2026 YELLOW VINYL REISSUE

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pink vinyl repress

2023 OFFICIAL REISSUE

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Blue Translucent Vinyl!

First official vinyl repress 33 years after the original release.

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first official vinyl edition

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OFFICIAL 2026 VINYL REPRESS INCLUDING NEW UNRELEASED REMIX BY JUDE & FRANK

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yellow vinyl.

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Repress!
2025 OFFICIAL WHITE VINYL REISSUE


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2025 OFFICIAL VINYL REISSUE. GREEN MARBLED VINYL.

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Red Marbled Vinyll Repress!


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2025 OFFICIAL VINYL REISSUE

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2025 OFFICIAL VINYL REISSUE

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2025 OFFICIAL VINYL REISSUE

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2025 OFFICIAL VINYL REISSUE

first time on 12" single

blue vinyl

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2025 OFFICIAL VINYL REISSUE

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2025 OFFICIAL COLOURED VINYL REISSUE.

Blue Splattered Vinyl.

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Originally released in 2010 via Jesse Rose’s Made To Play label, Oliver Dollar’s ‘Doin Ya Thang’ has gained iconic House track status. A standout record that blends deep, rolling basslines with crisp percussion and a catchy, looped vocal hook from a certain Detroit based DJ & Producer. Built around a stripped-back rhythm and its infectious swing make sure it’s still a favourite among DJs. Now picked up by Defected this is the first official reissue on vinyl since its original release.

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- 2026 repress -

Tracklisting
A1 Mr. G - Dust in the system : Tokyo dub plate
B1 Mr. G - Let's Do it...
B2 Mr. G - Find love (Ambient Space Tek)

Sales Note
New year new vibes from me, after the success of my greenhouse session for RA in ambient mode it's time to get back to the floor via 3 rollers

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Four years after Nuova Napoli, Nu Genea are back with Bar Mediterraneo, a new album and journey, which projects the
sounds of the Neapolitan duo formed by Massimo Di Lena and Lucio Aquilina even further.
Nu Genea's Bar Mediterraneo is an idea of a shared place where people meet and fuse together; a space that leaves its
doors open to travellers and their lives, always exposed to the whims of fate. Some of this can be experienced through the
multitude of sounds that come together in the tracks, layers of different acoustic instruments, voices and synthesizers
merging in a unique musical blend.
Opening up to the voices of many different people, separated by languages but united by the sea and the music, Nu
Genea's hometown, Napoli, becomes a true place of encounter.
You can hear this all along. In "Gelbi", a gorgeously deep and propulsive Ney flute plunges into murky waters of the
melancholic Tunisian dialect sung by Marzouk Mejri. In "Marechia'", unbridled happiness and sun ooze from the delicate
vocals of Célia Kameni and create an acrobatic bridge between French and Neapolitan language. In "Straniero", your
soul is arrested from the moment the slow spell-binding mandolin ignites the hypnotic patterns recorded by the legendary
Afrobeat drummer Tony Allen. In "Bar Mediterraneo", the title track, bittersweet guitar’s riffs, analog waves and choirs are
overwhelming the song giving you what you would like to hear on a boat trip along the Amalfi Coast.
Nu Genea couldn't afford to overlook their firmly anchored roots into the Neapolitan culture and its dialect with "Tienaté",
where the power of neapolitan language (interpreted by Fabiana Martone) supports those quarter-tone strings and the
uncessant folk-disco groove that spreads to the entire song. In "Praja Magia", repetitive mandolin riffs lead the song,
giving space to a choral yet tight vocal line that speaks of Varcaturo, a village close to Napoli. In "Rire", a volley of poetic,
deceptively laidback, lyrical fury interpreted by Sicilian Marco Castello intimately combines with a highly musical, multitextured
instrumental backbone and the swoon of a chanson in its heart. In "La Crisi'', the lyrics of a Raffaele Viviani’s
poem from 1930 have been adapted to a laidback jazz-funk groove in full NG style. In "Vesuvio", revaluing the evocative
verses and powerful mantra of Vesuvio, Nu Genea re-adapted to the dancefloor a folk song by the working-class band E’
Zezi from Pomigliano D'Arco, combining the voices of a school choir with Jupiter-6 arpeggios and bold percussions.
Bar Mediterraneo is the place where people constantly return to transform curiosity into participation, tradition into
sharing, unfamiliar into familiar. When travellers come through its “doors”, carrying their treasures of words and emotions,
they aren’t strangers any more. They take part in a shared experience, enriching themselves and others by leading to
unexpected musical journeys.

TRACKLIST:

A1. Bar Mediterraneo
A2. Tienaté
A3. Gelbi (with Marzouk Mejri)
A4. Marechià (with Célia Kameni)
A5. Straniero
B1. Praja Magia
B2. Vesuvio
B3. Rire
B4. La Crisi

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yellow vinyl.

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Tracklisting
A1 Barac - - Inhale, Exhale, Remember To Breath
A2 Barac - - Inhale, Exhale, Remember To Breath (PRT Stacho remix)
B1 Barac - We Are Getting Closer Again
B2 Barac - We Are Getting Closer Again (Endemica remix)

Sales Note
Inhale. Exhale. Remember to breathe. In that rhythm lies the pulse of being - the ancient echo of stars from which we are made. Breathing is the bridge between the inner cosmos and the outer void. When you breathe, you testify to existence itself: "I am." The Moonrover - a child of reason - abandoned on the cold, dead Moon. It does not feel time, know fear, or comprehend solitude. But a human, in its place, would understand: Silence is not emptiness. It is a mirror. And in that mirror arises the question: "If I am alone, and silence is infinite - who hears my breath?" The answer lies in the breath. Each inhale is resistance against entropy. Each exhale is an act of remembrance. To breathe is to remember that you are not just part of the Universe - you are its awakened part. And just as the Moonrover crawls across grey lunar plains, driven by an unknown purpose, so do you move through life, led by an inner light, until you realize: breath is not just life. It is a prayer sent into silence. And if you can hear it - you are alive.

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collector 12'' re issue : new exclusive visual & packaging : Sleeve made in silver mirror cardboard printed in navy blue + gold stamping. A side : Originla version, recut from Original Vinyl Master. B Side : Exclsuive Etched Design.

TRACKLIST

A. Music Sounds Better With you (Long Version - Re Cut from the Oriignal Master )
B. Exclusive Etched Design

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Tracklisting
A1 Rill - Silky Stones
A2 Rill - Rakija
B1 Rill - Friss
B2 Rill - Friss (Beste Hira remix)

Sales Note
SIDE B returns with the second installment of its newly established label, this time with Rill at the
helm. Staying true to effect, the young German producer has honed his percussively forward style
with a string of steady releases and performances over the past three years. In his EP 'Friss', Rill
delivers three highly concentrated club tracks with a Beste Hira remix closing out the project,
assembling a record destined for unforgiving sound systems and frenzied dance floors.

Driving and mental, Rill brews up a viscous first track 'Silky Stones' to make his intentions clear.
Shooting through a bubbling lead with percussive stabs wide in the stereo field, the producer uses
the element of surprise by sharpening the edge with a sharp key sequence, doubling down on
tension to an already hypnotic cut. With no time to waste, the needle slides to 'Rakija', with an
imposing groove and quick, dry hats. Characteristically, a dystopian melody warbles over a robust
rhythm to ensure maximum movement. Two tracks in and Rill already proves to balance his tools
with attitude. Taking a turn on the record flip, the B1 ups the audacity with the title track 'Friss'.
Techno usually prioritising kicks is a rule that Rill sweeps aside in exchange for an intimidating
bassline with an ecosystem of high frequency ambiance. A testament to balance and spatial
definition, the German adopts in fitting chord stabs in the second half to up the ante in a contained manner. To conclude, celebrated Beste Hira puts her spin on the latter for a drum forward eye roller, versatile for almost any dancefloor. Reconceptualizing the rhythmic identity of 'Friss', Beste Hira is able to weather the far off atmospheres while maintaining an emphasized festivity. Combining the best of groove-focused club music with a touch of niche psychedelia, Rill and SIDE B prove that techno is very much alive no matter what side of Europe you search for it.

Words by Noah Hocker

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