Unlike Julie's debut "Flowers and Candles", which she released alone at the age of 15, this album now involved more than a dozen musicians, including a string quartet and a brass section. Nevertheless, Julie still penned all the songs. The elaborate production of the album was made possible by the Frankfurt label Jazz Montez Records and thanks to a generous grant from Initiative Musik. For the first time in the history of this artist funding program by the German government, the application of a musician under the age of 18 was successful.

1. July
2. Lonely Freaks
3. Angel Boy
4. Nostalgic Bones
5.The Way You See Me
6. Snooze
7. Are You Disappointed?
8. Ciara
9. Angel Boy - Strings Version
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Tracklist:

A Side:
1. Marko Mebus Quintett - Movement - 05:22
2. Conic Rose - Babyghosts - 03:59
3. Moses Yoofee Trio - Neerg & Der - 06:21
4. Bokoya - Summer of Love / White '67 - 04:07

B Side:
1. Wanubalé - Breaki - 06:17
2. Linntett feat. Laura Totenhagen - Earth - 06:52
3. Blue Lion feat. Lina Knörr & Tony Lakatos - After - 04:04


Jazz Montez is a music collective from Frankfurt, Germany dedicated to spreading the gospel of jazz throughout the universe. To them, jazz does not describe a particular style of music but an attitude, mindset and an approach to art and life that can manifest itself in a variety of ways. For their first vinyl release, they invited seven of the most talented and ambitious young groups from all over Germany to Frankfurt to record a track in the renowned studio Lotte Lindenberg. Despite the band's various influences, ranging from classic jazz, afrobeat and funk to hip hop, electronic music and rock, "Jazz Montez Presents Vol. I", mixed in its entirety by Drum&Bass legend Kabuki, works as a cohesive album. Pressed on high quality 180g vinyl, the record comes packaged in a beautiful and eco-friendly bagasse gatefold cover, designed by artist Clara Sipf. It features a 20 page booklet that includes a comic on the making of the album, texts by and information on the participating musicians, an interview with the sound engineers and an essay on the contemporary relevance of jazz. May this record inspire us to go through life guided by a spirit of open-mindedness and collaboration so that we may create a better, healthier and more beautiful world.



Special remarks :

Gatefold Vinyl LP + Booklet

-High quality 180g vinyl
-Eco-friendly bagasse cover and 20 page booklet
-Featuring illustrations by artist Clara Sipf
-Booklet includes comic on the making of the record, an essay on the contemporary relevance of jazz, texts by and information on all of the participating bands and an interview with the record's sound engineers
-Download link upon request
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Rights: World excluding FR, UK, US, Belgium & Netherlands

2 x 140 G Black Vinyl, 5mm spine printed Sleeve, 2 x Black Dust Inner Sleeve, 2 page 30cmx30cm printed insert, sticker

BIOG
“sweet, moreish and deliciously unpredictable” - The Guardian
“striking, playful electro pop with a sly sense of humor” - Pitchfork
“Delightfully (Deliberately) Absurd” - Vogue
“A deeply sardonic salvo that, in a better world, would annihilate mansplaining once and for all." - The New York Times on Thank You

Today sees Belgian-Caribbean provocateur Charlotte Adigéry and her long-term musical partner, Bolis Pupul announce their debut album Topical Dancer, due for release on March 4 2022 via Soulwax’s iconic label DEEWEE.
Cultural appropriation. Misogyny and racism. Social media vanity. Post-colonialism and political correctness. These are not talking points that you’d ordinarily hear on the dancefloor but Charlotte Adigéry and Bolis Pupul are ripping up the rulebook with their debut album Topical Dancer. The Ghent-based duo, who broke out with their 2019 Zandoli EP, are rare storytellers in electronic music: they take the temperature of the time and funnel them into their playful synth concoctions – never didactic and always with a knowing wink.

Their debut studio record – which cements them as a duo under both their names for the first time and is co-written and co-produced by Soulwax – is both a triumph of kaleidoscopic electro-pop and “a snapshot of how we think about pop culture in the 2020s.” It captures Charlotte and Bolis’s essence as musical collaborators and the conversations they’ve had over the past two years on tour, as well as their perspectives as Belgians with an immigrant background, Charlotte with Guadeloupean and French-Martinique ancestry and Bolis being of Chinese descent.

Beyond the album’s thematic heft, Topical Dancer reflects Charlotte and Bolis’s idiosyncratic sound: it’s thoughtful but it bangs. Their take on familiar genres is always off-kilter; songs sound undone or a little wonky; but these are nocturnal heaters to make the club throb. “We like to fuck things up a bit,” laughs Bolis. “We cringe when we feel like we're making something that already exists, so we're always looking for things to combine to make it sound not like a pop song, not like an R&B song, not a techno song. We’re always putting different worlds together. Charlotte and I get bored when things get too predictable.”

Topical Dancer is fizzing with ideas – there’s certainly no filler among its 13 tracks. But above all, perhaps, it has a restlessness, a desire not to be boxed in and to escape others’ narrow perceptions of who they are. It’s summarised by the refrain of their new single, ‘Blenda’: “Don’t sound like what I look like / Don’t look like what I sound like.” “One thing that always comes up,” says Bolis, “is that people perceive me as the producer, and Charlotte as just a singer. Or that being a Black artist means you should be making ‘urban’ music. Those kinds of boxes don’t feel good to us.”

‘Blenda’ in particular references how “I am a product of colonialism,” says Charlotte, “and I feel guilty for taking up space in a white country.” The song was inspired in part by Reni Eddo-Lodge’s book Why I’m Not Longer Talking To White People About Race. “It talks about the colonial past and post-colonial present in the UK,” Charlotte continues, “but that isn’t merely a British or American problem, Belgium is part of that as well.” She says that her home country is likewise “oblivious to a big part of its history” which “results in general ignorance and a lack of understanding and empathy towards Belgian inhabitants of immigrant descent.”

On Topical Dancer, it’s less about finger pointing or being dogmatic about all the things they speak about. It’s about emancipation through humour. “I don’t want to feel this heaviness on me,” says Charlotte. “These aren’t my crosses to bear. Topical Dancer is my way of freeing myself of these issues. And of having fun.”

TRACKLIST

LP
VINYLE 1
FACE A
1. BEL DEEWEE 2. ESPERANTO 3. BLENDA 4. HEY
FACE B
1. IT HIT ME 2. ICH MWEN (WITH CHRISTIANE ADIGERY 3. REAPPROPRIATE

VINYL 2
FACE C
1. CECI N’EST PAS UN CLICHE 2. HUILE SMISSE 3. MANTRA
FACE D
1. MAKING SENSE STOP 2. HAHA 3. THANK YOU













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2022 Repress

Touched by the hand of Todd...Drumroll, please…New 12-Inch with original productions since…Ragysh, Bonysh and Snooze 4 Love...First edition comes in super nice recycling sleeves, second edition in not so nice sleeves... Trans dance from the Norwegian Chief inspector that is Todd Terje…Greatysh hypnotism, properysh beats and a lovelysh Terjerine dream to round it all off…Vinyl contains some hidden tracks and extra elements… Cannot stop listening to it… …Touched by the hand of Todd…

Tracklisting:
A: Ragysh
B1: Snooze 4 Love
B2: Bonysh
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Tracklist 12":
A) Judge Not (Ray Mang Special Mix) 7:57
B1) Judge Not (Ray Mang Instrumental Mix) 7:18
B2) Judge Not (Ray Mang Reprise) 5:18

Gospelhouse from heaven! Yes - this is a very special record: NYC‘s Phenomenal Handclap Band meets London’s Ray Mang - the psychedelic soul disciples meet the disco champ by way of remix.
Ray Mang is a hero to fans of underground disco: remixer, collector, producer, DJ - he is part of that magic circle of London DJ connoisseurs around DJ Harvey. He has the magic disco touch, and has applied it to great effect to PHB’s "Judge Not". He did a fresh, new take on house-heavy gospel disco that is sure to fill any dancefloor. Try it!

For those who don't know New York's almost legendary band: The Phenomenal Handclap Band is led by producer Daniel Collás, and consists of some of New York's finest new soul & disco musicians. Some of them used to play in the Amy Winehouse band and others can be heard on some of Mark Ronson's productions. Their biggest moment was when they released their single "15 to 20" some years ago (on Gomma Records) and Paul McCartney wrote them a letter about how much he loved that song when he heard it on BBC Radio 1.

On "Judge Not" they come up with dazzling piano lines, a deep rare funk rhythm section, and a street corner gospel choir that brings you to your feet.

Ray Mang heard the original version of this song and was hyped to become involved in the remix, and the pairing is complementary to say the least.
Many of you know PHB from their collaborations with such luminaries as Peaches or Marcos Valle or Bryan Ferry, a prime appearance at the Glastonbury Festival, and direct support on Bryan Ferry’s US tour.
The group is currently finishing a new album.

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Tracklist

A1-FEZ
A2-QAM
B1-TSC
B2-SEZ

Release Info:
In the constant state of flux that house and techno are in since their inception, Berlin’s Sascha Funke is at once a fixture and an emblem of the city’s transformations. Probably best-known for his work on BPitch, Kompakt or the evergreen MZ, Funke’s EP for Running Back is an amalgamation of sounds, influences and atmospheres. Subdued rave euphoria, robotic disco-influenced techno-pop and hints of Berlin’s long gone „Dubmission“ party ethics get re-arranged, extracted and reconfigured with „German engineering“ values.
Take the ritual QAM for instance. Using a sample and the legendary morse melody of the weather forecast at the end of each „Tagesschau“ and putting it in a completely different context, is a prime example of a free-form approach to making music and making nostalgia future-proof.
That also holds true for the rest of the EP. While titles like FEZ (Freizeit- und Erholungszentrum) or SEZ (Sport- und Erholungszentrum) refer to lost places in East Berlin, the tracks are anything but. Yearning, precisely programmed and full of joie de vivre at the same time, they all lock into and complement each other. So much, that you will find a new favorite with every listen.





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Repress

Tracklist 2x12":

A1) Ponty Mython - Slippin' Into Darkness (5:35)
A2) Zhut & Kapote - Afro Rico (2020 Version) (5:24)
A3) WhoMadeWho - Keep Me In My Plane (DJ Koze Remix) (7:03)
B1) Munk - Nigerian Jam (6:20)
B2) Jad & The - Gervinho (5:05)
B3) Hyenah feat. Kissey – Fire (6:41)
C1) The Deadstock 33s - The Circular Path (Asphodells Remix) (5:02)
C2) Daniel Haaksman ft. Spoek Mathambo - Akabongi (Kapote Remix) (2020 Version) (5:07)
C3) Daniel Avery & The Deadstock 33s - Eric Zann Revisited (6:06)
C4) Baldelli - Phobos (2020 Version) (2:28)
D1) Munk & Rebolledo - Surf Smurf (5:59)
D2) Auntie Flo feat. Samuel Nalangirla - Kampala Boda Boda Ride (4:51)
D3) Drrtyhaze - Hey Mama (5:57)


The MUSHROOM HOUSE compilation is a collection of balearic, afro and cosmic tracks that have been released on Toy Tonics EPs over the last 5 years. Original tracks and remixes by friends of the label: Auntie Flo, Rebolledo, Hyenah, Daniel Avery, WhoMadeWho & DJ Koze, Munk … and there is also legendary italian cosmic DJ Baldelli featured.
All these tracks are exclusively produced for Toy Tonics. A few had been already released before on Gomma records. The now sleeping indie-electronica label that was the „mother“ of Toy Tonics. It’s fun to see that these tracks seem not to get old. They sound still fresh and ace. Like the DJ Koze remix of WhoMadeWho or Munk’s Nigerian Jam. Now they all come together on double vinyl. Vinyl comes Including the new 60 page TOY TONICS MAGAZINE no 1.

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Limited Deluxe Double coloured 2LP+ 1CD Initial Release Edition - Ed Banger EDLP2016-1
(Disc 1 is translucent red, disc 2 is translucent blue) in gatefold with printed inner-sleeves and printred Inides of all 4 Sleeves)

Tracklist LP:

A1. Back For More / A2. Arrested / A3. The Sweetest Romance
B1. 2Good4Me / B2. My Toy / B3. Get Lost
C1. Turning Around / C2. Man Without Shadow / C3. All It Takes
D1. Wet Dream / D2. Too Soon / D3. In Return / D4. Still Waters

Short info:

In 2016, the new Breakbot version "one plus one" (Breakbot + Irfane) will release a second album, Still Waters, a new assortment of southern sunrays, with swinging images of dancefloors filled with guys in flowing trousers and bare-shouldered young girls. For this occasion, Breakbot and Irfane followed a well-oiled formula. They each cook-up outlines of rhythms and melodies that the two boys then modify, complete and prolong to reach a final draft. For Still Waters, which also contains 13 tracks, Breakbot have nonetheless tried out a few new moves: unlike the previous album, this one is more of a matrix with intricate workmanship, carved out with the help of old analogue machines rather than softwares. Some of these tracks were also happy accidents from improvisation sessions, ricochets of voices and chords born of old-school jamming sessions. Thirteen bouncy acts with Stevie Wonder and the Motown crowd in the background, spouts of funk and disco on a well-trodden dancefloor. Crafty ideas whipped-up in a vintage outfit with techno vibes and futuristic accelerations creating a perfectly current soundtrack. Tomorrow's retro.
With Still Waters, Breakbot introduces its new head along with a new uniform. With the help of art director Philippe Jarrigeon, the guy wearing short shorts and knee-high socks has become a character in a cocktail coloured costume, like a Florida prince. Image on music.
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"I have such vivid memories of the early 90s when everyone in our community couldn't stop talking about that
incredible movement called "La Ruta del Bacalao" or simply "La Ruta." My brother was a regular on the Ruta,
and I can still feel the excitement when he brought home those tapes after a wild "destroy" weekend. Those
AC/TV, Spook Factory, and Spiral cassettes became my ultimate soundtrack back then, and they were probably
my first taste of electronic music."
Words by Dj Katah aka Moon & Mann born and raised in Alicante.
Now, for our next release, we wanted to pay homage to the dance music of those magical early 90s, particularly
that bustling and influential scene that inspired DJs all around the world.
We've got Jaisiel, Tech Support, Trepanado, and Clap Kent taking charge, delivering 4 amazing edits that will
transport us right back to that golden era of electronic music in Spain "Lar Ruta del Bacalao". Get ready to
dance and let the nostalgia wash over you!

A1) Jaisiel - Timeless
A2) Trepanado - Abrir Fogo
B1) Tech Support - Dream Space
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Tracklist

A1. Life
B1. Nation

Release Info:
Turkish-Italian multi-instrumentalist and rising music icon Carlita joins forces with German DJ and production duo Andhim to release their debut EP ‘Life’.



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Track list:
A - Go Go Go
B - We Go Home
Release Info:
It's a great pleasure to welcome back Waze & Odyssey to the label, since their first
"Please don't Dance" EP on Dirt Crew wich was released in early 2013 and that featured
an excellent "Detroit Swindle" remix botht duo's have had a massive rise and impact on
the underground House scene worldwide. Waze & Odyssey have also had killer releases
on their own imprint "W&O Street tracks" and with their latest "On the Downlow" single
they stormed the dancefloors and major radio playlists.

Waze & Odyssey is best know for their straight up bangin' House cutz and with these
two tracks you get exactly that! "Go Go Go" is a filterred House banger that takes us
back to the early Chicago and French House productions from the mid 90's.

On the other side of this fine 10" the deeper and more electrofied "We Go Home" delivers
some nasty breakdowns and with it's manic pitched and ascending lead sound it should shake
and stir your brain to get your feet moving for sure.

Pure dance floor action with these two new Waze & Odyssey tracks!


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limited to 500 copies

Tracklist:
A1 - Magic Rhythm Machine
A2 - JFK Disco Dub
B1 - Real To Real
B2 - Gotta Serve Somebody

Release Info:
New York flavoured edits by Jacques Renault in NeighbourSoul Rhythms’ third reference
Top house tunes and a lot of funk. This is how NeighbourSoul Rhythms’ third instalment of edits sound. This time under the stamp of Jacques Renault -currently resident in New York- NBS003 follows in the wake of its predecessor: 4 cuts direct to the dance floor, now cooked with special Brooklyn ingredients.
In NeighborSoul Edits Vol. 2, Renault, old acquaintance and emblem of the North American house scene, dusts off his art of sampling in 4 tracks that take a look back at a time in the America of discotheques, guitar riffs of funk and most importantly, dance.
4 edits from the late 70s and early 80s that confirm the label’s taste towards the oldfashioned sound born in the American continent. The EP begins with 'Magic Rhythm Machine', a true 70s disco banger and a prelude to what precedes it on the same side, 'JFK Disco Dub': a megafunk cut to be played at late
night hours. The B-side wanders between softer and more elegant sounds. Like ‘Real To Real’ (B1), with that fine and subtle touch of elegance of the North American master; or the B2, ‘Gotta Serve Somebody’, a slow closure, Groovy as hell and a fine line of acid cooked at low revs.


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12"

A1. Rocks (Robert Dietz Bling Bling Mix) – A2. Purple Skies (D. Tiff's Plush Vocal)
– B1. Marathon (Paradise Alley Version) – B2. Baltzar (Butch Remix)

Dance floor ready remixes of selected tracks from Kornél Kovács' Stockholm Marathon album.
Robert Dietz sending Rocks on a trance trip, D. Tiffany getting all deep & bubbbly with Purple
Skies. Paradise Alley perform their sing-along cover version of Marathon, Butch butchers Baltzar More