1
The Joneses / Street People - Love Contest (Dave Lee’s Disco Mix)
2
The Joneses / Street People - / I Wanna Get Over (Cosmodelica Remix)
A collaboration between Ace Records and Acid Jazz, Spring Revisited explores the musical
legacy of storied New York label Spring Records, with a series of mixes from some of the top
remix artists in the world, straight from the original masters.
This is the second release of the series, with Dave Lee’s inspired version of The Joneses ‘Love
Contest’, where he brings a fresh, modern energy to this soulful gem while staying true to its
timeless groove. On the other side, Coleen ‘Cosmo’ Murphy delivers a new spin on Street
People’s I Wanna Get Over’. Her mix keeps the heartache of the original but lifts it sky-high with
breezy percussion, silky synths, and a laid-back disco groove – perfect for the dancefloor!
The Acid Jazz special-edition 12” vinyl continues the beautiful design theme of the series,
looking as if it was just sent to a New York DJ pool at the end of the ‘70s… Pre-order is advised
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legacy of storied New York label Spring Records, with a series of mixes from some of the top
remix artists in the world, straight from the original masters.
This is the second release of the series, with Dave Lee’s inspired version of The Joneses ‘Love
Contest’, where he brings a fresh, modern energy to this soulful gem while staying true to its
timeless groove. On the other side, Coleen ‘Cosmo’ Murphy delivers a new spin on Street
People’s I Wanna Get Over’. Her mix keeps the heartache of the original but lifts it sky-high with
breezy percussion, silky synths, and a laid-back disco groove – perfect for the dancefloor!
The Acid Jazz special-edition 12” vinyl continues the beautiful design theme of the series,
looking as if it was just sent to a New York DJ pool at the end of the ‘70s… Pre-order is advised
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
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Germany
Contact: gpsr@wordandsound.netMore
More records from Acid Jazz Records
1
The Night Trains - Lovesick
2
The Night Trains - Only Know About Love
When Acid Jazz was in its mid-1990s pomp, it released a lot of great records. Sometimes they flew past at such a pace, we had moved on to something else before we realised how good they truly were. ‘Lovesick’ by the Night Trains is one such record.
A phenomenal mixture of a distinctive sample turned into a un-ignorable groove, an unforgettable melody (and the soulful vocal from Marcia Johnson), weaved around a Miles-like trumpet. It should have been a hit. But it wasn’t. Instead, it is a cult classic, which we are being fully indulgent in releasing on a 7-inch single.
Night Trains were the brain child of Hugh Brooker, and they released the first ever acid jazz single in 'Open Channel D’, appearing on early groundbreaking Acid Jazz compilations. It resurfaced on the label in 1993 with the ‘Sleazeball’ album, from which Lovesick was the lead single. Hugh has in many forms kept the group going until the present day. A testament to persistence and good taste, in the face of industry indifference. Hugh is one of the originals and we are proud to still work with him to this day.
This is the first time that ‘Lovesick’ has appeared on a 7", and it is flipped with the previously-unreleased on vinyl ‘Only Know About Love' on the B-side.
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A phenomenal mixture of a distinctive sample turned into a un-ignorable groove, an unforgettable melody (and the soulful vocal from Marcia Johnson), weaved around a Miles-like trumpet. It should have been a hit. But it wasn’t. Instead, it is a cult classic, which we are being fully indulgent in releasing on a 7-inch single.
Night Trains were the brain child of Hugh Brooker, and they released the first ever acid jazz single in 'Open Channel D’, appearing on early groundbreaking Acid Jazz compilations. It resurfaced on the label in 1993 with the ‘Sleazeball’ album, from which Lovesick was the lead single. Hugh has in many forms kept the group going until the present day. A testament to persistence and good taste, in the face of industry indifference. Hugh is one of the originals and we are proud to still work with him to this day.
This is the first time that ‘Lovesick’ has appeared on a 7", and it is flipped with the previously-unreleased on vinyl ‘Only Know About Love' on the B-side.
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1
Soul Revivers Ft. Ash Walker - Holding It Down
2
Soul Revivers Ft. Ash Walker - Holding It Dub
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1
Billy Valentine - Lady Day & John Coltrane
2
Billy Valentine - Home Is Where The Hatred Is
A year on from the release of his critically acclaimed album ‘Billy Valentine And The Universal Truth’ released in collaboration between Flying Dutchman and Acid Jazz Records, Billy returns with a brand new take on a classic of conscious soul. Returning to the studio with Bob Thiele Jr and the band that is made up Larry Goldings, Pino Paladino, Jeff Parker, James Gadson and John Philip Shenale, he has recorded three new numbers for release on the deluxe version of the album. The first to be released is his take on Gil Scott-Heron’s ‘Lady Day & John Coltrane’ which held audiences in rapt attention when performed live over the last year.
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1
New Street Adventure - The Big AC
2
New Street Adventure - The Big AC (Original Version)
‘The Big AC’ - a cornerstone of the New Street sound from their debut album ‘No Hard Feelings’ - will be reissued, with the first-time vinyl release of the original version, produced by the brilliant late Noel McKoy, on the reverse side. It will be housed in a beautiful version of the new Acid Jazz house bag, in colours echoing the ‘No Hard Feelings’ sleeve, and will be limited to 500 copies.
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1
The Ballistic Brothers - Blacker
2
The Ballistic Brothers - Cubafro Con Amigos
A reissue of two historic, important cuts by The Ballistic Brothers. 'Blacker' and 'Cufabro Con Amigos' helped define the transitional crossover between early 90s funk and breaksy electronica in the UK. The Ballistic Brothers were the sonic thesis, antithesis and synthesis of Ashley Beedle and David Hill, both of whom later went on to work behind the scenes in the music industry, but whose earlier contributions are still duly noted. 'Blacker' appeared on their earliest album, The Balistic Brothers vs. The Eccentric Afros Volume 1, and was symptomatic of the sonic stirrings of breakbeat, acid jazz and broken beat at the time, channelling a string-laden suspense, and a wise, sampled vocal snippet from Gil Scott Heron. Heron's wisdom undercuts the track, and hears his musings on race and moral superiority.
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1
The Kevin Fingier Collective - I Really Care
2
The Kevin Fingier Collective - The Great Akerman
The Kevin Fingier Collective is back with a brand new 7" single release, featuring Diane Ward, on our group label Fingier Records. An explosive side for the club dance floor, 'I Really Care' is a hybrid of R&B and Northern Soul with funky guitar, driving piano and killer horns.
The B-side, 'The Great Akerman', is exclusive to the 7" - a flute and organ flavoured Bossa/Mod Jazz instrumental, with the Fingier signature touch. Another dynamite release from Latin America produced by Kevin Fingier, offering shades of what is to come from a full album due later this year, hot-on-the-heels of the recent comp 'El Sonido de Fingier Records'. Fingier 45s are known to sell out fast, so don't sleep - order now!
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The B-side, 'The Great Akerman', is exclusive to the 7" - a flute and organ flavoured Bossa/Mod Jazz instrumental, with the Fingier signature touch. Another dynamite release from Latin America produced by Kevin Fingier, offering shades of what is to come from a full album due later this year, hot-on-the-heels of the recent comp 'El Sonido de Fingier Records'. Fingier 45s are known to sell out fast, so don't sleep - order now!
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1
Ogassa - Avalale
2
Ogassa - Ogassa Story
3
Ogassa - Production Vido Tche
4
Ogassa - Gbe We Gnin Wa Bio
Over the past couple of years Acid Jazz have been re-issuing releases from the enigmatic 'Albarika Store' label, a goldmine in Afro cuts from Benin, West Africa. The latest instalment is the ultra-rare 'Ogassa Original (Vol. 1), the first LP from obscure but ultimately brilliant Porto Novo group, Ogassa from 1978. Like many Albarika releases, it was recorded at EMI Lagos, giving a depth and fidelity that stands out in the realm of Afro rarities. Reissued in full with the original artwork for the very first time, a must have for Afro collectors and completists alike. Pre-order now!
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1
T.P. Orchestre Poly-Rythmo - Gbeto Vivi
2
T.P. Orchestre Poly-Rythmo - It's A Vanity
3
T.P. Orchestre Poly-Rythmo - Minkou E So Non Moin
4
T.P. Orchestre Poly-Rythmo - Kou Tche Kpo So O
5
T.P. Orchestre Poly-Rythmo - House DJein Nada
6
T.P. Orchestre Poly-Rythmo - Gbeti Ma Djiro
7
T.P. Orchestre Poly-Rythmo - Segla
8
T.P. Orchestre Poly-Rythmo - Medida
9
T.P. Orchestre Poly-Rythmo - Gan Tche Kpo
10
T.P. Orchestre Poly-Rythmo - Mi Si Ba To
11
T.P. Orchestre Poly-Rythmo - Mi Ve Wa Se
12
T.P. Orchestre Poly-Rythmo - Aihe Ni Kpe We
The latest instalment from Acid Jazz’s Albarika Store series, ‘Afro Funk’ compiles the very best of the legendary T.P. Orchestre Poly-Rythmo’s funk cuts.
Formed in 1968 by leader Clément Mélomé, T.P. Orchestre Poly-Rythmo became the leading group in Benin and the cornerstone of the Albarika Store label and legacy.
This collection brings together highlights from their extensive career, including tracks as ‘Gbeti Ma Djro’, ‘Segla’ and the collectable ‘It’s A Vanity’: wall-to-wall some of the finest Afro-Funk ever made.
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Formed in 1968 by leader Clément Mélomé, T.P. Orchestre Poly-Rythmo became the leading group in Benin and the cornerstone of the Albarika Store label and legacy.
This collection brings together highlights from their extensive career, including tracks as ‘Gbeti Ma Djro’, ‘Segla’ and the collectable ‘It’s A Vanity’: wall-to-wall some of the finest Afro-Funk ever made.
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1
Eddie Piller & Dean Rudland Present... - Blacker
2
Eddie Piller & Dean Rudland Present... - Beads, Things & Flowers (Instrumental)
3
Eddie Piller & Dean Rudland Present... - Come On
4
Eddie Piller & Dean Rudland Present... - Last Night Beat
5
Eddie Piller & Dean Rudland Present... - APB
6
Eddie Piller & Dean Rudland Present... - Modal (Blue Trane Dub)
7
Eddie Piller & Dean Rudland Present... - Jazz Jupiter (Da Scat Mix)
8
Eddie Piller & Dean Rudland Present... - Everything Is Going To The Beat
Eddie Piller & Dean Rudland present Acid Jazz (Not Jazz)
Back in the early 1990s as Acid Jazz began a period of extraordinary commercial success where acts like the Brand New Heavies and Jamiroquai sold millions of records, and US groups such as A Tribe Called Quest, The Roots and Digable Planets were actively influenced by what was being played in London, the whole scene was being fuelled by a small number of clubs, led by Gilles Peterson’s Sunday afternoons at Dingwalls but taking in nights in Leeds, Bari, Munich, Tokyo, Stockholm and New York. In those clubs funky jazz, latin boogaloo and 70s soul soundracks competed for time on the dance floor with import records from New York, and the latest sounds coming out of bedrooms and makeshift basement studios that created contemporary sounds out of the past.
Acid Jazz’s Eddie Piller and Dean Rudland have put together this compilation of the sort of sounds that we were playing at the time. They are releases on Acid Jazz and other label’s that surrounded the scene and they were mainly made by people we knew from either around the club scene, behind the counters of our favourite record shops, or from trips to New York or Europe. They range from The Ballistic Brother anthem ‘Blacker’ to the jazz house of A-Zel - a Roger Sanchez mix that still sounds fresh today. We have the Humble Soul’s instrumental version of ‘Beads Things And Flowers’ which at the time was only available as a DJ special on Acetate. There is the presence of A Man Called Adam before they went to Ibiza, and the early Mo’ Wax (before they went Trip Hop) single by Marden Hill ‘Come On’.
These records could fill a dance floor in seconds and we feel that they are today largely forgotten, as they were non-album, underground club records. It’s time to celebrate them!
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Back in the early 1990s as Acid Jazz began a period of extraordinary commercial success where acts like the Brand New Heavies and Jamiroquai sold millions of records, and US groups such as A Tribe Called Quest, The Roots and Digable Planets were actively influenced by what was being played in London, the whole scene was being fuelled by a small number of clubs, led by Gilles Peterson’s Sunday afternoons at Dingwalls but taking in nights in Leeds, Bari, Munich, Tokyo, Stockholm and New York. In those clubs funky jazz, latin boogaloo and 70s soul soundracks competed for time on the dance floor with import records from New York, and the latest sounds coming out of bedrooms and makeshift basement studios that created contemporary sounds out of the past.
Acid Jazz’s Eddie Piller and Dean Rudland have put together this compilation of the sort of sounds that we were playing at the time. They are releases on Acid Jazz and other label’s that surrounded the scene and they were mainly made by people we knew from either around the club scene, behind the counters of our favourite record shops, or from trips to New York or Europe. They range from The Ballistic Brother anthem ‘Blacker’ to the jazz house of A-Zel - a Roger Sanchez mix that still sounds fresh today. We have the Humble Soul’s instrumental version of ‘Beads Things And Flowers’ which at the time was only available as a DJ special on Acetate. There is the presence of A Man Called Adam before they went to Ibiza, and the early Mo’ Wax (before they went Trip Hop) single by Marden Hill ‘Come On’.
These records could fill a dance floor in seconds and we feel that they are today largely forgotten, as they were non-album, underground club records. It’s time to celebrate them!
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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1
Soul Revivers - Meanwhile Dub
2
Soul Revivers - Harder (Version)
3
Soul Revivers - Underground Dub
4
Soul Revivers - Gone Clear
5
Soul Revivers - Rocka Dub
6
Soul Revivers - Why Dub
7
Soul Revivers - Got To Dub
8
Soul Revivers - More Drama
Acid Jazz are delighted to present: Soul Revivers – Grove Dub!
Soul Revivers continue onwards from their earlier 2022 release ‘On The Grove’ with the hotly anticipated dub version ‘Grove Dub’
An ambitious, collaborative project, producers David Hill and Nick Manasseh bring together reggae legends, including Ken Boothe and Ernest Ranglin, with the hottest UK musical talent, in what has become the standout reggae project of the year. The Dub version continues in the same vein – another installment in the rich history of West London reggae and dub.
Soul Revivers ‘On The Grove’ has already featured prominently on JazzFM, BBC Radio 1 Xtra, BBC 6 Music, as well as print reviews in Uncut, Mojo, and The Wire, among others.
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Soul Revivers continue onwards from their earlier 2022 release ‘On The Grove’ with the hotly anticipated dub version ‘Grove Dub’
An ambitious, collaborative project, producers David Hill and Nick Manasseh bring together reggae legends, including Ken Boothe and Ernest Ranglin, with the hottest UK musical talent, in what has become the standout reggae project of the year. The Dub version continues in the same vein – another installment in the rich history of West London reggae and dub.
Soul Revivers ‘On The Grove’ has already featured prominently on JazzFM, BBC Radio 1 Xtra, BBC 6 Music, as well as print reviews in Uncut, Mojo, and The Wire, among others.
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1
Soul Revivers - No More Drama Ft. Ernest Ranglin
2
Soul Revivers - Tell Me Why Ft. Ken Boothe
3
Soul Revivers - Got To Live Ft. Earl 16
4
Soul Revivers - Look No Furthur Ft. Ms Maurice
5
Soul Revivers - Gone Are The Days Ft. Alexia Coley
6
Soul Revivers - Meanwhile Shuffle Ft. Matic Horns
7
Soul Revivers - Cee Rocka Ft. Dougal & Ciyo
8
Soul Revivers - The Underground Ft. Devon Russell
9
Soul Revivers - Where The River Ft. Earl 16
10
Soul Revivers - Harder Ft. Ernest Ranglin
11
Soul Revivers - Futile Cause Ft. Alexia Coley
12
Soul Revivers - Down River Ft. Ms Maurice
Repress!
On The Grove’ is an ambitious and passionate collaboration project, it features musicians spanning seven decades, including Jamaican legends: Ernest Ranglin, Ken Boothe, Earl 16 and Devon Russell; alongside contemporary artists, including jazz trumpeter Ms. Maurice (known for her work with Afro—Jazz Ensemble Kokoroko and Nubya Garcia), and vocalist Alexia Coley.
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On The Grove’ is an ambitious and passionate collaboration project, it features musicians spanning seven decades, including Jamaican legends: Ernest Ranglin, Ken Boothe, Earl 16 and Devon Russell; alongside contemporary artists, including jazz trumpeter Ms. Maurice (known for her work with Afro—Jazz Ensemble Kokoroko and Nubya Garcia), and vocalist Alexia Coley.
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1
Orchestre Poly Rythmo - It's A Vanity
2
Orchestre Poly Rythmo - Nougbo Vehou (La Vérité Blesse)
Our Albarika Stores 7-inch series returns with one of the masterpieces of lo-fi Afro-funk: 'It's A Vanity' by Gabo Brown and Orchestre Poly-Rythmo.
Originally released in the early '70s, it is a fine example of the way that Benin's premier group could perfectly nail a James Brown-style groove and then twist it to make it uniquely their own thing.
'It's A Vanity' is one of the masterpieces of low-fi Afro-Funk, and has been widely sought after (and become extremely valuable) since it was comped in 2008. We've paired it with the first reissue of 'Nougbo Vehou (La Verité Blesse)' - licensed directly from bandleader Clement Melomé's family - for a must-have double-sider!
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Originally released in the early '70s, it is a fine example of the way that Benin's premier group could perfectly nail a James Brown-style groove and then twist it to make it uniquely their own thing.
'It's A Vanity' is one of the masterpieces of low-fi Afro-Funk, and has been widely sought after (and become extremely valuable) since it was comped in 2008. We've paired it with the first reissue of 'Nougbo Vehou (La Verité Blesse)' - licensed directly from bandleader Clement Melomé's family - for a must-have double-sider!
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1
Ferry Djimmy - Be Free
2
Ferry Djimmy - Atakpa DC 9
3
Ferry Djimmy - When I Come In The Road
4
Ferry Djimmy - Brest DC10
5
Ferry Djimmy - Young Revolution
6
Ferry Djimmy - Carry Me Blak
7
Ferry Djimmy - Atinga
8
Ferry Djimmy - Ichango
9
Ferry Djimmy - A Were We Coco
10
Ferry Djimmy - Egbemi Black
11
Ferry Djimmy - Love Love
12
Ferry Djimmy - Start To Pray
13
Ferry Djimmy - Oluwa Loranmi Nichai
14
Ferry Djimmy - Toba Walemi
15
Ferry Djimmy - Chikri Man
16
Ferry Djimmy - My Dad Has Me To Kanm
Recorded for Benin’s Communist revolution, ‘Rhythm Revolution’ is a rare and truly unique Afrobeat record – it’s rumoured only 200 copies of the original release survived.
Ferry Djimmy was a schoolteacher, former boxer, and a personal friend of Muhammad Ali and Fela Kuti. He was later Jacques Chirac’s personal bodyguard.
Recorded at the Satel Studio in Cotonou, the album is one of the toughest, wildest and deepest slices of Afro-Funk cut – with raw African rhythms, distortion, energy and wit. Alongside nods to Hendrix, Kuti and James Brown, there is something truly unique about Ferry Djimmy’s musical legacy.
A must-have for Afrobeat, Afro Funk and Psych collectors.
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Ferry Djimmy was a schoolteacher, former boxer, and a personal friend of Muhammad Ali and Fela Kuti. He was later Jacques Chirac’s personal bodyguard.
Recorded at the Satel Studio in Cotonou, the album is one of the toughest, wildest and deepest slices of Afro-Funk cut – with raw African rhythms, distortion, energy and wit. Alongside nods to Hendrix, Kuti and James Brown, there is something truly unique about Ferry Djimmy’s musical legacy.
A must-have for Afrobeat, Afro Funk and Psych collectors.
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1
Bangs & Talbot - Sumthin' Else
2
Bangs & Talbot - Surf'n'turf
3
Bangs & Talbot - How Sweet It Is (To Be Loved By You)
4
Bangs & Talbot - Stingray (Live At PJ's)
5
Bangs & Talbot - Kookie T
6
Bangs & Talbot - It's Alright (Instrumental)
7
Bangs & Talbot - Leela's Dance
8
Bangs & Talbot - Blue Jeans
9
Bangs & Talbot - Goody Goody
10
Bangs & Talbot - Pick'n'mick's
11
Bangs & Talbot - Jerk Chicken
12
Bangs & Talbot - Blues Walk
'How Sweet It Is (To Be Loved By You)' is a new advance single on the album. It’s an instrumental cover of Marvin Gaye's 1964 Motown classic. This reading of the song has a shuffle groove and features uber rhythms from Brand New Heavies' guitarist Simon Bartholomew. As Bangs put it, "we wanted to put a different slant on the tune, small combo vibe with a Wurlitzer piano lead. We were thinking of getting a vocalist to sing the tune but it's been done that way so many times."
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1
Orchestre Les Volcanos Du Benin - Bella
2
Orchestre Les Volcanos Du Benin - Oya Ka Jojo
3
Orchestre Les Volcanos Du Benin - Mercenariat Africa
4
Orchestre Les Volcanos Du Benin - Gbemeho
Acid Jazz proudly presents: Orchestre Les Volcans Du Benin - Vol. 1!
Originally released in 1980 on the Albarika label, 'Orchestre Les Volcans Du Benin Vol. 1' has long been a holy-grail LP for Afro-Cuban music aficionados.
It now sees its first official reissue through Acid Jazz and is available for the first time with four infections tracks, including 'Oya Ka Jojo': Latin dancefloor dynamite, and a DJ must-have.
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Originally released in 1980 on the Albarika label, 'Orchestre Les Volcans Du Benin Vol. 1' has long been a holy-grail LP for Afro-Cuban music aficionados.
It now sees its first official reissue through Acid Jazz and is available for the first time with four infections tracks, including 'Oya Ka Jojo': Latin dancefloor dynamite, and a DJ must-have.
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1
Soul Revivers Feat. Ken Boothe - Tell Me Why
2
Soul Revivers Feat. Ken Boothe - Tell Me Again
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Label:Acid Jazz Records
Cat-No:AJX2LP608
Release-Date:20.05.2022
Genre:Electronic, Electronica
Configuration:2LP
Label:Acid Jazz Records
Cat-No:AJX2LP608
Release-Date:20.05.2022
Genre:Electronic, Electronica
Configuration:2LP
1
The Aloof - So Good
2
The Aloof - Doing It For Money
3
The Aloof - Good Morning World
4
The Aloof - Sold
5
The Aloof - Tearing Up Inside
6
The Aloof - Infatuated
7
The Aloof - D.I.F.M. Version
8
The Aloof - The Beach
9
The Aloof - Painted Face
The Aloof formed in 1990 and forged a reputation as one of the hardest working bands around. While other acts incorporated an electronica into a general rock sound in the early ‘90s, The Aloof were always a pioneering electronic act. Touring alongside the likes of Massive Attack and Leftfield, they released three albums with Warner’s EastWest label: Cover The Crime (1994), Sinking (1996) and Seeking Pleasure (1998). After parting ways with Warner, they were in charge of their own destiny, and formed their own ‘Screaming Target’ label as they set about making a new record.
The resultant album ‘This Constant Chase For Thrills’ has established a reputation as a cult classic, but internal struggles and the wider pressure of the industry meant it didn’t get the coverage it deserved. Despite this, ‘So Good’ became a radio hit after featuring on the US version of Queer As Folk, and remains a fan-favourite. In anticipation of the release, it has finally issued as a single, setting the tone for the full reissue of the LP on Acid Jazz Records.
Defined by a positive DIY spirit as the band moved on their own, This Constant Chase For Thrills, has an Ibiza and Balearic feel, alongside its dark, moody and atmospheric moments. Aside from ‘So Good’ – described as ‘a dark cloud being lifted’ by founding member Dean Thatcher – there is the late night intensity of ‘Doing It For Money’, describing the need to make ends meet in difficult circumstances, which gained attraction when first released. Meanwhile, closing tune ‘Painted Face’ is arguably the album’s standout, infused with wide-eyed psychadelia and open adventure.
“I think ‘Constant Chase For Thrills’ was a return to form for The Aloof and I’m really chuffed this album is going to see the light of day properly and finally get the exposure it deserves” - Dean Thatcher, The Aloof.
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The resultant album ‘This Constant Chase For Thrills’ has established a reputation as a cult classic, but internal struggles and the wider pressure of the industry meant it didn’t get the coverage it deserved. Despite this, ‘So Good’ became a radio hit after featuring on the US version of Queer As Folk, and remains a fan-favourite. In anticipation of the release, it has finally issued as a single, setting the tone for the full reissue of the LP on Acid Jazz Records.
Defined by a positive DIY spirit as the band moved on their own, This Constant Chase For Thrills, has an Ibiza and Balearic feel, alongside its dark, moody and atmospheric moments. Aside from ‘So Good’ – described as ‘a dark cloud being lifted’ by founding member Dean Thatcher – there is the late night intensity of ‘Doing It For Money’, describing the need to make ends meet in difficult circumstances, which gained attraction when first released. Meanwhile, closing tune ‘Painted Face’ is arguably the album’s standout, infused with wide-eyed psychadelia and open adventure.
“I think ‘Constant Chase For Thrills’ was a return to form for The Aloof and I’m really chuffed this album is going to see the light of day properly and finally get the exposure it deserves” - Dean Thatcher, The Aloof.
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1
Matt Berry Ft. Emma Noble - Beatmaker
Tracklist:
a1.Matt Berry ft Emma Noble - Beatmaker
b1. Beatmaker (Instrumental)
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a1.Matt Berry ft Emma Noble - Beatmaker
b1. Beatmaker (Instrumental)
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Hiromasa Suzuki - High-Flying
2
Hiromasa Suzuki - Screwdriver
3
Hiromasa Suzuki - Scramble
4
Hiromasa Suzuki - Between O&M
5
Hiromasa Suzuki - Smash
6
Hiromasa Suzuki - Straight Flash
7
Hiromasa Suzuki - Out Of Focus
*Pressed on clear pink vinyl
*Housed in a gatefold jacket
*With obi
*Extensive liner notes by Yusuke Ogawa (Universounds/Deep Jazz Reality) in Japanese and English translation
*Originally released in 1976
Composer and arranger of Hiroshi Suzuki's "Romance" and Jiro Inagaki's "Breeze," Hiromasa Suzuki is a musician who had worked extensively in the Japanese entertainment industry, not only in jazz, but also in pops, cinema, television, and animation music production. This album is a pre-fusion/crossover masterpiece produced by Jiro Inagaki and recorded with talented players such as Shuichi Murakami, Akira Okazawa, and Masayoshi Takanaka.
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*Housed in a gatefold jacket
*With obi
*Extensive liner notes by Yusuke Ogawa (Universounds/Deep Jazz Reality) in Japanese and English translation
*Originally released in 1976
Composer and arranger of Hiroshi Suzuki's "Romance" and Jiro Inagaki's "Breeze," Hiromasa Suzuki is a musician who had worked extensively in the Japanese entertainment industry, not only in jazz, but also in pops, cinema, television, and animation music production. This album is a pre-fusion/crossover masterpiece produced by Jiro Inagaki and recorded with talented players such as Shuichi Murakami, Akira Okazawa, and Masayoshi Takanaka.
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1
Shigeo Sekito - Carly & Carole
2
Shigeo Sekito - Happiness Is Me And You
3
Shigeo Sekito - This Masquerade
4
Shigeo Sekito - Paroles Paroles
5
Shigeo Sekito - A Whiter Shade Of Pale
6
Shigeo Sekito - Yesterday
7
Shigeo Sekito - The Word I
8
Shigeo Sekito - The Word II
9
Shigeo Sekito - Red Roses For A Blue Lady
10
Shigeo Sekito - Funny You Should Say That
11
Shigeo Sekito - Blue Star
12
Shigeo Sekito - Lost Horizon Share The Joy
*Pressed on clear green vinyl
*Housed in a gatefold jacket
*With obi
*Extensive liner notes by Chee Shimizu in Japanese and English translation
*Originally released in 1975
"The Word II," which gained instant worldwide recognition after being sampled by Mac DeMarco in "Chamber of Reflection" and by Travis Scott and Quavo's unit HUNCHO JACK in "How U Feel." Shigeo Seikito 's seminal work, which includes that track, will be reissued on colored vinyl. It's the most widely listened-to electone piece in the world, drawing attention from a diverse range of audiences including hip-hop, Balearic, and dream pop enthusiasts.
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*Housed in a gatefold jacket
*With obi
*Extensive liner notes by Chee Shimizu in Japanese and English translation
*Originally released in 1975
"The Word II," which gained instant worldwide recognition after being sampled by Mac DeMarco in "Chamber of Reflection" and by Travis Scott and Quavo's unit HUNCHO JACK in "How U Feel." Shigeo Seikito 's seminal work, which includes that track, will be reissued on colored vinyl. It's the most widely listened-to electone piece in the world, drawing attention from a diverse range of audiences including hip-hop, Balearic, and dream pop enthusiasts.
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1
Hiroshi Suzuki - A1. Shrimp Dance
2
Hiroshi Suzuki - A2. Kuro To Shiro
3
Hiroshi Suzuki - B1. Walk Tall
4
Hiroshi Suzuki - B2. Cat
5
Hiroshi Suzuki - B3. Romance
No sales to Japan!
LP: 180g vinyl, half speed mastered, heavy sleeve, obi, gold ink
Genre: Jazz, Fusion, Funk
Tracklisting LP
A1. Shrimp Dance
A2. Kuro To Shiro
B1. Walk Tall
B2. Cat
B3. Romance
Info
We Release Jazz is ecstatic (purrrr!) to announce the official reissue of Hiroshi Suzuki's glorious jazz-fusion-funk Holy Grail Cat (originally released in 1976), sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both versions come with liner notes by Teruo Isono.
Cat was recorded in October 1975 at at Nippon Columbia Studio, while Hiroshi Suzuki was visiting his home country of Japan after moving to Las Vegas in 1971 to play with Buddy Rich and perfect his craft. Back on his old stomping grounds, the man known as Neko (Cat) immediately reunited with his dear friends for an epic two day session of groove magic. The chemistry was still intact. The skills and style had grown.
The result, Cat, is a smooth masterpiece, a deep and soulful affair where stunning trombone solos by Hiroshi Suzuki flirt with Takeru Muraoka's heavenly saxophone and the sensual rhythm section of Hiromasa Suzuki (keyboards), Kunimitsu Inaba (bass), and Akira Ishikawa (drums).
Celebrated in jazz collectors circles, in the lofi beat scene, and among music diggers around the world, Cat has become one of the most sought-after Japanese jazz albums of all time and, much like Ryo Fukui's Scenery, has fascinated old and young generations alike.
Points of interests
- For fans of jazz, fusion, funk, trombone, Japanese jazz, smooth rides, cats, allure.
- Official reissue of the glorious jazz-fusion album by Japanese trombonist extraordinaire Hiroshi "Neko" Suzuki.
- 10th release from We Release Jazz, following Ryo Fukui's Scenery, Mellow Dream, A Letter from Slowboat, and Ryo Fukui in New York, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin's Placebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada's Through The Looking Glass and Lunar Cruise with Masahiko Sato, Pierre Barouh's Le Pollen, Jun Fuka-machi's Nicole, Grauzone's discography, …)
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LP: 180g vinyl, half speed mastered, heavy sleeve, obi, gold ink
Genre: Jazz, Fusion, Funk
Tracklisting LP
A1. Shrimp Dance
A2. Kuro To Shiro
B1. Walk Tall
B2. Cat
B3. Romance
Info
We Release Jazz is ecstatic (purrrr!) to announce the official reissue of Hiroshi Suzuki's glorious jazz-fusion-funk Holy Grail Cat (originally released in 1976), sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both versions come with liner notes by Teruo Isono.
Cat was recorded in October 1975 at at Nippon Columbia Studio, while Hiroshi Suzuki was visiting his home country of Japan after moving to Las Vegas in 1971 to play with Buddy Rich and perfect his craft. Back on his old stomping grounds, the man known as Neko (Cat) immediately reunited with his dear friends for an epic two day session of groove magic. The chemistry was still intact. The skills and style had grown.
The result, Cat, is a smooth masterpiece, a deep and soulful affair where stunning trombone solos by Hiroshi Suzuki flirt with Takeru Muraoka's heavenly saxophone and the sensual rhythm section of Hiromasa Suzuki (keyboards), Kunimitsu Inaba (bass), and Akira Ishikawa (drums).
Celebrated in jazz collectors circles, in the lofi beat scene, and among music diggers around the world, Cat has become one of the most sought-after Japanese jazz albums of all time and, much like Ryo Fukui's Scenery, has fascinated old and young generations alike.
Points of interests
- For fans of jazz, fusion, funk, trombone, Japanese jazz, smooth rides, cats, allure.
- Official reissue of the glorious jazz-fusion album by Japanese trombonist extraordinaire Hiroshi "Neko" Suzuki.
- 10th release from We Release Jazz, following Ryo Fukui's Scenery, Mellow Dream, A Letter from Slowboat, and Ryo Fukui in New York, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin's Placebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada's Through The Looking Glass and Lunar Cruise with Masahiko Sato, Pierre Barouh's Le Pollen, Jun Fuka-machi's Nicole, Grauzone's discography, …)
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1
Bisou - More More More!
2
Bisou - Dudule Rocks
Here's a killer disco 12" with a Jazz-Funk edge from new exciting French producer Bisou.
The A side's 'More More More!' gets you from the very first second and sounds like a blend of independent library funk and EU disco...with an edge!
On the B 'Dudule Rocks' continues with more EU disco and comes equipped with big horns, sexy vocals and thumpin' fender Rhodes.
Both tracks guarantee floor action - 100% GAMM approved!
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The A side's 'More More More!' gets you from the very first second and sounds like a blend of independent library funk and EU disco...with an edge!
On the B 'Dudule Rocks' continues with more EU disco and comes equipped with big horns, sexy vocals and thumpin' fender Rhodes.
Both tracks guarantee floor action - 100% GAMM approved!
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1
Simone - Mabsouta
2
Simone - Al Eih
3
Simone - Rekka (Bonus Beats Chant)
Repress!
Originally only released on CD, now remastered for vinyl and pressed on 12" maxi format. Featuring 2 original tracks - "Mabsouta" and "Al Eih" including a bonus beat edit of "Rekka" by Castro. "Mabsouta" is a game changing Arabic cover version of a track that stayed in a generation's childhood memories - Tom's Dinner by Suzanne Vega. Simone's beautiful voice in Arabic brings an entirely new meaning to what might have been a track you couldn't hear anymore, highly refreshing!
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Originally only released on CD, now remastered for vinyl and pressed on 12" maxi format. Featuring 2 original tracks - "Mabsouta" and "Al Eih" including a bonus beat edit of "Rekka" by Castro. "Mabsouta" is a game changing Arabic cover version of a track that stayed in a generation's childhood memories - Tom's Dinner by Suzanne Vega. Simone's beautiful voice in Arabic brings an entirely new meaning to what might have been a track you couldn't hear anymore, highly refreshing!
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1
Coflo - Canto De Alright
2
Coflo - Fly Like The Payback
3
Coflo - Made You Do It, Look
Premier on GAMM for Californian producer Coflo whose probably THE most in demand producer on the house scene right now...
But on this EP we gave Coflo a carte blanche and to go musically freestyle.
The result are 3 reworks in various styles. The first track ;Canto De Alright' is what we call a "transition mix" where we go from house to hip hop and back to house, a proper club tool.
On 'Fly Like The Payback' Coflo goes more rare groove with a blend of Steve Miller Band and James Brown.
Last but not least Nas gets a stompin' boogie treatment that just works.
Enjoy the dance!
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Germany
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But on this EP we gave Coflo a carte blanche and to go musically freestyle.
The result are 3 reworks in various styles. The first track ;Canto De Alright' is what we call a "transition mix" where we go from house to hip hop and back to house, a proper club tool.
On 'Fly Like The Payback' Coflo goes more rare groove with a blend of Steve Miller Band and James Brown.
Last but not least Nas gets a stompin' boogie treatment that just works.
Enjoy the dance!
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DE - 22113 Hamburg
Germany
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1
The Zodiacs - Move & Dance To The New Beat
2
The Zodiacs - Move & Dance To The New Beat (Instrumental)
3
The Zodiacs - Move & Dance To The New Beat (Anatolian Weapons Remix)
This one-off Belgian New Beat project from The Zodiacs at first glance seems like standard fare from this time and place in dance music history - even with call to action, commanding listeners to ‘Move & Dance To The New Beat!’ that could well have earned a place at one of the slogans of the entire movement in an alternative universe where this record was a hit. However, a hit it was not - what we have here is an obscure piece of music shrouded in mystery, previously released only on 7 inch, and its enigmatic nature only adds to eerie quality of the children’s voices throughout the record. This, alongside its higher tempo not usually associated with New Beat as a musical form, come together to bring forth a bizarre oddity of the genre that also has the potency of a modern, peak time weapon. Anatolian Weapons on remix duties takes the material and reduces the speed but increases the malevolence and is a testament to his skills as one of the great producers working today!
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1
Emmaculate & DJ Spen - Step Into A Black Whole
2
Emmaculate - Boogie On Disco Woman
Heads up, we got a hot premiere on GAMM from Chicago's finest Emmaculate and Basement Boys legend DJ Spen !
The story behind this release goes something like this...
Our buddy and GAMM contributor Coflo spins at a dope house party, drops the A side 'Step Into A Black Whole' and the club literally explodes when the track hits the massive hip hop breakdown (KRS!) and returns and transforms into a jazzy Afrobeat house stomper. It's an +11 min long musical journey going from house to hip hop to Disco-Afrobeat. The GAMM representative in the house "feels it" and asks Coflo who's behind the tune, and after a few months, the connection is made with Emmaculate and DJ Spen to secure the release for GAMM.
A few weeks later, Emmaculate delivers a second track, 'Boogie On Disco Woman', which is a killer Funk/Disco/Soul rework with raw drums, nasty clavinets and soulful female vocals.
This could easily have been the feature track, but lands on the B side this time.
Incredible jams !
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The story behind this release goes something like this...
Our buddy and GAMM contributor Coflo spins at a dope house party, drops the A side 'Step Into A Black Whole' and the club literally explodes when the track hits the massive hip hop breakdown (KRS!) and returns and transforms into a jazzy Afrobeat house stomper. It's an +11 min long musical journey going from house to hip hop to Disco-Afrobeat. The GAMM representative in the house "feels it" and asks Coflo who's behind the tune, and after a few months, the connection is made with Emmaculate and DJ Spen to secure the release for GAMM.
A few weeks later, Emmaculate delivers a second track, 'Boogie On Disco Woman', which is a killer Funk/Disco/Soul rework with raw drums, nasty clavinets and soulful female vocals.
This could easily have been the feature track, but lands on the B side this time.
Incredible jams !
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Germany
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1
Kriss - Hey Mister Mister (Vocal)
2
Kriss - Hey Mister Mister (Instrumental)
3
Kriss - Hey Mister Mister (Extended)
Released in 1988, this can be considered on of the final gems of the original Italo Disco period and spawns from the mind of production and songwriting powerhouse Raff Todesco. ‘Hey Mister Mister’ bears more than a passing resemblance to the certified classic example of Balearica that is Chris Rea’s ‘Josephine’ and features the use of some uncredited male vocals from who perhaps one of the most iconic voices in Italo, Fred Ventura. This cult favourite is seeing the light of day via a reissue for the first time and also includes an instrumental version on the flip.
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Originally released on Studio !K7 Records in 1998, Peter Kruder and Richard Dorfmeister's groundbreaking release, 'The K&D Sessions' reset the bar for what could be achieved in a compilation. Across an array of original tracks, dubs and infamous K&D Session remixes, the DJ and producer duo took the listener on a smoke-filled blunted journey that flowed flawlessly. Often compared to DJ Shadow's 'Endtroducing' for it's similarly deft craft of rhythm and quoted by Allmusic as "the most blissfully blunted music the world has ever heard", the album has sold over 1,000,000 copies to date and was included in Spin s Top 20 albums of 1999 .
The album has long since been deleted on Vinyl with original 4LP sets changing hands for 300+ on the collectors market and even a bootleg vinyl copy will set a buyer back over 100. Sixteen years later, this legendary album will be available as a long overdue 5LP reissue remastered by Bernie Grundman Mastering in Hollywood. Finally back in print in 180g vinyl.
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The album has long since been deleted on Vinyl with original 4LP sets changing hands for 300+ on the collectors market and even a bootleg vinyl copy will set a buyer back over 100. Sixteen years later, this legendary album will be available as a long overdue 5LP reissue remastered by Bernie Grundman Mastering in Hollywood. Finally back in print in 180g vinyl.
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1
Rainer Trüby - Schoko-Bolla
2
Rainer Trüby - Hausmacher Latino
DAYBREAKERS are back from their first dive into the Music Station catalogue and hop from New Jersey to land in Germany’s Black Forest region for 002, more specifically they arrive into a basement in Freiburg.
In 2008, Rainer Trüby started on an album that ended up getting lost due to a crashed macbook. Two tracks were saved from this lost album and see the light of day 17 years later. After playing one of these tracks “Schoko-Bolla” in the woods at “Root Down With Love” at We Out Here 2024, miche and Rainer decided it was finally time to take this secret weapon for a full release.
The A Side is “Schoko-Bolla” features a looping brazilian vocal from an all time great, building gently into a real groove and the B side, a deeper than deep house track with latin elements. House deeper than the Neckar river, perfect for any dancefloor.
Don't miss out, buy or cry.
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In 2008, Rainer Trüby started on an album that ended up getting lost due to a crashed macbook. Two tracks were saved from this lost album and see the light of day 17 years later. After playing one of these tracks “Schoko-Bolla” in the woods at “Root Down With Love” at We Out Here 2024, miche and Rainer decided it was finally time to take this secret weapon for a full release.
The A Side is “Schoko-Bolla” features a looping brazilian vocal from an all time great, building gently into a real groove and the B side, a deeper than deep house track with latin elements. House deeper than the Neckar river, perfect for any dancefloor.
Don't miss out, buy or cry.
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We invite to assist us in welcoming our latest addition to the Sacred Rhythm Music & Cosmic Arts Family. It is with excitement that we introduce to you SORA.
SORA will focus on the likes of deeper, electronic, soundscape compositions; Think more in genres of Joaquin's' widely acclaimed, but now paused Natural Resource, which is the sister label to Spiritual Life Music from back in the mid-nineties to early 2000's.
First up is The Ascension of Light and Wisdom 10 Inch,
Produced and performed by Joaquin Joe Claussell.
On the A Side, we have Subtle Light
Subtle Light provides some organic deepness of which leans more so towards Joaquin's traditional afro Latin influences infused with what we like to call Cosmic Art Trance Music. It is spiritual dance music that up lifting and as usual unique in presentation.
On the be B side we have "Peekaboo Is see You.
Peekaboo Is see You is a deep tech composition that Joaquin has been playing out for quite some time now. Exposed to enthusiastic audiences across the globe, it is a deep bass tech track that is in high demand. We are very excited that finally it will finally see the light of day, all the while spinning on countless turntables globally.
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SORA will focus on the likes of deeper, electronic, soundscape compositions; Think more in genres of Joaquin's' widely acclaimed, but now paused Natural Resource, which is the sister label to Spiritual Life Music from back in the mid-nineties to early 2000's.
First up is The Ascension of Light and Wisdom 10 Inch,
Produced and performed by Joaquin Joe Claussell.
On the A Side, we have Subtle Light
Subtle Light provides some organic deepness of which leans more so towards Joaquin's traditional afro Latin influences infused with what we like to call Cosmic Art Trance Music. It is spiritual dance music that up lifting and as usual unique in presentation.
On the be B side we have "Peekaboo Is see You.
Peekaboo Is see You is a deep tech composition that Joaquin has been playing out for quite some time now. Exposed to enthusiastic audiences across the globe, it is a deep bass tech track that is in high demand. We are very excited that finally it will finally see the light of day, all the while spinning on countless turntables globally.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore