UPC: 827170517264 Release: 17.10. 2013
A – Hale Bopp – RICARDO VILLALOBOS REMIX B1 – Hale Bopp – CAVAAN REMIX B2 – Hale Bopp – DER DRITTE RAUM ISON ADAPTION REMIX
After releasing ‚Morgenland’ album Der Dritte Raum Record's stable drops their eight EP, bringing up Hale Bopp, which some of you may know from trance shenanigans back in the roaring 90’s. What makes it even more better then the original classic track are the re-interpretations. Ricardo Villalobos & Cavaan flashes their acclaimed producer talents and their works are both very original and quite different from each other. Since his epics like 'Easy Lee' and 'Dexter,' Villalobos has kept stretching out his music, and his Hale Bopp version is full of rhythms and more changing than ever -- meandering in ever-widening circles. Same is Cavaan’s remix. It’s drifting on their own with spiraling barbed rhythms that emerge from couplings of analogue machines. The Ison Adaption on B2 is remodeled by Krüger himself and on all remixes the main-melody is kept, although no samples are used, making it rather different from the original.


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Oxia's classic 'Domino' gets reworked for it's ten year anniversary - in 2 vinyl parts.

A decade after initially seeing the light, Oxia's now classic 'Domino' get's reworked to celebrate it's anniversary. The new release features a new cut by Oxia himself as well as several remixes by none other than Frankey & Sandrino, Robag Wruhme and Matador. The EP will be released through Agoria's newly found record label Sapiens on February 24th.

Ten years ago the track made waves in the international dance music circuit, striking up chords with techno, trance and house DJs alike to quickly become an all-time classic. Having never expected the track to reach the status that it his, it's a very dear project to Oxia and he needed quite some persuading to give in and let Agoria and his team create something that was worthy of the original. The set of tracks are the first officially commissioned remixes by Oxia ever.

"Finding remixers took some time, the amazing Frankey & Sandrino who's track 'Acamar' is my absolute favourite of 2015, Matador that just launched his Rukus label as well is the multi-talented ex label mate at Kompakt Robag Wruhme. They are all incredibly gifted and fortunately patient enough to wait for this EP" - OXIA

Tracklisting Vinyl 1

A1. Domino (Original rework )
A2. Domino ( Robag's Lasika Cafa Nb)
B1. 4. Domino (Matador Remix)


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Tracklist:
A side
1- Gazebo (Patrice Baumel Remix) (7’02)
2- Gazebo (6’28)
3- Gazebo (Moscoman Remix) (8’27)

B side
1- Gazebo (ANNA Remix) (7’30)
2- Gazebo (Jacques Remix- (6’49)
3- Gazebo (Indie Remix) (7’02)

Short Info:

Exclusive remixes of classical Fairmont’s track “Gazebo”, from ANNA, Patrice Baumel, Moscoman, Jacques & Stefan Smith.

“I'm thrilled to say that the finished package is a set of very fresh and thoughtful reinterpretations with a wide range of styles. Each remix stands on its own and brings something completely unique to the table. I couldn't be happier.” - FAIRMONT


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Let's have a big round of applause for … triplet fever!
The Third Room is back - not without a reason, of course: on the brink of the tenth anniversary of his uber-smasher HALE BOPP, Andreas Krüger steps up to send his classic's timeless hookline on a wild journey into the past. SWING BOP is the name of the splendid result, bringing back memories only our grandparents could actually have. Berlin in the 1920s: a brief eruption of hedonism, manifesting in galloping creativity, a pulsating nightlife and cocaine being sold on almost every street corner, before the Great Depression and rising fascism put a sudden end to this burlesque bustle.
The groove and glamour of past days have fascinated Krüger long before the birth of The Third Room. For lack of an orchestra, he trades his motorcycle for a Sequential Prophet 2002 Sampler in the mid-eighties, using this device to sample sounds from swing shellacs he inherited and taking first steps in that direction long before it became popular.
At the beginning of the nineties, Krüger starts his project The Third Room, instantly achieving worldwide prestige within the world of techno. His dedication for the swing-typical triplet feeling steps aside for a while and only finds its way back into his musical world at the end of 2007. Inspired by a wild night full of YouTube videos of modern swing orchestras, he jauntily covers himself and resurrects his world hit HALE BOPP in a truly extravagant new outfit. Starting with a couple of test runs during his famous live acts, soon a few DJs get the chance to try out SWING BOP's explosive qualities on ecstatic dancefloors. Countless requests and ecstatic feedback support Krüger's decision to release this charming revenant. After engaging Berlin-based Andreas Ernst to bring in clarinet and saxophone and performing a friendly take-over of the hamburg-based electro imprint SAVE TO DISC it is now about to happen: The triplet fever is going to infect the dancefloors worldwide.


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Metronomy release their third album, 'The English Riviera' on April 11th through Because Music. The follow up to 2008's critically acclaimed 'Nights Out', 'The English Riviera' is a sonic progression of epic proportions and affirms Metronomy front man and producer, Joseph Mount, as a rare British talent.
Since 'Nights Out', the band have swollen to a four piece with new members Anna Prior on drums, Gbenga Adelekan on bass, original member Oscar Cash on keys/sax, and Joe himself on vocals, keys and guitar. This expansion of personnel is reflective of a new record that is mapped by vast soundscapes, incredible depth and warmth, and big pop hooks
Part love letter to the area of Devon coast Mount grew up in and part concept album about his own semi-fictionalised vision of "The English Riviera", the tone for the album is set by the opening sounds of seagulls, distant waves and a Music Hall string quartet. However, any notion of whimsy is swiftly dispelled, as the seismic bass line of 'We Broke Free' shudders and ushers in waves of layered guitars and synths.
Having produced and remixed everyone from Roots Manuva to Kate Nash and the forthcoming album from Nicola Roberts, this is the first Metronomy album that Mount has taken out of his bedroom and recorded in a proper studio. The results are telling.
Characterised throughout with a sense of warmth and richness, 'The English Riviera' is in parts reminiscent of seminal 1970s West Coast studio albums from the likes of Fleetwood Mac and The Eagles, but due to Mount's studio wizardry, the record sounds vibrant and entirely of its time.
Few other albums released this year will so successfully transcend such a plethora of influences and ideas and form such a coherent body of work.

Tracklisting:
Side A:
The English Riviera
We Broke Free
Everything Goes my way
The Look
She Wants
Trouble
Side B:
The Bay
Loving Arm
Corinne
Some Written
Love Underlined


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Rights: World excluding FR & UK

Packaging: 1 x140 Grs Black Vinyl, 3mm spine sleeve, printer inner , marketing sticker

SHORT BIOG / KEY POINTS

" All Orbital's classic tracks across all albums in one piece of vinyl / 1LP as cult edit versions.
" Extented 1CD edition with 6 additional tracks
" Orbital's own words about "A Beginner's Guide" : " The package you are holding in your hands is your threshold to a transformational psychoacoustic experience. An experience that will take you to spaces familiar, sonic pathways opening different times and different sounds to the chronosonic method of Orbital."


TRACKLISTING
VINYL
Side 1
01 Chime (Edit)
02 Halcyon (Edit)
03 Belfast (Edit)
04 Satan (Spawn)
05 The Box (Edit)

Side 2
06 Lush 3.1 (Edit)
07 Beached (Edit)
08 Are We Here? (Edit)
09 Are You Alive? (feat. Penelope Isles) (Edit)
10 Style (Edit)
11 Dirty Rat (Edit)



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Genre: Downtempo, Organic House, Electronica

We're thrilled to announce the new EP "Another Time" from Argentina's Kermesse. This release marvelously blends groovy rhythms, funky synths, and live instrumentation, enriched by Pedro Perelman's hypnotic vocals. Co-produced by Noema, the EP merges organic and electronic elements seamlessly. Known for standout performances in Ibiza and Portugal, and with over 9M Spotify plays, Kermesse continues to deliver his unique trademark sound.
Out on December 6, 2024, via The Magic Movement.


TRACKLISTS:

A1 - Another Time
A2 - Celestia
B1 - As The Sun Goes Down
B2 - Sambo

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Satin Jackets - Extra Mile EP


A concentrated four track showcase extending the warm glow of last summer’s album “Cruise Control” into the spring of 2026. Satin Jackets lines up a heavyweight cast and delivers an EP that moves effortlessly between sunlit elegance and late night force.

A1)
Satin Jackets & Kimchii - Bring On Up Your Love (Flashbaxx Remix)
Length 05:18 min

Flashbaxx transforms the Satin Jackets and Kimchii track into a driving disco house floor weapon with bright chords and classic dancefloor swagger. Guaranteed to get everyone grooving.

A2)
Satin Jackets & Erobique & Thunder - You Get Me So High
Length 04:19 min

A radiant meeting of Satin Jackets, Erobique and Thunder that sails between disco, Westcoast soul and soft focus glamour. Built around the 2025 vocal, the trio turn it into a warm and irresistibly smooth homage to timeless Yacht Rock.


B1)
Satin Jackets feat. Nazzereene - Know Me (Johannes Albert Remix)
Length 05:04 min

The Berlin producer dives deep into Chicago house aesthetics and delivers a crisp, rolling late night tool that lights up any club at peak time.

B2)
Satin Jackets feat. Seint Monet - Control (Ceci Remix)
Length 03:31

Ceci closes the EP with a dreamy, slow burning rework that wraps Seint Monet’s vocal in hazy pads and gentle after hours warmth.
Extra Mile EP is the kind of twelve inch you do not pass on. A tight, potent combination of artists who elevate each other with ease.




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2024 repress

Format: 7''
Format Notes: Picture sleeve

Track List:
A1 : Release The Beast (4:50)
B1 : Let Love In (4:35)

Release Notes:
Get Up! Time to release this beast on 7''.

Breakwater’s earth-shattering “Release The Beast” is unquestionably the standout song from their 1980 funk masterpiece LP Splashdown. It also came out as a now-hen’s-teeth-rare 7" in the same year and when it came to putting it out as a 7" again we just had to do it in a miniature version of the Splashdown sleeve. It’s one of the best album cover shoots of all time.

For the b-side, we’ve backed Breakwater’s biggest track with Be With’s favourite: the quietly majestic gem “Let Love In”, another winner from the same LP.

Possessing a sound and a feel that was lightyears ahead of its time, “Release The Beast” is a showcase for Breakwater’s phenomenal power-funk capabilities. The energy is astounding. It rips out of the grooves on a deep funk tip, with speaker-smashing, room-shaking drums competing with distorted funk-rock guitar, bumping bass and space-age synths. But it’s not without its compellingly haunting elements too. What else can we say? It’s a genius piece of music.

And, yes, of course this is the tune Daft Punk sampled for their 2005 track “Robot Rock”. Let’s be blunt, they lifted the Philly act’s funk-rock vamping pretty much wholesale. But to be fair to them we wouldn’t have messed with the perfection of the original either and those Parisians shone a much-needed spotlight on an innovative band from the halcyon period of post-disco funk.

On the flip, “Let Love In” is a smooth, easy glide that demonstrates Breakwater’s superb, sophisticated musicianship. The tight horn section and irresistible bass make for an undeniable groove. However, it also reveals a depth to their lyricism that’s often overlooked. In these dark days, the sentiment of the opening lines is truly one to we should all take to heart:

“It feels good to be friends with everyone, Walk around and the feeling’s in the air, No more hate can’t you see, This is really for me.”

A feel good hit for the summer if ever there was one.

Remastered for this vinyl reissue, we’re delighted to present this modern soul double-sider. Essential in every way.

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2026 repress

Tracklist
A. In your eyes 09:41min
B. As above so below 08:02 min

Release Info
Do you know what time it is? It's debut o'clock. Emitting his first material for Pampa, it's &ME - craftsman of all things deep and sturdy, at the same time connoisseur of emotive touch and virtuoso of sure instincts, one of the scene's central characters for a good amount of years now and one of the main figures of Berlin's Keinemusik-crew. The man has been hitting the bulls eye of public perception several times in the past, meeting everything it takes to get a crowd going with an intent on the detail when it comes to his arrangements and sound. These new two cuts seem nothing less than the essence of his abilities.
There is "In Your Eyes", the name lending A side to this EP, showcasing a rather pensive mood. It's just a few bars for the compound of kickdrum, tuned hi-hat tambourine and shimmering background noise until the first chords of an improvised piano-piece are tenderly laid upon the beat. Add a synth-motive coming back and forth and you'll have the main ingredients to this - in every sense of the word - floor-moving tune. Accordingly, the arrangement won't aim for an all too obvious sensationalism and rather opts for a flowing and intertwining call and response of its elements, ultimately resulting in a staggering impact anyway.
In comparison, "As Above So Below" on the flipside is adding a fair amount of emphasis. It unfolds in a dry and dense sounding beat-architecture that's suspense-packed with shaker sounds and subtextual field recordings. Most certainly, a slip-proof ground for this tune's centre-piece, a scale-riding synthbass sparking an almost anthemic trigger for floor-ecstasy. While details like subtle reverberating tapping and sparkling ambient textures sound like recorded deep down in a dripstone cave, the overall energetic layout pushes relentlessly to the heights of peaktime-grandeur. There you have it: "As Above So Below" - this tune works on every level.




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