25 years ago, at the turn of the millennium, downtown NYC was spoiled with record stores. In this pre-digital age, vinyl was king for club DJs, and shops such as Downtown 161, Dance Tracks, and Vinyl Mania peppered lower Manhattan, thriving businesses that supported an expanding scene of local and international DJs. Perhaps the largest and most established of these was Satellite Records, an institution of club sounds that also spawned multiple record labels, including the deep-house imprint Central Park Recordings.

At this time, Central Park Recordings and Satellite Records owner Scott Richmond signed a demo in need of a vocal from young British producer Alistair Colling, and enlisted John-Christian Urich to write it, who had just had a massive hit with “I Might Do Something Wrong” the debut Tortured Soul single on Central Park. He in turn brought in Sabina Sciubba of then newly-formed band Brazilian Girls to record the vocal, and with Jon Cutler on remix duties the record was complete. Tortured Soul went on to release numerous deep house classics like “Fall In Love,” “How’s Your Life” and have continued to tour as a groundbreaking live-house act to this day (of which RNT co-founder JKriv was bassist and collaborator for 10 years).

For the 25th anniversary of this turning point release, Razor-N-Tape has rebooted and remastered the original and classic Jon Cutler mixes, which have never been reissued in any format since the original release. RNT also commissioned two new exemplary remixes from DJ Spinna and musclecars, connecting the dots between the deep-house lineage of the past and present. Presented in a gorgeous jacket that calls back to the graphical style of the original Central Park Recordings aesthetic, this 12” is an absolute essential for any lover of soulful club sounds or purveyor of NYC dance music history.

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Inner City Sound Archives returns with its second chapter — digging deeper into the forgotten vaults of New York’s underground disco culture.

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Inner City Sound Archives is the work of a small crew of obsessive DJs, diggers, and archivists. For years, they hunted lost reels — digging through basements, flea markets, forgotten storage rooms — until they uncovered a batch of mysterious acetate tapes. No credits, no labels. Just cryptic handwriting and the hiss of time. What they found were raw, extended disco cuts — played once or twice at underground NYC loft parties in the late '70s, passed hand to hand among a tight circle of selectors, then lost to history. Now, after painstaking transfers and full analog remastering, these tracks are back. Unpolished, hypnotic, physical. Restored with love. Cut loud. Pressed right. For our debut release: six unreleased NYC disco bombs, presented in their original long versions across Sides A & B. Once championed behind closed doors by the likes of Larry Levan, Francis Grasso, Steve D’Acquisto, Walter Gibbons, and Richie Kaczor.

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Official reissue of a German under-the-radar disco tune. The original from 1979 is a bubbling dancefloor stomper with freewheeling synth lines. For the flipside of this 7" Korkut Elbay created a spaced out balearic dub rework. Picture sleeve with a funky painting by Holger Kurt Jäger that picks up on the original.

The melody of 'Butterfly Dance' came to Dieter Bührig's mind as a butterfly floated through the recording studio during a session break. The resulting track landed on a compilation with mostly cover versions of disco hits. Now, more than 45 years later, the tune found its well-deserved single release on funkscapes.

Korkut Elbay is a fixture of Cologne's electronic music scene for over 20 years. He's part of the Cómeme camp and with remixes and edits for labels like Permanent Vacation or funkscapes he prooves his sensitive feel for the dancefloor. So does he on this rework, giving the orginal space to breathe and calm down without leaving the dancefloor.

Dieter Bührig studied electrical engineering and sound recording in Berlin. Afterwards he worked several years as a sound engineer for the music industry and as a producer. Later on he worked as a teacher for physics and music, trained trainee teachers for secondary schools and wrote articles and publications on musical education, choir and band arrangements. Nowadays he's writing, among other things, musical crime stories.

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1. Slim Smith – Hip Hug
2. Ras Michael – Good People
3. Lord Tanamo – Keep On Moving
4. Wailing Souls – Trouble Maker
5. Rita Marley – Call To Me
6. Johnny Osbourne – All I Have Is Love
7. The Martinis – I Second That Emotion
8. Irvin Brown – Run Come
9. The Heptones – Give Give Love
10. Anthony 'Rocky' Ellis – Double Minded Man
11. Jackie Opel – The Lord is With Me
12. Dub Specialist – Happy Feelings
13. Prince Lincoln – Live Up To Your Name
14. Ken Boothe – I'm A Fool
15. Reuben Alexander – Happy Valley
16. Larry Marshall – There's A Fire
17. Rolando Alphonso – Rolando Special
18. Freddie McGregor – Homeward Bound
One-off pressing Cerulean blue double vinyl exclusive for RSD 2026.

Originally released in 2012 this album has been out of print for many years making it one of the most-collectible of Soul Jazz Records’ Studio One Series. This is the first ever colour vinyl edition of this classic album.

Studio One Sound is the classic Studio One collection from Soul Jazz Records. Described as ‘The University of Reggae’ by Chris Blackwell, Studio One, and founder Clement ‘Sir Coxsone’ Dodd are by far the most-important names in the history of reggae music.

The album features some of the most in-demand and collectible Studio One tracks from over its fifty year history and includes incredible legendary reggae artists such as The Heptones, Ken Boothe, The Skatalites, Johnny Osbourne and Wailing Souls. All of these artists (and hundreds more) launched their careers at Studio One under the guidance of Clement 'Sir Coxsone' Dodd.

The Studio One Sound collection features everything from classic ska and rocksteady to the deepest roots, heaviest dub and dancehall roots. Sleevenotes are by Rob Chapman, author of the celebrated books about Studio One Records, 'Never Grow Old' and 'Downbeat the Ruler'

Reviews

‘Knowledge of Studio One is integral to an understanding of reggae. Studio One was a crucial force during the 1960s and 70s, being the true home of ska and a hugely important site of early reggae. Studio One Sound is a sublime set from the label’s heyday. The exceptional track selection makes this one a winner in every sense.’ BBC

‘Carefully mastered and the sound quality is excellent throughout. Studio One Sound is a must have and gives a good overview of the label’s extraordinary output.’ United Reggae

‘Everything’s been remastered for maximum bump-ability while preserving that gritty and smokey Studio One sound.’ Turntable

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Germany
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