of bygone days. Deep electronic grooves and melodies are mixed with intense emotional musicality that transports you to the past… Resulting in a 'hands up in the air' feeling, where the rush of music bathes you in warmth and remembrance, showcasing Wink’s diverse range of production and artistry on each cut.
"12 months of Longing" begins with a pounding 909 kick that soon gets flooded with funky percussion building up to the 1st break of lush keys and swirling beats. The production continues leading into bouncing bass and a serious groove, that evolves into a rhythmic pause where soaring strings, and melodies build and build leading to an intense crescendo that will blow the roof off.
"Sexy Bot” is a title which suits this sexy tune. It’s journey begins with latin rhythms and is quickly joined with repetitive stabs and ascending pads, that spirals around you, directing the path of music that unfolds into a Detroit inspired musical progression. Symphonic string plucks leads you into a break of serious sexy melodies that explodes into a rolling bassline that will elevate any listener into another sexy feel good echelon.
“Used to Be” quickly guides you to a signature wink acid bassline, that writhes its way to an infectious groove that is soon complimented by a hauntingly smooth analog synth, advancing into a sensual musical progression. Wink then adds his voice to the song, with simple and effective contemplative words “The way I used to be”, endorsing the overall nostalgic feeling of this unique and diverse EP. More
"12 months of Longing" begins with a pounding 909 kick that soon gets flooded with funky percussion building up to the 1st break of lush keys and swirling beats. The production continues leading into bouncing bass and a serious groove, that evolves into a rhythmic pause where soaring strings, and melodies build and build leading to an intense crescendo that will blow the roof off.
"Sexy Bot” is a title which suits this sexy tune. It’s journey begins with latin rhythms and is quickly joined with repetitive stabs and ascending pads, that spirals around you, directing the path of music that unfolds into a Detroit inspired musical progression. Symphonic string plucks leads you into a break of serious sexy melodies that explodes into a rolling bassline that will elevate any listener into another sexy feel good echelon.
“Used to Be” quickly guides you to a signature wink acid bassline, that writhes its way to an infectious groove that is soon complimented by a hauntingly smooth analog synth, advancing into a sensual musical progression. Wink then adds his voice to the song, with simple and effective contemplative words “The way I used to be”, endorsing the overall nostalgic feeling of this unique and diverse EP. More
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Last in:12.12.2023
Label:Skylax
Cat-No:LAX-ES8
Release-Date:17.11.2023
Genre:House
Configuration:12"
Barcode:
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Floorfillers - A1. Floorfillers - Love Is Growing
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Floorfillers - A2. Floorfillers - Pussy
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Floorfillers - A3. Floorfillers - Trainwreck
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Floorfillers - B1. Floorfillers - Unwashed
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Floorfillers - B2. Floorfillers - Ah Babe
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Floorfillers - B3. Floorfillers - Bless The Funk
Zaratustra is a young French producer strongly inspired by indie dance, italo disco, EBM, new beat, acid and ethnic music. His style matured over the course of this year & we actually received this extraordinary "uprising" demo. This track symbolizes the perfect mix of rock, italo and EBM, for the older ones we will notice the incredible similarity in the voice with Ian Astbury singer of The Cult. A bit as if this fabulous group would have teleported to 2022 accompanied by a very modern production. It is once again STOLT who strikes the blow with one of his finest vocal performances. We called again on the brilliant Lauer for a rereading halfway between Suicide, Alan Vega & The cramps. This record is more than a statement, it's a miracle.
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Label:Alleviated
Cat-No:ML2243
Release-Date:17.11.2023
Genre:House
Configuration:12"
Barcode:
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Last in:02.04.2024
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Last in:02.04.2024
Label:Alleviated
Cat-No:ML2243
Release-Date:17.11.2023
Genre:House
Configuration:12"
Barcode:
1
Piccolo JT - 1969
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Piccolo JT - Juke Joints Liqour Houses
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Rio Love - My Country
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Rio Love - I'm Not Tough But I'm Tired
Alleviated Records is proud to present the Spoken-Word vibes of Sharpsburg, NC's PICCOLO JT and Chicago's RIO LOVE to some lush Larry Heard grooves. 1969: "recollections about the NYC social & black music/party scenes on top of a driving afro-tribal groove.." JUKE JOINTS - LIQUOR HOUSES: "insights on early Southern social & black music/party scenes flowing on a moody deep-soulful music-bed.." MY COUNTRY: "social questions/observations on a slammin' deep Future-Tech flavored vibe.." I'M NOT TOUGH BUT I'M TIRED: "social questions/observations on a slammin' deep Future-Ragga/Tech flavored vibe.."
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