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The Night Trains - Lovesick
2
The Night Trains - Only Know About Love
When Acid Jazz was in its mid-1990s pomp, it released a lot of great records. Sometimes they flew past at such a pace, we had moved on to something else before we realised how good they truly were. ‘Lovesick’ by the Night Trains is one such record.
A phenomenal mixture of a distinctive sample turned into a un-ignorable groove, an unforgettable melody (and the soulful vocal from Marcia Johnson), weaved around a Miles-like trumpet. It should have been a hit. But it wasn’t. Instead, it is a cult classic, which we are being fully indulgent in releasing on a 7-inch single.
Night Trains were the brain child of Hugh Brooker, and they released the first ever acid jazz single in 'Open Channel D’, appearing on early groundbreaking Acid Jazz compilations. It resurfaced on the label in 1993 with the ‘Sleazeball’ album, from which Lovesick was the lead single. Hugh has in many forms kept the group going until the present day. A testament to persistence and good taste, in the face of industry indifference. Hugh is one of the originals and we are proud to still work with him to this day.
This is the first time that ‘Lovesick’ has appeared on a 7", and it is flipped with the previously-unreleased on vinyl ‘Only Know About Love' on the B-side.
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A phenomenal mixture of a distinctive sample turned into a un-ignorable groove, an unforgettable melody (and the soulful vocal from Marcia Johnson), weaved around a Miles-like trumpet. It should have been a hit. But it wasn’t. Instead, it is a cult classic, which we are being fully indulgent in releasing on a 7-inch single.
Night Trains were the brain child of Hugh Brooker, and they released the first ever acid jazz single in 'Open Channel D’, appearing on early groundbreaking Acid Jazz compilations. It resurfaced on the label in 1993 with the ‘Sleazeball’ album, from which Lovesick was the lead single. Hugh has in many forms kept the group going until the present day. A testament to persistence and good taste, in the face of industry indifference. Hugh is one of the originals and we are proud to still work with him to this day.
This is the first time that ‘Lovesick’ has appeared on a 7", and it is flipped with the previously-unreleased on vinyl ‘Only Know About Love' on the B-side.
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More records from Acid Jazz Records
1
Soul Revivers Ft. Ash Walker - Holding It Down
2
Soul Revivers Ft. Ash Walker - Holding It Dub
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1
Billy Valentine - Lady Day & John Coltrane
2
Billy Valentine - Home Is Where The Hatred Is
A year on from the release of his critically acclaimed album ‘Billy Valentine And The Universal Truth’ released in collaboration between Flying Dutchman and Acid Jazz Records, Billy returns with a brand new take on a classic of conscious soul. Returning to the studio with Bob Thiele Jr and the band that is made up Larry Goldings, Pino Paladino, Jeff Parker, James Gadson and John Philip Shenale, he has recorded three new numbers for release on the deluxe version of the album. The first to be released is his take on Gil Scott-Heron’s ‘Lady Day & John Coltrane’ which held audiences in rapt attention when performed live over the last year.
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1
New Street Adventure - The Big AC
2
New Street Adventure - The Big AC (Original Version)
‘The Big AC’ - a cornerstone of the New Street sound from their debut album ‘No Hard Feelings’ - will be reissued, with the first-time vinyl release of the original version, produced by the brilliant late Noel McKoy, on the reverse side. It will be housed in a beautiful version of the new Acid Jazz house bag, in colours echoing the ‘No Hard Feelings’ sleeve, and will be limited to 500 copies.
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1
The Ballistic Brothers - Blacker
2
The Ballistic Brothers - Cubafro Con Amigos
A reissue of two historic, important cuts by The Ballistic Brothers. 'Blacker' and 'Cufabro Con Amigos' helped define the transitional crossover between early 90s funk and breaksy electronica in the UK. The Ballistic Brothers were the sonic thesis, antithesis and synthesis of Ashley Beedle and David Hill, both of whom later went on to work behind the scenes in the music industry, but whose earlier contributions are still duly noted. 'Blacker' appeared on their earliest album, The Balistic Brothers vs. The Eccentric Afros Volume 1, and was symptomatic of the sonic stirrings of breakbeat, acid jazz and broken beat at the time, channelling a string-laden suspense, and a wise, sampled vocal snippet from Gil Scott Heron. Heron's wisdom undercuts the track, and hears his musings on race and moral superiority.
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1
The Kevin Fingier Collective - I Really Care
2
The Kevin Fingier Collective - The Great Akerman
The Kevin Fingier Collective is back with a brand new 7" single release, featuring Diane Ward, on our group label Fingier Records. An explosive side for the club dance floor, 'I Really Care' is a hybrid of R&B and Northern Soul with funky guitar, driving piano and killer horns.
The B-side, 'The Great Akerman', is exclusive to the 7" - a flute and organ flavoured Bossa/Mod Jazz instrumental, with the Fingier signature touch. Another dynamite release from Latin America produced by Kevin Fingier, offering shades of what is to come from a full album due later this year, hot-on-the-heels of the recent comp 'El Sonido de Fingier Records'. Fingier 45s are known to sell out fast, so don't sleep - order now!
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The B-side, 'The Great Akerman', is exclusive to the 7" - a flute and organ flavoured Bossa/Mod Jazz instrumental, with the Fingier signature touch. Another dynamite release from Latin America produced by Kevin Fingier, offering shades of what is to come from a full album due later this year, hot-on-the-heels of the recent comp 'El Sonido de Fingier Records'. Fingier 45s are known to sell out fast, so don't sleep - order now!
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1
Ogassa - Avalale
2
Ogassa - Ogassa Story
3
Ogassa - Production Vido Tche
4
Ogassa - Gbe We Gnin Wa Bio
Over the past couple of years Acid Jazz have been re-issuing releases from the enigmatic 'Albarika Store' label, a goldmine in Afro cuts from Benin, West Africa. The latest instalment is the ultra-rare 'Ogassa Original (Vol. 1), the first LP from obscure but ultimately brilliant Porto Novo group, Ogassa from 1978. Like many Albarika releases, it was recorded at EMI Lagos, giving a depth and fidelity that stands out in the realm of Afro rarities. Reissued in full with the original artwork for the very first time, a must have for Afro collectors and completists alike. Pre-order now!
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1
T.P. Orchestre Poly-Rythmo - Gbeto Vivi
2
T.P. Orchestre Poly-Rythmo - It's A Vanity
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T.P. Orchestre Poly-Rythmo - Minkou E So Non Moin
4
T.P. Orchestre Poly-Rythmo - Kou Tche Kpo So O
5
T.P. Orchestre Poly-Rythmo - House DJein Nada
6
T.P. Orchestre Poly-Rythmo - Gbeti Ma Djiro
7
T.P. Orchestre Poly-Rythmo - Segla
8
T.P. Orchestre Poly-Rythmo - Medida
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T.P. Orchestre Poly-Rythmo - Gan Tche Kpo
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T.P. Orchestre Poly-Rythmo - Mi Si Ba To
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T.P. Orchestre Poly-Rythmo - Mi Ve Wa Se
12
T.P. Orchestre Poly-Rythmo - Aihe Ni Kpe We
The latest instalment from Acid Jazz’s Albarika Store series, ‘Afro Funk’ compiles the very best of the legendary T.P. Orchestre Poly-Rythmo’s funk cuts.
Formed in 1968 by leader Clément Mélomé, T.P. Orchestre Poly-Rythmo became the leading group in Benin and the cornerstone of the Albarika Store label and legacy.
This collection brings together highlights from their extensive career, including tracks as ‘Gbeti Ma Djro’, ‘Segla’ and the collectable ‘It’s A Vanity’: wall-to-wall some of the finest Afro-Funk ever made.
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Formed in 1968 by leader Clément Mélomé, T.P. Orchestre Poly-Rythmo became the leading group in Benin and the cornerstone of the Albarika Store label and legacy.
This collection brings together highlights from their extensive career, including tracks as ‘Gbeti Ma Djro’, ‘Segla’ and the collectable ‘It’s A Vanity’: wall-to-wall some of the finest Afro-Funk ever made.
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1
Eddie Piller & Dean Rudland Present... - Blacker
2
Eddie Piller & Dean Rudland Present... - Beads, Things & Flowers (Instrumental)
3
Eddie Piller & Dean Rudland Present... - Come On
4
Eddie Piller & Dean Rudland Present... - Last Night Beat
5
Eddie Piller & Dean Rudland Present... - APB
6
Eddie Piller & Dean Rudland Present... - Modal (Blue Trane Dub)
7
Eddie Piller & Dean Rudland Present... - Jazz Jupiter (Da Scat Mix)
8
Eddie Piller & Dean Rudland Present... - Everything Is Going To The Beat
Eddie Piller & Dean Rudland present Acid Jazz (Not Jazz)
Back in the early 1990s as Acid Jazz began a period of extraordinary commercial success where acts like the Brand New Heavies and Jamiroquai sold millions of records, and US groups such as A Tribe Called Quest, The Roots and Digable Planets were actively influenced by what was being played in London, the whole scene was being fuelled by a small number of clubs, led by Gilles Peterson’s Sunday afternoons at Dingwalls but taking in nights in Leeds, Bari, Munich, Tokyo, Stockholm and New York. In those clubs funky jazz, latin boogaloo and 70s soul soundracks competed for time on the dance floor with import records from New York, and the latest sounds coming out of bedrooms and makeshift basement studios that created contemporary sounds out of the past.
Acid Jazz’s Eddie Piller and Dean Rudland have put together this compilation of the sort of sounds that we were playing at the time. They are releases on Acid Jazz and other label’s that surrounded the scene and they were mainly made by people we knew from either around the club scene, behind the counters of our favourite record shops, or from trips to New York or Europe. They range from The Ballistic Brother anthem ‘Blacker’ to the jazz house of A-Zel - a Roger Sanchez mix that still sounds fresh today. We have the Humble Soul’s instrumental version of ‘Beads Things And Flowers’ which at the time was only available as a DJ special on Acetate. There is the presence of A Man Called Adam before they went to Ibiza, and the early Mo’ Wax (before they went Trip Hop) single by Marden Hill ‘Come On’.
These records could fill a dance floor in seconds and we feel that they are today largely forgotten, as they were non-album, underground club records. It’s time to celebrate them!
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Back in the early 1990s as Acid Jazz began a period of extraordinary commercial success where acts like the Brand New Heavies and Jamiroquai sold millions of records, and US groups such as A Tribe Called Quest, The Roots and Digable Planets were actively influenced by what was being played in London, the whole scene was being fuelled by a small number of clubs, led by Gilles Peterson’s Sunday afternoons at Dingwalls but taking in nights in Leeds, Bari, Munich, Tokyo, Stockholm and New York. In those clubs funky jazz, latin boogaloo and 70s soul soundracks competed for time on the dance floor with import records from New York, and the latest sounds coming out of bedrooms and makeshift basement studios that created contemporary sounds out of the past.
Acid Jazz’s Eddie Piller and Dean Rudland have put together this compilation of the sort of sounds that we were playing at the time. They are releases on Acid Jazz and other label’s that surrounded the scene and they were mainly made by people we knew from either around the club scene, behind the counters of our favourite record shops, or from trips to New York or Europe. They range from The Ballistic Brother anthem ‘Blacker’ to the jazz house of A-Zel - a Roger Sanchez mix that still sounds fresh today. We have the Humble Soul’s instrumental version of ‘Beads Things And Flowers’ which at the time was only available as a DJ special on Acetate. There is the presence of A Man Called Adam before they went to Ibiza, and the early Mo’ Wax (before they went Trip Hop) single by Marden Hill ‘Come On’.
These records could fill a dance floor in seconds and we feel that they are today largely forgotten, as they were non-album, underground club records. It’s time to celebrate them!
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WAS - Word and Sound Medien GmbH
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Germany
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1
Soul Revivers - Meanwhile Dub
2
Soul Revivers - Harder (Version)
3
Soul Revivers - Underground Dub
4
Soul Revivers - Gone Clear
5
Soul Revivers - Rocka Dub
6
Soul Revivers - Why Dub
7
Soul Revivers - Got To Dub
8
Soul Revivers - More Drama
Acid Jazz are delighted to present: Soul Revivers – Grove Dub!
Soul Revivers continue onwards from their earlier 2022 release ‘On The Grove’ with the hotly anticipated dub version ‘Grove Dub’
An ambitious, collaborative project, producers David Hill and Nick Manasseh bring together reggae legends, including Ken Boothe and Ernest Ranglin, with the hottest UK musical talent, in what has become the standout reggae project of the year. The Dub version continues in the same vein – another installment in the rich history of West London reggae and dub.
Soul Revivers ‘On The Grove’ has already featured prominently on JazzFM, BBC Radio 1 Xtra, BBC 6 Music, as well as print reviews in Uncut, Mojo, and The Wire, among others.
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Soul Revivers continue onwards from their earlier 2022 release ‘On The Grove’ with the hotly anticipated dub version ‘Grove Dub’
An ambitious, collaborative project, producers David Hill and Nick Manasseh bring together reggae legends, including Ken Boothe and Ernest Ranglin, with the hottest UK musical talent, in what has become the standout reggae project of the year. The Dub version continues in the same vein – another installment in the rich history of West London reggae and dub.
Soul Revivers ‘On The Grove’ has already featured prominently on JazzFM, BBC Radio 1 Xtra, BBC 6 Music, as well as print reviews in Uncut, Mojo, and The Wire, among others.
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1
Soul Revivers - No More Drama Ft. Ernest Ranglin
2
Soul Revivers - Tell Me Why Ft. Ken Boothe
3
Soul Revivers - Got To Live Ft. Earl 16
4
Soul Revivers - Look No Furthur Ft. Ms Maurice
5
Soul Revivers - Gone Are The Days Ft. Alexia Coley
6
Soul Revivers - Meanwhile Shuffle Ft. Matic Horns
7
Soul Revivers - Cee Rocka Ft. Dougal & Ciyo
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Soul Revivers - The Underground Ft. Devon Russell
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Soul Revivers - Where The River Ft. Earl 16
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Soul Revivers - Harder Ft. Ernest Ranglin
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Soul Revivers - Futile Cause Ft. Alexia Coley
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Soul Revivers - Down River Ft. Ms Maurice
Repress!
On The Grove’ is an ambitious and passionate collaboration project, it features musicians spanning seven decades, including Jamaican legends: Ernest Ranglin, Ken Boothe, Earl 16 and Devon Russell; alongside contemporary artists, including jazz trumpeter Ms. Maurice (known for her work with Afro—Jazz Ensemble Kokoroko and Nubya Garcia), and vocalist Alexia Coley.
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On The Grove’ is an ambitious and passionate collaboration project, it features musicians spanning seven decades, including Jamaican legends: Ernest Ranglin, Ken Boothe, Earl 16 and Devon Russell; alongside contemporary artists, including jazz trumpeter Ms. Maurice (known for her work with Afro—Jazz Ensemble Kokoroko and Nubya Garcia), and vocalist Alexia Coley.
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1
Orchestre Poly Rythmo - It's A Vanity
2
Orchestre Poly Rythmo - Nougbo Vehou (La Vérité Blesse)
Our Albarika Stores 7-inch series returns with one of the masterpieces of lo-fi Afro-funk: 'It's A Vanity' by Gabo Brown and Orchestre Poly-Rythmo.
Originally released in the early '70s, it is a fine example of the way that Benin's premier group could perfectly nail a James Brown-style groove and then twist it to make it uniquely their own thing.
'It's A Vanity' is one of the masterpieces of low-fi Afro-Funk, and has been widely sought after (and become extremely valuable) since it was comped in 2008. We've paired it with the first reissue of 'Nougbo Vehou (La Verité Blesse)' - licensed directly from bandleader Clement Melomé's family - for a must-have double-sider!
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Originally released in the early '70s, it is a fine example of the way that Benin's premier group could perfectly nail a James Brown-style groove and then twist it to make it uniquely their own thing.
'It's A Vanity' is one of the masterpieces of low-fi Afro-Funk, and has been widely sought after (and become extremely valuable) since it was comped in 2008. We've paired it with the first reissue of 'Nougbo Vehou (La Verité Blesse)' - licensed directly from bandleader Clement Melomé's family - for a must-have double-sider!
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1
Ferry Djimmy - Be Free
2
Ferry Djimmy - Atakpa DC 9
3
Ferry Djimmy - When I Come In The Road
4
Ferry Djimmy - Brest DC10
5
Ferry Djimmy - Young Revolution
6
Ferry Djimmy - Carry Me Blak
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Ferry Djimmy - Atinga
8
Ferry Djimmy - Ichango
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Ferry Djimmy - A Were We Coco
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Ferry Djimmy - Egbemi Black
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Ferry Djimmy - Love Love
12
Ferry Djimmy - Start To Pray
13
Ferry Djimmy - Oluwa Loranmi Nichai
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Ferry Djimmy - Toba Walemi
15
Ferry Djimmy - Chikri Man
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Ferry Djimmy - My Dad Has Me To Kanm
Recorded for Benin’s Communist revolution, ‘Rhythm Revolution’ is a rare and truly unique Afrobeat record – it’s rumoured only 200 copies of the original release survived.
Ferry Djimmy was a schoolteacher, former boxer, and a personal friend of Muhammad Ali and Fela Kuti. He was later Jacques Chirac’s personal bodyguard.
Recorded at the Satel Studio in Cotonou, the album is one of the toughest, wildest and deepest slices of Afro-Funk cut – with raw African rhythms, distortion, energy and wit. Alongside nods to Hendrix, Kuti and James Brown, there is something truly unique about Ferry Djimmy’s musical legacy.
A must-have for Afrobeat, Afro Funk and Psych collectors.
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Ferry Djimmy was a schoolteacher, former boxer, and a personal friend of Muhammad Ali and Fela Kuti. He was later Jacques Chirac’s personal bodyguard.
Recorded at the Satel Studio in Cotonou, the album is one of the toughest, wildest and deepest slices of Afro-Funk cut – with raw African rhythms, distortion, energy and wit. Alongside nods to Hendrix, Kuti and James Brown, there is something truly unique about Ferry Djimmy’s musical legacy.
A must-have for Afrobeat, Afro Funk and Psych collectors.
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1
Bangs & Talbot - Sumthin' Else
2
Bangs & Talbot - Surf'n'turf
3
Bangs & Talbot - How Sweet It Is (To Be Loved By You)
4
Bangs & Talbot - Stingray (Live At PJ's)
5
Bangs & Talbot - Kookie T
6
Bangs & Talbot - It's Alright (Instrumental)
7
Bangs & Talbot - Leela's Dance
8
Bangs & Talbot - Blue Jeans
9
Bangs & Talbot - Goody Goody
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Bangs & Talbot - Pick'n'mick's
11
Bangs & Talbot - Jerk Chicken
12
Bangs & Talbot - Blues Walk
'How Sweet It Is (To Be Loved By You)' is a new advance single on the album. It’s an instrumental cover of Marvin Gaye's 1964 Motown classic. This reading of the song has a shuffle groove and features uber rhythms from Brand New Heavies' guitarist Simon Bartholomew. As Bangs put it, "we wanted to put a different slant on the tune, small combo vibe with a Wurlitzer piano lead. We were thinking of getting a vocalist to sing the tune but it's been done that way so many times."
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1
Orchestre Les Volcanos Du Benin - Bella
2
Orchestre Les Volcanos Du Benin - Oya Ka Jojo
3
Orchestre Les Volcanos Du Benin - Mercenariat Africa
4
Orchestre Les Volcanos Du Benin - Gbemeho
Acid Jazz proudly presents: Orchestre Les Volcans Du Benin - Vol. 1!
Originally released in 1980 on the Albarika label, 'Orchestre Les Volcans Du Benin Vol. 1' has long been a holy-grail LP for Afro-Cuban music aficionados.
It now sees its first official reissue through Acid Jazz and is available for the first time with four infections tracks, including 'Oya Ka Jojo': Latin dancefloor dynamite, and a DJ must-have.
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Originally released in 1980 on the Albarika label, 'Orchestre Les Volcans Du Benin Vol. 1' has long been a holy-grail LP for Afro-Cuban music aficionados.
It now sees its first official reissue through Acid Jazz and is available for the first time with four infections tracks, including 'Oya Ka Jojo': Latin dancefloor dynamite, and a DJ must-have.
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1
Soul Revivers Feat. Ken Boothe - Tell Me Why
2
Soul Revivers Feat. Ken Boothe - Tell Me Again
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1
The Aloof - So Good
2
The Aloof - Doing It For Money
3
The Aloof - Good Morning World
4
The Aloof - Sold
5
The Aloof - Tearing Up Inside
6
The Aloof - Infatuated
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The Aloof - D.I.F.M. Version
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The Aloof - The Beach
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The Aloof - Painted Face
The Aloof formed in 1990 and forged a reputation as one of the hardest working bands around. While other acts incorporated an electronica into a general rock sound in the early ‘90s, The Aloof were always a pioneering electronic act. Touring alongside the likes of Massive Attack and Leftfield, they released three albums with Warner’s EastWest label: Cover The Crime (1994), Sinking (1996) and Seeking Pleasure (1998). After parting ways with Warner, they were in charge of their own destiny, and formed their own ‘Screaming Target’ label as they set about making a new record.
The resultant album ‘This Constant Chase For Thrills’ has established a reputation as a cult classic, but internal struggles and the wider pressure of the industry meant it didn’t get the coverage it deserved. Despite this, ‘So Good’ became a radio hit after featuring on the US version of Queer As Folk, and remains a fan-favourite. In anticipation of the release, it has finally issued as a single, setting the tone for the full reissue of the LP on Acid Jazz Records.
Defined by a positive DIY spirit as the band moved on their own, This Constant Chase For Thrills, has an Ibiza and Balearic feel, alongside its dark, moody and atmospheric moments. Aside from ‘So Good’ – described as ‘a dark cloud being lifted’ by founding member Dean Thatcher – there is the late night intensity of ‘Doing It For Money’, describing the need to make ends meet in difficult circumstances, which gained attraction when first released. Meanwhile, closing tune ‘Painted Face’ is arguably the album’s standout, infused with wide-eyed psychadelia and open adventure.
“I think ‘Constant Chase For Thrills’ was a return to form for The Aloof and I’m really chuffed this album is going to see the light of day properly and finally get the exposure it deserves” - Dean Thatcher, The Aloof.
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The resultant album ‘This Constant Chase For Thrills’ has established a reputation as a cult classic, but internal struggles and the wider pressure of the industry meant it didn’t get the coverage it deserved. Despite this, ‘So Good’ became a radio hit after featuring on the US version of Queer As Folk, and remains a fan-favourite. In anticipation of the release, it has finally issued as a single, setting the tone for the full reissue of the LP on Acid Jazz Records.
Defined by a positive DIY spirit as the band moved on their own, This Constant Chase For Thrills, has an Ibiza and Balearic feel, alongside its dark, moody and atmospheric moments. Aside from ‘So Good’ – described as ‘a dark cloud being lifted’ by founding member Dean Thatcher – there is the late night intensity of ‘Doing It For Money’, describing the need to make ends meet in difficult circumstances, which gained attraction when first released. Meanwhile, closing tune ‘Painted Face’ is arguably the album’s standout, infused with wide-eyed psychadelia and open adventure.
“I think ‘Constant Chase For Thrills’ was a return to form for The Aloof and I’m really chuffed this album is going to see the light of day properly and finally get the exposure it deserves” - Dean Thatcher, The Aloof.
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1
Matt Berry Ft. Emma Noble - Beatmaker
Tracklist:
a1.Matt Berry ft Emma Noble - Beatmaker
b1. Beatmaker (Instrumental)
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a1.Matt Berry ft Emma Noble - Beatmaker
b1. Beatmaker (Instrumental)
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1
Diane Ward & The Kevin Fingier Collectiv - Why Don't You Go Home
2
The Kevin Fingier Collectiv - Cocktail De Medianoche
With 'Why Don't You Go Home' Fingier produces a monster Rhythm & Blues tune that will take you straight to the King and Federal R&B sound, and for the B side, 'Cocktail De Medianoche' is the perfect mix of Boogaloo and Northern Soul. Percussion, flute and horns will make this a Fingier favourite for lovers of Latin grooves and Uptempo Soul.
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Tracklisting
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Sales Note
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A1 Unknown Artist - Lizard King
Sales Note
The 'Unknown Artist' has emerged from the clubs of Antwerp with 'The Lizard King'. This house banger is a must-have to start the club season in 2025. Pure dancefloor heat folks! No digitals - vinyl only
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Format Notes: 2024 first-time 12" reissue pairing of previously hyper-rare tracks, 140g vinyl, mastered by Simon Francis
Track List:
A1 Falling In Love
B1 Happy (Love Mix)
Release Notes:
Two seminal 12" mixes of a pair of enormous tracks from Surface. Housed in the super-rare and - until now - French-only picture sleeve of the eternal "Falling In Love", we've backed that classic with Be With's favourite deconstructed mix of the swirling electronic soul / synth-driven slow jam "Happy". These sought-after versions have never been paired on the same record before. This fresh Be With edition ensures these legendary tracks now sound, looks and feel as sensational as they deserve to. You know what to do...
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Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12" well and truly slaps. The immaculate Record Industry pressing will ensure this incredibly sought-after treasure finds a home in many more collections, this and every year. Simply flawless.
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Track List:
A1 Falling In Love
B1 Happy (Love Mix)
Release Notes:
Two seminal 12" mixes of a pair of enormous tracks from Surface. Housed in the super-rare and - until now - French-only picture sleeve of the eternal "Falling In Love", we've backed that classic with Be With's favourite deconstructed mix of the swirling electronic soul / synth-driven slow jam "Happy". These sought-after versions have never been paired on the same record before. This fresh Be With edition ensures these legendary tracks now sound, looks and feel as sensational as they deserve to. You know what to do...
American post-disco/R&B trio Surface were a New Jersey vocal group made up of Bernard Jackson, David Townsend and David Conley. The majesty of boogie ballad "Falling In Love" was their first single, released in 1983 on Salsoul Records. The mellow magic of this track is loved the world over; it's a feel-good smooth boogie jam that's forever coveted. The slick, crystal clear beat, the legendary minimoog bassline, the melody, Karen Copeland's superb vocal, the great flute solo (referenced on the cover) all of it is literally perfect and beautifully encapsulates that mid 80s international club vibe. This here is the original Shep Pettibone mix in its entirety - it's the only one you really need.
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Tracklisting
A1 Azu Tiwaline - Night in Palmtree (Forest Drive West remix)
A2 Azu Tiwaline - Blowing Flow (Cinna Peyghamy remix)
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B2 Azu Tiwaline - Canopée Imaginaire (Polygonia remix)
Sales Note
An ethereal world cast into a dark night, with fireflies of sound adding nuance and light to the darkness... Textures and atmospheres that are even deeper and more hypnotic... Azu Tiwaline has chosen 4 producers to delve into the tracks on her album The Fifth Dream, released by I.O.T Records just over a year ago, for a unique and masterful reinterpretation of the opus.
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A1 Azu Tiwaline - Night in Palmtree (Forest Drive West remix)
A2 Azu Tiwaline - Blowing Flow (Cinna Peyghamy remix)
B1 Azu Tiwaline - Reptilian Waves (Kangding Ray remix)
B2 Azu Tiwaline - Canopée Imaginaire (Polygonia remix)
Sales Note
An ethereal world cast into a dark night, with fireflies of sound adding nuance and light to the darkness... Textures and atmospheres that are even deeper and more hypnotic... Azu Tiwaline has chosen 4 producers to delve into the tracks on her album The Fifth Dream, released by I.O.T Records just over a year ago, for a unique and masterful reinterpretation of the opus.
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Milord - Party Club
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Milord - Party Line
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Milord - Party Dub
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A1 - Party Club
A2 - Party Line
B1 - Party Dub
B2 - Party Beats
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A1 - Party Club
A2 - Party Line
B1 - Party Dub
B2 - Party Beats
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Influence of hallucinations induced by chewing roots from the iboga plant on the works of Joaquin Joe Claussell's Edits & Overdubs IBOGA Compilation. The iboga plant is indigenous to the humid, tropical climates of West Central Africa, including Gabon, Cameroon, Congo, and Angola, which are home to the 2nd largest rainforest in the world. It has been used for centuries in spiritual initiation ceremonies and practices, particularly by the Bwiti tradition and religion in Gabon.
Joaquin Joe Claussell was inspired by these influences and went into the studio to create a compilation of edits and overdubs of African vibrational sounds and rhythms. The result is a collection of nine compositions that showcase the future possibilities of this influential work.
Tested for months on dance floors across the globe every on this complication are sure to continue setting dance floors on fire where ever spun.
Limited Vinyl EP featuring selected cuts from the compilation. Listen loudly and enjoy the experience!
https://atypical-dopeness.bandcamp.com/album/new-music-alert-finaly-the-iboga-unofficial-edits-overdubs-by-joaquin-joe-claussell-very-limted-lp-colored-vinyl-compilation-of-dope-afrikan-dance-music-release-date-121624
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Joaquin Joe Claussell was inspired by these influences and went into the studio to create a compilation of edits and overdubs of African vibrational sounds and rhythms. The result is a collection of nine compositions that showcase the future possibilities of this influential work.
Tested for months on dance floors across the globe every on this complication are sure to continue setting dance floors on fire where ever spun.
Limited Vinyl EP featuring selected cuts from the compilation. Listen loudly and enjoy the experience!
https://atypical-dopeness.bandcamp.com/album/new-music-alert-finaly-the-iboga-unofficial-edits-overdubs-by-joaquin-joe-claussell-very-limted-lp-colored-vinyl-compilation-of-dope-afrikan-dance-music-release-date-121624
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Automart - Forte
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Automart - I Wanna See U Dancin'
Get Ready to Groove!
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Let’s keep the funk alive!
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Introducing the latest sensation from Hamburg's vibrant music scene – Automart's brand new Funk/Boogie 7" single, released on the esteemed Born To Shine Records!
This 2 electrifying tracks are a perfect blend of infectious rhythms and soulful melodies that will have you dancing from the very first beat. With his unique sound, Automart captures the essence of classic funk while infusing it with a modern twist, making it a must-have for any vinyl enthusiast or party playlist.
Whether you're a long-time fan or new to their music, this single promises to elevate your spirits and get your feet moving. Don’t miss out on the chance to experience the magic of Automart – grab your copy now and let the good times roll!
Let’s keep the funk alive!
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