2021 Repress

Outstanding new tracks by London based icon Baby Ford. As usual, made for eternity!
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Format: 2x12“LP

Tracklist:
A1 POSITIVES
A2 ONE AND OLLAM
B1 NONPLUS
B2 PERFECT STORM
C1 LIGHT TRAIN
C2 LIGHT TOWER
C3 NOVEMBERME
D1 SOMEWHERE
D2 AFTER LAUGHTER


Release Info:

A matter of pace, an analog memory…
Feel safe: like newborn, take your first careful steps on a clean slate while Maayan is your supervisor. Naïve and happy, you leave carbonbon footprints on your way into the positives. Then a faster pace: some tribal folk music from a tiny world, where people dance around an LED fire, commands a gallop to the one and ollam. Latinfection guaranteed.
Your nonplus motion interferes with environmental geometry. A memory from an analog past flashes like a daydream. Upward and rising, your smile workout succeeds while scintillating waves say “hello!”. Having grown up to a motorik being, the determined goal however never appears. The journey into a perfect storm is the reward. Maayan sends you some motivating words.
Then have a break and jump on the light train of thoughts to enjoy blurred reflections: on the water and in your mind. Sing your body beautiful and free. Words come in bubbles, a heart-throb away from a light tower. Feel like stumbling into new adventures on a pathless terrain.
Slowly and cautious, the novemberme, which is the one that approaches dawn, celebrates tristesse with a funny accent. Kick the blues with a beat. Somewhere lost but regenerated, find sisyphos’ generator of vitality. A nascent religious mood at the Autobahn service station fades into the fog.
Finally, the circle of pace is almost closed. After laughter of amazement, Maayan leaves you with a soothing mantra of confidence: an everyday ritual fun you should indulge yourself in. It comes in waves.
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2021 Repress

After constributing a superb remix for Ricardo last year (PERL69-1), we are happy to announce the first solo 12" from mister Proper for Perlon. San, who's based in Amsterdam, is also responsible for the "A'dam Family Series", five 12" that were released through "Rush Hour Recordings" in 2007. His song "Magnificent Speech Funk" got remixed by Laurent Garnier in 2008-
So let's keep it raw, as San propose. More

Format Notes:
2023 first-time 2x12" 140g vinyl reissue, remastered by Simon Francis from the original tapes


Territories:
Worldwide no restrictions

Track List:

A Call A Wave (DFC Dance Mix) 7:44
--
B Call A Wave (Breakdown Mix) 6:13
--
C Call A Wave (Orbital Mix) 6:05
--
D1 Call A Wave (Return To The Deep Ambient Mix) 4:38
D2 Call A Wave (New Age Mix) 3:39

Release Notes:

"Siri, what's 'Balearic'?"

Be With present the first ever reissue of the ultra rare double pack DJ promo of Malcolm McLaren & Bootzilla Orchestra's "Call A Wave". Originally slipping out in 1989 to a select few, there were rumoured to be only ever 300 copies pressed. Indeed, the entire package never got a proper release and now goes for a small fortune.

Say what? Bootsy Collins, Jeff Beck and Malcolm McLaren, all in one band, composing over a Barry White sample? And that's just the original. But you can forget about that for now. Here we have the incredibly sought-after "DFC Dance Mix", mixed by Massimino Lippoli of Morenas / Sueño Latino fame for the legendary DFC Italy. It's a throbbing, vital, dramatic slice of dreamy ambient house. A deep, entrancing track that's both blissful and dancefloor dynamite. It features the iconic, disaffected female vocal chopped up over elegant piano snatches, Beck's ace guitar stylings over rolling, heavy drums and a killer, hypnotic bassline with sparkling harp coming and going. It's exotic, otherworldly and brimming with that very special late 80s/early 90s Mediterranean vibe. Yes, it's Balearic, it's House. Above all else, it's a pure uncut slice of halcyon summer days, pressed on wax.

But on side B we also have the mesmeric "Breakdown Mix", again mixed by DFC Italy. For some, *this* is the mix to have - and who are we to argue? This time, the vocals are treated so they're uttered backwards, contributing to the wonderfully disorienting magic of this particular mix.

And how could we forget the equally iconic "Orbital Mix"? Not by the actual group Orbital, but courtesy of S'Express's Mark Moore & William Orbit, no less. A brilliant, beautiful remix that's perhaps more musical. They make more obvious use of the sample from the original Barry White track ("I'm Gonna Love You Just a Little More Baby") that Malcolm was inspired by. Flip over to Side D to find the duo's uber-horizontal "Return To The Deep Ambient Mix", a floaty, beatless gem that'll leave you swooning.

To round out this quite astonishing package, the "New Age Mix", again coming from the DFC Italy camp, elegantly sends us off into the cosmos with minimal percussion and maximum vibes.

Every mix on this DJ double pack is truly killer. Simon Francis remastered the original audio for this release and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 2x12" well and truly pumps. The immaculate Record Industry pressing will ensure this incredibly sought-after masterpiece finds a home in many more DJ boxes this and every summer. For the artwork, we've recreated the original DJ promo, a plain white gatefold sleeve complete with the iconic burnt orange hype sticker. Hold tight. Roof down, tops off.
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2x12"
Wareika invite us to their „Harmonie Park“, a place created by the love of improvisation. At the park, poles have shifted already! Florian Schirmacher, Jakob Seidensticker and Henrik Raabe, all full-time musicians, tuned their instruments to introduce us to this parallel universe. It.s about the various possible perceptions of one single moment. Loops and sequences, subjected to virtual tempo changes, without leaving the Bpm scale. In the park, everything is always in the flow. Jazz / Techno / Funk / House, all elements that appear / dissapear throughout the composition. Wareika manage to bring all this together effortlessly, without even thinking in those categories. The deeper you get into the park, the more you get absorbed by the dynamics of interlaced, polyrhythmic modulations. Luckily the groove acts like the park ranger, showing you around while
taking care no one gets lost in hypnotic structures waiting on the way. At the end, this pulsating soundcluster leads into the great river named bassline, leaving us quite harmonized..... !! This release comes in a special format !! We made „Harmonie Park“ available in 4 parts on 2x12“ Vinyl. More

2021 REPRESS More

Tracklisting:
A1 DUST AND DIRT
A2 DIE SONNE INNERE
B1 ACID KISS
B2 IN A LAIR OF MY OTHER
C1 OCTAFACE
C2 KÖNIGIN VON SABA
D1 FOREVER PRESENT
D2 NEWS FROM EAST


Info:
Get ready and prepared for a very exclusive visit: Maayan Nidam welcomes you to the inauguration of a place that feels exactly like you want it to be, in every moment, with every movement, it just adapts to your preferences. Her sonic realm is an elastic and exotic wonderland, full of cozy challenges for feverish dancers, acrobat time travellers, shady lounges and lovers of small, clandestine gestures. It is a realm with many different angles and a wide perspective that opens the zone so one can marvel at its arcane resonance.

Lost in space and time, sounds from far away come together before your very inner eye to caress each other like they have never met before but ever belonged together. They form up to tonal episodes that tell stories of sublime darkness, sneaky affection, mystery and magic, dream destinations, and the wisdom of sound. They provoke the awakening of a drama that takes twists and turns to express all facets of sweetness and danger. Falling into a void of pleasure, the mindset feels soft and warm and thick like a forgotten layer of your favourite, padded memory. Time to feel comfortable and alert.

Welcome to Maayan Nidam's realm of Tech Blues Noir.
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Territory: WORLD

FORMAT 12” 180g vinyl, printed labels,
A4 printed inlay 170gsm, dl code,
black innersleeve, white outersleeve

TRACKLIST

A. Maintain 04:56
B. The Golden Ratio (Version) 04:43

INFO

Cybotron has re-emerged in our contemporary cybercultural age when artifactual futures begin a transition into a new era of
"Meta".

By combining their knowledge of philosophy, science fiction, and mechanical engineering, at a time when electronic instrument
companies were only just beginning to distribute their products to the masses, two prosumer audio technicians named Juan
Atkins and Rik Davis were able to re-engineer Cybotron – a combination of the words “Cyborg” and “Cyclotron” (an atomic
particle accelerator) – to be used as a home studio performance music that would change the course of independently produced
and distributed electronic music.

Dissolving the boundary between singer, songwriter, and producer, Juan Atkins named Cybotron’s future forward funkadelic
sound “techno” in reference to Alvin Toler’s concept of unlikely “techno rebels” against technocracy. Techno is music that
sounds like technology, and its purpose was to help society survive our collision with a universally felt “future shock” by inserting
an audio virus into the cultural matrix.

Techno’s blueprint spread across the Detroit-Berlin Axis between Metroplex and Tresor. As human society began its transition
from a post-industrial to an information-based market economy, Cybotron enabled a thorough system override of the human
senses towards a tangible man-machine hybridity and showed the world how to channel their emotions and imaginations into
new sound technologies and create new ‘sonic’ spatialities where listeners can transport themselves out of the physical world
into the future. The cover of their debut album Enter (1983) transmitted a fragmented view of a body in motion being digitized
mid-stride, dissolving physical and virtual reality into sonic fiction.

Today, the man-machine hybridity of Cybotron is still the truest form of techno, coevolving in conversation with the technological music they created and inspired. The latest data disk marks a new chapter that reflects a techgnostic musical expression of
the knowledge acquired during their decades-long hiatus. Unlike the dance music industrial replications of the Model 500
formula, acknowledging the content marketing expectations that segments music into specific, sellable genres, this techno
music is self-aware. Cybotron processes dance music tropes spawned from its very own blueprint with a meta-tactical precision
out of sync with our current rave new world.

Cybotron’s return demonstrates a studied engagement with what techno was and should be with a peerless update of Juan
Atkins’ initial inventive idea of do-it-yourself electrically reengineered music xeroxed onto both sides of the 12” – uploaded
directly into the alleys of your mind.
- The Rhythmanalyst





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