Tracklist:
A1 Reboot - All Live Is Good
A2 Reboot - Are You Loosing My Mind
A3 Reboot - Timelive
B1 Reboot - Just Hang On
B2 Reboot - Foxfidelity
C1 Reboot - Tea Time
C2 Reboot - 12 PM
D1 Reboot - Indigo Moods
D2 Reboot - For A Shadow To Dance With
D3 Reboot - Whilst The Others Dream

Short info:
Adding on to his extensive discography, Reboot has curated a fresh journey through his world with the aLIVE LP on Get Physical Music. A diverse selection worthy of the international dancefloor, the LP contains the culmination of the artist's long career and the many experiences, stories and inspirations that come with that.The LP includes a free download code for the full digital album + remixes from Ricardo Villalobos, Kölsch, ANNA & Nakadia.



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Strictly Limited to 500 copies!

Tracklist:
A1 Reboot - Are You Loosing My Mind (Vinyl Version)
A2 Reboot- Are You Loosing My Mind (Ricardo Villalobos Hauswiedermischung)
B Reboot- Are You Loosing My Mind (Ricardo Villalobos Losing My Miles Remix)

Short info:
Reboot takes another slice from his recent album 'Alive' out for a walk. This time it's 'Are You Losing My Mind?'. First we're treated to the vinyl version full of everything we loved from the original. A stripped down tech house beat sprinkled with a might vocal hymn and plenty of groove. Then Ricardo takes over the track with his own very particular style. He's made two distinct versions, 'Hauswiedermischung' is first. As he's known to do, Villalobos created a kind of chaos in which the track lives without ever losing the groove and with plenty of little surprises to discover throughout. Next is Ricardo's twenty four minute 'Losing my Miles' remix, and here is where he really loosens the grip on the track and lets it wander in and out of coherence, taking it and us along for a special ride that only Ricardo can deliver. From beginning to end, you don't know what to expect but you know it when it comes. Get it, press play, and lose your mind.


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UPC 827170131927 Rel date 27.1.2014
Tracklist CD: 1. Tortoise 2. Harsh Time For Kids 3. Che Meloni 4. Banging Ear Drums 5. Tantric Behaviours 6. How Province Saved The Funk
DEEP VIBES RECORDINGS returns to the fore with none other than notorious Frank Heinrich aka REBOOT, purveyor of masterfully crafted rhythm etudes and a highly respected member of Frankfurt's vibrant house scene. With DEEP_V, the Offenbach-bred producer brings his seething second album to Sascha Dive's imprint, bursting at the seams with intricate percussive bliss and nimble-footed grooves for the enthused dancer. The Reboot project certainly hasn't lost his flair for fine-grained, impressively bendy tracks since the very first full-length offering "Shunyata" on Luciano's legendary Cadenza outlet, presenting a new set of underground cuts deeply ingrained in dance music's rich history of kinetic hypnotism. Honed to perfection, opening jam TORTOISE sets the tone with a pleasantly relaxed jog in the company of seemingly scattered drum fragments, nevertheless revealing a deliberate focus and polymorphic confidence at every turn. Following microbangers HARSH TIME FOR KIDS and CHE MELONI occupy themselves with slowly raising the stakes, growing bolder with each sequence and populating the dance floor with snazzy moves. The build-up leads to neotribal workout BANGING EAR DRUMS captivating the senses with a fine assortment of airy samples and driving drum patterns. Together with CD bonus tracks TANTRIC BEHAVIOURS and HOW PROVINCE SAVED THE FUNK - both every bit as oscillatory as their vinyl relatives -, this makes for a rather complete package from an artist who already excels at the art of living, breathing beats, but keeps on getting better before our very ears.
Vital Sales Points:
- Second Album by Reboot aka Frank Heinrich
- Releases on Cadenza, Below, Defected, La Pena, Oslo
- Extensive Global Promo + Tour


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UPC 827170141926 Rel date 27.1.2014
Tracklist LP: A1 Tortoise B1 Harsh Time For Kids C1 Che Meloni D1. Banging Ear Drums
DEEP VIBES RECORDINGS returns to the fore with none other than notorious Frank Heinrich aka REBOOT, purveyor of masterfully crafted rhythm etudes and a highly respected member of Frankfurt's vibrant house scene. With DEEP_V, the Offenbach-bred producer brings his seething second album to Sascha Dive's imprint, bursting at the seams with intricate percussive bliss and nimble-footed grooves for the enthused dancer. The Reboot project certainly hasn't lost his flair for fine-grained, impressively bendy tracks since the very first full-length offering "Shunyata" on Luciano's legendary Cadenza outlet, presenting a new set of underground cuts deeply ingrained in dance music's rich history of kinetic hypnotism. Honed to perfection, opening jam TORTOISE sets the tone with a pleasantly relaxed jog in the company of seemingly scattered drum fragments, nevertheless revealing a deliberate focus and polymorphic confidence at every turn. Following microbangers HARSH TIME FOR KIDS and CHE MELONI occupy themselves with slowly raising the stakes, growing bolder with each sequence and populating the dance floor with snazzy moves. The build-up leads to neotribal workout BANGING EAR DRUMS captivating the senses with a fine assortment of airy samples and driving drum patterns. Together with CD bonus tracks TANTRIC BEHAVIOURS and HOW PROVINCE SAVED THE FUNK - both every bit as oscillatory as their vinyl relatives -, this makes for a rather complete package from an artist who already excels at the art of living, breathing beats, but keeps on getting better before our very ears.
Vital Sales Points:
- Second Album by Reboot aka Frank Heinrich
- Releases on Cadenza, Below, Defected, La Pena, Oslo
- Extensive Global Promo + Tour







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Beginning his relationship with Cadenza back in 2008, German production wizard Reboot has since frequented the label, his solid tech house soundscapes and innate ability to keep his musical structure moving forward being catalyst to his reputable name. Following the incredible 'Shunyata' album on Cadenza in 2010, Reboot is back on the imprint with the 'Beautiful Parasite' EP, including two remixes from Robert Dietz and Cesar Merveille.
Intense and suitably finickety, Reboot's 'Beautiful Parasite' plays with glitches, sparks and tight wooden percussion patterns to begin. On first glance, it's almost minimal in its confined touches but as a rumbling line of dark bass takes hold, "Beautiful Parasite" switches its identity and takes on a sultry persona. From there the changes come thick and fast with faint strings soaring gently in the background and sporadic cymbal crashes and hand claps creating texture. Reaching its dreamy edge with a warm and melodic mainline, the once stern atmosphere of "Beautiful Parasite" is coated in thick echo, doubled in depth and encased in melody.
First Cadenza comrade to take remix duty is Frankfurt's Robert Dietz. Taking his tribal and percussion heavy signature, Dietz warps "Beautiful Parasite" into a dance killer, enhancing the percussive flow of the original and integrating a rapid bass line that simply can't fail to move. Chopping the melody into stabbing sequences and morphing the bass into an arp'd, electro tinged bomb; "Beautiful Parasite" finds its feet firmly on the dance floor through Robert Dietz's remix. Cesar Merveille shifts the gear up another notch with a gloriously rapid attack for his remix. Chaotic percussion and crunching samples smeared across "Beautiful Parasite's" balmy palette, Cesar injects an exotic and slinky edge.
Lastly, as a digital only bonus, "In The Sky" closes 'Beautiful Parasite' on a fresh note. Introduced with a vocal swoon fit for a diva, "In The Sky" breaks into a contradictory concoction of voltaic beats thereafter. Hissing shakers, plentiful claps and a rubbery bass line collide as the atmosphere moves up and down between subtle builds and breaks. Securing its groove with the epic 'Your Loving Arms' lyrics, "In The Sky" will no doubt cause an elated stomp on dance floors worldwide.


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In just three years, since his first EP's under the Reboot moniker appeared on Cadenza and Below, he's become one of electronic music's hottest properties, releasing not only a slew of singles for labels likeCocoon, Love Letters from Oslo, Ricardo Villalobos' Sei Es Drum and underground cult fave Motivbank,but also a pair of high-profile mix CDs for Cocoon and Cécille. His live sets and DJ sessions have takenhim around the world and then some, several times, playing everywhere from mammoth festival stages tothe thatched-roof booth at Ibiza's Ushuaïa."Shunyata describes my way of life pretty well," affirms Heinrich, who just last year left his full-time day jobto focus on music. Shunyata might be seen as a response to all that flux. Heinrich took his time with the
record, working on musical ideas that extend beyond the limits of a given track. From the sound designs to the grooves to the way the tracks evolve, they all interconnect; intricate polyrhythms wind through the
music like ivy, binding the album together. It's those rhythms you're likely to notice first: dazzling arrays of congas, bells, cymbals, shakers, woodblocks; sounds that sound like tuned water-drops or aluminum barrels; steely drum machines slicingthe air like knives. But behind the layers of percussion there are stranger, shadowier elements at work:chimes, pings, electronic gurgles, scraps of faraway voices, field recordings, and beneath it all, a spongy,squishy bed of bass, comforting and all-encompassing. Shunyata is very much an album: its long, undulating lines and morphological structures reward deep,repeated listening. Great!
Tracklisting:
01 Uruana
02 Me Show
03 We Only Just
04 Dreilach
05 Save Me
06 Shunyata
07 Hermano
08 Down Pantha
09 Rambon
10 Sanchez Says

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Emptiness isn't a quality you normally associate with electronic dance music. From the crowd on the associate with electronic dance music. From the crowd on the dancefloor to the weight of the bass, it's all about fullness, volume, density.Reboot turns that opposition on its head with his debut album, Shunyata. The title comes from Buddhism and translates loosely as "emptiness." But not just in the negative sense: it speaks also to impermanence, a state of constant flux.It's a great description of Reboot's music, where everything is in constant and kaleidoscopic motion. And it's also a fitting metaphor for the life of the Frankfurt-based musician, aka Frank Heinrich. In just three years, since his first EP's under the Reboot moniker appeared on Cadenza and Below, he's become one of electronic music's hottest properties, releasing not only a slew of singles for labels like Cocoon, Love Letters from Oslo, Ricardo Villalobos' Sei Es Drum and underground cult fave Motivbank, but also a pair of high-profile mix CDs for Cocoon and Cécille. His live sets and DJ sessions have taken him around the world and then some, several times, playing everywhere from mammoth festival stages to the thatched-roof booth at Ibiza's Ushuaïa. (One look at Reboot's booking schedule, and you can forget about any concept of "emptiness.") "Shunyata describes my way of life pretty well," affirms Heinrich, who just last year left his full-time day job to focus on music. Shunyata might be seen as a response to all that flux. Heinrich took his time with the record, working on musical ideas that extend beyond the limits of a given track. From the sound designs to the grooves to the way the tracks evolve, they all interconnect; intricate polyrhythms wind through the music like ivy, binding the album together.


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Six years since its founding, Cadenza passes a significant milestone with catalog number 50.And who better to preside over the ceremonies than Reboot, fresh from his album Shunyata and showing no signs of slowing down. Resident Advisor recently named Reboot "one of the most celebrated live acts in all electronic music," and even if you've never seen him, "Rambon" shows plenty of evidence why. The track (which also appears on Shunyata) served as the triumphant closing passage of his BBC Essential Mix back in December, and now, finally, it's here in its full glory.
What's immediately striking about the track is that it doesn't sound like a studio concoction. It has all the spontaneity and dynamics of a storming live performance. It's crafted with a DJ in mind, with one of Reboot's perfect grooves assembling itself almost magically, with every percussive line snapping into place like magnets on metal. But for all the naturalism of the rhythm, there's a powerful sense of strangeness, a kind of ambient undertow, as sounds from the real world (the clatter of dishes, a pitched-down murmur, distant strains of radio) seep in and color the background. The track picks up steam with a succession of tightly looped vocals and subtle percussive buildups; it feels less like a composition than a DJ mix, really, the kind where the parts combine to create something far greater than their sum. And out of that emerges a melody—
not your typical four-bar riff, but a long, unspooling ribbon, a meandering river, a hypnotic lullabye. It is, in a world, spellbinding. For the B-side, Luciano remixes "Uruana," the album's undulating opening cut. Extending the six-minute sketch to 10 minutes and reinforcing its structure, Luciano's mix feels almost like an edit. Of the original song's burbling synthesizers and fluid, rolling drum patterns, he's actually changed very little. But where Reboot's track is slow to build, as though emerging from a heavy mist, Luciano's mix gets right down to business. It begins with a new melody line, one clearly inspired by the original (but at the same time so very Lucianesco), a cautious itter-pat, and foggy, Basic Channel-caliber chords; when the kick drum hits, it's on. For a little over 10 minutes, Luciano extends the vibe, chasing a feeling you can't quite put you finger on, across rippling percussion and bright arpeggios. Like a sparkling mimosa, it's perfectly suited for morning.

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It is a well-known fact that tracks by Reboot have been
playing an outstanding role in last year's Cocoon Season.
After all, the 30 year old Frankfurt-based producer Frank
Heinrich already did run riot together with Johnny D., within
a sort-of live jam session on the "Disco Invaders" Cocoon
Ibiza Summer Mix CD. So, it is even more surprising that
the first Reboot 12" on Cocoon is released only now, after
releases on Below and Cadenza. With its tribalistic touch,
"Ronson" is rapidly making clear where the journey will
lead to: with alarm sirens and discharges of compressed
air, Heinrich appears uncompromisingly energetic like
never before, but stays maximally pumping and always
sexy. Somehow more observant, the polyrhythmic and
percussive "Mirasierra" gives the tired dancers a short
break, even if the dub-ornamented bass line sometimes
creates quite discoid moments of luck. By all means, those
two tracks are very suitable for what seem to be the
tropical moments within cold winter nights.

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Tracklist:

A1) Free Your Mind 03:32 min
A2) Around n Around 05:08 min
B1) House Non Stop 06:21 min
B2) Multitool 06:53 min

Short info:
Big Beat 2023! How does it sound? Bigger & better then ever! The prophet Eden Burns does not stop to share his beats with all you out there. Help him spread the message, the dance floors of the world will thank you for it. Beat moves feet, feet do dance, dance is joy, joy is life!



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Damian and Clement of dOP fame return to Circus Company with a new project of dubbed out late night madness featuring vocalist Brian Brewster. Far more sinister then dOP's recent output, 7 Days features 4 tracks which explore am acidic realm of dark ruminations and swamp dredged rhythms. “Introduction” Aquarius starts things off with a Basic Channel-esque wash of chords, noise and spoken word sure to appeal to fans of Berlin's longstanding dub techno tradition. “So Low” comes off like a chopped and screwed take on Italo heard only through the mixer's effect sends, where modulating analog sequences and a thundering motorik back beat desperately swim to the surface of a blackened ocean gasping for air. “Before U Go” lightens the proceedings ever so slightly, upping the tempo and allowing the undulating synths lines to sparkle in the periphery, while the incessant vocal encourages all self-respecting punters to stay on the floor until the last track has passed ! its final groove. Finally “Universe” comes off like a lost out take from Kool Keith's Dr Octagon project with it's classic jacking electro beat and sultry effected vocals.
Tracklisting:
A1 Introduction
A2 So Low
B1 Before U Go
B2 Universe


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Tracklist:
A side
1- Gazebo (Patrice Baumel Remix) (7’02)
2- Gazebo (6’28)
3- Gazebo (Moscoman Remix) (8’27)

B side
1- Gazebo (ANNA Remix) (7’30)
2- Gazebo (Jacques Remix- (6’49)
3- Gazebo (Indie Remix) (7’02)

Short Info:

Exclusive remixes of classical Fairmont’s track “Gazebo”, from ANNA, Patrice Baumel, Moscoman, Jacques & Stefan Smith.

“I'm thrilled to say that the finished package is a set of very fresh and thoughtful reinterpretations with a wide range of styles. Each remix stands on its own and brings something completely unique to the table. I couldn't be happier.” - FAIRMONT


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Limited hand stamped whitelabel.

Tracklist:
(A1) Legowelt – Disco Rout (Younger Rebinds Remix 1) (DE-Q20-19-01881)
(B1) Legowelt – Disco Rout (Younger Rebinds Remix 2) (DE-Q20-19-01882)

Release Info:
Disco Rout first surfaced in 2002. The electro revival that had ushered in the new millennium was in full swing and this was to prove a seminal tune, being voted track of the year by Groove magazine. As if to prove a point the bass line still grabs you the moment it drops, while the laser-guided melodies feel as relevant today as they ever did. Now with this limited hand stamped whitelabel Dutch master Benny Rodriguez aka ROD steps up under his new Younger Rebinds alias with even more intensity than demonstrated on last year’s ‘Sound of Benny EP’ on Running Back. Picking apart the original with almost forensic attention to detail, he gives new life to each individual strand in the form of two
exhilarating mixes that seem destined to leave their mark on dance floors around the globe for the foreseeable future.
Remix one strips things down to the raw, dirty basics giving the phasing bass riff some real breathing space as the hook line slowly unfurls amid a flurry of filtered ADSR madness to create absolute havoc. A series of peaks and troughs ensue, as Rodriguez effortlessly toys with the crowd, frying the synapses and gorging on serotonin, as the mix motors relentlessly to its conclusion. Remix two replaces the precision of the first with a more freestyle approach that’s in one hell of a rush to get going. The bass line rips through the mix, hihats scurry toward the cavernous, arpeggiated breakdown and we’re drenched in reverb as the synths dovetail dangerously, paying homage to the hioctane energy of the original.


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Re-igniting the dancefloors twenty years after its original release, Steve Bug refreshes this classic Chez Damier production, originally from 1992. ‚Can You Feel It‘ is one ofm those classic New York / Chicago House jams that just defines a moment in dance music history. Dessous label boss Steve Bug arranges two special mixes that celebrate and rejuvinate
this very special record. Steve‘s straight up remix maintains the classic vibes with a sensitive 90s themed rework that calls upon clean, fresh drums and smooth sub bass as its initial building blocks. The instantly recognisable vocal is included, as is the hey-day chord vibes and glorious US house melodies. Simply deadly in the right moments... A Re-Dub version is also included that spaces things out and opens up the strings in a breezy and superbly mixed club tool. A ‚New York Dub‘ has also been included, dug out from the Chez Damier vaults and re-masteredm for 2012 - highly prized vibes on this and his trademark, pushing, swinging drums keep us going ‚on and on‘!
Tracklisting:
A1: Can You Feel It - New York Dub (Steve Bug Re-Mix)
B1: Can You Feel It - New York Dub (Steve Bug Re-Dub)
B2: Can You Feel It - New York Dub

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Tracklist 12":

A1) Let Out On The Loose (Danny Krivit Edit) (7:50)
A2) Judge Not (Ray Mang Disco Mix) (6:14)
B1) Riot (Cooper Saver Remix) (6:20)
B2) Do What You Like (David Bay Extended Remix) (6:27)

Release Info:
Four Remixes from the new album of New York’s Phenomenal Handclap Band. The perfect band for the new „organic dance music“ and „Nu Disco“ wave.
Their LP PHB was a favorite of DJs like Harvey, Gilles Peterson, Artwork and many more and for sure the Remixes will be on heavy rotation too. NYC Disco legend Danny Krivit made a hot disco edit. Cooper Saver from the Westcoast serves a breakbeat club version that kicks ass and Ray Mang, London’s legendary man for effective disco and funky house, delivers a fresh disco version of Jugde Not.













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EAN/ UPC: 827170567160
Tracklist:
A1. Cloud Generator A2. Diversion B1. Pocket Piano B2. Pocket Piano (Breakbeat mix)
Short info:
The music Strahil Velchev alias KiNK creates for the 12-inch format is as playful and fanciful as it is functional and precise. His first outing for Running Back is no exception. Inspired by the hardware of the same name, his "Cloud Generator EP" makes the most use of that. Computer nerd symphonies and cyberpunk melodies for clubs, roofless raves and virtual racing games. Wilhelm Reich and William Gibson would enjoy this. Oh, and there is a breakbeat mix on here as well.


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Tracklist
A1. Sex With Madonna
A2. Centurion X
B1. Shame
B2. Night Walker Zwei
B3. HL_LM

Shortinfo:
Neil Landstrumm is among those producers who really don’t need an introduction. Since his first record on Peacefrog in 1995, he pretty much covered every aspect of electronic music, embodied the spirit of the independent producer and build his very own brand of controlled chaos. Never one to be stuck in a loop or monotony, his music ranges from unorthodox techno to all kinds of genre-defying compositions. For his Running Back debut, he serves a frenzy dish that feels like the soundtrack to a space pirate opera. Five tracks of vhs-beta-electro-funk, love ballads for aliens, horror house, silhouette-techno and neuromancing dancing. Housed in an appropriate arcade game sleeve, it’s fit for fun and value for your money.




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2025 Repress in black vinyl. WG Standard Sleeve

Tracklist:
A) Higher State Of Consciousness (Adana Twins Remix One)
B) Higher State Of Consciousness (Adana Twins Remix Two)

Release Info:
Josh Wink’s ‘Higher State of Consciousness’ gets a respectful touch-up 25 years on courtesy of
the Adana Twins.
The German duo come strong with a pair of remixes, fit for two very different dancefloor scenarios. The
first a smart, stripped back breakbeat version that switches from a sparse percussive soundscape to the
famous acid warbles, before introducing undulating retro trance synths to the composition for a headmelting finish. Remix Two is a driving, four-to-the-floor, rave-focused affair that builds up the 303s with
exhilarating intensity, only letting up in the final moments of the track.
The fresh interpretation follows on from Adana Twins’ super re-work of Patrice Baumel’s ‘Roar’ that
dropped on Watergate last November and reinforces the duo’s golden touch on the remix front

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A1. Wildlife - A2. Missing In Reaction - A3. I Have The Feeling I've Been Here Before - B1. My Brain Is A Scrambled Egg - B2. Are You Fine? - B3. It's Good To Try

For his Studio Barnhus debut, Laurence Guy connects the dots between the lo-fi ambient investigations of
his 2017 album Saw You For The First Time, the warm club sounds heard on All I See Is Her (last year’s
standout 12'' for Tokyo’s Mule Music), and the London-based dj/producer’s long roots in deep drum’n’bass and
dubstep soil.
Those roots, always present as subtle rhythmical traces on Laurence Guy records, now appear more explicitly
than ever, boosting the typically graceful harmonies and sooty samples of Guy's music with a new, profound
energy. From the unswerving neo-jungle of Wildlife, through My Brain Is A Scrambled Egg with its dusty rave
euphorisms, onwards to the hypnotic guitar ballad It’s Good To Try, this six-track EP is chock-full of the sort of
unrestrained musical enthusiasm that Studio Barnhus is always on the lookout for.
Making Music Is Bad For Your Self Esteem is at once Guy’s most experimental and most personal record yet, an
essential addition to both artist's and label’s catalogues.

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