3LP
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Label:tigersushi
Cat-No:TSRLP045
Release-Date:11.11.2022
Genre:Electronic, Electronica
Configuration:3LP
Barcode:4062548049640
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Label:tigersushi
Cat-No:TSRLP045
Release-Date:11.11.2022
Genre:Electronic, Electronica
Configuration:3LP
Barcode:4062548049640
Cult French duo Principles of Geometry is back after an 8 years hiatus with a 26 tracks love letter to IDM & electronica, "ABCDEFGHIJKLMNOPQRSTUVWXYZ".
Tracklisting:
LP1
A1. An introduction to
A2. Brosome Ride
A3. Cmd Ctrl
A4. Digital state
A5. Emquvist
B1. First, I heard color
B2. Gear
B3. Hummerican
B4. Inward Seminar
LP2
C1. Jeopardy
C2. Knowledge Hills
C3. Loom Letter
C4. Mountain Meadows
C5. Nebula Center for the Youth
D1. Oiralt
D2. Polyedra one
D3. Qontinent Ag
D4. RAM
D5.Sequent
D6.Tape Voices
LP3
E1. U r Eyecandy
E2. Vestige
E3. We did it Joe
E4. Xenism
E5. Yes Computer
E6. Zeitgeist (without Auqura)
3rd LP has an etching design by The Designers Republic on the F-side
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklisting:
LP1
A1. An introduction to
A2. Brosome Ride
A3. Cmd Ctrl
A4. Digital state
A5. Emquvist
B1. First, I heard color
B2. Gear
B3. Hummerican
B4. Inward Seminar
LP2
C1. Jeopardy
C2. Knowledge Hills
C3. Loom Letter
C4. Mountain Meadows
C5. Nebula Center for the Youth
D1. Oiralt
D2. Polyedra one
D3. Qontinent Ag
D4. RAM
D5.Sequent
D6.Tape Voices
LP3
E1. U r Eyecandy
E2. Vestige
E3. We did it Joe
E4. Xenism
E5. Yes Computer
E6. Zeitgeist (without Auqura)
3rd LP has an etching design by The Designers Republic on the F-side
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from Principles Of Geometry
Label:tigersushi
Cat-No:tsr100
Release-Date:09.02.2024
Configuration:12" Excl
Barcode:4062548069754
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Last in:05.02.2024
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Label:tigersushi
Cat-No:tsr100
Release-Date:09.02.2024
Configuration:12" Excl
Barcode:4062548069754
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Principles Of Geometry - Glower
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2
Principles Of Geometry - Radiants
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Principles Of Geometry - Oregon
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Principles Of Geometry - Today 6
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Principles Of Geometry - Kidsangls
Tracklist
A1. Glower
A2. Radiants
A3. Oregon
B1. Today 6
B2. Kidsangls
Highlight:
Soon after the release in 2022 of a triple album dedicated to electronic language, Principles of Geometry continues their orbiting journey that began exactly 20 years ago with "Penta," a Maxi composed of five electro-geometric vignettes that confirm what we already knew: the discreet French duo pilots one of the most underestimated projects in European IDM.
By returning just one year after a massive fifth album (26 tracks), Principles of Geometry makes a clear artistic move: shifting from electronic language unfolded on ABCDEFGHIJKLMNOPQRSTUVWXYZ to gesture, as one would associate intellect with manual, actions with words. On "Penta," to be visualized as the five fingers of a hand sketching the immediate and spontaneous pleasure of a hand pressing a chord, Guillaume Grosso and Jeremy Duval thus combine two essential concepts of their electronic music: the need to make the listener dance with their brains, and to touch with their mental images.
With nods to the godfathers of the genre (Autechre and Boards of Canada) or crossing paths with Aphex Twin in a Michael Mann film, "Penta" is therefore a beauty of gesture first conceived with the fingers, and without the need for words to evoke either the romance or the violence of a chord on a Roland Juno 60.
Mastered by the legend Noel Summerville (Boards of Canada, Kraftwerk, My Bloody Valentine) and designed by Ian Anderson of The Designers Republic (responsible for the graphics of the cult WipEout and many collaborations with the Warp label), this Maxi is therefore listened to as much as a recreational return to the future of the 90s as it is a concise summary of the equilateral career of Principles of Geometry; equally distant between pure emotion and the need to ponder the notes played in this very special ship.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1. Glower
A2. Radiants
A3. Oregon
B1. Today 6
B2. Kidsangls
Highlight:
Soon after the release in 2022 of a triple album dedicated to electronic language, Principles of Geometry continues their orbiting journey that began exactly 20 years ago with "Penta," a Maxi composed of five electro-geometric vignettes that confirm what we already knew: the discreet French duo pilots one of the most underestimated projects in European IDM.
By returning just one year after a massive fifth album (26 tracks), Principles of Geometry makes a clear artistic move: shifting from electronic language unfolded on ABCDEFGHIJKLMNOPQRSTUVWXYZ to gesture, as one would associate intellect with manual, actions with words. On "Penta," to be visualized as the five fingers of a hand sketching the immediate and spontaneous pleasure of a hand pressing a chord, Guillaume Grosso and Jeremy Duval thus combine two essential concepts of their electronic music: the need to make the listener dance with their brains, and to touch with their mental images.
With nods to the godfathers of the genre (Autechre and Boards of Canada) or crossing paths with Aphex Twin in a Michael Mann film, "Penta" is therefore a beauty of gesture first conceived with the fingers, and without the need for words to evoke either the romance or the violence of a chord on a Roland Juno 60.
Mastered by the legend Noel Summerville (Boards of Canada, Kraftwerk, My Bloody Valentine) and designed by Ian Anderson of The Designers Republic (responsible for the graphics of the cult WipEout and many collaborations with the Warp label), this Maxi is therefore listened to as much as a recreational return to the future of the 90s as it is a concise summary of the equilateral career of Principles of Geometry; equally distant between pure emotion and the need to ponder the notes played in this very special ship.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12"
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Label:tigersushi/ pandamaki
Cat-No:pmr002
Release-Date:28.01.2009
Genre:House
Configuration:12"
Barcode:
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Last in:13.04.2010
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Label:tigersushi/ pandamaki
Cat-No:pmr002
Release-Date:28.01.2009
Genre:House
Configuration:12"
Barcode:
MORE INFO SOON... ULTRA LIMITED PRESSING featuring THE BEASTIE BOYS in two parts...
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from tigersushi
Label:tigersushi
Cat-No:tsr100
Release-Date:09.02.2024
Configuration:12" Excl
Barcode:4062548069754
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Label:tigersushi
Cat-No:tsr100
Release-Date:09.02.2024
Configuration:12" Excl
Barcode:4062548069754
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1
Principles Of Geometry - Glower
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2
Principles Of Geometry - Radiants
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3
Principles Of Geometry - Oregon
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4
Principles Of Geometry - Today 6
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5
Principles Of Geometry - Kidsangls
Tracklist
A1. Glower
A2. Radiants
A3. Oregon
B1. Today 6
B2. Kidsangls
Highlight:
Soon after the release in 2022 of a triple album dedicated to electronic language, Principles of Geometry continues their orbiting journey that began exactly 20 years ago with "Penta," a Maxi composed of five electro-geometric vignettes that confirm what we already knew: the discreet French duo pilots one of the most underestimated projects in European IDM.
By returning just one year after a massive fifth album (26 tracks), Principles of Geometry makes a clear artistic move: shifting from electronic language unfolded on ABCDEFGHIJKLMNOPQRSTUVWXYZ to gesture, as one would associate intellect with manual, actions with words. On "Penta," to be visualized as the five fingers of a hand sketching the immediate and spontaneous pleasure of a hand pressing a chord, Guillaume Grosso and Jeremy Duval thus combine two essential concepts of their electronic music: the need to make the listener dance with their brains, and to touch with their mental images.
With nods to the godfathers of the genre (Autechre and Boards of Canada) or crossing paths with Aphex Twin in a Michael Mann film, "Penta" is therefore a beauty of gesture first conceived with the fingers, and without the need for words to evoke either the romance or the violence of a chord on a Roland Juno 60.
Mastered by the legend Noel Summerville (Boards of Canada, Kraftwerk, My Bloody Valentine) and designed by Ian Anderson of The Designers Republic (responsible for the graphics of the cult WipEout and many collaborations with the Warp label), this Maxi is therefore listened to as much as a recreational return to the future of the 90s as it is a concise summary of the equilateral career of Principles of Geometry; equally distant between pure emotion and the need to ponder the notes played in this very special ship.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1. Glower
A2. Radiants
A3. Oregon
B1. Today 6
B2. Kidsangls
Highlight:
Soon after the release in 2022 of a triple album dedicated to electronic language, Principles of Geometry continues their orbiting journey that began exactly 20 years ago with "Penta," a Maxi composed of five electro-geometric vignettes that confirm what we already knew: the discreet French duo pilots one of the most underestimated projects in European IDM.
By returning just one year after a massive fifth album (26 tracks), Principles of Geometry makes a clear artistic move: shifting from electronic language unfolded on ABCDEFGHIJKLMNOPQRSTUVWXYZ to gesture, as one would associate intellect with manual, actions with words. On "Penta," to be visualized as the five fingers of a hand sketching the immediate and spontaneous pleasure of a hand pressing a chord, Guillaume Grosso and Jeremy Duval thus combine two essential concepts of their electronic music: the need to make the listener dance with their brains, and to touch with their mental images.
With nods to the godfathers of the genre (Autechre and Boards of Canada) or crossing paths with Aphex Twin in a Michael Mann film, "Penta" is therefore a beauty of gesture first conceived with the fingers, and without the need for words to evoke either the romance or the violence of a chord on a Roland Juno 60.
Mastered by the legend Noel Summerville (Boards of Canada, Kraftwerk, My Bloody Valentine) and designed by Ian Anderson of The Designers Republic (responsible for the graphics of the cult WipEout and many collaborations with the Warp label), this Maxi is therefore listened to as much as a recreational return to the future of the 90s as it is a concise summary of the equilateral career of Principles of Geometry; equally distant between pure emotion and the need to ponder the notes played in this very special ship.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:tigersushi
Cat-No:TSRLP048
Release-Date:02.06.2023
Genre:Electronic, Electronica
Configuration:2LP
Barcode:4062548057928
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Last in:23.06.2023
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Last in:23.06.2023
Label:tigersushi
Cat-No:TSRLP048
Release-Date:02.06.2023
Genre:Electronic, Electronica
Configuration:2LP
Barcode:4062548057928
After Georgio Moroder, Dieter Moebius or Jeff Mills, it is Joakim’s turn to compose a soundtrack for one of the greatest masterpieces of Cinema - the first movie to enter UNESCO’s Memory of the World Register, Fritz Lang’s Metropolis.
Tracklisting:
LP 1
A
1. Opening Titles
2. Opening Scene
3. Garden Party
4. Joh's Office
5. The Church
B
1. Freder And Georgy
2. In Bed
3. Rotwang Working
4. Lab Visit
5. Stop The Flood
6. Hel Transfer
7. Father And Son
LP 2
C
1. The Chase
2. The Belly Dance
3. City Of Lights
4. Babylon
5. Children Are Safe
6. Madness
7. Georgy Dies
D
1. City Collapse
2. Flood
3. Burn The Witch
4. Roof Chase
5. The End
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklisting:
LP 1
A
1. Opening Titles
2. Opening Scene
3. Garden Party
4. Joh's Office
5. The Church
B
1. Freder And Georgy
2. In Bed
3. Rotwang Working
4. Lab Visit
5. Stop The Flood
6. Hel Transfer
7. Father And Son
LP 2
C
1. The Chase
2. The Belly Dance
3. City Of Lights
4. Babylon
5. Children Are Safe
6. Madness
7. Georgy Dies
D
1. City Collapse
2. Flood
3. Burn The Witch
4. Roof Chase
5. The End
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:tigersushi
Cat-No:TSRLP43
Release-Date:13.05.2022
Configuration:LP
Barcode:
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Last in:12.08.2024
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Last in:12.08.2024
Label:tigersushi
Cat-No:TSRLP43
Release-Date:13.05.2022
Configuration:LP
Barcode:
Japanese born Shoko Igarashi's debut album Simple Sentences is a record that, not unlike a piece of luggage checking in from city to city, has managed to absorb vitalin fluences from each place it has landed. Shoko grew upin rural Japan, she studied in the US and is currently living in the most quintessential European city, Brussels. Shining in its diversity, Simple Sentences carries elements from each one of those stops in her life.
Tracklist
1.1Sand Dungeon
1.2Anime Song
1.3Comfy Place
1.4Shokoism
1.5Monochrome Chronicle
1.6Lovely Song
1.7CASH OK (PREMIRE : https://www.youtube.com/watch?v=j-LUvs8lC7Y)
1.8AppleBanana
1.9Happy Child
1.10Tsuki No Yama
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist
1.1Sand Dungeon
1.2Anime Song
1.3Comfy Place
1.4Shokoism
1.5Monochrome Chronicle
1.6Lovely Song
1.7CASH OK (PREMIRE : https://www.youtube.com/watch?v=j-LUvs8lC7Y)
1.8AppleBanana
1.9Happy Child
1.10Tsuki No Yama
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:tigersushi
Cat-No:TSRLP042
Release-Date:08.10.2021
Genre:Electro
Configuration:2LP
Barcode:
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Last in:12.01.2023
Label:tigersushi
Cat-No:TSRLP042
Release-Date:08.10.2021
Genre:Electro
Configuration:2LP
Barcode:
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1
Joakim - indri eyes
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Joakim - make it slow
3
Joakim - bowerbid & parsley
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Joakim - make it slow
5
Joakim - the immortal toad
6
Joakim - formosan rock
7
Joakim - sferics & whistlers
8
Joakim - owling gorilla
9
Joakim - Elephant Laser Hopper
10
Joakim - Leviathan Chant
11
Joakim - Philomela's Revenge
12
Joakim - The Griffin Gaze
13
Joakim - Blood Garden
14
Joakim - kepler 39
New album by french producer Joakim on his label Tigersushi. Through 16 tracks, he explores a world of sounds that blur the line between the natural and the artificial, a psychedelic journey on a modern Noah’s Ark, back to his roots in IDM, Classical music, avant-garde Pop and Ambient.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12" Excl
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Label:tigersushi
Cat-No:tsr085
Release-Date:05.03.2021
Genre:Indie Rock/Alternative
Configuration:12" Excl
Barcode:4062548021462
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Last in:26.03.2025
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Last in:26.03.2025
Label:tigersushi
Cat-No:tsr085
Release-Date:05.03.2021
Genre:Indie Rock/Alternative
Configuration:12" Excl
Barcode:4062548021462
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1
Joakim - A1. Hippo Dance (Re-enchanted Mix)
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2
Joakim - A2. Gibbon Trance (There’s Water In My Boots Mix)
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3
Joakim - B1. Kepler-39 (Late Night Pond Mix)
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4
Joakim - B2. Blood Garden (Capitalocene Mix)
FORMAT 150 signed copies, vinyl only with special lenticular print, NO repress
VAGUELY RELATED TO Coil, Talaboman, Vox Populi, Carl Craig
TRACKLIST:
A1. Hippo Dance (Re-enchanted Mix)
A2. Gibbon Trance (There’s Water In My Boots Mix)
B1. Kepler-39 (Late Night Pond Mix)
B2. Blood Garden (Capitalocene Mix)
RELEASE INFO:
This is an appetizer : 4 “club” mixes of new tracks from Joakim’s forthcoming album Second Nature,
all re-mixed by the man himself, navigating between hypnotic Techno, trance-inducing Downtempo
and percussive New Beat.
This is probably Joakim’s most ambitious project so far. An album about our relationship to Nature to
make it short or how Western civilization disconnected Nature from Culture. Every song was born
using field recordings as a basis canvas, the sounds of Nature are the lead voice here. A nature that
is transformed, sublimized, questioning our ideas of what’s artificial, what’s the wilderness, the place
of humans in the age of the Anthropocene and painting a psychedelic landscape to open our ears and
our hearts.
The artwork features a lenticular print (2 images in 1) showing Naruto, a monkey who took a selfie
using a photographer’s camera who later tried to claim the copyright of that image. That claim raised
questions whether copyright can be extended to “non-humans” and was ultimately rejected by the
U.S. Copyright Office who specifically listed 'a photograph taken by a monkey' as an example of an
item that cannot be copyrighted.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
VAGUELY RELATED TO Coil, Talaboman, Vox Populi, Carl Craig
TRACKLIST:
A1. Hippo Dance (Re-enchanted Mix)
A2. Gibbon Trance (There’s Water In My Boots Mix)
B1. Kepler-39 (Late Night Pond Mix)
B2. Blood Garden (Capitalocene Mix)
RELEASE INFO:
This is an appetizer : 4 “club” mixes of new tracks from Joakim’s forthcoming album Second Nature,
all re-mixed by the man himself, navigating between hypnotic Techno, trance-inducing Downtempo
and percussive New Beat.
This is probably Joakim’s most ambitious project so far. An album about our relationship to Nature to
make it short or how Western civilization disconnected Nature from Culture. Every song was born
using field recordings as a basis canvas, the sounds of Nature are the lead voice here. A nature that
is transformed, sublimized, questioning our ideas of what’s artificial, what’s the wilderness, the place
of humans in the age of the Anthropocene and painting a psychedelic landscape to open our ears and
our hearts.
The artwork features a lenticular print (2 images in 1) showing Naruto, a monkey who took a selfie
using a photographer’s camera who later tried to claim the copyright of that image. That claim raised
questions whether copyright can be extended to “non-humans” and was ultimately rejected by the
U.S. Copyright Office who specifically listed 'a photograph taken by a monkey' as an example of an
item that cannot be copyrighted.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:tigersushi
Cat-No:tsr084
Release-Date:21.06.2019
Genre:Indie Rock/Alternative
Configuration:LP Excl
Barcode:4012957778402
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Last in:21.11.2024
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Label:tigersushi
Cat-No:tsr084
Release-Date:21.06.2019
Genre:Indie Rock/Alternative
Configuration:LP Excl
Barcode:4012957778402
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1
Katerina - Lonely Stone
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2
Katerina - Dog Days
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3
Katerina - Born Again Jazzman
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4
Katerina - Nöpö (The White Cat)
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Katerina - The Way UR Far
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Katerina - It’s Too Late
Mini Album
Tracklist:
A1 – Lonely Stone
A2 – Dog Days
A3 – Born Again Jazzman
B1 – Nöpö (The White Cat)
B2 – The Way UR Far
B3 – It’s Too Late
"One of the hardest thing as a musician is to maintain this naive, almost utopian and emotional approach to our music. Especially when it comes to a highly codified genre like Electronic music which appeared in the late 80s/early 90s like a promise of a bright future for music, everything sounding so fresh and revolutionary. When Katerina sent me those demos I heard that freshness, that pure intention, something I remember from discovering melancholic Detroit tunes in the 90s or early Warp ‘artificial intelligence’ compilations, bridging the gap between techno and more intricate electronica. It’s been a while since I didn’t hear an EP so sincere - and not JUST nostalgic, that makes me want to dance alone in my living room and forget about everything else. It’s a subtle thing that makes the difference but that difference is everything, it’s Music."
- Joakim
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist:
A1 – Lonely Stone
A2 – Dog Days
A3 – Born Again Jazzman
B1 – Nöpö (The White Cat)
B2 – The Way UR Far
B3 – It’s Too Late
"One of the hardest thing as a musician is to maintain this naive, almost utopian and emotional approach to our music. Especially when it comes to a highly codified genre like Electronic music which appeared in the late 80s/early 90s like a promise of a bright future for music, everything sounding so fresh and revolutionary. When Katerina sent me those demos I heard that freshness, that pure intention, something I remember from discovering melancholic Detroit tunes in the 90s or early Warp ‘artificial intelligence’ compilations, bridging the gap between techno and more intricate electronica. It’s been a while since I didn’t hear an EP so sincere - and not JUST nostalgic, that makes me want to dance alone in my living room and forget about everything else. It’s a subtle thing that makes the difference but that difference is everything, it’s Music."
- Joakim
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:tigersushi
Cat-No:tsr067
Release-Date:22.08.2014
Genre:Electro
Configuration:12"
Barcode:
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Last in:24.09.2014
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Last in:24.09.2014
Label:tigersushi
Cat-No:tsr067
Release-Date:22.08.2014
Genre:Electro
Configuration:12"
Barcode:
1
maestro - mechant
2
maestro - Mechant (Krikor's Fucking Mechant Mix)
(Krikor rmx) Maestro is Tigersushi's new gem discovery. Krikor revives the industrial filthy groove of Maestro's heros Throbbing Gristle and Chris & Cosey. Dark and sexy.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:tigersushi
Cat-No:tsr063
Release-Date:24.01.2014
Genre:techhouse
Configuration:12"
Barcode:
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Last in:28.01.2014
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Label:tigersushi
Cat-No:tsr063
Release-Date:24.01.2014
Genre:techhouse
Configuration:12"
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A young band from Manchester, Y.O.U. ventured to Paris last year to record their debut album with Tigersushi boss Joakim. Starting as a typical brit pop band, Y.O.U. has evolved towards a more synthetic sound that blends acoustic and electronic instruments, pop and experimental music, rock and dance. No wonder these guys come from Manchester, a city where new forms of hybrid dance and pop music evolved and became popular in the 1980s (such as New Order, etc). On remix duties we have Jeremy Greenspan, one half of Junior Boys (whose solo output includes two 12inches on Caribou's imprint Jiaolong), who delivers a track with a strong Detroit / Carl Craig-ish flavor. DyE also offers his own take, delivering an epic remix that is also an appetizer for his upcoming new solo material to be released on Tigersushi.
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Label:tigersushi
Cat-No:tsr061
Release-Date:30.05.2013
Genre:House
Configuration:12"
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Label:tigersushi
Cat-No:tsr061
Release-Date:30.05.2013
Genre:House
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Tigersushi surprise us and drop a new 12" from label boss, Joakim... 2 Gloriously Produced Tracks, As Usual...! Almost 2 years have passed since Joakim released Nothing Gold. Not that he's been lazy. Those 2 years have probably been the busiest for the tall Musician/producer/DJ/label manager who produced numerous bands in his Fountain Studio in Paris (Zombie Zombie, Montevideo, Alba Lua, Acid Washed and more...). Joakim also did a few remixes (Aeroplane, Charlotte Gainsbourg, Lescop, Arsenal, Renaissance Man...) ans recorded a collaboration EP with Kindness that was the debut release on his new label Crowdspacer (www.crowdspacer.com). Not to mention the constant touring, running Tigersushi records and a move from Paris to New York city! Since Joakim has 4 hands, he also managed to start recording some material for a new album between 2 recording sessions and just before he had to move his studio out, he finished those 2 tracks : the slow, claustrophobic but hopeful « Heartbeats » and « Another Light » which brings that subtle typical melancholy to the clubs. Now Joakim is setting up a mini home studio in his flat in NYC, somehow going back to his roots when he started making music at his parents house with a cheap keyboard more than 10 years ago. Usually in the music business, artists release a first single once the album is finished and start a promo campaign from there. But Joakim doesn't really understand the music business (don't tell anyone!), so he decided to release those 2 tracks without having any more finished material for his upcoming album nor an idea of what it will be like. In those times when everything is instant, he'd rather release new material leading to an album while the tracks are finished. Just like a work in progress you will witness an album taking shape before your ears. This is a way to bypass the traditional rhythm of an album launch when everything needs to be done and ready months before the actual release, which usually results in the author being already bored and working on something else when the music comes out.
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Label:tigersushi
Cat-No:tsr057
Release-Date:24.07.2012
Genre:Electro
Configuration:12"
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Release-Date:24.07.2012
Genre:Electro
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1
Matthias Zimmermann, - Joseph
2
Matthias Zimmermann, - Martin
3
Matthias Zimmermann, - Xoxi
4
Matthias Zimmermann, - Yaver
After a very successful debut EP on Sound Pellegrino (best seller on the label so far) and a single on the über cool blog/label Discobelle, Matthias Zimmermann decided to present his new EP on Tigersushi *Matthias Zimmerman is one of the most exciting new young producer on the future house and bass scene, mixing irresistible beats with beautiful melodies and balearic atmospheres.this new EP is part of a concept series of releases, each song has a character's name, each character is an inhabitant of an island that Matthias imagined.
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Label:tigersushi
Cat-No:tsr052
Release-Date:06.06.2012
Genre:Electro
Configuration:12"
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Cat-No:tsr052
Release-Date:06.06.2012
Genre:Electro
Configuration:12"
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1
The Hacker, - Night Drive
2
The Hacker, - Through the Ether
3
The Hacker, - Mind Games
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Label:tigersushi
Cat-No:tsr054
Release-Date:24.04.2012
Genre:Electro
Configuration:12"
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Release-Date:24.04.2012
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1
Joakim, - Nothing Gold
2
Joakim, - Nothing Gold
3
Joakim, - Nothing Gold
4
Joakim, - Nothing Gold
5
Joakim, - Nothing Gold
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Label:TIGERSUSHI
Cat-No:TSCD024
Release-Date:30.09.2011
Genre:Tech-House
Configuration:CD
Barcode:0666017241722
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Label:TIGERSUSHI
Cat-No:TSCD024
Release-Date:30.09.2011
Genre:Tech-House
Configuration:CD
Barcode:0666017241722
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Label:TIGERSUSHI
Cat-No:TSCD022
Release-Date:05.08.2011
Genre:techhouse
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Cat-No:TSCD022
Release-Date:05.08.2011
Genre:techhouse
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Label:tigersushi
Cat-No:tsr032
Release-Date:29.04.2009
Genre:Eclectic
Configuration:12"
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Cat-No:tsr032
Release-Date:29.04.2009
Genre:Eclectic
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Prince and Throbbing Gristle on a boat is the kind of feeling you get while listening to his album. Stompin beats and overdriven synths, oldschool drum machines and outer-space sound sculptures. On this first single, Krikor and his Dead Hillbillies invited the great Nicolas Ker of Poni Hoax fame to lay his deep dreadful voice. For proper dancefloor action, Krikor reduced the original himself to a heavy bass disco monster full of percussions and tape delay. On the flip, two typical Krikor tracks, stomping beats and acid guitars bringing the (dark) funk back in Electronic music.
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Label:tigersushi
Cat-No:tsr031
Release-Date:11.03.2009
Genre:Eclectic
Configuration:12"
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Cat-No:tsr031
Release-Date:11.03.2009
Genre:Eclectic
Configuration:12"
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Tigersushi presents DyE debut EP. DyE is French, young and passionate. This EP was recorded in his bedroom within a few sleepless nights. A few analog synthetisers, drum machines and an MPC. No Laptop, no Midi. Old school techniques for futuristic minimalistic ELECTRO. Raw like a sushi. It's ghetto AND it's deep. Dopplereffekt meets Sound Stream in a razor blade fight.
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Label:tigersushi
Cat-No:tsr029
Release-Date:14.01.2009
Genre:Eclectic
Configuration:12"
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Poni Hoax poppiest moment comes reshaped by CHLOE, one of our favourite French producer and DJ. She managed to turn the original into a long hypnotic house journey driven by repetitive voice drones and cut ups and a pounding bass. Deep, subtly melancholic, cold and warm at the same time, everything we love about Chloe is there. On the flip side, Principles Of Geometry exercise their passion for detuned synthetisers on the beautiful Juno 106 chords of Poni Hoax's Paper Bride, the opening track of their recent album.
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Label:clown and sunset
Cat-No:cs008
Release-Date:16.11.2011
Genre:House
Configuration:10" Excl
Barcode:827170436169
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Label:clown and sunset
Cat-No:cs008
Release-Date:16.11.2011
Genre:House
Configuration:10" Excl
Barcode:827170436169
As you descend the staircase into DARKSIDE's Brooklyn studio, the cement walls pulse slightly faster than your heartbeat.
Entering the converted apartment, the first thing you notice is the symmetry of Dave Harrington's appearance. In the low light, his matte-black shirt and jeans form negative space between the shine of his boots and his shock of red hair. He holds the guitar, which bisects his body, with equal parts tenderness and lust. When he plays, he whips the rhythm with soprano licks and a steady baritone.
Behind Dave, an opaque figure controls the percussion and the bass line. I watch them manipulate the reticent groove until the silhouette steps into the microphone's aura and delivers a falsetto. The atmospheric relief reveals Dave's accomplice to be Nicolas Jaar. Together, they are DARKSIDE.
During a break from the rehearsal, we sink into a crushed velvet loveseat and listen to their self-titled debut. The EP begins innocently enough. But as you progress into the tracks, entitled "A1," "A2," and "A3," it feels like searching for pleasure where you know you shouldn't. The beat in this clandestine affair has just enough restraint. By the time DARKSIDE concludes, you know the catharsis is worth the sin.
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Entering the converted apartment, the first thing you notice is the symmetry of Dave Harrington's appearance. In the low light, his matte-black shirt and jeans form negative space between the shine of his boots and his shock of red hair. He holds the guitar, which bisects his body, with equal parts tenderness and lust. When he plays, he whips the rhythm with soprano licks and a steady baritone.
Behind Dave, an opaque figure controls the percussion and the bass line. I watch them manipulate the reticent groove until the silhouette steps into the microphone's aura and delivers a falsetto. The atmospheric relief reveals Dave's accomplice to be Nicolas Jaar. Together, they are DARKSIDE.
During a break from the rehearsal, we sink into a crushed velvet loveseat and listen to their self-titled debut. The EP begins innocently enough. But as you progress into the tracks, entitled "A1," "A2," and "A3," it feels like searching for pleasure where you know you shouldn't. The beat in this clandestine affair has just enough restraint. By the time DARKSIDE concludes, you know the catharsis is worth the sin.
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2LP Excl
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Label:Other People
Cat-No:OP048
Release-Date:12.10.2018
Configuration:2LP Excl
Barcode:4260544823947
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Label:Other People
Cat-No:OP048
Release-Date:12.10.2018
Configuration:2LP Excl
Barcode:4260544823947
AAL record on Other People.
Pressed on to wax due to popular demand.
Tracklist:
A 1. THIS OLD HOUSE IS ALL I HAVE 3:39 A.A.L (AGAINST ALL LOGIC)
2. I NEVER DREAM 6:46 A.A.L (AGAINST ALL LOGIC)
3. SOME KIND OF GAME 6:47 A.A.L (AGAINST ALL LOGIC)
B 4. HOPELESS 5:41 A.A.L (AGAINST ALL LOGIC)
5. SUCH A BAD WAY 4:53 A.A.L (AGAINST ALL LOGIC)
6. FLASH IN THE PAN 7:28 A.A.L (AGAINST ALL LOGIC)
C 7. CITYFADE 5:41 A.A.L (AGAINST ALL LOGIC)
8. NOW U GOT ME HOOKED 5:51 A.A.L (AGAINST ALL LOGIC)
9. KNOW YOU 4:25 A.A.L (AGAINST ALL LOGIC)
D 10. YOU ARE GOING TO LOVE ME AND SCREAM 5:35 A.A.L (AGAINST ALL LOGIC)
11. RAVE ON U 9:56 A.A.L (AGAINST ALL LOGIC)
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Pressed on to wax due to popular demand.
Tracklist:
A 1. THIS OLD HOUSE IS ALL I HAVE 3:39 A.A.L (AGAINST ALL LOGIC)
2. I NEVER DREAM 6:46 A.A.L (AGAINST ALL LOGIC)
3. SOME KIND OF GAME 6:47 A.A.L (AGAINST ALL LOGIC)
B 4. HOPELESS 5:41 A.A.L (AGAINST ALL LOGIC)
5. SUCH A BAD WAY 4:53 A.A.L (AGAINST ALL LOGIC)
6. FLASH IN THE PAN 7:28 A.A.L (AGAINST ALL LOGIC)
C 7. CITYFADE 5:41 A.A.L (AGAINST ALL LOGIC)
8. NOW U GOT ME HOOKED 5:51 A.A.L (AGAINST ALL LOGIC)
9. KNOW YOU 4:25 A.A.L (AGAINST ALL LOGIC)
D 10. YOU ARE GOING TO LOVE ME AND SCREAM 5:35 A.A.L (AGAINST ALL LOGIC)
11. RAVE ON U 9:56 A.A.L (AGAINST ALL LOGIC)
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Label:Matador/ Beggars Group
Cat-No:OLELP2115
Release-Date:28.02.2025
Configuration:LP
Barcode:0191401211512
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1
Darkside - SLAU
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2
Darkside - S.N.C
3
Darkside - Are You Tired? (Keep On Singing)
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4
Darkside - Graucha Max
5
Darkside - American References
6
Darkside - Heavy Is Good For This
7
Darkside - Hell Suite, Pt. I
8
Darkside - Hell Suite, Pt. II
9
Darkside - Sin El Sol No Hay Na
Nothing is the third album from DARKSIDE: nine transmissions of negative space, telepathic seance, and spectral improvisation. On their first two reinventions, Nicolás Jaar and Dave Harrington entered the studio with a clutch of scattered ideas to mold into what became the revered Psychic(2013) and Spiral (2021). But Nothing reflects a search for form borne out of spontaneous elliptical jams, acoustic riffing, and digital levitations. And in a fundamental shift from their first dozen years as a band, the duo recruited their longtime friend and collaborator, the drummer and instrument designer Tlacael Esparza, to become a full-time member. The outcome is magnetic and hieroglyphic. This album slips through the cracks of convention with serpentine guitars, extraterrestrial static, and cavernous drums. No band but DARKSIDE could have made Nothing, and in no moment but now.
Official Music Video: https://www.youtube.com/watch?v=fKiS9DPARDg
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Official Music Video: https://www.youtube.com/watch?v=fKiS9DPARDg
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LP
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Label:Matador/ Beggars Group
Cat-No:OLELPE2115
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Barcode:0191401211505
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Add all to playlist
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1
Darkside - SLAU
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2
Darkside - S.N.C
3
Darkside - Are You Tired? (Keep On Singing)
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4
Darkside - Graucha Max
5
Darkside - American References
6
Darkside - Heavy Is Good For This
7
Darkside - Hell Suite, Pt. I
8
Darkside - Hell Suite, Pt. II
9
Darkside - Sin El Sol No Hay Na
Nothing is the third album from DARKSIDE: nine transmissions of negative space, telepathic seance, and spectral improvisation. On their first two reinventions, Nicolás Jaar and Dave Harrington entered the studio with a clutch of scattered ideas to mold into what became the revered Psychic(2013) and Spiral (2021). But Nothing reflects a search for form borne out of spontaneous elliptical jams, acoustic riffing, and digital levitations. And in a fundamental shift from their first dozen years as a band, the duo recruited their longtime friend and collaborator, the drummer and instrument designer Tlacael Esparza, to become a full-time member. The outcome is magnetic and hieroglyphic. This album slips through the cracks of convention with serpentine guitars, extraterrestrial static, and cavernous drums. No band but DARKSIDE could have made Nothing, and in no moment but now.
Official Music Video: https://www.youtube.com/watch?v=fKiS9DPARDg
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Official Music Video: https://www.youtube.com/watch?v=fKiS9DPARDg
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12" Excl
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Label:Other People
Cat-No:OP057
Release-Date:15.05.2020
Configuration:12" Excl
Barcode:4251648417064
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1
AGAINST ALL LOGIC - Illusions of Shameless Abundance (feat. Lydia Lunch)
2
AGAINST ALL LOGIC - Alucinao (Feat. Estado Unido & FKA twigs)
AAL Single 12" on Other People featuring Lydia Lunch and FKA twigs.
Tracklist EP
A Illusions Of Shameless Abundance
Featuring – Lydia Lunch
B Alucinao
Feat. Estado Unido & FKA twigs
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Tracklist EP
A Illusions Of Shameless Abundance
Featuring – Lydia Lunch
B Alucinao
Feat. Estado Unido & FKA twigs
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Label:MATADOR/OTHER PEOPLE
Cat-No:OLE10351
Release-Date:23.07.2021
Genre:Electronic, Electronica
Configuration:2LP
Barcode:0191401173711
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Label:MATADOR/OTHER PEOPLE
Cat-No:OLE10351
Release-Date:23.07.2021
Genre:Electronic, Electronica
Configuration:2LP
Barcode:0191401173711
Tracklist
1.1Narrow Road
1.2The Limit
1.3The Question Is To See It All
1.4Lawmaker
1.5I'm The Echo
2.1Spiral
2.2Liberty Bell
2.3Inside Is Out There
2.4Only Young
Jaar&Harrington sind zurück mit einem großen Zweitwerk. DARKSIDE sind zurück! Die Band von Nicolás Jaar und Dave Harrington veröffentlicht fast acht Jahre nach ihrem Debüt endlich den Nachfolger zu ihrem hochgelobten Debütalbum. Pitchfork bezeichnete "Psychic" 2013 als Soundtrack zu einem David Lynch Science-Fiction-Film, den er nie gedreht hat. Jaar und Harrington gingen mit ihrem Band-Projekt auf Tour, begeisterten vor ausverkauften Hallen und auf großen Festivals und gingen anschließend wieder getrennte Wege. Nicolás Jaar veröffentlichte seitdem 5 Alben unter seinem eigenen Namen, sowie zwei Club-Compilations unter dem "Against All Logic"-Label. Harrington gründete die Dave Harrington Group, brachte 2 Alben heraus, spielte über 300 Shows und arbeitete für andere Künstler als Produzent und Arrangeur. Im Sommer 2018 mieteten sich Jaar und Harrington ein kleines Haus im indigenen Lenni-Lenape Territorium, welches im US-Bundestaat New Jersey liegt, um Ideen für Musik auszutauschen und um schließlich DARKSIDE wiederzubeleben. Es sollte weitere 1,5 Jahre dauern, bis ihr neues Album "Spiral" fertig geschrieben und aufgenommen war. Wie schön, dass die beiden zurück sind. Denn mit "Spiral" beweisen sie einmal mehr, dass auch zwei Solisten ein perfektes Team sein können.
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1.1Narrow Road
1.2The Limit
1.3The Question Is To See It All
1.4Lawmaker
1.5I'm The Echo
2.1Spiral
2.2Liberty Bell
2.3Inside Is Out There
2.4Only Young
Jaar&Harrington sind zurück mit einem großen Zweitwerk. DARKSIDE sind zurück! Die Band von Nicolás Jaar und Dave Harrington veröffentlicht fast acht Jahre nach ihrem Debüt endlich den Nachfolger zu ihrem hochgelobten Debütalbum. Pitchfork bezeichnete "Psychic" 2013 als Soundtrack zu einem David Lynch Science-Fiction-Film, den er nie gedreht hat. Jaar und Harrington gingen mit ihrem Band-Projekt auf Tour, begeisterten vor ausverkauften Hallen und auf großen Festivals und gingen anschließend wieder getrennte Wege. Nicolás Jaar veröffentlichte seitdem 5 Alben unter seinem eigenen Namen, sowie zwei Club-Compilations unter dem "Against All Logic"-Label. Harrington gründete die Dave Harrington Group, brachte 2 Alben heraus, spielte über 300 Shows und arbeitete für andere Künstler als Produzent und Arrangeur. Im Sommer 2018 mieteten sich Jaar und Harrington ein kleines Haus im indigenen Lenni-Lenape Territorium, welches im US-Bundestaat New Jersey liegt, um Ideen für Musik auszutauschen und um schließlich DARKSIDE wiederzubeleben. Es sollte weitere 1,5 Jahre dauern, bis ihr neues Album "Spiral" fertig geschrieben und aufgenommen war. Wie schön, dass die beiden zurück sind. Denn mit "Spiral" beweisen sie einmal mehr, dass auch zwei Solisten ein perfektes Team sein können.
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Label:Night School Records
Cat-No:LSSN096
Release-Date:28.02.2025
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Label:Night School Records
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Release-Date:28.02.2025
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1
Tristwch y Fenywod - 1. Blodyn Gwynedd
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2
Tristwch y Fenywod - 2. Ferch Gyda’r Llygaid Du
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Tristwch y Fenywod - 3. Y Trawsnewidiad
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Tristwch y Fenywod - 4. Llwydwyrdd
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Tristwch y Fenywod - 5. Byd Mewn Cysgod
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Tristwch y Fenywod - 6. Gelain Görs
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Tristwch y Fenywod - 7. Awen
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Tristwch y Fenywod - 8. ‘Nes I Ddawnsio Efo’r Lleuad
territories:WW-US,CA,UK, BENELUX
Black Vinyl LP, 2025 REPRESS
Tracklist
1. Blodyn Gwynedd
2. Ferch Gyda’r Llygaid Du
3. Y Trawsnewidiad
4. Llwydwyrdd
5. Byd Mewn Cysgod
6. Gelain Görs
7. Awen
8. ‘Nes I Ddawnsio Efo’r Lleuad
Singing black-lit liturgies of bog bodies caked in mud, entranced by nocturnal landscapes flickering in the moonglow and powered by queer enchantment, Tristwch y Fenywod are a Welsh-language gothic avant-rock powercoven. Exhumed from the depths of Leeds’ experimental underground, the trio consist of Gwretsien Ferch
Lisbeth (Guttersnipe, The Ephemeron Loop), Leila Lygad (Hawthonn) and Sidni Sarffwraig (Slaylor Moon, The
Courtneys).
Stark, striking and bewitching, Tristwch y Fenywod’s self-titled album is their debut studio recording, following just
10 gigs and a live demo. Formed in 2022, Tristwch y Fenywod ("The Sadness of Women”) record exclusively in the
Welsh language, conjuring an eldritch, subterranean, alien folk music played on dual zither, electronic drums and
bass guitar. With towering, siren-like vocals curling around the Welsh consonants, accompanied by stark, martial
rhythms and swirling claw-plucked strings, Tristwch y Fenywod feels like an early 4AD recording dredged from the
waters of an Anglesey swamp. The effect is simultaneously chilling and stirring.
The eight tracks on the record constitute what feels like a recently rediscovered, unholy grail of edgy, atmospheric,
occult feminist goth emissions. Gwretsien’s dual-zither playing scatters melodic fragments and spirals of harmony
around the decimated space opened up by the lugubrious bass playing and pounding, brooding drum pads.
Coupled with the Welsh vocal, Tristwch y Fenywod embody a new, unique Celtic darkwave sound, equal parts
Pornography-era The Cure, Svitlana Nianio’s haunted hammered string-work and the dark beauty of Dead Can
Dance or This Mortal Coil. Opener Blodyn Gwyrdd feels like the last ride of Princess Ukok, with lumbering bass
and 6/8 rhythms in procession to the event horizon with an entreating, impassioned vocal and surprising lyrical
theme. The doomed dancing of the zither provides the mysterious melodic bedrock throughout the album,
particularly on Ferch Gyda’r Llygaid Du’s heavy funereal sway and the slowly building, paroxysmal banshee
breakdown of Awen: an astonishing swell of thrilling chaos.
The album was recorded and produced by Ross Halden and the band at Hohm Studio, Bradford, Summer 2023.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Black Vinyl LP, 2025 REPRESS
Tracklist
1. Blodyn Gwynedd
2. Ferch Gyda’r Llygaid Du
3. Y Trawsnewidiad
4. Llwydwyrdd
5. Byd Mewn Cysgod
6. Gelain Görs
7. Awen
8. ‘Nes I Ddawnsio Efo’r Lleuad
Singing black-lit liturgies of bog bodies caked in mud, entranced by nocturnal landscapes flickering in the moonglow and powered by queer enchantment, Tristwch y Fenywod are a Welsh-language gothic avant-rock powercoven. Exhumed from the depths of Leeds’ experimental underground, the trio consist of Gwretsien Ferch
Lisbeth (Guttersnipe, The Ephemeron Loop), Leila Lygad (Hawthonn) and Sidni Sarffwraig (Slaylor Moon, The
Courtneys).
Stark, striking and bewitching, Tristwch y Fenywod’s self-titled album is their debut studio recording, following just
10 gigs and a live demo. Formed in 2022, Tristwch y Fenywod ("The Sadness of Women”) record exclusively in the
Welsh language, conjuring an eldritch, subterranean, alien folk music played on dual zither, electronic drums and
bass guitar. With towering, siren-like vocals curling around the Welsh consonants, accompanied by stark, martial
rhythms and swirling claw-plucked strings, Tristwch y Fenywod feels like an early 4AD recording dredged from the
waters of an Anglesey swamp. The effect is simultaneously chilling and stirring.
The eight tracks on the record constitute what feels like a recently rediscovered, unholy grail of edgy, atmospheric,
occult feminist goth emissions. Gwretsien’s dual-zither playing scatters melodic fragments and spirals of harmony
around the decimated space opened up by the lugubrious bass playing and pounding, brooding drum pads.
Coupled with the Welsh vocal, Tristwch y Fenywod embody a new, unique Celtic darkwave sound, equal parts
Pornography-era The Cure, Svitlana Nianio’s haunted hammered string-work and the dark beauty of Dead Can
Dance or This Mortal Coil. Opener Blodyn Gwyrdd feels like the last ride of Princess Ukok, with lumbering bass
and 6/8 rhythms in procession to the event horizon with an entreating, impassioned vocal and surprising lyrical
theme. The doomed dancing of the zither provides the mysterious melodic bedrock throughout the album,
particularly on Ferch Gyda’r Llygaid Du’s heavy funereal sway and the slowly building, paroxysmal banshee
breakdown of Awen: an astonishing swell of thrilling chaos.
The album was recorded and produced by Ross Halden and the band at Hohm Studio, Bradford, Summer 2023.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12" Excl
backorder
Label:Public Possession
Cat-No:PP046
Release-Date:18.04.2025
Genre:House
Configuration:12" Excl
Barcode:4251804123181
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Cat-No:PP046
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Genre:House
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1
Eden Burns - A1) Big Beat Manifesto (00:07:50)
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Eden Burns - A2) Robokinky (00:06:13)
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Eden Burns - B1) Big Bark Manifesto (00:06:19)
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Eden Burns - B2) A Far Way To Fall (00:09:01)
2025 Repress
Tracklist:
A1) Big Beat Manifesto 00:07:50
A2) Robokinky 00:06:13
B1) Big Bark Manifesto 00:06:19
B2) A Far Way To Fall 00:09:01
Short info:
Join the tribe. Help spreading the message of the Big Beat!
„Beat moves feet. Feet do dance. Dance brings joy. Joy is life. Life is special.“
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist:
A1) Big Beat Manifesto 00:07:50
A2) Robokinky 00:06:13
B1) Big Bark Manifesto 00:06:19
B2) A Far Way To Fall 00:09:01
Short info:
Join the tribe. Help spreading the message of the Big Beat!
„Beat moves feet. Feet do dance. Dance brings joy. Joy is life. Life is special.“
Transmission activated!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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3LP Excl
in stock
Cat-No:MMDS24004LP
Release-Date:06.09.2024
Genre:Acid House
Configuration:3LP Excl
Barcode:4251804181709
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Genre:Acid House
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1
Susumu Yokota - A1. Zenmai (2024 Remaster)
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2
Susumu Yokota - A2. Kinoko (2024 Remaster)
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3
Susumu Yokota - A3. Meijijingu (2024 Remaster)
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Susumu Yokota - B1. Saboten (2024 Remaster)
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5
Susumu Yokota - B2. Oh My God (2024 Remaster)
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Susumu Yokota - B3. Tambarin (2024 Remaster)
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Susumu Yokota - C1. Oponchi (2024 Remaster)
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Susumu Yokota - C2. Ao-oni (2024 Remaster)
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Susumu Yokota - C3.3. Akafuji (2024 Remaster)
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Susumu Yokota - D1. Alphaville (2024 Remaster)
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Susumu Yokota - D2. Tanuki (2024 Remaster)
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Susumu Yokota - E1. Floating G (2024 Remaster)**
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13
Susumu Yokota - E2. H (2024 Remaster)**
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Susumu Yokota - E3. B (2024 Remaster)**
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Susumu Yokota - F1. F (2024 Remaster)**
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Susumu Yokota - F2. 2 H (2024 Remaster)**
Triple gatefold heavyweight 180g vinyl, Remastered original LP , Incl. 5 unreleased tracks released for the 1st time on vinyl`see tracklist below for details!
"A mesmerizing Japanese ambient techno masterpiece that that completely rewires how you perceive music" Electronic Beats
"A mountainous Masterpiece. A powerful testament to rave culture's establishment and the birth of a new scene in Japan emerging in the mid '90s. One of Yokota's most celebrated work that merges Japanese new age and minimal techno"
Alex From Tokyo (Japan Vibrations, world famous, Paris)
GENRE/S: Techno, Acid, Ambient
New liner notes by Alex From Tokyo
On July 26th Susumu Yokota's venerated 1994 classic 'Acid Mt. Fuji' is reissued in expanded, deluxe fashion, as part of the 30th anniversary celebrations of the label that originally presented it. Japan's Musicmine - specifically it's electronic subsidiary Sublime Records - released the album on June 29th 1994, simultaneously with Ken Ishii's 'Reference To Difference', as their inaugural joint offering.
'Acid Mt. Fuji' is an enchanting mix of mystical ambient acid and futurist minimal techno, taking the listeners on a psychedelic pilgrimage, where 303, synths and electronic percussion are scented with reverb, echo and forest recordings. Merging Japanese new age and sparse electronica, the recording is free, organic, and energized - proffering a unique blend of early 90s western styles and the essence of his home country.
Yokota originally planned an ambient record, but 'Acid Mt. Fuji' evolved into a concept work featuring the Roland TB-303, which he recorded live at home alongside a sampler, yielding experimental and innovative results.
The longplayer found its muse in the famed 18th-19th century artist Hokusai's red rendition of Mt. Fuji, known as 'Red Fuji' or 'Akafuji'. Part of the painter's renowned 'Thirty Six Views of Mt. Fuji' series from the 1830s, 'Red Fuji' depicts the iconic sacred mountain aglow in red at dawn, symbolizing spirituality and creativity. With references to Japanese folklore, nature and shrines, tracks like 'Kinoko' and 'Meijijingu' invite the listener to immerse themselves in the album's spiritual depths.
Yokota's own homage-to-Hokusai drawing graces the record's cover, and was inspired by the concept of wa (harmony) - highlighting his diverse skills not only as a musician, but an artist and designer too.
'Acid Mt. Fuji' is a powerful testament to the establishment of rave culture in Japan, which rapidly developed within just two years, from 1992 to 1994. Largely due to praise for the breathtaking originality of the LP, within this burgeoning national techno scene, Yokota rose to prominence as one of its key figures.
He then became one of the most renowned artists to emerge from his homeland and enter the global electronic pantheon. He inspired a new wave of Japanese producers and DJs, contributing significantly to the growth of the techno movement in Japan.
Yokota was a solitary figure, an artist who expressed his life through the continuous creation of music. For those seeking something different; mystical, soothing, pristinely ergonomic and uniquely Japanese, this record stands as iconic as Mt. Fuji itself.
-
This triple vinyl Deluxe Edition includes the original album's eleven tracks alongside five raw and jacking rare gems, available on wax for the first time, which were previously included only in the Japanese 2016 Deluxe Edition CD.
There are also two digital-only bonus tracks. One is a live performance by Yokota, titled 'Live at Shibuya Beam Hall', which was recorded at Sublime Records' label launch party, held in September 1994. It was previously only released on the aforementioned 2016 Japanese CD edition. This event, titled 'Sublime Records Presents New Style of Electronic Ambient Party' featured performances by Susumu Yokota, Ken Ishii, Yoshihiro Sawasaki, Speedy J and DJ Wada. This ten minute long, rare live recording captures Yokota playing a dynamic, fast paced acid house live jam, using two TB-303s and a drum machine. The other digital only bonus track is an alternative version of 'H', which was discovered recently whilst excavating a DAT.
The liner notes are written by DJ/producer Alex From Tokyo, who was a good friend of Yokota, and experienced the 90s Tokyo club scene first-hand as an insider. His compilation 'Japan Vibrations Vol. 1' captures this golden era, and features music by Prism (Susumu Yokota), Ryuichi Sakamoto, Haruomi Hosono, Yasuaki Shimizu, Quadra (Hiroshi Watanabe) and more.
3LP Vinyl
Catalogue no: MMDS24004LP
Side A
1. Zenmai (2024 Remaster)
2. Kinoko (2024 Remaster)
3. Meijijingu (2024 Remaster)
Side B
1. Saboten (2024 Remaster)
2. Oh My God (2024 Remaster)
3. Tambarin (2024 Remaster)
Side C
1. Oponchi (2024 Remaster)
2. Ao-oni (2024 Remaster)
3. Akafuji (2024 Remaster)
Side D
1. Alphaville (2024 Remaster)
2. Tanuki (2024 Remaster)
Side E
1. Floating G (2024 Remaster)**
2. H (2024 Remaster)**
3. B (2024 Remaster)**
Side F
1. F (2024 Remaster)**
2. 2 H (2024 Remaster)**
**= 5 unreleased tracks released for the 1st time on vinyl.
New liner notes by Martyn Pepperell
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
"A mesmerizing Japanese ambient techno masterpiece that that completely rewires how you perceive music" Electronic Beats
"A mountainous Masterpiece. A powerful testament to rave culture's establishment and the birth of a new scene in Japan emerging in the mid '90s. One of Yokota's most celebrated work that merges Japanese new age and minimal techno"
Alex From Tokyo (Japan Vibrations, world famous, Paris)
GENRE/S: Techno, Acid, Ambient
New liner notes by Alex From Tokyo
On July 26th Susumu Yokota's venerated 1994 classic 'Acid Mt. Fuji' is reissued in expanded, deluxe fashion, as part of the 30th anniversary celebrations of the label that originally presented it. Japan's Musicmine - specifically it's electronic subsidiary Sublime Records - released the album on June 29th 1994, simultaneously with Ken Ishii's 'Reference To Difference', as their inaugural joint offering.
'Acid Mt. Fuji' is an enchanting mix of mystical ambient acid and futurist minimal techno, taking the listeners on a psychedelic pilgrimage, where 303, synths and electronic percussion are scented with reverb, echo and forest recordings. Merging Japanese new age and sparse electronica, the recording is free, organic, and energized - proffering a unique blend of early 90s western styles and the essence of his home country.
Yokota originally planned an ambient record, but 'Acid Mt. Fuji' evolved into a concept work featuring the Roland TB-303, which he recorded live at home alongside a sampler, yielding experimental and innovative results.
The longplayer found its muse in the famed 18th-19th century artist Hokusai's red rendition of Mt. Fuji, known as 'Red Fuji' or 'Akafuji'. Part of the painter's renowned 'Thirty Six Views of Mt. Fuji' series from the 1830s, 'Red Fuji' depicts the iconic sacred mountain aglow in red at dawn, symbolizing spirituality and creativity. With references to Japanese folklore, nature and shrines, tracks like 'Kinoko' and 'Meijijingu' invite the listener to immerse themselves in the album's spiritual depths.
Yokota's own homage-to-Hokusai drawing graces the record's cover, and was inspired by the concept of wa (harmony) - highlighting his diverse skills not only as a musician, but an artist and designer too.
'Acid Mt. Fuji' is a powerful testament to the establishment of rave culture in Japan, which rapidly developed within just two years, from 1992 to 1994. Largely due to praise for the breathtaking originality of the LP, within this burgeoning national techno scene, Yokota rose to prominence as one of its key figures.
He then became one of the most renowned artists to emerge from his homeland and enter the global electronic pantheon. He inspired a new wave of Japanese producers and DJs, contributing significantly to the growth of the techno movement in Japan.
Yokota was a solitary figure, an artist who expressed his life through the continuous creation of music. For those seeking something different; mystical, soothing, pristinely ergonomic and uniquely Japanese, this record stands as iconic as Mt. Fuji itself.
-
This triple vinyl Deluxe Edition includes the original album's eleven tracks alongside five raw and jacking rare gems, available on wax for the first time, which were previously included only in the Japanese 2016 Deluxe Edition CD.
There are also two digital-only bonus tracks. One is a live performance by Yokota, titled 'Live at Shibuya Beam Hall', which was recorded at Sublime Records' label launch party, held in September 1994. It was previously only released on the aforementioned 2016 Japanese CD edition. This event, titled 'Sublime Records Presents New Style of Electronic Ambient Party' featured performances by Susumu Yokota, Ken Ishii, Yoshihiro Sawasaki, Speedy J and DJ Wada. This ten minute long, rare live recording captures Yokota playing a dynamic, fast paced acid house live jam, using two TB-303s and a drum machine. The other digital only bonus track is an alternative version of 'H', which was discovered recently whilst excavating a DAT.
The liner notes are written by DJ/producer Alex From Tokyo, who was a good friend of Yokota, and experienced the 90s Tokyo club scene first-hand as an insider. His compilation 'Japan Vibrations Vol. 1' captures this golden era, and features music by Prism (Susumu Yokota), Ryuichi Sakamoto, Haruomi Hosono, Yasuaki Shimizu, Quadra (Hiroshi Watanabe) and more.
3LP Vinyl
Catalogue no: MMDS24004LP
Side A
1. Zenmai (2024 Remaster)
2. Kinoko (2024 Remaster)
3. Meijijingu (2024 Remaster)
Side B
1. Saboten (2024 Remaster)
2. Oh My God (2024 Remaster)
3. Tambarin (2024 Remaster)
Side C
1. Oponchi (2024 Remaster)
2. Ao-oni (2024 Remaster)
3. Akafuji (2024 Remaster)
Side D
1. Alphaville (2024 Remaster)
2. Tanuki (2024 Remaster)
Side E
1. Floating G (2024 Remaster)**
2. H (2024 Remaster)**
3. B (2024 Remaster)**
Side F
1. F (2024 Remaster)**
2. 2 H (2024 Remaster)**
**= 5 unreleased tracks released for the 1st time on vinyl.
New liner notes by Martyn Pepperell
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
LP Excl
pre-sale
Label:Be With Records
Cat-No:bewith094LP
Release-Date:15.08.2025
Genre:Soul/Funk
Configuration:LP Excl
Barcode:4251804123709
pre-sale
Last in:29.11.2024
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Last in:29.11.2024
Label:Be With Records
Cat-No:bewith094LP
Release-Date:15.08.2025
Genre:Soul/Funk
Configuration:LP Excl
Barcode:4251804123709
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1
Jay Richford and Gary Stevan - A1 : Flying High (3:35)
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2
Jay Richford and Gary Stevan - A2 : Going Home (2:46)
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3
Jay Richford and Gary Stevan - A3 : Walking In The Dark (4:42)
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4
Jay Richford and Gary Stevan - A4 : Fighting For Life (3:37)
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Jay Richford and Gary Stevan - A5 : Feeling Tense (4:05)
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Jay Richford and Gary Stevan - B1 : Running Fast (4:42)
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Jay Richford and Gary Stevan - B2 : Loving Tenderly (3:27)
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8
Jay Richford and Gary Stevan - B3 : Fearing Much (3:35)
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Jay Richford and Gary Stevan - B4 : Being Friendly (2:54)
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Jay Richford and Gary Stevan - B5 : Having Fun (4:00)
2025 repress
Format Notes: 140g vinyl, remastered from the original tapes
Territories:
Worldwide no restrictions
Track List:
A1 : Flying High (3:35)
A2 : Going Home (2:46)
A3 : Walking In The Dark (4:42)
A4 : Fighting For Life (3:37)
A5 : Feeling Tense (4:05)
B1 : Running Fast (4:42)
B2 : Loving Tenderly (3:27)
B3 : Fearing Much (3:35)
B4 : Being Friendly (2:54)
B5 : Having Fun (4:00)
Release Notes:
More than once Jay Richford and Gary Stevan’s Feelings has been described as the greatest library record ever released. Of course Be With can’t be seen to be playing favourites, but we have to admit, it’s pretty good. Insanely rare and immensely sought-after, it’s a tough funk, street jazz masterpiece coveted for many years by collectors of all musical genres.
Since its original release on Italian label Carosello in 1974, Feelings has appeared on several labels with different sleeves and even under a different artist. Indeed cult library label Conroy put it out in one of their iconic red sleeves in 1976 and yes, Feelings has indeed had more than one modern re-issue since these “original” releases. But a record this special deserves to be kept in press and we think it deserves the Be With treatment.
No, Jay Richford and Gary Stevan aren’t two of the most Italian sounding names. As the story goes these were the pseudonyms adopted by Stefano Torossi and Giancarlo Gazzani who wrote the album but couldn’t use their real names on the original release for legal reasons. But Stefano Torossi himself later both clarified and confused the tale further by explaining that Feelings was the work of four people not just Gazzani and himself. Fellow composers and musicians Sandro Brugnolini and Puccio Roelens also worked on the album and as Torossi himself explained “we all worked together”, with all four gents “dividing the royalties in equal parts… that’s the story.” Right, so, with that all sorted out let’s get back to talking about the music. And what music it is.
Long hailed as a holy grail of library music, Feelings is the epitome of the sort of cinematic orchestral jazzy funk that is “that 70s library music sound”. Infectiously funky, deliciously melodic and with impeccible, elegant production, this record is the showcase for a stunning set of compositions and arrangements and with performances that are nothing short of virtuoso.
The record’s first side lifts off with “Flying High”, soaring brilliant and shimmering. Funk licks, menacing strings and swaggering horns combine for an ice-cold intro groove that Isaac Hayes would surely have envied, before the steady-paced drums deliver the slo-mo TKO. The string-drenched cop-funk of “Going Home” raises the tempo. All funky quick-fire bass lines and killer electric guitar soloing. A real thriller.
“Walking In The Dark” positively drips in blaxploitation-funk drama strings and horn struts, all laced with delicate drums, velvet piano and more filthy wah-wah. “Fighting For Life” is another funk-fuelled workout built around an effortlessly relentless drum track that refuses to give up until even the stiffest-necked head is nodding.
The loping, open drum break that guides the much-loved “Feeling Tense” through its early stages would be good enough on its own. The heavy bass gloss, swirling strings and ominous horns that follow take things to the next level.
The second side opens with another favourite “Running Fast”, and the track does precisely that. This is one fine rollicking chase theme underpinned by frenetic (yet funky) Fender Rhodes and skipping bass and drums. Those sweeping strings are a gorgeous extra. It’s a deliciously feel-good groove that sets the heart racing.
“Loving Tenderly” envelops us in warm, velvety night-time vibes with easy listening horns and slinky strings dialing up the seduction. Definitely one for the lithe lovers out there. The pace picks up on the electrifying “Fearing Much” where strings dart around deep bass, buzzing guitars and another funky drum break. The lush, melancholic “Being Friendly” is another easy beauty, all warm Rhodes and strings. Majestic stuff that puts an aural arm around you. The climactic “Having Fun” rides a pulsating, bass-heavy drum break with snatches of a funky guitar refrain, some luxurious keys, sweeping strings and triumphant horns. Sensational.
“Feelings” is a profoundly appropriate title for such an emotionally funky and genuinely affecting record. Groove-laden bass, irrepressible horns, sweet flute lines, warm Rhodes, lush string arrangements, blaxploitation-styled wah-wah guitars and so, so much more make this one of the finest instrumental soul LPs of the 70s, if not of all time.
The audio for this re-issue of Feelings comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis and cut by Pete Norman. The same care has been taken by the Be With team to restore that glorious original Carosello sleeve. Feelings is almost too good to be true. Feels good all over.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Format Notes: 140g vinyl, remastered from the original tapes
Territories:
Worldwide no restrictions
Track List:
A1 : Flying High (3:35)
A2 : Going Home (2:46)
A3 : Walking In The Dark (4:42)
A4 : Fighting For Life (3:37)
A5 : Feeling Tense (4:05)
B1 : Running Fast (4:42)
B2 : Loving Tenderly (3:27)
B3 : Fearing Much (3:35)
B4 : Being Friendly (2:54)
B5 : Having Fun (4:00)
Release Notes:
More than once Jay Richford and Gary Stevan’s Feelings has been described as the greatest library record ever released. Of course Be With can’t be seen to be playing favourites, but we have to admit, it’s pretty good. Insanely rare and immensely sought-after, it’s a tough funk, street jazz masterpiece coveted for many years by collectors of all musical genres.
Since its original release on Italian label Carosello in 1974, Feelings has appeared on several labels with different sleeves and even under a different artist. Indeed cult library label Conroy put it out in one of their iconic red sleeves in 1976 and yes, Feelings has indeed had more than one modern re-issue since these “original” releases. But a record this special deserves to be kept in press and we think it deserves the Be With treatment.
No, Jay Richford and Gary Stevan aren’t two of the most Italian sounding names. As the story goes these were the pseudonyms adopted by Stefano Torossi and Giancarlo Gazzani who wrote the album but couldn’t use their real names on the original release for legal reasons. But Stefano Torossi himself later both clarified and confused the tale further by explaining that Feelings was the work of four people not just Gazzani and himself. Fellow composers and musicians Sandro Brugnolini and Puccio Roelens also worked on the album and as Torossi himself explained “we all worked together”, with all four gents “dividing the royalties in equal parts… that’s the story.” Right, so, with that all sorted out let’s get back to talking about the music. And what music it is.
Long hailed as a holy grail of library music, Feelings is the epitome of the sort of cinematic orchestral jazzy funk that is “that 70s library music sound”. Infectiously funky, deliciously melodic and with impeccible, elegant production, this record is the showcase for a stunning set of compositions and arrangements and with performances that are nothing short of virtuoso.
The record’s first side lifts off with “Flying High”, soaring brilliant and shimmering. Funk licks, menacing strings and swaggering horns combine for an ice-cold intro groove that Isaac Hayes would surely have envied, before the steady-paced drums deliver the slo-mo TKO. The string-drenched cop-funk of “Going Home” raises the tempo. All funky quick-fire bass lines and killer electric guitar soloing. A real thriller.
“Walking In The Dark” positively drips in blaxploitation-funk drama strings and horn struts, all laced with delicate drums, velvet piano and more filthy wah-wah. “Fighting For Life” is another funk-fuelled workout built around an effortlessly relentless drum track that refuses to give up until even the stiffest-necked head is nodding.
The loping, open drum break that guides the much-loved “Feeling Tense” through its early stages would be good enough on its own. The heavy bass gloss, swirling strings and ominous horns that follow take things to the next level.
The second side opens with another favourite “Running Fast”, and the track does precisely that. This is one fine rollicking chase theme underpinned by frenetic (yet funky) Fender Rhodes and skipping bass and drums. Those sweeping strings are a gorgeous extra. It’s a deliciously feel-good groove that sets the heart racing.
“Loving Tenderly” envelops us in warm, velvety night-time vibes with easy listening horns and slinky strings dialing up the seduction. Definitely one for the lithe lovers out there. The pace picks up on the electrifying “Fearing Much” where strings dart around deep bass, buzzing guitars and another funky drum break. The lush, melancholic “Being Friendly” is another easy beauty, all warm Rhodes and strings. Majestic stuff that puts an aural arm around you. The climactic “Having Fun” rides a pulsating, bass-heavy drum break with snatches of a funky guitar refrain, some luxurious keys, sweeping strings and triumphant horns. Sensational.
“Feelings” is a profoundly appropriate title for such an emotionally funky and genuinely affecting record. Groove-laden bass, irrepressible horns, sweet flute lines, warm Rhodes, lush string arrangements, blaxploitation-styled wah-wah guitars and so, so much more make this one of the finest instrumental soul LPs of the 70s, if not of all time.
The audio for this re-issue of Feelings comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis and cut by Pete Norman. The same care has been taken by the Be With team to restore that glorious original Carosello sleeve. Feelings is almost too good to be true. Feels good all over.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Label:Night School Records
Cat-No:LSSN096GLOW
Release-Date:01.11.2024
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Label:Night School Records
Cat-No:LSSN096GLOW
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1
Tristwch y Fenywod - 1. Blodyn Gwynedd
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2
Tristwch y Fenywod - 2. Ferch Gyda’r Llygaid Du
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3
Tristwch y Fenywod - 3. Y Trawsnewidiad
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4
Tristwch y Fenywod - 4. Llwydwyrdd
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5
Tristwch y Fenywod - 5. Byd Mewn Cysgod
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6
Tristwch y Fenywod - 6. Gelain Görs
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7
Tristwch y Fenywod - 7. Awen
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8
Tristwch y Fenywod - 8. ‘Nes I Ddawnsio Efo’r Lleuad
territories:WW-US,CA,UK, BENELUX
LIMITED GLOW-IN-THE-DARK VINYL REPRESS DUE TO THE RAPID SELLING OUT OF THE FIRST PRESSING!!
Tracklist
1. Blodyn Gwynedd
2. Ferch Gyda’r Llygaid Du
3. Y Trawsnewidiad
4. Llwydwyrdd
5. Byd Mewn Cysgod
6. Gelain Görs
7. Awen
8. ‘Nes I Ddawnsio Efo’r Lleuad
Singing black-lit liturgies of bog bodies caked in mud, entranced by nocturnal landscapes flickering in the moonglow and powered by queer enchantment, Tristwch y Fenywod are a Welsh-language gothic avant-rock powercoven. Exhumed from the depths of Leeds’ experimental underground, the trio consist of Gwretsien Ferch
Lisbeth (Guttersnipe, The Ephemeron Loop), Leila Lygad (Hawthonn) and Sidni Sarffwraig (Slaylor Moon, The
Courtneys).
Stark, striking and bewitching, Tristwch y Fenywod’s self-titled album is their debut studio recording, following just
10 gigs and a live demo. Formed in 2022, Tristwch y Fenywod ("The Sadness of Women”) record exclusively in the
Welsh language, conjuring an eldritch, subterranean, alien folk music played on dual zither, electronic drums and
bass guitar. With towering, siren-like vocals curling around the Welsh consonants, accompanied by stark, martial
rhythms and swirling claw-plucked strings, Tristwch y Fenywod feels like an early 4AD recording dredged from the
waters of an Anglesey swamp. The effect is simultaneously chilling and stirring.
The eight tracks on the record constitute what feels like a recently rediscovered, unholy grail of edgy, atmospheric,
occult feminist goth emissions. Gwretsien’s dual-zither playing scatters melodic fragments and spirals of harmony
around the decimated space opened up by the lugubrious bass playing and pounding, brooding drum pads.
Coupled with the Welsh vocal, Tristwch y Fenywod embody a new, unique Celtic darkwave sound, equal parts
Pornography-era The Cure, Svitlana Nianio’s haunted hammered string-work and the dark beauty of Dead Can
Dance or This Mortal Coil. Opener Blodyn Gwyrdd feels like the last ride of Princess Ukok, with lumbering bass
and 6/8 rhythms in procession to the event horizon with an entreating, impassioned vocal and surprising lyrical
theme. The doomed dancing of the zither provides the mysterious melodic bedrock throughout the album,
particularly on Ferch Gyda’r Llygaid Du’s heavy funereal sway and the slowly building, paroxysmal banshee
breakdown of Awen: an astonishing swell of thrilling chaos.
The album was recorded and produced by Ross Halden and the band at Hohm Studio, Bradford, Summer 2023.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
LIMITED GLOW-IN-THE-DARK VINYL REPRESS DUE TO THE RAPID SELLING OUT OF THE FIRST PRESSING!!
Tracklist
1. Blodyn Gwynedd
2. Ferch Gyda’r Llygaid Du
3. Y Trawsnewidiad
4. Llwydwyrdd
5. Byd Mewn Cysgod
6. Gelain Görs
7. Awen
8. ‘Nes I Ddawnsio Efo’r Lleuad
Singing black-lit liturgies of bog bodies caked in mud, entranced by nocturnal landscapes flickering in the moonglow and powered by queer enchantment, Tristwch y Fenywod are a Welsh-language gothic avant-rock powercoven. Exhumed from the depths of Leeds’ experimental underground, the trio consist of Gwretsien Ferch
Lisbeth (Guttersnipe, The Ephemeron Loop), Leila Lygad (Hawthonn) and Sidni Sarffwraig (Slaylor Moon, The
Courtneys).
Stark, striking and bewitching, Tristwch y Fenywod’s self-titled album is their debut studio recording, following just
10 gigs and a live demo. Formed in 2022, Tristwch y Fenywod ("The Sadness of Women”) record exclusively in the
Welsh language, conjuring an eldritch, subterranean, alien folk music played on dual zither, electronic drums and
bass guitar. With towering, siren-like vocals curling around the Welsh consonants, accompanied by stark, martial
rhythms and swirling claw-plucked strings, Tristwch y Fenywod feels like an early 4AD recording dredged from the
waters of an Anglesey swamp. The effect is simultaneously chilling and stirring.
The eight tracks on the record constitute what feels like a recently rediscovered, unholy grail of edgy, atmospheric,
occult feminist goth emissions. Gwretsien’s dual-zither playing scatters melodic fragments and spirals of harmony
around the decimated space opened up by the lugubrious bass playing and pounding, brooding drum pads.
Coupled with the Welsh vocal, Tristwch y Fenywod embody a new, unique Celtic darkwave sound, equal parts
Pornography-era The Cure, Svitlana Nianio’s haunted hammered string-work and the dark beauty of Dead Can
Dance or This Mortal Coil. Opener Blodyn Gwyrdd feels like the last ride of Princess Ukok, with lumbering bass
and 6/8 rhythms in procession to the event horizon with an entreating, impassioned vocal and surprising lyrical
theme. The doomed dancing of the zither provides the mysterious melodic bedrock throughout the album,
particularly on Ferch Gyda’r Llygaid Du’s heavy funereal sway and the slowly building, paroxysmal banshee
breakdown of Awen: an astonishing swell of thrilling chaos.
The album was recorded and produced by Ross Halden and the band at Hohm Studio, Bradford, Summer 2023.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Last in:10.02.2025
Label:Incienso
Cat-No:INC-027
Release-Date:02.08.2024
Genre:Techno
Configuration:2LP Excl
Barcode:4251804181655
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1
Loidis - A1. Tell Me
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2
Loidis - A2. Wait & See
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3
Loidis - B1. Tequa
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Loidis - B2 .Love's Lineaments
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Loidis - C1. Sugar Snot
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Loidis - C2. Dollarama
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Loidis - D1. All Of Em
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Loidis - D2. Why Do
Format: 2LP
Tracklist
A1. Tell Me
A2. Wait & See
B1. Tequa
B2. Love's Lineaments
C1. Sugar Snot
C2. Dollarama
D1. All Of Em
D2. Why Do
Six years after the release of the "A Parade, In The Place I Sit, The Floating World (& All Its Pleasures)" EP on anno Records, Brian Leeds, aka Huerco S., returns to the Loidis project with his debut album "One Day" on Incienso.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist
A1. Tell Me
A2. Wait & See
B1. Tequa
B2. Love's Lineaments
C1. Sugar Snot
C2. Dollarama
D1. All Of Em
D2. Why Do
Six years after the release of the "A Parade, In The Place I Sit, The Floating World (& All Its Pleasures)" EP on anno Records, Brian Leeds, aka Huerco S., returns to the Loidis project with his debut album "One Day" on Incienso.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore