The inimitable Dr San Proper returns with his second album Ferotones following up his debut 2012 long play smasher Animal (on Rush Hour). It’s been a tumultuous and colorful journey since, and although the sound might have changed, San still delivers a collection of songs off the cuff and straight from the heart.

The eight tracks collected here are odes to lost love, as San tries to win back the heart of that very special someone. Penned deep in the pit of emotion, San recorded the songs in only a handful of sessions. With the assistance of Amsterdam stalwart and Safe Trip regular Darling, San could lean more towards the wavey guitar sounds and danceable disco workouts he had in mind.

“The songs just came out this way,” he says. Raw and honest, while at the same time lying through his teeth. “If you check the lyrics, I’m promising my girl the world, even though I never deliver.” And that’s the conundrum at the core of this record - challenged but aware of it, San celebrates the faults just as much as the blessings, before embarking on the long, healing journey back to love.

Mastered by Wouter Brandenburg

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yes it's the Amsterdam rockstar, who over the last fifteen years rocked major clubs and festivals to smaller bars and dodgy underground locations all around the world

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San Proper gushing on DG..small initial pressing on this one... be quick... TIP! San: “Lovers, friends, fam. and fans – Love is in the air, get ready.” Finally, the craze you’ve all been waiting for. This EP listens like one of Dr. Proper’s infamous radio show or deejay set. Impossible to categorize; dropping House, Electro, Funk, and paying homage to Disco. L.O.V.E. is a collaboration with Ms. Hollywood. An alliance that results in the whole breathing sexy and deep. Whereas San Proper stays in character for the rest of the EP. His use of the reverb adds shine and glory, and the drums are hit hard. In other words, music with an unprecedented character–just the way we like it. Above all; one to keep safely in your bag at all times

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San Proper gushing on DG..small initial pressing on this one... be quick... TIP! San: “Lovers, friends, fam. and fans – Love is in the air, get ready.” Finally, the craze you’ve all been waiting for. This EP listens like one of Dr. Proper’s infamous radio show or deejay set. Impossible to categorize; dropping House, Electro, Funk, and paying homage to Disco. L.O.V.E. is a collaboration with Ms. Hollywood. An alliance that results in the whole breathing sexy and deep. Whereas San Proper stays in character for the rest of the EP. His use of the reverb adds shine and glory, and the drums are hit hard. In other words, music with an unprecedented character–just the way we like it. Above all; one to keep safely in your bag at all times

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New San Proper on Voyage Direct. All tracks were written, produced and performed by Proper at Trouw's Verdieping in 2013.

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Known for his flamboyant brand of house music, San Proper kicks off his own label with the release of a brand new EP. The four tracks on The Culture EP mark the inaugural release on Proper's Cult, and find the Amsterdam based DJ/producer further exploring his idiosyncratic approach to house, combining live instrumentation, hardware, and free-flowing vocals.

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San Proper is the real deal. Somewhat of a street legend even.. Ask anyone crossed paths with him and you will hear the wildest stories. This might be his debut album, but make no mistake, Proper is a hardcore DJ veteran, starting his career DJ'ing small-time gigs in the shadiest bars, six nights a week. True love for music and his unbreakable optimism kept him in the groove. His enthusiasm caught on and slowly but surely he garnered a devoted following. In 2007 he released his first releases for Rush Hour, but his big break came in 2009 when he dropped his now classic single 'Keep It Raw' for Perlon and shot to #1 in Germany's Groove Magazine Top 50. More singles followed and his profile of a must see DJ and pure bred entertainer rose, touring and creating cult followings everywhere from the Japan to South America. Dr. Proper has never been in a hurry, but in the fall of 2011 the time felt right for San to start working on his debut album. Months of rampaging studio sessions followed, writing tracks all over the globe during his frantic touring schedule or in his Amsterdam studio and Paris apartment. The journey finished in Berlin, where he ended up in the studio of Proper believer Ricardo Villalobos who eventually mixed the album, ensuring audiophile bliss. The result is the trippiest of trips. Taking you on a journey inside the twisted brain of a man who has seen it all, and then some, boasting raw emotion and subconscious desires. 'Animal' has its roots in house music, but you will have a hard time categorizing this beast, sounding like a cluster bomb of electronic funk, jazz and psychedelia. Like any good trip there will be some highs and some lows, but man, what a ride...

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Two new house tracks from San Proper on the enterprising Studio Soulrock label..! Warm up your engines to the sound of San Proper! After capturing the hearts, minds and ears of audiences worldwide with his celebrated Hupsers & Kletsers For Life EP, San is back to rock your world with a Studio Soulrock solo. Taking his field recorder on a journey through sound to capture those ever-elusive imperfect harmonies, he has crafted a thrilling, spherical release. Proper properly prompts you to dance!

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RATIO? strikes back again with a two-track-release bij SAN PROPER this spring 2011. On side A, Proper whips up an enchanting vocal house-track entitled 'SHOOK' with a specific 'Proper-feel' of groovin' synth-bass melodies, straight-up funkin' house-beats and a message which invites you to shake your behind. Side B contains the track 'BUCKLE UP & RIDE', another instant dance-floor classic which will take us out for a spin around town as we'll drive down to memory-lane to honour some of Chicago's heritage; the lyrics warn you to fasten you seat-belt, the beats and bassline tell you "I-told-you-so"... It's a simple tool of a track, though original and outstanding; beats, bass, vocals and a nasty Proper-attitude...

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Repress!

Re-issue of seminal Mr. Fingers album 'Amnesia', available officially for the first time in 32 years on Larry Heard's own Alleviated Records. This remastered collection of early Mr. Fingers works is an absolute must have.

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Tracklisting
A1 Steve Bicknell - Basic questions
A2 Steve Bicknell - Magnitude of such
B1 Steve Bicknell - Construction of thousands
B2 Steve Bicknell - Mobile terminals
C1 Steve Bicknell - A single process
C2 Steve Bicknell - Accelerating others
D1 Steve Bicknell - They speak
D2 Steve Bicknell - Adverse effects

Sales Note
RE-ISSUE / RE-MASTERED / RE-PRESSED
Steve Bicknell - Lost Recordings 1

This is a seminal double LP consisting of 8 tracks by Steve Bicknell (originally released in 1996)
from one of UK's most influential techno / electronic labels Cosmic Records - to introduce the incredible series LOST RECORDINGS

Rich, raw and unpredictable - every single one of these tracks sounds FRESH as ever!

In the 90/00's in London, Steve Bicknell was at the forefront of techno as a producer and DJ but also as a promoter (of the event series LOST)

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Almost exactly a year since since ‘Felt Cute’ debuted on Kalahari and Blu:sh is back in the building. But this time around, it’s with a record evoking the muggy closeness of a dancefloor suspended somewhere between peak-time elation and wide-eyed vision quest.

Tweaking the blueprint to rapturous ends, the latest offering from this Blu:sh project propels itself forward with a muscle-bound groove. Six robust, deadly club trax replicate the breathy seduction of its predecessor, but this time, with added velocity.

Pinky Promise is full frontal and deadly while channelled through the same explorative prism characterising Benoit’s best work. Probably the toughest material the prolific shapeshifter has put out to date.

Nods to Eurocentric styles shine through with particular emphasis on the sexy and trance-inducing. It goes straight out the traps with a big dose of fractal fuel and stays murkily psychedelic to the very end.

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Repress!
We are honored to announce the next 12" in Dark Entries Editions is one of the all time Italo Disco club classics: My Mine - ‘Hypnotic Tango’. My Mine were the trio of Stefano Micheli (vocals, keyboards), Carlo Malatesta (vocals, keyboards), and Danilo Rosati (drums, keyboards) formed from the ashes of Italian New Wave group Ipnotico Tango in 1982. They shifted focus from the experimental post punk sounds towards something more commercial with which to try and enter the market, namely to make a record. At that time Carlo was studying in Bologna and he had heard about producer and arranger Mauro Malavasi famous at that time for the many hits produced for Macho, Peter Jacques Band, Change, Luther Vandross, Ritchie Family. The group handed Malavasi a demo tape and four days later they were invited to Fonoprint Studios to record their first single, “Hypnotic Tango”.

Utilizing new electronic instruments like the now legendary Roland TB-303, Danilo improvised a simple but effective synthesizer bass line and passed it through the Roland Echo until something magical came out. “Hypnotic Tango” was released on Progress Record in 1983 and became an international hit across Europe and US dance clubs in New York, Detroit and Chicago, capturing the imagination of House and Techno producers. In 1987 the legendary Frankie Knuckles remixed “Hypnotic Tango” at Seagrape Studios in Chicago, with assistance from studio engineers Tommy White and Brett Wilcotts. Originally released on Danica Records as the “Powerhouse Mix” paying tribute to the Windy City club atmosphere and adding his own "sighs" in the track as well. The Hypnotic Remix This reissue presents 4 mixes of “Hypnotic Tango” including the “Hypnotic Mix” only appearing together once before in 1990 on Rams Horn Records. All songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a jacket with original artwork and includes an insert with photos and liner notes by Stefano Micheli. “Look on the floor and all is spinning round, Someone told me this was just a dance And take a chance I ain't met before..Do you think I really have a chance??"

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Denizens of the Oyster Cult, rejoice. Elusive dancefloor operator S.O.N.S has followed last year’s compilation cameo up with the deadliest of full debuts.

Booting off with some rough ‘n ready gear, “Drive” is the latest chapter as S.O.N.S undergoes his metamorphosis into a more brooding entity. The esteemed Junction Records and Junction Forest proprietor oscillates between tunnelling acid techno and a darkwave-indebted workout somewhat reminiscent of Dutch pioneer Das Ding. Three night-stalking club trax rooted in ominous portent.

Trading the gentler touch and sound sensitivity of releases past for something tougher, and meaner, but there aren’t any diminishing returns. Quite a departure from the introspection of that aforementioned compilation appearance while retaining the transcendent qualities that always typified his work.

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“It’s just too easy to make a standard dance track,” Aphex Twin said of his mindset back in 1992. “You’ve got to put a bit of thought into it to get something a bit different.” ‘Didgeridoo’ was released on the Belgian R&S Records label in 1992, and originally peaked at #55 in the UK singles chart in May of that year. Over the last 32 years the track has become one of the essential Aphex Twin tracks in a gargantuan catalogue that continues to amaze and inspire. “I wanted to have some tracks to play to finish the raves I used to play in Cornwall, to really kill everybody off so they couldn’t dance,” Richard D James, AKA Aphex, told Select magazine back in the 90s. “Digeridoo came out of that.” Released as a 4 track EP that also included early Aphex productions (now classics) including the industrial, acidic clang of ‘Flap Head’ and hyperbolic futurism of ‘Isopropanol’, the release cemented a relationship with the R&S label that went on to release the ‘Xylem Tube’ EP and the pivotal album ‘Selected Ambient Works 85-92’ in the same year. The label’s owner & A&R Renaat Vandepapeliere reflected “When I first heard Aphex Twin’s music I said, ‘This is it!’, and everybody else said, ‘You’re crazy!’ …a lot of the hardcore R&S fans dropped us. To them it wasn’t music.” ‘Didgeridoo’ (Expanded Edition) is the first time the EP has been re-issued with extra material. Whilst digging in his DAT archive (allegedly stored in an airtight military ammo box), Richard James revisited the recordings, encoding them through a Nakamichi CR7e cassette deck, using the customised deck with vari-speed to encode at speeds “felt right at the time”. Alongside these CR7e versions, the original mixes have been remastered by Beau Thomas at Ten Eight Seven Mastering, offering a dilated insight into one of electronic music’s most endearing releases.

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One of the defining releases on Large Music gets a special re-issue after a 16 year wait. Considered by many to be one of the top 3 packages in the early Large catalog, this EP set the trajectory for what would quickly become known as the "West Coast" sound of American House. The main vocal on side A also became a venerable classic at the Shelter in NYC and was played consistently by Timmy Regisford throughout his tenure there. The darker, more disco filtered tones on the flip side were also highly praised and played at the time by French DJs such as Daft Punk, Phil Weeks, Cassius and many others. Rasoul is often overlooked as one of the chief architects of modern Deep House, yet this release certainly secures his elite standing in the annals of House Music history. Essential!

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Berlin-based, Dutch-born Steffi possesses near-boundless prowess. As a DJ, she’s proved her effortless mastery of disco, house, electro, and techno; as helm of labels Klakson and Dolly, she’s long maintained her status as tastemaker; as a producer, she has graced us with three solo LPs and numerous 12”s. Dark Entries is now honored to unveil the debut of her project Crushed Soul, a moniker she had used only once in 2013 for an Ostgut Ton compilation track. The mutual esteem of Steffi and DE has been previously fruitful, with Steffi providing a remix for Cute Heels’ 2016 EP on DE, but this is their first full-length collaboration.

The Family of Waves EP represents both familiar and novel pastures for Steffi. While her love of electro and classic Detroit techno have been oft-evident, here we witness the darker shades of new wave and industrial creep to the forefront. This turn for the twisted feels not just natural, but predestined, an inevitable succumbing to morbid forces. But Steffi also views Family as “a playful association...a mix of my past and new modern waves". There is a kernel of whimsy, even joy, lurking within the record’s temporal jumblings. The A-side opens with “Gravitational Field”, which juxtaposes its gnarled bassline with unearthly percussives and a recurrent resonant gong. The wild sonic palette speaks Steffi’s singular voice. “Scalar Property” continues the paranoid propulsion with an unhealthy dose of what can only be described as Metroid-funk, its staccato bass jabs interlaced with ghastly vocal pads. The B-side contains a diptych of slower tracks that juggle reference points both retro and futurist. In “Family of Waves”, a churning EBM-esque bassline battles acerbic yelps. On this track, the collision of past and present is most pronounced, as if A Split Second were covering Mike Parker. “Diffusion of Heat” closes the EP with what feels like a perfect synthesis of Steffi’s musical passions: funky, warbling chord stabs; intricate rhythmic diversions; the ecstasy of repetition. Here, disco, new wave, and techno marry harmoniously, if only to inform us of the disharmony of our present.

All songs have been mastered for vinyl by George Horn at Fantasy Studios. The sleeve and accompanying postcard were designed by Eloise Leigh using video art stills by Goldenliustra.

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Humanoid continue their push to shine the spotlight on up-and-coming artists and the fifth instalment on the label comes from another Liverpool local on the rise – Brent, with a powerful release bringing synthwave sensibilities and driving basslines to the forefront - taking you on a sleek, high-octane journey through a polyphonic landscape.

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