1
nthng - 50 Flower
2
nthng - I Just Am
3
nthng - Heitt
4
nthng - Beautiful Love
5
nthng - Wave Return
6
nthng - Spirit Of Ecstasy
7
nthng - Hypnotherapy
8
nthng - With You
- 2023 repress -
tranparent green splatter vinyl / printed sleeve
Tracklisting:
A1 nthng - 50 Flower
A2 nthng - I Just Am
B1 nthng - Heitt
B2 nthng - Beautiful Love
C1 nthng - Wave Return
C2 nthng - Spirit Of Ecstasy
D1 nthng - Hypnotherapy
D2 nthng - With You
Sales Note
- 2023 repress -
Elusive dutch DJ and producer, nthng, announces his second album 'Hypnotherapy'. Previously putting out records on his own label Transatlantic, plus the likes of Delsin, Mork, this thoughtful long play spans dub techno, hazy ambient and mind-bending trance, traversing through different moods.
Float away with bright and airy opener, '50 Flower'. Spoken word samples intercept the ambience, bringing the listener down from the clouds. A2's 'I Just Am' takes the EP into dub techno dance floor territory with bolshy, rattling percussion and assertive vocals. 'Heitt' is a pacy slice of machine music for the wee hours, before drifting back to softness with barely-there 'Beautiful Love'. 'Wave Return' injects a dose of wigged out energy, slowly evolving from drawn out dub into an effervescent jam. 'Spirit of Ecstasy' rolls gently - a prime slice of chunky, driving electronica. nthng's title track, 'Hypnotherapy', see's the producer return to the ambient fringes of moody techno, barely-there kicks, and shimmering pads. Rounding out the album, weightless 'With You' is a romantic post club track, soft, longing vocals sit upon almost bird-like sounds. Digi only bonus, 'And Then There Was Light' is nthng's most ethereal offering yet.
More
tranparent green splatter vinyl / printed sleeve
Tracklisting:
A1 nthng - 50 Flower
A2 nthng - I Just Am
B1 nthng - Heitt
B2 nthng - Beautiful Love
C1 nthng - Wave Return
C2 nthng - Spirit Of Ecstasy
D1 nthng - Hypnotherapy
D2 nthng - With You
Sales Note
- 2023 repress -
Elusive dutch DJ and producer, nthng, announces his second album 'Hypnotherapy'. Previously putting out records on his own label Transatlantic, plus the likes of Delsin, Mork, this thoughtful long play spans dub techno, hazy ambient and mind-bending trance, traversing through different moods.
Float away with bright and airy opener, '50 Flower'. Spoken word samples intercept the ambience, bringing the listener down from the clouds. A2's 'I Just Am' takes the EP into dub techno dance floor territory with bolshy, rattling percussion and assertive vocals. 'Heitt' is a pacy slice of machine music for the wee hours, before drifting back to softness with barely-there 'Beautiful Love'. 'Wave Return' injects a dose of wigged out energy, slowly evolving from drawn out dub into an effervescent jam. 'Spirit of Ecstasy' rolls gently - a prime slice of chunky, driving electronica. nthng's title track, 'Hypnotherapy', see's the producer return to the ambient fringes of moody techno, barely-there kicks, and shimmering pads. Rounding out the album, weightless 'With You' is a romantic post club track, soft, longing vocals sit upon almost bird-like sounds. Digi only bonus, 'And Then There Was Light' is nthng's most ethereal offering yet.
More
More records from nthng
1
nthng - Unlimited ()
2
nthng - Infinity
3
nthng - Memories
4
nthng - Mad World
5
nthng - Tryot
6
nthng - Wordless Mass
7
nthng - Stabilize
8
nthng - Untitled
9
nthng - There Is A Place For Me
Written & Produced by nthng
Designed by Maciej Przezak (MJWP3.com)
Mastered & Cut at Scape by Isabel and Stefan
Pressed at RAND Muzik
Published on Transatlantic More
Designed by Maciej Przezak (MJWP3.com)
Mastered & Cut at Scape by Isabel and Stefan
Pressed at RAND Muzik
Published on Transatlantic More
1
nthng - Touches
2
nthng - Galaxy
3
nthng - It Never Ends
4
nthng - Soms
5
nthng - Unity
6
nthng - In My Dreams
7
nthng - Abys
8
nthng - Eternal
9
nthng - Last
Tracklisting:
A1 nthng - Touches
A2 nthng - Galaxy
B1 nthng - It Never Ends
C1 nthng - Soms
C2 nthng - Unity
D1 nthng - In My Dreams
D2 nthng - Abys
E1 nthng - Eternal
F1 nthng - Last
Sales Note
- repress -
nthng finally follows up his four stunning EPs with a full album proper, arriving in a whopping 3xLP pack.
Arriving a good 6 months after the LT029.5 album sampler which debuted both Soms and In My Dreams, nthng adds another seven hazy, hooded techno bangers to those to make up a pretty dazzling body of work. Opener 'Touches' is true ambient bliss, with shrouded, blissful synths fuzzing into view and cut through by a soft low distant sunlight. Both Galaxy and Eternal thump into view with a hi-paced drums colliding and clashing with syncopated stabs and smooth dusty baselines, recalling the tender techno-trance precipice danced by Dutch producers at the start of the 90's.
The huge mysterious fan favourite and title track It Never Ends gets it's pride of place with 9 mins of deep, cavernous techno, all rippling with epic string-synths and washes of mountainous reverb. Even deeper numbers are extracted from the hard-drive, including the pensively, digitally-bubbling computer jam Unity sitting tidily alongside the super deep and subtle rolls of Abyss. Rounding the album out is the appropriately-titled Last. A dark, shimmering, almost emotionless number that cements a different idea of the future. A hard, pounding, yelping, depthcharged technoid closer.
For us, the album feels like a real masterpiece, conjuring a spectrum of intimate and emotive moods, feelings and nostalgia-tinged memories that float into the mind, like the settling fog in the valley on a crisp winters morning.
More
A1 nthng - Touches
A2 nthng - Galaxy
B1 nthng - It Never Ends
C1 nthng - Soms
C2 nthng - Unity
D1 nthng - In My Dreams
D2 nthng - Abys
E1 nthng - Eternal
F1 nthng - Last
Sales Note
- repress -
nthng finally follows up his four stunning EPs with a full album proper, arriving in a whopping 3xLP pack.
Arriving a good 6 months after the LT029.5 album sampler which debuted both Soms and In My Dreams, nthng adds another seven hazy, hooded techno bangers to those to make up a pretty dazzling body of work. Opener 'Touches' is true ambient bliss, with shrouded, blissful synths fuzzing into view and cut through by a soft low distant sunlight. Both Galaxy and Eternal thump into view with a hi-paced drums colliding and clashing with syncopated stabs and smooth dusty baselines, recalling the tender techno-trance precipice danced by Dutch producers at the start of the 90's.
The huge mysterious fan favourite and title track It Never Ends gets it's pride of place with 9 mins of deep, cavernous techno, all rippling with epic string-synths and washes of mountainous reverb. Even deeper numbers are extracted from the hard-drive, including the pensively, digitally-bubbling computer jam Unity sitting tidily alongside the super deep and subtle rolls of Abyss. Rounding the album out is the appropriately-titled Last. A dark, shimmering, almost emotionless number that cements a different idea of the future. A hard, pounding, yelping, depthcharged technoid closer.
For us, the album feels like a real masterpiece, conjuring a spectrum of intimate and emotive moods, feelings and nostalgia-tinged memories that float into the mind, like the settling fog in the valley on a crisp winters morning.
More
Label:Lobster Sleep Sequence
Cat-No:LSS004
Release-Date:24.03.2023
Genre:Electronic
Configuration:2x12"+7"
Label:Lobster Sleep Sequence
Cat-No:LSS004
Release-Date:24.03.2023
Genre:Electronic
Configuration:2x12"+7"
Format: 2x12" + 7"
Tracklisting:
A1 nthng - Unfinished
A2 nthng - Son
A3 nthng - Subnautica
A4 nthng - Atlantis
B1 nthng - Wrath Of The Demon
B2 nthng - Sudden Life
B3 nthng - Disappeared But Not Forgotten
B4 nthng - Energy Reloading
C1 nthng - Our Time
C2 nthng - Deya Kingdom
C3 nthng - Saafe
D1 nthng - Soft Sea
D2 nthng - E Crusader
D3 nthng - Ending Theme
E1 nthng - Breaking The Waves
F1 nthng - Encounters At The End Of The World
Sales Note
- Repress -
Themed around events in nthng's life, Unfinished is a deeply personal journey, yet there's something very relatable to the world he has conjured. Lockdown has forced us to look inward, explore realities within ourselves and the fragility of our forgotten world. The album is a series of peaks and troughs - hopeful words, ominous tones and other-worldly soundscapes, giving way to a journey in no way linear - but a true reflection of our times.
The title track sets the scene perfectly, while Son features deep bass notes, dreamy keys and spoken word - creating a visceral and unsettling scene. Subnautica resides in the fringes of ambient and techno - as tribalistic drums are suspended in our new rendered reality.
The marching bass and howling synths of Wrath of the Demon lull conspicuously in a vacuum, while the hauntingly beautiful vocals featured on Disappeared But Not Forgotten evoke a poignant, powerful reaction across the record's B-side -
"Everything stopped, you just disappeared..."
At its most tranquil Our Time offers a sense of rest - a space to appreciate, as we leave the window open, peer outside and feel the gentle breeze brush across our face. Saafe continues this theme, and feels like a warm embrace - "She saved my life in a matter of speaking, when she gave me back the power to believe."
Ending Theme is beautifully organic as you hear the sound of the piano pedal touch the floor, tones are introspective and vulnerable - while the looming presence of uncertainty subtly takes form in thinly layered pads.
The album also sees the release of a digi only bonus track Only a Flash of Light and invites you outside while the stars are at their brightest.
More
Tracklisting:
A1 nthng - Unfinished
A2 nthng - Son
A3 nthng - Subnautica
A4 nthng - Atlantis
B1 nthng - Wrath Of The Demon
B2 nthng - Sudden Life
B3 nthng - Disappeared But Not Forgotten
B4 nthng - Energy Reloading
C1 nthng - Our Time
C2 nthng - Deya Kingdom
C3 nthng - Saafe
D1 nthng - Soft Sea
D2 nthng - E Crusader
D3 nthng - Ending Theme
E1 nthng - Breaking The Waves
F1 nthng - Encounters At The End Of The World
Sales Note
- Repress -
Themed around events in nthng's life, Unfinished is a deeply personal journey, yet there's something very relatable to the world he has conjured. Lockdown has forced us to look inward, explore realities within ourselves and the fragility of our forgotten world. The album is a series of peaks and troughs - hopeful words, ominous tones and other-worldly soundscapes, giving way to a journey in no way linear - but a true reflection of our times.
The title track sets the scene perfectly, while Son features deep bass notes, dreamy keys and spoken word - creating a visceral and unsettling scene. Subnautica resides in the fringes of ambient and techno - as tribalistic drums are suspended in our new rendered reality.
The marching bass and howling synths of Wrath of the Demon lull conspicuously in a vacuum, while the hauntingly beautiful vocals featured on Disappeared But Not Forgotten evoke a poignant, powerful reaction across the record's B-side -
"Everything stopped, you just disappeared..."
At its most tranquil Our Time offers a sense of rest - a space to appreciate, as we leave the window open, peer outside and feel the gentle breeze brush across our face. Saafe continues this theme, and feels like a warm embrace - "She saved my life in a matter of speaking, when she gave me back the power to believe."
Ending Theme is beautifully organic as you hear the sound of the piano pedal touch the floor, tones are introspective and vulnerable - while the looming presence of uncertainty subtly takes form in thinly layered pads.
The album also sees the release of a digi only bonus track Only a Flash of Light and invites you outside while the stars are at their brightest.
More
1
nthng - Oralage
2
nthng - A Souls Research
3
nthng - Turn To Gaia
Repress!
Amsterdam based artist nthng continues to have a busy year. Following up an album on Lobster Theremin and EP on Transatlantic, he now lands on Delsin with three tracks that touch on driving dub-techno and dreamy ambient. 'Oralage' opens with upbeat drum programming and gliding hits that make for a smooth flowing groove. Distant pads add some spacey atmospheres and the production is effortlessly warm and driving. 'A Souls Search' takes time out to drift in the cosmos, with waves of muted euphoria washing over you as you sink into clouds of ambient bliss. Lastly, 'Turn To Gaia' is a dubbed out techno roller, with long legged drums looping down low, reverberating chords adding weight and distant bell sounds charting the whole thing in a harmonic glow. It rounds out a super smooth and seductive EP. More
Amsterdam based artist nthng continues to have a busy year. Following up an album on Lobster Theremin and EP on Transatlantic, he now lands on Delsin with three tracks that touch on driving dub-techno and dreamy ambient. 'Oralage' opens with upbeat drum programming and gliding hits that make for a smooth flowing groove. Distant pads add some spacey atmospheres and the production is effortlessly warm and driving. 'A Souls Search' takes time out to drift in the cosmos, with waves of muted euphoria washing over you as you sink into clouds of ambient bliss. Lastly, 'Turn To Gaia' is a dubbed out techno roller, with long legged drums looping down low, reverberating chords adding weight and distant bell sounds charting the whole thing in a harmonic glow. It rounds out a super smooth and seductive EP. More
1
nthng - Looking Outside
2
nthng - Liberate Truth
3
nthng - Sub-Sonar
4
nthng - Butterfly
Dutch producer nthng returns to Delsin with another four pieces of melodic, ambient-spirited techno following his 2017 label debut Turn To Gaia. Sub-Sonar opens with the beatless, melancholic reflection of 'Looking Outside' before drifting into the submersion chamber pulse of 'Liberate Truth'. Guided by the hypnotic allure of dub techno, the track follows a linear path through spacious chord drops and understated drum jack. Following a similar rhythmic tract, 'Sub-Sonar' offers up a cloudy, sombre beatdown shot through with winsome sine wave blips. As a surprise parting shot, '1 2 Butterfly' shakes up the scene with a crooked breakbeat treatment which cuts an angular path through the hazy atmospheric tones nthng has made his own. Photography by Wolfgang Tillmans.
More
1
nthng - Some Clouds Are Destined To Break
2
nthng - Heart Chase
3
nthng - Sunshine In My Eyes
4
nthng - Earthseed
“Earthseed” is a four track EP on Transatlantic, ranging from ambient to energetic breaks and melodic dub techno.
More
1
nthng - No Title
2
nthng - No Title
3
nthng - No Title
Big debut release from Transatlantic as they unleash three storming techno numbers from nthng. You know the drill. Nobody is safe. Hot repress action due to furious demand.
More
More
More records from Lobster Theremin
1
Tim Reaper & Devnull - Anytime
2
Tim Reaper - Who Run It
3
Tim Reaper - Teletext
4
Tim Reaper & Devnull - Give It 2 Me
Tracklisting:
A1 Tim Reaper & Devnull - Anytime
A2 Tim Reaper - Who Run It
B1 Tim Reaper - Teletext
B2 Tim Reaper & Devnull - Give It 2 Me
Sales Note
- repress -
Tim Reaper returns with a weighty masterclass of all things old school jungle, rave and D&B.
After a massive year for the rising London-based DJ/producer Tim Reaper, with an impressive output of twelves on labels such as 7th Storey Projects, Repertoire, Beyond Electronix & his own imprint Future Retro. On top of this, Reaper was also nominated in the 'Best Producer' category at this years DJ Mag awards, as well as the 'Best Remix/Edit' category. 2020 has paved the way for what is set to be a massive future from the versatile producer, his infectious brand of high energy jungle & D&B is making him the producer on everyones lips.
His latest outing 'Teletext EP' explores deep all things bass driven, head high rave breaks sit on top of euphoric vocals and synth patterns, creating a feel good masterpiece. Tim joins forces with long time friend & collaborator Devnull on two tracks, blending both of the producers individual sounds into a hybrid mash up, which works oh so good.
More
A1 Tim Reaper & Devnull - Anytime
A2 Tim Reaper - Who Run It
B1 Tim Reaper - Teletext
B2 Tim Reaper & Devnull - Give It 2 Me
Sales Note
- repress -
Tim Reaper returns with a weighty masterclass of all things old school jungle, rave and D&B.
After a massive year for the rising London-based DJ/producer Tim Reaper, with an impressive output of twelves on labels such as 7th Storey Projects, Repertoire, Beyond Electronix & his own imprint Future Retro. On top of this, Reaper was also nominated in the 'Best Producer' category at this years DJ Mag awards, as well as the 'Best Remix/Edit' category. 2020 has paved the way for what is set to be a massive future from the versatile producer, his infectious brand of high energy jungle & D&B is making him the producer on everyones lips.
His latest outing 'Teletext EP' explores deep all things bass driven, head high rave breaks sit on top of euphoric vocals and synth patterns, creating a feel good masterpiece. Tim joins forces with long time friend & collaborator Devnull on two tracks, blending both of the producers individual sounds into a hybrid mash up, which works oh so good.
More
1
nthng - Touches
2
nthng - Galaxy
3
nthng - It Never Ends
4
nthng - Soms
5
nthng - Unity
6
nthng - In My Dreams
7
nthng - Abys
8
nthng - Eternal
9
nthng - Last
Tracklisting:
A1 nthng - Touches
A2 nthng - Galaxy
B1 nthng - It Never Ends
C1 nthng - Soms
C2 nthng - Unity
D1 nthng - In My Dreams
D2 nthng - Abys
E1 nthng - Eternal
F1 nthng - Last
Sales Note
- repress -
nthng finally follows up his four stunning EPs with a full album proper, arriving in a whopping 3xLP pack.
Arriving a good 6 months after the LT029.5 album sampler which debuted both Soms and In My Dreams, nthng adds another seven hazy, hooded techno bangers to those to make up a pretty dazzling body of work. Opener 'Touches' is true ambient bliss, with shrouded, blissful synths fuzzing into view and cut through by a soft low distant sunlight. Both Galaxy and Eternal thump into view with a hi-paced drums colliding and clashing with syncopated stabs and smooth dusty baselines, recalling the tender techno-trance precipice danced by Dutch producers at the start of the 90's.
The huge mysterious fan favourite and title track It Never Ends gets it's pride of place with 9 mins of deep, cavernous techno, all rippling with epic string-synths and washes of mountainous reverb. Even deeper numbers are extracted from the hard-drive, including the pensively, digitally-bubbling computer jam Unity sitting tidily alongside the super deep and subtle rolls of Abyss. Rounding the album out is the appropriately-titled Last. A dark, shimmering, almost emotionless number that cements a different idea of the future. A hard, pounding, yelping, depthcharged technoid closer.
For us, the album feels like a real masterpiece, conjuring a spectrum of intimate and emotive moods, feelings and nostalgia-tinged memories that float into the mind, like the settling fog in the valley on a crisp winters morning.
More
A1 nthng - Touches
A2 nthng - Galaxy
B1 nthng - It Never Ends
C1 nthng - Soms
C2 nthng - Unity
D1 nthng - In My Dreams
D2 nthng - Abys
E1 nthng - Eternal
F1 nthng - Last
Sales Note
- repress -
nthng finally follows up his four stunning EPs with a full album proper, arriving in a whopping 3xLP pack.
Arriving a good 6 months after the LT029.5 album sampler which debuted both Soms and In My Dreams, nthng adds another seven hazy, hooded techno bangers to those to make up a pretty dazzling body of work. Opener 'Touches' is true ambient bliss, with shrouded, blissful synths fuzzing into view and cut through by a soft low distant sunlight. Both Galaxy and Eternal thump into view with a hi-paced drums colliding and clashing with syncopated stabs and smooth dusty baselines, recalling the tender techno-trance precipice danced by Dutch producers at the start of the 90's.
The huge mysterious fan favourite and title track It Never Ends gets it's pride of place with 9 mins of deep, cavernous techno, all rippling with epic string-synths and washes of mountainous reverb. Even deeper numbers are extracted from the hard-drive, including the pensively, digitally-bubbling computer jam Unity sitting tidily alongside the super deep and subtle rolls of Abyss. Rounding the album out is the appropriately-titled Last. A dark, shimmering, almost emotionless number that cements a different idea of the future. A hard, pounding, yelping, depthcharged technoid closer.
For us, the album feels like a real masterpiece, conjuring a spectrum of intimate and emotive moods, feelings and nostalgia-tinged memories that float into the mind, like the settling fog in the valley on a crisp winters morning.
More
1
Sweely - Stronger Than Me
2
Sweely - You Don't Really Want Me
3
Sweely - Raw Thoughts
4
Sweely - Acid City
5
Sweely - You Do
Tracklisting:
A1 Sweely - Stronger Than Me
A2 Sweely - You Don't Really Want Me
B1 Sweely - Raw Thoughts
B2 Sweely - Acid City
B3 Sweely - You Do
Sales Note
- repress -
Sweely caps off a massive 2017 with a bumper 5-tracker EP of pure heaters.
Pressed on the classic "LT Records" centres, Nice Archive Traxx Vol. 1 is a lesson in raw, hissing house from the Concrete resident and one of France's finest new talents.
Stronger Than Me has been bothering mixes & radio for a good year now and takes pride of place on the A1. Skipped snares, wailing sax and clear vocal hits slot together around an NY house core. You Don't Really Want Me heats up the production just that bit more on the grill and adds in some serious Chi-town acidic flavour. 303's running riot from the midway.
On the B, Raw Thoughts takes a similarly blown-out production sensibility and drives it straight into laid-back electro territory. Elements of boogie spliced with sultry synth soloing and glacial pad ripples. Ice cream parlour chill jams.
Rounding out the EP are Acid City - a soulful deep house number overrun with grumpy, growling acid lines - and hyper beat-snippet You Do - a breaks-y beat track showcasing the other side of Sweely's enormous talent. Proper dredgin' beats from the raw!
More
A1 Sweely - Stronger Than Me
A2 Sweely - You Don't Really Want Me
B1 Sweely - Raw Thoughts
B2 Sweely - Acid City
B3 Sweely - You Do
Sales Note
- repress -
Sweely caps off a massive 2017 with a bumper 5-tracker EP of pure heaters.
Pressed on the classic "LT Records" centres, Nice Archive Traxx Vol. 1 is a lesson in raw, hissing house from the Concrete resident and one of France's finest new talents.
Stronger Than Me has been bothering mixes & radio for a good year now and takes pride of place on the A1. Skipped snares, wailing sax and clear vocal hits slot together around an NY house core. You Don't Really Want Me heats up the production just that bit more on the grill and adds in some serious Chi-town acidic flavour. 303's running riot from the midway.
On the B, Raw Thoughts takes a similarly blown-out production sensibility and drives it straight into laid-back electro territory. Elements of boogie spliced with sultry synth soloing and glacial pad ripples. Ice cream parlour chill jams.
Rounding out the EP are Acid City - a soulful deep house number overrun with grumpy, growling acid lines - and hyper beat-snippet You Do - a breaks-y beat track showcasing the other side of Sweely's enormous talent. Proper dredgin' beats from the raw!
More
1
Denham Audio - Feel The Panic
2
Denham Audio - Volt
3
Denham Audio - Bobby Wobbler
4
Denham Audio - Check 1
5
Denham Audio - Check 1 (Maruwa remix)
Tracklisting:
A1 Denham Audio - Feel The Panic
A2 Denham Audio - Volt
B1 Denham Audio - Bobby Wobbler
B2 Denham Audio - Check 1
B3 Denham Audio - Check 1 (Maruwa remix)
Sales Note:
Sheffield-based Denham Audio make their Lobster Theremin debut with an incredible 5 tracker of breaks and bass, backed with a club-fuelled remix from Maruwa.
EP opener 'Feel The Panic' sets the pace, crunchy drums with scorching acid basslines and old rave esque vocal hooks, merging into a dancefloor driven weapon. 'Volt' injects a punch, chopped up drum sequences with floating vocals and pulsating synth lines, one for the early hours of the dance.
On the flip side Denham Audio leads with a drum driven roller 'Bobby Wobbler', breaks and beats soar and transform into a weighty number.
'Check 1' blends classic rave esque sound pallets with punchy kick drums and clean, crisp synth lines. Maruwa's remix of 'Check 1' showcases her incredible ability to create productions destined to do the business in the clubs, hands in the air pads play gracefully with the drum elements from the original production.
This one is for the ravers. More
A1 Denham Audio - Feel The Panic
A2 Denham Audio - Volt
B1 Denham Audio - Bobby Wobbler
B2 Denham Audio - Check 1
B3 Denham Audio - Check 1 (Maruwa remix)
Sales Note:
Sheffield-based Denham Audio make their Lobster Theremin debut with an incredible 5 tracker of breaks and bass, backed with a club-fuelled remix from Maruwa.
EP opener 'Feel The Panic' sets the pace, crunchy drums with scorching acid basslines and old rave esque vocal hooks, merging into a dancefloor driven weapon. 'Volt' injects a punch, chopped up drum sequences with floating vocals and pulsating synth lines, one for the early hours of the dance.
On the flip side Denham Audio leads with a drum driven roller 'Bobby Wobbler', breaks and beats soar and transform into a weighty number.
'Check 1' blends classic rave esque sound pallets with punchy kick drums and clean, crisp synth lines. Maruwa's remix of 'Check 1' showcases her incredible ability to create productions destined to do the business in the clubs, hands in the air pads play gracefully with the drum elements from the original production.
This one is for the ravers. More
1
Estella Boersma - The Wave
2
Estella Boersma - Dial
3
Estella Boersma - Transfer
4
Estella Boersma - Uprising
Tracklisting:
A1 Estella Boersma - The Wave
A2 Estella Boersma - Dial
B1 Estella Boersma - Transfer
B2 Estella Boersma - Uprising
Sales Note
Berlin based producer Estella Boersma announced themselves with a debut on Unknown to the Unknown's Dance Trax imprint and a string of appearances in the infamous HOR bathroom have followed - including one at Crave Festival - generating a positive stream count thanks to their varied DJing style; floating between techno, bass, breaks, electro and old school rave. Now capping a huge breakout 2022, Estella serves up four assorted club cuts that perfectly exemplify the energy felt frontleft at one of their sets.
'The Wave' is the most quintessential Estella track on the release - brimming with acid, breakbeats and warehouse rave energy, channelling older XL Recordings-inspired sounds and modern-punk electronic aesthetics. 'Dial' is frantic, strippedback and raw - an angelic, colourful techno trip through pixelated palm trees and psychedelic sunrises.
'Transfer' drains the colour from its fabric as light turns to dark. Headsy, underground appeal blends with bouncy fun on a cut of wobbly 4x4 that sounds like something you might hear in a Chloe Robinson set, before high pitched-vocals and sped-up synths dazzle and delight with something that sits between techno, footwork and classic Chicago house.
More
A1 Estella Boersma - The Wave
A2 Estella Boersma - Dial
B1 Estella Boersma - Transfer
B2 Estella Boersma - Uprising
Sales Note
Berlin based producer Estella Boersma announced themselves with a debut on Unknown to the Unknown's Dance Trax imprint and a string of appearances in the infamous HOR bathroom have followed - including one at Crave Festival - generating a positive stream count thanks to their varied DJing style; floating between techno, bass, breaks, electro and old school rave. Now capping a huge breakout 2022, Estella serves up four assorted club cuts that perfectly exemplify the energy felt frontleft at one of their sets.
'The Wave' is the most quintessential Estella track on the release - brimming with acid, breakbeats and warehouse rave energy, channelling older XL Recordings-inspired sounds and modern-punk electronic aesthetics. 'Dial' is frantic, strippedback and raw - an angelic, colourful techno trip through pixelated palm trees and psychedelic sunrises.
'Transfer' drains the colour from its fabric as light turns to dark. Headsy, underground appeal blends with bouncy fun on a cut of wobbly 4x4 that sounds like something you might hear in a Chloe Robinson set, before high pitched-vocals and sped-up synths dazzle and delight with something that sits between techno, footwork and classic Chicago house.
More
1
Coco Bryce - D.L.P
2
Coco Bryce - Velocity of Love
3
Coco Bryce - Twenty One Lies
4
Coco Bryce - Wuthering Heights
Tracklisting:
A1 Coco Bryce - D.L.P
A2 Coco Bryce - Velocity of Love
B1 Coco Bryce - Twenty One Lies
B2 Coco Bryce - Wuthering Heights
Sales Note
Lobster mainstay and breakbeat wizard Coco Bryce follows up last year's Deep Into The Jungle EP and a wicked label-artist clothing collaboration with four varying cuts of 160 energy; spanning half-time chops, devastatingly beautiful jungle and lounge-bar breakbeat aesthetics.
Eagle-eared listeners will have listened to these already through the Dutch producers Balamii Radio show, where he has welcomed fellow label regular Amy Dabbs and footwork-jungle flag flyer Sherrelle recently. Through various aliases and musical projects Coco Bryce has always had an infatuation for bass-heavysound, and the last couple of years have seen him settle quite nicely into one of jungles finest contemporaries alongside the likes of Sully and Tim Reaper.
'D.L.P' showcases this wicked 'n' rough energy brilliantly; old-school movie samples add a degree of depth and emotion to whiplash breaks and eerie pads before 'Velocity Of Love' takes us on a romance-induced trip through arcade-style keys and driving percussive beats. An explosion of love and lust in the club.
'Twenty One Lies' swaps the club setting for a dimly lit bar in Peckham; jazz influence shines across this energetic yet home-listening ready cut of breaks, before 'Wuthering Heights' half-time identity transports us to the roof of the building, peering through the concrete jungle as dark turns to light.
More
A1 Coco Bryce - D.L.P
A2 Coco Bryce - Velocity of Love
B1 Coco Bryce - Twenty One Lies
B2 Coco Bryce - Wuthering Heights
Sales Note
Lobster mainstay and breakbeat wizard Coco Bryce follows up last year's Deep Into The Jungle EP and a wicked label-artist clothing collaboration with four varying cuts of 160 energy; spanning half-time chops, devastatingly beautiful jungle and lounge-bar breakbeat aesthetics.
Eagle-eared listeners will have listened to these already through the Dutch producers Balamii Radio show, where he has welcomed fellow label regular Amy Dabbs and footwork-jungle flag flyer Sherrelle recently. Through various aliases and musical projects Coco Bryce has always had an infatuation for bass-heavysound, and the last couple of years have seen him settle quite nicely into one of jungles finest contemporaries alongside the likes of Sully and Tim Reaper.
'D.L.P' showcases this wicked 'n' rough energy brilliantly; old-school movie samples add a degree of depth and emotion to whiplash breaks and eerie pads before 'Velocity Of Love' takes us on a romance-induced trip through arcade-style keys and driving percussive beats. An explosion of love and lust in the club.
'Twenty One Lies' swaps the club setting for a dimly lit bar in Peckham; jazz influence shines across this energetic yet home-listening ready cut of breaks, before 'Wuthering Heights' half-time identity transports us to the roof of the building, peering through the concrete jungle as dark turns to light.
More
1
Heidi Sabertooth - Screaming Into The Abyss
2
Heidi Sabertooth - Slide Into My DM
3
Heidi Sabertooth - Pissed
4
Heidi Sabertooth - Insane In The Cat Brain
Tracklisting:
A1 Heidi Sabertooth - Screaming Into The Abyss
A2 Heidi Sabertooth - Slide Into My DM
B1 Heidi Sabertooth - Pissed
B2 Heidi Sabertooth - Insane In The Cat Brain
Sales Note
NYC based singer, multi instrumentalist and prolific producer Heidi Sabertooth brings her experimental and grungy sound to the fore, with a fierce EP examining the grainiest textures in dance music. It's been over three years since she brought her unique brand of raw techno to the underground, and now Heidi deepens her relationship between art and modern-day living in a blend of controlled chaos.
Opening track 'Screaming Into The Abyss' does exactly that, with its use of muddled voices and melancholic allure, glued loosely together with vintage acid and the producer's deep love of hardware. There's a playfulness to follow up 'Slide Into My DM', Heidi's elements seemingly communicating telepathically in a game of mutant-chess. Grooves and otherworldly dynamics flux and spill while splashes of reverb make it anything but predictable.
B side opener 'Pissed' maintains this raw aesthetic, sounding both mechanical and free-flowing with its foreboding melodies, melting between heavy bass and screeching pads; remaining functional but full of beautiful, unconventional touches. The record comes to a close with title track 'Insane In The Cat Brain' a disorientated affair encapsulating the restlessness and uncertainty of our times, spearheaded by an artist never afraid to take risks.
More
A1 Heidi Sabertooth - Screaming Into The Abyss
A2 Heidi Sabertooth - Slide Into My DM
B1 Heidi Sabertooth - Pissed
B2 Heidi Sabertooth - Insane In The Cat Brain
Sales Note
NYC based singer, multi instrumentalist and prolific producer Heidi Sabertooth brings her experimental and grungy sound to the fore, with a fierce EP examining the grainiest textures in dance music. It's been over three years since she brought her unique brand of raw techno to the underground, and now Heidi deepens her relationship between art and modern-day living in a blend of controlled chaos.
Opening track 'Screaming Into The Abyss' does exactly that, with its use of muddled voices and melancholic allure, glued loosely together with vintage acid and the producer's deep love of hardware. There's a playfulness to follow up 'Slide Into My DM', Heidi's elements seemingly communicating telepathically in a game of mutant-chess. Grooves and otherworldly dynamics flux and spill while splashes of reverb make it anything but predictable.
B side opener 'Pissed' maintains this raw aesthetic, sounding both mechanical and free-flowing with its foreboding melodies, melting between heavy bass and screeching pads; remaining functional but full of beautiful, unconventional touches. The record comes to a close with title track 'Insane In The Cat Brain' a disorientated affair encapsulating the restlessness and uncertainty of our times, spearheaded by an artist never afraid to take risks.
More
1
Chontane - Invisible Guest
2
Chontane - Tarpene
3
Chontane - Flux
4
Chontane - Art of Survival
Tracklisting:
A1 Chontane - Invisible Guest
A2 Chontane - Tarpene
B1 Chontane - Flux
B2 Chontane - Art of Survival
Release Note:
Growing up in Berlin immersed within underground subculture, Chontane started playing regularly at the early age of nineteen kicking things off with a residency at the Krach nights in Humboldthain and then playing some of the cities most revered clubs, including: Tresor, : //About Blank and OHM.
With his first record release in 2018 still receiving praise and support, Chontane has wasted no time in reaffirming his capabilities. With another successful collaborative release on Magic Power with WERK co-founder J.Manuel and a 4 track EP on the Special Projects sub-label of Radio Slave's Rekids imprint. The young producer is constantly blurring the lines between techno, breaks and electro in the capital; breaking down some of the perceived barriers that were once there.
Now Chontane brings his colourful and energetic brand of blurred techno to Lobster Theremin's White series with four hedonistic and mind-altering weapons. First up is 'Invisible Guest' where driving and primal percussion meet a kaleidoscope of colour; a menacing track that's perfectly balanced by soft edges and restoring pads. 'Tarpene' shows a different side of Chontane's productions altogether, a UK inspired cut of techno-stamped breaks that's both emotive and functional.
Then comes 'Flux' a sweat-inducing hypnotic roller that taps into our addictive qualities. Seductive chords mesh with galloping percussion in a trippy peak-time ride through the club's dark corridors. The record comes to a close with 'Art Of Survival', the Berlin based producer embraces his techno roots, with an added sense of largeness and fun.
More
A1 Chontane - Invisible Guest
A2 Chontane - Tarpene
B1 Chontane - Flux
B2 Chontane - Art of Survival
Release Note:
Growing up in Berlin immersed within underground subculture, Chontane started playing regularly at the early age of nineteen kicking things off with a residency at the Krach nights in Humboldthain and then playing some of the cities most revered clubs, including: Tresor, : //About Blank and OHM.
With his first record release in 2018 still receiving praise and support, Chontane has wasted no time in reaffirming his capabilities. With another successful collaborative release on Magic Power with WERK co-founder J.Manuel and a 4 track EP on the Special Projects sub-label of Radio Slave's Rekids imprint. The young producer is constantly blurring the lines between techno, breaks and electro in the capital; breaking down some of the perceived barriers that were once there.
Now Chontane brings his colourful and energetic brand of blurred techno to Lobster Theremin's White series with four hedonistic and mind-altering weapons. First up is 'Invisible Guest' where driving and primal percussion meet a kaleidoscope of colour; a menacing track that's perfectly balanced by soft edges and restoring pads. 'Tarpene' shows a different side of Chontane's productions altogether, a UK inspired cut of techno-stamped breaks that's both emotive and functional.
Then comes 'Flux' a sweat-inducing hypnotic roller that taps into our addictive qualities. Seductive chords mesh with galloping percussion in a trippy peak-time ride through the club's dark corridors. The record comes to a close with 'Art Of Survival', the Berlin based producer embraces his techno roots, with an added sense of largeness and fun.
More
1
Tim Reaper - Whirlpools
2
Devnull & Tim Reaper - Give It 2 Me (Coco Bryce remix)
3
Tim Reaper - Ecospheres
4
Tim Reaper - On Repeat
Tracklisting:
A1 Tim Reaper - Whirlpools
A2 Devnull & Tim Reaper - Give It 2 Me (Coco Bryce remix)
B1 Tim Reaper - Ecospheres
B2 Tim Reaper - On Repeat
Sales Note:
One of modern jungle's most recognisable names, Tim Reaper, returns to Lobster Theremin for another high energy exploration of breakbeat manipulation.
Aqueous roller Whirlpool opens up proceedings before LT family member Coco Bryce's raucous remix of Give It 2 Me, the blistering Devnull collaboration previously released on Lobster Theremin. On the flip, title track Ecospheres provides a solid slab of jungle techno and closing track On Repeat rings true as an earworm with it's hypnotic analog synth lines and sultry vocal.
More
A1 Tim Reaper - Whirlpools
A2 Devnull & Tim Reaper - Give It 2 Me (Coco Bryce remix)
B1 Tim Reaper - Ecospheres
B2 Tim Reaper - On Repeat
Sales Note:
One of modern jungle's most recognisable names, Tim Reaper, returns to Lobster Theremin for another high energy exploration of breakbeat manipulation.
Aqueous roller Whirlpool opens up proceedings before LT family member Coco Bryce's raucous remix of Give It 2 Me, the blistering Devnull collaboration previously released on Lobster Theremin. On the flip, title track Ecospheres provides a solid slab of jungle techno and closing track On Repeat rings true as an earworm with it's hypnotic analog synth lines and sultry vocal.
More
1
Amy Dabbs & Coco Bryce - Twenty One Highs
2
Amy Dabbs & Coco Bryce - Allude
3
Amy Dabbs & Coco Bryce - Geezer Like Me
4
Amy Dabbs & Coco Bryce - Ma Bae Be Blonde
Tracklisting:
A1 Amy Dabbs & Coco Bryce - Twenty One Highs
A2 Amy Dabbs & Coco Bryce - Allude
B1 Amy Dabbs & Coco Bryce - Geezer Like Me
B2 Amy Dabbs & Coco Bryce - Ma Bae Be Blonde
Sales Note:
The Slightly Involved project is a collaboration between Amy Dabbs & Coco Bryce, in which they bring their own styles and techniques to tracks the other artist has recently released.
In this first instalment, using tracks released solely via Lobster Theremin and its sub-labels, Amy Dabbs' Girl Like Me and Allure get the full Coco Bryce treatment, and Amy Dabbs takes on Coco's Twenty One Lies and Ma Bae Be Luv.
Coco, renowned for incorporating elaborately edited layers of breaks samples into his sound, serves up a slice of acid jazz in Geezer Like Me, his take on Amy Dabbs' Girl Like Me. Complementing this, is Allude, an edgier jungle version of Amy's track, Allure.
Amy, who codes her own drum patterns from the ground up, delivers us Twenty One Highs, a liquid style take on Coco Bryce's Twenty One Lies, with Ma Bae Be Blonde, her version of Coco's Ma Bae Be Luv, paying homage to the UK's early rave era. More
A1 Amy Dabbs & Coco Bryce - Twenty One Highs
A2 Amy Dabbs & Coco Bryce - Allude
B1 Amy Dabbs & Coco Bryce - Geezer Like Me
B2 Amy Dabbs & Coco Bryce - Ma Bae Be Blonde
Sales Note:
The Slightly Involved project is a collaboration between Amy Dabbs & Coco Bryce, in which they bring their own styles and techniques to tracks the other artist has recently released.
In this first instalment, using tracks released solely via Lobster Theremin and its sub-labels, Amy Dabbs' Girl Like Me and Allure get the full Coco Bryce treatment, and Amy Dabbs takes on Coco's Twenty One Lies and Ma Bae Be Luv.
Coco, renowned for incorporating elaborately edited layers of breaks samples into his sound, serves up a slice of acid jazz in Geezer Like Me, his take on Amy Dabbs' Girl Like Me. Complementing this, is Allude, an edgier jungle version of Amy's track, Allure.
Amy, who codes her own drum patterns from the ground up, delivers us Twenty One Highs, a liquid style take on Coco Bryce's Twenty One Lies, with Ma Bae Be Blonde, her version of Coco's Ma Bae Be Luv, paying homage to the UK's early rave era. More
1
Samantha Togni - Gasoline
2
Samantha Togni - Moon Child
3
Samantha Togni - Dark Horse
4
Samantha Togni - My Gaze Is Still To The Infinite
5
Samantha Togni - Disobedience
Tracklisting:
A1 Samantha Togni - Gasoline
A2 Samantha Togni - Moon Child
A3 Samantha Togni - Dark Horse
B1 Samantha Togni - My Gaze Is Still To The Infinite
B2 Samantha Togni - Disobedience
Release Note:
Hot on the heels of previous releases on Derestricted, TITDM and their own label Boudica, Samantha Togni makes her Lobster Theremin debut, reimaging club-focused sounds and rallying techno through their own dark and industrial lens.
Opening track 'Gasoline' wastes no time, with pulsating bass notes and sharp percussion carrying us along for the ride. As the first breakdown comes to a head Togni takes it up a gear, introducing rave-induced stabs that dance across the stereo spectrum. 'Moon Child' feels both raw and celestial, starting with breakbeats and reflective synths as acidic drones bubble in the background, before we're dosed with an onslaught of 4/4 kick drums and warped snares on 'Dark Horse'.
'My Gaze Is To The Infinite' is vast and imposing - a result of pent up energy and frustration channeled into a flurry of intoxicating rhythms and futuristic melodies. 'Disobedience' follows suit, ringing out like a protest amplified by marching kick drums and bodily unrest; Samantha uses a strong vocal sample layered between coiling synths and rolling percussion, giving off huge anti-authoritrian energy.
More
A1 Samantha Togni - Gasoline
A2 Samantha Togni - Moon Child
A3 Samantha Togni - Dark Horse
B1 Samantha Togni - My Gaze Is Still To The Infinite
B2 Samantha Togni - Disobedience
Release Note:
Hot on the heels of previous releases on Derestricted, TITDM and their own label Boudica, Samantha Togni makes her Lobster Theremin debut, reimaging club-focused sounds and rallying techno through their own dark and industrial lens.
Opening track 'Gasoline' wastes no time, with pulsating bass notes and sharp percussion carrying us along for the ride. As the first breakdown comes to a head Togni takes it up a gear, introducing rave-induced stabs that dance across the stereo spectrum. 'Moon Child' feels both raw and celestial, starting with breakbeats and reflective synths as acidic drones bubble in the background, before we're dosed with an onslaught of 4/4 kick drums and warped snares on 'Dark Horse'.
'My Gaze Is To The Infinite' is vast and imposing - a result of pent up energy and frustration channeled into a flurry of intoxicating rhythms and futuristic melodies. 'Disobedience' follows suit, ringing out like a protest amplified by marching kick drums and bodily unrest; Samantha uses a strong vocal sample layered between coiling synths and rolling percussion, giving off huge anti-authoritrian energy.
More
1
Vixen - Vibe Catcher
2
Vixen - Maladaptive Daydreamer
3
Vixen - High Femme Fantasy
4
Vixen - Maladaptive Daydreamer (Swedish Forest Mix) (Schacke remix)
Tracklisting:
A1 Vixen - Vibe Catcher
A2 Vixen - Maladaptive Daydreamer
B1 Vixen - High Femme Fantasy
B2 Vixen - Maladaptive Daydreamer (Swedish Forest Mix) (Schacke remix)
Release Note:
Copenhagen-via-Bulgaria producer Vixen readies her Lobster Theremin debut. Influenced by the high velocity techno sounds of the Danish capital, Vixen has been gathering momentum within her local circuit in addition to being a member of the renowned DIY collective Fast Forward, and here she delivers four cuts of big-room trance-techno.
'Vibe Catcher' is as ghostly as it is alien; a sonic trip through solar wastelands and otherworldly graveyards - unapologetic warehouse techno for the misfits of the underworld. 'Maladaptive Daydreamer' follows in a similar vein, the energy becoming a little more urgent as strobe lights flash overhead.
'High Femme Fantasy' is a homage to the progressive sound re-rise that has infiltrated so much of the contemporary dance music soundscape; a pulsating cut of atmospheric techno. Fun taken seriously.
Finalising the release is a remix from Danish contemporary royalty - Schacke burst onto the scene releasing on Courtesy's Kulor label - an imprint dedicated to the sounds of the Danish underground - and an incredible release on Russian label Kisloty, and the producers rendition of 'Maladaptive Daydreamer' is sure to be a late contender for many people's track of the year lists.
More
A1 Vixen - Vibe Catcher
A2 Vixen - Maladaptive Daydreamer
B1 Vixen - High Femme Fantasy
B2 Vixen - Maladaptive Daydreamer (Swedish Forest Mix) (Schacke remix)
Release Note:
Copenhagen-via-Bulgaria producer Vixen readies her Lobster Theremin debut. Influenced by the high velocity techno sounds of the Danish capital, Vixen has been gathering momentum within her local circuit in addition to being a member of the renowned DIY collective Fast Forward, and here she delivers four cuts of big-room trance-techno.
'Vibe Catcher' is as ghostly as it is alien; a sonic trip through solar wastelands and otherworldly graveyards - unapologetic warehouse techno for the misfits of the underworld. 'Maladaptive Daydreamer' follows in a similar vein, the energy becoming a little more urgent as strobe lights flash overhead.
'High Femme Fantasy' is a homage to the progressive sound re-rise that has infiltrated so much of the contemporary dance music soundscape; a pulsating cut of atmospheric techno. Fun taken seriously.
Finalising the release is a remix from Danish contemporary royalty - Schacke burst onto the scene releasing on Courtesy's Kulor label - an imprint dedicated to the sounds of the Danish underground - and an incredible release on Russian label Kisloty, and the producers rendition of 'Maladaptive Daydreamer' is sure to be a late contender for many people's track of the year lists.
More
1
Maroki - Pots & Pans & Handstands
2
Maroki - Hasnoot
3
Maroki - Boiler
4
Maroki - San Andras
Tracklisting:
A1 Maroki - Pots & Pans & Handstands
A2 Maroki - Hasnoot
B1 Maroki - Boiler
B2 Maroki - San Andras
Release Note:
Amsterdam via Wales DJ & producer Maroki unveils a darker, more eccentric side to his productions, this time opting for four bass heavy, left-leaning cuts of idiosyncratic dance-floor experimentation on LTFIRE. Nestled amongst the trees along the river lJ, Maroki is surrounded by influence, from the city's bustling streets to the tranquility of nature's boundless beauty; Maroki's work walks the tight-tope between these two spaces, a place where machines and human complexity meet.
'Pots & Pans & Handstands' opens up the A-Side with a highoctane journey, meshing breaks and shape-shifting bass with hoovering pads that sound like landing UFOs. 'Hasnoot'
continues this menacing theme, providing an immersive experience that feels compulsive and raw. Yet, there's elements of fun and flashes of colour, adding to the almost audio visual vibe Maroki can create.
The B side opens with 'Boiler' a nocturnal groove that sways ominously in the wind; If the UFOs were landing on the records A side, this is the soundtrack to their dystopian future. Maroki completes his metamorphosis with 'San Andras', visuals of large spaces with high concrete ceilings come to mind, where the track's mechanics can thrive, reverberating beautifully amongst the looming shadows of dancers. More
A1 Maroki - Pots & Pans & Handstands
A2 Maroki - Hasnoot
B1 Maroki - Boiler
B2 Maroki - San Andras
Release Note:
Amsterdam via Wales DJ & producer Maroki unveils a darker, more eccentric side to his productions, this time opting for four bass heavy, left-leaning cuts of idiosyncratic dance-floor experimentation on LTFIRE. Nestled amongst the trees along the river lJ, Maroki is surrounded by influence, from the city's bustling streets to the tranquility of nature's boundless beauty; Maroki's work walks the tight-tope between these two spaces, a place where machines and human complexity meet.
'Pots & Pans & Handstands' opens up the A-Side with a highoctane journey, meshing breaks and shape-shifting bass with hoovering pads that sound like landing UFOs. 'Hasnoot'
continues this menacing theme, providing an immersive experience that feels compulsive and raw. Yet, there's elements of fun and flashes of colour, adding to the almost audio visual vibe Maroki can create.
The B side opens with 'Boiler' a nocturnal groove that sways ominously in the wind; If the UFOs were landing on the records A side, this is the soundtrack to their dystopian future. Maroki completes his metamorphosis with 'San Andras', visuals of large spaces with high concrete ceilings come to mind, where the track's mechanics can thrive, reverberating beautifully amongst the looming shadows of dancers. More
1
Eliza Rose & M4A4 - Night Lyf
2
Eliza Rose & M4A4 - Delectable
3
Eliza Rose & M4A4 - Temptation
4
Eliza Rose & M4A4 - Trouble Maker
Tracklisting:
A1 Eliza Rose & M4A4 - Night Lyf
A2 Eliza Rose & M4A4 - Delectable
B1 Eliza Rose & M4A4 - Temptation
B2 Eliza Rose & M4A4 - Trouble Maker
Release Note:
Hackney native Eliza Rose has learned everything she knows from her local soundscape. Growing up on the 2-step and 4x4 rhythms of UK Garage (citing the sounds of Lovestation's Teardrops and B-15's Girls Like Us as her first true garage experience) and spending her spare time listening to artists such as Billie Holiday, Ella Fitzgerald and other jazz and soul associated artists has provided the platform for one of London's leading lights to truly shine - whether it be through house, garage, mo-town, soul or funk - seamlessly blending eras and sounds together through retro-modern vocals and productions on her own Rosebud Recordings.
There couldn't be a more fitting artist to celebrate Lobster Theremin's milestone 100th release with, having been a part of the Lobster family for some time now through a long-standing friendship and record shop & label responsibilities, and alongside emerging label affiliate M4A4 the pair deliver 4 killer cuts of 2-step, house-garage and jungle fitting of the moment.
"With Shades of Red I wanted to combine my love of Jazz style vocals alongside my love for UK garage in a way that still felt authentic for both sounds", she says. "I'm very interested in revamping and presenting the 'old skool' for a new audience while hoping that the people who do have respect for these more retro sounds will also appreciate the tracks. For example the lyrics 'such an uneasy evil' ect in Nyt lyf is a nod to the track of the same name which is one of my favourite Jazz standards."
'All Night Long' is a bass-driven bouncer; romantic lyricism, skippy beats and punchy production makes for an easy-listening groove that could just as easily go off in the club, while 'Delectable' sees Eliza marry lounge-jazz vocalisation with M4A4's joyous blend of UK and US garage - inspired, uplifting and joyous. 'Temptation' is a celebration of the Hackney melting pot; meandering through blues, soul, jazz, house and garage in a contemporary blend of old and new, before a late-night rush in the rave is inspired by the 160 breakbeats and lairy basslines of 'Troublemaker's jungle riddim.
100 releases. A massive thank you to everyone who has supported us since the beginning and the friends we've made along the way - here's to 100 more! More
A1 Eliza Rose & M4A4 - Night Lyf
A2 Eliza Rose & M4A4 - Delectable
B1 Eliza Rose & M4A4 - Temptation
B2 Eliza Rose & M4A4 - Trouble Maker
Release Note:
Hackney native Eliza Rose has learned everything she knows from her local soundscape. Growing up on the 2-step and 4x4 rhythms of UK Garage (citing the sounds of Lovestation's Teardrops and B-15's Girls Like Us as her first true garage experience) and spending her spare time listening to artists such as Billie Holiday, Ella Fitzgerald and other jazz and soul associated artists has provided the platform for one of London's leading lights to truly shine - whether it be through house, garage, mo-town, soul or funk - seamlessly blending eras and sounds together through retro-modern vocals and productions on her own Rosebud Recordings.
There couldn't be a more fitting artist to celebrate Lobster Theremin's milestone 100th release with, having been a part of the Lobster family for some time now through a long-standing friendship and record shop & label responsibilities, and alongside emerging label affiliate M4A4 the pair deliver 4 killer cuts of 2-step, house-garage and jungle fitting of the moment.
"With Shades of Red I wanted to combine my love of Jazz style vocals alongside my love for UK garage in a way that still felt authentic for both sounds", she says. "I'm very interested in revamping and presenting the 'old skool' for a new audience while hoping that the people who do have respect for these more retro sounds will also appreciate the tracks. For example the lyrics 'such an uneasy evil' ect in Nyt lyf is a nod to the track of the same name which is one of my favourite Jazz standards."
'All Night Long' is a bass-driven bouncer; romantic lyricism, skippy beats and punchy production makes for an easy-listening groove that could just as easily go off in the club, while 'Delectable' sees Eliza marry lounge-jazz vocalisation with M4A4's joyous blend of UK and US garage - inspired, uplifting and joyous. 'Temptation' is a celebration of the Hackney melting pot; meandering through blues, soul, jazz, house and garage in a contemporary blend of old and new, before a late-night rush in the rave is inspired by the 160 breakbeats and lairy basslines of 'Troublemaker's jungle riddim.
100 releases. A massive thank you to everyone who has supported us since the beginning and the friends we've made along the way - here's to 100 more! More
1
Maruwa - On My Mind
2
Maruwa - Seven Heaven
3
Maruwa - This 1 Is For The Ravers
4
Maruwa - Electrain
Tracklisting:
A1 Maruwa - On My Mind
A2 Maruwa - Seven Heaven
B1 Maruwa - This 1 Is For The Ravers
B2 Maruwa - Electrain
Release Note:
Put on your ravin' shoes, Maruwa navigates a wild ride through dreamy trance, broken-beats, breezy edits, traversing through big room bangers for heady nights in the club. More
A1 Maruwa - On My Mind
A2 Maruwa - Seven Heaven
B1 Maruwa - This 1 Is For The Ravers
B2 Maruwa - Electrain
Release Note:
Put on your ravin' shoes, Maruwa navigates a wild ride through dreamy trance, broken-beats, breezy edits, traversing through big room bangers for heady nights in the club. More
1
D. Dan - A1. Switchblade (Descendant Mix)
2
D. Dan - A2. Mutant Future
3
D. Dan - A3. Burnout
4
D. Dan - B1. Escape From The Echo Chamber
5
D. Dan - B2. Take It Easy
6
D. Dan - B3. Sun Over I-5 South
Techno demon D.Dan kicks off 2020 with big dystopian energy. Raw grooves, slippery psychedelia, and slammin' low end. Following a series of adored releases from D.Dan, 'Mutant Future' EP is a dynamic release that pulls you in hard and spins you out glistening.
Warped machine paranoia, 'Switchblade (Descendant Mix)' is an unforgiving opener, while Frantic 'Mutant Future' is a steely trip through D.Dan's dystopian time tunnel - an absolute weapon! 'Burnout' is a high octane, electro punisher for the true techno lovers. On the flip, 'Escape The Echo Chamber' is a fun affair - distorted keys to spiral out to - big tip for the wee hours! 'Take It Easy' nods to UK sounds and kickin 4/4 beat. Closing track, 'Sun Over I-5 South' is stripped back dynamic, techy groover, perfect for the twilight zone spinners with a CPH sound. More
Warped machine paranoia, 'Switchblade (Descendant Mix)' is an unforgiving opener, while Frantic 'Mutant Future' is a steely trip through D.Dan's dystopian time tunnel - an absolute weapon! 'Burnout' is a high octane, electro punisher for the true techno lovers. On the flip, 'Escape The Echo Chamber' is a fun affair - distorted keys to spiral out to - big tip for the wee hours! 'Take It Easy' nods to UK sounds and kickin 4/4 beat. Closing track, 'Sun Over I-5 South' is stripped back dynamic, techy groover, perfect for the twilight zone spinners with a CPH sound. More
1
Narciss - A1. Diable Jambe
2
Narciss - A2. Sundowner (Body 2 Body Mix)
3
Narciss - B1. Detroit Smash
4
Narciss - B2. Fragments Of A Language Of Love
Narciss makes his Lobster Theremin debut with the four-to-the-floor techno and trance leaning 'Language Of Love' EP.
Berlin based DJ and producer Narciss serves up his heaviest offering to day, with this four-track, hard-driving, slime-coated EP glued together with soaring 90's euphoric trance pads, thundering low end, crackling hi-hats and monstrous techno drops. Pure emotion with the primary purpose of causing mayhem on the dancefloor. Warehouse anthems for the home ravers.
- Black, Gold & Blue spatter vinyl - More
Berlin based DJ and producer Narciss serves up his heaviest offering to day, with this four-track, hard-driving, slime-coated EP glued together with soaring 90's euphoric trance pads, thundering low end, crackling hi-hats and monstrous techno drops. Pure emotion with the primary purpose of causing mayhem on the dancefloor. Warehouse anthems for the home ravers.
- Black, Gold & Blue spatter vinyl - More
1
Coco Bryce - Flight Six Six Six
2
Coco Bryce - Vegan Library
3
Coco Bryce - Deep Into The Jungle
4
Coco Bryce - Only When I'm Dreaming
Tracklisting:
A1 Coco Bryce - Flight Six Six Six
A2 Coco Bryce - Vegan Library
B1 Coco Bryce - Deep Into The Jungle
B2 Coco Bryce - Only When I'm Dreaming
Release Note:
Dutch DJ / producer Coco Bryce makes his anticipated return to Lobster Theremin with another stellar EP of breakbeat-heavy jungle goodness.
Hailing from Breda, Netherlands Coco Bryce is an artist who cemented his way into every vinyl lovers bag over the past few years, time and time again delivering killer records with his own unique take on jungle and breakbeat. Bryce's sound blends classic jungle breaks with dreamy synth patterns and clever sampling creating a truly original signature take on the genre. At once old school yet so achingly fresh and exciting.
"Deep Into The Jungle EP" drops Friday 2nd October via Lobster Theremin. Preorder HERE
More
A1 Coco Bryce - Flight Six Six Six
A2 Coco Bryce - Vegan Library
B1 Coco Bryce - Deep Into The Jungle
B2 Coco Bryce - Only When I'm Dreaming
Release Note:
Dutch DJ / producer Coco Bryce makes his anticipated return to Lobster Theremin with another stellar EP of breakbeat-heavy jungle goodness.
Hailing from Breda, Netherlands Coco Bryce is an artist who cemented his way into every vinyl lovers bag over the past few years, time and time again delivering killer records with his own unique take on jungle and breakbeat. Bryce's sound blends classic jungle breaks with dreamy synth patterns and clever sampling creating a truly original signature take on the genre. At once old school yet so achingly fresh and exciting.
"Deep Into The Jungle EP" drops Friday 2nd October via Lobster Theremin. Preorder HERE
More
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REPRESS!
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Ken Ishii - A1. Into The Inside (2024 Remaster)
2
Ken Ishii - A2. Fading Sky (2024 Remaster)
3
Ken Ishii - A3. Non Essential (2024 Remaster)
4
Ken Ishii - B1. Finite Time (2024 Remaster)
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Ken Ishii - B2. Interjection (2024 Remaster)
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Ken Ishii - B3. Scene One (2024 Remaster)
LP 180g Heavyweight vinyl, Remastered, with original track-list available on vinyl for the first time
"Ken Ishii has risen to be one of techno's biggest names" Bandcamp Daily
"A pivotal moment in the history of techno, ambient and electronic music from Japan. An important milestone in a journey to explore the endless possibilities of music and a precious result of our passion and adventure at the time" Manabu Yamazaki (Sublime Records)
GENRE: Techno, Ambient
Tracklist:
1. Into The Inside (2024 Remaster)
2. Fading Sky (2024 Remaster)
3. Non Essential (2024 Remaster)
Side B
1. Finite Time (2024 Remaster)
2. Interjection (2024 Remaster)
3. Scene One (2024 Remaster)
New liner notes by Martyn Pepperell
The musician and DJ Ken Ishii sits right at the pinnacle of techno's most noteworthy, but although a game changer for the artist personally - and for Japanese electronic music in general - his 1994 album 'Reference to Difference' is something of an unsung gem today.
Now reissued and remastered, released to mark the 30th anniversary of Musicmine / Sublime Records, and available on vinyl with its original track-list for the first time, this stunning, lesser-known classic is ripe for rediscovery.
Born 1970 in Sapporo, Ishii was introduced to electronic music at a young age through arcade games, and Japanese and German pioneers like Yellow Magic Orchestra, Isao Tomita and Kraftwerk. During his teens, he absorbed new wave, synth-pop, EBM and industrial, before making a life-changing discovery of Detroit techno in the late 80s.
As the 1990s dawned, so did his introduction to Black Dog Productions and Warp Records' Artificial Intelligence compilations. Blown away by the emerging British and American IDM, braindance, and ambient techno movements, he quickly folded their influence into his still-developing but cultivated aesthetic.
A futuristic confluence of unplaceable ambient atmospheres, space age techno, IDM and minimalist composition, 'Reference To Difference' unfolds as an effortless series of exercises in pristine synth textures, robust man/machine rhythm and understated melodies. It teleports the listener back to a golden moment in the mid-1990s, when a dedicated generation rose out of Tokyo's storied clubs and took the innovation, energy, and creativity of Japan's unique techno culture to the world.
Opened in 1993, Maniac Love was a new nightclub where Manabu Yamazaki aka DJ Yama promoted the Sublime parties, which soon became a crucial hub within the burgeoning Tokyo underground. It was here where Yamazaki rubbed shoulders with peers including Ishii and Susumu Yokota, and the trio's future became intertwined.
Much like Ishii, the late Susumu Yokota began his musical career by reaching out to Europe. Not long before Ishii released his debut longplayer 'Garden On The Palm' through Belgium's R&S, Yokota released his debut LP 'The Frankfurt-Tokyo Connection' through Harthouse, the German label co-founded by Sven Väth. In the wake of both records' overseas success, Ishii and Yokota set a benchmark for techno in Japan.
By 1993, as they both became in-demand producers and DJs, it felt like their dreams were coming true. Through talking with Ishii and Yokota, Yamazaki became emboldened to transform Sublime into a record label.
Soon after, Yamazaki partnered with Hideoki Amano, who was on the verge of founding Musicmine, a now respected and longstanding independent Japanese music company. As Yamazaki tells it, Amano helped him turn his dream into a reality: Sublime Records.
For Musicmine and Sublime Records' inaugural album releases, Yamazaki and Amano approached both Ishii and Yokota, resulting in the simultaneous drop of 'Reference To Difference' and 'Acid Mt. Fuji' respectively, on June 29th 1994.
Yamazaki remembered 'Reference To Difference' being well received by DJs, listeners, record store buyers and journalists, stating "people were excited by this new wave of music coming out of Japan, and had high praise for its unique sound."
With the pair of LPs further stamping Japan on the contemporary musical globe, the scene was beginning to boom at home too. Specialist record stores, and club music magazines like Ele-King and Loud spread the word, and in the wake of Maniac Love's impact, new nightclubs like the legendary Liquid Room were opening up, bringing a steady stream of world-famous DJs to the Japanese capital.
"Without a doubt, I think the arrival of Ken Ishii was a major turning point for the Japanese music industry in the 1990s," Amano reflected. "Nowadays, the Western club music scene is rediscovering Japanese techno from the 1990s, and digging our music is a common sight, but before Ken Ishii, no Japanese DJ was in sync with the global club music scene. He was the catalyst."
"Looking back, I can tell it was meaningful that this was one of the first techno albums by a Japanese artist that was released on a Japanese label," Ishii reflects. "Maybe I did something that bridged between old school Japanese electronic music and 'new school' techno in line with the Detroit sound with this record" he adds, in modest understatement.
The new liner notes were written Martyn Pepperell, a well-regarded music journalist who has covered Susumu Yokota for Wax Poetics and Midori Takada for Dazed, amongst numerous other articles.
Ken Ishi DJ dates:
Fri 14 June Tokyo, Japan : MUSICMINE 30th Anniversary @ WWW
Sat 15 June Nagano Pref, Japan : Re:birth Festival 2024 @ Kurumayama-Kogen Skypark Resort
Sat 22 June Tbilisi, Georgia : Tbilisi Open Air (Khidi Stage) @ Lisi Wonderland
Fri 12 July Tokyo, Japan : TECHNOH LAB. @ Suigian (*Non+techno performance with Manjiro Tatsumi)
Fri 12 July Tokyo, Japan : @ Vent
Fri 26 July Tokyo, Japan : @ Shinjuku Loft
Sun 28 July Naeba, Japan : @ Fuji Rock Festival
Sat 31 August Amsterdam, The Netherlands : Wooferland 2024 @ Houtrak Halfweg
More
"Ken Ishii has risen to be one of techno's biggest names" Bandcamp Daily
"A pivotal moment in the history of techno, ambient and electronic music from Japan. An important milestone in a journey to explore the endless possibilities of music and a precious result of our passion and adventure at the time" Manabu Yamazaki (Sublime Records)
GENRE: Techno, Ambient
Tracklist:
1. Into The Inside (2024 Remaster)
2. Fading Sky (2024 Remaster)
3. Non Essential (2024 Remaster)
Side B
1. Finite Time (2024 Remaster)
2. Interjection (2024 Remaster)
3. Scene One (2024 Remaster)
New liner notes by Martyn Pepperell
The musician and DJ Ken Ishii sits right at the pinnacle of techno's most noteworthy, but although a game changer for the artist personally - and for Japanese electronic music in general - his 1994 album 'Reference to Difference' is something of an unsung gem today.
Now reissued and remastered, released to mark the 30th anniversary of Musicmine / Sublime Records, and available on vinyl with its original track-list for the first time, this stunning, lesser-known classic is ripe for rediscovery.
Born 1970 in Sapporo, Ishii was introduced to electronic music at a young age through arcade games, and Japanese and German pioneers like Yellow Magic Orchestra, Isao Tomita and Kraftwerk. During his teens, he absorbed new wave, synth-pop, EBM and industrial, before making a life-changing discovery of Detroit techno in the late 80s.
As the 1990s dawned, so did his introduction to Black Dog Productions and Warp Records' Artificial Intelligence compilations. Blown away by the emerging British and American IDM, braindance, and ambient techno movements, he quickly folded their influence into his still-developing but cultivated aesthetic.
A futuristic confluence of unplaceable ambient atmospheres, space age techno, IDM and minimalist composition, 'Reference To Difference' unfolds as an effortless series of exercises in pristine synth textures, robust man/machine rhythm and understated melodies. It teleports the listener back to a golden moment in the mid-1990s, when a dedicated generation rose out of Tokyo's storied clubs and took the innovation, energy, and creativity of Japan's unique techno culture to the world.
Opened in 1993, Maniac Love was a new nightclub where Manabu Yamazaki aka DJ Yama promoted the Sublime parties, which soon became a crucial hub within the burgeoning Tokyo underground. It was here where Yamazaki rubbed shoulders with peers including Ishii and Susumu Yokota, and the trio's future became intertwined.
Much like Ishii, the late Susumu Yokota began his musical career by reaching out to Europe. Not long before Ishii released his debut longplayer 'Garden On The Palm' through Belgium's R&S, Yokota released his debut LP 'The Frankfurt-Tokyo Connection' through Harthouse, the German label co-founded by Sven Väth. In the wake of both records' overseas success, Ishii and Yokota set a benchmark for techno in Japan.
By 1993, as they both became in-demand producers and DJs, it felt like their dreams were coming true. Through talking with Ishii and Yokota, Yamazaki became emboldened to transform Sublime into a record label.
Soon after, Yamazaki partnered with Hideoki Amano, who was on the verge of founding Musicmine, a now respected and longstanding independent Japanese music company. As Yamazaki tells it, Amano helped him turn his dream into a reality: Sublime Records.
For Musicmine and Sublime Records' inaugural album releases, Yamazaki and Amano approached both Ishii and Yokota, resulting in the simultaneous drop of 'Reference To Difference' and 'Acid Mt. Fuji' respectively, on June 29th 1994.
Yamazaki remembered 'Reference To Difference' being well received by DJs, listeners, record store buyers and journalists, stating "people were excited by this new wave of music coming out of Japan, and had high praise for its unique sound."
With the pair of LPs further stamping Japan on the contemporary musical globe, the scene was beginning to boom at home too. Specialist record stores, and club music magazines like Ele-King and Loud spread the word, and in the wake of Maniac Love's impact, new nightclubs like the legendary Liquid Room were opening up, bringing a steady stream of world-famous DJs to the Japanese capital.
"Without a doubt, I think the arrival of Ken Ishii was a major turning point for the Japanese music industry in the 1990s," Amano reflected. "Nowadays, the Western club music scene is rediscovering Japanese techno from the 1990s, and digging our music is a common sight, but before Ken Ishii, no Japanese DJ was in sync with the global club music scene. He was the catalyst."
"Looking back, I can tell it was meaningful that this was one of the first techno albums by a Japanese artist that was released on a Japanese label," Ishii reflects. "Maybe I did something that bridged between old school Japanese electronic music and 'new school' techno in line with the Detroit sound with this record" he adds, in modest understatement.
The new liner notes were written Martyn Pepperell, a well-regarded music journalist who has covered Susumu Yokota for Wax Poetics and Midori Takada for Dazed, amongst numerous other articles.
Ken Ishi DJ dates:
Fri 14 June Tokyo, Japan : MUSICMINE 30th Anniversary @ WWW
Sat 15 June Nagano Pref, Japan : Re:birth Festival 2024 @ Kurumayama-Kogen Skypark Resort
Sat 22 June Tbilisi, Georgia : Tbilisi Open Air (Khidi Stage) @ Lisi Wonderland
Fri 12 July Tokyo, Japan : TECHNOH LAB. @ Suigian (*Non+techno performance with Manjiro Tatsumi)
Fri 12 July Tokyo, Japan : @ Vent
Fri 26 July Tokyo, Japan : @ Shinjuku Loft
Sun 28 July Naeba, Japan : @ Fuji Rock Festival
Sat 31 August Amsterdam, The Netherlands : Wooferland 2024 @ Houtrak Halfweg
More
1
Theo Parrish - Overyohead
2
Theo Parrish - Dance Of The Drunken Drums
Repress!
Don't let this one go over yo head son! The final repress from Sound Signature HQ is an essential slab of late 90s Motor City deepness from Theo, presented once again for contemporary reassessment and sounding every bit as jaw dropping 14 years on. Dropping back in 1999, title cut "Overyohead" came to be regarded as a quintessential Theo Parrish track; strings incandescent with soul and lovingly off centre Rhodes riding those heavy drum arrangements towards a sweet piano infused crescendo. Face down, "Dance Of The Drunken Drums" is a prime example of Theo's own distinct brand of cavernous beatdown. More
Don't let this one go over yo head son! The final repress from Sound Signature HQ is an essential slab of late 90s Motor City deepness from Theo, presented once again for contemporary reassessment and sounding every bit as jaw dropping 14 years on. Dropping back in 1999, title cut "Overyohead" came to be regarded as a quintessential Theo Parrish track; strings incandescent with soul and lovingly off centre Rhodes riding those heavy drum arrangements towards a sweet piano infused crescendo. Face down, "Dance Of The Drunken Drums" is a prime example of Theo's own distinct brand of cavernous beatdown. More
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Theo Parrish - Smile
2
Theo Parrish - Lost Keys
3
Theo Parrish - Dreamer's Blues (Percussion By Jerry The Cat)
4
Theo Parrish - Lost Angel
Repress!
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1
Demon - You Are My High - Main Version (25th Anniversary)
2
Demon - You Are My High - Extended Version (25th Anniversary)
3
Demon - You Are My High - Radio Edit (25th Anniversary)
Territory: ww -fr -uk -benelux
Format
• Numbered 1500 ex
• 12inch
• Insert 30*30 cm
• One Sided Vinyl / Title text etched on side B
• Die Cut on Front cover
Genre
• Electronic
Tracklist
A1. You Are My High - Main Version (25th Anniversary)
A2. You Are My High - Extended Version (25th Anniversary)
A3. You Are My High - Radio Edit (25th Anniversary)
Info:
"When Demon released "You Are My High" at the end of 1999, all hell broke loose. Nominated at the Victoires and MTV Awards, the track was on the lips of every Frenchman and the CSA. 25 years later, the "You", inseparable from the French Touch, is more beautiful than ever. This summer, it will celebrate its anniversary on vinyl in a collector's edition.
150M streams, platinum disc, "You Are My High" explodes thanks to its clip, its French kiss in a fixed shot of 3min, which will earn it a brief passage to the CSA, who will try to censor it. before finally running H24 on television. You", as its creator liked to call it, left its mark on his era, inspiring a new generation of artists: Agar Agar, DJ Snake, Central Cee, Disclosure x Flume, Jean Paul Gaultier...
More
Format
• Numbered 1500 ex
• 12inch
• Insert 30*30 cm
• One Sided Vinyl / Title text etched on side B
• Die Cut on Front cover
Genre
• Electronic
Tracklist
A1. You Are My High - Main Version (25th Anniversary)
A2. You Are My High - Extended Version (25th Anniversary)
A3. You Are My High - Radio Edit (25th Anniversary)
Info:
"When Demon released "You Are My High" at the end of 1999, all hell broke loose. Nominated at the Victoires and MTV Awards, the track was on the lips of every Frenchman and the CSA. 25 years later, the "You", inseparable from the French Touch, is more beautiful than ever. This summer, it will celebrate its anniversary on vinyl in a collector's edition.
150M streams, platinum disc, "You Are My High" explodes thanks to its clip, its French kiss in a fixed shot of 3min, which will earn it a brief passage to the CSA, who will try to censor it. before finally running H24 on television. You", as its creator liked to call it, left its mark on his era, inspiring a new generation of artists: Agar Agar, DJ Snake, Central Cee, Disclosure x Flume, Jean Paul Gaultier...
More
1
Krystal Klear - Neutron Dance
2
Krystal Klear - Division Ave
3
Krystal Klear - Shockzoid
4
Krystal Klear - Moonshake Miner
2024 repress with new artwork
Tracklist
A. Neutron Dance
A2. Division Ave
B1. Shockzoid
B2. Moonshake Miner
Shortinfo:
You remember that kung fu kid movie, where he had to wash the motorcycles for years and then…whatever, constant dripping wears away the stone. Dublin-Manchester-NYC'S finest Krystal Klear (Cold Tonic, All City, Tooth Pick) has been honing his skills as a dress man for years and also made a name for himself as an expert in all things (electronic) boogie. "The Division" is his dapper debut EP for Running Back. Custom-made club studies shifting between sound factories, hot haciendas, heavenly lagoons and chrome-plated dance floors: fast, slow, hard and soft.
A love letter to dance music written with pink ink. Oh, and there is "Neutron Dance" on it as well…yes, the euphoric fun one. once again: dance!"
More
Tracklist
A. Neutron Dance
A2. Division Ave
B1. Shockzoid
B2. Moonshake Miner
Shortinfo:
You remember that kung fu kid movie, where he had to wash the motorcycles for years and then…whatever, constant dripping wears away the stone. Dublin-Manchester-NYC'S finest Krystal Klear (Cold Tonic, All City, Tooth Pick) has been honing his skills as a dress man for years and also made a name for himself as an expert in all things (electronic) boogie. "The Division" is his dapper debut EP for Running Back. Custom-made club studies shifting between sound factories, hot haciendas, heavenly lagoons and chrome-plated dance floors: fast, slow, hard and soft.
A love letter to dance music written with pink ink. Oh, and there is "Neutron Dance" on it as well…yes, the euphoric fun one. once again: dance!"
More
1
Rhye - The Fall (Maurice Fulton Remix)
2
Rhye - The Fall
Format Notes: 2024 first-time vinyl reissue, 140g vinyl, mastered by Simon Francis
Track List:
A1 The Fall (Maurice Fulton Remix)
B1 The Fall
Release Notes:
Maurice Fulton's outrageous remix of "The Fall" by Rhye has been cherished as a stone-cold masterpiece for the past decade. Out of print almost immediately, its legend has only grown and for too long it's been impossible to find a copy without parting with considerable cash. We've wanted to remedy this situation for years so we're delighted to announce that we've finally given it the Be With treatment.
The word ‘genius’ is bandied about liberally but it's fair to anoint Maurice Fulton with such lofty praise. Sheffield’s king of oddball disco, Fulton is one of our favourite artists, an outerspace-minded producer with roots in Baltimore club music who has no problem injecting dank interplanetary funk into the smoothest of acts. And so it goes with his remix of "The Fall". Rich and typically off-kilter, this is spellbinding disco par excellance. Fulton arms the track with a juddering electro-funk synth-bassline before shifting to a twanging disco reverb and conga-led, crash-cymbal-elevated groove.
Essential doesn't even cover it; it's just astonishingly good.
The gorgeous original, situated here on the flip, is a sublime serenade, all twinkling strings and sweet, sumptuous vocals over smooth, jazzy piano styles. It earned comparisons to Sade, Air and the xx upon initial release and it's still easy to understand why; it's warm and buoyant yet deeply melancholy. Elegantly downlifting, you could say.
Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12" well and truly slaps. The immaculate Record Industry pressing will ensure this incredibly sought-after masterpiece finds a home in many more DJ boxes this and every year.
More
Track List:
A1 The Fall (Maurice Fulton Remix)
B1 The Fall
Release Notes:
Maurice Fulton's outrageous remix of "The Fall" by Rhye has been cherished as a stone-cold masterpiece for the past decade. Out of print almost immediately, its legend has only grown and for too long it's been impossible to find a copy without parting with considerable cash. We've wanted to remedy this situation for years so we're delighted to announce that we've finally given it the Be With treatment.
The word ‘genius’ is bandied about liberally but it's fair to anoint Maurice Fulton with such lofty praise. Sheffield’s king of oddball disco, Fulton is one of our favourite artists, an outerspace-minded producer with roots in Baltimore club music who has no problem injecting dank interplanetary funk into the smoothest of acts. And so it goes with his remix of "The Fall". Rich and typically off-kilter, this is spellbinding disco par excellance. Fulton arms the track with a juddering electro-funk synth-bassline before shifting to a twanging disco reverb and conga-led, crash-cymbal-elevated groove.
Essential doesn't even cover it; it's just astonishingly good.
The gorgeous original, situated here on the flip, is a sublime serenade, all twinkling strings and sweet, sumptuous vocals over smooth, jazzy piano styles. It earned comparisons to Sade, Air and the xx upon initial release and it's still easy to understand why; it's warm and buoyant yet deeply melancholy. Elegantly downlifting, you could say.
Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12" well and truly slaps. The immaculate Record Industry pressing will ensure this incredibly sought-after masterpiece finds a home in many more DJ boxes this and every year.
More
1
Susumu Yokota - A1. Zenmai (2024 Remaster)
2
Susumu Yokota - A2. Kinoko (2024 Remaster)
3
Susumu Yokota - A3. Meijijingu (2024 Remaster)
4
Susumu Yokota - B1. Saboten (2024 Remaster)
5
Susumu Yokota - B2. Oh My God (2024 Remaster)
6
Susumu Yokota - B3. Tambarin (2024 Remaster)
7
Susumu Yokota - C1. Oponchi (2024 Remaster)
8
Susumu Yokota - C2. Ao-oni (2024 Remaster)
9
Susumu Yokota - C3.3. Akafuji (2024 Remaster)
10
Susumu Yokota - D1. Alphaville (2024 Remaster)
11
Susumu Yokota - D2. Tanuki (2024 Remaster)
12
Susumu Yokota - E1. Floating G (2024 Remaster)**
13
Susumu Yokota - E2. H (2024 Remaster)**
14
Susumu Yokota - E3. B (2024 Remaster)**
15
Susumu Yokota - F1. F (2024 Remaster)**
16
Susumu Yokota - F2. 2 H (2024 Remaster)**
Triple gatefold heavyweight 180g vinyl, Remastered original LP , Incl. 5 unreleased tracks released for the 1st time on vinyl`see tracklist below for details!
"A mesmerizing Japanese ambient techno masterpiece that that completely rewires how you perceive music" Electronic Beats
"A mountainous Masterpiece. A powerful testament to rave culture's establishment and the birth of a new scene in Japan emerging in the mid '90s. One of Yokota's most celebrated work that merges Japanese new age and minimal techno"
Alex From Tokyo (Japan Vibrations, world famous, Paris)
GENRE/S: Techno, Acid, Ambient
New liner notes by Alex From Tokyo
On July 26th Susumu Yokota's venerated 1994 classic 'Acid Mt. Fuji' is reissued in expanded, deluxe fashion, as part of the 30th anniversary celebrations of the label that originally presented it. Japan's Musicmine - specifically it's electronic subsidiary Sublime Records - released the album on June 29th 1994, simultaneously with Ken Ishii's 'Reference To Difference', as their inaugural joint offering.
'Acid Mt. Fuji' is an enchanting mix of mystical ambient acid and futurist minimal techno, taking the listeners on a psychedelic pilgrimage, where 303, synths and electronic percussion are scented with reverb, echo and forest recordings. Merging Japanese new age and sparse electronica, the recording is free, organic, and energized - proffering a unique blend of early 90s western styles and the essence of his home country.
Yokota originally planned an ambient record, but 'Acid Mt. Fuji' evolved into a concept work featuring the Roland TB-303, which he recorded live at home alongside a sampler, yielding experimental and innovative results.
The longplayer found its muse in the famed 18th-19th century artist Hokusai's red rendition of Mt. Fuji, known as 'Red Fuji' or 'Akafuji'. Part of the painter's renowned 'Thirty Six Views of Mt. Fuji' series from the 1830s, 'Red Fuji' depicts the iconic sacred mountain aglow in red at dawn, symbolizing spirituality and creativity. With references to Japanese folklore, nature and shrines, tracks like 'Kinoko' and 'Meijijingu' invite the listener to immerse themselves in the album's spiritual depths.
Yokota's own homage-to-Hokusai drawing graces the record's cover, and was inspired by the concept of wa (harmony) - highlighting his diverse skills not only as a musician, but an artist and designer too.
'Acid Mt. Fuji' is a powerful testament to the establishment of rave culture in Japan, which rapidly developed within just two years, from 1992 to 1994. Largely due to praise for the breathtaking originality of the LP, within this burgeoning national techno scene, Yokota rose to prominence as one of its key figures.
He then became one of the most renowned artists to emerge from his homeland and enter the global electronic pantheon. He inspired a new wave of Japanese producers and DJs, contributing significantly to the growth of the techno movement in Japan.
Yokota was a solitary figure, an artist who expressed his life through the continuous creation of music. For those seeking something different; mystical, soothing, pristinely ergonomic and uniquely Japanese, this record stands as iconic as Mt. Fuji itself.
-
This triple vinyl Deluxe Edition includes the original album's eleven tracks alongside five raw and jacking rare gems, available on wax for the first time, which were previously included only in the Japanese 2016 Deluxe Edition CD.
There are also two digital-only bonus tracks. One is a live performance by Yokota, titled 'Live at Shibuya Beam Hall', which was recorded at Sublime Records' label launch party, held in September 1994. It was previously only released on the aforementioned 2016 Japanese CD edition. This event, titled 'Sublime Records Presents New Style of Electronic Ambient Party' featured performances by Susumu Yokota, Ken Ishii, Yoshihiro Sawasaki, Speedy J and DJ Wada. This ten minute long, rare live recording captures Yokota playing a dynamic, fast paced acid house live jam, using two TB-303s and a drum machine. The other digital only bonus track is an alternative version of 'H', which was discovered recently whilst excavating a DAT.
The liner notes are written by DJ/producer Alex From Tokyo, who was a good friend of Yokota, and experienced the 90s Tokyo club scene first-hand as an insider. His compilation 'Japan Vibrations Vol. 1' captures this golden era, and features music by Prism (Susumu Yokota), Ryuichi Sakamoto, Haruomi Hosono, Yasuaki Shimizu, Quadra (Hiroshi Watanabe) and more.
3LP Vinyl
Catalogue no: MMDS24004LP
Side A
1. Zenmai (2024 Remaster)
2. Kinoko (2024 Remaster)
3. Meijijingu (2024 Remaster)
Side B
1. Saboten (2024 Remaster)
2. Oh My God (2024 Remaster)
3. Tambarin (2024 Remaster)
Side C
1. Oponchi (2024 Remaster)
2. Ao-oni (2024 Remaster)
3. Akafuji (2024 Remaster)
Side D
1. Alphaville (2024 Remaster)
2. Tanuki (2024 Remaster)
Side E
1. Floating G (2024 Remaster)**
2. H (2024 Remaster)**
3. B (2024 Remaster)**
Side F
1. F (2024 Remaster)**
2. 2 H (2024 Remaster)**
**= 5 unreleased tracks released for the 1st time on vinyl.
New liner notes by Martyn Pepperell
More
"A mesmerizing Japanese ambient techno masterpiece that that completely rewires how you perceive music" Electronic Beats
"A mountainous Masterpiece. A powerful testament to rave culture's establishment and the birth of a new scene in Japan emerging in the mid '90s. One of Yokota's most celebrated work that merges Japanese new age and minimal techno"
Alex From Tokyo (Japan Vibrations, world famous, Paris)
GENRE/S: Techno, Acid, Ambient
New liner notes by Alex From Tokyo
On July 26th Susumu Yokota's venerated 1994 classic 'Acid Mt. Fuji' is reissued in expanded, deluxe fashion, as part of the 30th anniversary celebrations of the label that originally presented it. Japan's Musicmine - specifically it's electronic subsidiary Sublime Records - released the album on June 29th 1994, simultaneously with Ken Ishii's 'Reference To Difference', as their inaugural joint offering.
'Acid Mt. Fuji' is an enchanting mix of mystical ambient acid and futurist minimal techno, taking the listeners on a psychedelic pilgrimage, where 303, synths and electronic percussion are scented with reverb, echo and forest recordings. Merging Japanese new age and sparse electronica, the recording is free, organic, and energized - proffering a unique blend of early 90s western styles and the essence of his home country.
Yokota originally planned an ambient record, but 'Acid Mt. Fuji' evolved into a concept work featuring the Roland TB-303, which he recorded live at home alongside a sampler, yielding experimental and innovative results.
The longplayer found its muse in the famed 18th-19th century artist Hokusai's red rendition of Mt. Fuji, known as 'Red Fuji' or 'Akafuji'. Part of the painter's renowned 'Thirty Six Views of Mt. Fuji' series from the 1830s, 'Red Fuji' depicts the iconic sacred mountain aglow in red at dawn, symbolizing spirituality and creativity. With references to Japanese folklore, nature and shrines, tracks like 'Kinoko' and 'Meijijingu' invite the listener to immerse themselves in the album's spiritual depths.
Yokota's own homage-to-Hokusai drawing graces the record's cover, and was inspired by the concept of wa (harmony) - highlighting his diverse skills not only as a musician, but an artist and designer too.
'Acid Mt. Fuji' is a powerful testament to the establishment of rave culture in Japan, which rapidly developed within just two years, from 1992 to 1994. Largely due to praise for the breathtaking originality of the LP, within this burgeoning national techno scene, Yokota rose to prominence as one of its key figures.
He then became one of the most renowned artists to emerge from his homeland and enter the global electronic pantheon. He inspired a new wave of Japanese producers and DJs, contributing significantly to the growth of the techno movement in Japan.
Yokota was a solitary figure, an artist who expressed his life through the continuous creation of music. For those seeking something different; mystical, soothing, pristinely ergonomic and uniquely Japanese, this record stands as iconic as Mt. Fuji itself.
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This triple vinyl Deluxe Edition includes the original album's eleven tracks alongside five raw and jacking rare gems, available on wax for the first time, which were previously included only in the Japanese 2016 Deluxe Edition CD.
There are also two digital-only bonus tracks. One is a live performance by Yokota, titled 'Live at Shibuya Beam Hall', which was recorded at Sublime Records' label launch party, held in September 1994. It was previously only released on the aforementioned 2016 Japanese CD edition. This event, titled 'Sublime Records Presents New Style of Electronic Ambient Party' featured performances by Susumu Yokota, Ken Ishii, Yoshihiro Sawasaki, Speedy J and DJ Wada. This ten minute long, rare live recording captures Yokota playing a dynamic, fast paced acid house live jam, using two TB-303s and a drum machine. The other digital only bonus track is an alternative version of 'H', which was discovered recently whilst excavating a DAT.
The liner notes are written by DJ/producer Alex From Tokyo, who was a good friend of Yokota, and experienced the 90s Tokyo club scene first-hand as an insider. His compilation 'Japan Vibrations Vol. 1' captures this golden era, and features music by Prism (Susumu Yokota), Ryuichi Sakamoto, Haruomi Hosono, Yasuaki Shimizu, Quadra (Hiroshi Watanabe) and more.
3LP Vinyl
Catalogue no: MMDS24004LP
Side A
1. Zenmai (2024 Remaster)
2. Kinoko (2024 Remaster)
3. Meijijingu (2024 Remaster)
Side B
1. Saboten (2024 Remaster)
2. Oh My God (2024 Remaster)
3. Tambarin (2024 Remaster)
Side C
1. Oponchi (2024 Remaster)
2. Ao-oni (2024 Remaster)
3. Akafuji (2024 Remaster)
Side D
1. Alphaville (2024 Remaster)
2. Tanuki (2024 Remaster)
Side E
1. Floating G (2024 Remaster)**
2. H (2024 Remaster)**
3. B (2024 Remaster)**
Side F
1. F (2024 Remaster)**
2. 2 H (2024 Remaster)**
**= 5 unreleased tracks released for the 1st time on vinyl.
New liner notes by Martyn Pepperell
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