Tracklist:
A1 Reboot - All Live Is Good
A2 Reboot - Are You Loosing My Mind
A3 Reboot - Timelive
B1 Reboot - Just Hang On
B2 Reboot - Foxfidelity
C1 Reboot - Tea Time
C2 Reboot - 12 PM
D1 Reboot - Indigo Moods
D2 Reboot - For A Shadow To Dance With
D3 Reboot - Whilst The Others Dream

Short info:
Adding on to his extensive discography, Reboot has curated a fresh journey through his world with the aLIVE LP on Get Physical Music. A diverse selection worthy of the international dancefloor, the LP contains the culmination of the artist's long career and the many experiences, stories and inspirations that come with that.The LP includes a free download code for the full digital album + remixes from Ricardo Villalobos, Kölsch, ANNA & Nakadia.

More

Strictly Limited to 500 copies!

Tracklist:
A1 Reboot - Are You Loosing My Mind (Vinyl Version)
A2 Reboot- Are You Loosing My Mind (Ricardo Villalobos Hauswiedermischung)
B Reboot- Are You Loosing My Mind (Ricardo Villalobos Losing My Miles Remix)

Short info:
Reboot takes another slice from his recent album 'Alive' out for a walk. This time it's 'Are You Losing My Mind?'. First we're treated to the vinyl version full of everything we loved from the original. A stripped down tech house beat sprinkled with a might vocal hymn and plenty of groove. Then Ricardo takes over the track with his own very particular style. He's made two distinct versions, 'Hauswiedermischung' is first. As he's known to do, Villalobos created a kind of chaos in which the track lives without ever losing the groove and with plenty of little surprises to discover throughout. Next is Ricardo's twenty four minute 'Losing my Miles' remix, and here is where he really loosens the grip on the track and lets it wander in and out of coherence, taking it and us along for a special ride that only Ricardo can deliver. From beginning to end, you don't know what to expect but you know it when it comes. Get it, press play, and lose your mind.
More

UPC 827170141926 Rel date 27.1.2014
Tracklist LP: A1 Tortoise B1 Harsh Time For Kids C1 Che Meloni D1. Banging Ear Drums
DEEP VIBES RECORDINGS returns to the fore with none other than notorious Frank Heinrich aka REBOOT, purveyor of masterfully crafted rhythm etudes and a highly respected member of Frankfurt's vibrant house scene. With DEEP_V, the Offenbach-bred producer brings his seething second album to Sascha Dive's imprint, bursting at the seams with intricate percussive bliss and nimble-footed grooves for the enthused dancer. The Reboot project certainly hasn't lost his flair for fine-grained, impressively bendy tracks since the very first full-length offering "Shunyata" on Luciano's legendary Cadenza outlet, presenting a new set of underground cuts deeply ingrained in dance music's rich history of kinetic hypnotism. Honed to perfection, opening jam TORTOISE sets the tone with a pleasantly relaxed jog in the company of seemingly scattered drum fragments, nevertheless revealing a deliberate focus and polymorphic confidence at every turn. Following microbangers HARSH TIME FOR KIDS and CHE MELONI occupy themselves with slowly raising the stakes, growing bolder with each sequence and populating the dance floor with snazzy moves. The build-up leads to neotribal workout BANGING EAR DRUMS captivating the senses with a fine assortment of airy samples and driving drum patterns. Together with CD bonus tracks TANTRIC BEHAVIOURS and HOW PROVINCE SAVED THE FUNK - both every bit as oscillatory as their vinyl relatives -, this makes for a rather complete package from an artist who already excels at the art of living, breathing beats, but keeps on getting better before our very ears.
Vital Sales Points:
- Second Album by Reboot aka Frank Heinrich
- Releases on Cadenza, Below, Defected, La Pena, Oslo
- Extensive Global Promo + Tour





More

UPC 827170131927 Rel date 27.1.2014
Tracklist CD: 1. Tortoise 2. Harsh Time For Kids 3. Che Meloni 4. Banging Ear Drums 5. Tantric Behaviours 6. How Province Saved The Funk
DEEP VIBES RECORDINGS returns to the fore with none other than notorious Frank Heinrich aka REBOOT, purveyor of masterfully crafted rhythm etudes and a highly respected member of Frankfurt's vibrant house scene. With DEEP_V, the Offenbach-bred producer brings his seething second album to Sascha Dive's imprint, bursting at the seams with intricate percussive bliss and nimble-footed grooves for the enthused dancer. The Reboot project certainly hasn't lost his flair for fine-grained, impressively bendy tracks since the very first full-length offering "Shunyata" on Luciano's legendary Cadenza outlet, presenting a new set of underground cuts deeply ingrained in dance music's rich history of kinetic hypnotism. Honed to perfection, opening jam TORTOISE sets the tone with a pleasantly relaxed jog in the company of seemingly scattered drum fragments, nevertheless revealing a deliberate focus and polymorphic confidence at every turn. Following microbangers HARSH TIME FOR KIDS and CHE MELONI occupy themselves with slowly raising the stakes, growing bolder with each sequence and populating the dance floor with snazzy moves. The build-up leads to neotribal workout BANGING EAR DRUMS captivating the senses with a fine assortment of airy samples and driving drum patterns. Together with CD bonus tracks TANTRIC BEHAVIOURS and HOW PROVINCE SAVED THE FUNK - both every bit as oscillatory as their vinyl relatives -, this makes for a rather complete package from an artist who already excels at the art of living, breathing beats, but keeps on getting better before our very ears.
Vital Sales Points:
- Second Album by Reboot aka Frank Heinrich
- Releases on Cadenza, Below, Defected, La Pena, Oslo
- Extensive Global Promo + Tour
More

Beginning his relationship with Cadenza back in 2008, German production wizard Reboot has since frequented the label, his solid tech house soundscapes and innate ability to keep his musical structure moving forward being catalyst to his reputable name. Following the incredible 'Shunyata' album on Cadenza in 2010, Reboot is back on the imprint with the 'Beautiful Parasite' EP, including two remixes from Robert Dietz and Cesar Merveille.
Intense and suitably finickety, Reboot's 'Beautiful Parasite' plays with glitches, sparks and tight wooden percussion patterns to begin. On first glance, it's almost minimal in its confined touches but as a rumbling line of dark bass takes hold, "Beautiful Parasite" switches its identity and takes on a sultry persona. From there the changes come thick and fast with faint strings soaring gently in the background and sporadic cymbal crashes and hand claps creating texture. Reaching its dreamy edge with a warm and melodic mainline, the once stern atmosphere of "Beautiful Parasite" is coated in thick echo, doubled in depth and encased in melody.
First Cadenza comrade to take remix duty is Frankfurt's Robert Dietz. Taking his tribal and percussion heavy signature, Dietz warps "Beautiful Parasite" into a dance killer, enhancing the percussive flow of the original and integrating a rapid bass line that simply can't fail to move. Chopping the melody into stabbing sequences and morphing the bass into an arp'd, electro tinged bomb; "Beautiful Parasite" finds its feet firmly on the dance floor through Robert Dietz's remix. Cesar Merveille shifts the gear up another notch with a gloriously rapid attack for his remix. Chaotic percussion and crunching samples smeared across "Beautiful Parasite's" balmy palette, Cesar injects an exotic and slinky edge.
Lastly, as a digital only bonus, "In The Sky" closes 'Beautiful Parasite' on a fresh note. Introduced with a vocal swoon fit for a diva, "In The Sky" breaks into a contradictory concoction of voltaic beats thereafter. Hissing shakers, plentiful claps and a rubbery bass line collide as the atmosphere moves up and down between subtle builds and breaks. Securing its groove with the epic 'Your Loving Arms' lyrics, "In The Sky" will no doubt cause an elated stomp on dance floors worldwide.
More

Emptiness isn't a quality you normally associate with electronic dance music. From the crowd on the associate with electronic dance music. From the crowd on the dancefloor to the weight of the bass, it's all about fullness, volume, density.Reboot turns that opposition on its head with his debut album, Shunyata. The title comes from Buddhism and translates loosely as "emptiness." But not just in the negative sense: it speaks also to impermanence, a state of constant flux.It's a great description of Reboot's music, where everything is in constant and kaleidoscopic motion. And it's also a fitting metaphor for the life of the Frankfurt-based musician, aka Frank Heinrich. In just three years, since his first EP's under the Reboot moniker appeared on Cadenza and Below, he's become one of electronic music's hottest properties, releasing not only a slew of singles for labels like Cocoon, Love Letters from Oslo, Ricardo Villalobos' Sei Es Drum and underground cult fave Motivbank, but also a pair of high-profile mix CDs for Cocoon and Cécille. His live sets and DJ sessions have taken him around the world and then some, several times, playing everywhere from mammoth festival stages to the thatched-roof booth at Ibiza's Ushuaïa. (One look at Reboot's booking schedule, and you can forget about any concept of "emptiness.") "Shunyata describes my way of life pretty well," affirms Heinrich, who just last year left his full-time day job to focus on music. Shunyata might be seen as a response to all that flux. Heinrich took his time with the record, working on musical ideas that extend beyond the limits of a given track. From the sound designs to the grooves to the way the tracks evolve, they all interconnect; intricate polyrhythms wind through the music like ivy, binding the album together.
More

In just three years, since his first EP's under the Reboot moniker appeared on Cadenza and Below, he's become one of electronic music's hottest properties, releasing not only a slew of singles for labels likeCocoon, Love Letters from Oslo, Ricardo Villalobos' Sei Es Drum and underground cult fave Motivbank,but also a pair of high-profile mix CDs for Cocoon and Cécille. His live sets and DJ sessions have takenhim around the world and then some, several times, playing everywhere from mammoth festival stages tothe thatched-roof booth at Ibiza's Ushuaïa."Shunyata describes my way of life pretty well," affirms Heinrich, who just last year left his full-time day jobto focus on music. Shunyata might be seen as a response to all that flux. Heinrich took his time with the
record, working on musical ideas that extend beyond the limits of a given track. From the sound designs to the grooves to the way the tracks evolve, they all interconnect; intricate polyrhythms wind through the
music like ivy, binding the album together. It's those rhythms you're likely to notice first: dazzling arrays of congas, bells, cymbals, shakers, woodblocks; sounds that sound like tuned water-drops or aluminum barrels; steely drum machines slicingthe air like knives. But behind the layers of percussion there are stranger, shadowier elements at work:chimes, pings, electronic gurgles, scraps of faraway voices, field recordings, and beneath it all, a spongy,squishy bed of bass, comforting and all-encompassing. Shunyata is very much an album: its long, undulating lines and morphological structures reward deep,repeated listening. Great!
Tracklisting:
01 Uruana
02 Me Show
03 We Only Just
04 Dreilach
05 Save Me
06 Shunyata
07 Hermano
08 Down Pantha
09 Rambon
10 Sanchez Says More

Six years since its founding, Cadenza passes a significant milestone with catalog number 50.And who better to preside over the ceremonies than Reboot, fresh from his album Shunyata and showing no signs of slowing down. Resident Advisor recently named Reboot "one of the most celebrated live acts in all electronic music," and even if you've never seen him, "Rambon" shows plenty of evidence why. The track (which also appears on Shunyata) served as the triumphant closing passage of his BBC Essential Mix back in December, and now, finally, it's here in its full glory.
What's immediately striking about the track is that it doesn't sound like a studio concoction. It has all the spontaneity and dynamics of a storming live performance. It's crafted with a DJ in mind, with one of Reboot's perfect grooves assembling itself almost magically, with every percussive line snapping into place like magnets on metal. But for all the naturalism of the rhythm, there's a powerful sense of strangeness, a kind of ambient undertow, as sounds from the real world (the clatter of dishes, a pitched-down murmur, distant strains of radio) seep in and color the background. The track picks up steam with a succession of tightly looped vocals and subtle percussive buildups; it feels less like a composition than a DJ mix, really, the kind where the parts combine to create something far greater than their sum. And out of that emerges a melody—
not your typical four-bar riff, but a long, unspooling ribbon, a meandering river, a hypnotic lullabye. It is, in a world, spellbinding. For the B-side, Luciano remixes "Uruana," the album's undulating opening cut. Extending the six-minute sketch to 10 minutes and reinforcing its structure, Luciano's mix feels almost like an edit. Of the original song's burbling synthesizers and fluid, rolling drum patterns, he's actually changed very little. But where Reboot's track is slow to build, as though emerging from a heavy mist, Luciano's mix gets right down to business. It begins with a new melody line, one clearly inspired by the original (but at the same time so very Lucianesco), a cautious itter-pat, and foggy, Basic Channel-caliber chords; when the kick drum hits, it's on. For a little over 10 minutes, Luciano extends the vibe, chasing a feeling you can't quite put you finger on, across rippling percussion and bright arpeggios. Like a sparkling mimosa, it's perfectly suited for morning. More

It is a well-known fact that tracks by Reboot have been
playing an outstanding role in last year's Cocoon Season.
After all, the 30 year old Frankfurt-based producer Frank
Heinrich already did run riot together with Johnny D., within
a sort-of live jam session on the "Disco Invaders" Cocoon
Ibiza Summer Mix CD. So, it is even more surprising that
the first Reboot 12" on Cocoon is released only now, after
releases on Below and Cadenza. With its tribalistic touch,
"Ronson" is rapidly making clear where the journey will
lead to: with alarm sirens and discharges of compressed
air, Heinrich appears uncompromisingly energetic like
never before, but stays maximally pumping and always
sexy. Somehow more observant, the polyrhythmic and
percussive "Mirasierra" gives the tired dancers a short
break, even if the dub-ornamented bass line sometimes
creates quite discoid moments of luck. By all means, those
two tracks are very suitable for what seem to be the
tropical moments within cold winter nights. More

Cadenza Records introduces another new signing to the label: Reboot, aka Frank Heinrich. After releasing tracks for Combi.int and i220 with his former partner Delle in the duo Delle-Heinrich, the 30-year-old Frankfurt musician takes a dramatic step forward as Reboot, an alias dedicated to grooves both darkly emphatic and dazzlingly polyrhythmic. Launched only a year ago, Heinrich's Reboot project is so far responsible for the well-received "Charlotte" for Frankfurt's Below label as well as a recent remix for Greek duo Lemos & Kreon, on Be-Chosen. Where "Charlotte" was suffused with sweetness and light and tentative time-keeping, Reboot's debut EP for Cadenza Records is considerably darker. More

Format: 7" / 1000 copies, purple vinyl, additional stamp on label

Tracklist
A1: Suicide Commando
B1: In A White Room

File under: PostPunk / Wave

Release Info:
The year is 1981. The Kiel-based PostPunk / Wave underground outfit NO MORE releases their second ever single „Suicide Commando“ and their world changes forever. Well, not only their world – THE world.
What began as an independently published 7“ single became a cult classic, a genre defining – and defying – song, an all-time dancefloor favorite of many, a timeless signature piece that escaped its original realm of PostPunk x Wave x Indie x Alternative to also become engrained
in the DNA of modern electronic dancefloor culture most prominently in the beloved late 90s permutation presented by DJ Hell which became a classic in its own right.
Now the year is 2021. Four decades have passed and NO MORE's „Suicide Commando“ is back once again - well... the song actually never left! -, this time harking back to the very beginning, the original vibe and the original format.
Remastered and re-released with the original tracklisting and paying homage to the original artwork „Suicide Commando“ will be available in 7“ format for the first time since 1981.
And staying true to the underground blueprint this 40th anniversary re-release edition once again is put out on the circuit through a small independent label: the Intrauterin Recordings offspring El Caballo Semental which also released NO MORE's „123456789 *baze.djunkiii
& Herr Brandt Dream A NuDream Remix“ as a limited to 200 copies one-sided, colored whitelabel 7“ edition in 2019.

More

12" Marbled Marbled Yellow Color Vinyl, full colour jacket

GENRE/S: Techno

Volume number 5 of 8 Vinyls, for the 16 Years of Illegal Alien Records

TRACKLISTS:

A1. Electric Indigo - Mod16
A2. DJ Shufflemaster - Bizarre
A3. Maccaaria - Vcntdprlsqm
B1. Tripeo - Pollywog
B2. Unkle Fon - Violet
B3. Urban Groove - Aftertouch

SHORT INFO:
We are extremely happy and proud to present you Volume number 5 of our 16-year anniversary project which will
be released in a limited 12' Vinyl edition and Digital format and will be split into 8 Volumes which includes a total
of 44 exclusive tracks and 46 great artists, from the early days of Techno till now. We immensely thank to all the
artists involved in this project, for believe in Illegal Alien Records, for joining us in this celebration and contributing
with their music to make this release even more special, it's a true honor to count with all of you, thank you for
being part of our history.
Our fifth volume belongs to greats Electric Indigo, DJ Shufflemaster, Maccaaria, Tripeo, Unkle Fon and Urban
Groove.

More

After an initial link up last summer, Altrimenti Records present four more remixes of cult Italian synth maestros Cabaret Du Ciel. Once again the focus is on experimentation, testing unusual crossovers between artists, eras and styles in pursuit of compelling new sounds.
The results across all four of these versions are distinct from each other, and distinct from wider trends in dance music.
First up, Benedek approaches 'Great Plains' as a low-tempo space-boogie excursion. Following in the wake of his releases on Leaving Records, L.I.E.S. and People's Potential Unlimited, the LA-based artist lays down thick slabs of Moog while retaining the ethereal swirl of the source material.
Rome's L.U.C.A. (aka Francesco De Bellis) has established his new wave-inspired sound on his own Edizioni Mondo label, not to mention working in other projects such as MAT101 and Jollymusic, and he brings a sprightly, motorik energy to 'Climatic Variation'.
Lorenzo Fortino's 'Suspacid Revisitation' version of 'Lakota' is aqueous and psychedelic, but remains elegant and understated in its execution. The emergent producer has already released on Wo-Land and most recently Miniera, and this remix ably embodies the entrancing qualities inherent in his sound.
The remix package concludes with a playful, leftfield electro diversion from elusive Montreal-based producers Sentena. Hailing from an emergent scene orbiting the Doo label and projects like SnP 500 and Fashion, their crooked take on machine music perfectly meets the adventurous aims of Altrimenti in testing out crossovers of styles and creative processes.

Tracklist 12":

CABARET DU CIEL - Great Plains (Benedek Remix) 4:08
CABARET DU CIEL - Climatic Variations (L.U.C.A. Quirky Version) 5:56
CABARET DU CIEL - Lakota (Lorenzo Fortino Suspacid Revisitation) 7:30
CABARET DU CIEL - The Breath Of Infinity (Sentena Touches Sky Remix) 4:41




credits
Thanks to Andrea Desiderà, Gian Luigi Morosin, Giorgio Ricci, Niccolò Daniel Rufo aka Rufus & Quindi Records
Artwork by Graziano Mannu Loew
Mastered by MA Spaventi
Manufactured by Mother Tongue
More

Genre : Techno - Ambient

Tracklist 12" :
a1 Daniel[i] & Purl – Pulsate
a2 Daniel[i] & Purl – Compensate
b1 Daniel[i] & Purl – Intimidate
b2 Daniel[i] & Purl – Resonate

LISTENERS GUIDE - WHS03

The infinitive is the basic dictionary form of a verb when used
non-finitely. It is also the form chosen by Daniel[i] and Purl
for the tracks of WHS 03: return to the basics, simplicity,
pure nature distilled into music.
Pulsate starts with an ethereal soundscape, created to then
open to a deeper underwater exploration. There´s a universe
down there and the listener will be guided to appreciate its
beauty: lanternfish giving the tempo of this journey, marine
life to marvel at. We take a step back to observe and fill our
eyes and ears. We come back to the surface, finding peace and
calm.
Opening in a slow, thoughtful and majestic way, Compensate is a
hymn to balance. Since the very beginning, the listener will
notice a contrast between gloomy atmospheres and lighter
sounds, resulting in a chasing sensation that´s uncomfortable,
yet fascinating. Desire to explore, together with acceptance,
surrender to the things we simply can´t understand as humans.
The listener is then invited to explore darker, faster, more
pounding atmospheres. Intimidate anticipate it all in its title
: sounds, tempos, images, they all chase each other to create
an atmosphere that's daunting and fascinating at the same time.
A track to accompany one's journey, be it real or spiritual, a
trip where we let things happen as they come, accepting the
flow of life.
Resonate closes the B side drawing with sounds the depth of our
natural state. Close your eyes and transport yourself in lost
woods, alone in a tent at sunset, when the day is almost over
and ready to make room for the night. The wood is speaking, the
animals are awake, it's frightening but incredibly beautiful.
Crickets are singing their songs, frogs are bouncing from one
pond to another, water connects with air, resonate with earth
and with the smallnes of man in the face of nature._ Format : digital and 12" vinyl.
_ Catalogue : WHS03
_ Original work produced, written and mixed by Daniel Danieli &
Ludvig Cimbrellius.
_ Visual art by Polygonia.
_ Mastered by Giuseppe Tillieci at Enisslab Studio in Rome.
_ Pressed at RandMuzik in Leipzig.
_ Distributed by wordandsound.
_ Listeners guide written by Stefania Trinchero More