Tracklist:
A1 / Basick Beat
A2 / Flow Motion
B1 / Who Knows?
B2 / It’s Called The Power

Short Info
Raxon makes slammers. Always has and always will. Simple as that.
He’s your favorite producer]s favorite producer.
We're thrilled to have him landing on Turbo, with a loooong-overdue debut EP.

4(Tracks)20(Minutes).
All 4 for the floor.
The Egyptian electro kingpin.

The perfect start to 2026.


Key Selling Points
- Techno/Electro legend Raxon drops his first EP on Tiga’s Turbo Recordings
- The Egyptian is your favorite producers favorite producer.




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Tracklist:
A1 / Break My Skin feat. James Baley
A2 / Forever
B1 / Dull Side First
B2 / RIFT
B3 / My Daylight


Short Info
In the wake of their widely-acclaimed album Union, JUNO-nominated duo ÈBONY rematerialize on the dancefloor with the otherworldly Shades of Meridian EP, projecting a waking futurist dream haunted by echoes of Detroit techno, Chicago house, South African melodies, and the rich mythology of Ancient Toronto.

Opener "Break My Skin explores a hidden pocket of after-hours techno space-time with an ethereal vocal by James Baley, leading into the tense, disembodied jack of "Forever." Next, "Dull Side First" rides a spectral break through a sepulchral warehouse trip, "RIFT" invokes peak-time witchcraft, and closer "My Daylight" entrances even the most self-possessed sound-and-lighting guys to spam the smoke machine until reality itself is occluded.

And to those who say that working with JUNO-nominated artists proves that Turbo is just a cog in the CanCon cabal, we would like to familiarize you with the facts: Canadian Tire refused to carry our 2023 Bryan Adams remix LP and we have rejected five separate demos from Justin Trudeau's tech-house alias "Arabian Nights." It's called integrity - try looking it up sometime.

Key Selling Points
- ÈBONY are a Toronto & Montreal based duo formed by individual artists Jordan Gardner (Outlier) and R-oderick
- Shades of Meridian is their debut on Canada's iconic Turbo Recordings



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Territory: World excl. US & CA

Tracklist:
A1 Blinded By The Dark (feat. Dave Clarke)
A2 Riot Gear
A3 Full Circle
B1 Echoes From A Wasted Land (feat. Exzakt)
B2 The Hooded Figure
C1 Modesty Is A Virtue (feat. Perel)
C2 Harvester
C3 It Doesn´t Matter If We All Die
D1 Phantom Pain (feat. Kira)
D2 Sanctuary Of Vices (feat. Jay Denham)
D3 Infrapunch

Short Info
Turbo Recordings is proud to present the revival of German techno giant Gregor Tresher’s Sniper Mode alias with the Riot Gear LP. We have been promised that this release will usher in a Golden Age of Electro in which we will serve at the right hand of the Lord for a starting annual salary of €43,000. Not bad.

Riot Gear showcases Tresher’s established production genius over 11 cuts of S-tier electro marked by menace, depth, and sharp melodic hooks. Lead single “Blinded by the Dark” is a collaboration with Dave Clarke, the most respected man in electro and perhaps just in general, and features the most punishing drop in recent memory. The album also includes standout vocal contributions from Detroit techno pioneer Jay Denham (“Sanctuary of Vices”), Miami Bass kingpin Exzakt (“Echoes From a Wasted Land”), dance-world enigma Kira (“Phantom Pain”), and Turbo favorite Perel (“Modesty Is a Virtue”). We would argue that this album represents a landmark achievement in the genre, which you have to admit would reflect pretty well on us as a label.

It is not every day that Turbo Recordings embraces the responsibility of husbanding a full-album release, and you should know that it comes as a cost. The additional listening time, track title typing, and intensive download/upload workload have pushed our dedicated staff of 90 to its breaking point. We have a lot going on over here.

Key Selling Points
- German techno giant Gregor Tresher revives his decades-old Sniper Mode alias with the Riot Gear LP
- This Sniper Mode LP will usher in a golden age of modern electro
- Riot Gear showcases Tresher’s established production genius over 11 cuts of S-tier electro marked by menace, depth, and sharp melodic hooks.


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Tracklist:
A1 / Ich und meine Ubahn
A2 / Ich und meine Ubahn (Matias Aguayo Subway Mix)
B1 / Ich und meine Ubahn (Extrawelt Remix)
B2 / Ich und meine Ubahn (Architectural Remix)

Short Info
When you love a record too damn much, you will soon discover whether you "got what it takes” to make it yours. Such is the case with Turbo label head Tiga, who has played 11Schnull & Newinfluenzer’s 2023 underground hit “Ich und meine Ubahn” in each and every one of his DJ sets since its non-Turbo release. But unbridled track-passion is not always enough, and sometimes one must take a step back and recognize that the music business is also a business. So our in-house Corporate Development team, which has of late been entirely focused* on figuring out how best to monetize Tintin entering the public domain, set to work, successfully licensing the original while also creating the fun and potentially life-saving opportunity to visualize just how amicable the licensing process was.

All of which brings us to the remix pack at hand. The essentially perfect electro programming and vocal performance of the 2023 original leaves virtually no angle for improvement, save for the fact that the 4:20 runtime not enough for the median touring DJ to satisfy their chatbot mistress before they must begin the exacting work of selecting and mixing the next track. As such, we enlisted producers who could interpret the song from different planes of existence, namely Chilean-German wizard Matias Aguayo, French hardstyle prodigy Krarmpf, German aesthetes Extrawelt, Hamburg electro master DJ MELL G, and Asturian highbrow god Architectural. For reference, the planes conjured by these remixes are as follows: blacked out on Ivermectin; finally beat a pay-to-win mindfulness game; voted the Greatest Living Teen Artist by the readers of US Weekly; transformed into an expressionless little muscleman as if by magic; going viral; and curing jet lag in our lifetime. It is not for us to say which remix corresponds to which realm of human experience, but we do know that it is limited to those options.

Finally, please do not invite a chatbot lover into your marriage. Your spouse cannot hope to compete. And know that this advice comes from our best understanding of current world affairs, and does not represent what a repressed British man would calling “taking the pee.” At their very best, jokes are funny, and the fate of the human bedroom is no laughing matter at all.

*Like a laser!

Key Selling Points
- Tiga licenses one of his favorite ever tracks for Turbo, complete with fresh new remixes from label regulars Extrawelt and Architectural.
- Longtime Turbo fan Matias Aguayo debuts on the label with a sizzling Subway Mix.


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Tracklist:
A1 / MZ (Pional Remix)
A2 / MZ (Axel Boman Remix)
B1 / MZ (Roman Flugel Remix)
B2 / MZ (DJ JM Remix)

Short Info
While some guys will tell you now it’s all computers, at Turbo we know in our hearts that everything in life can be understood as a funhouse mirror. Sascha Funke’s massive 2017 hit “MZ” is one of the most iconic house records ever released on our label, and thus deserving of the ultimate honour: a remix pack reflecting each of the manifold facets of a modern dancefloor classic from the most prestigious and respected angles imaginable.

As studious Turbo watchers have no doubt clocked*, we have paid access to the halls of European power, where you get to make backroom deals with Emmanuel Macron and British Seinfeld as Opus’ “Live is Life” blares over a gigantic bluetooth speaker. And, yeah, you’ll probably run into the most celebrated European producers of our time. Pional, Axel Boman, Mano Le Tough, and Roman Flügel — these are the kinds of names you only see once you’ve reached the highest levels of success, be it in dance music production or purchasing the hottest tickets in town on your favorite mobile device. We called each on these titans to anoint “MZ” into the modern pantheon of club anthems, and you can bet your last eurobond that they delivered. But we also wanted some new blood, so we turned to rising Lithuanian superstar DJ JM. JM is now a deep part of the Turbo family, and he’s made the theoretical space between bad-boy cousin and beloved nephew fully his own with what we hope Rolling Stone Magazine will call “a distinctively modern edge."

*Clocking is a cool way of noticing things. Try it sometime!

Key Selling Points
- Turbo’s most seminal house track ever is re-released with brand new remixes from several of the scene’s greats.
- From Indie-Electro to Latin-tinged house to melodic mastery to bass-dripping techno, these remixes have it all.



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Tracklist:
A1 / mhm
A2 / shoot
B1 / moov
B2 / free labor
B3 / two batteries

Short Info
When the people just gotta dance right now, Turbo Recordings will drop everything to fast-track the hottest, rawest music the moment the download links hit our Hotmail. Such is the case with rising Lithuanian superstar DJ JM’s moov EP, which contains five tracks so good they needed to hit today's streets today. To ensure the mind-churning efficiency and logistical brilliance needed to pull off this kind of turnaround, label life-giver Tiga slept and tried to bathe at the office for five straight days* before being hospitalized for "caring too much.”

The result is a thrilling showcase for DJ JM, perhaps our favorite current artist working in any medium. His grit-rich beats, his melodist’s ear, his sound design…sometimes it’s all too much to bear. But bear it and grin you shall, and as you have the night of your life every night from now into the future untold, take a moment to spare a grin in the knowledge that somewhere there is a man hooked up to a Gatorade IV who wanted all of this for you and could not bear for you to wait a moment longer.

*Which is maybe not that impressive because it’s really super-nice here. The staff cots are memory foam and we’re getting an air fryer.

Key Selling Points
- Lithuania’s DJ JM drops his first EP on Tiga’s Turbo Recordings
- Grit-rich beats with his melodist’s ear - modern techno for the cool kids.


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Tracklist:
A1 / Impossible (Eating The Sun)
A2 / Bongo Funeral
B1 / Snacks At Waco
B2 / Parasocially There For You
B3 / Nimby Orgy



Short Info
Hot off his killer 2024 remix of Tiga and Hudson Mohawke’s “BUYBUYSELL,” UK-New Zealand DJ/Producer Keepsakes makes his proper Turbo debut with the Impossible (Eating the Sun) EP. From merciless techno bangers to caustic track titles that will absolutely shred your preconceived notions about the world and sneer at them as they writhe bleeding on the cold, hard ground, this release validates our label’s OCD-level commitment to living on the edge of something at all times.

The title track doubles as a massive forest rave bomb AND the No. 1 battle weapon for opening DJs looking to fuck over the headliner, while “Bongo Funeral” reimagines tribal techno as the chief export of a village ruled by emotionally unavailable gremlins. Next, “Snacks at Waco” makes skillful use of a hammering industrial beat to hammer home the importance of loyalty and community, and “Parasocially There for You” deftly soundtracks anxiety dreams about meeting your favorite podcaster. Finally, closer “Nimby Orgy” likely represents the very first sexual aftercare banger. NOTE: we’ve heard bad things about both NIMBYs and YIMBYs, and as such have adopted a militantly neutral position on the matter of who is f-ing and s-ing in our backyard.

Given that Keepsakes is a vinyl-only DJ, we’ve done him the courtesy of making this release available both on vinyl and digitally. While this would have been an incredible opportunity to completely shut him out of playing his own tracks, we decided that this would be unfair to the music itself. Because at the end of the day, Turbo takes its marching orders from Harmony, Melody, Rhythm, and Timbre, and to betray even one of our ethereal masters would be tantamount to kicking our own vision square in the nuts. IOW: ain’t never gonna happen.

Key Selling Points
- New Zealand’s Keepsakes drops his first EP on Tiga’s Turbo Recordings
- Slamming modern hardcore techno with just enough of a timeless touch



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Tracklist:
A1 / New York Is Dead
A2 / Black Hole At The Disco
A3 / Last Song Before Sunrise
B1 / Break Your Back
B2 / Mind Control

Short Info
It’s always fun to let our audience peer through the party peephole with some hot behind-the-scenes info. For months, Black Light Smoke’s Control EP has supplied several of label head Tiga’s secret DJ weapons. In fact, he’s been sneaking out constantly after 9pm to play it out anywhere they’ll have him. And it’s little wonder to those who wonder why, as the Chicago-born producer’s top-flight mix of EBM, electro and Benadryl-soaked vocals has all the right people dancing.

Leadoff track "New York Is Dead” eulogizes the famous Big Apple Dance Party Scene in a way that will confuse the many who have embraced the city’s thriving “Groove With the Avengers” day rave series in Times Square. But the nihilism-liking doesn’t stop there, with the Friday-Til-I-Die attitude of “Black Hole at the Disco,” the pleather-dreaded post-cyberpunk of “Last Song Before Sunrise”, and the oxygen-deprived acid of “Break Your Back” culminating in the 11:45am-peak-time industrial trance of closer “Mind Control.”

Because we want this to be available to as many inhabitants of the blasted apocalyptic landscape we have pencilled in for 2034 or so, we have decided to make this release available both digitally and on vinyl. So whether you’ve managed to jack in illegally to a Spotify Wind Farm or you’re relegated to the hand-cranked misery of a Victrola while living in a barn or something, we’ve got you covered!

Key Selling Points
- Black Light Smoke drops his first EP on Tiga’s Turbo Recordings
- The Chicago-born producer’s top-flight mix of EBM, electro and Benadryl-soaked vocals has all the right people dancing.


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Tracklist:
A1 / IN ORDER 2 (Quelza Remix)
B1 / IN ORDER 2 (Jump Source Remix)
B2 / Silence of Love ft. Jesse Boykins III (Reznik Remix)

Short Info
Within Tiga’s stripped-down electronic funk and Hudson Mohawke’s grandiose beats exists a common thread; an idea Tiga expresses as “hardcore romance”. Recorded in Los Angeles over the last few years, these commonalities ebbed and flowed through various recordings, culminating in their debut album - L’Ecstasy. Turbo revisits the album with a set of club-driven remixes, bringing together Keinemusik’s Reznik, Montreal masters Priori & Patrick Holland as Jump Source, and Berghain stalwart Quelza. Pressed loud on a stunning 12” picture disc, featuring imagery from none-other-than Wolfgang Tillmans.

Key Selling Points
- Tiga & Hudson Mohawke are remixed by two of Berlin’s very best, plus a pair of Montreal masters.
- Stunning 12” picture disc features imagery from none-other-than Wolfgang Tillmans.


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GENRE/S: Techno

Tracklist:
A1 / Eternity Land
A2 / Tubular Funk
A3 / Rousing Rhythms
B1 / Steampunk
B2 / Vapours
B3 / Teenagers From Outer Space



Short Info
Years of simmering mutual admiration between Turbo and Architectural finally erupt with Good Night, Whatever That Is, the Asturian producer's first release on the label.

Nothing gets us hot and bothered like the prospect of featuring a true artist on Turbo. In fact, we are so f-ing jazzed to be working with techno genius Architectural that we even dropped scrappy “fun-house” producer Archie Textures from our roster to avoid confusion.

The Good Night, Whatever That Is EP imbues the timeless platonic forms of techno with an energy, craft and depth that will feel instantly familiar to anyone who has built a cathedral with their bare hands. And yet the unadulterated power of lead single “Steampunk” and the even-less-adulterated power of “Tubular Funk,” confirm that this release also has one foot squarely planted on the secular dance floor, coursing with the searing bio-fluids that drive and torment all sexual beings. Meanwhile, your deep human need for contrast will be sated by the IDM-ambient euphorics of “Eternity Land” and the highbrow breaks of “Rousing Rhythms”.

In the interest of exposing this work to as many thought-hungry minds as possible, we will be randomly hiding 10,000 copies of the EP on CD-R in bottles of Drakkar Noir energy drink at participating supermarkets throughout the Americas and Eurasia. Our hope is that this marks the moment many of you finally become teachable, fully accepting that getting razor-like shards of CD-R lodged in your throat is simply the price of admission to the Idea Man’s Ball.


Key Selling Points
- Architectural debuts on Turbo Recordings with a 6 pack of pure gems.
- Timeless dub techno, for the dancers.



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GENRE/S: Techno

Tracklist:
A1 / Grindmaster
A2 / Angry Elektro
B1 / Angry Halibut
B2 / Save City
B3 / Flunk

Short Info
You gotta sweat it up your entire life to earn the right to call your record Grindmaster. Whether you're pulling your life partner in real close and personal on your living room dance floor, or pursuing brain-dead entrepreneurship with every single fibre of your trust fund, The Grind remains an exacting Snake-God, riding humanity face-first into its eternal reward.

To this end, everyone at Turbo is grateful beyond words that venerable veteran’s veterans Extrawelt are bringing the full bore of their two decades’ experience to bear on this slice of genre-defiling excellence. The German due open with the thorax-pummeling EBM of the title track, followed up by the angry electro of “Angry Elektro.” And if you think the EP lets up from there, keep listening to find out just how wrong what you think is, because the next track is called “Angry Halibut” and sounds exactly what you’re terrified that sounds like. Grindmaster culminates with the goalie-on-acid-fantasy acid banger “Save City” and bottomless warehouse trip-soundtrack “Flunk.”

Those of you who choose not to support your local record store will be rewarded accordingly, as Extrawelt’s own “Drop Outs in Heaven Remix” of “Flunk” is yours as a digital exclusive. We have no real problem with vinyl lovers but they should probably come to terms with the fact that digital music - and by extension, digital exclusives - is perhaps the defining trend of 2024. You probably know someone with a computer, so maybe they can help you out.


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Tracklist:
A1 / Jaulas En El Cielo
A2 / Baila
A3 / Salseros
B1 / Baila (Roza Terenzi Remix)
B2 / Baila (DNGDNGDNG Remix)

Short Info
Ambien Baby is the collaborative project by D Tiffany and NAP, which serves as a borderless zone for both friends to channel a freewheeling experimentation with whatever sounds they happen to be jiving with in the moment. Simply put, Ambien Baby is two BFF's letting loose with no rules, just pure freak and joy. The nature of this joint exploration is clearly evident throughout their raucous and varied releases, which have ranged from downtempo to electro and deep into techno and trance regions.

We're delighted to have Ambien Baby landing on Turbo for their collaborative debut on the label. The Canadian connection bears fruit with the Masa EP, which lifts off from a psychedelic foundation drenched in Latin influence. Across the three original tracks, D Tiffany & NAP shift through percussive breakbeats, dubbed-out techno, and trippy vocal chops a-plenty. Roza Terenzi & DNGDNGDNG provide remixes for the late-night affairs.

Key Selling Points
- Ambien Baby is the collaborative alias of D Tiffany & NAP, who make their debut on Turbo with this project
- Canadian connection with both artists & the label all being from Montreal & Vancouver
- Remixes from Roza Terenzi and DNGDNGDNG

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Tracklist:
A1 / Feel The Rush
A2 / Feel The Rush (Honey Dijon Remix)
B1 / Feel The Rush (Mr G’s Love Mantra)
B2 / Feel The Rush (Johnny Aux Remix)

Short Info
Tiga & Hudson Mohawke recently released their hit single 'Feel The Rush', featuring none-other-than Channel Tres. After landing in Tiga's recent Boiler Room set, Feel The Rush created a full-on ID frenzy prior to release. The original track harnesses a signature Tres vocal over a low-slung LMZgroove. Turbo have enlisted three dance music legends for the remix project : Honey Dijon, Mr. G, and Johnny Aux (of Paranoid London). Tech-house + Detroit techno + Acid House... just in time for summer 2024.

Key Selling Points
- Turbo debuts for Honey Dijon, Mr. G, and Channel Tres
- The first set of remixes from Tiga & Hudson Mohawke’s debut collaborative album - L’Ecstasy
- Early nod for song of the summer 2024

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GENRE/S: Techno

Tracklist:
A1 / Flashback
B1 / I See You


Key Selling Points
- The legendary techno icon Sven Väth makes his debut on Montreal's titanic Turbo Recordings, alongside his longtime collaborator Gregor Tresher.

- When it comes to foundational figures of electronic music, few are more impactful than Sven. Through his label Cocoon, and his widely respected DJing and parties over the last 30+ years, Väth has tremendously influenced of the global techno scene.

- Sven Vath almost never releases on labels other than his own (Cocoon). This is a rare treat to have him on another imprint.

- Sven performs vocals on both tracks, which is also a rare & special occurrence.

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GENRE/S: Techno

TRACKLISTS:
A1 / I’d Love to Do It
B1 / Paradox & Puzzle
B2 / Moments of Inertia

SHORT INFO:
Turbo Recordings is proud to present the label debut of Anastasia Kristenen, with her Moments of Inertia EP. As we enter our 26th year of existence, Turbo is constantly and violently shocked that exciting techno music is still being made. After a certain point, you
expect yourself to look a genre square in the face and say “Enough!” But we consider ourselves the luckiest vanity imprint on the planet to be able to harness the talent of artists like Copenhagen-based DJ-producer Anastasia Kristensen and serve it up to you in
this - your darkest hour.
Escaping the massive shadow of Norway’s hip-hop scene, ‘Moments of Inertia’ captures a sound that evokes nothing but itself, as though Kristenen were recording sub-rosa dimensional machinery at oblique angles and arranging the best parts with the kind of
narrative grandeur most techno artists would never dare interrogate. It should also be noted that the track “Paradox & Puzzle" shares a name with Tiga’s moderately successful escape room gastropub.
The A1 ‘I’d Love To Do It’ leads with vivacious drum programming and Kristensen’s enigmatic vocals setting the stage for 'Paradox & Puzzle’ which shares a name with Tiga’s moderately successful escape room gastropub. The title track closes the show with
slamming industrial tones, summarizing Anastasia’s bespoke futuristic flow.
If you think Turbo might start slowing down in its mid-20s, we respectfully ask you to get real. And while you’re at it, get a clue. ‘Cause we know in our heart of hearts that music can and will save the day, even if it’s just for just one day.


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GENRE/S: Techno, House : Melodic, Dub, Minimal

TRACKLISTS:
A1 / Getting Into It
A2 / I Told You We’d Make It
B1 / Exhilaration
B2 / The Offering

SHORT INFO:
Martinou lands on Turbo for the very first time, as the Swedish producer connects with Tiga’s Montreal-based label following years of mutual admiration. His melancholic sound, dripping in masterfully balanced tones, continues to impact both heady at-home listeners & season club dancers. A pair of albums on Rotterdam’s Nous’Klaer Audio have both been on constant rotation throughout the Turbo community, thus adding to the widespread excitement for Martinou’s debut on the imprint.
The Sheltered Planet is a four-track record at the cross-section of Martinou’s bespoke sound & Turbo’s historic Techno influence. The aptly titled opener - Getting Into It - elevates senses through an exploitative and rising
soundscape, flowing right into the beat-driven house cut - I Told You We’d Make It; crisp drum programming opens way to soaring melodics, with a deeply analog feel to the A2 groover.
On the flip, Martinou effortlessly glides through another movement-laden melody, as Exhilaration turns the dial ever-so-slightly towards the Swede’s take on a peak-time selection - The Offering. Rounded yet punchy synth lines ebb & flow from the distance, oozing into the groove by the time the break lifts brings us to the EP’s crescendo; a masterful dance track for the finest of dance parties.


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Tracklist:
A1. Cold War (Nuclear War)
A2. Nuclear War (Part II)
A3. Nuclear Winter
A4. Human Clones
B1. Future Man
B2. The Elohim
B3. The Golden Age
B4. Star Gate

Release Info:
DMX Krew unearths the lost Cold War LP.
Created for 1983. Created in 2003. Released in 2023.
In mistrust and blindness mankind wages a COLD WAR, East against West in a spiraling
cycle of mindless escalation. For 40 years the madness continues until it reaches its
inevitable climax, NUCLEAR WAR. Armageddon is achieved at the push of a button, millions
of lives are destroyed. Those who are spared struggle for survival in the bleak conditions of
NUCLEAR WINTER. Acid rain destroys the landscape, darkness falls across the face of the
earth and hope is lost as the population falls prey to radiation sickness and cancer.
Deep underground, the last survivor works feverishly in his isolated laboratory. A lone
scientist attempting desperately to save mankind, he uses occult technology and
deep-frozen human tissue to create a group of 12 radiation-resistant HUMAN CLONES.
They set forth to rebuild and repopulate the planet, whilst the scientist continues his work to
improve and strengthen mankind. He develops a technique to fuse his own living flesh with
the transistorized mind of a supercomputer, transforming himself into FUTURE MAN.
Synergy of man and machine. Having transcended his mortal condition, he is now deemed
ready to meet THE ELOHIM, a race of super-evolved aliens who created mankind 40000
years ago and have been watching and waiting ever since for the day when man at last
becomes enlightened. They descend from the heavens in their storship telling Future Man to
rejoice, for the trials of mankind are over and they sing to him of their long wait and THE
GOLDEN AGE which is about to begin. Future Mom and the Clones are taken on board the
spacecraft whereupon the Elohim transport them through the STAR GATE to a planet
paradise where they are able to live in peace and happiness and once again become
prosperous and many.




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Territories: WORLD

Tracklist:
Side 1 (A)
Manavgat
Baby I know what you want

Side 2 (B)
Manavgat (Mr G's I Hear Ya Underground Dub)
Baby I know what you want (Ben Kaczor Remix)


Short Info
'winterswell' threads together raw emotion, playful rhythms, and analog warmth. Following singles on Tresor and Intercept Records, Kat pulls no punches with her first EP. "Manavgat" hurtles you down a dirt road at dusk, brooding and atmospheric, while "Baby I Know What You Want" threads vocals through rolling percussion and a driving bass as the club thrives in unison. Remixes extend the EP's landscape: Mr. G reshapes the material into grainy, coded dub house textures, while Ben Kaczor emphasizes low-end depth and taut, hypnotic tension. 'winterswell' is a vinyl release where intimacy, texture, and rhythm converge with confidence and nuance.

Key Selling Points
- Kat Davids is organizing in-store events in Berlin, Paris, Amsterdam, Rotterdam & London. Please get in touch if interested.
- The Mr. G Dub is getting wide-spreead dj support as well as the other tracks.
- Pullproxy is involved with pr efforts throughout this campaign
- Kat's recent releases include "Dust" on Intercept Records and "Haunted" on Tresor Records, as well as contributions to the Nachtdigital vinyl LP and a Klinkamusic various?artists release.
- Kat has played at venues such as Tresor, Watergate, Revier Südost, ELSE Club, and Weltspiele Hannover, and has toured in Latin America and South Africa with DJ gigs and workshops.
- She made her live set debut at Berghain / Säule in 2024 and has since appeared with Live shows at festivals including Nachtdigital.
- Since 2022, Kat has hosted a regular show on THF Radio, where she's welcomed almost 60 guests from emerging talents to established artists.
- She also founded the Flinta* collective V.A. Femme* to support musical exchange and community learning.
- Kat is part of the CURA Berlin collective, an independent agency and community focused on supporting artists and building connections within the electronic music scene.





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Tracklist:
(1) Extrawelt - ¡NO PASARAN! (DEQ202500043)
(2) Extrawelt - Arctic Dead Run (DEQ202600001)
(3) Extrawelt - Clipping Me Softly (DEQ202600002)

¡NO PASARAN! is the extension to Extrawelt's DYSTORTION, from brooding tension to playful relief, the album took listeners on a six-year-crafted exploration. Their next EP picks up where this epic chapter left off and is clearly related. It's a hypnotic dive into shadow and dream, darkness and melancholy with subtle flashes of light.
The title track of the EP, already known from the album (D1 - Extrawelt - ¡No Pasaran!) carries a commanding presence, pulses with a rolling, insistent bassline that anchors shifting rhythmic currents and evolving sonic layers. Between tension and release, shadows and melody, it's a track that moves like a living entity.
Arctic Dead Run hits like a surge of raw energy. Acid lines roll relentlessly, building tension that feels alive. Then a melody sneaks in - soft, almost fragile - cutting through the intensity, until hi-hats erupt and the groove snaps into full focus. Maximal yet controlled, every element finds its place.
Clipping Me Softly dissolves the pressure with a dark, playful groove. Precise rhythms meet spacious pads, opening into a dreamlike state where night slowly gives way to warmth and light.
A focused and uncompromising continuation of Extrawelt's sonic language: Dense grooves, acid pressure, and dreamlike relief collide in a release built for deep listening and late-night floors.








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12" - 2025 Limited Re Editiion in "Superman" Yellow Vinyl & RedLabel,
Tracklist 12”:
A1 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (Remaster)
A2 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (Man Power Remix)
B1 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (SIS Remix)
B2 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (Robag's Pumper-Nikkel 2008 Rmks)

Shortinfo:
Arguably one of Get Physical’s most influential tracks, ‘O Superman’ sees a new release with remixes
from Man Power and SIS alongside the 2008 version from Robag Whrume and a remaster of the now
classic original.

Man Power kicks off the new interpretations with an epic, ten and half minute version that patiently
stretches the original’s melodies into pads and held bass tones across crisp, micro-house styled beats
before unleashing loose, clattering breakbeats after a striking, extended breakdown.
SIS’s dreamy, percussive version sees the German producer in hypnotic, and tracky form, focussing
on the ebb and flow of the original’s tuneful vocoder and synth work that drift across his perfect
groove.

Robag’s Pumper-Nikkel remix, for those that missed it some years back, is yet another funky,
chopped, sliced and diced piece of work from the playful producer and still sounds as fresh as ever.
M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman Remixes are released on Get
Physical 12” in late July with a digital release following in the Autumn.

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Territories:
Worldwide no restrictions

Format Notes:

2026 first time ever vinyl reissue of this undisputed "holy grail", *the* most sought after album for J Dilla / Madlib sample collectors. Produced with the full and extensive participation of Gap, tip-on sleeve, 2 page insert, 140g vinyl.


Track List:

A1 Boy With Toys
A2 Diana In The Autumn Wind
A3 Long Hair Soulful
A4 Yesterday
A5 The XIth Commandment
A6 St. Thomas

B1 You're Nobody Till Somebody Loves You
B2 Pond With Swans
B3 You Are My Sunshine
B4 Free Again
B5 Dream On Little Dreamer
B6 Graduate Medley

Release Notes:

Gap Mangione's monumentally influential Diana In The Autumn Wind. AKA BEWITH200LP. And, without question, Be With's White Whale.

They said it could never be done. And with good reason.

We've spent the past 12 years trying to license this legendary 1968 recording from Gap and, after much work, it's finally here. Remarkably, this is the first ever vinyl reissue of Gap Mangione's Diana In The Autumn Wind, produced with the full and extensive participation of Gap. An exceedingly rare album, it's been coveted by funk, soul, jazz and hip-hop sample fiends for decades.

It's unarguably *the* most sought after album for J Dilla / Madlib sample collectors. It has also been brilliantly sampled by A Tribe Called Quest, Large Professor, Ghostface Killah, Kendrick Lamar and Talib Kweli.

But this record is so much more than a sample-spotters curio. It's solid gold throughout. Bursting with killer funky-jazz grooves and tracks adorned with warm electric piano, the release is notable for featuring some extremely significant players at the very outset of their careers; Tony Levin, at 21, whose superb playing on both acoustic and electric bass was the harmonic mainstay of the trio and Steve Gadd, at 23, one of the greatest drummers of his generation.

With acceptable copies of this holy grail changing hands for $400, to call this reissue "much-needed" underplays just how vital it is. Gap's story is told in his words alongside rare photos across a sumptuously designed 2-page insert and, to augment this deluxe edition further, its all wrapped up in a beautiful, no-expense-spared luxury tip-on sleeve, as per the original hens-teeth release. And, while we're talking packaging, just take a look at that cover - a work of art in and of itself.

The tracks are short but complex, with that extraordinary rhythm section backing the beautiful piano, organ and electric piano work of Gap. It's like the best ever library funk breaks record you never heard - but all your favourite golden age rap producers were all over it, long ago. It's a stunning blend of the vibrant, driving music of the Gap Mangione Trio coupled with the sensitive composition and superb orchestration of Gap's legendary brother, Chuck Mangione, who helmed an amalgam of seemingly disparate elements – rock, big band jazz, solo improvisation and "classical" music - into a spectacularly cohesive whole that has aged wonderfully well. As Gap himself notes in the liners, "with this group I was able to explore and add new and exciting elements from rock, Brazilian and then-current pop music."

Opener "Boy With Toys" triumphantly swaggers out the gate, all big band horns, flutes and dextrous organ work. The synthesis of everything going on is nothing short of stunning. When one wise YouTube commentator called this tune "old school superhero music", Gap agreed. Rap luminaries did, too, amongst them Talib Kweli, who rapped over DJ Scratch's chopped up intro for "Shock Body" on his Quality album back in 2002.

You've barely recovered from that incredibly affecting opener when you get hit over the head with the exquisite title-track. And now you see how two of the greatest beats of all time emerged from one single track produced nearly 50 years earlier. Unforgettably utilised by Dilla for Slum Village's heartbreakingly good "Fall In Love" and then Madlib for his "Official" beat for Dilla to rap over, on the Jaylib record. Regardless of the records it went on to spawn, this is just a staggering tune in its own right. Be beguiled by the flutes and the flutter tonguing, the counter-melody from the trombones, the soprano sax solo. All of it. Simply beautiful.

The questing organ and horn workout "Long Hair Soulful" deserves a lot more attention, overshadowed somewhat by the opening two monsters but no less fantastic. It swings, it grooves and Gadd and Levin truly cook. Up next, Gap's wonderfully percussive, mellifluously piano-heavy cover of "Yesterday" by some fellas called The Beatles. It's a subtly arresting gem. "The XIth Commandment" is damn fine, with thick, gorgeous electric piano and snappy drum work underpinning chaotic soundtracky horns. To close out the side, "St. Thomas" showcases the "fourth" member of the Gap Mangione Trio, conga drummer Dhui Mandingo. Having performed with the Trio since 1965, Dhui‘s African-based and jazz-latin-influenced style amazed listeners and its way to hear why.

Opening the B-Side, standard "You're Nobody Till Somebody Loves You" breezes along in the late-night jazz club fashion before things get super deep with the outstanding and - up to now - un-sampled "Pond With Swans". It's simply heavenly, and how its moody, melancholic intro has yet to be pilfered is anybody's guess. It oscillates between gentle, sombre movements and bombastic grooves, equally hypnotic and joyous. The rendition of "You Are My Sunshine" is yet another showcase for Gap's virtuoso playing and Gadd's mastery of the pocket. Indeed Gadd's drumming on "Free Again" is nothing short of neck-SNAPPING! Ghostface took it for not one but two "Iron's Theme" tracks across his seminal Supreme Clientele. It's got that Galt MacDermot "Coffee Cold" feel. Suuuuuper cool. The frantic "Dream On Little Dreamer" hurtles along and must've surely had the whole room absolutely swinging from the chandeliers back in Rochester in the late 60s. The album closes with the magnificent Graduate Medley, featuring memorable renditions of "Scarborough Fair", "The Sounds of Silence" and "Mrs. Robinson". The warm electric piano lines of the former were sampled by The Ummah (Dilla again!) for Tribe's "Pad & Pen" from their reappraised final album, The Love Movement, as well as by Large Professor on his much-loved "The LP (For My People)".

Under the watchful eye - and extremely attentive ears - of Gap Mangione himself, the audio for Diana In The Autumn Wind has been carefully remastered by Be With regular Simon Francis, with a few much needed tweaks here and there, according to the artist's wishes. At the prestigious Abbey Road Studios, Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at the always stellar Record Industry in Holland. The artwork restoration has taken place here at Be With HQ and has that drop-dead gorgeous cover artwork popping like new. Buy on sight!


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2026 repress


Tracklist 12":
A1) Back In The Days
A2) Native Riddim (Vinyl Bonus Track)
B1) Jugendstil
B2) +++
Info:
COEO are to Toy Tonics records, what Master at Work were to the House scene of the 1990ies: They bring the Soul into the House. Their new EP "Back In The Days" is a 4 track house stomper that could have been made in 1997 by guys like Sneak, Dimitri from Paris or Little Louie. But still the similarities to the new Berlin Sample-House scene around Max Graef and Hodini are evident, too. Already their last years' superhit NATIVE RIDDIM (which is featured as a bonus track on this vinyl) included some heavy jazz samples they found in their parents' bag of soul. Native Riddim has been no.1 in the Traxsource charts for several weeks and was the basis for their already huge following. From Laurent Garnier to Tensnake - the feedback has been awesome. Now they proceed their way of souldful house. Just good taste.


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LP, UV Print, Poster

- Previous album supported by BBC Radio 6 Music (Gilles Peterson)
- **** review in Mojo Magazine (previous album)
- Featured in Jazzwise and Jazzthing (previous album)
- "Combining lo-fi beats, nu-jazz smoothness and a pinch of Radiohead-esque rock… remarkably dexterous and ambitious." - The2010s Music Magazine
- "One of the most talented and ambitious young groups from Germany." - Jazz Montez Frankfurt

2. GENRE/S:
jazz, nujazz, indiejazz

3. TRACKLISTS:
1 future has got you
2 less lonely
3 twist
4 you gonna help me
5 too many flowers
6 wedding
7 loving parents
8 never ending story
9 patterns
10 walking memories
11 kids
12 prophet spring

4. SHORT INFO:

Conic Rose - Wedding
A guitar stands alone in Wedding, that metropolitan biotope in the western center of Berlin, caught in constant transformation between idyll and abyss. It lets its gaze wander, unsettled, almost shy, until it encounters a trumpet, with which it begins a cautious, then ever more intimate pas de deux.
Welcome to the second studio album by the Berlin-based band Conic Rose.
The album title Wedding is no coincidence. The story of Conic Rose is closely intertwined with the Berlin neighborhood that gives the record its name. The band's studio is located here, and both studio albums were created in the immediate vicinity of the small river Panke. This place settles over the music like a warming patina. The album feels as though the musicians and the neighborhood have invited one another to get to know each other. Not least because Wedding also means marriage. These marriages between a band and an urban landscape, a fading past and an emerging future, fear and hope - unfold in every single song on Wedding.
For their second album, Conic Rose repositioned themselves completely. Not in terms of personnel, but in the question of how to move forward. Conic Rose still sound like Conic Rose; their distinctive blend of cinematic jazz, ambient textures and guitar-led contemporary music remains untouched. And yet Wedding is, in many ways, the conceptual counterpart to their debut album Heller Tag. Where the debut documented movement within an urban setting, Wedding describes a state of being. Behind every piece seems to hover a large question mark.The group opens up its palette, allowing more influences, becoming at once more subtle, more profound, more filigree. It is less about definition than about the spaces in between. The most immediately striking difference from the previous album is the strong presence of the guitar. In Bertram Burkert's playing, many voices seem to converge. His yearning openness forms an equal counterpoint to Döben's trumpet and flugelhorn. Blurred and layered sounds occasionally make the ground seem to slip away beneath one's feet, while Döben's gliding lines create both closeness and distance. Together, the band express in a deeply subtle way a sense of life that corresponds precisely to our time. Something lurks in the background, omnipresent yet still unnameable. Conic Rose need no words to convey this feeling of uncertainty with remarkable eloquence. Perhaps this has something to do with Wedding being a place of confrontational introspection, but Conic Rose confront the escape from escape itself. With the recording and release of Wedding, this process is far from complete. The seed only begins to grow in the listener's ear. With every listen and the echo it leaves behind in memory, the studio bud continues to bloom. The album is merely the point of departure. What ultimately matters is what it sets in motion within those who encounter it.


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LA underground hubs DISCOS XXX aka DX3 and Elbow Grease join forces to proudly
present Point Winona Sound Library Vol 1 — featuring 20 distinct artists from the inspired
local dance music scene, working under one unified studio roof in various collaborative
formation at the mighty Los Feliz hilltop palace Point Winona, overseeing the city they
collectively represent. These timeless warehouse-wrecking tracks all stand on their own, but
the compilation as a whole offers a solid geographic sonic statement with shared rhythmic
DNA and bold rooted-futurist production blueprints, guided by the champion efforts of studio
executive producers/curators Tavish DJ and Dave Aju.
The BPS stage-setting opener evokes crispy A.M. hours with lush Detroit-meets-Cali feels on
“Within Reason” — then studio dream team 5 ATMs bring the dubwise floor vibes up a notch
on “A Dub Called Mondo” and Chitown-to-LA legend Scott K lays down an FM bass-laced
acid house heater with “Tighter & Tighter”. Nashville-born producer Gryph funks things up
on the live space boogie bump of “Winona at Sunset” while SSRI, comprised of
Underground Resistance’s DJ Dex/Nomadico, Aju, and Black Lodge’s fearless leader
Kosmik, drop fierce robo-Italo bliss on “Omnicallora”. Things take a further psychedelic
twist with the PW edit of Scotty Coats’ sublime midtempo tripper “Be Work Zone Alert”, then
Omakase’s own Gold Code alongside longtime rave brother Aju drop the nasty J Saul-salute
“Yolo Jungle”, and Warehouse Preservation Society aka Tavish DJ & TK fully detonate
floors inna raucous Wicked Crew stylee with “Data Bliss”. Undisputed LA scene queen Stacy
Christine arrives with her shining debut “Smart Move”, where she and Aju trade sly vox lines
of party advice over a bouncing tech banger for the ages, before the “Obsesion Romantica
(Free Winona Dub)” sees Sisters Of Sound aka Maddy Maia and Tottie's, OG track getting
stripped back and fired up to acidic peak time form. Then Dave Aju and SF homies Moniker
aka EO & Kenneth Scott unleash wild uptempo melodic bruk heaven on “Chuy Luis”, and
Vastir sends us home with the stratospheric drum n bass closer "Turnpike"

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2026 Repress

Tracklist 12":

A1) Sorry For The Late Reply (6:17)
A2) Hyperactive (6:15)
B1) I Can Never Be Yours (6:21)
B2) Bliss (7:05)

Release Info:
COEO are back on Toy Tonics! After uninterrupted touring around the globe, followed by a short creative break the guys come back with an even stronger sound. With the new EP they go more underground again. Its addressed to the clubs and night owls out there, who turn night into day and won't stop dancing!

The sound is based on classic house patterns and includes a lot of cool saxophones, big piano stabs & rhythmic piano solos. They even go tribal, use arpeggios and switch into breakbeat heaven. The four Originals are a great next step in the COEO evolution. The unique warm, catchy atmosphere of the tracks can create that special COEO euphoria which made them a lot of fans. From Moodymann to Disclosure, Mall Grab to Kenny Dope, the list is long.

It’s fantastic to see how popular they became over the last couple of years. The last COEO vinyl sold over 2500 copies and some of their tracks have millions of Spotify plays. It’s DJ FOOD. Pure bliss!














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2LP

GENRE/S: Ambient, Acid, Jazz

TRACKLISTS:
A1 Acid Lullaby 12, A2 Acid Lullaby 3, A3 Acid Lullaby 15 (N:in Remix)
B1 Acid Lullaby 6 (Afternoon lights), B2 Acid Lullaby 13 (Philipp Otterbach Remix), B3 Acid Lullaby 14 (Museum of no art Version)
C1 Acid Lullaby 4, C2 Acid Lullaby 5 (Uhlenbusch), C3 Acid Lullaby 16
D1 Acid Lullaby 7 (Birds Inside), D2 Acid Lullaby 8 (Rain outisde), D3 Acid Lullaby 1 (47IN4 Remix)

SHORT INFO:
During a job in Cologne, I stayed in a room with a loft bed that had no electrical outlets at the top. Every night, I would listen to my TB303, which runs on batteries, through headphones to help me fall asleep. I loved the sequences, it was like meditation. The TB-303 bassline is iconic in acid music, so I created the Acid Lullabies to bring these two elements together. In 2017, the label Doom Chakra Tapes released ten of the Acid Lullabies on tape. Last year, I felt the urge to rework the tracks, so I mixed them again and created some new ones. I also
asked friends to contribute their own versions.

I’m very glad that the following artists contributed the Acid Lullabies: 47IN4 (Pudel Produkte, Doom Chakra Tapes), Museum of No Art (Séance Center, Cosima Pitz), N:in and Philipp Otterbach (Music from Memory, Offen Music). Two violinists from Ensemble Resonanz performed my piece 'Afternoon Lights' for Acid Lullaby 6. Alex Solman designed the cover, which captures the essence of the project perfectly. Have fun with the Acid Lullabies!

VITAL SALES POINTS:
- 5th Album, released before on BureauB, Laid, Smallville Records, etc.
- Remixes by Philipp Otterbach, Museum of no art, N:in, 47IN4
- Golden Pudel Club Resident
- Limited

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GENRE/S:
Electronica, Breaks

TRACKLIST:
A. Den Mahlstrom rauf
B1. Den Mahlstrom runter
B2. Den Mahlstrom rauf (Adiel Remix)

SHORT INFO:
For Martin Gretschmann, the ever-evolving Berlin artist known as both Acid Pauli and Console, music has always been a deeply personal journey.
His new imprint, All Is Acid, is the destination, a creative home for his uncompromising and experimental sound. Breaking from the cycle of trends, the label is a return to the essential, offering just a few curated releases a year. Each is intended as a timeless artifact for deep listening, primarily showcasing Acid Pauli's own intricate and intimate productions.
The label debuts with a newly remastered version of his classic 2010 EP "Den Mahlstrom rauf." But the release is given a powerful new dimension by a standout remix from Italian artist Adiel. Their collaboration was sparked by pure serendipity: a fan video of Acid Pauli playing her music in Milan reached Adiel, who responded with a short film for Vogue. In it, she revealed that "Den Mahlstrom rauf" was a formative influence and one of the very first records she ever bought.
Inviting her to remix the track that helped shape her sound was a full-circle moment, artistically and emotionally. Her bold, reverent reinterpretation honors the original's spirit while imprinting it with her own unique signature. With this release, All Is Acid launches not just with music, but with a story of connection, community and a shared artistic lineage








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RSD Title, do not sell before 18.4.26

Territories: WORLD EXCL UK,US,CA, Benelux, AU, NZ


LIMITED 500 UK COPIES ON HOT PINK COLOURED VINYL

Tracklist:

1. Night After Night
2. Where Is The Sun
3. When I'm On TV (Demo version)
4. Boy Meets Girl
5. She's A Sensation
6. Let's Go
7. Singing On The Radio

Side 2
1. The Girl With Stars In Her Eyes
2. They Know I Smoke
3. Who'll Be Her Fool Tonight
4. Sixteen's My Lucky Number
5. Come With Me
6. Lipstick and Leather (Demo version)
7. Sweet Dancer Au Go Go





- Long lost Sydney power pop band circa '79-80 whose two main players came together at the urging of legendary LA svengali/producer (Runaways, Hollywood Stars, Candy etc) and songwriter (Kiss, Van Halen etc) Kim Fowley after he 'discovered' them both during his Australian sojourn of Xmas '78/79. Those two main players were Jarryl Wirth, guitarist of now iconic and oft-bootlegged early Melbourne punks Babeez/News (Jarryl recorded solo tracks for Fowley under the name the Lonely Boys) and Jimmy Manzie, songwriter/bass player for hugely popular Sydney band Ol' 55 (Aus's answer to Sha Na Na/Flash Cadillac) who previously had a #1 album and multiple Top 10 hits (and who can still sell out theatres). Manzie is also known amongst power pop fans as the producer of the classic single 'Sooner or Later' by Fowley's other Aussie power pop proteges, the Innocents, and is known to Ausrock fans as the producer of the Choirboys.

- Band only ever released one single in its time; the album is full of high quality and never-before-heard glammy new wave hard power pop taking its cues from the Innocents, Cars and Cheap Trick.

- Includes the original demo of the Manzie/Fowley tune "Lipstick & Leather" which was later demoed by KISS circa 'Creatures of the Night'.

- Pink vinyl and 4 page insert with loads of pix and extensive liner notes by Dave Laing (Ugly Things).

- Essential for international fans of '70s/80s power pop and new wave, '70s Aussie punk (thanks to the Babeez/News connection), classic Australian rock and Kiss completists!

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