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Label:Warp
Cat-No:WARPLP365
Release-Date:29.09.2023
Genre:Electro
Configuration:2LP
Barcode:5056614707564
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Oneohtrix Point Never - Elseware
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Oneohtrix Point Never - Again
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Oneohtrix Point Never - World Outside
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Oneohtrix Point Never - Krumville
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Oneohtrix Point Never - Locrian Midwest
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Oneohtrix Point Never - Plastic Antique
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Oneohtrix Point Never - Gray Subviolet
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Oneohtrix Point Never - The Body Trail
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Oneohtrix Point Never - Nightmare Paint
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Oneohtrix Point Never - Memories Of Music
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Oneohtrix Point Never - On An Axis
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Oneohtrix Point Never - Ubiquity Road
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Oneohtrix Point Never - A Barely Lit Path
More records from Oneohtrix Point Never
Label:Editions Mego
Cat-No:EMEGO104S
Release-Date:14.01.2022
Configuration:LP
Barcode:
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Cat-No:EMEGO104S
Release-Date:14.01.2022
Configuration:LP
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Oneohtrix Point Never - 01: Nil Admirari
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Oneohtrix Point Never - 02: Describing Bodies
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Oneohtrix Point Never - 03: Stress Waves
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Oneohtrix Point Never - 04: Returnal
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Oneohtrix Point Never - 05: Pelham Island Road
Special mirrored silver foil gatefold cover with banderole. Pressed on crystal clear vinyl.
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4LP
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Label:Warp
Cat-No:WARPLP21R
Release-Date:04.10.2024
Genre:Electronic
Configuration:4LP
Barcode:5056614797794
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Cat-No:WARPLP21R
Release-Date:04.10.2024
Genre:Electronic
Configuration:4LP
Barcode:5056614797794
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Aphex Twin - #1
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Aphex Twin - #2
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Aphex Twin - #3
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Aphex Twin - #4
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Aphex Twin - #5
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Aphex Twin - #6
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Aphex Twin - #7
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Aphex Twin - #8
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Aphex Twin - #9
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Aphex Twin - #10
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Aphex Twin - #11
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Aphex Twin - #12
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Aphex Twin - Blue Calx
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Aphex Twin - #14
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Aphex Twin - #15
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Aphex Twin - #16
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Aphex Twin - #17
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Aphex Twin - #18
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Aphex Twin - #19
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Aphex Twin - #20
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Aphex Twin - #21
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Aphex Twin - #22
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Aphex Twin - #23
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Aphex Twin - #24
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Aphex Twin - #25
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Aphex Twin - th1 [evnslower]
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Aphex Twin - Rhubarb Orc. 19.53 Rev
An essential piece of electronic history is restored to its full glory for the 30th anniversary, with all 25 tracks of Selected Ambient Works II reunited in this Expanded Edition alongside two extras. Constantly referenced and revered decades after its release, SAWII has seen accolades such as the Pitchfork perfect 10 and #2 best ambient album of all time.
Written in his early 20s, it follows the glacial synths and deft percussion of Selected Ambient Works 85-92 and preceding the contorted, intricate, abstract visions of electronic music on ...I Care Because You Do. Aphex Twin crafted this mammoth set of mostly beatless vistas, textured compositions that are by turns beautiful, nightmarish, emotive, and thrilling.
From swooning beauty to careening dread, even in just the first two tracks, SAWII is a stunning and faultless piece of work. Each soundscape brings with it the sense of standing in some vast space, with dripping rusted pipes and dilapidated walls, or endless canyons of low bitrate whooshing winds. Tracks like ‘Blue Calx’ emanate a strange kind of peace, with synths that sound like wobbling laminated paper or underwater radar blips while a constant knocking keeps pace. Elsewhere, curious microtonal keys flutter and subtly morph, low frequencies throb and purr, and oscillating hums induce hypnagogia.
The gossamer soft chords of ‘#3’ (AKA ‘Rhubarb’) move slow as clouds, airy wisps that are translated into orchestral grandeur on the exclusive ‘Rhubarb Orc. 19.53 Rev’ with quivering strings, ethereal choir, and reversed molten bass, while ‘th1 [evnslower]’ is a sonorous blur floating from hopeful lifts to anxious dissonance. Finally included on all formats after 30 years, ‘#19’ (AKA ‘Stone In Focus’) seems to smooth over all the wrinkles of life with its blissfully monolithic chords and faint ripples of melody, its ticking like skipping stones marking the passage of time till it slows to a gentle halt.
- Polylined inner sleeves
- Foil blocked wide spine outer sleeve
- Fold out poster
- Sticker insert
- Expanded edition includes all songs on all formats for the first time, including previously vinyl-exclusive track #19 alongside two additional tracks (officially released and on physical formats for the first time)
- Artwork by Paul Nicholson, original album designer + Aphex logo designer More
Written in his early 20s, it follows the glacial synths and deft percussion of Selected Ambient Works 85-92 and preceding the contorted, intricate, abstract visions of electronic music on ...I Care Because You Do. Aphex Twin crafted this mammoth set of mostly beatless vistas, textured compositions that are by turns beautiful, nightmarish, emotive, and thrilling.
From swooning beauty to careening dread, even in just the first two tracks, SAWII is a stunning and faultless piece of work. Each soundscape brings with it the sense of standing in some vast space, with dripping rusted pipes and dilapidated walls, or endless canyons of low bitrate whooshing winds. Tracks like ‘Blue Calx’ emanate a strange kind of peace, with synths that sound like wobbling laminated paper or underwater radar blips while a constant knocking keeps pace. Elsewhere, curious microtonal keys flutter and subtly morph, low frequencies throb and purr, and oscillating hums induce hypnagogia.
The gossamer soft chords of ‘#3’ (AKA ‘Rhubarb’) move slow as clouds, airy wisps that are translated into orchestral grandeur on the exclusive ‘Rhubarb Orc. 19.53 Rev’ with quivering strings, ethereal choir, and reversed molten bass, while ‘th1 [evnslower]’ is a sonorous blur floating from hopeful lifts to anxious dissonance. Finally included on all formats after 30 years, ‘#19’ (AKA ‘Stone In Focus’) seems to smooth over all the wrinkles of life with its blissfully monolithic chords and faint ripples of melody, its ticking like skipping stones marking the passage of time till it slows to a gentle halt.
- Polylined inner sleeves
- Foil blocked wide spine outer sleeve
- Fold out poster
- Sticker insert
- Expanded edition includes all songs on all formats for the first time, including previously vinyl-exclusive track #19 alongside two additional tracks (officially released and on physical formats for the first time)
- Artwork by Paul Nicholson, original album designer + Aphex logo designer More
3CD
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Label:Warp
Cat-No:WARPCD21R
Release-Date:04.10.2024
Genre:Electronic
Configuration:3CD
Barcode:5056614797800
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Label:Warp
Cat-No:WARPCD21R
Release-Date:04.10.2024
Genre:Electronic
Configuration:3CD
Barcode:5056614797800
Selected Ambient Works Volume II (Expanded Edition) is due for release on Oct 4, 2024, celebrating the original album's 30th anniversary.
Written when Aphex Twin (Richard D. James) was in his early 20s, the album gained critical acclaim both upon release and retrospectively (10/10 Pitchfork review, #2 Best Ambient Album of All Time, 4 star Rolling Stone review + more).
Aphex Twin and SAW II’s influence continues to grow and take new meaning across generations.
Selling Points
• 30th anniversary edition of Aphex Twin’s critically acclaimed Selected Ambient Works II
• Expanded edition includes all songs on all formats for the first time, including previously vinyl-exclusive track #19 alongside two additional tracks (officially released and on physical formats for the first time)
• Artwork by Paul Nicholson, original album designer + Aphex Twin logo designer
- Specs 3CD in foil blocked case bound sleeve with booklet
Tracklist:
CD01:
1. #1
2. #2
3. #3
4. #4
5. #5
6. #6
7. #7
8. #8
9. #9
CD02
1. #10
2. #11
3. #12
4. Blue Calx
5. #14
6. #15
7. #16
8. #17
9. #18
10. #19
CD03
1. #20
2. #21
3. #22
4. #23
5. #24
6. #25
7. th1 [evnslower]
8. Rhubarb Orc. 19.53 Rev More
Written when Aphex Twin (Richard D. James) was in his early 20s, the album gained critical acclaim both upon release and retrospectively (10/10 Pitchfork review, #2 Best Ambient Album of All Time, 4 star Rolling Stone review + more).
Aphex Twin and SAW II’s influence continues to grow and take new meaning across generations.
Selling Points
• 30th anniversary edition of Aphex Twin’s critically acclaimed Selected Ambient Works II
• Expanded edition includes all songs on all formats for the first time, including previously vinyl-exclusive track #19 alongside two additional tracks (officially released and on physical formats for the first time)
• Artwork by Paul Nicholson, original album designer + Aphex Twin logo designer
- Specs 3CD in foil blocked case bound sleeve with booklet
Tracklist:
CD01:
1. #1
2. #2
3. #3
4. #4
5. #5
6. #6
7. #7
8. #8
9. #9
CD02
1. #10
2. #11
3. #12
4. Blue Calx
5. #14
6. #15
7. #16
8. #17
9. #18
10. #19
CD03
1. #20
2. #21
3. #22
4. #23
5. #24
6. #25
7. th1 [evnslower]
8. Rhubarb Orc. 19.53 Rev More
Label:Warp
Cat-No:WARPLP372
Release-Date:03.05.2024
Configuration:2LP
Barcode:5056614794632
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Cat-No:WARPLP372
Release-Date:03.05.2024
Configuration:2LP
Barcode:5056614794632
Spell Blanket - Collected Demos 2006-2009 comprises songs and sketches drawn from Trish’s extensive archive of 4-track tapes and MiniDiscs. The recordings lay the groundwork for what would have been Broadcast’s fifth album, offering a window into Trish and James’ creative process during the post-Tender Buttons period from 2006-2009.
Photography used in its artwork is by Trish and James and the artwork is designed by Broadcast’s long-time collaborator Julian House. Spell Blanket - Collected Demos 2006-2009 will be released via Warp Records on May 3rd and available on standard black 2LP and CD.
- Spec Black 2LP Vinyl in printed inner sleeve in 3mm spine sleeve
- Listen: https://warp.ffm.to/broadcast-ftl
Tracklisting:
A1. The Song Before The Song Comes Out
A2. March Of The Fleas
A3. Greater Than Joy
A4. Mother Plays Games
A5. My Marble Eye
A6. Roses Red
A7. Hip Bone To Hip Bone
A8. Running Back To Me
A9. I Blink You Blink
A10. Infant Girl
A11. I Run In Dreams
B1. Luminous Image
B2. A Little Light
B3. Hairpin Memories
B4. My Body
B5. Follow The Light
B6. Tunnel View
B7. Where Are You?
B8. Singing Game
B9. I Want To Be Fine
C1. The Games You Play
C2. Grey Grey Skies
C3. Puzzle
C4. The Clock Is On Fire
C5. Petal Alphabet
C6. Tell Table
C7. Fatherly Veil
D1. Dream Power
D2. Heartbeat
D3. Call Sign
D4. Crone Motion
D5. Sleeping Bed
D6. Join In Together
D7. Colour In The Numbers
D8. I Am The Bridge
D9. Spirit House
https://broadcast.warp.net/ More
Photography used in its artwork is by Trish and James and the artwork is designed by Broadcast’s long-time collaborator Julian House. Spell Blanket - Collected Demos 2006-2009 will be released via Warp Records on May 3rd and available on standard black 2LP and CD.
- Spec Black 2LP Vinyl in printed inner sleeve in 3mm spine sleeve
- Listen: https://warp.ffm.to/broadcast-ftl
Tracklisting:
A1. The Song Before The Song Comes Out
A2. March Of The Fleas
A3. Greater Than Joy
A4. Mother Plays Games
A5. My Marble Eye
A6. Roses Red
A7. Hip Bone To Hip Bone
A8. Running Back To Me
A9. I Blink You Blink
A10. Infant Girl
A11. I Run In Dreams
B1. Luminous Image
B2. A Little Light
B3. Hairpin Memories
B4. My Body
B5. Follow The Light
B6. Tunnel View
B7. Where Are You?
B8. Singing Game
B9. I Want To Be Fine
C1. The Games You Play
C2. Grey Grey Skies
C3. Puzzle
C4. The Clock Is On Fire
C5. Petal Alphabet
C6. Tell Table
C7. Fatherly Veil
D1. Dream Power
D2. Heartbeat
D3. Call Sign
D4. Crone Motion
D5. Sleeping Bed
D6. Join In Together
D7. Colour In The Numbers
D8. I Am The Bridge
D9. Spirit House
https://broadcast.warp.net/ More
Label:Warp
Cat-No:WARPLP370
Release-Date:12.04.2024
Configuration:LP
Barcode:5056614708035
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Cat-No:WARPLP370
Release-Date:12.04.2024
Configuration:LP
Barcode:5056614708035
Scottish and Danish composer Clarissa Connelly’s debut album on Warp Records, “World of Work”, is set to be released on April 12th.
Over the years Clarissa has explored sacred sites and mythology, finding inspiration in Celtic and Nordic culture. For her most recent album, “The Voyager”, Clarissa walked the Scandinavian landscape, channelling melodies from ancient pre-Christian sites. The album received global acclaim and was awarded the prestigious Nordic Music Prize.
On “World of Work”, Clarissa explores themes of acceptance and growth, by creating a sonic embroidery, a powerful testimony of her production and composition abilities.
- Specs Black 12" Vinyl in printed inner sleeve in 3mm spine sleeve and download code
Tracklist:
A1. Into This, Called Loneliness
A2. The Bell Tower
A3. An Embroidery
A4. Life Of The Forbidden
A5. Wee Rosebud
B1. The Excess Of Sorrow, Laughs
B2. Turn To Stone
B3. Tenderfoot
B4. Crucifer
B5. S.O.S. Song Of The Sword More
Over the years Clarissa has explored sacred sites and mythology, finding inspiration in Celtic and Nordic culture. For her most recent album, “The Voyager”, Clarissa walked the Scandinavian landscape, channelling melodies from ancient pre-Christian sites. The album received global acclaim and was awarded the prestigious Nordic Music Prize.
On “World of Work”, Clarissa explores themes of acceptance and growth, by creating a sonic embroidery, a powerful testimony of her production and composition abilities.
- Specs Black 12" Vinyl in printed inner sleeve in 3mm spine sleeve and download code
Tracklist:
A1. Into This, Called Loneliness
A2. The Bell Tower
A3. An Embroidery
A4. Life Of The Forbidden
A5. Wee Rosebud
B1. The Excess Of Sorrow, Laughs
B2. Turn To Stone
B3. Tenderfoot
B4. Crucifer
B5. S.O.S. Song Of The Sword More
Label:Warp
Cat-No:WARPLP350
Release-Date:05.04.2024
Configuration:LP
Barcode:5056614708189
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Label:Warp
Cat-No:WARPLP350
Release-Date:05.04.2024
Configuration:LP
Barcode:5056614708189
Mount Kimbie’s fourth studio album, The Sunset Violent, is seeded in the wake of 2017’s Love What Survives and marks an important full circle moment for the group as they return to a band-like setup (Dominic Maker, Kai Campos, Andrea Balency-Béarn and Marc Pell).
The Sunset Violent was made under the empty sky of the American desert, where Kai and Dominic relocated to for a month. A town with little to offer but a couple of saloons, a basin with a history of alleged UFO sightings and a selection of local country radio stations ends up birthing a new Mount Kimbie record that harks back to a time where the guitar lead the way through the band’s sonic tapestry.
On The Sunset Violent, an album that marks fifteen years of Mount Kimbie, it’s clear that their creative spark is by no means at an end.
- Specs Black 1LP Vinyl in printed inner sleeve in 3mm spine sleeve and download code
Tracklist:
A1. The Trail
A2. Dumb Guitar
A3. Shipwreck
A4. Boxing (Feat. King Krule)
A5. Got Me
B1. A Figure In The Surf
B2. Fishbrain
B3. Yukka Tree
B4. Empty And Silent (Feat. King Krule) More
The Sunset Violent was made under the empty sky of the American desert, where Kai and Dominic relocated to for a month. A town with little to offer but a couple of saloons, a basin with a history of alleged UFO sightings and a selection of local country radio stations ends up birthing a new Mount Kimbie record that harks back to a time where the guitar lead the way through the band’s sonic tapestry.
On The Sunset Violent, an album that marks fifteen years of Mount Kimbie, it’s clear that their creative spark is by no means at an end.
- Specs Black 1LP Vinyl in printed inner sleeve in 3mm spine sleeve and download code
Tracklist:
A1. The Trail
A2. Dumb Guitar
A3. Shipwreck
A4. Boxing (Feat. King Krule)
A5. Got Me
B1. A Figure In The Surf
B2. Fishbrain
B3. Yukka Tree
B4. Empty And Silent (Feat. King Krule) More
Label:Warp
Cat-No:WARPLP362
Release-Date:29.03.2024
Configuration:LP
Barcode:5056614705744
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Label:Warp
Cat-No:WARPLP362
Release-Date:29.03.2024
Configuration:LP
Barcode:5056614705744
Over the past decade, New York-based composer and producer Kelly Moran has solidified her status as a trailblazing figure in modern music, challenging the piano's traditional, classically-imposed school of thought with a more contemporary, experimental approach. An accomplished and highly sought-after composer, Moran has collaborated with artists the likes of Oneohtrix Point Never as part of his touring ensemble for 2018 album Age Of, as well as singer and composer FKA Twigs' live ensemble. Moran has also composed for classical musician Margaret Leng Tan and worked with other visionary contemporaries like Kelsey Lu and Yves Tumor. As a solo artist, Moran's critically acclaimed albums, Bloodroot and Ultraviolet, have explored a variety of extended piano techniques like John Cage-inspired prepared piano and exercises in improvisation. Her unique strand of experimental piano compositions, which conjure hypnotizing textures and dramatic compositional arcs, have been included on year-end lists across classical, avant-garde, and metal genres.
Moran’s upcoming album, Moves in the Field, is a series of duets for herself and the Yamaha Disklavier – a technologically advanced version of a player piano. Able to perfectly replicate humanlike playing through intense fine-tuning and programmable dynamics, the Disklaviers used on Kelly’s new music act as a foil to her own striving for a balance of technical perfection and emotional expression in her performances and compositions.
Kelly Moran Shares: “In early 2020, Yamaha loaned me a Disklavier player piano - a special instrument that allows you to record your performance for the piano to play back on its own. I was initially working on a duet for myself and another pianist, but when the pandemic hit, the player piano became my duet partner. I began writing a series of duets for myself and the Disklavier, exploring all the different ways I could utilize this instrument to merge its inhuman capabilities with my own playing. The Disklavier allowed me to record multiple layers of my playing so I could create music on the piano that would require more fingers or greater endurance than I physically have - like chords that had more than 10 notes in them, or chords that were spaced out farther than my hands could stretch. Sometimes I’d record a pattern and then speed it up to play back faster than I could ever physically play. My imagination exploded at all the possibilities this instrument allowed me to create, and these explorations culminated in my new record Moves in the Field.”
- Specs Clear 12" Vinyl in printed inner sleeve in 3mm spine sleeve and download code
Tracklist:
A1. Butterfly Phase
A2. Superhuman
A3. Don’t Trust Mirrors
A4. Dancer Polynomials
A5. Sodalis (II)
B1. Leitmotif
B2. It’s Okay To Disappear
B3. Hypno
B4. Moves In The Field
B5. Solar Flare More
Moran’s upcoming album, Moves in the Field, is a series of duets for herself and the Yamaha Disklavier – a technologically advanced version of a player piano. Able to perfectly replicate humanlike playing through intense fine-tuning and programmable dynamics, the Disklaviers used on Kelly’s new music act as a foil to her own striving for a balance of technical perfection and emotional expression in her performances and compositions.
Kelly Moran Shares: “In early 2020, Yamaha loaned me a Disklavier player piano - a special instrument that allows you to record your performance for the piano to play back on its own. I was initially working on a duet for myself and another pianist, but when the pandemic hit, the player piano became my duet partner. I began writing a series of duets for myself and the Disklavier, exploring all the different ways I could utilize this instrument to merge its inhuman capabilities with my own playing. The Disklavier allowed me to record multiple layers of my playing so I could create music on the piano that would require more fingers or greater endurance than I physically have - like chords that had more than 10 notes in them, or chords that were spaced out farther than my hands could stretch. Sometimes I’d record a pattern and then speed it up to play back faster than I could ever physically play. My imagination exploded at all the possibilities this instrument allowed me to create, and these explorations culminated in my new record Moves in the Field.”
- Specs Clear 12" Vinyl in printed inner sleeve in 3mm spine sleeve and download code
Tracklist:
A1. Butterfly Phase
A2. Superhuman
A3. Don’t Trust Mirrors
A4. Dancer Polynomials
A5. Sodalis (II)
B1. Leitmotif
B2. It’s Okay To Disappear
B3. Hypno
B4. Moves In The Field
B5. Solar Flare More
Label:Warp
Cat-No:WARPLP366
Release-Date:01.03.2024
Genre:Electronic
Configuration:2LP
Barcode:5056614706482
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Label:Warp
Cat-No:WARPLP366
Release-Date:01.03.2024
Genre:Electronic
Configuration:2LP
Barcode:5056614706482
Dostrotime is Squarepusher-style fun. Heavy, intense, tear out experimental electronic music for the sheer exhilaration of it. Unapologetically, one for the Squarepunter Massive!
In early 2020, Squarepusher had just released Be Up A Hello to huge acclaim, and was gearing up for a worldwide tour featuring some of his biggest shows to date. Then the pandemic hit, and it was all off... Devoid of distractions, naturally the artist headed to the studio to begin recording. He says that “ [...] Without customary interruptions, time elapsed differently”. It’s an episode he’s dubbed “Dostrotime”. As such, Dostrotime is an attempt to capture the peculiarity of music catalysed by lockdown being part of the celebration of lockdown’s demise.
- Specs Black 2LP in paper inner sleeve in gatefold outer sleeve and download code
Tracklist:
A1. Arkteon 1
A2. Enbounce
A3. Wendorlan
B1. Duneray
B2. Kronmec
B3. Arkteon 2
C1. Holorform
C2. Akkranen
C3. Stromcor
D1. Domelash
D2. Heliobat
D3. Arkteon 3 More
In early 2020, Squarepusher had just released Be Up A Hello to huge acclaim, and was gearing up for a worldwide tour featuring some of his biggest shows to date. Then the pandemic hit, and it was all off... Devoid of distractions, naturally the artist headed to the studio to begin recording. He says that “ [...] Without customary interruptions, time elapsed differently”. It’s an episode he’s dubbed “Dostrotime”. As such, Dostrotime is an attempt to capture the peculiarity of music catalysed by lockdown being part of the celebration of lockdown’s demise.
- Specs Black 2LP in paper inner sleeve in gatefold outer sleeve and download code
Tracklist:
A1. Arkteon 1
A2. Enbounce
A3. Wendorlan
B1. Duneray
B2. Kronmec
B3. Arkteon 2
C1. Holorform
C2. Akkranen
C3. Stromcor
D1. Domelash
D2. Heliobat
D3. Arkteon 3 More
Label:Warp
Cat-No:WARPCD366
Release-Date:01.03.2024
Genre:Electronic
Configuration:CD
Barcode:5056614706499
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Label:Warp
Cat-No:WARPCD366
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Genre:Electronic
Configuration:CD
Barcode:5056614706499
Dostrotime is Squarepusher-style fun. Heavy, intense, tear out experimental electronic music for the sheer exhilaration of it. Unapologetically, one for the Squarepunter Massive!
In early 2020, Squarepusher had just released Be Up A Hello to huge acclaim, and was gearing up for a worldwide tour featuring some of his biggest shows to date. Then the pandemic hit, and it was all off... Devoid of distractions, naturally the artist headed to the studio to begin recording. He says that “ [...] Without customary interruptions, time elapsed differently”. It’s an episode he’s dubbed “Dostrotime”. As such, Dostrotime is an attempt to capture the peculiarity of music catalysed by lockdown being part of the celebration of lockdown’s demise.
- Specs Black 2LP in paper inner sleeve in gatefold outer sleeve and download code
Tracklist:
A1. Arkteon 1
A2. Enbounce
A3. Wendorlan
B1. Duneray
B2. Kronmec
B3. Arkteon 2
C1. Holorform
C2. Akkranen
C3. Stromcor
D1. Domelash
D2. Heliobat
D3. Arkteon 3 More
In early 2020, Squarepusher had just released Be Up A Hello to huge acclaim, and was gearing up for a worldwide tour featuring some of his biggest shows to date. Then the pandemic hit, and it was all off... Devoid of distractions, naturally the artist headed to the studio to begin recording. He says that “ [...] Without customary interruptions, time elapsed differently”. It’s an episode he’s dubbed “Dostrotime”. As such, Dostrotime is an attempt to capture the peculiarity of music catalysed by lockdown being part of the celebration of lockdown’s demise.
- Specs Black 2LP in paper inner sleeve in gatefold outer sleeve and download code
Tracklist:
A1. Arkteon 1
A2. Enbounce
A3. Wendorlan
B1. Duneray
B2. Kronmec
B3. Arkteon 2
C1. Holorform
C2. Akkranen
C3. Stromcor
D1. Domelash
D2. Heliobat
D3. Arkteon 3 More
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Label:Warp
Cat-No:WARPLP14R
Release-Date:10.11.2023
Genre:techhouse
Configuration:2LP
Barcode:5056614707205
1
Speedy J - Ginger
2
Speedy J - Fill 4
3
Speedy J - Beam Me Up!
4
Speedy J - R2 D2
5
Speedy J - Fill 14
6
Speedy J - Basic Design
7
Speedy J - Perfect Pitch
8
Speedy J - Flashback
9
Speedy J - Pepper
10
Speedy J - De-Orbit
Debut studio album by Dutch electronic music producer and DJ Speedy J (real name Jochem Paap), Ginger was originally released in June 1993 as part of Warp Records Artificial Intelligence series.
Remastered in 2021, the reissue contains the original design by longtime Warp collaborators The Designers Republic.
Rotterdam-based Jochem Paap began creating techno tracks such as “Three O’Three” and “Something For Your Mind” in his hometown to play out in clubs, and chose the artist name Speedy J as a reference to his DJ skills. As commented on by All Music, Paap's clear intent with Ginger was "to take his music out of the rave and into the home-listening environment," and balance elements of the manic energy that defined his early releases with a lush sound palette. Writing and recording on his own in The Plant studio, the album was released on a number of different labels internationally and brought his minimal but melodic production style to a far wider audience, with critics noting his meticulous attention to audio design, skillful use of track interludes (the “Fill” tracks on Ginger, something Black Dog Productions also explored on Bytes), and a careful balancing of four-to-the-floor grooves with ambient textures. He released a second album with Warp, 1995’s G-Spot, and has continued to make a diverse range of electronic music, included releases on labels such as Mike Paradinas’ Planet Mu and Peter Namlook’s FAX +49-69/450464, and showcasing a more experimental strand of releases via his own Electric Deluxe imprint. The music on Ginger has been highlighted as a seminal release in a number of retrospective features by the likes of Pitchfork, The Wire and FACT. More
Remastered in 2021, the reissue contains the original design by longtime Warp collaborators The Designers Republic.
Rotterdam-based Jochem Paap began creating techno tracks such as “Three O’Three” and “Something For Your Mind” in his hometown to play out in clubs, and chose the artist name Speedy J as a reference to his DJ skills. As commented on by All Music, Paap's clear intent with Ginger was "to take his music out of the rave and into the home-listening environment," and balance elements of the manic energy that defined his early releases with a lush sound palette. Writing and recording on his own in The Plant studio, the album was released on a number of different labels internationally and brought his minimal but melodic production style to a far wider audience, with critics noting his meticulous attention to audio design, skillful use of track interludes (the “Fill” tracks on Ginger, something Black Dog Productions also explored on Bytes), and a careful balancing of four-to-the-floor grooves with ambient textures. He released a second album with Warp, 1995’s G-Spot, and has continued to make a diverse range of electronic music, included releases on labels such as Mike Paradinas’ Planet Mu and Peter Namlook’s FAX +49-69/450464, and showcasing a more experimental strand of releases via his own Electric Deluxe imprint. The music on Ginger has been highlighted as a seminal release in a number of retrospective features by the likes of Pitchfork, The Wire and FACT. More
2LP
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Label:Warp
Cat-No:WARPLP12R
Release-Date:10.11.2023
Genre:techhouse
Configuration:2LP
Barcode:5056614707373
1
F.U.S.E. - New Day
2
F.U.S.E. - F.U.
3
F.U.S.E. - Slac
4
F.U.S.E. - Dimension Intrusion
5
F.U.S.E. - Substance Abuse
6
F.U.S.E. - Train-Trac. 1
7
F.U.S.E. - Another Time (Revisited)
8
F.U.S.E. - Theychx
9
F.U.S.E. - UVA
10
F.U.S.E. - Mantrax
11
F.U.S.E. - Nitedrive
12
F.U.S.E. - Into The Space
13
F.U.S.E. - Logikal Nonsense
The first full-length studio album by Richie Hawtin, who was 22 years old at the time and living in Windsor, Canada. It was first released in June 1993 under the F.U.S.E. name on Hawtin’s own Plus 8 Records imprint and again on Warp Records as part of the ‘Artificial Intelligence’ series.
Remastered back in 2019, the reissue features original artwork from Richie’s brother, Matthew Hawtin.
Growing up in Windsor, Ontario, Richie Hawtin aka F.U.S.E. would make frequent excursions across the border to Detroit in search of record shops and new clubbing experiences. Soon he would take up a residency at the small subversive club The Shelter and develop his skills as a DJ. Together with his close friend John Acquaviva they launched Plus 8 Records in 1990 to release their own creations and to support other up-and-coming, like-minded techno producers who were in search of a musical home. Richie started recording under the cryptic alias F.U.S.E.- abbreviation for ‘Futuristic Underground Subsonic Experiments’ - and released seminal tracks like ‘F.U.’ and ‘Substance Abuse’ (1991). The From Our Minds To Yours compilations released on Plus 8 would make a mark on the developing techno scene in Detroit and beyond. At age 22 Hawtin released his first full-length studio album under his F.U.S.E. pseudonym. Dimension Intrusion was largely inspired by science fiction films and a collection of available vintage synthesizers and drum machines. Playing with their electronic yet warm sound effects, the young producer in turn discovered some of his favourite instruments. His heady manipulations of the Roland TB-303 acid sound helped develop an influential style that would have a lasting impact on electronic music. The tracks on Dimension Intrusion range from club focused techno to soundtrack ambience and can be seen retrospectively as experiments leading to what would soon become Hawtin’s trademark acid-laced Plastikman sound.
- Spec Black 2LP Vinyl in polylined inner sleeves in wide spine outer sleeve with 12” poster insert
[4th October 2023] Today, Warp announces reissues of two more albums from their Artificial Intelligence series: Dimension Intrusion by F.U.S.E. (aka Richie Hawtin) and Ginger by Speedy J. Both records were originally released in 1993, and these new vinyl editions mark their 30th anniversary.
Although unique records by distinctive artists, there are some strands that tie the two albums together. Dimension Intrusion was the fifth album in the Artificial Intelligence series, originally released on 7 June 1993, whilst Ginger was the sixth album in the series, coming out two weeks later on 21 June. Whereas the rest of the series focused on elevating underground electronic producers from the UK such as Autechre, B12, Black Dog Productions and Polygon Window, these two entries in the series added an international dimension, representing North American and Northern European takes respectively on the techno genre. Both albums were also released in Canada on Richie Hawtin’s own fabled Plus 8 label, with Paap putting out a domestic edition of Ginger in the Netherlands on his Beam Me Up! imprint, echoing the accidental Star Trek reference in Warp’s own name (actually a shortening of original name Warped). Both artists would go on to record for NovaMute, a dance music subsidiary of Mute Records.
The concept that unites this music above all however is the idea of crafting electronic music for home listening, charting the evolution of a musical form that had started out purely dancefloor-focused. Both Paap and Hawtin had started to make tracks with this idea in mind independently, and it chimed perfectly with the series that Warp founders Rob Mitchell and Steve Beckett were putting together concurrently to showcase exactly this development. The compilation that gave the series its title and kicked things off, housed in a striking sleeve featuring a robot reclining in an armchair, surrounded by album sleeves, succinctly communicated the central idea with a certain amount of tongue-in-cheek humour. It was after Paap had contributed to Artificial Intelligence with Speedy J’s “De-Orbit”, alongside Richie Hawtin making an appearance using his UP! pseudonym, that Mitchell and Beckett invited them to come on board to the series with full artist albums for release on Warp.
More
Remastered back in 2019, the reissue features original artwork from Richie’s brother, Matthew Hawtin.
Growing up in Windsor, Ontario, Richie Hawtin aka F.U.S.E. would make frequent excursions across the border to Detroit in search of record shops and new clubbing experiences. Soon he would take up a residency at the small subversive club The Shelter and develop his skills as a DJ. Together with his close friend John Acquaviva they launched Plus 8 Records in 1990 to release their own creations and to support other up-and-coming, like-minded techno producers who were in search of a musical home. Richie started recording under the cryptic alias F.U.S.E.- abbreviation for ‘Futuristic Underground Subsonic Experiments’ - and released seminal tracks like ‘F.U.’ and ‘Substance Abuse’ (1991). The From Our Minds To Yours compilations released on Plus 8 would make a mark on the developing techno scene in Detroit and beyond. At age 22 Hawtin released his first full-length studio album under his F.U.S.E. pseudonym. Dimension Intrusion was largely inspired by science fiction films and a collection of available vintage synthesizers and drum machines. Playing with their electronic yet warm sound effects, the young producer in turn discovered some of his favourite instruments. His heady manipulations of the Roland TB-303 acid sound helped develop an influential style that would have a lasting impact on electronic music. The tracks on Dimension Intrusion range from club focused techno to soundtrack ambience and can be seen retrospectively as experiments leading to what would soon become Hawtin’s trademark acid-laced Plastikman sound.
- Spec Black 2LP Vinyl in polylined inner sleeves in wide spine outer sleeve with 12” poster insert
[4th October 2023] Today, Warp announces reissues of two more albums from their Artificial Intelligence series: Dimension Intrusion by F.U.S.E. (aka Richie Hawtin) and Ginger by Speedy J. Both records were originally released in 1993, and these new vinyl editions mark their 30th anniversary.
Although unique records by distinctive artists, there are some strands that tie the two albums together. Dimension Intrusion was the fifth album in the Artificial Intelligence series, originally released on 7 June 1993, whilst Ginger was the sixth album in the series, coming out two weeks later on 21 June. Whereas the rest of the series focused on elevating underground electronic producers from the UK such as Autechre, B12, Black Dog Productions and Polygon Window, these two entries in the series added an international dimension, representing North American and Northern European takes respectively on the techno genre. Both albums were also released in Canada on Richie Hawtin’s own fabled Plus 8 label, with Paap putting out a domestic edition of Ginger in the Netherlands on his Beam Me Up! imprint, echoing the accidental Star Trek reference in Warp’s own name (actually a shortening of original name Warped). Both artists would go on to record for NovaMute, a dance music subsidiary of Mute Records.
The concept that unites this music above all however is the idea of crafting electronic music for home listening, charting the evolution of a musical form that had started out purely dancefloor-focused. Both Paap and Hawtin had started to make tracks with this idea in mind independently, and it chimed perfectly with the series that Warp founders Rob Mitchell and Steve Beckett were putting together concurrently to showcase exactly this development. The compilation that gave the series its title and kicked things off, housed in a striking sleeve featuring a robot reclining in an armchair, surrounded by album sleeves, succinctly communicated the central idea with a certain amount of tongue-in-cheek humour. It was after Paap had contributed to Artificial Intelligence with Speedy J’s “De-Orbit”, alongside Richie Hawtin making an appearance using his UP! pseudonym, that Mitchell and Beckett invited them to come on board to the series with full artist albums for release on Warp.
More
Label:Warp
Cat-No:WARPLP273
Release-Date:20.10.2023
Genre:Electronic
Configuration:LP
Barcode:5056614706970
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Cat-No:WARPLP273
Release-Date:20.10.2023
Genre:Electronic
Configuration:LP
Barcode:5056614706970
Revanchist is the long-awaited debut album by Evian Christ, scheduled for release by Warp on 20th October 2023. The eight-track record explores the latent potential in Trance to evoke, beyond Euphoria, the fullest feeling of the Sublime.
On Embers, Revanchist’s opening track and lead single, encapsulates Christ’s inclination towards the total annihilation of Trance’s default affects; soaring, rapturous supersaws meet a tempest of indecipherable noise, mangled 808s and broken shards of Defected gospel house acapellas.
Revanchist follows 2020’s Ultra, a landmark label-debut that demonstrated Christ’s emerging command of an abstractly destructive musical vocabulary. The album draws from an unlikely and diverse pool of influences; compositing, at once, the suffocating throttle of Demiurge-era Emptyset (2011); the worldliness of Madonna and William Orbit’s Ray Of Light LP (1998); the acute uncanniness of Laibach’s Across The Universe (1988); and a highly stylized approach to mixing and sound design primarily inspired by Sasha’s seminal Xpander EP (1999).
Revanchist’s album artwork is designed by long-standing collaborator and celebrated graphic designer David Rudnick, and features works by 19th century Norwegian landscape painter Lars Hertervig and British video artist Chris Bucklow. Inspired by classic Trance singles, the limited edition CD is housed in a slimpack jewelcase with 5 colour screenprinted PVC inlay and fluro sticker; the vinyl, similarly limited to an initial pressing of 1000, is housed in a screenprinted transparent bag with a printed inner-sleeve and double-sided 36x24” fold-out poster.
Evian Christ (b. Joshua Leary) is an Ellesmere Port-based musician, producer and music programmer signed to Warp and DONDA/Sony ATV Publishing. Initially recognised for his production contributions to Billboard-topping albums by Kanye West and Travis Scott, and subsequently as the founder of the enduringly influential TranceParty clubnight, Christ’s recent years have seen him lead an idiosyncratic range of projects that enquire into the legacy of Trance in contemporary cultural life.
- Specs Black 12" vinyl in printed inner sleeve in 3mm spine sleeve with 36 x 24" fold out poster and download code packed in printed transparent outer bag
Tracklist:
A1. On Embers
A2. Yxguden (feat. Bladee)
A3. The Beach
A4. Nobody Else
B1. Silence
B2. Xkyrgios
B3. With Me (feat. Merely)
B4. Run Boys Run More
On Embers, Revanchist’s opening track and lead single, encapsulates Christ’s inclination towards the total annihilation of Trance’s default affects; soaring, rapturous supersaws meet a tempest of indecipherable noise, mangled 808s and broken shards of Defected gospel house acapellas.
Revanchist follows 2020’s Ultra, a landmark label-debut that demonstrated Christ’s emerging command of an abstractly destructive musical vocabulary. The album draws from an unlikely and diverse pool of influences; compositing, at once, the suffocating throttle of Demiurge-era Emptyset (2011); the worldliness of Madonna and William Orbit’s Ray Of Light LP (1998); the acute uncanniness of Laibach’s Across The Universe (1988); and a highly stylized approach to mixing and sound design primarily inspired by Sasha’s seminal Xpander EP (1999).
Revanchist’s album artwork is designed by long-standing collaborator and celebrated graphic designer David Rudnick, and features works by 19th century Norwegian landscape painter Lars Hertervig and British video artist Chris Bucklow. Inspired by classic Trance singles, the limited edition CD is housed in a slimpack jewelcase with 5 colour screenprinted PVC inlay and fluro sticker; the vinyl, similarly limited to an initial pressing of 1000, is housed in a screenprinted transparent bag with a printed inner-sleeve and double-sided 36x24” fold-out poster.
Evian Christ (b. Joshua Leary) is an Ellesmere Port-based musician, producer and music programmer signed to Warp and DONDA/Sony ATV Publishing. Initially recognised for his production contributions to Billboard-topping albums by Kanye West and Travis Scott, and subsequently as the founder of the enduringly influential TranceParty clubnight, Christ’s recent years have seen him lead an idiosyncratic range of projects that enquire into the legacy of Trance in contemporary cultural life.
- Specs Black 12" vinyl in printed inner sleeve in 3mm spine sleeve with 36 x 24" fold out poster and download code packed in printed transparent outer bag
Tracklist:
A1. On Embers
A2. Yxguden (feat. Bladee)
A3. The Beach
A4. Nobody Else
B1. Silence
B2. Xkyrgios
B3. With Me (feat. Merely)
B4. Run Boys Run More
Label:Warp
Cat-No:WARPLP359
Release-Date:06.10.2023
Genre:HipHop/Rap/Urban
Configuration:LP
Barcode:5056614704983
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Cat-No:WARPLP359
Release-Date:06.10.2023
Genre:HipHop/Rap/Urban
Configuration:LP
Barcode:5056614704983
- Specs Black 12" Vinyl in in polylined inner sleeve in 3mm spine sleeve and download code
Tracklist:
A1. The Weather
A2. House Music
A3. Undercommons
A4. Olde Joy
A5. New Joy
A6. Arms, Armor
A7. Fission for Drums, Piano And Voice
A8. Love Letter Zzz
A9. Half-Life
B1. The Great Wedge
B2. I Hear A New World
B3. No! (Geiger Dub)
B4. Destroyer X
B5. Voyager
B6. Divider
B7. Challenger
B8. Decades, Castle Romeo
B9. Us (Tower Of Love) More
Tracklist:
A1. The Weather
A2. House Music
A3. Undercommons
A4. Olde Joy
A5. New Joy
A6. Arms, Armor
A7. Fission for Drums, Piano And Voice
A8. Love Letter Zzz
A9. Half-Life
B1. The Great Wedge
B2. I Hear A New World
B3. No! (Geiger Dub)
B4. Destroyer X
B5. Voyager
B6. Divider
B7. Challenger
B8. Decades, Castle Romeo
B9. Us (Tower Of Love) More
Label:Warp
Cat-No:WAP481
Release-Date:22.09.2023
Genre:Electronic
Configuration:LP
Barcode:5056614705546
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Label:Warp
Cat-No:WAP481
Release-Date:22.09.2023
Genre:Electronic
Configuration:LP
Barcode:5056614705546
Tracklisting:
A1. Sorry (Won’t Cut It) feat. Olivier St. Louis
A2. Shine A Light On Your Mirror
A3. A Matter Of Fact
B1. Rosewoods
B2. All Of The Above
B3. Clay Dots
B4. Sunbursting feat. Óskar Guðjónsson More
A1. Sorry (Won’t Cut It) feat. Olivier St. Louis
A2. Shine A Light On Your Mirror
A3. A Matter Of Fact
B1. Rosewoods
B2. All Of The Above
B3. Clay Dots
B4. Sunbursting feat. Óskar Guðjónsson More
Label:Warp
Cat-No:PUPLP1R
Release-Date:04.08.2023
Genre:Electronic
Configuration:2LP
Barcode:5056614705768
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Last in:08.01.2024
Label:Warp
Cat-No:PUPLP1R
Release-Date:04.08.2023
Genre:Electronic
Configuration:2LP
Barcode:5056614705768
Originally released in 1995, Spanners is the second album from The Black Dog and their first for Warp Records. In 2017 it was selected by Pitchfork as one of ‘The 50 Best IDM Albums of All Time’. The reissue will be the first time the vinyl is available since its original pressing in 1995. After this release the original trio of Ed Handley, Andy Turner and Ken Downie went their separate ways - Handley and Turner formed Plaid, whilst Downie carried on with The Black Dog name, initially by himself, and latterly with the assistance of brothers Martin and Richard Dust.
Exact replicas of the original editions, Album re-cut by Beau Thomas at Ten Eight Seven Mastering on classic black wax.
- Packaging spec: Black 2LP vinyl in polylined inner sleeves in gatefold outer sleeve with download code
Tracklist
A1. Raxmus
A2. Bolt1
A3. Barbola Work
A4. Bolt2
A5. Psil-cosyin
B1. Chase The Manhattan
B2. Bolt3
B3. Tahr
B4. Bolt4
B5. Further Harm
C1. Nommo
C2. Bolt5
C3. Pot Noddle
C4. Bolt6
C5. End Of Time
D1. Utopian Dream
D2. Bolt7
D3. Frisbee Skip
D4. Chesh More
Exact replicas of the original editions, Album re-cut by Beau Thomas at Ten Eight Seven Mastering on classic black wax.
- Packaging spec: Black 2LP vinyl in polylined inner sleeves in gatefold outer sleeve with download code
Tracklist
A1. Raxmus
A2. Bolt1
A3. Barbola Work
A4. Bolt2
A5. Psil-cosyin
B1. Chase The Manhattan
B2. Bolt3
B3. Tahr
B4. Bolt4
B5. Further Harm
C1. Nommo
C2. Bolt5
C3. Pot Noddle
C4. Bolt6
C5. End Of Time
D1. Utopian Dream
D2. Bolt7
D3. Frisbee Skip
D4. Chesh More
Label:Warp
Cat-No:WARPLP8R
Release-Date:04.08.2023
Genre:Electronic
Configuration:2LP
Barcode:5056614705591
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Last in:16.11.2023
Label:Warp
Cat-No:WARPLP8R
Release-Date:04.08.2023
Genre:Electronic
Configuration:2LP
Barcode:5056614705591
The third album in the Artificial Intelligence series, Bytes was originally released in 1993 and this reissue marks the 30th anniversary. Black Dog Productions were Ed Handley, Andy Turner and Ken Downie. For this record, Handley, Turner and Downie appear under various guises: Atypic, Balil, I.A.O, Close Up Over, Xeper, Discordian Popes and Plaid.
Exact replicas of the original editions, Album re-cut by Beau Thomas at Ten Eight Seven Mastering on classic black wax.
- Packaging Spec: Black 2LP vinyl in polylined inner sleeves in gatefold outer sleeve with download code
Tracklist
A1. Plaid - Object Orient
A2. Close Up Over - Caz
A3. Xeper - Carceres Ex Novum
B1. Atypic - Focus Mel
B2. Close Up Over - Olivine
B3. I.A.O - Clan (Mongol Hordes)
C1. Plaid - Yamemm
C2. Discordian Popes - Fight The Hits
C3. Balil - Merck
D1. Close Up Over - Jauqq
D2. Balil - 3/4 Heart More
Exact replicas of the original editions, Album re-cut by Beau Thomas at Ten Eight Seven Mastering on classic black wax.
- Packaging Spec: Black 2LP vinyl in polylined inner sleeves in gatefold outer sleeve with download code
Tracklist
A1. Plaid - Object Orient
A2. Close Up Over - Caz
A3. Xeper - Carceres Ex Novum
B1. Atypic - Focus Mel
B2. Close Up Over - Olivine
B3. I.A.O - Clan (Mongol Hordes)
C1. Plaid - Yamemm
C2. Discordian Popes - Fight The Hits
C3. Balil - Merck
D1. Close Up Over - Jauqq
D2. Balil - 3/4 Heart More
Label:Warp
Cat-No:WAP480CD
Release-Date:28.07.2023
Genre:Electronic
Configuration:CD
Barcode:5056614706666
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Label:Warp
Cat-No:WAP480CD
Release-Date:28.07.2023
Genre:Electronic
Configuration:CD
Barcode:5056614706666
1
Aphex Twin - No Title
Blackbox Life Recorder 21f / In a Room7 F760 by Aphex Twin will be released on the 28th July via Warp Records.
This is the first new music from Aphex Twin in five years.
He headlines nine festivals this summer.
Artwork by Weirdcore
- Specs: Black 12" vinyl in printed inner sleeve packed inside 6 panel fold out anamorphic diorama, download code, packed in resealable bag
Tracklisting:
A1. Blackbox Life Recorder 21f
A2. zin2 test5
AA1. in a room7 F760
AA2. Blackbox Life Recorder 22 [Parallax Mix]
More
This is the first new music from Aphex Twin in five years.
He headlines nine festivals this summer.
Artwork by Weirdcore
- Specs: Black 12" vinyl in printed inner sleeve packed inside 6 panel fold out anamorphic diorama, download code, packed in resealable bag
Tracklisting:
A1. Blackbox Life Recorder 21f
A2. zin2 test5
AA1. in a room7 F760
AA2. Blackbox Life Recorder 22 [Parallax Mix]
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Last in:12.02.2024
Label:Warp
Cat-No:WARPLP128R
Release-Date:24.02.2023
Genre:Electro
Configuration:2LP
Barcode:5056614701869
AUTECHRE EARLY LPS CONFIELD (2001) AND DRAFT 7.30 (2003) DUE FOR REISSUE ON WARP RECORDS
- Specs: Black 2LP Vinyl in printed inner sleeve in wide spine outer sleeve, download code insert.
Tracklisting:
A1. VI Scose Poise
A2. Cfern
B1. Pen Expers
B2. Sim Gishel
C1. Parhelic Triangle
C2. Bine
C3. Eidetic Casein
D1. Uviol
D2. Lentic Catachresis More
- Specs: Black 2LP Vinyl in printed inner sleeve in wide spine outer sleeve, download code insert.
Tracklisting:
A1. VI Scose Poise
A2. Cfern
B1. Pen Expers
B2. Sim Gishel
C1. Parhelic Triangle
C2. Bine
C3. Eidetic Casein
D1. Uviol
D2. Lentic Catachresis More
Label:Warp
Cat-No:WARPLP111R
Release-Date:24.02.2023
Genre:Electronic
Configuration:2LP
Barcode:5056614701937
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Cat-No:WARPLP111R
Release-Date:24.02.2023
Genre:Electronic
Configuration:2LP
Barcode:5056614701937
AUTECHRE EARLY LPS CONFIELD (2001) AND DRAFT 7.30 (2003) DUE FOR REISSUE ON WARP RECORDS
- Specs: Black 2LP vinyl in printed inner sleeves in gatefold outer sleeve with spot gloss UV, download code insert
Tracklisting:
A1. Xylin Room
A2. IV VV IV VV VIII
A3. 6IE.CR
B1. TAPR
B2. SURRIPERE
C1. Theme Of Sudden Roundabout
C2. VL AL 5
C3. P.:NTIL
D1. V-PROC
D2. Reniform Puls More
- Specs: Black 2LP vinyl in printed inner sleeves in gatefold outer sleeve with spot gloss UV, download code insert
Tracklisting:
A1. Xylin Room
A2. IV VV IV VV VIII
A3. 6IE.CR
B1. TAPR
B2. SURRIPERE
C1. Theme Of Sudden Roundabout
C2. VL AL 5
C3. P.:NTIL
D1. V-PROC
D2. Reniform Puls More
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Label:Ninja Tune
Cat-No:ZEN295
Release-Date:03.11.2023
Genre:Electronic
Configuration:2LP
Barcode:5054429174205
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Label:Ninja Tune
Cat-No:ZEN295
Release-Date:03.11.2023
Genre:Electronic
Configuration:2LP
Barcode:5054429174205
TRACKLISTING 2LP:
Side A
A1. Push Power ( a 1 )
A2. Hit That Spdiff ( b 8 )
A3. Azd Rain ( g 1 )
Side B
B1. Memory Haze ( c 1 )
B2. Game Over ( e 1 )
B3. Typewriter World ( c 8 )
Side C
C1. Its me ( g 8 )
C2. Chill ( h 2 )
C3. Green Blue Amnesia Magic Haze ( d 7 )
Side D
D1. Oway ( f 7 )
D2. M2 ( f 8 )
D3. Azifiziks ( d 8 )
D4. Pluto ( a 2 ) More
Side A
A1. Push Power ( a 1 )
A2. Hit That Spdiff ( b 8 )
A3. Azd Rain ( g 1 )
Side B
B1. Memory Haze ( c 1 )
B2. Game Over ( e 1 )
B3. Typewriter World ( c 8 )
Side C
C1. Its me ( g 8 )
C2. Chill ( h 2 )
C3. Green Blue Amnesia Magic Haze ( d 7 )
Side D
D1. Oway ( f 7 )
D2. M2 ( f 8 )
D3. Azifiziks ( d 8 )
D4. Pluto ( a 2 ) More
Label:Vibraphone Records
Cat-No:VIBR024
Release-Date:20.10.2023
Genre:House / Techno
Configuration:12"
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Last in:03.05.2024
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Last in:03.05.2024
Label:Vibraphone Records
Cat-No:VIBR024
Release-Date:20.10.2023
Genre:House / Techno
Configuration:12"
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1
49th Floor - Zamani (Body Mix)
2
49th Floor - Magic K (Magic K Dub Remix)
3
49th Floor - Zamani (Deep Mix)
4
49th Floor - Zamani (Dub Mix)
Vibraphone Records presents 49th Floor - Zamani. incl. Magic K aka Juan Atkins RMX!
It's the first new release for 49th Floor after 1992 - highy recommended! More
It's the first new release for 49th Floor after 1992 - highy recommended! More
12"
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Last in:12.12.2023
Label:Skylax
Cat-No:LAX-SE6
Release-Date:06.10.2023
Genre:House
Configuration:12"
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1
Simoncino - A1.Simoncino - Warriors Dance (Ron Trent Remix)
2
Simoncino - B1.Simoncino - Do It Again (Gene Hunt Remix)
3
Simoncino - B2.Simoncino - Mystery Girl (Merwyn of Virgo Four Mix)
4
Simoncino - B3.Simoncino - Mystery Girl (Merwyn of Virgo Four Dub Mix)
Originally released in 2011 on 2 different EPs & out of print for a long time, those 3 remixes done by the legend Chez Damier gets a re-issue. A timeless classic.
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12"
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Label:Sacred Rhythm Music
Cat-No:SORA.A01
Release-Date:20.10.2023
Configuration:12"
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Label:Sacred Rhythm Music
Cat-No:SORA.A01
Release-Date:20.10.2023
Configuration:12"
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1
Kuniyuki Takahashi / Joaquin Joe Clausse - Kuniyuki Takahashi - When We Are All Truely Free
2
Kuniyuki Takahashi / Joaquin Joe Clausse - Residue By Joaquin Joe Claussell - I Believe
An introduction to our next release that we name DOUBLE JOURNEY.
Featured When we are all truly Free composed by Kuniyuki Takahashi. Taken from the forth coming Translate Pt 2 by Joe Claussell. When we are all Free takes one on a journey into cosmic landscapes and deep though provoking sounds. Residue I Believe by Joaquin Joe Claussell of deep tech house that continues to tap into and express the darker side of Joe Claussell
SORA
It is times such as these that further supports our choice of remedy and why our pursuit to delve deeper into the creative process remains relentless and of profound importance. Due to the unfortunate and dangerous constant overlooking the special gift bestowed upon all of us by the higher power, it calls upon us to continue forward with our mission for productive change which has become ever more crucial to reach. What we're referring to isn't exactly in plain sight for all to see, but obvious enough to those who care to pay attention. However, what has become undeniably apparent to us; is the powerful moving vibration that emits from sound and art and how we connect with them. It is a higher calling that cannot be neither denied nor questioned, and we can only praise the wisdom, truth and love that they bestow upon us. Thoughts like the aforementioned is how and why SORA; an extension of Sacred Rhythm Music & Cosmic Arts, came into existence. Enjoy the Double Journey…
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Featured When we are all truly Free composed by Kuniyuki Takahashi. Taken from the forth coming Translate Pt 2 by Joe Claussell. When we are all Free takes one on a journey into cosmic landscapes and deep though provoking sounds. Residue I Believe by Joaquin Joe Claussell of deep tech house that continues to tap into and express the darker side of Joe Claussell
SORA
It is times such as these that further supports our choice of remedy and why our pursuit to delve deeper into the creative process remains relentless and of profound importance. Due to the unfortunate and dangerous constant overlooking the special gift bestowed upon all of us by the higher power, it calls upon us to continue forward with our mission for productive change which has become ever more crucial to reach. What we're referring to isn't exactly in plain sight for all to see, but obvious enough to those who care to pay attention. However, what has become undeniably apparent to us; is the powerful moving vibration that emits from sound and art and how we connect with them. It is a higher calling that cannot be neither denied nor questioned, and we can only praise the wisdom, truth and love that they bestow upon us. Thoughts like the aforementioned is how and why SORA; an extension of Sacred Rhythm Music & Cosmic Arts, came into existence. Enjoy the Double Journey…
More
Label:Dark Entries
Cat-No:DE-106
Release-Date:13.10.2023
Configuration:2LP
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Label:Dark Entries
Cat-No:DE-106
Release-Date:13.10.2023
Configuration:2LP
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1
Patrick Cowley - Cat's Eye
2
Patrick Cowley - The Jungle Dream
3
Patrick Cowley - Deep Inside You
4
Patrick Cowley - Somebody To Love Tonight
5
Patrick Cowley - Pigfoot
6
Patrick Cowley - 5oz Of Funk
7
Patrick Cowley - Don't Ask
8
Patrick Cowley - Uhura
9
Patrick Cowley - Timelink
10
Patrick Cowley - Mockingbird Dream 2
Repress!
Dark Entries and Honey Soundsystem Records have teamed up again to release another volume of gay porn soundtracks by San Francisco-based musician and producer, Patrick Cowley. “Muscle Up" is a collection of Cowley's instrumental songs recorded between 1973 and 1980 found in the Fox Studio vaults. This compilation also includes bonus compositions found in the basement of Megatone Records owner John Hedges and the attic of former bandmate Maurice Tani. More
Dark Entries and Honey Soundsystem Records have teamed up again to release another volume of gay porn soundtracks by San Francisco-based musician and producer, Patrick Cowley. “Muscle Up" is a collection of Cowley's instrumental songs recorded between 1973 and 1980 found in the Fox Studio vaults. This compilation also includes bonus compositions found in the basement of Megatone Records owner John Hedges and the attic of former bandmate Maurice Tani. More
2LP
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Label:Erased Tapes
Cat-No:ERATPLP161
Release-Date:06.10.2023
Configuration:2LP
Barcode:3700551785063
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Label:Erased Tapes
Cat-No:ERATPLP161
Release-Date:06.10.2023
Configuration:2LP
Barcode:3700551785063
Tracklist:
1.Tower of Meaning I
2.Tower of Meaning II
3.Tower of Meaning III
4.Tower of Meaning IV
5.Corky I / White Jet Set Smoke Trail I
6.Consideration
7.Tower of Meaning V
8.Tower of Meaning VI
9.Tower of Meaning VII
10.Tower of Meaning VIII
11.Tower of Meaning IX / Corky II
12.Tower of Meaning X
13.Give It to the Sky
14.Tower of Meaning XI
15.Tower of Meaning XII
16.Corky III
17.White Jet Smoke Trail II
This autumn, Erased Tapes are set to release ‘Give It to the Sky: Arthur Russell’s Tower of Meaning Expanded’ by composer and producer Peter Broderick and French 12-piece group Ensemble 0; a complete re-recording of Russell’s epic minimalist orchestral composition originally released in 1983. ‘Give It to the Sky’ also includes unreleased tracks by Russell which have been restored and re-recorded, resulting in an 80-minute reanimation that threads several lost songs into a meticulous and gorgeous rendering. The album was recorded live as a group in a small theatre in the Southwest of France with minimal overdubs.
For all its wonder and beauty, the musical output of the American cellist, composer, singer, and musical visionary also embodies irony, tragedy, and paradox. Russell famously recorded more than 1,000 hours of tape and left an otherwise-tremendous archive, now part of the New York Public Library. But before his death in 1992, Russell released just three albums under his own name. One of those was ‘Tower of Meaning’ (1983), a score commissioned for and then abandoned by a Robert Wilson production of Euripides' Medea. Composer and pianist Philip Glass helped preserve the music, at least, subsequently releasing a somewhat-thin recording on his own label of just 320 LPs.
A few years into his obsession with Russell’s work, Broderick paid $500 for one of those scant copies (it was remastered and reissued in 2006, followed by several subsequent editions). Still, he didn’t connect with that collector’s item the way he did with so much of Russell’s oeuvre. It felt a tad cold and distant, Russell’s usual tangle of intimacy and mystery perhaps lost in his frustrations with the process or maybe in the recording itself. Ensemble 0 founder Stéphane Garin realized he needed to pursue this project immediately after performing just a bit of the piece. In 2019, the group played a 25-minute chunk as a preamble to ‘Femenine’, the pulsing minimalist masterwork of Julius Eastman (a longtime Russell collaborator, Eastman conducted the initial recording of ‘Tower of Meaning’). He was struck by its splendor and subtle difficulty, the way that Russell shirked dissonance in favor of metric complexity. There was little else like it.
Garin was aware of Broderick’s stints interpreting Russell’s songs on stages and albums for the better part of a decade but also his work collaborating with Russell’s estate to restore previously unreleased tracks for the critically acclaimed album ‘Iowa Dream’ (2019). Broderick naturally did not hesitate when Ensemble 0 asked him to enlist, but he did offer a surprise: Rather than lace ‘Tower of Meaning’ with expected Russell standards, why not incorporate some of his cherished songs that had never found a home?
Early in the process, Ensemble 0 made the decision that they would not seek out Russell’s original esoteric scores, which had already been used to stage ‘Tower of Meaning’ elsewhere. They liked the fact that the recording felt unfinished, allowing them to consider what was missing and how the ever-restless Russell might have modified it over time. Ensemble 0 saxophonist Julien Pontvianne toiled over this task, scrutinizing recordings that Russell had slowed with a tape machine in order to find the melodies and undergirding arrangements.
‘Give It to the Sky’ is supple and dioramic. Pontvianne’s transcriptions add both muscle and nuance to the original recording, with a new low-end depth to balance the trebly tremble. Ensemble 0’s layers are as intricate as they are expertly rendered, the obfuscation of that rare Glass release replaced by a clarity that lets you peer inside this mesmeric music. New ideas appear, suggesting ‘Tower of Meaning’ as the scaffolding to something greater.
Ensemble 0 weave in and out of Broderick’s additions. ‘Corky’, a poignant cowboy ballad that Russell never finished, appears, disappears, and reappears three times, the droning exhalations of ‘Tower of Meaning’ making it feel sweeter and sadder. Arriving just after the triumphant halfway mark, the title track is a sublime meditation on mere existence, about staring at some simple rural scene and marcelling at the miracle of being anywhere at all. It is an apt encapsulation of how this entire project feels – a glorious way to hear something that might have seemed familiar as if for the very first time.
Russell was never much for definitive versions, of course. He was constantly rethinking the possibilities of a piece, of wondering what else it could do. ‘Give It to the Sky’ is a powerful affirmation of those principles, using Tower of Meaning’s framework to build outward and upward, to shape something that functions within Russell’s wondrous, paradoxical world. And ‘Give It to the Sky’ is also not intended to be some definitive last word. Broderick and Ensemble 0 speak already of the ways it may shift on stage, of where else it might lead.
Peter Broderick: voice, violin, acoustic guitar, drum kit
Pandora Burrus: french horn
Sylvain Chauveau: harmonium, ebow guitar, radio static
Vianney Desplantes: euphonium
Jozef Dumoulin: piano, synthesizer
Júlia Gállego Ronda: flute
Stéphane Garin: vibraphone, glockenspiel, percussion
Amélie Grould: vibraphone
Barbara Hünninger: viola da gamba
Tomoko Katsura: violin
Fanny Meteier: tuba
Lucas Pizzini: tape processing
Julien Pontvianne: tenor saxophone
Transcriptions and arrangements by Julien Pontvianne
Recorded and mixed by Lucas Pizzini
Mastered by Zino Mikorey
Lacquer cut by Jana Falcon at Schnittstelle
Design by Bernd Kuchenbeiser
Special thanks to Steve Knutson and Tom Lee
All music and lyrics written by Charles Arthur Russell Jr.
Published by Echo & Feedback Newsletter Music (ASCAP) / Domino Publishing Co. Ltd. (PRS)
Lyrics included by kind permission of the estate of Arthur Russell.
Executive Producer: Robert Raths More
1.Tower of Meaning I
2.Tower of Meaning II
3.Tower of Meaning III
4.Tower of Meaning IV
5.Corky I / White Jet Set Smoke Trail I
6.Consideration
7.Tower of Meaning V
8.Tower of Meaning VI
9.Tower of Meaning VII
10.Tower of Meaning VIII
11.Tower of Meaning IX / Corky II
12.Tower of Meaning X
13.Give It to the Sky
14.Tower of Meaning XI
15.Tower of Meaning XII
16.Corky III
17.White Jet Smoke Trail II
This autumn, Erased Tapes are set to release ‘Give It to the Sky: Arthur Russell’s Tower of Meaning Expanded’ by composer and producer Peter Broderick and French 12-piece group Ensemble 0; a complete re-recording of Russell’s epic minimalist orchestral composition originally released in 1983. ‘Give It to the Sky’ also includes unreleased tracks by Russell which have been restored and re-recorded, resulting in an 80-minute reanimation that threads several lost songs into a meticulous and gorgeous rendering. The album was recorded live as a group in a small theatre in the Southwest of France with minimal overdubs.
For all its wonder and beauty, the musical output of the American cellist, composer, singer, and musical visionary also embodies irony, tragedy, and paradox. Russell famously recorded more than 1,000 hours of tape and left an otherwise-tremendous archive, now part of the New York Public Library. But before his death in 1992, Russell released just three albums under his own name. One of those was ‘Tower of Meaning’ (1983), a score commissioned for and then abandoned by a Robert Wilson production of Euripides' Medea. Composer and pianist Philip Glass helped preserve the music, at least, subsequently releasing a somewhat-thin recording on his own label of just 320 LPs.
A few years into his obsession with Russell’s work, Broderick paid $500 for one of those scant copies (it was remastered and reissued in 2006, followed by several subsequent editions). Still, he didn’t connect with that collector’s item the way he did with so much of Russell’s oeuvre. It felt a tad cold and distant, Russell’s usual tangle of intimacy and mystery perhaps lost in his frustrations with the process or maybe in the recording itself. Ensemble 0 founder Stéphane Garin realized he needed to pursue this project immediately after performing just a bit of the piece. In 2019, the group played a 25-minute chunk as a preamble to ‘Femenine’, the pulsing minimalist masterwork of Julius Eastman (a longtime Russell collaborator, Eastman conducted the initial recording of ‘Tower of Meaning’). He was struck by its splendor and subtle difficulty, the way that Russell shirked dissonance in favor of metric complexity. There was little else like it.
Garin was aware of Broderick’s stints interpreting Russell’s songs on stages and albums for the better part of a decade but also his work collaborating with Russell’s estate to restore previously unreleased tracks for the critically acclaimed album ‘Iowa Dream’ (2019). Broderick naturally did not hesitate when Ensemble 0 asked him to enlist, but he did offer a surprise: Rather than lace ‘Tower of Meaning’ with expected Russell standards, why not incorporate some of his cherished songs that had never found a home?
Early in the process, Ensemble 0 made the decision that they would not seek out Russell’s original esoteric scores, which had already been used to stage ‘Tower of Meaning’ elsewhere. They liked the fact that the recording felt unfinished, allowing them to consider what was missing and how the ever-restless Russell might have modified it over time. Ensemble 0 saxophonist Julien Pontvianne toiled over this task, scrutinizing recordings that Russell had slowed with a tape machine in order to find the melodies and undergirding arrangements.
‘Give It to the Sky’ is supple and dioramic. Pontvianne’s transcriptions add both muscle and nuance to the original recording, with a new low-end depth to balance the trebly tremble. Ensemble 0’s layers are as intricate as they are expertly rendered, the obfuscation of that rare Glass release replaced by a clarity that lets you peer inside this mesmeric music. New ideas appear, suggesting ‘Tower of Meaning’ as the scaffolding to something greater.
Ensemble 0 weave in and out of Broderick’s additions. ‘Corky’, a poignant cowboy ballad that Russell never finished, appears, disappears, and reappears three times, the droning exhalations of ‘Tower of Meaning’ making it feel sweeter and sadder. Arriving just after the triumphant halfway mark, the title track is a sublime meditation on mere existence, about staring at some simple rural scene and marcelling at the miracle of being anywhere at all. It is an apt encapsulation of how this entire project feels – a glorious way to hear something that might have seemed familiar as if for the very first time.
Russell was never much for definitive versions, of course. He was constantly rethinking the possibilities of a piece, of wondering what else it could do. ‘Give It to the Sky’ is a powerful affirmation of those principles, using Tower of Meaning’s framework to build outward and upward, to shape something that functions within Russell’s wondrous, paradoxical world. And ‘Give It to the Sky’ is also not intended to be some definitive last word. Broderick and Ensemble 0 speak already of the ways it may shift on stage, of where else it might lead.
Peter Broderick: voice, violin, acoustic guitar, drum kit
Pandora Burrus: french horn
Sylvain Chauveau: harmonium, ebow guitar, radio static
Vianney Desplantes: euphonium
Jozef Dumoulin: piano, synthesizer
Júlia Gállego Ronda: flute
Stéphane Garin: vibraphone, glockenspiel, percussion
Amélie Grould: vibraphone
Barbara Hünninger: viola da gamba
Tomoko Katsura: violin
Fanny Meteier: tuba
Lucas Pizzini: tape processing
Julien Pontvianne: tenor saxophone
Transcriptions and arrangements by Julien Pontvianne
Recorded and mixed by Lucas Pizzini
Mastered by Zino Mikorey
Lacquer cut by Jana Falcon at Schnittstelle
Design by Bernd Kuchenbeiser
Special thanks to Steve Knutson and Tom Lee
All music and lyrics written by Charles Arthur Russell Jr.
Published by Echo & Feedback Newsletter Music (ASCAP) / Domino Publishing Co. Ltd. (PRS)
Lyrics included by kind permission of the estate of Arthur Russell.
Executive Producer: Robert Raths More
12" Excl
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Label:Public Possession
Cat-No:PP087
Release-Date:17.11.2023
Genre:Pop
Configuration:12" Excl
Barcode:4251804143943
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Last in:14.11.2023
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Label:Public Possession
Cat-No:PP087
Release-Date:17.11.2023
Genre:Pop
Configuration:12" Excl
Barcode:4251804143943
1
Eden Burns - Puzzle Loop 06:52 min
2
Eden Burns - Hopeless Beat 06:38 min
3
Eden Burns - Xoh 05:08 min
4
Eden Burns - Xoh dub 05:23 min
5
Eden Burns - 7 Loop 06:36 min
Tracklist:
A1) Puzzle Loop 06:52 min
A2) Hopeless Beat 06:38 min
B1) Xoh 05:08 min
B2) Xoh dub 05:23 min
B3) 7 Loop 06:36 min
Short info:
Eden Burns, the prophet. He who shares the fruits of his garden w/ no strings attached. All he wants:
is for you! to dance & prance.
He now returns with another instalment of the “Big Beat Manifesto”, counting Vol. VIII
„Beat moves feet. Feet do dance. Dance brings joy. Joy is life. Life is special.“
More
A1) Puzzle Loop 06:52 min
A2) Hopeless Beat 06:38 min
B1) Xoh 05:08 min
B2) Xoh dub 05:23 min
B3) 7 Loop 06:36 min
Short info:
Eden Burns, the prophet. He who shares the fruits of his garden w/ no strings attached. All he wants:
is for you! to dance & prance.
He now returns with another instalment of the “Big Beat Manifesto”, counting Vol. VIII
„Beat moves feet. Feet do dance. Dance brings joy. Joy is life. Life is special.“
More
Label:Transmigration
Cat-No:TM017
Release-Date:15.10.2023
Configuration:12"
Barcode:
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Last in:26.10.2023
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Label:Transmigration
Cat-No:TM017
Release-Date:15.10.2023
Configuration:12"
Barcode:
1
Exquisite Corpse - Honeymoon (Definitive Mix)
2
Exquisite Corpse - Calling The Quarters (Beauty Below Mix)
3
Exquisite Corpse - Outlandis (Deep Anatolian Mix)
4
Exquisite Corpse - Chalice (Secret Acid Mix)
Following up on last year's acclaimed Integration 12", Robbert Heynen unlocks his incredible back catalogue for four acidic reinterpretations from Greek maestro Anatlolian Weapons.
Proceeds of the record will be donated to Legacy of Hope foundation, an Indigenous led charitable association which educates and raises awareness about the history and on-going impacts of Canada's residential school system. More
Proceeds of the record will be donated to Legacy of Hope foundation, an Indigenous led charitable association which educates and raises awareness about the history and on-going impacts of Canada's residential school system. More
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Last in:13.02.2024
Label:Miss You
Cat-No:MISSYOU029
Release-Date:15.10.2023
Genre:Pop
Configuration:12"
Barcode:
1
Janice Walker - You'll Never Need Somebody (Original 1981 Mix)
2
Janice Walker - You'll Never Need Somebody (Disco 45 M
3
Janice Walker - You'll Never Dub Somebody
4
Janice Walker - You'll Dub (Synth Mix) - Androo
5
Janice Walker - You'll Dub (Percussion Mix) - Androo
6
Janice Walker - You'll Dub (Essential Mix) - Androo
Lovers Rock at its finest with a beautiful cover version of Merlyn Brooks' "You'll Never Need Somebody". Originally released in 1981 this release is the work of Reggae heavyweight Geoffrey Chung (who also worked on Dhaima with Phillip Michael Thomas, previously released on MISSYOU). This release features the original 7" version along with a small collection of other new mixes. On the A side, the Dub Organiser skillfully extends the original 3 minute track into a 7 and a half minute long trip along with a new "Dub" version, respectfully re-mixed from the original multitracks 40 years later. On the B-side, the mixing console is handed over to a dedicated student of Dub, the Swiss Androo who's clearly no stranger to studio work when it comes to dubby landscapes. Elegantly walking the tightrope between traditional approaches and raw experimentation with 3 new mixes, each with very unique feelings.
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Label:Dark Entries
Cat-No:DE-185
Release-Date:13.10.2023
Configuration:2LP
Barcode:
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Last in:15.05.2024
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Label:Dark Entries
Cat-No:DE-185
Release-Date:13.10.2023
Configuration:2LP
Barcode:
1
Patrick Cowley - Big Shot
2
Patrick Cowley - Surfside Sex
3
Patrick Cowley - Hot Beach
4
Patrick Cowley - The Runner
5
Patrick Cowley - Furlough
6
Patrick Cowley - One Hot Afternoon
7
Patrick Cowley - Leather Bound
8
Patrick Cowley - Bore & Stroke
9
Patrick Cowley - Cycle Tuff
Repress!
Tracklist:
Big Shot
Surfside Sex
Hot Beach
The Runner
Furlough
One Hot Afternoon
Leather Bound
Bore & Stroke
Cycle Tuff
Jungle Orchids
Take A Little Trip
Love Come Set Me Free
Dark Entries and Honey Soundsystem Records have teamed up once more to release the final volume of gay porn soundtracks by San Francisco-based musician and producer, Patrick Cowley. One of the most revolutionary and influential figures in the canon of disco, Cowley created his own brand of Hi-NRG dance music, “The San Francisco Sound.” Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco in 1971 to study at the City College of San Francisco. He founded the Electronic Music Lab at the school, where he would make experimental soundtracks by blending various types of music and adapting them to the synthesizer.
By the mid-70’s, Patrick’s synthesis techniques landed him a job composing and producing songs for disco superstar Sylvester, including hits like “You Make Me Feel (Mighty Real)”, “Dance Disco Heat” and “Stars.” This helped Patrick obtain more work as a remixer and producer. His 18-minute long remix of Donna Summer’s “I Feel Love” and his production work with edgy New Wave band Indoor Life were both of particular note. By 1981, Patrick had released a string of dance 12" singles, like “Menergy” and “Megatron Man”. He also had founded Megatone Records, the label upon which he released his debut album, “Menergy”. Around this time Patrick was hospitalized and diagnosed with an unknown illness: that which would later be called AIDS. Throughout 1982, he recorded two more Hi-NRG hits, “Do You Wanna Funk” for Sylvester, and “Right On Target” for Paul Parker, as well as a second solo album “Mind Warp”. On November 12, 1982, he passed away.
In 1979 Patrick was contacted by John Coletti, owner of famed gay porn company Fox Studio in Los Angeles. Patrick jumped on this offer and sent reels of his college compositions from the 70s to John in LA. Coletti then used a variable speed oscillator to adjust the pitch and speed of Patrick’s songs in-sync with the film scenes. The result was the VHS collections “Muscle Up” and “School Daze” released in 1979 and 1980. “Afternooners” is the third collection of Cowley’s instrumental songs, recorded in May 1982. These recordings were culled from two 23-minute reels in the Fox Studio vaults. All songs were originally untitled, so we’ve used the titles from Fox Studio’s 8mm film loops. This compilation also includes three bonus tracks found in the archives of fellow Megatone Records recording artist Paul Parker and the attic of teenage friend Lily Bartels. Influenced by Tomita, Wendy Carlos, and Giorgio Moroder, Patrick crafted a singular sound from his collection of synthesizers, percussion, modified guitars, and hand-built equipment. The listener enters a world of forbidden vices, evocative of Patrick’s time spent in the bathhouses of San Francisco. The songs on “Afternooners” reflect the advances of the equipment available at the onset of the 1980s. Cowley's unadulterated electronic forms are stripped down and dubbed up. Lush electronic percussion, soaring synthesizer riffs and low slung funk grooves comingle on these magnificent soundscapes.
Featuring 70 minutes of music never before released on vinyl. All songs have been remastered by George Horn at Fantasy Studios in Berkeley, CA. The vinyl is housed in a gatefold jacket designed by Berlin-based artist Gwenael Rattke, featuring black and white photos of Patrick in his studio that opens to a full color array of x-rated scenes from the Fox Studio vaults. Included is a fold-out poster featuring a handmade collage using photography and xeroxed graphics of classic gay porn imagery and an essay from Drew Daniel of Matmos. For Patrick’s 67th birthday, Dark Entries and Honey Soundsystem Records present a glimpse into the futuristic world of a young genius. These recordings shed a new light on the experimental side of a disco legend who was taken too soon. More
Tracklist:
Big Shot
Surfside Sex
Hot Beach
The Runner
Furlough
One Hot Afternoon
Leather Bound
Bore & Stroke
Cycle Tuff
Jungle Orchids
Take A Little Trip
Love Come Set Me Free
Dark Entries and Honey Soundsystem Records have teamed up once more to release the final volume of gay porn soundtracks by San Francisco-based musician and producer, Patrick Cowley. One of the most revolutionary and influential figures in the canon of disco, Cowley created his own brand of Hi-NRG dance music, “The San Francisco Sound.” Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco in 1971 to study at the City College of San Francisco. He founded the Electronic Music Lab at the school, where he would make experimental soundtracks by blending various types of music and adapting them to the synthesizer.
By the mid-70’s, Patrick’s synthesis techniques landed him a job composing and producing songs for disco superstar Sylvester, including hits like “You Make Me Feel (Mighty Real)”, “Dance Disco Heat” and “Stars.” This helped Patrick obtain more work as a remixer and producer. His 18-minute long remix of Donna Summer’s “I Feel Love” and his production work with edgy New Wave band Indoor Life were both of particular note. By 1981, Patrick had released a string of dance 12" singles, like “Menergy” and “Megatron Man”. He also had founded Megatone Records, the label upon which he released his debut album, “Menergy”. Around this time Patrick was hospitalized and diagnosed with an unknown illness: that which would later be called AIDS. Throughout 1982, he recorded two more Hi-NRG hits, “Do You Wanna Funk” for Sylvester, and “Right On Target” for Paul Parker, as well as a second solo album “Mind Warp”. On November 12, 1982, he passed away.
In 1979 Patrick was contacted by John Coletti, owner of famed gay porn company Fox Studio in Los Angeles. Patrick jumped on this offer and sent reels of his college compositions from the 70s to John in LA. Coletti then used a variable speed oscillator to adjust the pitch and speed of Patrick’s songs in-sync with the film scenes. The result was the VHS collections “Muscle Up” and “School Daze” released in 1979 and 1980. “Afternooners” is the third collection of Cowley’s instrumental songs, recorded in May 1982. These recordings were culled from two 23-minute reels in the Fox Studio vaults. All songs were originally untitled, so we’ve used the titles from Fox Studio’s 8mm film loops. This compilation also includes three bonus tracks found in the archives of fellow Megatone Records recording artist Paul Parker and the attic of teenage friend Lily Bartels. Influenced by Tomita, Wendy Carlos, and Giorgio Moroder, Patrick crafted a singular sound from his collection of synthesizers, percussion, modified guitars, and hand-built equipment. The listener enters a world of forbidden vices, evocative of Patrick’s time spent in the bathhouses of San Francisco. The songs on “Afternooners” reflect the advances of the equipment available at the onset of the 1980s. Cowley's unadulterated electronic forms are stripped down and dubbed up. Lush electronic percussion, soaring synthesizer riffs and low slung funk grooves comingle on these magnificent soundscapes.
Featuring 70 minutes of music never before released on vinyl. All songs have been remastered by George Horn at Fantasy Studios in Berkeley, CA. The vinyl is housed in a gatefold jacket designed by Berlin-based artist Gwenael Rattke, featuring black and white photos of Patrick in his studio that opens to a full color array of x-rated scenes from the Fox Studio vaults. Included is a fold-out poster featuring a handmade collage using photography and xeroxed graphics of classic gay porn imagery and an essay from Drew Daniel of Matmos. For Patrick’s 67th birthday, Dark Entries and Honey Soundsystem Records present a glimpse into the futuristic world of a young genius. These recordings shed a new light on the experimental side of a disco legend who was taken too soon. More
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Cat-No:ATFALP49
Release-Date:03.11.2023
Genre:World Music
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Barcode:0843563164822
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Genre:World Music
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Tracklist:
1.Yegle Nesh (Live)
2.Tizita (Live)
3.Belew Beduby (Live)
4.Anchihoye Lene (Live)
5.Abichu Nega Nega (Live)
6.Yetewat Hil (Live)
It’s been a little over ten years since Hailu Mergia re-emerged on the international music scene. Following the first in a series of his classic recordings reissued in collaboration with Awesome Tapes From Africa, Mergia assembled a band and began performing live again after many years driving a cab in Washington, DC. His first show back appeared on the front page of the New York Times along with a stellar review and he took off from there performing his flavor of Ethiopian jazz all over the world in the years since, including Radio City Music Hall and Montreal Jazz Festival.
Finally, we have a recorded document of the keyboard player’s powerful DC-based trio—which practices each weekend in his basement—featuring Kenneth Joseph on drums and Alemseged Kebede on bass. Beautifully captured at one of their fiery live shows at the venerable Brooklyn non-profit cultural center Pioneer Works on July 1, 2016, the concert was recorded by PW staff and mixed by Ted Young with mastering by ATFA’s expert audio extraction collaborator Jessica Thompson. The performance clarifies what many people across the globe already know: in his fifth decade of music-making Hailu Mergia continues to push the boundaries of his remarkable abilities.
Mergia and his veteran band energetically and playfully unpeel layer after layer of harmonic and rhythmic interest out of a spectrum of Ethiopian repertoire. Modern jazz demands constant reinvention and improvisation, night after night creating new works out of known modes and classic standards. This band is unstoppable when it comes to turning age-old melodies (like “Tizita” or “Anchihoye Lene”) upside down and inside out until they emerge as molten new works, often spontaneously. Mergia’s original compositions (like “Yegle Nesh”) shine brighter than ever here as well. Moving from keyboard to organ to accordion to melodica, he deftly switches instruments—often during the same song. Mergia at 77 years old seems to be working harder than musicians half his age.
"Pioneer Works Swing (Live)" brings into focus the kind of onstage group improvisation and deadly solo passages that reach for places Mergia and the band have never gone, on festival and club stages across four continents.
Now that Mergia has released two new recordings along with four classic reissues, he is eager to let everyone hear what he’s been doing on the road since he re-took the global stage for his victory laps. So much more than an old act from yesteryear, Mergia balances his legendary Ethiopian recordings with good old-fashioned sweat-soaked live concert triumphs such as the one we have here. More
1.Yegle Nesh (Live)
2.Tizita (Live)
3.Belew Beduby (Live)
4.Anchihoye Lene (Live)
5.Abichu Nega Nega (Live)
6.Yetewat Hil (Live)
It’s been a little over ten years since Hailu Mergia re-emerged on the international music scene. Following the first in a series of his classic recordings reissued in collaboration with Awesome Tapes From Africa, Mergia assembled a band and began performing live again after many years driving a cab in Washington, DC. His first show back appeared on the front page of the New York Times along with a stellar review and he took off from there performing his flavor of Ethiopian jazz all over the world in the years since, including Radio City Music Hall and Montreal Jazz Festival.
Finally, we have a recorded document of the keyboard player’s powerful DC-based trio—which practices each weekend in his basement—featuring Kenneth Joseph on drums and Alemseged Kebede on bass. Beautifully captured at one of their fiery live shows at the venerable Brooklyn non-profit cultural center Pioneer Works on July 1, 2016, the concert was recorded by PW staff and mixed by Ted Young with mastering by ATFA’s expert audio extraction collaborator Jessica Thompson. The performance clarifies what many people across the globe already know: in his fifth decade of music-making Hailu Mergia continues to push the boundaries of his remarkable abilities.
Mergia and his veteran band energetically and playfully unpeel layer after layer of harmonic and rhythmic interest out of a spectrum of Ethiopian repertoire. Modern jazz demands constant reinvention and improvisation, night after night creating new works out of known modes and classic standards. This band is unstoppable when it comes to turning age-old melodies (like “Tizita” or “Anchihoye Lene”) upside down and inside out until they emerge as molten new works, often spontaneously. Mergia’s original compositions (like “Yegle Nesh”) shine brighter than ever here as well. Moving from keyboard to organ to accordion to melodica, he deftly switches instruments—often during the same song. Mergia at 77 years old seems to be working harder than musicians half his age.
"Pioneer Works Swing (Live)" brings into focus the kind of onstage group improvisation and deadly solo passages that reach for places Mergia and the band have never gone, on festival and club stages across four continents.
Now that Mergia has released two new recordings along with four classic reissues, he is eager to let everyone hear what he’s been doing on the road since he re-took the global stage for his victory laps. So much more than an old act from yesteryear, Mergia balances his legendary Ethiopian recordings with good old-fashioned sweat-soaked live concert triumphs such as the one we have here. More
2LP Excl
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Label:Because Music
Cat-No:BEC5613166
Release-Date:08.12.2023
Genre:House
Configuration:2LP Excl
Barcode:5056556131663
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Last in:06.11.2023
Label:Because Music
Cat-No:BEC5613166
Release-Date:08.12.2023
Genre:House
Configuration:2LP Excl
Barcode:5056556131663
Rights : World excluding Fr & UK
Packaging: 2x Solid White Vinyl, Gatefold Sleeve, 2 x heavy weight printed inner, marketing sticker
VINYL TRACKLISTING
A 1. WATERJUMP / A2. FREEFLOATING / A3. NAIVE RESPONSE
B 1. DRONE LOGIC / B2. THESE NIGHTS NEVER END / B3. PLATFORM ZERO
C1. NEED ELECTRIC / C2. ALL I NEED / C3. SPRING 27
D1. SIMULREC / D2. NO ENERGY / D3. KNOWING WE'LL BE THERE
SHORT INFOS
This year marks 10 years of Daniel Avery ' s seminal masterpiece debut "Drone Logic" which was originally released October 7th 2013 and will be reissued by Phantasy & Because Music as first time ever limited Double Colored Vinyl.
QUOTES FROM ORIGINAL ALBUM RELEASE
The Guardian - A superb debut album 4/5 Time Out A great debut
4/5 Mojo Master of the slow build and unexpected twist..a compelling debut
8.5/10 DJ - Potent stuff 4/5 Q A future underground superstar
8/10 Uncut This is a techno album that seldom sags 8/10 NME - In a league of its own
9/10 Mixmag One of the best of 2013 Pitchfork - Avery owns this space
Resident Advisor - Underground dance music with this much ambition hasn't been heard in quite a while
BIOG FROM 2013
The 12 track album was written and produced since the turn of 2013 and mixed with Erol Alkan at 'The Phantasy Sound', the label's own studio in London. A difficult trick to master but like Carl Craig's 'More Songs About Food And Revolutionary Art', Plastikman's 'Consumed' or more recently the work of Four Tet, the album works as a cohesive whole rather than a disparate collection of tracks. Innovative and forward thinking, Drone Logic manages to draw influences from beyond the dancefloor via My Bloody Valentine, NEU! and Chris Carter while still having the techno pulse to scale the walls of any club. The wide array of plaudits and early adopters of Avery's music is proof of this, ranging from acid house legends like The Chemical Brothers, Andrew Weatherall and Richie Hawtin to the best of the new breed in Maya Jane Coles, James Holden and Factory Floor.
Firmly established as one of the UK's most exciting new DJ / producers having cut his teeth in Weatherall's Shoreditch studio bunker, Drone Logic follows up Avery's universally acclaimed mix CD for London clubbing institution Fabric where he remains a resident, recent remixes for Primal Scream, The Horrors & Django Django and last year's Need Electric and Water Jump EPs on Alkan's Phantasy label. This summer sees him play at Bestival, Festival No.6 and the Green Man festival.
"The one thing I knew was that I wanted this record to be a trip. All my favourite artists and DJs, they take the audience with them when they play; people lock into their world for a few hours and can't easily step out again. You're with them for the ride. When I go out, I want to give myself up to music. That was the idea for the album."
If the main motivation whilst making Drone Logic was to take the listener on a hi-fidelity trip for the duration of his debut album, then Daniel Avery has emphatically succeeded. From Water Jump's hypnotic pulse and punch through to the crystalline click of closer Knowing We'll Be Here via the title track's elemental acid swirl and New Energy's take on Neon Lights relocated to a post-midnight cab ride through London, Avery's debut pushes and pulls at the senses and blurs the boundaries between dancefloor and home listening experience. Thoroughly modern, utterly 'now', it's a record that justifies Andrew Weatherall's selection of Avery as 'one to watch' in Time Out - adding that he that made "gimmick-free machine-funk of the highest order". Drone Logic is indeed that: an album confident enough to sit comfortably next to the genre's classics.
"Although I wanted to make something very current, something that could only have been made in 2013 - I found myself going back to records like the Chemical Brothers' Surrender and Dig Your Own Hole as well as albums by Four Tet and Underworld. Records with a real dynamic; records that take you with them. None of those albums sound like 'computer music'. That was definitely something I wanted to avoid. I wanted the album to have a real life to it; it needed to be much more than just a bloke in a bedroom on a laptop making tracks."
Sonically, Drone Logic doesn't really fit expected templates of what a dance record in 2013 should sound like. There are no set piece vocals; when voices emerge on tracks, they are invariably disembodied, odd. And as distortion whips across techno-based backing tracks, it splices modern club music with the kind of sounds that forward thinking guitar bands might conjure up. The result is wholly compelling, gloriously transcendent and, yes, trippy. And much like Avery's lauded FABRICLIVE 66 compilation, Drone Logic follows the path of a precision DJ set.
More
Packaging: 2x Solid White Vinyl, Gatefold Sleeve, 2 x heavy weight printed inner, marketing sticker
VINYL TRACKLISTING
A 1. WATERJUMP / A2. FREEFLOATING / A3. NAIVE RESPONSE
B 1. DRONE LOGIC / B2. THESE NIGHTS NEVER END / B3. PLATFORM ZERO
C1. NEED ELECTRIC / C2. ALL I NEED / C3. SPRING 27
D1. SIMULREC / D2. NO ENERGY / D3. KNOWING WE'LL BE THERE
SHORT INFOS
This year marks 10 years of Daniel Avery ' s seminal masterpiece debut "Drone Logic" which was originally released October 7th 2013 and will be reissued by Phantasy & Because Music as first time ever limited Double Colored Vinyl.
QUOTES FROM ORIGINAL ALBUM RELEASE
The Guardian - A superb debut album 4/5 Time Out A great debut
4/5 Mojo Master of the slow build and unexpected twist..a compelling debut
8.5/10 DJ - Potent stuff 4/5 Q A future underground superstar
8/10 Uncut This is a techno album that seldom sags 8/10 NME - In a league of its own
9/10 Mixmag One of the best of 2013 Pitchfork - Avery owns this space
Resident Advisor - Underground dance music with this much ambition hasn't been heard in quite a while
BIOG FROM 2013
The 12 track album was written and produced since the turn of 2013 and mixed with Erol Alkan at 'The Phantasy Sound', the label's own studio in London. A difficult trick to master but like Carl Craig's 'More Songs About Food And Revolutionary Art', Plastikman's 'Consumed' or more recently the work of Four Tet, the album works as a cohesive whole rather than a disparate collection of tracks. Innovative and forward thinking, Drone Logic manages to draw influences from beyond the dancefloor via My Bloody Valentine, NEU! and Chris Carter while still having the techno pulse to scale the walls of any club. The wide array of plaudits and early adopters of Avery's music is proof of this, ranging from acid house legends like The Chemical Brothers, Andrew Weatherall and Richie Hawtin to the best of the new breed in Maya Jane Coles, James Holden and Factory Floor.
Firmly established as one of the UK's most exciting new DJ / producers having cut his teeth in Weatherall's Shoreditch studio bunker, Drone Logic follows up Avery's universally acclaimed mix CD for London clubbing institution Fabric where he remains a resident, recent remixes for Primal Scream, The Horrors & Django Django and last year's Need Electric and Water Jump EPs on Alkan's Phantasy label. This summer sees him play at Bestival, Festival No.6 and the Green Man festival.
"The one thing I knew was that I wanted this record to be a trip. All my favourite artists and DJs, they take the audience with them when they play; people lock into their world for a few hours and can't easily step out again. You're with them for the ride. When I go out, I want to give myself up to music. That was the idea for the album."
If the main motivation whilst making Drone Logic was to take the listener on a hi-fidelity trip for the duration of his debut album, then Daniel Avery has emphatically succeeded. From Water Jump's hypnotic pulse and punch through to the crystalline click of closer Knowing We'll Be Here via the title track's elemental acid swirl and New Energy's take on Neon Lights relocated to a post-midnight cab ride through London, Avery's debut pushes and pulls at the senses and blurs the boundaries between dancefloor and home listening experience. Thoroughly modern, utterly 'now', it's a record that justifies Andrew Weatherall's selection of Avery as 'one to watch' in Time Out - adding that he that made "gimmick-free machine-funk of the highest order". Drone Logic is indeed that: an album confident enough to sit comfortably next to the genre's classics.
"Although I wanted to make something very current, something that could only have been made in 2013 - I found myself going back to records like the Chemical Brothers' Surrender and Dig Your Own Hole as well as albums by Four Tet and Underworld. Records with a real dynamic; records that take you with them. None of those albums sound like 'computer music'. That was definitely something I wanted to avoid. I wanted the album to have a real life to it; it needed to be much more than just a bloke in a bedroom on a laptop making tracks."
Sonically, Drone Logic doesn't really fit expected templates of what a dance record in 2013 should sound like. There are no set piece vocals; when voices emerge on tracks, they are invariably disembodied, odd. And as distortion whips across techno-based backing tracks, it splices modern club music with the kind of sounds that forward thinking guitar bands might conjure up. The result is wholly compelling, gloriously transcendent and, yes, trippy. And much like Avery's lauded FABRICLIVE 66 compilation, Drone Logic follows the path of a precision DJ set.
More