Tracklisting
A1 Toni Alvarez - The Answer
B1 Toni Alvarez - La Tortuga
B2 Toni Alvarez - Nueva York

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Tracklisting
A1 Marco Effe & Dario Mass - Where Time Sleeps
A2 Marco Effe & Dario Mass - Linear Signal
A3 Marco Effe & Dario Mass - Transience Theory
B1 Marco Effe & Dario Mass - Broken Modules
B2 Marco Effe & Dario Mass - Kinetic Flux
B3 Marco Effe & Dario Mass - Resonant Odyssey

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2026 repress

Tracklisting
A1 Yan Cook - Rose
A2 Yan Cook - Freak Show
B1 Yan Cook - Quatro
B2 Yan Cook - Loophole

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2026 repress

Tracklisting
A1 STIPP & Genex - Last To Act
A2 STIPP & Genex - Overcall
B1 STIPP & Genex - Places
B2 STIPP & Genex - All In

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2026 repress

Tracklisting
A1 Unknown Artist - Hirameki
A2 Unknown Artist - Chernobyl
B1 Unknown Artist - Catharsis
B2 Unknown Artist - Acid Hirameki

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Tracklisting
A1 Invda - Fractured Time
A2 Invda - Grinder
A3 Invda - Echo Of Resistance
B1 Invda - Hyperdimensional
B2 Invda - Duality Of Mind
B3 Invda - Alchemy

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Tracklisting
A1 Unknown Artist - Sinnerman
B1 Unknown Artist - Mamasei

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Tracklisting
A1 Axel Karakasis - Total Motion
A2 Axel Karakasis - Final Measure
B1 Axel Karakasis - Outrun
B2 Axel Karakasis - Impact Swingi

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Tracklisting
A1 Kaydee - Axis
A2 Kaydee - Cloud 9
B1 Kaydee - Grey Tool
B2 Kaydee - Monolith
B3 Kaydee - Innerdrift

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Tracklisting
A1 Khabiar - Between Two Worlds
A2 Khabiar - Acid Party
A3 Khabiar - Works
B1 Khabiar - Hipnosis
B2 Khabiar - Immortal Chords
B3 Khabiar - Pumuki

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Detroit's mythic architect Walt J surfaces on Lost Control 2097 with three cuts steeped in deep emotional drama and late-night intensity. 'Resonance' lands with razor-sharp drums and weightless, ethereal chords, elevated by Prince of Hydro's poetic vocal transmissions that feel like signals from another realm. 'Love Petals' resurfaces from Walt's vault, a reworked version of an already transcendent classic, refined, deeper, and glowing with subterranean energy. 'Origin' channels the spirit of Larry Heard-style melodies while anchoring itself firmly in the grit and gravity of the Motor City. Prince of Hydro closes it out by activating full ultra-sonar mode, delivering a remix that drags you into crushing ocean depths where the pressure builds and something immense is about to break through.

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Mr Bongo presents a reissue of the 1619 Bad Ass Band’s self-titled album, originally released in 1976 on the ultra-rare tax-scam imprint TSG Records. Formed by Khalid Abdul Shalid, the record was the only album released by the group, and has since become a mythical, highly sought-after prize for collectors and DJs, ranking among the most coveted albums on the 1970s rare soul scene.

This New Jersey soul-funk gem captures the raw energy of mid-‘70s underground funk and soul. Its journey began in relative obscurity having been released on TSG, one of several US “tax-scam” labels operating at the time. These labels exploited loopholes in the tax system by inflating production costs to create write-offs against their tax bills, meaning commercial success was never the objective. Records were often pressed in extremely limited quantities, with little to no promotion or distribution and in many cases, artists were unaware their music had even been released. While this led to the 1619 Bad Ass Band’s album slipping into obscurity upon release, it later cemented its status as a holy grail for diggers and DJs. Unfortunately, like many releases of its kind, it also meant the band never received the recognition they deserved at the time.

Musically, the album is a unique listen with a varied palette that will appeal to fans of a broad range of tastes. From the luscious, dreamy ballad ‘Rain (Always Finds Me Crying)’, which will melt even the stoniest of hearts, to the raw, drum-heavy funk of ‘Love To Love’, it showcases the group’s depth and versatility. Highlights include the string-laden, floaty stepper ‘Just From You’, and ‘Nothing Can Stop My Loving You’, with its spacey synth lines, which will be a joy for modern soul fans. Elsewhere, ‘Step Out’ opens with a heavy drum break (later sampled on Latyrx’s ‘Interlude’ from their 1997 debut) before unfolding into a brilliant male-female vocal exchange.

Every track on here is a winner and it’s criminal that the band never received the publicity or credit they deserved when it was first released. Alongside the TSG Records release in 1976, the album was later released again in 1978 with alternate cover art on another tax-scam label, Graham International. Both versions have since become highly collectable and over time, the album has steadily gained the recognition it always deserved. This reissue by Mr Bongo offers a wider audience the chance to experience a truly special record, one that stands as a testament to the overlooked brilliance of the era’s underground soul and funk scene.

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