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A pillar of "Deejay Chiama Italia", one of the most famous italian radio programs, Alex is also an established producer and remixer best known for being among the producers of "Feel It" by The Tamperer feat. Maya, an iconic track that topped the charts halfway around the world.
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Official re-release, retrieved from original cassette tape (1988). First time on vinyl! Includes Turkish musicians like jazz & percussion star Okay Temiz.
Brought to you by the compiler of the Saz Beat series as well as the Bosporus Bridges series.
A Danish-Lebanese Afro-American who has learned Turkish and knows how to play the saz? Who entered the Anatolian Pop scene in Istanbul right in the heyday, the early 1970s? And who got so much musical credit that the renowned Turkish producer Nazmi Senel released a solo album with him in 1988, recorded in Istanbul and including musicians like Turkish percussion star Okay Temiz? Sounds pretty unlikely. Sometimes miracles happen and highly improbable music gets released. A person with a diverse heritage as Nyofu Tyson can be seen as a 'melting pot', as a 'synthesis'. Yet, he can be also seen as someone who is able to step out for new paths.
This is the case for TÜRK LOKUMU - TURKISH DELITE. Like nobody before, Tyson connects and opens up Anadolu Pop towards a whole range of styles: Synth-Pop, New Wave, Reggae, Hip Hop/Break, Latin, Disco Boogie… He shows us how vital, compatible and versatile one could think Anadolu Pop at the end of the 1980s. The compositions are basically all Türkü-s, traditional Anatolian folk songs, yet updated with a poly-cultural music practice, which involved a lot of the then current musical trends. So, this is Turkish folk music and it has at the same time all what you like about the late 1980s pop music: cold electronic drum sounds, crisp-flashy synths, crunchy bass - all in contrast with warm distorted saz tones, wooden Turkish wind instruments, and a disco-soul proven female choir. This is crazy music. This is a miracle. This is Anatolian-Synth.
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Born in Los Angeles of Danish-Lebanese-African-American heritage, Nyofu Tyson grew up in a musical home. His Dad was an amateur jazz pianist and avid listener of many styles of music.
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Nyofu travels regularly to Turkey, where he has gained recognition for his interpretations of Turkish folk poets and his eclectic style of saz playing. He still continues both musical lines, Turkish folk poet music and Turkish flamenco fusion.
https://www.nyofutyson.com
Credits
Music arranged, directed and English lyrics by Nyofu Tyson.
Re-Producer: Martin Georgi and Holger Lund (known as compiler of the Saz Beat series as well as the Bosporus Bridges series).
Vinyl-Mastering by Calyx Berlin.
Design by Julia Raschke. Many thanks to Nazmi Senel and Nyofu Tyson, Markus Lindner and Norman Nitzsche.
Distribution by wordandsound.
Executive production by Seismographic Records in cooperation with fluctuating images
© 2023 SR 002; seismorecords.bandcamp.com & fluctuating-images.de
2. TRACKLISTS:
A1 - Turkish Delight
A2 - Midnight Rendezvous
A3 - Fiancé
A4 - Fidayda
A5 - If you wan my love
A6 - Emmoglu
B1 - Sunglasses Belly Dance
B2 - Eninem
B3 - Tabancamin Sapini
B4 - Cicek Dagi Oyun Havasi
B5 - Misty Mountain Melody
More
Brought to you by the compiler of the Saz Beat series as well as the Bosporus Bridges series.
A Danish-Lebanese Afro-American who has learned Turkish and knows how to play the saz? Who entered the Anatolian Pop scene in Istanbul right in the heyday, the early 1970s? And who got so much musical credit that the renowned Turkish producer Nazmi Senel released a solo album with him in 1988, recorded in Istanbul and including musicians like Turkish percussion star Okay Temiz? Sounds pretty unlikely. Sometimes miracles happen and highly improbable music gets released. A person with a diverse heritage as Nyofu Tyson can be seen as a 'melting pot', as a 'synthesis'. Yet, he can be also seen as someone who is able to step out for new paths.
This is the case for TÜRK LOKUMU - TURKISH DELITE. Like nobody before, Tyson connects and opens up Anadolu Pop towards a whole range of styles: Synth-Pop, New Wave, Reggae, Hip Hop/Break, Latin, Disco Boogie… He shows us how vital, compatible and versatile one could think Anadolu Pop at the end of the 1980s. The compositions are basically all Türkü-s, traditional Anatolian folk songs, yet updated with a poly-cultural music practice, which involved a lot of the then current musical trends. So, this is Turkish folk music and it has at the same time all what you like about the late 1980s pop music: cold electronic drum sounds, crisp-flashy synths, crunchy bass - all in contrast with warm distorted saz tones, wooden Turkish wind instruments, and a disco-soul proven female choir. This is crazy music. This is a miracle. This is Anatolian-Synth.
Nyofu Tyson
Profil:
Born in Los Angeles of Danish-Lebanese-African-American heritage, Nyofu Tyson grew up in a musical home. His Dad was an amateur jazz pianist and avid listener of many styles of music.
Nyofu began music as a bassist, playing Jazz and Latin with local groups. He studied composition, classical bass, and North Indian classical music at California Institute of the Arts for two years. His interest in ethnic music led him to Turkey, where he began playing the long-necked lute, saz.
He then lived for many years in Sweden, where he worked with Zulfu Livaneli, Okay Temiz and Hadji Tekbilek, all major names in Turkish music. He toured all over Sweden and Europe with these artists, while having his own band and making radio concert and TV appearances in Sweden and Turkey.
Since returning to LA, he has collaborated with Omar Faruk Tekbilek, oudist John Bilezikian and Cuatro Caminos Flamenco among others.
Nyofu travels regularly to Turkey, where he has gained recognition for his interpretations of Turkish folk poets and his eclectic style of saz playing. He still continues both musical lines, Turkish folk poet music and Turkish flamenco fusion.
https://www.nyofutyson.com
Credits
Music arranged, directed and English lyrics by Nyofu Tyson.
Re-Producer: Martin Georgi and Holger Lund (known as compiler of the Saz Beat series as well as the Bosporus Bridges series).
Vinyl-Mastering by Calyx Berlin.
Design by Julia Raschke. Many thanks to Nazmi Senel and Nyofu Tyson, Markus Lindner and Norman Nitzsche.
Distribution by wordandsound.
Executive production by Seismographic Records in cooperation with fluctuating images
© 2023 SR 002; seismorecords.bandcamp.com & fluctuating-images.de
2. TRACKLISTS:
A1 - Turkish Delight
A2 - Midnight Rendezvous
A3 - Fiancé
A4 - Fidayda
A5 - If you wan my love
A6 - Emmoglu
B1 - Sunglasses Belly Dance
B2 - Eninem
B3 - Tabancamin Sapini
B4 - Cicek Dagi Oyun Havasi
B5 - Misty Mountain Melody
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Release-Date:18.10.2024
Genre:House
Configuration:12"
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Release-Date:08.07.2022
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Cat-No:SR003
Release-Date:23.02.2024
Configuration:2LP Excl
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Unknown Artist - Yagmur Yagdi Kac
2
Unknown Artist - Adana Ücayak
3
Unknown Artist - Sis Kebabi
4
Unknown Artist - Hint Geceleri
5
Unknown Artist - Cilli
6
Unknown Artist - Kalaycilar
7
Unknown Artist - Fesuphanallah
8
Unknown Artist - Zühtü
9
Unknown Artist - Harmandali
Vinyl Only Release lim. to 500 copies worldwide!
There are mysterious records. Records hiding and showing something at the same time. This is one of them. It is made from two records that were most probably released in the mid-1970s, most probably primarily by Turkish Roma.
It brings together what Anadolu pop music lovers always dream of: Anatolian geleneksel (traditional folk tunes), disco and funk, jazz and hard rock, psychedelic sounds, hard-hitting drums, Arabesk percussion, and hip-hop friendly breaks. Put together in a careful, smooth production with a warm, relaxed and dance-friendly vibe.
Here you get it: Roma-nized instrumental Turkish pop music in all its facets of the 1970s.
Track Titles:
A1 Yagmur Yagdi Kac
A2 Adana Ücayak
B1 Sis Kebabi
B2 Hint Geceleri
C1 Cilli
C2 Kalaycilar
D1 Fesuphanallah
D2 Zühtü
D3 Harmandali
More
There are mysterious records. Records hiding and showing something at the same time. This is one of them. It is made from two records that were most probably released in the mid-1970s, most probably primarily by Turkish Roma.
It brings together what Anadolu pop music lovers always dream of: Anatolian geleneksel (traditional folk tunes), disco and funk, jazz and hard rock, psychedelic sounds, hard-hitting drums, Arabesk percussion, and hip-hop friendly breaks. Put together in a careful, smooth production with a warm, relaxed and dance-friendly vibe.
Here you get it: Roma-nized instrumental Turkish pop music in all its facets of the 1970s.
Track Titles:
A1 Yagmur Yagdi Kac
A2 Adana Ücayak
B1 Sis Kebabi
B2 Hint Geceleri
C1 Cilli
C2 Kalaycilar
D1 Fesuphanallah
D2 Zühtü
D3 Harmandali
More
Label:Altered Circuits
Cat-No:ALT010
Release-Date:01.03.2024
Genre:House
Configuration:12"
Barcode:
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Last in:22.07.2024
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Last in:22.07.2024
Label:Altered Circuits
Cat-No:ALT010
Release-Date:01.03.2024
Genre:House
Configuration:12"
Barcode:
1
Betonkust - Brandy From Seattle
2
Betonkust - Yorin Home Shopping
3
Betonkust - Chlorine At Night
4
Betonkust - Sorry About The Album
- coming soon -
More
Label:Sound Metaphors Records
Cat-No:SMR013
Release-Date:17.02.2023
Genre:House / Techno
Configuration:12"
Barcode:
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Last in:21.08.2024
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Last in:21.08.2024
Label:Sound Metaphors Records
Cat-No:SMR013
Release-Date:17.02.2023
Genre:House / Techno
Configuration:12"
Barcode:
1
DELKOM - No Title
2
DELKOM - Sato Agrepo
3
DELKOM - Sexploitation
4
DELKOM - Don't Let Music Distract You From Danci
5
DELKOM - Tanzen Ist Schön
6
DELKOM - No Title
7
DELKOM - Viva La Droga
8
DELKOM - Du Musst Tanzen
9
DELKOM - Maskulin Feminin
10
DELKOM - No Title
Delkom's only known previously released album. Originally released in 1990 by the wonder duo consisting of Saba Komossa and Gabi Delgado. The album is released as a continuous mix with each track delineated on the grooves.
Imagine Berlin in 1990, the wall is about to come down, no social media, no CDJs, new drugs are being standardized and this is the soundtrack to your night out in this debaucherous capital, exploding with energies that anthropology PhD students still haven't been able to fully describe. The entire record sounds like a dub mix that almost wasn't allowed to be released by the record label, unorthodox in its methods, too experimental for most studios yet highly effective on the best of dancefloors. All killer, no filler. Sexually charged lyrics, driving percussive rawness over heftily synthesized bass lines, all boxes are checked for total club mayhem. Pioneers in their own right, clearly marking their territory in Berlin dancefloor culture from its early post reunification days. More
Imagine Berlin in 1990, the wall is about to come down, no social media, no CDJs, new drugs are being standardized and this is the soundtrack to your night out in this debaucherous capital, exploding with energies that anthropology PhD students still haven't been able to fully describe. The entire record sounds like a dub mix that almost wasn't allowed to be released by the record label, unorthodox in its methods, too experimental for most studios yet highly effective on the best of dancefloors. All killer, no filler. Sexually charged lyrics, driving percussive rawness over heftily synthesized bass lines, all boxes are checked for total club mayhem. Pioneers in their own right, clearly marking their territory in Berlin dancefloor culture from its early post reunification days. More