* Track order on pressing (side A) swapped More

Written & Produced by nthng
Designed by Maciej Przezak (MJWP3.com)
Mastered & Cut at Scape by Isabel and Stefan
Pressed at RAND Muzik
Published on Transatlantic More

- 2023 repress -


tranparent green splatter vinyl / printed sleeve

Tracklisting:
A1 nthng - 50 Flower
A2 nthng - I Just Am
B1 nthng - Heitt
B2 nthng - Beautiful Love
C1 nthng - Wave Return
C2 nthng - Spirit Of Ecstasy
D1 nthng - Hypnotherapy
D2 nthng - With You


Sales Note
- 2023 repress -

Elusive dutch DJ and producer, nthng, announces his second album 'Hypnotherapy'. Previously putting out records on his own label Transatlantic, plus the likes of Delsin, Mork, this thoughtful long play spans dub techno, hazy ambient and mind-bending trance, traversing through different moods.

Float away with bright and airy opener, '50 Flower'. Spoken word samples intercept the ambience, bringing the listener down from the clouds. A2's 'I Just Am' takes the EP into dub techno dance floor territory with bolshy, rattling percussion and assertive vocals. 'Heitt' is a pacy slice of machine music for the wee hours, before drifting back to softness with barely-there 'Beautiful Love'. 'Wave Return' injects a dose of wigged out energy, slowly evolving from drawn out dub into an effervescent jam. 'Spirit of Ecstasy' rolls gently - a prime slice of chunky, driving electronica. nthng's title track, 'Hypnotherapy', see's the producer return to the ambient fringes of moody techno, barely-there kicks, and shimmering pads. Rounding out the album, weightless 'With You' is a romantic post club track, soft, longing vocals sit upon almost bird-like sounds. Digi only bonus, 'And Then There Was Light' is nthng's most ethereal offering yet.


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Tracklisting:
A1 nthng - Touches
A2 nthng - Galaxy
B1 nthng - It Never Ends
C1 nthng - Soms
C2 nthng - Unity
D1 nthng - In My Dreams
D2 nthng - Abys
E1 nthng - Eternal
F1 nthng - Last

Sales Note
- repress -

nthng finally follows up his four stunning EPs with a full album proper, arriving in a whopping 3xLP pack.

Arriving a good 6 months after the LT029.5 album sampler which debuted both Soms and In My Dreams, nthng adds another seven hazy, hooded techno bangers to those to make up a pretty dazzling body of work. Opener 'Touches' is true ambient bliss, with shrouded, blissful synths fuzzing into view and cut through by a soft low distant sunlight. Both Galaxy and Eternal thump into view with a hi-paced drums colliding and clashing with syncopated stabs and smooth dusty baselines, recalling the tender techno-trance precipice danced by Dutch producers at the start of the 90's.

The huge mysterious fan favourite and title track It Never Ends gets it's pride of place with 9 mins of deep, cavernous techno, all rippling with epic string-synths and washes of mountainous reverb. Even deeper numbers are extracted from the hard-drive, including the pensively, digitally-bubbling computer jam Unity sitting tidily alongside the super deep and subtle rolls of Abyss. Rounding the album out is the appropriately-titled Last. A dark, shimmering, almost emotionless number that cements a different idea of the future. A hard, pounding, yelping, depthcharged technoid closer.

For us, the album feels like a real masterpiece, conjuring a spectrum of intimate and emotive moods, feelings and nostalgia-tinged memories that float into the mind, like the settling fog in the valley on a crisp winters morning.




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Format: 2x12" + 7"

Tracklisting:
A1 nthng - Unfinished
A2 nthng - Son
A3 nthng - Subnautica
A4 nthng - Atlantis
B1 nthng - Wrath Of The Demon
B2 nthng - Sudden Life
B3 nthng - Disappeared But Not Forgotten
B4 nthng - Energy Reloading
C1 nthng - Our Time
C2 nthng - Deya Kingdom
C3 nthng - Saafe
D1 nthng - Soft Sea
D2 nthng - E Crusader
D3 nthng - Ending Theme
E1 nthng - Breaking The Waves
F1 nthng - Encounters At The End Of The World

Sales Note
- Repress -

Themed around events in nthng's life, Unfinished is a deeply personal journey, yet there's something very relatable to the world he has conjured. Lockdown has forced us to look inward, explore realities within ourselves and the fragility of our forgotten world. The album is a series of peaks and troughs - hopeful words, ominous tones and other-worldly soundscapes, giving way to a journey in no way linear - but a true reflection of our times.

The title track sets the scene perfectly, while Son features deep bass notes, dreamy keys and spoken word - creating a visceral and unsettling scene. Subnautica resides in the fringes of ambient and techno - as tribalistic drums are suspended in our new rendered reality.

The marching bass and howling synths of Wrath of the Demon lull conspicuously in a vacuum, while the hauntingly beautiful vocals featured on Disappeared But Not Forgotten evoke a poignant, powerful reaction across the record's B-side -
"Everything stopped, you just disappeared..."

At its most tranquil Our Time offers a sense of rest - a space to appreciate, as we leave the window open, peer outside and feel the gentle breeze brush across our face. Saafe continues this theme, and feels like a warm embrace - "She saved my life in a matter of speaking, when she gave me back the power to believe."

Ending Theme is beautifully organic as you hear the sound of the piano pedal touch the floor, tones are introspective and vulnerable - while the looming presence of uncertainty subtly takes form in thinly layered pads.

The album also sees the release of a digi only bonus track Only a Flash of Light and invites you outside while the stars are at their brightest.

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Repress!

Amsterdam based artist nthng continues to have a busy year. Following up an album on Lobster Theremin and EP on Transatlantic, he now lands on Delsin with three tracks that touch on driving dub-techno and dreamy ambient. 'Oralage' opens with upbeat drum programming and gliding hits that make for a smooth flowing groove. Distant pads add some spacey atmospheres and the production is effortlessly warm and driving. 'A Souls Search' takes time out to drift in the cosmos, with waves of muted euphoria washing over you as you sink into clouds of ambient bliss. Lastly, 'Turn To Gaia' is a dubbed out techno roller, with long legged drums looping down low, reverberating chords adding weight and distant bell sounds charting the whole thing in a harmonic glow. It rounds out a super smooth and seductive EP. More

Dutch producer nthng returns to Delsin with another four pieces of melodic, ambient-spirited techno following his 2017 label debut Turn To Gaia. Sub-Sonar opens with the beatless, melancholic reflection of 'Looking Outside' before drifting into the submersion chamber pulse of 'Liberate Truth'. Guided by the hypnotic allure of dub techno, the track follows a linear path through spacious chord drops and understated drum jack. Following a similar rhythmic tract, 'Sub-Sonar' offers up a cloudy, sombre beatdown shot through with winsome sine wave blips. As a surprise parting shot, '1 2 Butterfly' shakes up the scene with a crooked breakbeat treatment which cuts an angular path through the hazy atmospheric tones nthng has made his own. Photography by Wolfgang Tillmans. More

“Earthseed” is a four track EP on Transatlantic, ranging from ambient to energetic breaks and melodic dub techno. More

Big debut release from Transatlantic as they unleash three storming techno numbers from nthng. You know the drill. Nobody is safe. Hot repress action due to furious demand.

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* Track order on pressing (side A) swapped More

The second release on Objekt’s newly established Kapsela imprint arrives in the form of Chicken Garaage, a solo 2-track EP by Objekt that explores the fertile terrain around 00s breakbeat and garage. The A-side, Chicken Garaage, is a playful and poignant nod to the pioneering proto-dubstep explorations of the early 2000s, as the genre was first beginning to crystallise, by the likes of Horsepower Productions, DJ Abstract and Benny Ill. First sketched out on tour in Melbourne while eating takeaway chicken karaage, it’s the first outcome of an experiment with a new workflow to produce music with an accelerated approach and more immediacy and expressivity; encouragingly, it has the lowest final version number (55) of any Objekt track in recent memory. B-side “Worm Dance” leans into Hertz’s headsier inclinations – constructed mostly from field recordings made at a lake house outside of Berlin in 2022, it channels mid-00s T++ into a moody, elastic breakbeat roller.

The vinyl comes with a free lossless download.

Mastered by Kassian Troyer at Dubplates & Mastering

Artwork by Brodie Kaman More

The next installment of MFM's popular multi-artist compilation Virtual Dreams: 'Virtual Dreams - Ambient Explorations In The House And Techno Age, Japan 1993-1999'. As with Part One, released in 2020, 'Virtual Dreams II' shines a light on house and techno-adjacent music that helped redefine the definition of ambient music during the 1990s.

The focus of Part One heavily fell on music from techno and house producers in Europe, eagerly exploring new soundtracks for chill-out rooms and re-imagining the potential future of club culture from new perspectives. For Part Two, we narrow the lens to focus on a unique time and place, namely Japan between 1993-1999. Despite missing out on the 'Acid House Fever', club culture was beginning to take shape in Japan during the early '90s. In contrast to the rest of the world, where ambient techno / IDM emerged as a by-product or response to the scene, 'listening techno', as it is known in Japan, was a central pillar of the culture right from the start.

'Virtual Dreams II' aims to shine a light on this unique moment in time where the thread of ambient music weaved its way through the music of an emerging club culture. This period saw the birth of many great Japanese techno labels such as Sublime Records, Transonic Records, Syzygy Records, Frogman Records, and Form@ Records, following in the late '90s. 'Virtual Dreams II' features ambient, chill-out, and intelligent techno from these leading labels alongside other lesser-known but equally influential imprints, as well as ambient deviations from Japanese house producers. Much of the music featured has only ever been released on CD.

'Virtual Dreams II' is compiled by Eiji Taniguchi and Jamie Tiller, who have worked closely together on previous Music From Memory releases such as 'Heisei No Oto' and 'Dream Dolphin - Gaia'. It is also the final project Jamie Tiller worked on before his tragic passing in 2023. Jamie had been researching, planning, and compiling this version of Virtual Dreams even before the first chapter was released, believing that there were many great tracks in Japan that fit the concept of the series. Knowing how much love and energy he put into compiling it gives it an extra special place in our hearts.

Compiled by Jamie Tiller and Eiji Taniguchi with artwork by Kenta Senekt, design by Steele Bonus and liner notes by Itaru W. Mita, More

Repress!

Re-issue of seminal Mr. Fingers album 'Amnesia', available officially for the first time in 32 years on Larry Heard's own Alleviated Records. This remastered collection of early Mr. Fingers works is an absolute must have. More

Djrum's first release since 2019, the Meaning’s Edge EP is an introduction to a whole new world. For the artist also known as Felix Manuel, it was created in the final stretches of six rather traumatic years work. Having carefully honed his techniques and aesthetics, and learned some hard-won emotional lessons over this time, finally he began to work in a quicker, lighter fashion – and to cleanse his palate a little by bringing in a fresh ingredient: his own flute playing. For listeners, though, it will serve as an appetiser, a way into the delights and complexities of this new phase of his creativity. It’s a serious work in its own right, mind. The use of flutes – including Bansuri, Shakuhatchi, Western Classical, and synthesised all blending and blurring into one another – gives it a coherence and a sense of airiness that unites the five tracks over half an hour, however divergent their beats get. And as in all his music, Felix’s whole life is in here. Ethnomusicology studies, untold hours of DJing everywhere from the gnarliest squat raves to the most rarefied deep house clubs, explorations of his own neurological and emotional makeup, and the technical finesse of someone who is never not creating music or art, all roll into an experience that’s dazzling, delightful and keeps on giving. Just the opening track ‘Codex’ alone touches on OG dubstep, Aphex Twin-like braindance, post-classical exploration, movie themes and more. The gentle tones and melodies that rise up out of it perfectly conjure Felix’s running theme of a protective bubble that provides a sense of safety and tranquillity even as the beats and acid gurgles and spurts all around it conjure up the slings and arrows of life’s difficulties. The tone set, the EP moves through ultra-rarefied glass-like p More

Pulsar-driven groovetronics, folky modalisms in waltz time; dreamvitations to the cine-lounge. Rhythm-n'-mood experimenters Les Hommes return with a plasma-rippling suite of jazzified cuts. The new album – Sì, così – takes us into their usual unusual orbits; with re-explored mid-century Lowrey organ, mellifluous bass clarinet, Arcadian flutes, groovified piano electrique and oscillators scorched on re-entry, it's out there.

With compositions aired on BBC 6 Music, Radio 3, Radio 4 and stations around the world, plus sold-out live shows, global cult combo Les Hommes combine mid-century-cool organ group tropes and heavy percussion with contemporary arrangements and sound-sources. Their new 2024 release, Sì, così, takes the line-up further out again to explore spacier themes, esoteric modes and filmic stratospheres, as well as continuing expeditions into 'live' small-group recordings.

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Repress!

Taken from his 'You Might Be Surprised' album from 1985 and produced by James Mtume with additional help from Tawatha & Philip Fields (of Aurra & Mtume) as well as David Frank (of The System), this 12 inch has long been sought after by Roy Ayers fans with the release changing hands for over £100 regularly on Discogs.

This mid tempo joint with forward thinking lyrics, a great 808 beat and beautiful chords is sophisticated, yet hood. Reissued for the first time, don't miss this opportunity to own this slice of mid 80's Roy Ayers. More