1
Ogassa - Avalale
2
Ogassa - Ogassa Story
3
Ogassa - Production Vido Tche
4
Ogassa - Gbe We Gnin Wa Bio
Over the past couple of years Acid Jazz have been re-issuing releases from the enigmatic 'Albarika Store' label, a goldmine in Afro cuts from Benin, West Africa. The latest instalment is the ultra-rare 'Ogassa Original (Vol. 1), the first LP from obscure but ultimately brilliant Porto Novo group, Ogassa from 1978. Like many Albarika releases, it was recorded at EMI Lagos, giving a depth and fidelity that stands out in the realm of Afro rarities. Reissued in full with the original artwork for the very first time, a must have for Afro collectors and completists alike. Pre-order now!
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More records from Acid Jazz Records
1
The Fatback Band; Joaquin ‘Joe’ Claussel - The Snake (Joaquin Joe Claussell's Sacred Rhythm Mix)
2
The Fatback Band; Joaquin ‘Joe’ Claussel - Chillin' Out (Kon’s Cool Out Remix)
Continuing the hugely exciting Spring Revisited series in collaboration with Ace Records, Acid
Jazz presents a new 12” release – Fatback Band: ‘Snake (Joaquin ‘Joe’ Claussell’s Sacred
Rhythm Version)’ + ‘Chillin’ Out (Kon’s Cool Out Remix)’
Originally featured on their 1978 album ‘Fired Up ’n Kickin’’, Fatback Band’s ‘Snake’ has long
been a favourite among soul-funk heads. Now, it’s in the hands of one of Brooklyn’s finest –
Joaquin ‘Joe’ Claussell – who gives it the full treatment. It’s backed with Kon’s ‘Cool Out Remix’
of ‘Chillin’ Out’, which was met with a great response when released as a digital single earlier
this year, and rightly sees a side of wax.
The limited-edition 12” vinyl continues the beautiful design theme of the series, looking as if it
was just sent to a New York DJ pool at the end of the ‘70s
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Jazz presents a new 12” release – Fatback Band: ‘Snake (Joaquin ‘Joe’ Claussell’s Sacred
Rhythm Version)’ + ‘Chillin’ Out (Kon’s Cool Out Remix)’
Originally featured on their 1978 album ‘Fired Up ’n Kickin’’, Fatback Band’s ‘Snake’ has long
been a favourite among soul-funk heads. Now, it’s in the hands of one of Brooklyn’s finest –
Joaquin ‘Joe’ Claussell – who gives it the full treatment. It’s backed with Kon’s ‘Cool Out Remix’
of ‘Chillin’ Out’, which was met with a great response when released as a digital single earlier
this year, and rightly sees a side of wax.
The limited-edition 12” vinyl continues the beautiful design theme of the series, looking as if it
was just sent to a New York DJ pool at the end of the ‘70s
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
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1
Millie Jackson - We Got To Hit It Off (Dimitri From Paris Liberated Woman Edit)
2
Millie Jackson - Love Contest (Dave Lee’s Mini Disco Mix)
In 2025 Acid Jazz announced the Spring Revisited project, in collaboration with Ace Records, exploring the musical legacy of the iconic New York label Spring Records, with a series of new mixes and limited edition vinyl releases.
After the rapid sell-out of the first release – 12” mixes of Millie Jackson’s iconic ‘We Got To Hit It Off’ from Dimitri From Paris and Opolopo respectively – they are introducing a special 7” to the series. This release is fronted by Dimitri’s ‘Liberated Woman Edit’ of the track – a vinyl exclusive, dance-floor and flight-ready for DJ sets this summer. It is backed by a special edit of Dave Lee’s inspired disco mix of The Joneses ‘Love Contest’.
It is presented in a beautiful, aged reproduction of the classic Spring house-bag, looking as if it were hand-delivered to you from 1979. Limited to 500 copies.
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After the rapid sell-out of the first release – 12” mixes of Millie Jackson’s iconic ‘We Got To Hit It Off’ from Dimitri From Paris and Opolopo respectively – they are introducing a special 7” to the series. This release is fronted by Dimitri’s ‘Liberated Woman Edit’ of the track – a vinyl exclusive, dance-floor and flight-ready for DJ sets this summer. It is backed by a special edit of Dave Lee’s inspired disco mix of The Joneses ‘Love Contest’.
It is presented in a beautiful, aged reproduction of the classic Spring house-bag, looking as if it were hand-delivered to you from 1979. Limited to 500 copies.
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1
The Joneses / Street People - Love Contest (Dave Lee’s Disco Mix)
2
The Joneses / Street People - / I Wanna Get Over (Cosmodelica Remix)
A collaboration between Ace Records and Acid Jazz, Spring Revisited explores the musical
legacy of storied New York label Spring Records, with a series of mixes from some of the top
remix artists in the world, straight from the original masters.
This is the second release of the series, with Dave Lee’s inspired version of The Joneses ‘Love
Contest’, where he brings a fresh, modern energy to this soulful gem while staying true to its
timeless groove. On the other side, Coleen ‘Cosmo’ Murphy delivers a new spin on Street
People’s I Wanna Get Over’. Her mix keeps the heartache of the original but lifts it sky-high with
breezy percussion, silky synths, and a laid-back disco groove – perfect for the dancefloor!
The Acid Jazz special-edition 12” vinyl continues the beautiful design theme of the series,
looking as if it was just sent to a New York DJ pool at the end of the ‘70s… Pre-order is advised
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legacy of storied New York label Spring Records, with a series of mixes from some of the top
remix artists in the world, straight from the original masters.
This is the second release of the series, with Dave Lee’s inspired version of The Joneses ‘Love
Contest’, where he brings a fresh, modern energy to this soulful gem while staying true to its
timeless groove. On the other side, Coleen ‘Cosmo’ Murphy delivers a new spin on Street
People’s I Wanna Get Over’. Her mix keeps the heartache of the original but lifts it sky-high with
breezy percussion, silky synths, and a laid-back disco groove – perfect for the dancefloor!
The Acid Jazz special-edition 12” vinyl continues the beautiful design theme of the series,
looking as if it was just sent to a New York DJ pool at the end of the ‘70s… Pre-order is advised
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1
The Night Trains - Lovesick
2
The Night Trains - Only Know About Love
When Acid Jazz was in its mid-1990s pomp, it released a lot of great records. Sometimes they flew past at such a pace, we had moved on to something else before we realised how good they truly were. ‘Lovesick’ by the Night Trains is one such record.
A phenomenal mixture of a distinctive sample turned into a un-ignorable groove, an unforgettable melody (and the soulful vocal from Marcia Johnson), weaved around a Miles-like trumpet. It should have been a hit. But it wasn’t. Instead, it is a cult classic, which we are being fully indulgent in releasing on a 7-inch single.
Night Trains were the brain child of Hugh Brooker, and they released the first ever acid jazz single in 'Open Channel D’, appearing on early groundbreaking Acid Jazz compilations. It resurfaced on the label in 1993 with the ‘Sleazeball’ album, from which Lovesick was the lead single. Hugh has in many forms kept the group going until the present day. A testament to persistence and good taste, in the face of industry indifference. Hugh is one of the originals and we are proud to still work with him to this day.
This is the first time that ‘Lovesick’ has appeared on a 7", and it is flipped with the previously-unreleased on vinyl ‘Only Know About Love' on the B-side.
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A phenomenal mixture of a distinctive sample turned into a un-ignorable groove, an unforgettable melody (and the soulful vocal from Marcia Johnson), weaved around a Miles-like trumpet. It should have been a hit. But it wasn’t. Instead, it is a cult classic, which we are being fully indulgent in releasing on a 7-inch single.
Night Trains were the brain child of Hugh Brooker, and they released the first ever acid jazz single in 'Open Channel D’, appearing on early groundbreaking Acid Jazz compilations. It resurfaced on the label in 1993 with the ‘Sleazeball’ album, from which Lovesick was the lead single. Hugh has in many forms kept the group going until the present day. A testament to persistence and good taste, in the face of industry indifference. Hugh is one of the originals and we are proud to still work with him to this day.
This is the first time that ‘Lovesick’ has appeared on a 7", and it is flipped with the previously-unreleased on vinyl ‘Only Know About Love' on the B-side.
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1
Soul Revivers Ft. Ash Walker - Holding It Down
2
Soul Revivers Ft. Ash Walker - Holding It Dub
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1
Billy Valentine - Lady Day & John Coltrane
2
Billy Valentine - Home Is Where The Hatred Is
A year on from the release of his critically acclaimed album ‘Billy Valentine And The Universal Truth’ released in collaboration between Flying Dutchman and Acid Jazz Records, Billy returns with a brand new take on a classic of conscious soul. Returning to the studio with Bob Thiele Jr and the band that is made up Larry Goldings, Pino Paladino, Jeff Parker, James Gadson and John Philip Shenale, he has recorded three new numbers for release on the deluxe version of the album. The first to be released is his take on Gil Scott-Heron’s ‘Lady Day & John Coltrane’ which held audiences in rapt attention when performed live over the last year.
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1
New Street Adventure - The Big AC
2
New Street Adventure - The Big AC (Original Version)
‘The Big AC’ - a cornerstone of the New Street sound from their debut album ‘No Hard Feelings’ - will be reissued, with the first-time vinyl release of the original version, produced by the brilliant late Noel McKoy, on the reverse side. It will be housed in a beautiful version of the new Acid Jazz house bag, in colours echoing the ‘No Hard Feelings’ sleeve, and will be limited to 500 copies.
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1
The Ballistic Brothers - Blacker
2
The Ballistic Brothers - Cubafro Con Amigos
A reissue of two historic, important cuts by The Ballistic Brothers. 'Blacker' and 'Cufabro Con Amigos' helped define the transitional crossover between early 90s funk and breaksy electronica in the UK. The Ballistic Brothers were the sonic thesis, antithesis and synthesis of Ashley Beedle and David Hill, both of whom later went on to work behind the scenes in the music industry, but whose earlier contributions are still duly noted. 'Blacker' appeared on their earliest album, The Balistic Brothers vs. The Eccentric Afros Volume 1, and was symptomatic of the sonic stirrings of breakbeat, acid jazz and broken beat at the time, channelling a string-laden suspense, and a wise, sampled vocal snippet from Gil Scott Heron. Heron's wisdom undercuts the track, and hears his musings on race and moral superiority.
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1
The Kevin Fingier Collective - I Really Care
2
The Kevin Fingier Collective - The Great Akerman
The Kevin Fingier Collective is back with a brand new 7" single release, featuring Diane Ward, on our group label Fingier Records. An explosive side for the club dance floor, 'I Really Care' is a hybrid of R&B and Northern Soul with funky guitar, driving piano and killer horns.
The B-side, 'The Great Akerman', is exclusive to the 7" - a flute and organ flavoured Bossa/Mod Jazz instrumental, with the Fingier signature touch. Another dynamite release from Latin America produced by Kevin Fingier, offering shades of what is to come from a full album due later this year, hot-on-the-heels of the recent comp 'El Sonido de Fingier Records'. Fingier 45s are known to sell out fast, so don't sleep - order now!
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The B-side, 'The Great Akerman', is exclusive to the 7" - a flute and organ flavoured Bossa/Mod Jazz instrumental, with the Fingier signature touch. Another dynamite release from Latin America produced by Kevin Fingier, offering shades of what is to come from a full album due later this year, hot-on-the-heels of the recent comp 'El Sonido de Fingier Records'. Fingier 45s are known to sell out fast, so don't sleep - order now!
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1
T.P. Orchestre Poly-Rythmo - Gbeto Vivi
2
T.P. Orchestre Poly-Rythmo - It's A Vanity
3
T.P. Orchestre Poly-Rythmo - Minkou E So Non Moin
4
T.P. Orchestre Poly-Rythmo - Kou Tche Kpo So O
5
T.P. Orchestre Poly-Rythmo - House DJein Nada
6
T.P. Orchestre Poly-Rythmo - Gbeti Ma Djiro
7
T.P. Orchestre Poly-Rythmo - Segla
8
T.P. Orchestre Poly-Rythmo - Medida
9
T.P. Orchestre Poly-Rythmo - Gan Tche Kpo
10
T.P. Orchestre Poly-Rythmo - Mi Si Ba To
11
T.P. Orchestre Poly-Rythmo - Mi Ve Wa Se
12
T.P. Orchestre Poly-Rythmo - Aihe Ni Kpe We
The latest instalment from Acid Jazz’s Albarika Store series, ‘Afro Funk’ compiles the very best of the legendary T.P. Orchestre Poly-Rythmo’s funk cuts.
Formed in 1968 by leader Clément Mélomé, T.P. Orchestre Poly-Rythmo became the leading group in Benin and the cornerstone of the Albarika Store label and legacy.
This collection brings together highlights from their extensive career, including tracks as ‘Gbeti Ma Djro’, ‘Segla’ and the collectable ‘It’s A Vanity’: wall-to-wall some of the finest Afro-Funk ever made.
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Formed in 1968 by leader Clément Mélomé, T.P. Orchestre Poly-Rythmo became the leading group in Benin and the cornerstone of the Albarika Store label and legacy.
This collection brings together highlights from their extensive career, including tracks as ‘Gbeti Ma Djro’, ‘Segla’ and the collectable ‘It’s A Vanity’: wall-to-wall some of the finest Afro-Funk ever made.
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1
Eddie Piller & Dean Rudland Present... - Blacker
2
Eddie Piller & Dean Rudland Present... - Beads, Things & Flowers (Instrumental)
3
Eddie Piller & Dean Rudland Present... - Come On
4
Eddie Piller & Dean Rudland Present... - Last Night Beat
5
Eddie Piller & Dean Rudland Present... - APB
6
Eddie Piller & Dean Rudland Present... - Modal (Blue Trane Dub)
7
Eddie Piller & Dean Rudland Present... - Jazz Jupiter (Da Scat Mix)
8
Eddie Piller & Dean Rudland Present... - Everything Is Going To The Beat
Eddie Piller & Dean Rudland present Acid Jazz (Not Jazz)
Back in the early 1990s as Acid Jazz began a period of extraordinary commercial success where acts like the Brand New Heavies and Jamiroquai sold millions of records, and US groups such as A Tribe Called Quest, The Roots and Digable Planets were actively influenced by what was being played in London, the whole scene was being fuelled by a small number of clubs, led by Gilles Peterson’s Sunday afternoons at Dingwalls but taking in nights in Leeds, Bari, Munich, Tokyo, Stockholm and New York. In those clubs funky jazz, latin boogaloo and 70s soul soundracks competed for time on the dance floor with import records from New York, and the latest sounds coming out of bedrooms and makeshift basement studios that created contemporary sounds out of the past.
Acid Jazz’s Eddie Piller and Dean Rudland have put together this compilation of the sort of sounds that we were playing at the time. They are releases on Acid Jazz and other label’s that surrounded the scene and they were mainly made by people we knew from either around the club scene, behind the counters of our favourite record shops, or from trips to New York or Europe. They range from The Ballistic Brother anthem ‘Blacker’ to the jazz house of A-Zel - a Roger Sanchez mix that still sounds fresh today. We have the Humble Soul’s instrumental version of ‘Beads Things And Flowers’ which at the time was only available as a DJ special on Acetate. There is the presence of A Man Called Adam before they went to Ibiza, and the early Mo’ Wax (before they went Trip Hop) single by Marden Hill ‘Come On’.
These records could fill a dance floor in seconds and we feel that they are today largely forgotten, as they were non-album, underground club records. It’s time to celebrate them!
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Back in the early 1990s as Acid Jazz began a period of extraordinary commercial success where acts like the Brand New Heavies and Jamiroquai sold millions of records, and US groups such as A Tribe Called Quest, The Roots and Digable Planets were actively influenced by what was being played in London, the whole scene was being fuelled by a small number of clubs, led by Gilles Peterson’s Sunday afternoons at Dingwalls but taking in nights in Leeds, Bari, Munich, Tokyo, Stockholm and New York. In those clubs funky jazz, latin boogaloo and 70s soul soundracks competed for time on the dance floor with import records from New York, and the latest sounds coming out of bedrooms and makeshift basement studios that created contemporary sounds out of the past.
Acid Jazz’s Eddie Piller and Dean Rudland have put together this compilation of the sort of sounds that we were playing at the time. They are releases on Acid Jazz and other label’s that surrounded the scene and they were mainly made by people we knew from either around the club scene, behind the counters of our favourite record shops, or from trips to New York or Europe. They range from The Ballistic Brother anthem ‘Blacker’ to the jazz house of A-Zel - a Roger Sanchez mix that still sounds fresh today. We have the Humble Soul’s instrumental version of ‘Beads Things And Flowers’ which at the time was only available as a DJ special on Acetate. There is the presence of A Man Called Adam before they went to Ibiza, and the early Mo’ Wax (before they went Trip Hop) single by Marden Hill ‘Come On’.
These records could fill a dance floor in seconds and we feel that they are today largely forgotten, as they were non-album, underground club records. It’s time to celebrate them!
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1
Soul Revivers - Meanwhile Dub
2
Soul Revivers - Harder (Version)
3
Soul Revivers - Underground Dub
4
Soul Revivers - Gone Clear
5
Soul Revivers - Rocka Dub
6
Soul Revivers - Why Dub
7
Soul Revivers - Got To Dub
8
Soul Revivers - More Drama
Acid Jazz are delighted to present: Soul Revivers – Grove Dub!
Soul Revivers continue onwards from their earlier 2022 release ‘On The Grove’ with the hotly anticipated dub version ‘Grove Dub’
An ambitious, collaborative project, producers David Hill and Nick Manasseh bring together reggae legends, including Ken Boothe and Ernest Ranglin, with the hottest UK musical talent, in what has become the standout reggae project of the year. The Dub version continues in the same vein – another installment in the rich history of West London reggae and dub.
Soul Revivers ‘On The Grove’ has already featured prominently on JazzFM, BBC Radio 1 Xtra, BBC 6 Music, as well as print reviews in Uncut, Mojo, and The Wire, among others.
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Soul Revivers continue onwards from their earlier 2022 release ‘On The Grove’ with the hotly anticipated dub version ‘Grove Dub’
An ambitious, collaborative project, producers David Hill and Nick Manasseh bring together reggae legends, including Ken Boothe and Ernest Ranglin, with the hottest UK musical talent, in what has become the standout reggae project of the year. The Dub version continues in the same vein – another installment in the rich history of West London reggae and dub.
Soul Revivers ‘On The Grove’ has already featured prominently on JazzFM, BBC Radio 1 Xtra, BBC 6 Music, as well as print reviews in Uncut, Mojo, and The Wire, among others.
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1
Soul Revivers - No More Drama Ft. Ernest Ranglin
2
Soul Revivers - Tell Me Why Ft. Ken Boothe
3
Soul Revivers - Got To Live Ft. Earl 16
4
Soul Revivers - Look No Furthur Ft. Ms Maurice
5
Soul Revivers - Gone Are The Days Ft. Alexia Coley
6
Soul Revivers - Meanwhile Shuffle Ft. Matic Horns
7
Soul Revivers - Cee Rocka Ft. Dougal & Ciyo
8
Soul Revivers - The Underground Ft. Devon Russell
9
Soul Revivers - Where The River Ft. Earl 16
10
Soul Revivers - Harder Ft. Ernest Ranglin
11
Soul Revivers - Futile Cause Ft. Alexia Coley
12
Soul Revivers - Down River Ft. Ms Maurice
Repress!
On The Grove’ is an ambitious and passionate collaboration project, it features musicians spanning seven decades, including Jamaican legends: Ernest Ranglin, Ken Boothe, Earl 16 and Devon Russell; alongside contemporary artists, including jazz trumpeter Ms. Maurice (known for her work with Afro—Jazz Ensemble Kokoroko and Nubya Garcia), and vocalist Alexia Coley.
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On The Grove’ is an ambitious and passionate collaboration project, it features musicians spanning seven decades, including Jamaican legends: Ernest Ranglin, Ken Boothe, Earl 16 and Devon Russell; alongside contemporary artists, including jazz trumpeter Ms. Maurice (known for her work with Afro—Jazz Ensemble Kokoroko and Nubya Garcia), and vocalist Alexia Coley.
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1
Orchestre Poly Rythmo - It's A Vanity
2
Orchestre Poly Rythmo - Nougbo Vehou (La Vérité Blesse)
Our Albarika Stores 7-inch series returns with one of the masterpieces of lo-fi Afro-funk: 'It's A Vanity' by Gabo Brown and Orchestre Poly-Rythmo.
Originally released in the early '70s, it is a fine example of the way that Benin's premier group could perfectly nail a James Brown-style groove and then twist it to make it uniquely their own thing.
'It's A Vanity' is one of the masterpieces of low-fi Afro-Funk, and has been widely sought after (and become extremely valuable) since it was comped in 2008. We've paired it with the first reissue of 'Nougbo Vehou (La Verité Blesse)' - licensed directly from bandleader Clement Melomé's family - for a must-have double-sider!
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Originally released in the early '70s, it is a fine example of the way that Benin's premier group could perfectly nail a James Brown-style groove and then twist it to make it uniquely their own thing.
'It's A Vanity' is one of the masterpieces of low-fi Afro-Funk, and has been widely sought after (and become extremely valuable) since it was comped in 2008. We've paired it with the first reissue of 'Nougbo Vehou (La Verité Blesse)' - licensed directly from bandleader Clement Melomé's family - for a must-have double-sider!
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1
Ferry Djimmy - Be Free
2
Ferry Djimmy - Atakpa DC 9
3
Ferry Djimmy - When I Come In The Road
4
Ferry Djimmy - Brest DC10
5
Ferry Djimmy - Young Revolution
6
Ferry Djimmy - Carry Me Blak
7
Ferry Djimmy - Atinga
8
Ferry Djimmy - Ichango
9
Ferry Djimmy - A Were We Coco
10
Ferry Djimmy - Egbemi Black
11
Ferry Djimmy - Love Love
12
Ferry Djimmy - Start To Pray
13
Ferry Djimmy - Oluwa Loranmi Nichai
14
Ferry Djimmy - Toba Walemi
15
Ferry Djimmy - Chikri Man
16
Ferry Djimmy - My Dad Has Me To Kanm
Recorded for Benin’s Communist revolution, ‘Rhythm Revolution’ is a rare and truly unique Afrobeat record – it’s rumoured only 200 copies of the original release survived.
Ferry Djimmy was a schoolteacher, former boxer, and a personal friend of Muhammad Ali and Fela Kuti. He was later Jacques Chirac’s personal bodyguard.
Recorded at the Satel Studio in Cotonou, the album is one of the toughest, wildest and deepest slices of Afro-Funk cut – with raw African rhythms, distortion, energy and wit. Alongside nods to Hendrix, Kuti and James Brown, there is something truly unique about Ferry Djimmy’s musical legacy.
A must-have for Afrobeat, Afro Funk and Psych collectors.
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Ferry Djimmy was a schoolteacher, former boxer, and a personal friend of Muhammad Ali and Fela Kuti. He was later Jacques Chirac’s personal bodyguard.
Recorded at the Satel Studio in Cotonou, the album is one of the toughest, wildest and deepest slices of Afro-Funk cut – with raw African rhythms, distortion, energy and wit. Alongside nods to Hendrix, Kuti and James Brown, there is something truly unique about Ferry Djimmy’s musical legacy.
A must-have for Afrobeat, Afro Funk and Psych collectors.
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1
Bangs & Talbot - Sumthin' Else
2
Bangs & Talbot - Surf'n'turf
3
Bangs & Talbot - How Sweet It Is (To Be Loved By You)
4
Bangs & Talbot - Stingray (Live At PJ's)
5
Bangs & Talbot - Kookie T
6
Bangs & Talbot - It's Alright (Instrumental)
7
Bangs & Talbot - Leela's Dance
8
Bangs & Talbot - Blue Jeans
9
Bangs & Talbot - Goody Goody
10
Bangs & Talbot - Pick'n'mick's
11
Bangs & Talbot - Jerk Chicken
12
Bangs & Talbot - Blues Walk
'How Sweet It Is (To Be Loved By You)' is a new advance single on the album. It’s an instrumental cover of Marvin Gaye's 1964 Motown classic. This reading of the song has a shuffle groove and features uber rhythms from Brand New Heavies' guitarist Simon Bartholomew. As Bangs put it, "we wanted to put a different slant on the tune, small combo vibe with a Wurlitzer piano lead. We were thinking of getting a vocalist to sing the tune but it's been done that way so many times."
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1
Orchestre Les Volcanos Du Benin - Bella
2
Orchestre Les Volcanos Du Benin - Oya Ka Jojo
3
Orchestre Les Volcanos Du Benin - Mercenariat Africa
4
Orchestre Les Volcanos Du Benin - Gbemeho
Acid Jazz proudly presents: Orchestre Les Volcans Du Benin - Vol. 1!
Originally released in 1980 on the Albarika label, 'Orchestre Les Volcans Du Benin Vol. 1' has long been a holy-grail LP for Afro-Cuban music aficionados.
It now sees its first official reissue through Acid Jazz and is available for the first time with four infections tracks, including 'Oya Ka Jojo': Latin dancefloor dynamite, and a DJ must-have.
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Originally released in 1980 on the Albarika label, 'Orchestre Les Volcans Du Benin Vol. 1' has long been a holy-grail LP for Afro-Cuban music aficionados.
It now sees its first official reissue through Acid Jazz and is available for the first time with four infections tracks, including 'Oya Ka Jojo': Latin dancefloor dynamite, and a DJ must-have.
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1
Soul Revivers Feat. Ken Boothe - Tell Me Why
2
Soul Revivers Feat. Ken Boothe - Tell Me Again
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Move D & Pete Namlook - Der Strahlende Verlierer
2
Move D & Pete Namlook - Hardwired Tangent
3
Move D & Pete Namlook - Hardwired Hypotenuse + Asymptote
black vinyl
Tracklist
1. Der Strahlende Verlierer
2. Hardwired Tangent
3. Hardwired Hypotenuse + Asymptote
Berlin party series and label AWAY Music continues its limited vinyl series called "Reissued", dedicated to re-releasing iconic cuts from the vast collaborative catalog of Move D & Pete Namlook. The third installment "Reissued 3", which follows the series' first two EPs from previous years, features again some exceptional pieces that were previously only available on CD. Move D and Pete Namlook are electronic visionaries whose 26-album relationship explored and intertwined psychedelic synthscapes, deep house and techno, future jazz, and downtempo on Namlook's cult imprint Fax Records. Their innovative and influential works keep inspiring electronic music producers today, showcasing their willingness to collaborate and push the boundaries of electronic music. First up on the A side, “Der Strahlender Verlierer”, from the 2006 Album “Let the Circle Not Be Broken”, begins atmospherically before pushing subtly into open filter and undulating synth territory. Introspective and accepting, the piece gradually lets the sum of its parts coalesce into a peaceful whole with sustained chords and the flicker of played steel strings.
“Hardwired Tangent” from the 2001 Album “Wired” rounds out the first side with edgier and more ominous tones. Brooding and bubbling its way through artificial textures absorbed by carefully weighted rhythmic tension. Shuffling jazz electronics. The moody low-mid hum providing buoyancy throughout. Also from the 2001 album, the B side’s “Hardwired Hypotenuse + Asymptote” is a synthetic journey. Textural, pseudo-organic, pulsating with urgency. The motoric percussion imparting structure to the sonic alchemy. Tactile yet integrated components offer the listener (or dancer) multiple entry points into the music. This is both artful and kaleidoscopic — a treatise on contemplative and psychoactive house music.
"Reissued 3" is a true testament to the innovative spirit and pioneering work of Move D and Pete Namlook. With these tracks now available on vinyl for the first time, AWAY's limited series is a must-have for old and new fans alike.
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Tracklist
1. Der Strahlende Verlierer
2. Hardwired Tangent
3. Hardwired Hypotenuse + Asymptote
Berlin party series and label AWAY Music continues its limited vinyl series called "Reissued", dedicated to re-releasing iconic cuts from the vast collaborative catalog of Move D & Pete Namlook. The third installment "Reissued 3", which follows the series' first two EPs from previous years, features again some exceptional pieces that were previously only available on CD. Move D and Pete Namlook are electronic visionaries whose 26-album relationship explored and intertwined psychedelic synthscapes, deep house and techno, future jazz, and downtempo on Namlook's cult imprint Fax Records. Their innovative and influential works keep inspiring electronic music producers today, showcasing their willingness to collaborate and push the boundaries of electronic music. First up on the A side, “Der Strahlender Verlierer”, from the 2006 Album “Let the Circle Not Be Broken”, begins atmospherically before pushing subtly into open filter and undulating synth territory. Introspective and accepting, the piece gradually lets the sum of its parts coalesce into a peaceful whole with sustained chords and the flicker of played steel strings.
“Hardwired Tangent” from the 2001 Album “Wired” rounds out the first side with edgier and more ominous tones. Brooding and bubbling its way through artificial textures absorbed by carefully weighted rhythmic tension. Shuffling jazz electronics. The moody low-mid hum providing buoyancy throughout. Also from the 2001 album, the B side’s “Hardwired Hypotenuse + Asymptote” is a synthetic journey. Textural, pseudo-organic, pulsating with urgency. The motoric percussion imparting structure to the sonic alchemy. Tactile yet integrated components offer the listener (or dancer) multiple entry points into the music. This is both artful and kaleidoscopic — a treatise on contemplative and psychoactive house music.
"Reissued 3" is a true testament to the innovative spirit and pioneering work of Move D and Pete Namlook. With these tracks now available on vinyl for the first time, AWAY's limited series is a must-have for old and new fans alike.
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1
Undo & Casiowaves - Casiobass
2
Undo & Casiowaves - Something Blue
3
Undo & Casiowaves - Waves To Come (Nhar Remix)
4
Undo & Casiowaves - Waves To Come
Undo & Casiowaves return to Melodize with the ‘Casiobass’ EP backed with a remix from Nhar.
A long-time resident at Barcelona’s legendary Razzmatazz and label head of Factor City for two decades, Undo is a Spanish mainstay with countless releases that have garnered support from the likes of Andrew Weatherall, Roman Flugel and Erol Alkan. He teams up with fellow Spaniard and synth-pop wizard Casiowaves to return for their second collaborative release on Melodize after last year’s ‘Predict The Future’ EP.
The straight-forward ‘Casiobass’ kicks off with fizzing synth lines, chugging dark disco drums, a fat bass and
circling pads. ‘Overcruiser’ is a pumping, Italo-influenced cut with retro-future chords and a clean, cosmic feel, while ‘Something Blue’ layers up the crispy analogue drums with sonar pulses, deadpan cold wave vocals and majestic leads that bring color and vibrancy.
Drummer-turned electronic producer and live act Nhar, who boasts an impressive discography spanning two decades, makes his debut on the label with a remix of ‘Waves to Come’ that brings a widescreen serenity and calm to the original through pensive chord work and starry keys twinkling in the distance. The original then closes out with Balearic guitar licks, punchy drums, and rich bass for a fusion of retro sounds with futuristic sentiment. From the driving Casiobass to the Balearic, serene ‘Waves to Come,’ Undo & Casiowaves have served up offerings for all hours with the versatile ‘Casiobass’ EP.
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Germany
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A long-time resident at Barcelona’s legendary Razzmatazz and label head of Factor City for two decades, Undo is a Spanish mainstay with countless releases that have garnered support from the likes of Andrew Weatherall, Roman Flugel and Erol Alkan. He teams up with fellow Spaniard and synth-pop wizard Casiowaves to return for their second collaborative release on Melodize after last year’s ‘Predict The Future’ EP.
The straight-forward ‘Casiobass’ kicks off with fizzing synth lines, chugging dark disco drums, a fat bass and
circling pads. ‘Overcruiser’ is a pumping, Italo-influenced cut with retro-future chords and a clean, cosmic feel, while ‘Something Blue’ layers up the crispy analogue drums with sonar pulses, deadpan cold wave vocals and majestic leads that bring color and vibrancy.
Drummer-turned electronic producer and live act Nhar, who boasts an impressive discography spanning two decades, makes his debut on the label with a remix of ‘Waves to Come’ that brings a widescreen serenity and calm to the original through pensive chord work and starry keys twinkling in the distance. The original then closes out with Balearic guitar licks, punchy drums, and rich bass for a fusion of retro sounds with futuristic sentiment. From the driving Casiobass to the Balearic, serene ‘Waves to Come,’ Undo & Casiowaves have served up offerings for all hours with the versatile ‘Casiobass’ EP.
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1
Purelink - In Circuits
2
Purelink - 4k Murmurs Feat. J
3
Purelink - Stadium Drive
4
Purelink - Pinned
5
Purelink - Blue
6
Purelink - We Should Keep Going
Repress!
The latest by Chicago trio Purelink unspools an alchemical suite of fractal ambient, dusted dub tech, and interstitial electronica, born from a spirit of unity and flux: “All hands on the mixer, forever finding the sound.” Since forming in 2020, Tommy Paslaski (aka Concave Reflection), Ben Paulson (aka Kindtree), and Akeem Asani (aka Millia) have convened regularly in a shared studio to workshop, swap samples, and hone their collective muse via “the endless possibilities of a laptop,” seeking “something different than we would make on our own.”
Distilled from extended compositions prepared and performed across 2022 in Chicago, Kansas City, New York, and Los Angeles, Signs captures their chemistry at its most liquid and immaterial, mapped in mutating systems of glitch, glass, rhythm, and space. It’s music alternately subdued and subterranean, elevated and remote, attuned to the flickering sentience of outer spheres.
Cover art by Ezra Miller.
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The latest by Chicago trio Purelink unspools an alchemical suite of fractal ambient, dusted dub tech, and interstitial electronica, born from a spirit of unity and flux: “All hands on the mixer, forever finding the sound.” Since forming in 2020, Tommy Paslaski (aka Concave Reflection), Ben Paulson (aka Kindtree), and Akeem Asani (aka Millia) have convened regularly in a shared studio to workshop, swap samples, and hone their collective muse via “the endless possibilities of a laptop,” seeking “something different than we would make on our own.”
Distilled from extended compositions prepared and performed across 2022 in Chicago, Kansas City, New York, and Los Angeles, Signs captures their chemistry at its most liquid and immaterial, mapped in mutating systems of glitch, glass, rhythm, and space. It’s music alternately subdued and subterranean, elevated and remote, attuned to the flickering sentience of outer spheres.
Cover art by Ezra Miller.
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Label:Keplar
Cat-No:KeplarRev01LPX
Release-Date:22.09.2023
Genre:Electronic, Electronica
Configuration:2LP
Label:Keplar
Cat-No:KeplarRev01LPX
Release-Date:22.09.2023
Genre:Electronic, Electronica
Configuration:2LP
1
Vladislav Delay - Ranta (2020 Remaster)
2
Vladislav Delay - Raamat (2020 Remaster)
3
Vladislav Delay - Huone (2020 Remaster)
4
Vladislav Delay - Viite (2020 Remaster)
5
Vladislav Delay - Karrha (2020 Remaster)
6
Vladislav Delay - Pietola (2020 Remaster)
7
Vladislav Delay - Nesso (2020 Remaster)
2LP (ltd.)
2023 repress, edition of 500 copies, featuring a new artwork by Marc Hohmann
incl. download code
"Multila" was the third album by Finnish producer Sasu Ripatti under the moniker Vladislav Delay. It compiles the "Huone" and "Ranta" 12"EPs Ripatti released on Basic Channel's Chain Reaction label in 1999 and 2000. The album features six hauntingly murky dub ambient tracks and the impressive 22-minute techno odyssey "Huone."
More than 20 years after its original release as a full-length CD album (Chain Reaction), these iconic recordings of modern electronic music are now available again as a double vinyl edition, featuring a revised artwork by Marc Hohmann that matches the new design of the »Whisteblower« and »Entain« reissues.
"Life films us exactly. Our experience of it, though, lies beyond images and descriptions. Emotions, coming in irrational flashes, are non-figurable. We lose our little connection to them very quickly. We look for forms which promise to take us to our own experience. We construct forms with this in mind: that they can take us to meet the subconscious. Multila's construction is principled this way. Fragments of experience, moments without definition or localisation are captured within tiny fragments of time and then within one's mindspace. We can look into it and see that experience has left some of its data to us. As we receive it, again and again, we are connected and reconnected to certain indefinable moments. Both during and after its recording, Multila is a tool to learn about the unintentional states of us. It is a way to see our own emotional loops. Multila is a soundtrack for vision." - Vladislav Delay in the year 2000
Remaster by Rashad Becker. Vinyl cut by Kassian Troyer at D&M. Artwork by Marc Hohmann.
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2023 repress, edition of 500 copies, featuring a new artwork by Marc Hohmann
incl. download code
"Multila" was the third album by Finnish producer Sasu Ripatti under the moniker Vladislav Delay. It compiles the "Huone" and "Ranta" 12"EPs Ripatti released on Basic Channel's Chain Reaction label in 1999 and 2000. The album features six hauntingly murky dub ambient tracks and the impressive 22-minute techno odyssey "Huone."
More than 20 years after its original release as a full-length CD album (Chain Reaction), these iconic recordings of modern electronic music are now available again as a double vinyl edition, featuring a revised artwork by Marc Hohmann that matches the new design of the »Whisteblower« and »Entain« reissues.
"Life films us exactly. Our experience of it, though, lies beyond images and descriptions. Emotions, coming in irrational flashes, are non-figurable. We lose our little connection to them very quickly. We look for forms which promise to take us to our own experience. We construct forms with this in mind: that they can take us to meet the subconscious. Multila's construction is principled this way. Fragments of experience, moments without definition or localisation are captured within tiny fragments of time and then within one's mindspace. We can look into it and see that experience has left some of its data to us. As we receive it, again and again, we are connected and reconnected to certain indefinable moments. Both during and after its recording, Multila is a tool to learn about the unintentional states of us. It is a way to see our own emotional loops. Multila is a soundtrack for vision." - Vladislav Delay in the year 2000
Remaster by Rashad Becker. Vinyl cut by Kassian Troyer at D&M. Artwork by Marc Hohmann.
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1
Residentes Balearicos & DJ Alfredo - Sundown
2
Residentes Balearicos & DJ Alfredo - Chris Coco Sueno Mediterraneo Remix
3
Residentes Balearicos & DJ Alfredo - Chris Coco To The Bone Dub
4
Residentes Balearicos & DJ Alfredo - SIRS Remix
Cala Tarida Musica is thrilled to present this summer anthem collaboration by some esteemed Balearic residents. 'Residentes Balearicos' team up with legendary Ibizan DJ Alfredo and include new unreleased vinyl exclusive remixes from Chris Coco and SIRS. 'Sundown' features an infectious vocal that seamlessly fuses dub influences with a nostalgic old-school house groove. This EP is guaranteed to get your dance floor moving.
DJ support: DJ Nova / RodonFM Greece, Luca Averna / Pikes Ibiza, Leo Mas, Chris Coco, SIRS, Adam Warped / STRANGE DAYS radio show, Andy Wilson, Ibiza Sonica, Nancy Noise, Problematic Disko, Tomi Chair.
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DJ support: DJ Nova / RodonFM Greece, Luca Averna / Pikes Ibiza, Leo Mas, Chris Coco, SIRS, Adam Warped / STRANGE DAYS radio show, Andy Wilson, Ibiza Sonica, Nancy Noise, Problematic Disko, Tomi Chair.
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1
Jensen Interceptor - The Fontainebleau
2
Jensen Interceptor - The Fontainebleau (Exzakt BFX Remix)
3
Jensen Interceptor - The Fontainebleau (Salome Remix)
4
Jensen Interceptor - The Fontainebleau (The Advent Zein Magic Mirror Remix)
5
Jensen Interceptor - The Fontainebleau (DJ Godfather Remix)
This Jensen Interceptor classic is finally getting it's due on wax and reinforcements have been called in with remixes from The Advent & Zein Ferreira, DJ Godfather, Exzakt BFX & Salome.
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1
Garage Classics - Juggy Murray Jones - Inside America
2
Garage Classics - Funk Fusion Band - Can You Feel It
3
Garage Classics - Deodato - Super Strut
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1
Clio - Eyes (Extended Mix)
2
Clio - Eyes (Dub Mix)
The decade of the 80s is revived through recordings like "Eyes" that allow you to travel through the music and trigger those old emotions of innocence, joy and adventure. It's possible you don't understand a word of what they're singing in the chorus, but the song is very catchy! Maybe not even Maria Chiara Perugini knows what she sings about, but she makes you hang on to every word of her like a nursery rhyme of synths, beach and bubblegum. "Eyes" is so amazing, so mesmerizing and more and more people are discovering this italo-disco masterpiece that usually satisfies and makes fun of you at the same time. If you try playing it at 75% speed gives a hypnotic vapor wave vibe! And even more, the song would have fit well in the dance club scenes from Scarface. Beyond the words - difficult to find a text that makes sense, sometimes out of context, unundestandable even for a French listener - the piece is so surprisingly likeable for the unique tone of Clio's voice, a strange cross between teenager and adult, and the part where she spoke another language, with some really cool synthesizers, are people's favorite parts. 0:31 "Je suis bien heureuse" , 0:47 "La nuit a ses merveilles", 0:57 "Il y a de quoi y perdre la tete, pour toi, sha, pour toi", 1:36 "Je n'ai plus de bulles", 1:52 "Je vous prie applaudissement". "Eyes" by Clio contains all the emotions that a dance-pop song should contain plus the essential element of mystery, a kind of magic that takes place between the chorus and the bass line, a shot in the dark drizzly night of the Italo-Disco. made by Roberto Ferrante, a guarantee for the perfect productions of the 80s, when he was only 20 years old.
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1
Alva Noto - HYbr:ID Ectopia Environment
2
Alva Noto - HYbr:ID Ectopia Elastic 1
3
Alva Noto - HYbr:ID Ectopia Quarks Minus
4
Alva Noto - HYbr:ID Ectopia Removing Infinities
5
Alva Noto - HYbr:ID Ectopia Elastic 2
6
Alva Noto - HYbr:ID Ectopia Interacting
7
Alva Noto - HYbr:ID Ectopia Radiation Mechanics
8
Alva Noto - HYbr:ID Ectopia Field 1
9
Alva Noto - HYbr:ID Ectopia Singularity
10
Alva Noto - HYbr:ID Ectopia Gravitation
2LP, limited edition vinyl + booklet
Tracklist:
A1. HYbr:ID Ectopia Environment
A2. HYbr:ID Ectopia Elastic 1
B1. HYbr:ID Ectopia Quarks Minus
B2. HYbr:ID Ectopia Removing Infinities
B3. HYbr:ID Ectopia Elastic 2
C1. HYbr:ID Ectopia Interacting
C2. HYbr:ID Ectopia Radiation Mechanics
D1. HYbr:ID Ectopia Field 1
D2. HYbr:ID Ectopia Singularity
D3. HYbr:ID Ectopia Gravitation
Info:
HYbr:ID Vol. 2 is the second installment of Alva Noto’sHYbr:IDseries initiated in 2021. The new album captures the music commissioned to score RichardSiegal's Ectopia performed in 2021 by Tanztheater Pina Bausch with Shooting into the Corner (2008-09) by Anish Kapoor. Building upon the captivating blend of immersive dub and electronica from the first installment, HYbr:ID Vol. 2 takes the listener on a journey into the realm of intricately manipulated digital production. These ten compositions delve into infinity, drawing inspiration from resonance and elasticity, concepts rooted in Minkowski's four-dimensional spacetime model. Throughout the album, Carsten Nicolai summons precise rhythmic patterns that gracefully hover, reminiscent of celestial bodies orbiting in perfect cosmic unison. The sonic landscape gradually unfolds with somber and brooding tones, incorporating spacious sound design, ethereal atmospheres, and cascading metallic percussions. These elements are delicately crafted with artistic finesse, set against a backdrop of expansive dub textures. At times, the music takes unforeseen turns, as melancholic chords skitter and meander through a digital haze, evoking an atmosphere of introspection and emotion. The ten compositions are accompanied by graphic notations informed by the album’s sonic and acoustic codes.
Album art designed by Carsten Nicolai / Nibo
Mastering by Bo @ Calyx
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Tracklist:
A1. HYbr:ID Ectopia Environment
A2. HYbr:ID Ectopia Elastic 1
B1. HYbr:ID Ectopia Quarks Minus
B2. HYbr:ID Ectopia Removing Infinities
B3. HYbr:ID Ectopia Elastic 2
C1. HYbr:ID Ectopia Interacting
C2. HYbr:ID Ectopia Radiation Mechanics
D1. HYbr:ID Ectopia Field 1
D2. HYbr:ID Ectopia Singularity
D3. HYbr:ID Ectopia Gravitation
Info:
HYbr:ID Vol. 2 is the second installment of Alva Noto’sHYbr:IDseries initiated in 2021. The new album captures the music commissioned to score RichardSiegal's Ectopia performed in 2021 by Tanztheater Pina Bausch with Shooting into the Corner (2008-09) by Anish Kapoor. Building upon the captivating blend of immersive dub and electronica from the first installment, HYbr:ID Vol. 2 takes the listener on a journey into the realm of intricately manipulated digital production. These ten compositions delve into infinity, drawing inspiration from resonance and elasticity, concepts rooted in Minkowski's four-dimensional spacetime model. Throughout the album, Carsten Nicolai summons precise rhythmic patterns that gracefully hover, reminiscent of celestial bodies orbiting in perfect cosmic unison. The sonic landscape gradually unfolds with somber and brooding tones, incorporating spacious sound design, ethereal atmospheres, and cascading metallic percussions. These elements are delicately crafted with artistic finesse, set against a backdrop of expansive dub textures. At times, the music takes unforeseen turns, as melancholic chords skitter and meander through a digital haze, evoking an atmosphere of introspection and emotion. The ten compositions are accompanied by graphic notations informed by the album’s sonic and acoustic codes.
Album art designed by Carsten Nicolai / Nibo
Mastering by Bo @ Calyx
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1
Reflex Blue - Paradigm Shift Ft. Tadhg
2
Reflex Blue - Swamp Zone
3
Reflex Blue - River Trance
4
Reflex Blue - Utopia Hz
5
Reflex Blue - Overview Effect
6
Reflex Blue - Breathe The Air (Piano Mix)
7
Reflex Blue - Sleep Cycle
8
Reflex Blue - Dazing Orb
9
Reflex Blue - Way Of The Compass
An ode to nineties trance and the more introspective side of lower-mid tempo music. Drawing inspiration from the external environments that encompass Australia and the vast rural landscapes, Reflex Blue’s double LP is a reflection of migration, introspection and deeper meditative states.
Spanning across nine tracks the LP explores our deeper connection to the outside world.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Spanning across nine tracks the LP explores our deeper connection to the outside world.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
DJ Disrespect - Brain Washer
2
DJ Disrespect - Energy Rush
3
DJ Disrespect - Focus
4
DJ Disrespect - Relief
Tracklisting
A1 DJ Disrespect - Brain Washer
A2 DJ Disrespect - Energy Rush
B1 DJ Disrespect - Focus
B2 DJ Disrespect - Relief
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 DJ Disrespect - Brain Washer
A2 DJ Disrespect - Energy Rush
B1 DJ Disrespect - Focus
B2 DJ Disrespect - Relief
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Simple Symmetry - Problem
2
Simple Symmetry - Where I Am
3
Simple Symmetry - Funeral Of Past Affections
4
Simple Symmetry - Problem (Red Axes Remix)
Simple Symmetry turn in an epic, mournful EP that reflects on their journey in exile.
After a long-standing affiliation with Multi Culti that includes remixes for Nicola Cruz and Drugface, as well as a huge edit for Culted, the Russian brothers weigh in with a heavy 12” that comes on the back of an emotional year where they defected from Moscow, their world turned upside down by politics of aggression. ‘Problem’ is built around a kernel of punk panic performed by Hugo Van Heijningen (of Red Light Radio, Cawd Slaydaz, Order Collective).
The anxious rage embedded in that opener finds a kind of disoriented catharsis in ‘Where I Am’, an uptempo ravey anthem that recalls the rush of CJ Bolland’s ‘Electronic Superhighway’ with a sense of angst and energy all their own. It’s the song of the soul-searching raver, finding a sense of home in the ecstasy of the dance, amidst a backdrop of oppressive fear and uncertainty.
The triptych concludes with the mournful ‘Funeral Of Past Affections’, their own strange brand of horn sounding a vast and potent letting go. At once influenced by and homage to Andrew Weatherall, this one hits hard, emotionally. Imagine tears on the dancefloor, the strings reminding us that dance music can indeed be anchored in the very deepest centre of our soul.
Supporting them on this trip are long-time compatriots Red Axes, a natural fit for the indie-punk elements in ‘Problem.’
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
After a long-standing affiliation with Multi Culti that includes remixes for Nicola Cruz and Drugface, as well as a huge edit for Culted, the Russian brothers weigh in with a heavy 12” that comes on the back of an emotional year where they defected from Moscow, their world turned upside down by politics of aggression. ‘Problem’ is built around a kernel of punk panic performed by Hugo Van Heijningen (of Red Light Radio, Cawd Slaydaz, Order Collective).
The anxious rage embedded in that opener finds a kind of disoriented catharsis in ‘Where I Am’, an uptempo ravey anthem that recalls the rush of CJ Bolland’s ‘Electronic Superhighway’ with a sense of angst and energy all their own. It’s the song of the soul-searching raver, finding a sense of home in the ecstasy of the dance, amidst a backdrop of oppressive fear and uncertainty.
The triptych concludes with the mournful ‘Funeral Of Past Affections’, their own strange brand of horn sounding a vast and potent letting go. At once influenced by and homage to Andrew Weatherall, this one hits hard, emotionally. Imagine tears on the dancefloor, the strings reminding us that dance music can indeed be anchored in the very deepest centre of our soul.
Supporting them on this trip are long-time compatriots Red Axes, a natural fit for the indie-punk elements in ‘Problem.’
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore